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#art a bit because they're a huge
gh0stdogzz · 7 months
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GIGN operators.
(and also my own version of what I think Rook and Monty look like under the helmets :))
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ruporas · 1 year
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can’t talk about it
[ID: Black and white comic of Vash and Wolfwood from Trigun Maximum. The comic starts with the sounds "thud, thud, click". Vash, mid-action of peeling an apple, turns to the sound, noticing who it was that entered, and says, "Oh, Wolfwood, you're back." He resumes back to his apple in the next panel as he speaks, "Where'd you go? You snuck out of bed quickly this morning..." Wolfwood's hand then enters the panel, hovering over Vash's cheek and Vash looks up as Wolfwood asks, "Can I?" Vash responds, "Not going to talk about it?" while using a hand to gently hold Wolfwood's hovering hand and presses a kiss to his inner palm.
Vash then gets up fully, setting down the knife down on the table and the apple onto a plate, He leans into Wolfwood as Wolfwood explains, "Had to meet someone. Nothing interesting to talk about." Vash kisses Wolfwood's left cheek and a hand moves to cup his other cheek while muttering, "You're being vague." Wolfwood says neutrally, "If yer really that curious, keep askin'. We  can talk about that instead of doing this." Vash leans back and responds, "Let's talk after, since... You look so tired."
The panel pans to a close up of Wolfwood's downcast eyes, bags heavy underneath his eyes. He doesn't allow Vash to sit in that moment for long though, then saying, "Yer not helping, Spikey. Being all slow with it... I could fall asleep right now." He moves his hand to start unclasping Vash's coat, starting from his collar. Vash with red cheeks, responds briskly, "Oh, shut up. I'm worried about you. I can't be worried?"
The final shot shows Wolfwood's back to the viewer while Vash's softened expression can be seen as he holds gently onto the side of Wolfwood's face and a hand firm on his waist. Wolfwood responds, "I'm fine, seriously," pausing for a moment before continuing, "Is it okay to still..?" Vash responds, "Yeah, it's okay."
The next image is a shot from later that night after the previous comic. Vash and Wolfwood are now in bed, half naked. Wolfwood's buries his face into Vash's chest, his arms wrapped around him, while Vash is petting at his hair. Vash reminds him, "Hey. You said we'd talk about it." Wolfwood pauses for a moment before piping up, "In the morning? I'm sleepy." Vash says, "Okay..."
The next two pages start from the morning after. Wolfwood is already fully awake, pulling on his outer jacket as he says to Vash, whos' still bundled in his blankets, "Breakfast is on the table. Make sure to eat it. I'm going to grab some things in town and then we're leavin'. Got it?" Vash says, "Mh." Wolfwood responds, "Good. See ya in a bit." The dialogue starts to shift into Vash's inner thoughts now, as he gets up and eats toast, thinking, "Wait. Weren't we supposed to... talk about it?" The next shot then shows him fully up, meeting Wolfwood in town. He carries a half worried expression with him while Wolfwood slides on his glasses for him. A quick panel shows Wolfwood's tired expression from the night before and quickly juxtaposes with Wolfwood in front of him who's smiling gently, the shades covering his eye bags. Wolfwood asks him, "Still not awake yet?" Vash pauses, his thoughts stirring, thinking, "Oh. I guess I was getting ahead of myself... thinking you owe me that kind of honesty." He smiles at Wolfwood and responds, "I'm awake!" His thoughts continue, "Maybe one day, you'd trust me enough to share your burdens."
The final image shows Wolfwood pulling at Vash's cheek and Vash complains, "Owwwww why..." Wolfwood quickly says, "You were thinking something stupid, right? It's all over yer face." Vash mutters, "Nooo, I wasn't..." END ID]
#vashwood#trigun#trigun maximum#vash the stampede#nicholas d wolfwood#Theyre both thoroughly exhausted tired individuals -- vash having to fight this lonely battle for over a hundred years and getting dragged#back into inevitable situation with knives after a 2 years hiatus of being a gunslinger. they both need so much Rest and comfort in this#department... .SIGHS. BUT I JUST THINK ABOUT WOLFWOOD . AND HOW... LITTLE He has existed on no man's land. how majority of his years being#alive is being used as a weapon and to kill when him at his very core is the most giving and selfless individual ever#badlands rumble inspired me a bit but i do think wolfwood gets dragged into occasional tasks from the eye of michael while on his duty of#guiding vash -- or i think that one chapter where we got to see other members of eom -- there's like a clear division within the eom too#i think.... so i figured similarly to vash but not to the same amount -- there are people that look for wolfwood too. but most of the time#it's probably wolfwood that has to look for someone else and take them out. i feel like it happens ever so occasionally.#evidentially these two don't talk enough canonically but they always know how to express things properly to affirm that they're okay#they have the worst time ever sharing burdens - can't willingly burden the other and has neeever asked for help or reprieve in their#desperate situations... vw is a huge case of right person wrong time syndrome so they just. in the time they get to spend together -- even#if romantically - they don't have enough time to heal to get over that kind of hurdle. They've just never asked for help in all the years#they've been alive -- they don't even know how to and its just aughhhsgskg#and well! they don't even need to ask! because they'll be there for each other anyway at the end of the day -- company and presence alone.#ruporas art
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yes-asil · 4 months
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It's funny how this blog when a friend first showed me this blog, was all wild kratz, then ghost boy, warrior cats at one point. Than I come back now *boom* Detco was a huge thing here lol
My blog is a representation of my brain, which goes from fandom to fandom on a weekly basis. The only constant is Ghost Boys, I'm always working on it.
I just... get distracted, a lot.
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drinksglue · 11 months
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If the only people besides actual antis who are anti-Aethy are also pro-AI then I'd say Aethy's a pretty damn great website
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meatbricks · 4 months
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so after i uploaded that one drawing i realized that i never actually uploaded any official reference image of the guys as they appear in this au so here ya go!!
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alt version under the cut; no nsft or anything, i just didnt wanna make the post too long LOL
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starlit-mansion · 5 months
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corollary to the post i reblogged about actual porn having a million more examples of body diversity than hollywood, this is why i don't read smutty fanfic anymore. outside of queerness, it just replicates the diversity problems of mainstream media 98.5% of the time. don't get me wrong... i understand the subculture and all the stuff that goes into the hobby, and i know that there are people out there who put effort into it, but it's not really worth it to me
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sovamurka · 1 year
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As a person who read almost the entirety of 'Legends of Bubble' series I can say that it's bonkers how 'Dreamcatcher' is the smallest book in the series yet it's surprisingly the most important book for its original source.
'Demonslayer' has, like, 5 separate legends, two of them are fucking HUGE (with 'Yarkh. Step up' being the biggest) but 'Dreamcatcher' is the only one that actually ties the first and the second part of its source material and uses it cleverly. It's amazing.
I read this one with the expectation that it's a fanservice-y kind of comic book that could potentially explore the characters but have very little impact on the story as a whole. A story for a very specific audience, a story that could be just skipped. But nooooooo.
They went HARD on this one. Not only we learn more about Balor and Yana's relationship and how it's even more fucked up than we thought (the part where we learn how their first meeting actually happened and whose fault it was had me shooked), but we also learn what kind of plans they had for the future, we learn why they do what they do in Vol.2, we learn why and how the whole 'Satan in the knife' plot started.
But the craziest thing is that they basically spoil the entirety of Vol.2. I kid you not, the way they splattered small delicate details everywhere that you only notice and connect after you read the entirety of 'Demonslayer' is insane. It was not even a Chekhov's gun, it was straight up a Chekhov's cannon. And if after you read it for the first time you're like 'Well, that was fun, moving on!', on your second reading you experience something akin to the existential crisis mixed with five stages of grief. And if you decide to read 'Demonslayer' in its entirety again, thanks to this you'll see everything in a new light and cry over things you didn't cry about before! In fact, you'll finally understand things you didn't understand! You'll also be obliterated by the ending twice as hard this time!
And to this day it drives me crazy how all of this was done in just 114 pages.
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reachartwork · 7 months
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How exactly do you advance AI ethically? Considering how much of the data sets that these tools use was sourced, wouldnt you have to start from scratch?
a: i don't agree with the assertion that "using someone else's images to train an ai" is inherently unethical - ai art is demonstrably "less copy-paste-y" for lack of a better word than collage, and nobody would argue that collage is illegal or ethically shady. i mean some people might but i don't think they're correct.
b: several people have done this alraedy - see, mitsua diffusion, et al.
c: this whole argument is a red herring. it is not long-term relevant adobe firefly is already built exclusively off images they have legal rights to. the dataset question is irrelevant to ethical ai use, because companies already have huge vaults full of media they can train on and do so effectively.
you can cheer all you want that the artist-job-eating-machine made by adobe or disney is ethically sourced, thank god! but it'll still eat everyone's jobs. that's what you need to be caring about.
the solution here obviously is unionization, fighting for increased labor rights for people who stand to be affected by ai (as the writer's guild demonstrated! they did it exactly right!), and fighting for UBI so that we can eventually decouple the act of creation from the act of survival at a fundamental level (so i can stop getting these sorts of dms).
if you're interested in actually advancing ai as a field and not devils advocating me you can also participate in the FOSS (free-and-open-source) ecosystem so that adobe and disney and openai can't develop a monopoly on black-box proprietary technology, and we can have a future where anyone can create any images they want, on their computer, for free, anywhere, instead of behind a paywall they can't control.
fun fact related to that last bit: remember when getty images sued stable diffusion and everybody cheered? yeah anyway they're releasing their own ai generator now. crazy how literally no large company has your interests in mind.
cheers
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sexybritishllama · 4 months
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strap in folks it's time for another neopets drama update
some background reading before we begin: back when neopets wanted to introduce customisation (i.e. dressing up your pet) in 2007, they decided to 'convert' all existing pet art to align with a rigid body structure, rather than all having unique poses. it was just not feasible to create new pieces of art for hundreds of different pet poses every single time they released a new clothing them
customisation had been highly requested up until this point. however, the conversion was NOT popular. in some cases, particularly for basic colours, the change wasn't huge, but in other cases.... uh....
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you get the idea. the more expensive colours like plushie, faerie, grey, royal and darigan got the worst of it because they had the more unique poses pre-conversion, and therefore it was largely agreed that the change to the stiff 'samey', frankly kinda goofy converted look did not look great
most users did not get a choice in having their neopet converted and it was done automatically, but if you had one of these colours where the change was huge, you were given the choice of converting or retaining the old pose (but not having the option to customise your pet). those pets that retained the old, pre-conversion poses are therefore referred to as 'unconverted', or UC for short
once a pet is converted, there's no returning to UC. you also couldn't create UC pets anymore, making UCs a limited resource that would only increase in value with time, particularly as people abandon their pets, leave the site, get frozen, etc.
i could write an entire dissertation on the drama that UC pets have caused for the pet trading economy, the neopet account black market, and general retention of the userbase, but to sum it up, people REALLY want UC pets. they are the single most coveted status symbol on the site
we skip forward now to 2023
the neopets team are planning to introduce UC pets back to the site, so that people will be able to create their own UC pets again for the first time post-converstion (legally at least)
they drip feed bits of information over the year about what this will look like. the main points are
changing a pet to UC will be done via some kind of item bought with neocash, the premium currency on neopets that you need to spend real money to get
putting this item on your pet will give it the UC art style appearance
so. not much really known. but expected release is set for january 2024
yesterday, they hosted an AMA focusing on the new UC pet system and how this was going to work. noticeably absent is any explanation of how much this is actually going to cost and whether it is going to involve any kind of gatcha mechanic, so that's causing our first lot of concern
second lot of drama is that the new UCs aren't actually going to be COMPLETELY the same as the old art, as they're making some small changes for style consistency, see below (old on top, new below):
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the biggest drama, however, comes from how they're dealing with the 'original' UC pets. ALL pets will be getting forcibly converted on the 23rd, with anyone who has a pet that is already an original UC immediately receiving the UC neocash item. there's mention of possibly some kind of trophy or badge recognition for particularly old pets, but it's vague, and generally seems like it won't be possible to distinguish between the original UCs and these new ones
the people who already have OCs are not happy about this
people are allegedly pounding their pets, cancelling their premium, and quitting the site in protest. the boards are flooded with people complaining about the changes and laughing at the downfall of the 'neo-elite' in equal measure
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it's t-minus 5 days until the second great conversion goes live. let's all pray for our souls
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drchucktingle · 4 months
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Hi Dr. Tingle,
I just wanted to say, as someone who has been in the Homestuck fandom for a long time, that I'm so sorry people connected to the game and the comic have been so unnecessarily unkind to you, and that they've carried on this bit so far past the point of decency. Homestuck as a piece of media is deeply saturated with a very particular brand of early 2010s online irony, and there are some folks in the fandom who just refuse to let it go.
I think there are a lot of people out there who choose to take your sincerity as mockery, because to do otherwise would force them to confront their own cynicism and irony-poisoning and commit to self reflection in a way that they're not willing to do at this point in their lives. I'm not saying they're inherently bad people, because I don't believe that and (based only on the limited snapshot of yourself that you give to the world) I don't think you would either, only that they're making unkind decisions out of a fear of difference. Your work is both delightfully fun and incredibly meaningful, for me and a lot of others, and I just wanted to say that.
I'm not entirely sure where I'm going with this, so I'll just say that I hope your day is going well if/when you're reading this.
Respectfully,
Ray/cultivating-saplings
P.S. I would classify Hussie as a light scoundrel, in a 'season 1 villain who you can tell is eventually going to move into the heroes' apartment later in the show and hang out eating all of their chips' sort of way.
P.P.S. I like your lab coat :]
i do not have a lot to respond with other than I LIKE THIS MESSAGE and i think you are correct not just with this way of a specific fandom but with a HUGE PORTION OF THE INTERNET and a certain age range who trotted up in online forums and various websites.
there is a deep deep deep irony poisoning going on with some of these buckaroos and i think my trot kind of short circuits that and it is difficult for these folks to grapple with it. i think when you are used to every single thing on the internet being drenched in irony and every big reveal of an online presence being some keyboard goofball 'trotting for the lulz' it can be very difficult to see chuck and just accept that i am sincere. i have empathy for this.
i should also add that, of course, not all irony is bad. too much can be very destructive though.
all i can do is keep creating my art and being sincere about it, and i think the longer that continues to more irony poisoning will drain from some of these veins. that is one way i can prove love is real i think.
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wombywoo · 27 days
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Hello!!
I wanted to ask if you would be willing to share how you go about finding the references for the injuries you depict in your work? Your pieces where the CoD boys are sporting injuries, fresh and old, are always so lifelike and to my untrained eye seem entirely medically correct.
I have been trying my hand at drawing the boys retired and resting as well, but I’m finding it difficult to decide what work injuries to add and how to find the respective references.
How do you decide what injuries to portray? And how do you go about finding the reference material?
Your huge fan, amustikas
Oooh ok ok! I'm gonna post my answer publically because I think others would find this interesting too!
To preface, I am definitely NOT a medical professional, and as such, a lot of the stuff I choose to depict in my art is not so much..ah, medically accurate as it is....aesthetically pleasing 🤭
I'll start with scars, as a lot of us enjoy slashing up Simon's face with them, lol. Generally, I'll do a cursory google image search for the type of scar I'm looking for (be warned, these can be graphic) with searches like 'burn scar' 'surgery scar' etc. But I find that for things like cuts and lacerations, real-life scars are a bit innocuous and lame 🤷‍♀️ Unfortunately not everyone's skin wants to retain that perfect slash look™️😔
So what I usually end up referencing are costume prosthetic scars ✨
As you can see, they're pretty gnarly:
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And you definitely don't have to go this intense, but I find that the dramatic, carved-like appearance of these translate better to art than a realistically healed wound 🤙
The other thing to consider is the prevalence of injuries in the military. From what I've gathered, the most common will be back/shoulder/limb injuries, just a general fucking up of the whole musculoskeletal system in general due to constant overuse 🤕 Hearing loss, shrapnel/blast/burn injuries are also common, as well as all the negative psychological effects :') goooood times (not)
I think it's neat to look up real-life examples of these things, but it can get a bit intense if you're squeamish...
SafeSearch is OFF, the horrors are REal 😳
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So yeah...I tend to tone things down, all things considered...😅
For this particular piece:
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I researched broken humerus injuries and treatment 👍 Poor boy 🥺(Yes, I am aware that I consumed entire articles and did a shit ton of research about this just to go ahead and put a female's x-ray in this fucking picture sdfghjkl rip💀😭)
But here you can see the actual process for applying the brace for this particular injury:
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Neat, eh?
When I draw Johnny with a knee brace, it's usually a real authentic one you can buy on amazon:
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Product placement blast!!!💥✨ Bezos, where is my cut?? 🫰
As for ones like this:
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I tend to just...scatter some wounds around and patch them up accordingly, lol. Bruising around the eyes is common with any head injury, and surgical stitching will offer a nice puckered skin effect mmm 👌 (I swear I'm normal abt this)
I'm sure the medical malpractice lawsuits are stacking up for me now, but again--it's usually more about the ✨visuals✨
My parting advice would be--go nuts! Feel free to maim and mutilate and mangle to your heart's content 🥰
Thank you for the question, Amustikas! I love your art as well 💗🫶
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theminecraftbee · 7 months
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sigh okay this year i have actual mob vote opinions. disclaimer: my MAIN opinion is that if i see too much mob vote salt on my dash i'll just block the relevant terms again, and that all three mobs are adorable and i'd like any of them. however, my vague thoughts on them:
crab: i have inherent vault hunters-based crab grudges. the coconut crab appears in my nightmares. however, past that, the crab as an animal is fun, i like crabs alright. the fact it's shown crawling up trees sideways is neat. i'll say mangrove forests are ALREADY one of the loveliest, most alive-feeling biomes, so i don't know if they need an exclusive mob? but it's also realistic for the crab so i'll take it. when it comes to the crab claw itself... many questions. is it an off-hand item? or like create's extendo-reach thing? or what? how MUCH additional reach does it give you? even just two blocks can be wildly useful in my modded experience, but like, is it one or two blocks, or does it double your reach, or what? and does that reach extend to mining at all? the video says it's just block placing, which would make sense from a balance perspective, but does sort of hamstring the claw's usefulness if that's the case; if you misplace a block you're going to have to scaffold over there anyway. if it DOES include mining reach... oh boy, that's a whole new ballgame.
armadillo: cute! i like armadillos! seeing it curled up as a ball, i wonder if it has a block-like form like that? that sounds really fun! like a shulker, or something else you could stand on. (that is PURE speculation, nothing else to suggest that is shown in the video.) it being found in "warm biomes like the savannah" i like more than the mangrove-exclusive crab, especially since the savannah can feel a little sparse and lifeless. i wonder if it's in other warm biomes? as for its effect, it has the most straightforward one: when it gets scared it sheds its scute, and you can use that to make wolf armor. i like wolf armor! wolves have needed some way to make them more survivable for ages! it's not like, got potential to be a massive gamechanger or anything, but it doesn't have to, it's fun!
penguins: by FAR the cutest design. i love that they chose macaroni penguins, excellent choice. the fact they're native to stony shore biomes is also an excellent choice (and far better than choosing a snowy biome; more penguins live in places like the stony shore irl!). the stony shore having penguins also gives it a bit more of the life stony shorelines have irl. their secondary effect, though... honestly, "make boats go faster" doesn't really speak to me? i am enjoying imagining a world where this effect works while iceboating (prepare to rubberband ALL OVER THE PLACE), and i think it would be fun, it just personally compels me the least. which is a shame, because i think the penguins are ABSOLUTELY the cutest!
overall, i think i land towards the armadillo. i like that none of them really have any big, exciting, game changing feature, just nice-to-have. makes it feel less like we miss out on something huge when two of them lose, just miss out on something potentially cute. i still wish the old mob votes could still be added to the game and that the losers here would also be added to the game. i wouldn't be mad if any of these guys won honestly they're all cute and have mildly interesting effects.
and this will be the last time i discuss the mob vote, except maybe to reblog cute art.
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mysteryshoptls · 20 days
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SSR Ruggie Bucchi - Platinum Jacket Vignette
"Happy 100th Anniversary"
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[Land of Dawning – National Museum of Art]
Ruggie: Can't believe I'm here bein' a supporter for some museum like this. Guess ya never know what life's got in store for ya.
Ruggie: I mean, I totally wouldn't've ever paid to see paintings that I can't even fill my belly with…
Ruggie: But I guess it's okay if I don't gotta pay. I wonder if they got paintings I've seen in my textbooks.
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???: This painting… These are the hyenas from the King of Beast's legends. When the three of them are lined up like this it's kind of intimidating…
Ruggie: Well, yeah, they were out there patrollin' lava quarries 'n goin' out on scoutin' missions, so.
Trey: You sure know your stuff, Ruggie. I guess that would make sense for a hyena beastman to know.
Trey: But still… Both patrolling and scouting seems like painstaking work.
Ruggie: Oh, yeah. From the stories I've heard, they had some pretty tight scrapes…
Ruggie: Like there's one where while they were out chasin' some stubborn foe, they ended up runnin' off a cliff tryin' to catch 'em…
Ruggie: Which had 'em endin' up flyin' into some real prickly thickets.
Trey: If it were me, I'd probably hesitate, worried about getting hurt. Guess the hyenas who worked under the King of Beasts were just that brave.
Ruggie: Brave? Then I guess I'll take that compliment, too. 'Cause I've jumped into thorny thickets like that a buncha times!
Trey: You've jumped into the thorny thickets…? A bunch of times!? Why would you do that…?
Ruggie: Actually, did you know? In the Sunset Savanna, there's this real steep cliff that's become a bit of a tourist attraction.
Ruggie: It's the perfect place to catch the settin' sun, so a ton of tourists go up there to snap a pic, leanin' over the fences 'n everything.
Ruggie: And like, sometimes there's folk that'll get so focused on settin' up the shot, or that'll bump into others that they'll drop and lose stuff.
Trey: I'd expect they'd have to let their stuff go if they dropped it off the cliff… But how does this all tie into you talking about the thorny thickets??
Ruggie: Sheeheehee. So actually, at the bottom of that cliff, there's a huge bramble of thorny thickets.
Ruggie: It's off-limits, and it's pretty dangerous, so no one really heads down there.
Ruggie: So, that's why I'd sneak down in the dead of night, and pick up all the lost items!
Ruggie: Sometimes I'd find little wrapped pieces of candy, watches 'n accessories, and even wallets!
Ruggie: Well, it kinda depended week to week what dropped, but… That was a great way to make some quick cash.
Trey: B-But if you had gotten injured, would all that have been worth it?
Ruggie: Yeah, true. Back when I was just a kid, I could slip in 'n out pretty easily, but I had to stop when I started getting' bigger.
Ruggie: Not only was I makin' big bucks, but the cliff's environment was getting' kept clean. Felt like a win-win deal to me.
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[Land of Dawning – National Museum of Art]
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Ruggie: Oh, this one… It's a painting of the thunder god and his son.
Trey: Yeah, according to the legends, he came to the human world just after being born, and was raised by adoptive parents.
Ruggie: Basically, that means he was raised apart from his actual dad, right? Amazin' they actually look like they get along good.
Trey: Haha… I wonder. Do you get along with your dad, Ruggie?
Ruggie: Nah, I don't got one.
Ruggie: He left back when I was a kid, so I don't remember anythin' about him, 'n I don't know what he's up to now.
Trey: Oh… Is that so? Sorry, I didn't mean to overstep my bounds.
Ruggie: Huh, that reaction's pretty different than what I'm used to.
Ruggie: Back home, there's a ton of kids just like me, so usually they'd just shrug and go, "Oh, okay" and move on.
Trey: And I guess it doesn't sound like they're saying that just to be considerate.
Ruggie: Obviously. Because the bigger problem is not havin' the money to buy food!
Ruggie: Granny'd take care of me, but there wasn't much we could do 'bout our empty bellies…
Ruggie: When I was big enough, I'd start working together with all the kids in my little neighborhood to scrounge up some food.
Trey: Kids running around trying to gather food on their own… That's hard for me to imagine.
Ruggie: There's a buncha ways to gather up food. We'd go into town and ask for alms, or drop a line in the river.
Ruggie: We were always pretty hungry, so we'd pretty much do anything… Oh, like we had a great time once digging for potatoes.
Trey: Is digging up potatoes that exciting?
Ruggie: WELL, YEAH!
Ruggie: There's actually a type of potato that grows in my country that can get as large as 20 kilos…
Ruggie: Around the time the potato harvestin' was finishin' up, we all snuck into the fields at night…
Ruggie: And we'd pick up some stunted potatoes that were left behind, as well as dug up some other forgotten potatoes.
Ruggie: We were all up in arms to pick every single one before the sun rose!
Trey: Why'd you go at mid… Never mind, I'm not going to ask.
Ruggie: And then, this one year when I was diggin', I hit the jackpot!
Ruggie: It was a potato so huge I wouldn't've even been able to carry it with both arms! It had't've been heavier than 20 kilos~
Ruggie: Didn't think there'd be any potatoes left that huge… Maan, I really lucked out then.
Trey: 20 kilograms, huh… With something that big, I don't think there'd be much to worry about eating for a while.
Ruggie: Don'tcha think?
Ruggie: I was thinkin', like, we could dry whatever was leftover and turn it to powder to make it last a bit longer…
Ruggie: But then Granny ended up boilin' 'em, fryin' 'em, and basically makin' a ton of dishes. It was a potato party extravaganza!
Ruggie: Me and the other street kiddos were just packin' 'em away, and little by little it started to disappear…
Ruggie: In the end, I couldn't make anything to save it for later.
Trey: Ah… That's rough.
Ruggie: And I never saw a potato that huge ever again. Guess good luck like that only ever hits once in a while.
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[Land of Dawning – National Museum of Art]
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Trey: Woah… This painting has a real powerful presence.
Ruggie: So, this is a painting of when the Thorn Fairy transformed into a dragon to fight, huh.
Trey: She looks way stronger than what her stories say. I bet I would be no match for her.
Ruggie: Eh!? Trey-san, you lookin' to pick a fight with the Thorn Fairy? It'd be waaay better to try 'n flatter her instead
Trey: Oho, but that might be the scarier route, don't you think? You might end up in deep trouble if you were to offend the Thorn Fairy instead.
Ruggie: Sheeheehee. Oh, but I'm pretty good with that kinda stuff.
Trey: Haha, well, I guess I have to admire that pluck.
Ruggie: But man, she's really something. She's the one that caused all that lightning too, right?
Ruggie: They say it was always thunderin' and lightnin' outside her castle as a way to keep intruders out… That's a huge undertakin', huh.
Ruggie: But with all those lightning strikes, I bet the bread prices were super cheap near the Thorn Fairy's castle.
Trey: Bread? …Ohh, right! Because when lightning strikes, certain particles are released in the air that helps plants grow.
Ruggie: Huh? Wait, are ya sayin' there's actually a whole science behind the whole "bread gets cheaper whenever it thunders"!?
Trey: Oh, isn't that what you meant?
Ruggie: I was just sayin' what Granny would always say…
Ruggie: Wait, so does that sayin' mean that 'cause more wheat gets harvested, more bread can get made, and that's why it's cheaper?
Trey: Yeah. Although, with how much we've developed our fertilizers nowadays, I don't know how much lightning strikes actually play a part anymore.
Ruggie: Cooool, I had no idea. Guess you Science Club folk know your stuff.
Ruggie: I bet Granny didn't really know the meanin' behind it like you did…
Ruggie: But I bet she saw with her own eyes the change in bread prices whenever there were tons of thunder and lightning.
Ruggie: But still… Kinda weird, huh. Sheeheehee.
Trey: Weird? What is?
Ruggie: Back when I was a kid, I only ever cared 'bout food, so there's no way I woulda been interested in learnin' why the bread was cheaper.
Ruggie: But now, I heard your whole spiel, and my reaction was to think it was pretty cool. Guess I'm maturin'.
Trey: Well… Maybe it's just that you can actually afford to take the time to listen now?
Ruggie: Maybe, maybe not. 'Cause my wallet's still pretty empty…
Ruggie: Oh hey, maybe this is just me bein' able to relax my stresses away, huh!? …Maybe not, heh.
Trey: Could be, if you're enjoying your time here, at least. Oops… Look at the time.
Trey: I think I'll head out to go check on how my dormmates are doing. See you, Ruggie.
Ruggie: 'Kaay, see ya. I'm gonna keep lookin' around this area a bit longer.
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Ruggie: Hm? This painting… A lion cub's just lollygaggin' with a warthog 'n a meerkat.
Ruggie: I'm wonderin' if they even know all the scary things that can happen to animals that step outta their territory, hm?
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Requested by Anonymous.
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kandavers · 28 days
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Here comes a small ramble about how RadioApple and your art kinda made my mind explode/pos
I used to be very icky about RadioApple and any Alastor ship, really... I'd go "Ew! Respect the aroace rep!" and block away anything with such contents... But after crossing with your tumblr I was enthralled. In special the "No touch Day" small comic, something about it made me feel happy.
Gosh, I never had seen that type of aroace representation... I kinda knew it was an spectrum, but never got the meaning of that, I'd just assume it wasn't for my understanding as a pansexual (supposedly the opposite).
But holy shit- With your Tumblr not only did I get the meaning.
Now guess why the "No Touch Day" comic makes me so happy? Because it made me go "haha, funny I'm kinda like Alastor in that one. Probably that's why not every single one of my relationships worked, sometimes I'd just not feel like romance or getting touchy, haha... OH"
... Guess who now knows they're pan and somewhere on the aroace spectrum? Exactly, me!
I feel a bit awkward sending this, but I felt like you needed to know the huge (good) impact your art got in someone's life :D
(Well, not so small ramble... Sorry lmao)
Don't worry! I enjoy reading rambles like these!
I'm very glad you like my No Touch Tuesday comic! In fact, it's very near and dear to my heart as well! On some days my friends want to cuddle, but I would feel too out of it to touch anyone. It happens to me Too!
Honestly I project a lot of my real-life experiences onto my art (has it been Obvious?), so when I hear that You feel the same way, I feel seen! So nice to know I'm not alone :)
I hope to do this Pair more justice in the future! It's very Fun to explore their dynamics and illustrate them in silly comics and such :D I hope you'll Look Forward to it!
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kingdomoftyto · 10 months
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I'm crying laughing, the DVDs are even worse than I remember... Season 1's menus are silent with a single static jpg of the same key character art they use for everything else, and the episodes on the Season 2 discs don't even match what's listed on the box! Absolutely stunning lack of shits given. Truly unparalleled. But I really shouldn't be surprised given... well... everything about how this series has been treated since the very beginning.
Time for a quick ~✨PHANDOM HISTORY LESSON✨~ to give newer/less hyperfixated folks more context for why the graphic novel being as great as it is is such a HUGE deal:
Danny Phantom was one of Nickelodeon's MAIN cartoons, in its time. It was a central pillar. One of the top three or four of their lineup, which is saying something when the competition includes the cultural juggernaut that is Spongebob.
Despite this, and despite its superhero theming making it perfectly marketable, it got basically ZERO official merch.
What little we did get was often ugly and very, very cheap. The dedication at the start of the graphic novel that jokes about collecting the Burger King toys? That's because it was some of the most notable merch the franchise EVER had. (I sadly do not have any of it. There was no BK in my hometown. Here's a pic from the internet, though, to give you an idea.)
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If you think I'm exaggerating about that being the most significant physical merch to come out of the series, consider that the first video game had an entire menu option specifically for the Burger King promotional tie-in:
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That video game, by the way, was one of only two ever based on the show. The first was an adaptation of "The Ultimate Enemy" in the style of a short sidescrolling beat-em-up, and the second was themed around "Urban Jungle" and (as far as I can tell--I've only played the first couple levels) was an arcade-style scrolling shooter. Both were for the Gameboy Advance, and both are...... fine, as far as cash-grabby video game tie-ins to kids' shows go. This was pretty normal for the time, so I suppose we did okay in that department, actually. They're not GOOD, but they're playable and have at least a bit of effort put into them.
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But besides those two video games (plus a handful of simple, long-defunct Flash games on nick.com)? In the decade and a half since the show ended?
Nothing.
No books, no games, no comics, no web shorts--unless you count mega-crossovers with every other Nicktoon (a la Nicktoons Unite), or soulless promotional material like "Fairly Odd Phantom" (which, trust me, despite being the first new DP animation in over 10 years was not even worth the effort of watching).
...I think there was a limited edition FunkoPop once?
So yeah.
A Glitch in Time is not just the first cool, well-made thing we've seen from the franchise in a while. It's the first THING we've seen since the show. PERIOD. And arguably the first worthwhile supplementary material to EVER come out of the show, depending on how you feel about those GBA games and the Nicktoons crossovers.
This franchise is widely beloved even now, almost 20 years after it first aired, and it feels like that fact is now, finally, FINALLY getting some official recognition.
PLEASE read A Glitch in Time. Tell other people about it. The series--no, the fans--deserve this (and more of this, if the folks in charge see enough of a response and decide to grace us with any followup). It's LONG overdue, but better late than never.
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kvothe-kingkiller · 5 months
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I'm not the best writer when it comes to writing convincing essays or whatever, but I'm going to give this a go because it's something that I've thought for a long time that I've never seen anyone really acknowledge unless I bring it up first. (also I am sick and don't really want to do much editing here, just rambles, so good luck)
I think that when most (not all, but most) people get salty about 'modern art', they are not salty about the things people think they are salty about. When they say "this isn't art", theres an important bit that they're not articulating. What I think most of them mean is "this isn't art that should be in a museum." "this isn't art that should cost this much" "this isn't art that should be getting this kind of recognition". And there is a huge difference between that and just saying "this isn't art"
Firstly, all of the arguments about why modern art is in fact art straight up....don't apply. They don't address the problem, they don't answer the question. This isn't really anyone's fault per se, given that it is addressing the literal statement, it's just I think most people aren't actually thinking that literal statement.
So then what do they really mean? Like I said, I think they're trying to articulate why they're frustrated that this art is in a museum when "they could do it". So when you say "okay then, you do it" that doesn't address the core issue, which is "but why is this getting recognition for it, and I would get none" because yes, unless they are famous, they would get Zero recognition for it. Nobody would be lining up to buy their art, no one would ask to put it in a museum. Best place they can hope to have this displayed is a fridge door.
When you look at a piece of fine art, most can see the amount of effort put into it. They see how much training it took to get there, they see how much time it took to put those strokes on that canvas and they can go "yeah, that took skill, that took effort, not everyone can do that. it deserves recognition". And a lot of modern art does take skill, it's just skill that isn't easily noticeable to the average viewer, such as rothko's color fields, they do take a lot of skill and effort, you just can't see it if you don't know. But a lot of modern art that people complain about isn't something that has skill that's not recognized, it just requires very little technical skill at all (not a condemnation, btw).
When you're talking about something 'anyone can do' that piece's value is often not a recognition of skill, or even of the message, it's a recognition of a name. It's similar to having a gucci bag because it's a gucci bag, not because you care remotely about the bag. Yes, art isn't displayed because of how much effort went into it, but it's a huge industry that many many people are making money through from sheer name recognition alone.
Like that one painting of that one artist's (I forget which artist and my cursory google isnt finding it, but also its just an example) where it got replicated and sold to a bunch of people for a large amount of money so they could all have something that had a small chance of being a genuine painting by the artist, that's an excellent example of the fact that a lot of the gallery-level art world is Entirely about the name, not about the piece itself. If someone just made that painting but didn't say it could be from the artist, then who cares?
If you go to ringo starr's art website (https://www.ringostarrart.com/) then you can see that some of his work, especially his older work, is of that category of stuff that many people would say "I could do that" to. For instance, these two? 1,400 and 6,000 pounds respectively for a PRINT of these from his website
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....okay this one I kinda enjoy.
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but still. 2,000 pounds for a print.
All of this is possible because he's ringo fucking starr, he can sell his paintings for whatever he wants. If I tried to sell those for that much, I'd be laughed out of the room. All of it is just clout, it's just how big your name is and how much you can use that as leverage.
This is not to say that other forms of art don't also have this issue, they do, especially with people devaluing creative works so much today. But you could probably get a few commissions if you sell realistic art or do commissions of people's characters, while you Cannot get any money trying to sell stuff like ringos art unless you already have an audience who will buy it.
This does somewhat lead into a discussion of how art curators pick which artists are 'good' somewhat arbitrarily, but that's a whole other post.
Doing art for 'yourself' vs for other people or money is also a whole other post, one which I've actually seen quite a lot on here. But suffice to say if your response to all of this is 'just make art for yourself! Why do you need recognition?' then maybe go find some of those posts. It's not bad to want recognition, and it's not bad to question why that guy is getting much more recognition for the exact same thing you're doing just because he has a bunch of rich friends who are able to host fancy parties and go 'hmm. yes this is good art.' (not that all modern artists had rich friends, but they did almost all get Extremely lucky in some shape or another that led to them now being widely accepted as good artists).
You cannot make a living off modern art unless you're well known, and if you happen to be well known already, you could likely make a living off modern art without having any experience, and that's what a lot of people hate about modern art, even if they don't articulate it. While some would, most wouldn't say "my five year old could do that" to someone's personal piece that they made themselves and hung up in their home, or that their friend made and gave to them. They say that about the pieces bought for thousands of dollars or millions of dollars.
And I don't want people to think that I do hate modern art, I don't (though this is tumblr, so I'm pissing on the poor just by writing this). I don't hate any of the famous modern artists, I don't think modern art isn't art. I do hate the industry that says their art is suddenly worth something just because some rich fuckers somewhere decided they should be, and anything I tried to do in a similar vein, original or not, would be better suited to sit in a coffee shop and continuously marked down and never sold.
So next time you say "so why don't you make it", maybe ask yourself if you would buy it.
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