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#anyway funky dragon show good had a great time
bringina · 1 year
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bioware really said "i made this whole ass cool as fuck last second reveal in absolution that gives dreadwolf so much potential, so help me if y'all say dragon age 2 is a bad game that can just be skipped in the triology ONE MORE TIME I WILL SEND MEREDITH TO BEAT YOUR ASS-" and honestly that is so correct of them
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xamaxenta · 2 years
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What are all your favorite op ships? And what ones are hard no?
Honestly I ship all of the WBP with Ace excluding Pops (And Teach but honestly man was never a WBP anyway the traitor!!!)
But yea MarcoAce is my number one for sure I just need to figure out how to draw Marco consistently and then we gucci - MarcoAce is 👌🏽 hits that spot for me, the older more mature one hesitating in falling in love but the younger one Ace chasing them pursuing them actively
Like the whole firecracker chasing the old bird? LOVE IT!!!!!
Big fan of LawLu and CobyLu both are veeeery cute anything with Luffy is automatically super cute
Also Corazon and Bellemere for happier modern Aus ❤️ they are cuties bc I love Nami Nojiko and Law and Lami being siblings
ThatchIzou theyre the longest relationship on the moby, married and everything and Ace goes to them for advice on Marco and how to ask him out awwua ThatchIzou is the sexy couple ok i love em
NamiVivi as well like Nami the cat burglar has a PRINCESS wife? The vibes are immaculate here such a powercouple
Ofc FrankyRobin/Frobin i love that funky cyborg man and his equally funky archaeologist wife, they’re that couple you envy for being so adorable and in sync
Deuce/Ace is a new one for me one I didnt expect because Deuce didn’t really appeal to me, Until I drew him and oh man I got it bad for Deuce now and I think they would be very SHY together like first love holding hands and BLUSHING BECAUSE ITS SO LEWD
SanjiZoro (yes) you read that right, I think zoro is a bottom bitch and sanji tops - purely for the fact I like changing the norms up with super popular pairings like them - Sanji gets to feel more idk in control? Like I personally feel Sanji would struggle with loving a man and all the toxic masculinity stuff he cornered himself into, bottom sanji isnt a bad thing and i like the fight he always goes through in letting zoro take control but YOU KNOW WHAT they switch I like healthy zosan sanzo whatever ignore what i was trying to say lol - Omega Zoro tho sets me on fire i love it so much
UsoppSanji - very cute ok I think they are like a basket of kittens - although ZoroSanjiUsopp is UH GREAT??? Usopp thinking he’s not good enough but these two bearing down on their sniper king like YEAH YOURE HOT AF BRO its very bromancy but they also hold hands together and kiss USOPP HAS TWO HANDS
But also Usopp and Kaya is just sweetness
Aaaand uh SengokuGarp (listen IF DRAGON EXISTS I KNOW GARP HAD A LADY BUT SENGOKUGARP IS FUN)
Some pleasure ships that I’m not embarrassed about and love very much haha:
Shanks/Ace, Rayleigh/Ace, Jinbe/Ace, Sabo/Ace or specifically Marco/Sabo/Ace
-
Not for Me ships
Smoker and Ace, i get it I Really do it so be like that but :/// idk I’ve never been very into Smoker, My gf is obssessed with him🤣 maybe im having lingering hard feelings bc he steals my girl everytime he shows up…. Im kidding Smoker just aint it not when MARCO EXISTS HELLo??? (I also think post time skip Smoker is ugly, his pre timeskip design is wayyyy better)
Sanji Ace - again i totally see the appeal, I also love the idea of all the strawhats having a crush on Ace but thats it just a crush - idk I can’t see Sanji doing one night stands or long distance relationships - he seems like the kind of guy who needs daily affection, love and affirmations and Ace can’t give that to him imo, i think theyre cute and compatible but because of Sanjis nature i dont see it working out, and I dont like long distance relationships due to originally trying so hard in one myself and basically getting neglected (im not saying im projecting but Sanji probably would feel the same, not that Ace is neglectful but it takes time to send letters and travel to see each other on the grandline) - SO TLDR; definitely cute but not for me
- Hard no ships - I dont really have any? Love is love and love what you love haha but I gotta say
Anything with Teach - is he even paired with anyone?
Doflamingo with either Cora or Law is frankly upsetting - he’s a horrible person and I can’t personally see how he’s attractive, he’s repulsive and seeing noncon stuff with him and Law or Crocodile etc is gross
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Merlin goes missing, and they find him in chains, looking blank:
Stories of the great power of Emrys have been spreading. But Merlin is still young, and though powerful, control alludes him, from time to time. What happens when those who crave power for themselves take that control from him? By force?
Part 2(final part)
TW: Graphic ish descriptions of violence/blood.
(This was requested a while ago, mind control being broken by the power of friendship)
Merlin was meant to be on a three day trip to gather some rare herbs for Gaius.
The former manservant thought that it was quite ironic, how “herb picking” had been one of his most often used excuses (after “the tavern”) for where he disappeared to when he was still hiding his magic, but now he was Court Sorcerer, Gaius actually made him do it.
This just meant that no one immediately panicked when he wasn’t back by sundown on the third day.
All knew how capable Merlin was. None of the Druid advisors had been sent a message through the link, and an irate dragon hadn’t shown up asking for help.
Meaning he probably just got lost or distracted; lost track of time. He’d be home by noon the next day, prattling on about something he’d seen, or someone he’d spoken to.
Gaius would give him a raised eyebrow and Arthur would punch him in the arm and he’d be all indignant, insisting that “I can look after myself, and honestly Arthur, I was only gone an extra half day, no need to be so panicked.” with a smirk.
When he still wasn’t back before sundown on the fifth day, The Gang started to really worry. They gather in the council room, just the nine of them (the five knights, Arthur, Gaius, Gwen, Morgana) to try to come up with some sort of explanation, or if needed, a plan.
Morgana speaks first, and the uncertainty on her face heightens the anxiety in everyone:
“I’ve tried looking for him, sensing him, but I can’t feel him at all. Like he’s completely disappeared from the world-”
At that, Arthur interrupts her, panic showing on his face, and his voice shaking:
“You don’t mean?-”
Morgana widens her eyes at the meaning the others had taken from her words:
“NO! No, not that, if he were... dead, I would feel that. I would be able to find his… I would be able to find him, and feel a sort of echo, feel the recent effects he’s had on the world around him. But I don’t, I just feel…. nothing. Like he never existed in the first place.”
Everyone looks extremely troubled at that. Morgana wasn’t nearly as powerful as Merlin, but he had been teaching her, and she was getting stronger. If this feeling of absence worried her, then it worried all of them.
Gaius speaks up after a few moments of silence:
“We could ask the Druids? They have a strong, permanent bond to him. It may help in finding him. If not…”
Arthur nods firmly as he replies to the room:
“If not, we track him down the old fashioned way. We managed before, we might just have to manage again now.”
The others nod at that, determined to not let Merlin down.
(Not let Merlin down again. None of them (other than Gaius, Lancelot, and Morgana of course) had reacted all that well to Merlin’s magic when they first learned the truth. And whilst that was years ago, and Merlin claimed to have forgiven them all immediately, they still felt guilty for the way they’d treated him in those first few hours/days.)
As it turns out, the three Druid advisors were equally worried, and had been in the process of hurrying to the council room to inform The King of the severed tie between themselves and Emrys, just as Arthur had decided to call for their presence.
The whole gang had to quell their panic, and remind themselves of Arthur’s words. They’d managed before, they would manage now.
At first light the next day, Arthur and the knights rode out. Morgana was left with the crown, with Gwen and Gaius as advisors to stay and support her.
The King tried to insist on leaving one or two of the knights behind as well, just in case, but they weren’t having it, and Morgana’s reminder of:
“Merlin is incredibly powerful, Arthur. If someone has been strong enough to subdue or hurt him, then you’ll need all the help you can get.”
-he reluctantly allowed all five of them to come.
Gaius had provided them with the directions, so they could start their search where Merlin was supposed to be, and go from there.
After a full day’s journey, they arrive at the first of two clearings, just before nightfall. After a thorough look around, they found that Merlin had in fact been there, but he left peacefully, and they found no sign that anyone else had travelled through recently.
So he hadn’t been taken from the first clearing. Arthur and Gwaine had wanted to push on through the night, the second of the two clearings was only a few hours away, but Leon gave them a stern look, and with support from the others, insisted that they rest for the night.
They could wake early and continue in the morning, but the horses (and the knights) were starving, and tired, and needed rest. They would be no use to Merlin at all if they turned up dead on their feet.
Elyan tried to volunteer for the first watch, but Arthur insisted he take it. No one really argued with him, they knew he wouldn’t sleep well anyway, not with Merlin missing, and potentially hurt.
Elyan did however wake up a few hours later (a pure coincidence, it definitely wasn’t because he asked Percival to cast a low-level enchantment that would wake him (I like to imagine that once things had settled, Merlin tries to teach the lads a little sorcery. Arthur is hopeless, as are Lancelot and Elyan, but Leon and Gwaine aren’t toooo bad, and Percival is fairly alright)) and insisted that The King get some sleep.
He didn’t like to do it often (Arthur’s head was already big enough) but Elyan did use a little flattery to his advantage:
“Come now, My Lord. You’re the strongest of all of us, and it’s your orders we follow, how can we expect to win if our leader can’t walk or think straight?”
Arthur mumbles something about how “Flattery won’t get you anywhere in court, Sir Elyan.” But dutifully allows himself to slip into a fitful rest.
As promised, they rise and pack up just before first light, choosing to eat whilst they ride out just as the sun rises over the horizon.
The second clearing they reach, tells a much different story to the first. The knights slow their horses down, and stare on in barely concealed horror at the scene laid out before them.
Merlin’s horse lay dead to the side of the clearing. They had clearly killed her deliberately so that Merlin couldn’t escape if he freed himself. That could be the only explanation. She wasn’t wearing her saddle, and was still tied to the tree: Merlin wasn’t riding her when the arrow was fired.
The ground was scorched almost entirely, and a few trees had been uprooted, with the remaining standing ones bearing scorch marks and sword scars higher than naturally possible.
Merlin had obviously fought back, but the small puddle of blood next to his dropped herb bag tells them that he had been injured before the fight even began. Whoever took him? Knew who he was.
After a moment of shocked silence, Arthur starts barking orders:
“Percival, check the horse and the herbs, try and figure out how long ago this happened. Gwaine, Elyan, Lancelot, have a good look around, try to find anything discarded by his attackers; we need to figure out who took him. See if you can learn how many there were, and how they attacked, we need to know if they themselves are magic, or if they just know how to fight magic. Me and Leon will check the surrounding areas to find out where they went. Leave your horses at the edge, we don’t want to muddy up any tracks.”
Everyone wordlessly nods, and they go about their tasks quickly but thoroughly. No wants to make any mistakes here, Merlin is incredibly important to them, and they couldn’t risk going in to this blind.
They work in silence, and once Arthur and Leon return from their scouting ahead thirty minutes or so later, they gather the horses once more and huddle at the edge of the clearing.
Arthur looks to Percival expectantly, and he reports his findings quickly:
“Going by the carcass and the herbs Merlin had already cut, this happened maybe four or five days ago? Considering he was obviously still picking, and not just dawdling-”
(he gestures to the bag that he had picked up and attached to his saddlebags)
“-I’d say he was taken in the afternoon of the second day.”
Arthur clenches his jaw at that, that was five days ago. Hopefully they hadn’t travelled too far, and weren’t still travelling, otherwise it would take far too long to track them down.
He looks to Lancelot next:
“We found two bodies, average, plain armour, and it didn’t look like anything had been taken from them after they died. One of them did have this in his pocket-”
He looks grim as he says this, and hands over a very crumpled piece of parchment. On it, there was a rough sketch of Merlin’s face, and the Pendragon crest. It was rough, old, clearly drawn from memory, but there could be no mistaking who it was.
Arthur looks angry at that, but tucks it into his saddlebag before gesturing for Lancelot to continue:
“I don’t think they used magic, at least not combative magic-”
He gestures around the clearing, at the scorch marks:
“All of the blows seem to be extending out from the middle, from where Merlin was stood: he fought back with magic, but they used normal weapons.”
Lancelot looks to Gwaine, and he wastes no time in telling the group what he found:
“There was a broken off arrow shaft next to Merlin’s bag, someone shot him. I couldn’t find the head, so it’s still in him most likely, we need to be prepared to clean an infection when we find him-”
Percival interrupts him:
“I had a look through his bag, there’s a lot of useful stuff in here, so that shouldn’t be too much of a problem.”
Gwaine nods and lets out a sigh of relief before continuing:
“The arrow shaft stunk, and his blood was funky. I’m guessing they soaked it in mandrake or something to knock him out. Otherwise he would’ve decimated this lot. They would’ve only had to avoid his attacks for two or three minutes at most before he passed out. And even then, he wouldn’t have been all that coordinated.”
Everyone worries at this. Every new bit of information just tells them that whoever took Merlin knew exactly who he was, and what he was capable of.
Elyan speaks up next:
“Going from the tracks, I’d say there was six or seven others, not including our two corpses. They were spread evenly around the clearing so he could only attack at one at a time, all they had to do was aim one good shot, and wait it out. They may not have used magic to attack, but they must have hidden themselves somehow: there’s no way that Merlin wouldn’t have felt them coming, we’re in the middle of a forest, this is his domain.”
Arthur hums thoughtfully and nods, before speaking to the group:
“I agree with your assessment of seven other attackers. Me and Leon found a large group of tracks, from multiple people, coming from the North, but they split up and spread around the clearing about a quarter of a mile out. No has any idea who they were?”
Everyone shakes their heads, and Lancelot speaks once again:
“No. The armour was non-descript, the weapons left behind were nothing special. They had no tattoos, nothing of value on them, no defining marks, sigils, or crests. Nothing. Either they were randomly hired mercenaries, or they were clever enough to not carry anything that could identify them, or their masters.”
Arthur growls in annoyance and nods once again. The Knights all gather their horses and follow Arthur and Leon’s quick pace out of the clearing, towards the tracks they had found.
At Arthur’s instruction, they split into two groups, one following along about 10 feet to the left of the tracks, the other, the same to the right.
They needed to be careful, the group who had taken Merlin were obviously well informed professionals, and would know that it wouldn’t be long before someone came looking. They didn’t want to run into any traps or ambushes by following the exact same path the kidnappers had.
~
The Knights follow the trail for another couple of days, taking few breaks, and spending the majority of it in silence; not even Gwaine is being talkative.
A few hours into their tracking, there was another battle arena (though much smaller than the last).
They didn’t stick around for long, it was likely that the mandrake had worn off quicker than expected, and Merlin had tried to escape. Once they saw Lancelot turn pale as he picked up a bloody rock, they hurried their horses along the trail even faster than before.
It was around noon on the third day since they left the second clearing, that they notice the tracks getting significantly fresher: the kidnappers (who had been on foot, meaning the knights were making good time anyway) had slowed down; they must almost be there.
That evening, they finally came across what appeared to be a rundown farm. The roof of the house was caved in, and there wasn’t even one fully intact fence in the whole property. A large barn further to the back of the area however, was in good condition.
The tracks went all over the overgrown farm, but focused mainly around the barn (going no further than the edge of the property) and the Knights could see the flickering light of a fire glow through the gaps between planks of woods.
They tied their horses up a few metres in to the treeline. Normally having horses during the attack would be useful, but they were at least a four days journey from the capital (on horses, closer to two weeks on foot), and depending on the state Merlin is in, he may not be able to walk it. They needed to leave the horses undamaged and with energy enough to flee if they had to.
Arthur sends everyone off to scout the area, learn what they could, and they gather once more about five minutes later, hidden behind the rundown house to avoid being spotted.
Leon speaks first:
“I got as close as I could without being seen, there are about twenty-five men in there. I didn’t recognise any of them, and none of them had any identifying marks, but there was one man who was clearly in charge. Larger than the rest, had nicer clothes, a large key on a chain around his neck.”
Arthur perks up at that:
“Might unlock whatever is holding Merlin. Did you see him?”
Leon sighed and shook his head grimly:
“No, but the fire lit only the middle of the room, I couldn’t see in the corners or along the edges.”
Percival speaks next, quickly adding what he had learnt:
“There’s no one else in any of the other buildings, and no fresh tracks leading away from the area. Merlin must be in there with them.”
Leon hums in agreement before continuing:
“They weren’t... drunk. But they are drinking. It might be worth it to wait for a few more hours so we have more of an advantage. There’s only six of us remember, we-.”
Gwaine shakes his head roughly, interrupting:
“We can’t wait. Who knows what they’ve done to Merlin, but if they’re celebrating, and he isn’t fighting back, then it’s bad. We need to get him out of there as quickly as possible.”
Arthur hums thoughtfully as he thought through their options. Both of them had valid points, but the attackers wouldn’t go through all of this trouble just to kill Merlin, so he shouldn’t be in any imminent danger, and as much as he wanted to rescue him as soon as possible, they had to be careful.
He looks up at the group and replies confidently:
“We wait until the sun has disappeared completely. It should be no more than half an hour. That gives us the cover of darkness, and gives them time to lose a little more of their wits.”
Gwaine seems like he wants to argue, but a pointed look from Lancelot calms him, and the group go through the motions of checking their armour and weapons, preparing themselves fully for a difficult fight.
~
After spending the time preparing, and discussing their options, the group decided that the best plan was for them to split in to two.
Arthur, Elyan, and Gwaine were to rush through the large door at the front, and Leon, Percival, and Lancelot would sneak in through the small door at the back.
There was no way they would be able to hold on to the element of surprise for long, and it would be a difficult fight, but hopefully the first group would be distraction enough to allow the second group to kill at least a few people before they realised what was happening.
That, unfortunately, is not how things go.
After one last firm nod from Arthur, the group splits and heads as quietly as they can to their designated entrance. The King takes a deep breath before gesturing at Elyan, who pushes the door open with force, allowing Gwaine and Arthur to rush in without hesitation.
Elyan joins them, and they make a point to look at the enemy, so as not to draw attention to the other three sneaking in behind them.
It takes only a few seconds before Arthur realises something is wrong. None of the men seem angry, or even worried in the slightest, and as he spies Leon step silently forward to slit the throat of the man closest to him, he understands why.
Leon takes three steps fine, but on his fourth, he hits an invisible barrier, and is thrown back violently. He hits the wall with a crash, and falls to the floor, unconscious from the blow to his head.
The leader of the group glances briefly behind him before looking back to Arthur, amusement on his face. Arthur covers his confusion with anger, but before he can demand an explanation, the leader begins to speak:
“Looky here, boys! Kidnap one sorcerer, get six of Camelot’s finest knights free! That’s a pretty good deal if I do say so myself!”
The rooms breaks out into laughter, and Elyan takes a step forward, speaking in a dangerous tone:
“Well unfortunately, our sorcerer was not for sale. So if you would, we’d like him back.”
The leader chuckles once again, and the knights have to stop themselves going for an attack. Leon was just about starting to stir, and Lancelot stands protectively in front of him, waiting for the knight to right himself again.
“I’m not so sure he wants to be returned, good sir. I think you’ll find that he’s quite enjoying being under my service-”
He raises one hand and grips the ancient looking key that’s hanging around his neck, and looks to a darkened corner of the room before speaking again, louder this time:
“Isn’t that right, oh sorcerer of mine? Come here.”
The knights have to hold in a shudder at what they see.
Merlin, or what looks to be Merlin, judderingly walks out of the dark corner towards the key-holder. His left shoulder hangs oddly, and they can see the blood staining his clothes and dripping from his hand, leaving a trail on the floor. His feet drag across the ground, and his head nods and sways, like he is desperately trying not to collapse into unconsciousness. A wound on his temple still slowly seeps blood, and his hands shake.
He had a thick, metal collar around his neck, and two matching circlets around his wrists. Thick chains, the length of his arms, attach the cuffs to the collar (so that he still had full mobility, but all three circles of iron were connected), and as his body sways, the knights can see the skin beneath the metal has been rubbed raw, to the point of bleeding in some places.
But what was most striking, was the permanent golden glow of Merlin’s eyes, and the blank look on his face.
The golden colour didn’t quite match up to it’s normal hue, and seemed duller, sickly, somehow.
The knights stare on in horror as their friend, clearly not in control of his own actions, finishes his disjointed journey to his new master.
Arthur glares viciously at the man as he growls out:
“What have you done to-”
But before he can finish, a resounding thwack echoes around the room as a gauntleted hand connects with the side of Merlin’s face. 
The other bandits laugh as Merlin’s head rocks violently sideways. His head is angled towards the floor for just a moment before he looks back up at the leader, the blank look not having left his face, despite the blood now dribbling from his mouth and the dark bruise already forming on his cheek and jaw.
Gwaine lets out a growl, but before he can take a step forward, the leader speaks once again, a horrid grin on his face:
“Be a dear and subdue our new guests, sorcerer.”
Without hesitation, Merlin sidesteps the leader, giving him a direct line of sight to Lancelot, Leon, and Percival. He waves his hand at them, muttering something under his breath, and the three of them gasp as they lift off the floor, and go flying across the room towards the other knights.
Arthur only manages to widen his eyes in surprise before he’s bowled over by Percival, and before the group can react, they find themselves unarmed, and kneeling side by side; lined up in front of the leader, with Merlin’s hand extended towards them.
The bandits begin laughing once again, the leader the most uproarious of them all, as the knights struggle to break free from Merlin’s grasp.
Arthur is the only one who holds still, not resisting, as he tries to get Merlin to look at him, but the sorcerer isn’t paying any attention. It almost seemed like Merlin just... wasn’t present.  His body was stood in the barn, but his mind, his soul, were elsewhere, not even looking upon this earth, let alone stood in it.
Merlin’s blank face looks to the leader, and he doesn’t react at all as Arthur yells at him:
“Merlin! This isn’t you, he’s controlling you! You have to take back con-”
The leader interrupts him, his hand still gripping the slightly glowing key, as he directs himself to Merlin:
“Oh do shut them up, sorcerer.”
Merlin looks to the group once more, twisting his outstretched hand slightly. The knight’s voices are ripped form them suddenly, and silence permeates the barn for only a second before the bandits continue their laughter.
After a few minutes of the knights being unable to move or make any noise, the leader speaks up again:
“You know, sir knights,-”
He smacks Merlin again, in the same place as before, and the knights tense even more at their friend’s non-reaction:
“-I had thought, that the most fun part of having a pet sorcerer, would be the magic, and don’t get me wrong, it’s great, but-”
This time he aims a punch to Merlin’s abdomen. The Warlock bends over slightly, and takes a step back, before righting himself again, and returning to his original position:
“-I have discovered, in fact, that the most fun part is actually having a living punching bag, who can’t die as easy as the normal peasants and commoners I lay my hands on.”
He grins wickedly once more as he takes out a small dagger. The knight’s eyes all widen and they begin struggling even more against their magical bounds, as the leader drags the blade along Merlin’s outstretched arm.
The cut isn’t too deep, but it’s long, and bleeds enough for infection to be a definite worry.
Merlin’s head wavers slightly and his lip twitches, but he otherwise doesn’t move.
The leader looks to an almost tearful Arthur, and slowly, ever so slowly, pushes the blade into Merlin’s uninjured shoulder, as he grins:
“I wonder, sir knights, how much he can take.”
Arthur looks back to Merlin and sees him flinch, his face seeming more strained. Arthur hates himself for thinking it, but the more pain this jackass inflicts... the more aware Merlin seems to be becoming.
The glow in his eyes flickers, but only momentarily, and Arthur feels the ability to speak come back to him. He holds his breath for a moment, hoping that it’s just him (or that the others had the same idea as him). He lets it out a moment later when none of the knights make any noise.
He needs to pick his moment, wait until Merlin is most aware of his surroundings, before he tries to reach out to him.
It’s a difficult situation, a mix of not wanting Merlin to have to suffer, but also knowing that there is no way the knights could take him on. Not even with no other attackers to worry about. Not even with Merlin at partial strength. The only way for them to win this, is to get Merlin to come back to them.
The Knights watch on with horror, glares painted on their faces, as the leader removes the knife and steps away. He wipes the blood off the blade on Merlin’s clothes harshly, the pressure on his wound making the glow of his eyes flicker once again.
The arsehole looks to the rest of the grinning bandits, and yells:
“So, boys! Shall we see what our new pet can do? We have some lovely new test subjects after all!” A cheer goes up around the room, and the knights take in nervous breaths. They know what Merlin is capable of, and though he doesn’t show off his magic regularly, they’ve seen him angry, seen him when he has the least control of his magic; and right now, he has zero control. The only thing they could do is hope that this mercenary didn’t have a very vivid imagination.
At the bandit’s cheer, the leader turns around to sweep an assessing gaze over the knights. He hums thoughtfully, before waving his arm in Percival’s direction:
“He looks like a big guy, looks like he can take a lot. Break his arm for me, sorcerer.”
The others look to Percival in fear, but his only reaction is to take a deep breath, and clench his jaw.
Merlin tilts his head slightly, and moves his outstretched arm to be pointed at Percival. Arthur sees him swallow, and his hand shake slightly. He’s fighting it. The sorcerer stands still for just a moment, staring at a resolute Percival, but at the leader’s yell:
“DO IT!!”
-he closes his fist, quick as lightening, and a snap sounds out. Percival makes a pained face, but makes no noise as his arm hangs at his side.
Arthur casts a quick look at him, and is grateful for the lack of blood and odd angles. Merlin had managed to break his arm in the least damaging way possible.
Percival’s breath evens out, and he shakes the daze from his head before looking right at Merlin and saying:
“It’s alright, Merlin.” Arthur tenses slightly at that, but the bandit’s seem to be too drunk to notice the broken silence.
The leader bellows out again:
“Aw, well that was a little anti-climactic. Hmm... what about him-”
He gestures at Leon, who is now only slightly dazed, before continuing:
“-knock him out. Properly, this time.”
Merlin’s outstretched hand moves once again, pointing at Leon. Merlin hesitates for even longer this time. His hand shakes violently, and the glow in his eyes dulls (only slightly, but permanently this time) as Leon gives him a small smile, and nods at him.
The leader snarls before aiming a violent punch to Merlin’s side, before screaming:
“YOU ARE MINE!! STOP HESITATING YOU BEAST!″
This time, Merlin pulls his hand towards himself quickly, and Leon’s body tips forward. His head smacks off the floor with a sickening thud, and he doesn’t move from his place crumpled on the floor.
The others panic slightly at this, not being able to see Leon properly, but Arthur holds in a grin. He’s seen enough knights be knocked out to know that Leon was still conscious. Merlin had deliberately held back, cushioned his blow. There was no question that if he had really tried, Leon most certainly would have passed out, which means that Merlin is somewhat in control of his strength, if not his actions.
Arthur is grateful that Leon has the sense to lie still and keep his eyes closed. In order to remain convincing, The King plasters a sufficiently horrified look on his face as he looks from Leon to the Leader.
The man gives a satisfied hum, and turns to Lancelot, a loathsome smirk on his face:
“You, my friend, are far too calm for my liking. Let’s change that, shall we?”
The bandits let out yet another cheer (And Arthur is pleased to see that the majority of them are incredibly drunk at this point. He just needs Merlin to focus long enough for Arthur to grab the key) before he continues:
“Choke. Him. Out. I want to watch the life drain from his pathetically noble eyes. I want to see him panic as his breath is stolen from him. DO IT!”
Fear flash across Lancelot’s face, before he schools his features again. Gwaine, Percival, and Elyan do not manage to hide their panic at all, and Leon takes in an unnoticed deep breath from his place on the floor.
Arthur looks a tad worried, but this has got to be it. He knows how close Merlin and Lancelot are, there will be no better chance to try and break him from this pig’s control, he only needs a moment, and he can see Leon subtly preparing to pounce as well.
Merlin moves his arm to be pointed at Lancelot, and the knights can see their Warlock flinch slightly as Lancelot speaks a shaky smile on his face:
“It’s ok, Merlin, it’s not your fault.”
Merlin’s hesitation earns him a smack on the back of the head, and a second later, he turns his open hand to the ceiling. With that motion, Lancelot raises from the floor.
His hands go to his throat and his eyes widen a fraction as his feet kick, looking for purchase, but finding nothing.
Arthur gulps as he looks between Lancelot and Merlin, waiting for the last possible moment before he jumps into action.
The knights, thrash slightly trying to reach Lancelot as he begins to audibly choke. His legs kick more violently, and his face turns red, his eyes shut tight.
He manages to opens his eyes just a fraction, looking to Merlin and letting out a choked, barely audible:
“I... trust you... Merlin.”
Lancelot’s eyes close once again as his thrashing slows and he loses the last of the air in his lungs.
Arthur stares at Merlin intensely, and the moment a tear falls from his eye, he yells:
“Merlin, look at ME!”
The leader lets out an outraged yelp as Merlin drops his hand to his side, whipping his head around to stare at Arthur. Lancelot drops to the floor with a thud, and begins taking in sudden, deep breaths. The glow disappears briefly from Merlin’s eyes, and in that moment, he lifts a hand to his head, whispering “30 seconds”. The moment his fingers touch his temple, he crumples gracelessly to the floor.
Leon finally moves, jumping to catch Merlin before his heads makes contact with the floor and at the same time, Arthur leaps at the outraged Leader, tackling him to the floor roughly.
Percival moves to Lancelot, and quickly drags him, using his good arm, to the side of the room so that he can catch his breath. Gwaine and Elyan tackle the men who had been standing closest to them, and take their weapons, before moving quickly to stand above Arthur and The Arsehole (still wrestling on the floor).
Both of them hold their blades to his throat, and at his momentary hesitation, Arthur finally lands a good punch to his jaw, properly dazing him.
Arthur rips the chain from his neck and staggers back, leaving Gwaine and Elyan in front of him, not moving their weapons from the man’s neck.
All of this had happened in around five seconds, the knights following Arthur’s signal smoothly and in tandem (exactly like he had trusted they would), and the rest of the bandits too drunk to react quick enough.
The bandits had finally gathered themselves, and have their swords out and pointed at the gang, but before they could move forward, Elyan speaks:
“Take another step, and we’ll cut his throat.”
Arthur knew that that wouldn’t hold them for long. No honour among thieves, they didn’t care if he died because it just gave way for a power struggle, allowing one of them to come out on top as the new leader.
He glanced down at Merlin and Leon again before looking behind him to check on Lancelot and Percival. He counted in his head. Twelve seconds to go.
Elyan and Gwaine pulled the stuttering leader up by his clothes and drag him back. Gwaine stands behind him, his sword held across his throat, as Elyan takes his weapons from him and then moves to stand by Gwaine’s side.
Six seconds to go. Arthur isn’t really sure what he’s counting down to, but he trusts Merlin.
The bandits begin taking slow, drunken steps towards the gang once again. They may be pissed, but they also still vastly outnumber the knights, especially with Lancelot coughing his lungs out, Leon with at least a minor concussion, and Percival with a broken arm.
Three seconds... Two... One.
As the Arthur’s mental countdown reaches zero, he turns his head to check on Merlin, at the same time as the sorcerer opens his eyes once again.
His eyes shine bright golden once again (though still not quite normally), so brightly that Leon and Arthur have to shield their eyes for a moment. That moment is all it takes for the bandits to take action, and they surge towards the gang.
Gwaine pushes their leader into them, and his large form knocks two of them over. Gwaine and Elyan are the only ones who have weapons, so they hold off the first of the attackers as best they can. Percival picks up a still struggling Lancelot, and Leon and Arthur grab an arm each of Merlin. The five of them rush outside, and once Arthur yells back at them, Gwaine and Elyan turn and follow them. They shut the door quickly behind them, and Lancelot is dropped the floor, Merlin left standing blankly, as the rest of them throw their collective weight against the door. Percival speaks first, holding his broken arm to his chest, and bracing his shoulder against the middle of the door:
“Why isn’t... ugh... why isn’t he doing anything??”
Lancelot looks up from his place on the floor, and staggers to his feet, leaning on (a still blank) Merlin for support. He taps his face slightly and squeezes his hand, but still the sorcerer doesn’t react. His hand brushes against the cold metal of one of the cuffs, and he looks back to Arthur, still coughing lightly:
“He’s still bound! Please tell me you managed to hold on to that key?!”
Arthur nods, and Lancelot stumbles over, pressing his weight against the door with the others as another shove is felt from the other side. They wouldn’t be able to do this for long, the bandits were becoming more and more coordinated.
Elyan speaks up:
“We don’t have... no time to uncuff him, you’re in control Arthur just tell him to kill them or knock... or knock them out!”
Arthur looks angry at that, and shakes his head violently:
“No, I won’t take that control from him. I won’t.”
Leon yells next, his words slightly slurred, but understandable:
“You have no choice, Arthur. Just something simple!”
Arthur growls, and huffs as another, much harder shove hits the door. The gang almost stumbles back, but they brace themselves against the door once more, and Arthur shouts:
“Fine! Merlin, protect us!”
Without even a second’s hesitation, Merlin raises his hand towards them, and then pulls towards him. The knights all find themselves flying away from the barn, but land on their feet a few feet behind Merlin. 
The barn door opens with a crash, the first three men falling forward, but quickly being trampled on by their... co-workers... as they escape the building. Before they can make it far however, Merlin throws up his other hand, muttering something under his breath, and all of them are stopped, frozen in place.
Merlin keeps his hand stretched out towards them, and the knights hear one of them go “oh shit” under their breath, as the realisation crosses their faces.
The Warlock’s face remains blank, and after a few moments of the knights catching their breath, Arthur steps forward hesitatingly:
“Merlin?-”
Merlin tilts his head slightly, but doesn’t turn to look at him and Arthur gulps, and moves around to stand in front of him. He holds the key in one hand, and grips Merlin’s arm with the other, he speaks over Merlin’s shoulder to the others:
“I don’t see a keyhole or anything. How do I get this thing off him?!”
The knights shrug and move forward, examining the iron from a distance. Gwaine speaks first:
“Well, Merlin would know, right? Ask him.”
Arthur frowns slightly, he is really not liking this, but none of them have seen anything even slightly similar to this before:
“Merlin, do you know how to release yourself from this?” as he speaks, he shakes one of the chains, and hears the bandits behind him begin squeaking in fear.
Merlin still doesn’t look directly at him, staring straight ahead, eyes still glowing, one hand still outstretched, but he does give a slow nod.
Arthur gulps once more, and takes Merlin’s lowered hand. He presses the key into his palm, holding his hand over it and quietly says:
“Do it. Take it off.”
Merlin mutters something else, forcing the barrier he had placed around the bandits to stay in place. He closes his hand around the key, and without looking, touches the end of the key to the cuff on his other wrist. A hole opens up in the metal, and he pushes the key in, twisting only slightly before the cuff falls off his wrist entirely, still dangling by the chain attached to the collar.
The glow in his eyes instantly dims a bit, and he takes a staggered step back. He shakes his head slightly, and the key swaps hands. He does the same to the other cuff.
He falls to his knees, shaking, and the knights step forward to support him. He slowly lifts the key to the collar, and the same thing happens a third time. As the collar falls to the floor, the glow in his eyes flashes it’s normal, healthy colour, before disappearing entirely.
His blue eyes find Arthur’s momentarily, just long enough for Arthur to smile at him and nod. That’s all the convincing that “everything is ok” Merlin needs, and he promptly passes out, slumping forward.
Arthur just about catches him, and looks over his own shoulder panicked, thinking that with Merlin unconscious, the barrier would disappear.
It would appear that Merlin had thought of that, even in his state, and the barrier stayed in place, leaving Arthur and the knights to let out breaths of relief.
Now everyone has had time to catch their breath, and Merlin was free, they had a moment to realise how furious they were.
Gwaine looks ready to slaughter every man there, and every person they’ve ever spoken to, and even Lancelot looks pissed.
Arthur gathers Merlin up in his arms, carrying him bridal style and looks to the others:
“Grab our weapons from inside, quickly, we need to get out of here, I don’t know how long that's going to hold, or how long Merlin will be out. We need to get him to Gaius, and bring that... thing.”
He gestures to the set of cuffs still sat in the grass, and Leon steps forward to pick them up. Elyan and Gwaine stand guard in front of Arthur and Merlin, (still being the only ones who are actually armed) and Lancelot and Percival rush around the group of bandits, still frozen in place, and through the door into the barn.
They come out not even a minute later with everyone’s swords, and hand them out. Merlin begins to stir, and Arthur spares him a quick glance before gesturing back towards where they left the horses.
The group huddles together, Arthur with Merlin protected at the back, pointing their weapons at the bandits as they shuffle back, moving as quickly as they could, not daring to move their gazes from the kidnappers.
Merlin stirs once more, but settles quickly, probably still a while from waking up, and the group reaches the treeline before they begin to pick up the pace.
They finally reach their horses, and Gwaine quickly helps Arthur load Merlin up in front of The King, head lolling back to rest against his shoulder. 
Leon wraps the cuffs in a spare tunic before shoving them into a saddlebag, and the group takes one last look behind them, before galloping back in the direction of Camelot.
If they went by the crow flies, instead of detouring to those clearings, they could be back in three days, instead of the four and a half it had taken them to get here.
~
They ride through the night, trying to get as far away as possible, not taking any breaks, and only stopping to make camp a few hours after midnight.
Elyan splints and wraps Percival’s arm, Leon drinks plenty of water and tries not to pass out, and Lancelot coughs the whole journey, but other than that, there seems to be no lasting damage or serious injuries.
They have little food left, but (despite no one being willing to admit it) they were all a little shaken, and none were prepared to leave camp to hunt or forage for anything more substantial.
Merlin had stirred a few more times, and opened his eyes briefly when Arthur laid him on his bedroll, but it didn’t last long, and he was passed out again shortly after.
The King massages some water down his throat, has Elyan help him with digging out the arrowhead, and follows Percival’s instructions on which of the herbs Merlin had gathered would help best with pain, infections, and larger wounds. The arrow and stab wounds were stitched and thoroughly cleaned, before Arthur moved on to the less serious wounds: checking his jaw to see if it was broken (it wasn’t, thank the Gods), and dressing the burns and bruises on his neck and wrists. The head wound wasn’t serious thankfully, only requiring a thorough cleaning, and two stiches.
Leon takes the first watch with Arthur, on account of not being allowed to fall asleep just yet, but there isn’t much conversation as they watch their friends toss and turn, obviously not sleeping too well.
Gwaine takes over from Leon around two hours before sunrise, before informing Arthur that:
“If you don’t go to sleep, I’ll put you to sleep. And then we’d have to double-ride two horses. And that would slow us down even more. So. What’s it gonna be, princess?”
Arthur grumbles minimally, but he knows Gwaine is right. He doesn’t move from his spot however, choosing to lay down right next to Merlin.
Gwaine simply raises an eyebrow, (and wakes him before everyone else in the morning) at The King’s position.
Arthur has one hand gripping Merlin’s wrist, and the other splayed out against Merlin’s chest, his Warlock’s pulse, and breath, just under his fingertips whilst he slept.
~
They get back to Camelot when expected, around three days later, just before noon.
Leon’s concussion had cleared up completely by the time they had got there, and Lancelot’s throat wasn’t quite so irritated. Percival’s arm was still broken of course, but with the help of some medication they had brought with them, the pain hadn’t been too bad.
Merlin had woken up a few more times across the journey, but was far too exhausted to stay awake for more than an hour at a time, and despite his grumbling, he admitted that it would be best for him to continue sharing a horse.
He managed to get some food in him as well, which the knights were relieved at, and the herbs must’ve been very special, because the infection in the arrow wound was almost gone by the time they got him to Gaius, and they had managed to avoid infection in the stab wound entirely.
Speaking of Gaius, he fussed to the extreme when Merlin hobbled in to the infirmary, supported by The King. After double checking all of his wounds, and forcing a mixture of gross tasting potions down his throat, he had him asleep on one of the patient pallets whilst he checked over the others.
He set Percival’s arm with magic, gave Leon a potion for the headaches he would be having for the next week or so, and gave Lancelot a special tea mix to help with his throat.
The moment Gaius relaxed, Arthur did too, trusting the physicians assessment of his friends. Elyan had scurried off to find Gwen and the Lady Morgana, before joining Gwaine, Percival, Leon, and Lancelot, for much needed naps in their own quarters.
Once everything slowed down a bit, Arthur presented Gaius with the chains and key, and explained to him what had happened.
It was late in the evening at this point, so they spoke quietly, not wanting to disturb Gwen or Morgana, who had both fallen asleep in their chairs at Merlin’s bedside.
“His eyes were bright gold, but they looked... wrong? Like slightly the wrong colour. He was almost completely blank, barely reacted to pain, and just.... stared. Into the distance. Like he had no awareness of his physical surroundings.”
Gaius looked concerned, but not so much so that it worried Arthur:
“Ah. That would explain the severed connections with Morgana and the Druids, his consciousness was locked away, pushed far too deep for anyone to find him. What else?”
Arthur looked uncomfortable and shuffled his feet as he continued, recalling memories from the previous days that he was sure would haunt him as he slept:
“Well... he hesitated a few times, when he was told to... hurt us. Like he was fighting it. But when he was hit or yelled at, it looked like he sort of... re-set? And he would do whatever he was told.”
Gaius nodded:
“Yes. Merlin is incredibly powerful, but so are the enchantments on these chains. He would have fought against it viciously, but the sudden noise, or pain, would’ve have shocked his system into obeying without hesitation. I’m guessing that’s how you broke him free?”
Arthur glanced briefly towards Merlin, before nodding, and replying even quieter than before:
“Hmm. I waited until he looked most... unsure, most hesitant, then yelled at him to look at me. His eyes cleared for just a moment, he whispered “30 seconds” , then knocked himself out somehow. We got the key thing, held off the bandits for 30 seconds, then he woke up and I...-”
He clenches his jaw and looks away at this, letting out a harsh breath at the memory. Gaius pats his hand a few times consolably as he speaks:
“You did what you had to my boy, you didn’t take advantage, or force him to do anything he wouldn’t have willingly done anyway. If anything, from the sounds of it, you were far more merciful and forgiving than Merlin would’ve been.”
Arthur huffs a weak laugh at that, and Gaius smiles, before saying:
“I’m hesitant to analyse these chains until I know more. I’ll talk to the Druids tomorrow, and wait until Merlin’s strength returns before doing anything. You best get some sleep, My Lord.”
Arthur looks up sheepishly, and bites his lip not quite meeting Gaius’ eyes. The old physician raises an eyebrow, prompting him to speak:
“Would you mind if I... stayed here for the night? I can just pull out a pallet but I...-”
Gaius picks up where Arthur hesitates:
“Don’t want to leave him?-”
Gaius smiles once again at Arthur’s infinitesimal nod:
“That’s fine by me, though you’ll have to leave this room to talk to the council eventually.”
Without waiting for a response, Gaius gets up and walks away. He checks Merlin’s bandages briefly before shuffling off to what had been The Court Sorcerer’s previous room, before he had been given his own chambers.
Arthur sighs, and walks over to Merlin, standing above him. The colour has returned to his cheeks, and he looks much healthier now he was no longer covered in his own blood and was wearing clean clothes. 
He sweeps the hair away from his forehead, and leans down to place a gentle kiss where his hand had been. He looks up to see Gwen looking at him sleepily, a fond smile on her face as she stares at Arthur’s blushing face.
She stands and stretches, before whispering:
“Why don’t you take my chair, Arthur? I should probably get back to Lancelot anyway, and I doubt you want to leave his side?”
Arthur nods slightly, and whispers his gratitude as Gwen gives him a quick hug, before sneaking out the door.
Arthur settles in the chair, finding a comfortable (or as comfortable as possible in a wooden chair with wonky legs) position, as he once again wraps one hand around Merlin’s wrist, and places the other over his chest.
He falls asleep after only minutes, and rests easier than he had in a week, satisfied with the knowledge that Merlin was safe and on the mend, and returned to the position Arthur thought he belonged in most: next to him.
~
THE END! 
I dunno, I might write a part two, about the psychological effects on Merlin? Of having his magic controlled, AND of having to watch from behind his own eyes as he hurts his friends? Let me know if y’all wanna see something like that :)
EDIT: Part 2 is up! Link at the top
Same as always lads, you wanna write it out properly with paragraphs and descriptions and shit, go for it, but credit and tag me ✌
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Text
Lost and Found (Seventeen)
Get some tissues ready, folks. 
MASTERLIST HERE
**************
It had been three days. 
Three days of calling Tony and the phone going right to voicemail, three days of reconnecting with Stevie, three days of pre- war memories coming back sometimes in a trickle that made James smile, sometimes in a shock wave that sent the soldier to his knees with a migraine. 
Three days, and James’s head spun trying to keep it all together, trying to keep it all straight, trying to piece together all the parts of who he had been and who he was now and how it all reconciled with the nightmares and horror that came back full force without Tony by his side. 
Three days, and sometimes James wished he could lose track of time like he used to so each and every second wouldn’t be so crystal clear, so clarifying and so real.
Three days and sometimes it was already too much. 
Three days and sometimes the moments were so good they hurt.
“I still can’t believe it’s actually you.” Three days and seventy damn years and Steve was proving he hadn’t ever lost the habit of lurking in James’s door, hands in his pockets and eyes wide as he watched the brunette clean up in the bathroom. “Holy hell, Buck. I looked for you for so long. And you were just hanging out with Howard’s kid? Three days ago Tony Stark walked into my apartment with a picture of you and just like that, here you are. I can’t believe it.” 
“Can’t believe it either, Stevie.” James rinsed the shaving cream off his face and smoothed his right hand over the trimmed-but-not-quite-shaved stubble. It had only been three days since Tony had dropped him off and left without a word. Three days of a lot of wondering and a lot of worrying and a lot of disbelief because it was Stevie--- “How did I miss your star spangled ass getting pulled outta the ocean and set loose overseas again?” 
“Well, you weren’t around to see me go in the ice the first time, so I guess it makes sense you missed me coming back this time around.” The smile slid from Steve’s face, his mouth pulling down at the corners. “Listen, Buck I dunno what you heard about all that. About the Valkyrie and the Red Skull and what I did at the end of the war but--”” 
“I heard enough to know you’re overdue for an ass whoopin’.” James retorted and see? This was good enough to hurt, easy enough to almost be instinct. Threatening Steve with bodily harm cos the punk hadn��t learned any lessons back when he was all of four fuckin’ feet tall and he certainly hadn’t learned them after they juiced him up and sometimes the brash blond just needed a reminder to chill the hell out? 
Easy. 
James could do this all day. 
“What the hell were you thinkin’, putting the damn plane in the ice anyway.” He teased. “Everyone knows your scrawny ass can’t swim.” 
Instantly predictably Steve straightened up and set his jaw and snapped, “Hey! I know how to swim! I am an excellent swimmer!” 
“You know how’ta drown.” James corrected and then oofed theatrically loud when he was yanked out of the bedroom and into a wrestling match. 
It was easy and it was good and none of James’s more scary instincts came forward when Steve got him into a headlock, the urge to break didn’t show up overwhelming when he tossed the blond halfway across the room then jumped over and pinned him to the floor. 
“Say Uncle.” James ordered and he was laughing, not counting how many pounds of pressure it would take to crumble Steve’s bones between his fingers. “Damn you, Stevie. Say Uncle before I gotta hurt you!” 
“I’m goddamn--” Steve was huffing and puffing trying to get James off of him. “Captain America-- I don’t cry Uncle-- good god, why do you weigh so much?-- to any one!” 
“Sure you don’t.” James grinned and lay harder on his best friend. “Y’know what this reminds me of?” 
“If you say it’s like the time I tried to beat up the alter boy--” 
“--it’s just like th’time you tried to beat up the alter boy.” James confirmed, batting away Steve’s hand when the blond made a grab for his throat. “In fact, I feel like I sat on you exactly like this to keep ya from gettin’ your butt beat with a hymnal.” 
“Damn it.” Steve wheezed a few times, then finally managed the leverage to shove James off and to the side. “Why are you so heavy? Last time we wrestled I destroyed you.” 
“Last time we wrestled you were super juiced and I was still a good ol’ boy from the poor end of Brooklyn.” James jumped to his feet and hauled Steve up next to him. “Least now the playing field is even.” 
“I guess.” Steve went for a beer and tossed one to James. “I hate that it’s the case though. M’glad to see you, but I hate seein’ you like this, you know?” 
“Don’t.” James tore the top off the beer and shook his head. “I don’t wanna talk about it yet, Stevie.” 
“Alright.” Steve took a sip of his beer and nodded like ignoring the elephant of the Winter Soldier in the room wasn’t making him half insane. He should just be happy to have Bucky back, he should just be happy to have his friend back, they didn’t have to talk about everything bad yet. “Alright, well have you heard about World Wrestling Entertainment on TV?” 
“World Wrestling…” 
“WWE?” Steve’s goofy grin almost split his face. “They dress up in funky costumes and wrestle each other with all these fancy moves. I watch it on Saturday nights. We could watch it and drink beer and yell at the TV and then try the moves on each other!” 
James fought and lost against an equally goofy grin. “That’s what Captain America does on Saturday night? Watch fake wrestling and drink beer?” 
“When I’m not out blowing buildings up and hurting people until they told me how to find you.” Steve took a long drink of his beer, blue eyes glittering with a flash of anger. “But I found you, so now I get to watch bad television and try to get drunk with my best pal.” 
“Sounds like a good time.” James raised his bottle in a cheers, and when Steve turned to head towards the living room, James picked up his phone and sent a quick message to Tony. 
From James: Three days with Stevie has been great, Tony but I sure wish you’d call me back. Pep says you’re probably just giving us space but I don’t want space from you. Call me back.
“Buck!” 
“Comin’, Stevie.” 
*****************
*****************
79%
The sunrise from the top of the Eiffel Tower was incredible to see and Tony watched it while munching on possibly the freshest, most delicious croissant he could have ever imagined eating ever. 
He’d been to France a hundred times, he’d even been to Paris and the Eiffel Tower specifically a hundred times but he’d never broken the sound barrier while coming in for a landing that had him on very tip toes at the very tip top so he could test the absolute balance of the suit while eating a breakfast he’d bought with a Rolex for since he never had any cash on him.
The croissant was worth the Rolex though, the look on the vendor’s face when Iron Man landed in front of his stall completely priceless and the view of the sun coming up over the city would have only been worth more if someone had been there to share it with. 
“Sir, the hotel is calling. They want to know if you will be staying another night.” 
“Tell them no.” Tony shook his head and crammed the last bite of croissant into his mouth. “Three days in France is enough, I saw the coast and the city and the countryside so it’s time to move on. I read in a pamphlet that there are something like twenty thousand castles in Germany, is that true?” 
“Most have been converted to hotels and museums by now, but yes sir, there are several thousand that you could visit if you wanted.” 
“I want.” Tony decided. “Let’s get a map and go sight seeing.” 
“Sir, the effort of assembling and disassembling this particular suit--” 
“Yeah, I know.” Tony interrupted. “It stresses my system too much. But I’ve never just traveled for the sake of traveling and the best way to do that is at some number with Mach in front of it. Plug in some coordinates and let’s go.”  
“And the phone calls from Sergeant Barnes and Ms. Potts?” 
“Send Pepper a message and let her know I’m just fine.” The sun lit up the grounds below the Tower and Tony took a deep breath of early morning air. “I’ve disappeared for longer doing much worse than sight seeing, let her know this isn’t anything like the last time I did a tour around Europe.” 
“And Sergeant Barnes?” 
“Tell James--” Tony closed his eyes and swallowed. “Tell Bucky that I hope he’s enjoying his time with Captain Rogers and that I’ll get in contact with him when I return home.” 
“An estimated return date, sir?” 
The face plate snapped down and locked and Tony blinked a few times as the display screens filled in, the numbers uploaded from the blood toxicity monitor bright red along the bottom right hand side. 
79%
“A couple weeks, maybe.” he muttered, and then louder, “No, don’t bother with a return date. Just tell him I’ll call him when I’m home again.” 
“Yes sir. To castles, then?” 
“To castles.” The suit powered up with a roar, and Tony offered a quick salute to the crowd gathered down below with their phones and cameras out. “Maybe we’ll ever get lucky and find a dragon.” 
“I think you’ve fought enough battles for one life time, sir” 
Tony’s smile was a little melancholy. “You’d think so, huh?” 
****************
****************
From James: Got the message from JARVIS and I hope you’re back home soon. I’m feeling more like myself every day, all my memories coming back. Some days it feels incredible and some days it feels like I’m living a strangers life, but me and Stevie are figuring it out together. 
From James: Do you ever watch WWE? Stevie loves it and has a bunch recorded...or TV’ed? I dunno. Anyway. He says he would be Hollywood Hulk Hogan if he ever went into the ring and I told him there’s no way he could grow a mustache like that, then he punched me. 
From James: The dude’s a punk whether he’s pint sized or full sized. 
From James: Miss ya, sweet thing. 
“The best thing about this century is the food.” Steve said around a mouthful of deep dish supreme pizza. “Not only can I eat everything without getting sick, but everything is so damn good. Deep dish pizza in two dozen flavors. Chocolate milk-- have you had chocolate milk yet, Buck? And mozzarella sticks? They just deep fry cheese! Just deep fry it and then serve it to ya with a bunch of sauce. The other day I ate about a hundred of them and didn’t get a stomach ache. Incredible. And oh man donuts.” 
The big blond picked up another piece and folded it in half so he could take a big bite. “Have you had donuts yet? So many flavors. All of them delicious.”
“Tony took me to get donuts a few weeks ago.” James checked his phone again and then one more time. It had been nine days now since he’d last seen Tony, his text messages going unanswered and phone calls dumped to voicemail. Nine days and even though every second spent with Steve gave James something of himself back, every second spent away from Tony cost him something too and it was a delicate balance between wanting and losing and James hated it. 
“We ate them up inside that big donut down by the pier in Malibu.” he continued and Steve mumbled interested around a glob of cheese. “It was uh-- it was his birthday and he said he’d always wanted to sit up in the donut so I boosted him up. It was a good day.” 
“Tony knows about the super serum.” Steve ventured and James made a vague ‘I guess’ motion. “Did he know about it before all this?”
“Don’t think so, or at least he never said nothing.” James picked off a bunch of pepperoni and tossed it away, then smiled begrudgingly when Steve immediately scarfed it up. “You still eat like you’re starvin’, Stevie. You used’ta do that all the time.” 
“Yeah, and you used to pretend like you were never hungry so there was always more for me.” Steve helped himself to the rest of the pepperoni on number two of their three large sized pizzas. “Even after I got all Captain’d up. You doing that now?” 
“Maybe I’d eat my fair share if you’d stop eatin’ so fast.” James scowled and slapped Steve’s hand away from another piece. “M’hungry too, you know!” 
“Sorry.” Steve put both hands up peacefully, then lightning fast snatched at the last of their two dozen bread sticks. “Okay, now I’m sorry. I swear. Tell me more about Tony though, you don’t talk much about him. Is he a lot like Howard?” 
“No.” James said shortly. “No, he’s nothing like Howard.” 
He was quiet after that and Steve chewed through a bite slowly and took his time to swallow before asking, “Buck, should we talk about--” 
“When did you start feeling like you fit in?” James cut in and Steve took it for the hint it was. Bucky did not want to talk about Tony yet and Steve didn’t really know why but he knew better than to push. “When did you start feelin’ like you weren’t just pretending to be normal?” 
“About a week ago when you walked through that door.” Steve didn’t hesitate to answer as he pointed towards the apartment entryway. “The second I saw you I stopped feeling like I had to keep up some sort of appearance and I could just be me again. Not Captain Rogers, certainly not Captain America. Just Steve. Stevie. Didn’t have to check my strength to hug you, didn’t have to pretend I didn’t want to cry for finding you again, don’t have to act like everything’s okay when it’s not.” 
He said the last sentence pointedly, meaningfully. “You’re my best friend, Buck. You saved my ass that first time I didn’t need it at all in elementary school and every time after. You were there the first time I tried to kiss a dame, coached me through the uh--” he coughed. “--mechanics the first time I was with a dame. Dunno how that all worked though, seeing as how you weren’t ever interested in what was up their skirts.” 
“I found my way up there a time or two.” James smiled a tiny bit remembering those first awkward, fumbling times with the girls around the neighborhood. He’d been young and fuckin’ horny and even though he found himself looking at the fellas more often than not, the girls sure liked his blue eyes and swagger so that’s the direction James had leaned. A learning experience for sure, one that taught him how to please a dame and that dames weren’t the ones he wanted to be pleasing all in the same swoop. 
“Well either way, I could always be myself around you.” Steve finished with a half hearted shrug. “And it’s the same now. I’ve been outta the ice for three years and this is the first time I’ve felt like I wasn’t pretending. Right here with you.” 
“Three years, huh?” James’s heart sank thinking about years of never feeling normal outside of time with Steve and Tony, years of catching himself before acting, years of dealing with internal dialogue that rang like hollow commands and the instinct to first destroy and then run from anything that made him uncomfortable. “M’real sorry about that, Stevie.” 
“It’s alright.” Steve put the pizza down and wiped his hands. “I never fit in back then anyway, Buck. Not when I was skinny and scrawny and orphaned after Ma passed, not when I was super charged and wearing tights. At least in this century I’m not the biggest guy in any room, there’s entire sports teams my size and bigger. No one outside of SHIELD knows I can bench press a helicopter, but I’ve been called one of those ‘corn fed midwestern boys’ at least a half dozen times and I’m not sure what exactly it means, but it sounds All American and normal so I’ve been letting it go.” 
“Sure, I gotta pace myself on my morning runs so no one gets suspicious, and I’ve gotta be careful shaking peoples hands. I nod and smile through a lot of conversations cos I dunno what a tweet is or why JT brought Sexy Back or why it left or nothing. but hell Buck.” Steve grinned again, all boyish charm and nearly unbridled enthusiasm just like he’d always been. “If that’s the worst I gotta do to get by as normal? Then it’s fine by me.” 
“And with you I just don’t gotta pretend even that amount, so it’s nice.” Steve tapped at his chest, right over his heart. “It’s like being able to take a full breath in after battlin’ a cold all season.” 
And after a pause, “Don’t you feel like that with me?” 
James shoved most of his pizza into his mouth just to avoid answering for a minute, unsure how to tell his best friend that every time he heard the words Captain America something went tense and tight inside him, a trigger like a warning, like a mission, like an objective that had blared loud the first time they spoke. The reaction had been almost impossible to ignore at first, but had finally started to ease the in the last few days and it made him sick to his stomach. 
He didn’t understand why Stevie of all people would make him itch. This was his best friend, his best pal, and James shouldn’t feel anything but happy around Steve. Comfortable. Home. Not having to fight the instinct to go of the offensive every time he saw that damn shield. 
It was frustrating and disheartening and even thought it waned a little more every day, James still hated it. It was just another reminder that he wasn’t Bucky anymore, that there were parts of him Steve would never know and never understand. 
Tony knew those parts though.
Tony knew him. 
Tony knew James. 
“Buck?” Steve asked, soft and a little hurt but trying hard to hide it. “Do you feel like that with me?” 
“I don’t have to pretend with you, Stevie.” James clenched his left fist just to prove it and the beer bottle shattered in his palm, spilling glass all over. “Don’t gotta be careful when we wrestle or worry about sayin’ the wrong thing or keeping up on all the technology. But--” 
“--but there’s a whole bunch about you I don’t know anymore.” Steve finished resignedly. “And a lot about me you don’t know anymore. What happened after you fell changed me and what happened while I was in the ice changed you and I’ve been living one life for three years while you’ve still been putting pieces together…” 
He nodded. “I get it. It’s okay. It’s okay.” 
“Sorry, Stevie.” James closed his eyes and wished and wished and wished that he was still Bucky. Just Bucky. Just good ol’ boy Bucky who pulled Steve out of back alley fights and hid stolen kisses from nameless faces in the dark. 
Life was so much simpler back then...
...simpler and hidden and filled with so much less laughter and love.
James didn’t want to be hidden anymore. Not now that he knew what it felt like to be found. 
From James: Tomorrow Stevie wants to take me to a baseball game, turns out the Yankees still play so we’re gonna get hot dogs and cracker jacks and boo the visiting team like we used to. Would be more fun if you were there. 
From James: Miss ya, sweet thing. 
*************
*************
86% 
“Tony.” Pepper looked up in outright shock along with every other board member who had never seen Tony Stark on time for anything much less for a quarterly board meeting. “Um. Hi?” 
“Don’t mind me, Ms. CEO.” Tony slid into the chair next to Pepper and patted at her knee. “I just figured I could make an appearance for once. As the on-staff mechanic for Stark Industries I am very interested in board meetings. Please continue, don’t let me interrupt.” 
“Al...right.” Pepper blinked at least a thousand times, then cleared her throat and mentioned for the person at the front of the conference room to keep talking. “Sorry for the interruption, please continue.” 
The meeting droned on, and Tony lasted all of two minutes and four seconds before patting at Pepper’s knee again and whispering, “Hey. You’re allergic to strawberries.” 
“Yes.” she whispered back. “Yes, I am but what does that have to do with why you’ve suddenly decided for once in your life to show up for a board meeting?” 
“Because every year I get you something strawberry themed for your birthday.” he leaned in closer and lowered his voice. “Because all I manage to remember is there is something important to you about strawberries but this year, I remembered that you’re allergic and that’s why you always do that cute scrunch nose that means you’re pissed off but trying to be polite.” 
“...you are one hundred percent correct.” 
“And I am one hundred percent sorry for taking like fourteen years to figure it out.” Tony reached into his pocket and pulled out a small velvet box, pressed it into Pepper’s palm beneath the table. “But I couldn’t resist buying you one last strawberry.” 
“One last strawberry?” she muttered and Tony nodded. “So this will be the last time you buy me something I’m incredibly and ugly-allergic to? You promise?” 
“I promise this will be the last time--” the very last time. “--I buy you something you’re incredibly allergic to.” Tony swore. “And by the way? You’re never ugly. Not once in your entire life have you been ugly.” 
“I feel like you’re sucking up to compensate for being gone for two weeks with no word.” Pepper hissed, then raised a hand apologetically when several heads swiveled their way. “And another damn strawberry isn’t going to make up for the fact that I’ve been worried sick for-- Holy shit, is that real?!” 
Whispering forgotten, Pepper clapped her hand over her mouth when she cursed out loud in the meeting over the sight of this particular strawberry. “Tony Stark what the fuck?!” 
“Uh, forgive us guys.” Tony laughed and put a hand over Pepper’s mouth too. “And I’m just now realizing how embarrassing it is that I don’t know any of your names considering you’ve been my board members for the past twenty years, but you’ll have to excuse the new CEO. Apparently there are some things that do rattle the always unflappable Ms. Potts.” 
“Yeah!” Pepper blurted. “Like when I’ve got my hand on a ridiculously big--” Tony snorted a laugh and Pepper jumped to her feet to drag him out of the board room while calling apologies over her shoulder. 
“Tell me, Ms. Potts.” Tony asked once they were in his her office. “What ridiculously big thing do you have your hand on?” 
“Tony, what is this?” Pepper opened the box again and held up the beautiful huge ring. “Is this a pink diamond? Why--” 
“This is the Strawberry Pink Diamond.” Tony took the ring and slipped it onto Pepper’s middle finger. “It’s out of Brazil. Do you like it?” 
“The last strawberry thing you’re going to buy me is a strawberry diamond?” Pepper’s voice was still doing that high pitched squeaky thing. “Tony, what is this for?” 
“It’s because I love you.” he said simply, and tossed the box onto her desk. “And because the ring was ridiculously over priced which meant I had to have it and I couldn’t think of anyone else who would look half this pretty wearing it.” 
“It’s so big.” For all her practicality, Pepper couldn’t help gaping at the arrangement, at the beautifully pink center diamond and the contrasting blue gems around it. “Tony, seriously what the hell, it’s so big. It’s like an iceberg! I can’t even see where the Titanic hit it! What is this, four carats?” 
“Almost exactly.” Tony smiled to himself watching Pepper smile so big. “Do you like it?” 
“Well I can promise to never complain about strawberries again if this is what you mean!” Pepper flushed in pleasure, holding her hand up to the light to watch the sun sparkle off the stones. “And I’ll also never complain about you disappearing if you always bring me back sparkly things.” 
“The next time I disappear, I’ll bring you back sparkly things.” Tony promised, swallowing around the grief clawing up his throat. “Now how about you step off those sky scrapers you call shoes and give me a kiss so I can go home and shower. The trip back from Brazil was a sweaty one.” 
“You’re disgusting.” Pepper laughed softly and bent down to kiss Tony very gently on the lips. “And I take off my heels for no one, Mr. Mechanic. Not now that I’m the CEO.” 
“That’s my girl.” Tony laughed right back, then picked up her hand and kissed her palm. “The ring looks better on you than it ever did on display in that jewelry store. Keep it. Wear it all the time.” 
“Thank you.” Pepper pulled Tony in for a tight hug. “I’ve been worried about you, are you okay? After you got James together with Captain Rogers you just fell off the map. I’ve been worried.” 
“Well I’m just fine now that I’m squished in your boobs.” Tony mumbled and Pepper jabbed at his side with a quick, “Oh shut up, you don’t even like boobs.” 
“Pepper, everyone likes your boobs.” He countered and she huffed and pushed him away. “How late are you in meetings tonight?” 
“At least another couple hours.” Pepper smoothed the wrinkles from her suit. “And don’t think I don’t see you dodging the question about James. Dinner tonight and we can talk about it?” 
“I owe Rhodey a grossly big steak, but we can have breakfast tomorrow?” 
“Of course. I’ll make you something delicious.” 
“You’ll have donuts with me and not complain when the cream filling splooges on your blouse.” He countered and Pepper sighed. “Love you.” 
“I love you too.” Pepper paused at the board room door and blew him a kiss. “I’m glad you’re home again, Tony.” 
“Me too, Pep. Me too.” 
86%
****************** 
******************
James woke screaming-- 
--James woke trying to scream, shredding the blankets between his fists and arching up off the bed and then something pinned him down and he tried to scream louder--
“Bucky!” Steve was shouting at him, grabbing at his arms and laying all his not inconsiderable weight across the other soldier. “Bucky! Wake up! It’s a nightmare, bud! It’s a nightmare, just wake up!” 
It was cold and James was scared. It was cold and he was falling. It was cold and it hurt so bad when they took his arm, when they cut torn tendons and sawed away splintered bone and it was cold when they shoved him into a container and it was cold cold cold as the ice climbed the window and silenced his scream and--
“Bucky.” 
James jerked awake, surged forward and grabbed for Tony, “Tony?!” 
“Hey hey hey, it’s me. It’s Stevie. It’s me.” 
It was blue eyes not dark brown. Blonde hair not soft curls. Mouth set in a grim line instead of lips parted laughing. 
It was Steve, not Tony.
“Stevie.” James fell forward and collapsed into Steve’s arms, let his friend take his weight and soothe his shaking. “Jesus Christ.” 
“What is it?” Steve ran his hands through James’s hair, across the broad shoulders, skittering away from the hard edge of metal to press at James’s back instead. “What was that? Was it like--” he swallowed. “--was it like after Azzano when you had nightmares? About what they did to you at the camp?” 
“No.” 
“Winter Soldier stuff then.” Steve nearly whispered, and James nodded almost imperceptibly into his shoulder. “The-- the chair they kept you in? The cryo chamber?” 
“Fuckin’ cold, Stevie.” 
“Yeah.” Steve felt around for a blanket and drew it up around James’s shoulders. “Yeah, I know how that feels.”
They hadn’t really talked about it, about James’s time with Hydra. Steve had confirmed only enough to explain the flashes James got, the tactical knowledge and the way he could measure potential injuries with just a glance. Steve had mentioned the chair, which explained the panic attack in Tony’s lab. He talked about the memory wipes and the cryo freeze and the way they’d used James for decades which is why his memory and concept of time was all over the place. 
Steve hadn’t talked about the missions. He swore on the Bible, on puttin’ flowers on their Ma’s graves, on the time they’d gone on the Cyclone and Stevie had barfed for hours-- he swore he hadn’t read the files, promised Natasha had burned them all the ash, told James over and over that it wasn’t about what he’d done as their prisoner, as their captor. It wasn’t even about what had been done to James, it was about him being safe and about him being home. 
So no, they hadn’t really talked about it, nothing more than a few confirmations of James’s fears and then the topic had been dropped. 
Why dwell on the past when they both somehow had a new future? Why stress about all the things they couldn’t control when they finally had the chance to move on?
No, they hadn’t really talked about it, nothing more than just enough to bring James’s nightmares back and Steve felt guilty about it every time. 
“I shouldn’t have told you.” he started and James shook his head, “I needed the answers, Stevie. Needed them. It’s okay.” 
 “You want some hot chocolate?” 
“Want some cheeseburgers.” James grunted. “Want a damn cheeseburger.” 
“Okay where from--” 
“I got a guy.” 
From James: Happy, I need a burger.
From Happy: I’m already a glass of wine deep into my evening and watching my Downton Abby, what in the hell am I supposed to do about that?
From James: I need a CHEESEburger.
From Happy: I’ll call a guy who knows somebody. Give me an hour. 
An hour later there was a polite knock at Steve’s apartment door, and the fanciest dressed delivery guy either of them had ever seen smiled, handed over a greasy bag of cheeseburgers from James’s favorite franchise, then turned on an expensive heel and stalked away. 
“Uh Buck?” Steve held up the bag in confusion. “Why did we get cheeseburgers delivered by some guy in a penguin suit?” 
“Happy knows a guy who knows somebody.” James was freshly showered and feeling better, but he felt better better when he could flop down on the couch and tear into the food. “Have one Stevie, they’re so good.” 
“...what’s with the cheeseburgers?” Steve sat down slowly and reached for one of the paper wrapped sandwiches. “Why does it seem like a big thing?” 
“It’s Tony’s thing.” James explained, wiping ketchup from his mouth. “Or Happy’s thing for Tony, I dunno. Something about how any time Tony’s having a hard time, he wants cheeseburgers and it’s Happy’s job to get them. Pep has a bad day, Happy grabs some cheeseburgers. Rhodey--” 
“Rhodey. You mean Colonel James Rhodes?” 
“--Rhodey.” James nodded. “Rhodey even gets them, and the first time me and Happy hung out, he got ‘em for me too. They make me feel better.” 
“Alright.” Steve took a bite and chewed thoughtfully. “Buck, you don’t ever talk about Tony. I mean, you talk about him but you never come right out and say anything real. Why not?” 
“Why does it matter?” 
“Cos I watched you hide for years.” Steve said bluntly, and James flushed. “I watched you sneak out way late at night to meet someone and then see the same person in the daylight and act like you’d never seen them before. I watched you dance with the dames just so you didn’t have to stand alone at the wall. I watched you hide and now we’re both here in a time where you don’t have to hide…” 
Steve let the sentence dangle, but James didn’t answer. “M’just sayin’ Buck. The man that showed up here cared an awful lot about you, and I can see it your eyes you care about him. I sorta thought you’d have a damn wedding ring on your finger when you came in, or figured I’d get a hug then you two would run off into the sunset. So why don’t you talk about him?” 
A beat of silence, and Steve added awkwardly, “Is it-- I mean, you ain’t ashamed, are you? You don’t have to be ashamed, Buck. I know the neighborhood fellas were real assholes back in the day but it’s okay now, you know? People are okay with all of that now, with fellas liking fellas and-- girls-- you know.” 
He spread his hands vaguely. “Or anyway, most people are, and we can just punch the ones who aren’t.”  
“M’not ashamed, Stevie.” James denied. “Just uh-- “ he chuckled softly. “You know how I used to punch you if you’d come and try to talk to me about Peggy? Figure you’d do the same thing if I told you about how me and Tony get in bed.” 
“I definitely don’t want to hear how you and Howard’s kid are in bed.” Steve immediately objected, and then softer, “But I loved Pegs and I feel like what you and Tony have got is more along those lines too, yeah? So why haven’t you talked to me about him?” 
“Stevie.” James bit at his tongue until it bled-- and then healed-- as he tried not to think of the dozens of messages he’d sent in the last weeks, the phone calls that hadn’t been answered, the way Pepper had texted to let him know Tony was in Malibu but was buried in some project in the lab and barely talking to anyone, not to take it personally. 
But James was taking it personally because he physically ached to get Tony back in his arms. Because every morning he woke up in Steve’s spare bedroom instead of Tony’s bed felt awful. Because he felt like he was hiding away again instead of being free in the pure sunshine that was Tony’s smile. 
He was miserable and maybe even a little heart broken and missed Tony until he hurt from it. 
Steve was his best friend but Tony had found him.
“He found me, Stevie.” James whispered and the Captain stilled next to him. “Tony he-- he found me. I was nothing and I was nobody and Tony saw me from across the room and found me. I didn’t even know my last name or how long I’d been homeless or what the hell I was doing in D.C. and Tony didn’t care. He found me and he saw me. He saw me.” 
“He gave me a home.” James opened and closed his left hand, silver fingers gleaming. “Put me back together. My body, my heart-- hell Stevie, I think he gave me my mind back.” 
“So why haven’t you talked about him?” Steve pressed. “Buck if he found you and gave you a home why aren’t you two goin’ after a happily ever after together? Been long enough in the making, don’t you want it?” 
“Course I want it, but Tony hasn’t talked to me since he brought me here.” James tightened his fingers into a fist. “He’s not answering my calls, he’s not getting my texts and I don’t know what’s going on. Sure seems like what I want and what he wants are different things.” 
“No way.” Steve denied. “No way. He probably just figured we’d need the time to catch up. Seventy years apart makes for a lot of conversation, Buck. Maybe Tony thinks he’s doing you a favor or is bein’ subtle so it’s not awkward if you decide you want to stay here or whatever.” 
“There’s nothing subtle about Tony.” James disagreed. “Nothing subtle or tactful or-- or anything like that, not when he’s being funny, not when he’s being nice. Hell Stevie, the first time we were together he sat me down and just told me he wanted to take me to bed, or wanted me to take him to bed, whichever I preferred. He told off some high and mighty politician who looked at me wrong and I-- I know he’s sick.” 
“I know he’s sick.” James finished on a sigh. “That’s why I’m so worried. He’s probably at the doctors at the hospital and ditched me here with you so I wouldn’t have to see him go through it. He lied to me about it all the time and I can’t even be made about it cos he was doing it so I wouldn’t worry. Me and Ms. Potts and Rhodey and Happy.” 
“So he’s not being subtle about letting you stay here, he’s being pretty damn obvious that you should stay here.” Steve clarified. “Is that what you’re saying?”
“Yeah, I guess that’s it.” James’s pale eyed dimmed in distress. “Half of me thinks I should show up and force him to talk to me. The other half knows I should let him work through it how he wants. I’m just worried. I had enough of watchin’ you almost die every winter Stevie, I don’t want to do it with Tony too.”
"...exactly how sick is Tony?” Steve asked slowly. “Cos I over heard Fury and Natasha talking about him the other day and they sounded worried too.” 
“I don’t like Fury, Steve. He’s got too many secrets.”
“Yeah, even his trench coat’s got secrets, I know.” Steve pulled out his phone and dialed a number. “And I dunno why he was talking about Tony, but let’s just call and ask. No worries. We’ll figure it out.” 
No worries, Steve said like there wasn’t anything strange about a man like Fury talking with a woman like Natasha about Tony. 
No worries, Steve said like James could ignore the uncomfortable that had crawled down his spine the first time Fury had shown up and looked him over with his one good eye and made an unimpressed noise in his throat while patting at his gun with his free hand.
No worries, Steve said like James had been able to sleep at all the last several  weeks knowing Tony was out there who knows where and alone and ignoring calls and messages--
“Captain Rogers. I thought you’d be too busy with your boyfriend to report in for duty.” 
“I’m not reporting in for duty.” Steve said blandly, and then almost belatedly, “Oh and Buck isn’t my boyfriend. Sheesh. No we wanna know why you and Nat were talking about Tony the other day. Bucky hasn’t heard from him in a few weeks.” 
“No one has heard from Stark in a few weeks.” Fury answered shortly. “The guy’s been finalizing his will and naming beneficiaries and spending the last couple weeks sight seeing everything the world has to offer. You can’t expect a dying man to keep up on text messages.” 
Silence in the apartment, and Steve turned wide, horrified eyes to James. 
“...what did he say.” James whispered in disbelief. “What did he say about Tony dying?” 
“Director can you repeat--” 
“Romanov gave him a shot in the neck the day he barged into your life, but it wasn’t meant to last long term. You telling me the world’s best soldier and your best friend Mega Scary Assassin didn’t notice the black lines all over his chest and crawling up his neck?” 
“Tony is dying?” 
“Palladium poisoning thanks to that battery in his chest.” Fury had the good grace to at least sound somewhat apologetic about dropping the news so unexpectedly. “Rogers, Barnes, I really thought you two knew. Figured you were giving him space to die in peace.” 
Silence silence silence and then the sound of something breaking and Fury waited a beat before asking, “You still there?” 
“I need transportation to Malibu for Buck!” Steve sounded like he was running now, breathing hard as he pounded down the stairs and out of his apartment building. “I need it now! Something fast!” 
“Pick up location?” Fury asked over the noise of horns honking and someone screaming in alarm. “Rogers? Where are you and Barnes?” 
“Bucky took off running down the goddamn freeway.” Steve shouted. “He’s going too fast for me to keep up--” 
“--Shit, I didn’t think anyone could outrun your spangled ass--” 
“--I need a craft for pick up as soon as possible! Give me an ETA!” 
“I can have something airborne from HQ in two minutes. What’s his current position?” 
“Running along the top of the bus past the bridge at fourth?” 
“Oh motherfuck--” 
*************
************* 
“Sir?” 
Tony’s hands were shaking as he picked up the blood monitor, and he hissed in pain when his nearly fried nerves lit up in agony over the tiny prick. 
“Sir, if I could interrupt?” 
“Jesus Christ.” Tony’s legs gave out and he slumped back into a nearby chair, one hand over his heart, the other clutched tight around the monitor. “J-- what-- what--” 
He was panting, sweating, hardly able to take a breath without his chest seizing, the black lines at the reactor and his neck trailing down his arms and almost to his fingers now. His vision went blurry if he stared for more than a few minutes, he was constantly thirsty and damn near dehydrated and the little bit of food he’d managed the last few nights had ended with him stumbling back to the bathroom and vomiting until stars burst behind his temples. 
He was so scared. 
“J--” 
“Sir, Sergeant Barnes is on his way up the drive.” 
“...what?” 
“A distinctly non civilian air craft dropped him off in the street and he is up the steps and nearly at the door. Should I allow him in?” 
“Please…” Tony’s head lolled back as he tried to breathe. “J, please--” 
“Tony?” A shout from upstairs and pounding footsteps as the soldier ran down the stairs to the lab. “Tony? Sweet thing?” 
“Thank god.” Tony managed only a glimpse of pale blue eyes and silver fingers before his vision went black. “James--” 
“Tony!” 
...The blood monitor slipped out of Tony’s hand and fell to floor flashing a steady ninety-one percent.
...91% and when James reached for Tony, the beautiful brunette was too cold, too still, barely breathing.
...“Tony?” 
91%
**************
Chapter Notes: 
Tony sits still for 2 mins and 4 seconds because the IM2 run time is 2 hours, 4 mins. 
I didn’t want to skip the strawberry part of the movie, but I like my version better. THIS is Pepper’s ring and honestly, I totally want one. 
I grew up watching WWF/WWE and I will probably watch it till the day I die. 
We made a purposeful decision to avoid any CACW related angst in this fic. The idea that who James/Bucky IS will always be more important than who he was, what was done to him/what they made him do and I think everyone deserves to be seen as a person first and foremost instead of their list of past mistakes and/or trauma. 
That being said, 91% is a reference to 1991, the year the MCU WS ruined Tony’s life but in this verse, the number where James comes to his rescue. 
SAY SOMETHING ABOUT THE CHAPTER!
*************
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senotsuri · 3 years
Text
Way back when, I posted an image of an OC, who fairly recently got a full name (she only had a surname back then.) So, with Eliza’s name finally figured out, I realised I hadn’t actually given my overview of the game that spawned her; Champions of Vestroia.
Time to lose my mind, I guess.
Some fore-knowledge before we get into this.
I am, by all means, a legacy bakugan fan, not a reboot fan. I’ve only seen one double episode (the become-smaller-child episode, which was cute, and Outer Demons, which has a super good premise, but the execution is. something.) By all accounts, CoV is essentially my introduction to the world of the reboot, and I’ll come to this later.
I played both the first game (Bakugan Battle Brawlers, specifically the Wii edition), and the... third game (Defenders of the Core, shortened to DOTC, also for the Wii. The second game, for anyone curious, is Battle Trainer, a DS exclusive.) This will come up later, of course, but I want to point out these two as they’re basically my control group for the quality here (not for the battles though; different battle system and all.)
I am incredibly stay-at-home. A lot of people I know irl I don’t have contact with, and most of them don’t live in my city. This is only important when it comes to the protagonist and literally no one else in the game, but I thought I’d mention it anyway.
So the game begins with the character creator. This is pretty standard stuff, honestly. My one issue with it is just-- this is probably my fashion sense speaking, but the fashion in the game is very... for lack of a better term, naff. There aren’t many options that look good, personally speaking. This is ignoring the issues where the protagonist loses their name, mid conversation, or is referred to as if I chose the male option instead of the female option. These issues are likely just oversights, by all accounts, but talk about jarring.
The first time you see your character is where 3. comes in. The protagonist, no matter what you chose (I have two save files, in case there was a difference. There isn’t), will always be a football/soccer player. Are you one of many, many people who isn’t sporty, who is trying to play as themselves? Sorry, your character is sporty, and you can’t do anything about it.
In the legacy games, this was never really a problem; your character was never seen doing anything other than brawling and interacting with other characters. Whether they played sports, or stayed indoors and wrote fanfic, the game let you decide on that for your character, by not having them do either of those things: your character only battled, or snuck around in DOTC’s case.
Once you stop playing football, you get to run to your best friends, and I guarantee you, you won’t immediately guess who they are unless you somehow already knew.
I mentioned BBB and DOTC being my control group on quality. Bringing the character creator back into this, the NPCs are laughable in quality. Any character who has the same model as you (older child. There are only two other model types: adult, and younger child) will look like a remixed version of your character. Had it not been for some characters having special eye shapes, you could practically cosplay any character in the game, because they were made the same way you made your character.
This includes your two best friends.
You could easily make the same character (minus clothes) as one of your best friend characters, without knowing it until you saw them.
While, yes, BBB and DOTC had the characters from the legacy anime in them, the fact that your best friends are nigh indistinguishable from any other character in the area, because you could easily make any of them in the character creator, isn’t... great.
Speaking of that. Characterisation is questionable, to say the least. Whatever bakugan you have in your first slot will answer to you the same as any other bakugan you have in your first slot. If you started off with Howlkor in the front of your party, and you replaced him with, say, Barbetra, Barbetra will act the exact same as Howlkor did, and it’s really something.
There’s only (?) Armoured Alliance bakugan in the game, other than Dragonoid, Pegatrix, Trox, Hydorous, Nillious, and the afforementioned Howlkor. That’s a small roster, by all accounts, so having varied dialogue depending on the bakugan would make sense.
The characterisation of the other characters is also a little funky in places. Your best friends don’t brawl, and I honestly forgot about them for a portion of the game. The tournament brawlers are practically as faceless as the villain minions, and the villains- oh the villains...
Preston. I don’t like Preston, at all. He’s a villain from the moment you see him, and the whole “try to find Preston” section in Helena Heights makes me want to punch someone. When you fight him in the Parasol HQ, his dad being the CEO, it’s fairly clear that Preston is little more than a tool for him. Sometime later, you fight Preston again, this time as the final tournament’s final battle, and he’s laughably weak compared to the other challengers. Remember, this kid fights you with Leonidas.
You’d think Leo would be good, but I’ll get into the butchering that happened to my death dragon later.
Anyhow, he fights you, assuming his dad will enjoy him defeating you. With the power of you’re the player character, you beat him, he hands all of his bakugan to you, and gives up on brawling for good. Kinda.
The next time you see him... hoo boy. In Old Town, on the way to defeat dear detestable dad, you come across Preston. He offers you help, and when player character is understandably suspicious, Preston complains that... one of his toys was taken away because you beat him, and now he wants Revenge On Dad.
I wish I was joking. His revenge, by helping you defeat his dad, isn’t because he’s obviously neglected by his dad (company taking priority over him, the CEO’s son), and then is used as a minion to try and get rid of you. It’s not out of bitter feelings because his dad doesn’t care about him, no, it’s because his dad took his ball away.
What’s worse is how player character reacts: “Oh! :) You’ve learned that bakugan aren’t just tools! :) Yes you can help me, despite the fact that you learning this sounds less than genuine and definitely not last minute! :)”
This is a level of stupidity I’ve only seen in DOTC Mira when Spectra tricks her into giving him Drago. He’s literally sulking and moping about over his ball, and then he sees the player character, immediately being manipulative so that player character can take down his dad for him. 
Leonidas also forgives him, and has the same reaction as the player character.
Speaking of Leonidas! I think everyone’s been excited for Leonidas in general - we all love a shark headed death dragon, and we wanted one in the reboot for ages.
I refuse to call reboot Leonidas Leonidas. This is like the Shun Kazami debacle, but one I’m substantially more angry about.
Leonidas, in BBB, was untrusting of everything, wanted to throw down with everything in sight, had no fear of anything because “I don’t fear weak [humans]”, and literally came from hell. He eventually grew to trust you and others, to calm down and enjoy himself at his own pace, and was willing to have help from others, showing anyone around him that his origins aren’t the be all and end all about him.
Leonidas, in CoV, is immediately trusting of the first human who showed a hint of kindness, has a weakness to all attacks in the game, comes from Vestroia (not the Doom Dimension), and forgives the human who threw him away when he didn’t win the battle against you for him.
Ignoring the fact that Leonidas just doesn’t look good in CoV, I’d say he got bastardised. That’s not Leonidas, it’s just a dragon with the same name.
The main villain is the CEO of Parasol, an energy company that, assumedly, used to use solar power. Upon finding out that bakugan battles give off incredible levels of power, they turned to using bakugan, forced to battle, to generate power. These guys literally dug into someone’s house to try and get Leonidas. They’re evil.
On the topic of the battling for power generation; this has a decay effect on Vestroia, as it happens, as battling energy would usually go back into Vestroia, which would be recycled and reused.
The CEO doesn’t bend the knee to you until you break him, which is undoubtedly nice for a villain; I was honestly expecting him to give up, but he doesn’t. You beat him into a corner.
But as my introduction to the world of BP, through CoV, is lackluster at best. Obviously the game is meant for those who have seen the reboot, and don’t mind being completely disconnected from the story, because CoV is self contained, and Dan only shows up to be the tutorial giver (as a jpg, no less).
From what the game tells me about the setting; bakugan are often exploited by adults, bakugan do not like adults because of this, but can’t tell when a human child is manipulating them, unless another child removes them from that situation (the lack of agency here is somehow worse than in the legacy series, who knew).
Despite bakugan being around for 18 years in the setting, no one seems to be aware that they’re living beings, other than the main charcter, as if BP humans are equivalent to Legacy’s Vestals. I was already aware of Vestroia and Earth sharing a location in space, but the fact that drilling deep enough causes bakugan to appear on Earth seems... really weird? Schrödinger’s Bakugan Summoning Pit, but they exist on every digging site possible. Bonus points to all bakugan being able to speak, and they do speak a lot, but only to the player and whoever is around the player in a cutscene.
I’m missing a lot of things, such as battle items being the worst sometimes, I’m aware, but at this point I’m tired of rambling, so let me end off in a comparison.
CoV has, in my opinion, the same replayability levels as Pokemon Shield; I couldn’t replay either game to the end, and I wouldn’t recommend either to anyone unless they were desperate for a new game to play, and had nothing else to chose.
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carriagelamp · 4 years
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Book Review - Summer Summary 2020
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I didn’t get around to doing an individual post for the books I read in June/July/August, so I decided to choose a dozen that I read over the summer... I’d separate the wheat from the chaff for you so to speak. Though like you’re about to find out, that doesn’t necessarily mean they were all good by any means...
Crave
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My girlfriend got this for me to “tide me over until Midnight Sun”. Between you and me, I think she was taking the piss. Anyway, Crave is very... standard fare paranormal YA school romance with the added flare of being written by an adult erotica writer, meaning the rhythm and tone of this novel is fucking bonkers. If you want to read the novel without reading the novel, just take Twilight and the entire Vampire Academy series, shove them in a blend, and force down the sludge you get from that. Normal Average Girl Goes To Secret School In Alaska For Vampire, Werewolves and Dragons. That’s this book. It is so big and so so so bad. I finished it out of spite, please don’t do that to yourself. Unless you are really craving (hurr hurr) some top tier trashy paranormal romance, in which case... no judgment.
The Last Firehawk
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The Last Firehawk is a Scholastic “Branches” series, written for beginning readers (grade 1-3ish, depending on the child’s reading level). It has short stories, big text, and awesome pictures on every page. Guys. I unironically am adoring this series. It’s simple and is introducing children to a number of classic elements in the fantasy quest genre, but it is so charming. Friends Tag and Skyla discover a firehawk egg, and species that is supposed to have disappeared long ago. When Blaze hatches from it, the three are tasked with going out and finding the magical ember stone which was hidden long ago by the firehawks and which could be used to defeat the evil vulture Thorn and his dark magic... I read the first two books to second graders who ate it up and read the next four books because I personally wanted to continue the series. If you have young readers in your life (or just want a fun kid adventure) then please try these they’re the literary equivalent of nibbling on a chocolate chip cookie.
Lupin III: World’s Most Wanted #3
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All the kind people that still follow my tumblr and haven’t tried to murder me because of my Lupin obsession are not going to be surprised by this one. I finally read one of the manga for this series and honestly I’m delighted. Somehow even hornier than the show, but hilariously funny. I felt like I was reading a more adult version of Spy Vs Spy. It’s a bunch of short, individual bits/adventures with lots of visual gags and an artstyle that is really different and delightful.
River of Teeth / Taste of Marrow (American Hippo series)
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I’ve talked about River of Teeth before, but I finally finished the American Hippo duology and need to sing its praise. This is an alternate history series composed of two novellas that explore the question What would have happened if the States had decided to import hippos as livestock...? Anyways, my pitch for you: queer hippo cowboys. That’s all it took for me to read it. You have a gay gunslinger who loves his hippo to death, a nonbinary explosives-expert / poisoner who is the main love interest, a fat con artist who spoils her hippo and is the only voice of reason in this entire series, and a latina mother-to-be who is the scariest assassin in the entire series and is obviously scheming. The four of them are brought together on a job to deal with the Mississippi’s feral hippo problem.
IT’S A QUEER HIPPO COWBOY HEIST NOVEL GUYS I DON’T KNOW WHY I’M STILL TALKING AND YOU HAVEN’T JUST GONE TO READ THIS YET.
Petals to the Metal (The Adventure Zone series)
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The graphic novel adaptation to the McElroy family’s DND podcast The Adventure Zone. Most of you are probably aware of this? It’s a great adaptation, it hits all the important beats, shows off the characters really well, and still gets lots of good gags in even while condensing entire arcs into single book stories. This one is probably my favourite so far just because Petals to the Metal was one of my favourite arcs in the show... but you can also see how the art has improved and the chaos of the race is fun to see drawn out.
If you like The Adventure Zone but haven’t tried the graphic novels yet -- would recommend! If you’ve always wanted to listen to The Adventure Zone but don’t have time for such a long series or struggle to focus on podcasts then pick up the first book of this series (Here There Be Gerblins) and try reading it! It really is an enjoyable adaptation.
Pony to the Rescue (Pony Pals series)
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I continued my April/May theme of reading old-school chapter book series to combat Covid Brain Fry, so I picked up a few Pony Pals books. I read these as a kid and always enjoy them -- there’s just something so appealing to a child about having a horse. It gives your child characters a level of independence and ability to explore that you wouldn’t get otherwise. These books definitely read young, but they were nostalgic to revisit.
Small Spaces
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A really cool middle grade horror novel I picked up. Maybe it’s because I live around a lot of corn fields, but farm/scarecrow themed horror absolutely does it for me. One evening, after seeing a woman try to destroy a strange, old book, eleven year old Ollie doesn’t stop to think, instead stealing the book and running. That’s how she becomes wrapped up in the strange, sinister story of a cursed family and creature called the Smiling Man that seems to live out in the foggy fields. While unsettling, Ollie tries to remind herself that it’s just a story... but this becomes more challenging when her school bus breaks down one day out their own set of fields, and a fog is rolling in...
“Avoid large spaces. Stick to small.”
Snot Girl #1 - #2
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A Canadian graphic novel series by the creator of the Scott Pilgrim series! I love his work so I decided to give Snotgirl a try, even though it’s not generally my genre. I’m glad I did! First book took a while for me to get into, but by the time I hit the second I was really wrapped up in the mystery and character development. Snotgirl is about Lottie, a self-consumed fashion blogger whose biggest struggles are dealing with her allergies, frustration with her fellow-blogger friends, and how entirely her self-esteem is tied to her “beauty” and how people view her. But everything shifts in strange and horrifying ways when Lottie starts taking a new allergy medication, meets a new friend... and then witnesses that girl’s death. Or does she?
Seriously, or does she? I have no idea, I need to read the third book. This book is full of intrigue, complicated relationships, murder (or not?), and a healthy dose of magical realism to keep you guessing. If you like slice-of-life, crime, and abstract reality then this series is world a try. Plus the art is gorgeous.
Summer Wars #1 - #2
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I recently rewatched Summer Wars (still one of my favourite movies) and decided to read the two-book manga adaptation. It was a really neat little adaptation. The creator of the movie gave the writer free range to tweak things to fit better in a manga format, which means some movie elements were allowed to fade into the background, whereas other aspects were fulled into the forefront and fleshed out to a greater degree. It was very cool, it kept the same story but gave you new things to think about which I wasn’t expecting. Reading this as a stand alone works just fine, but honestly if you’ve never watched the movie Summer Wars you should give it a try! It’s a great mix of slice-of-life, sprawling family dynamics that I relate to a little too well, cyber adventures, and fantasy. Super feel good.
This One Summer
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Okay, last graphic novel, I swear. This One Summer was... weird and intense. It’s a coming-of-age Canadian graphic novel that follows a pair of pre-teens who meet up like they do every year at their family’s summer cottages. You see them both in the awkward phases between childhood and growing up to become teenagers, as they’re confronted with things like maturity, friendship, self-esteem, family problems, and sexuality. A beautiful read, but probably the heaviest out of all the books on my list.
Wild Thornberrys Novelization
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I rewatched The Wild Thornberrys movie with my girlfriend earlier this year, and decided I wanted to hunt down the chapter book novelization because I’m kind of a sucker for novelizations. Honestly, this was about what you would expect from the era. 90s/00s novelizations, especially young novelizations, are generally just a transcript of the movie without much thought or effort put into them to make them anything but. That’s what this was. It was fine, and it really let me revisualize the entire movie, but honestly you’re probably better off just rewatching the movie unless you also really deeply love The Wild Thornberrys.
The Willoughbys
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I saw that Netflix had done a funky looking adaptation of The Willoughbys and I decided I needed to read the book first before watching the movie. This was a little bizarre, I’m still not sure how I feel about it. Over all, I think it was a net-positive experience. It’s an obvious satire on classic children’s novels, especially the likes of Mary Poppins (real Mary Poppins, not the Disney version) and while a little heavy-handed, it does a Series of Unfortunate Events vibe that redeems it. The story is about a group of horrible children (The Ruthless Willoughbys) who decide they are sick of their parents and would rather become Worth Orphans... and to do that, they’re going to have to dispose of their inconvenient parents, obviously. Conveniently their parents are also sick of having children and decide to do away with them as well. The Willoughbys sets up three (or four?) different subplots that are gradually woven together through a series of schemes and exploits. It’s definitely more ruthless (hurr hurr) than the Netflix version, which tried to make the children more sympathetic, and in some ways I think that’s a definite point in the novel’s favour. I’m not sure I would go out of my way to recommend it, but it was a fun romp if you want something short and off the wall (and a lot more fleshed out than the Netflix version).
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potatoesandsunshine · 3 years
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Campaign 2 Wrap Up: Anna Potatoesandsunshine Edition
Seemed like it would be fun to go through all the fan content I made for this campaign and try to find at least one thing I like about each thing! Kind of like looking back through a photo album. Under the cut because as it turns out, I wrote kind of a lot! (As in, 21 fics and 3 playlists kind of a lot!)
the sea, once it casts its spell (fjord speculation, what’s up with all this ocean stuff?? the fic)
The first thing I wrote for c2, wayyy in the beginning of things. We had no idea about Uk’otoa or Avantika or anyone at this point, it was pure ocean vibes for my favorite warlock. I really like how hard I leaned in on the “the ocean follows Fjord to land” idea.
so many things will fill my life (but only one will do) (post-campaign cali/jester fluff, written the night of the cali episode and so sweet it could rot your teeth)
This one is just good. I just did good with this one. I’m one of those people who hates their own work the night of posting and then when looking back at it goes, “Wow, this is great.” My favorite thing is the little gifts sent along with the letters! Cali was so fun and cute :)
when the dust does roam (Beau study up to Episode 42, 2k words of Beau poking at the idea of grief)
Best thing I did in this fic was have Caleb-through-Frumpkin bugging Beau about getting some sleep. They really... they’re siblings, your honor. 
“  “Fuck off, I’ll sleep when I’m dead.” Beau picks the bird up and sets him in the hood of her own cloak, out of reach of any weasels or startled monks in the morning. It’d suck to have to tell Caleb that his Frumpkin got eaten by Sprinkle.” C’mon guys, let’s do the sibling dance.
keep your swords out by your sides (the idea for this was, What If Fjord Has Nightmares From Uk’otoa Every Night and just doesn’t remember them)
Assigning everybody a word Uk’otoa had said for each nightmare in this was a challenge; I went into it knowing I wanted Caleb for Learn and Caduceus for Consume and had to guess the rest - for an angry eye snake Uk’otoa didn’t give us a ton of quotes. 
“ He reaches over and runs a hand along the wall of the ship. From his touch, mushrooms begin sprouting.” Caduceus starting to decompose the Mistake in the middle of cooking was maybe the best moment in this story for me. Like, yeah. Yeah. Ok you funky little grave cleric.
strange but not a stranger (Caleb & Jester, in the immediate aftermath of Caleb’s charm in Episode 55)
the first of my “the Mighty Nein won’t have these conversations with each other in canon so they have to be had in fic” ideas that turned into a full-fledged story. I still had not discovered the em dash at this point, so the formatting of this makes me cringe a little bit, but this fic was really about The Emotions Of Being Out Of Control which turned out to be a very big Thing for the Mighty Nein.
now this story was when swords were humble (fake academia mixed with a Yasha study)
Honestly I’m still obsessed with the AU I made here where Yasha was just awakening every sword she used without knowing it?? Why did I use that here only?? That might come back. But the best part about this fic is the citations; me at my most in-joke and ridiculous.
through the teeth of this tempest (Written in the immediate aftermath of Episode 69, Yasha internally trying to break Obann’s control over the course of a month.)
The most “I wrote this to cope with canon” fic out of all of them. I was crying writing this, I was so upset that Yasha was gone ugh just remembering it. Still waiting for past me to discover the em dash, I genuinely don’t know why I didn’t know how to do it and I’ve thought about going back and editing all of these but I’m just Not Gonna Do All That. Anyway, I really like how Yasha catches lightning with her sword in this. We all really manifested that happening.
nothing more than what the losers settle for (Time travel, a series of oneshots where each member of the m9 sans Caduceus went back to a different point in the timeline and murdered Trent Ikithon)
This was my longest fic for c2, so I’m mostly just glad it got finished. This happened somewhere around the time Matt released that set of notes that mentioned Trent in more detail and I hated him so much I just had to write him dying six times. That speaks for itself.
Revolutionary!Fjord was also a good turn. He could pull it off, I think.
we’re gonna show ‘em a thing, or two, or three (Jester growing up fluff!)
I really like how I did Jester & Artagan in this, even though he barely appears. Someone better at songwriting than me please write the Dragon Song. Em dash makes an appearance here but the formatting is still wrong. I Am Once Again Asking For Proper Use Of The Em Dash.
the best things (happen while you’re dancing) (Mid-Episode 97 Divergence, Jester taking the reins at the party + hints of jester/beau/yasha bc i still love my girls so much)
Jester’s a little out of character in this, but not wildly so, and it was for the purposes of a Trapped By Societal Convention plot that I wanted her to mastermind so I think it was fine in the end. I’m still fascinated by the way she unbalanced Ludinus Da’leth in basically every interaction they had, and while their scene feels pretty cliche in this... the cliches are there for a reason. They’re so fun to write.
Em dash my beloved, there you are.
plus thirty-one varieties of sacramental wine (The Galavant crossover that truly nobody asked for, Beau + the monks)
Yeah, this one’s just fun. Not much more to say about it. Critical Role and Galavant are both fantasy, but they’re honestly pretty different in tone, and it was fun to write Beau dropped into a comedy musical.
oh we were sea-bound and aimless at best (Purely angst, a What If The Fjord & Orly Resurrections Didn’t Work fic)
Made myself care about Marius with this one, y’all. What more can I say? Beau having to go from first mate to captain was just... deliciously painful, because she would.
lost my shape trying to act casual (Beau & Yasha during travelercon, another mid-episode fic, this time of 104)
Yasha comforting Beau, who feels guilty for not feeling guilty... That Mighty Nein wasn’t lying, Mind Control and Autonomy can be themes. Another in the  “the Mighty Nein won’t have these conversations with each other in canon so they have to be had in fic” tank. They really just... didn’t open up to each other for a long time, which made sense, but I wanted them to.
so long as you don’t mind a little dying (Beau & Caduceus, sometime in the peace talks arc)
Keeping with the Mighty Nein Please Talk To Each Other theme, I feel like I did a pretty good job with the late-night conversation energy of this fic. This was at a time when I was looking at Caduceus, can opener in hand, ready to make this firbolg open up about his feelings. Beau in this is prickly and confrontational but only in service of her friend’s well-being.
amber light, bending (Eiselcross speculation, Widofjord and all the messiness therein)
THE widofjord fic of my two widofjord fics. The blueprint. The better one. Finally I got the dynamic figured out. I maintain that the tower is an absolute expression of Caleb’s love for his friends. The way that neither of them have the braincell in this fic... yeah this one is just good.
and a blade between them (Widofjord happening... sometime.)
Okay so this is not as good as amber light and I will never be able to look at it and like it as much, but it was still fun to write. Anyway, the intimacy of shaving someone else. That is good. The tag “if they didn’t want me to think about the blood pact they shouldn’t have made the blood pact” is the most useful takeaway from this fic and is the driving force behind the Fjord/Jester/Caleb fic I’m working on now, so it wasn’t a waste of time or anything.
feel the ground beneath my feet turn into the sky (Post-Campaign Astrid-retires-to-Nicodranas, Astrid/Jester)
This is another one where I’m like “Yeah, this is just good.” Packed full of Wizard Fashion, Artagan making an appearance to rope Astrid into having a happier future, and the power of Going To The Seaside. Good for you, fic-Astrid.
spend your days biting your own neck (Role-reversal where Beau is the one mind-controlled this time and Yasha is the one chasing after her, set very early in the Tomb Takers arc)
So much of this fic is about not saying things aloud - Beau’s POV spends a good chunk on body language and Yasha writes multiple letters on paper and in her own head - but devotion bleeding through anyway because there’s nowhere else for it to go. The two of them go tumbling over a cliff together at the end but Yasha has wings, ugh. Yeah this was a good one.
and blow the dry leaves from the tree (Somewhere before the beauyasha date but otherwise timeline-nonspecific Nicodranas, Yasha & Yeza become friends)
Yasha & Yeza making pancakes together when neither of them know how to do so... is good. This fic is very much about grief sneaking in, but it’s even more about finding someone to share the moment with you. I think these two have more in common than we think.
oh, lend a mending hand (Caleb & Caduceus during Beau’s tombstone meditation in Episode 130)
I wrote this entire fic as an excuse for Caleb and Caduceus to hug and it does what it says on the tin. Got em.
it’s about the passing of measures (Beauyasha at the end of Episode 134, Aeor speculation)
This fic got extremely sidetracked because I rediscovered the marble machine during it and I do not apologize for that. I still really like the idea that Aeor as a whole, not just the Cognouza, is somewhat-alive. Too much magic and too much death for it to be anything else, in my mind. And I’m a sap for hurt/comfort.
the blumentrio playlist nobody asked for
If I think too much about how deep in each other these three people are I will cry. Made myself a soundtrack for those tears. 
the caleb playlist nobody asked for
what if this angsty wizard had a playlist of songs that mostly just... make me want to dance? that question was answered here.
the caduceus playlist nobody asked for
songs about home, leaving home, dying, changing, becoming someone new, coming home and finding it’s changed... this to me is caduceus.
yeah... this campaign has been fun!! I probably won’t stop making things about it; I still write about Vox Machina, for crying out loud, but... it feels good to lay it all out like this. It’s been a long few years, and it’s wild to be seeing the end of it now.
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makeste · 4 years
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BnHA Chapter 256: Fucking Superb You Funky Little Hero Eggs
Previously on BnHA: Aizawa and Mic’s frankensteined best friend Shirakumo, better known to us as Kurogiri, had his memories briefly restored through the Power of Friendship, and was all “YO Y’ALLS BETTER GO CHECK OUT THOSE HOSPITALS” before his head started steaming like a tea kettle and he randomly fell asleep. Aizawa and Mic were all “!!” and Aizawa was all “(ಡ ﹏ ಡ)” and Mic was all “Aizawa are you crying” and Aizawa was like “NO!!!” and then they left the prison and Nao called HPSC Lady who called Hawks and was all “eck-chay ethay ospitals-hay” because Hawks, as you recall, is still a secret agent and all that. Anyway so Hawks was all “EUREKA!!” in his head which doesn’t really add up but hey, and then the chapter ended with Dr. Ujiko dancing in sadistic glee as he watched Tomura get all mad scienced. It was pretty freaky. I could use some wholesomeness right about now so let’s see if this chapter will deliver.
Today on BnHA: Class 1-A shows off the fresh skills they learned during their assorted internships, such as “determination”, “enhanced search techniques”, and “becoming a literal blob of acid.” The Wonder Trio is a particular highlight, and All Might is all “my little baby off to destroy people :’)” as he watches Deku shred a robot to pieces using Blackwhip. We then cut to Aizawa and Mic, who may or may not be planning some rogue vigilante style investigations of the whole Noumu thing, or maybe they’re just brooding, but either way they’re interrupted by Mirio and Tamaki who come running in to get them to stop Eri’s quirk from going haywire, which, yikes. The chapter then ends with All Might handing Deku a notebook full of DETAILED, CATALOGED INFO ABOUT THE PAST SUCCESSORS AND THE FUCKING SIXQUIRKS. We just have to wait two more weeks to find out what that’s all about. 2020’s got some fucking zip to it so far huh.
so it’s about a quarter past 7 right now and it’ll be a miracle if I can have this recap up by 10pm tonight. surprisingly the wait for this chapter didn’t really bother me, but this Sunday/Monday release schedule is really doing a number on my punctuality. but anyways we’ll figure it out eventually. if memory serves, there’s about a 90% chance that this week’s jump will also be a double issue, so that gives me another extra week to get my shit together lol
(ETA: so that wasn’t too far off actually! I think a three-hour turnaround time isn’t bad for 3000 words lol. and actually it was more like two hours of reading/blogging and one hour of editing/photo cropping. anyway so in all likelihood either Sunday or Monday night releases will become the norm, depending entirely on how busy that particular Sunday is. not quite the same as getting the chapter on Friday and having the whole weekend to ruminate over it but we will adjust!)
anyway, so I’m somehow remarkably unspoiled for this chapter despite it having been out for nearly a week and a half at this point. so that’s something! let’s see what we’ve got here
yaaaay my babies
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All Might was offering free cotton candy, yes? I didn’t expect we’d cut right back to this lol, but you sure won’t see me complaining. I want to see what everyone else learned during their internships, and also what with the break and the last couple chapters being Tartarus-focused, it’s been about a month since I last saw my little hero eggs, and of course I missed them I’m only human
omg
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did the original dialogue really reference Skynet. Horikoshi truly gives no fucks about copyright. like one or two episodes ago the anime made some copyrighted reference which you could clearly hear in the Japanese but which the English subs hilariously glossed right over. I’m trying to remember what it was now. damn. anyways we millennials can never resist a good pop culture reference, facts
OH MY GOD AOYAMA
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THEY’RE EATING THE COTTON CANDY
TOKOYAMI EATING COTTON CANDY IS THE GREATEST THING TO HAPPEN IN 2020 THUS FAR. LET ME TELL YOU, WE REALLY NEEDED THIS
SHOUTO EATING COTTON CANDY IS THE SECOND BEST THING TO HAPPEN IN 2020. IT WAS VERY CLOSE
I STALLED FOR TIME SO MUCH AND I STILL DON’T KNOW WTF TO SAY ABOUT AOYAMA’S NEW ATTACK OH MY GOD. JUST. I DON’T KNOW YOU GUYS. THIS BOY IS REALLY OUT HERE SLICING ROBOTS IN HALF WITH HIS BRAND NEW LASER PENIS. THE AMOUNT OF FUCKS THAT HORIKOSHI GIVES IS IN THE NEGATIVES I DON’T KNOW WHAT ELSE TO SAY
OH ARE YOU STILL GOING
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is... what’s... ldkfj okay nothing to see here guys just the naked invisible chick getting all friendly with Aoyama’s beam boner. just manhandling his sparkle shaft. there are children reading this manga. I mean, they’re already mentally scarred from all the dead dogs and child quirk wine and whatnot, but still at what point do we put our goddamn foot down
anyway so somehow she’s redirecting his laser beam?? I guess with her light refracting quirk skills?? great job Hagakure with your help Aoyama can finally shoot lasers at stuff that’s behind him. you’ve mastered the power of making it so that he doesn’t have to turn around great job truly an internship well spent
“now I can yank light and warp it!” you go girl now you can whip that thing around like it’s a fucking fire hose I guess
YOOOOO MINA!!
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THIS GIRL LITERALLY COATED HERSELF IN ACID AND DID A FUCKING BARREL ROLL AHHHHHHHHH. NOW THAT’S MORE LIKE IT, NO OFFENSE TO CAPTAIN DISCO DONG AND COMMODORE “I CAN DO EVERYTHING A MIRROR CAN DO” BUT THERE ARE UPGRADES AND THERE ARE UPGRADES, AND LET’S FACE IT, THIS IS THE REAL DEAL HERE
AHAHAHA I LOVE ITTTTT
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is it too late for Mina to actually change her name to Acidman. what is she calling herself now again?? Pinky?? come on Mina strike some fear into the hearts of your enemies
and now All Might and the others are applauding. I don’t see Shouto’s cotton candy anymore. boy fucking inhaled that shit
oh wow, they interned under Yoroi Musha? if memory serves me, and I’m honestly not going to bother to check right now, isn’t that the samurai dude who somehow beat Ryuukyuu in the billboard charts? not that I’m still salty about that, oh wait I absolutely am but anyways
OH MY
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IS THAT SOME KIRIMINA CONTENT UP IN MY PANELS. hot damn that is some cute fucking shit. Mina better not get any undue hate for this. everyone please remain calm this cute interaction does not threaten your ship in any way (unless you want it to in which case have at!!) and we can all have fun if we just play nice you guys
lmao All Might
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“WE’RE ALREADY ON PAGE FOUR AND THERE ARE TWENTY OF YOU, WE DON’T HAVE ALL FUCKING DAY CHILDREN”
so Satou and Ojiro learned how to punch harder and stuff. again, it’s fine, we can’t all be Acid Men. but meanwhile they interned with some lion guy named Shishido whom I INSTANTLY LOVE so that’s badass. only one character away from Shishida though, but that’s Horikoshi for you
OH MY GOD
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BLAH BLAH YES ENHANCED SEARCH TECHNIQUES ZZZZZ BUT FUCKING LOOK THOUGH AT THE FLASHBACK OF HIM YEETING THEM, YESSSSSS. THE OLD WAYS HAVE NOT YET BEEN FORGOTTEN, GANG ORCA YOU ARE THE HERO WE DESERVE
meanwhile Sero, Kami, and Mineta learned how to literally kill people with their quirks flkdjsflk
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(ETA: btw I really love that Mt. Lady’s internship emphasized teamwork. now there’s someone who’s come a really long way her own self. anyway I stan and she had better join the other two in the the top 10 real soon. come on BnHA society get with it.)
damn Mt. Lady what the fuck. “if you guys work together you can suffocate and electrocute villains to death with ease!” the government’s plan really is working huh; these children have become bloodthirsty, ruthless killers in a shockingly short period of time
anyways so Iida as we all recall learned how to be more footloose and fancy free, and meanwhile Kouda learned “smooth communication” from Wash, the literal washing machine man whom I also don’t still harbor a grudge against for inexplicably beating my dragon queen in the hero polls, and once again that is a lie because fuck you Wash! you’re adorable but fuck you!!
man this is taking forever why are there so many kids in this class. for anyone wondering why Horikoshi doesn’t focus on class 1-A as a whole more often and leaves them as supporting characters, this right here is why. I love these children to death but we would still be stuck in the basement arc. oh my god I just shuddered
Tokoyami mastered “improvement on all fronts” because I guess he kind of peaked at flying when it came to new moves huh. that’s fine for now
and Kiri mastered “making baddies lose the will to fight real quick” which sounds like some bullshit you’d write while desperately trying to pad your hero resume, except that it’s accompanied by this convincing panel of him chomping a steel bar in two or some shit which YIKES
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can confirm, if some demonic rock man came trotting up to me and snapped off some railing from some stairs and fucking snapped it like a twig with his GIANT FOSSILIZED DINOSAUR TEETH, I’d lose my will to fight pretty quickly too
and Ochako and Tsuyu learned “determination” smdh. Horikoshi did you fucking fall asleep towards the end of this segment or what
WHO IS MAJESTIC OMG
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excuse me did she just create a bunch of fucking dynamites. is that what those are. is my girl encroaching on my young son’s turf. because if she is, ENCROACH, MOMO, ENCROACH! FEEL FREE TO FUCKING IMPINGE, EVEN!! god, and I know I was bitching just a moment ago about these “lessons” becoming increasingly vague and intangible and motivational poster-y, but I read Momo and “predicting and acting efficiently”, and my thoughts immediately ran to Nighteye and Mirio’s fighting styles, and I was like “YESSSSSSSSS” because, I mean. YES, though
meanwhile Kacchan has learned...
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this fucking -- I swear -- YOU LEARNED WHAT YOUR FUCKING HERO NAME IS GOING TO BE YOU TROLLING PIECE OF SHIT. oh my god. Katsuki I swear to god I will take your internet privileges. NO SRIRACHA FOR A WEEK UNLESS YOU TELL ME WHAT IT IS
oh for fuck’s sakes
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don’t mind him he learned boom with five b’s and three oo’s what did you all do this week. and somehow Todoroki learned how to be even more fabulous
so All Might’s looking on in pride and giving Endeavor some mental props, and waiting for Deku to go do his thing too
sdfkj he’s thinking about the day he gave Deku THE HAIR and that “[it] feels like ancient history now.” DOESN’T IT THOUGH?
OH MY FEELS
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“you don’t look back at me anymore... and you don’t need to.” oh Aizawa’s dry eye has spread to me now huh. must be those January allergies. and that’s some nice bloop there kid. great jorb
someone tell All Might he’s not allowed to look on at Deku with this much fatherly love without giving me at least a week’s notice in advance
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sigh. now you’ve done it you two I’m going to become a big cat blob of feels right here and it’s all on you. you did this
oh my god a whole big panel of reactions from the other kids and I’m ( ˊᵕˋ )
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lol Kacchan can’t agree with anything even if it’s a compliment. and lmao, who the fuck was that who was all “TODOROKI FINALLY YOU’RE A FAST FUCKING HIMBO HUH!” like they really went and put that “finally” in there, like they were so fucking tired of Todoroki Shouto and his LANGUID FUCKING PACE all the fucking time, GOD, FINALLY SOME SPEED BOY WE WERE DYING OUT HERE
Mineta being happy for Deku also warms my heart, ngl. we’ve gone almost an entire chapter with Mineta not doing anything even remotely perverted, can it be, has Horikoshi finally chilled the fuck out. or did I just jinx it we shall see
also love how Deku is just reduced to an inkblot here and it still is him beyond any shadow of a doubt. and poor Sero, you are also being impinged on huh
lmao Mineta’s just socking Deku in the solar plexus out of comradery and Deku’s fucking vomiting on reflex and not even paying the slightest attention wtf
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I love this panel there I said it
so he’s going over and thanking Ochako for “that time” and says he’s using Blackwhip a lot better now. I assume he’s referring to when he first unlocked it and went hog wild and she was all “smh” and went and hugged him to put an end to that nonsense
oh, right!!!!
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I forgot about those!! looool Horikoshi’s 2020 resolution is to make everyone Spider-Man now huh. hey everyone guess what I LOVE THIS
oh my god this wholesomeness
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I fucking can’t?? yo I’m seriously living for this? I don’t get why some people think Deku inhibits Ochako’s character growth tbh. or that her story is becoming all about him. if it is, then it’s in the same way that Bakugou’s is. Deku keeps inspiring her to be better, ain’t nothing wrong with that. yes she has the crush, and she’s honest with herself and in tune with her emotions enough to be aware of it and to acknowledge it, but she refuses to be distracted by it. I actually really like that, because it shows that romantic feelings can actually exist and not be the central focus of a character’s story or their development. and I think the fear is that it somehow will become the focus, but so far I haven’t seen that happening, so it seems unwarranted to me
anyway
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shit’s cute
oh no Mineta’s doing something weird I fucking did jinx it I’m sorry guys. it’s a fucking fistbump dude relax
so All Might seems to be dismissing them now, and he’s saying something about how he reordered (?? rescheduled, maybe??) class so that Aizawa can watch later. that’s nice. he’ll need something to cheer him up, and if Acidman can’t do the trick I don’t know what can
and now we’re cutting back to the dorms!! dorm shenanigans yessssss
oh no shit wait
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these are not playful dorm shenanigans these are depressed Miczawa shenanigans to bring me down. nnnn
but Aizawa fucking knows something is up now, shit. that’s right son your babies are in danger
KLJKLGLKSH
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okay (1) HOW HOT IS AIZAWA THOUGH HOW DOES HE ALWAYS DO THIS
and (2) is “have a karaoke contest” code for “fuck shit up” or what. son of a bitch, having these two so personally invested in the Noumu arc now is such an unexpected and wonderful gift
MIRIO NO
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(ETA: but you all know Aizawa was about to say “I’d go and fuck shit up” though.)
I LOVE YOU BOTH BUT THEY WERE HAVING A SEXY ANGSTING MOMENT, MIRIO CAN YOU NOT READ THE ROOM!! DO YOU NOT SEE THEM BEING ALL ANGSTY AND DARKLY CONTEMPLATIVE!! YOU TWO OF ALL PEOPLE SHOULD KNOW WHEN LOVERS ARE BONDING OVER THEIR ANGST WHICH ONLY THE TWO OF THEM UNDERSTAND! FUCKING GODDAMN
NO!!!!!
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[SLAMS HANDS ON TABLE] HORIKOSHI I SWEAR TO GOD IF YOU LAY ONE FINGER ON HER PRECIOUS HEAD
NOOOO MY SWEET BABY GIRL
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oh my fuck that sweater is the cutest fucking thing and this girl has had no shortage of cute outfits let me tell you. BUT ANYWAY SHE’S SCARED AND CRYING NOOOO. holy shit her horn is fucking huge now I don’t feel comfortable with this at all, and Nejire is Best Mom for not giving a single fuck and holding and comforting her regardless of the risk, I love her so much
OH THANK GOD
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PALPABLE RELIEF. boys I’m sorry it was wrong of me to yell, you did the right thing interrupting their sexy brooding
BREAK ROOM AHHHHH THE SCOOBY SQUAD LIVES AGAINNNN
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it means you constantly amaze him!! you have so much potential he doesn’t even know what the limit might possibly be! don’t act like you don’t love it. or stop being so suspicious and trying to look for the hidden meaning and just accept the praise for what it is. you did good. now ask him if he’s heard any news about Best Jeanist :/
!!
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that’s right, he was researching and making faces a while back, are we finally gonna find out what all that was about??
DSLFKAJSLDKFH
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HE MADE A NOTEBOOK FOR HIM AHHHHHHHH HE KNOWS WHAT HE LIKES THIS IS AMAZING
DOES HIM GIVING HIM THE INFO IN NOTEBOOK FORM MEAN IT’S UP TO DEKU WHETHER OR NOT HE WANTS TO SHARE THIS INFO WITH KACCHAN. HMMM. OBVIOUSLY HE WILL, BUT THAT’S A REAL POWER MOVE THOUGH, DAMN
“PAST SUCCESSORS / QUIRKS” EVERYONE, THIS BOOK CONTAINS THE SECRETS OF THE SIXQUIRKS. AND THE PREVIOUS OFA AVATARS. THAT’S FINE I’M JUST GONNA. ...I’LL BE FINE. FOR TWO WEEKS. FUCK
shit. well I know it was coming, that’s another reason why I didn’t feel particularly rushed to read this chapter lol. I kinda wish I’d had the foresight to save the Korean scanlation though, just to compare. ah well it’s probably still lying around somewhere
and lol and here’s the bonus page, and this one I did see floating around tumblr haha
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I’m not sure how the three smartest kids in class are all present and yet not one of them had the foresight to consider that maybe, just maybe, this could be a bad idea. let’s let the kid with the combustible sweat handle the mochi I’m sure it’ll be -- [everyone immediately dies]. anyway so that’s some good friendly advice from Horikoshi there. happy new year friends!
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Deca-Dence 4 | Maou-jou 2 | Fruits Basket 2 24 (49) | Magatsu 1 | IWGP 2 | Koi to Producer 11 - 12 (FINAL) | HypMic 3
Still chugging away at these summer and spring anime...sorry for the delay...(LOL, that rhymed without me meaning to.)
Also, I’ve been on the fence about whether to keep Golden Kamuy, since almost no one I read the reviews of follows it now and it’s a week’s wait (when accounting for my AniList challenge)...so I’m putting it on pause so I don’t have to suffer later.
Deca-Dence 4
“…who possesses the will to fight.”
…Great. Kurenai is absolutely tethered to Kaburagi in a one-sided love. Just when I thought Natsume had an independent role model to look up to.
Maou-jou 2
Oh, this is from Shonen Sunday? Didn’t know that until now.
“Demon Shroud: A demon with 99 clans. A cloth demon that puts on airs that it won’t be used before it’s finished off, due to its wonderful fabric. It is full of beautiful ghostly power, so its skin is smooth. However, the hero (who commonly uses things he finds in his surroundings) caught one, so now the princess has zeroed in on them. The princess doesn’t need the hands or the head of these demons, so it’s a cycle of killing and taking revenge for them. Their fighting style is squeezing the life out of things.”
Apparently, the teddy is acceptable, LOL.
I like how the window stopped displaying text at one point.
I saw someone with a huge plait in the ED. The queen, maybe…?
I noticed the laughs dropped off significantly in comparison to last time, but it’s still good. I can flex my translation skills even if I can’t laugh at one part.
Fruits Basket 2 24 (49)
…jumping to the 2nd-last episode in a season is pretty unprecendented, but I’m going to watch this for the sake of Jon’s Creator Showcase…then again, I need to finish this anime anyway, so it’s just cutting and changing the order for something I already know the outcomes of.
I used to lose myself in movies so much that I would lose all sense of who I was and would have to “regain the bearings of myself”, so to speak. I would have to reconstruct who I was, even though I technically hadn’t “been broken” and I knew once I did that, it felt different. Like I’d travelled through time and past me would never be the same as present me. That’s why I kind of get what Machi means.
Oh, I didn’t listen to this OP much…probably because I’m emphasising bingeing the spring and summer series I left behind and now that I can skip the ads on most of my anime, I’m leaving behind the anime I’ll be slower on.
The manga was written when there weren’t as many cell phones around, much less smartphones.
Rin’s on bad terms with everyone…
…if I remember the year of the dragon correctly, the last one was 2012, then the one before that is 2000…around the turn of the millennium, huh? Froob is showing its age here, albeit unintentionally.
Now that I’m closer to the Musketeers’ age, I can kind of empathise with their scenes a bit more.
“If I always blame someone or something, I’ll never change.” – True. I realised I’ve been a bit too haughty lately (what with the HypMic anime going on and it being the first thing I could research extensively before the anime’s debut, my feelings are of course reaching fever pitch – combine that with continued COVID lockdown and you get me being all defensive of HypMic, for better or for worse) and so I may have acted like a jerk to someone, but since I only know them online and generally when I try to apologise to people online they don’t see the things I apologise for as things in need of apology, I know the fault lies with me to rein myself in. I guess this means changing yourself is the only way to move forward.
I wonder how Hatori did his doctor training while avoiding hugs from girls who aren’t Sohmas…?
Shigure vs. Gentaro (of HypMic, of course)…a writing competition! That would be fun.
…Crow’s note here makes sense (<- this is why I changed the order). Shigure was clearly asking a question there.
Come to think of it, HypMic and Froob have some similar characters. The stoic doctor is Hatori/Jakurai, the energetic smol one is Momiji/Ramuda, the teasing author is Shigure/Gentaro…that could make for some good fanfic material, really.
Magatsu 1
…that title is an absolute killer, man. Anyways, I’m here for the director, who also worked on Hataraku Maou-sama.
Is this a no guns thing, like IWGP is a no drugs thing?
…this OP has lyrics?! I just hear strange squeaky noises, the kind you hear on some autotuned sogs to make them seem more ominous (I can’t remember if there’s a similar sound in G-Anthem of Y City or Yokohama Walker, but one of the MTC songs has similar noises).
I kinda guessed Leo’s package was the one Schaake and her partner were looking for. I was right.
That CGI (on the truck) is…kinda conspicuous.
These backgrounds are gorgeous.
“The definition of in dubio contra reum is "in doubt, against the accused", meaning that, where there is doubt, the accused in a trial is not given the benefit of that doubt; they are assumed guilty.”
I wonder: how many protagonists start out as absolute wimps, unwilling to fight because they either know or don’t know their own power? It’s a pretty standard introduction for things with fights.
This battle track is nice. I listened to some of the Magatsu music under Masaru Yokoyama’s name on Spotify and it’s pretty cool, but since it’s background music, there’s not a lot of demand to listen to it (from me or anyone else, I don’t think).
Why is there only a single shield if they know the enemy has heavy artillery?
…what the heck is a Zeits? Update: You can see a “Zeits” (or however it’s spelt) in the credits list, suggesting Zeits is a character in this.
I knew this was my last premiere and this might have made or broken my entire watching schedule, but this is just a pretty down-to-earth premiere for a fantasy mobile game. While that cliffhanger compelled me to continue, I don’t think it’s good enough to beat its competition in the long run.
IWGP 2
I know I said Magatsu was my last premiere, but just to be sure, I’m watching this one.
This dance scene is beautifully orchestrated. The fact there’s no music means you focus entirely on the motion.
The OP seems to trade more in colour and spectacle than actual “cool factor”.
…wow, $2.90…? That’s some cheap food.
You know I hate 1st person cam with a passion, right? So…uh…
Eyyyyyyyy…this is basically McDonald’s, curry style.
I think I can almost see Ichiro of HypMic in how the G-Boys seem to mostly be reformed delinquents or actual delinquents.
…yeah, but what’s your name, random messenger guy? Update: We find out later his name is Isogai.
“It’s because I suck at working and communicating.” – Yep, that me.
Ikebukuro licence plate. I still have no idea exactly what places get licence plates in Japan.
There are actually 2 characters before “Hospital”, but no one confirms the reading of those characters…which is probably why they’re omitted.
…oh gosh, if this were a BL, Mitsuki and Masaru would be star-crossed lovers…*sigh*
Maybe it’s an unrelated 3rd party??? (In mysteries, you can never dismiss the work of a 3rd party.)
You can tell exactly which group is which based on the colours they wear. Makoto isn’t affiliated with anyone, so he’s wearing black and had yellow earlier.
I think an anime is cowardly – or trying to save budget – if they deliberately choose an angle where they can’t show the moment of impact clearly.
E! News, LOL.
Archangel, huh? So like a 2nd in command?
I think IWGP is moving in the direction of pushing the gangs against each other in the way Makoto describes in ep. 2.
As for what I think of it now, it's decent if you want something down-to-earth, but it seems to be missing some kind of "wow factor". Like it's afraid to commit to deeper characterisation, even though it has Makoto as the ostensible lead/viewpoint character.
Koi to Producer 11
“Cognitive Science Association” - I thought it was the Cognitive Psychology Association…? (Psychology is shinrigaku, science is kagaku.)
My boy (Lucien)…why must you be so evil??? Why do I keep falling for the tall but mysterious doctor??? (<- guilty as charged re: Jakurai)
…that’s some funky seatbelts.
What’s that look in Victor’s eyes…? Fondness, or something more…?
…ah, so there is “Science” in the place’s name. It was just being less loosely translated then.
Oh dang. Stuff escalated really fast, huh?
You actually set this in 2020, huh, staff? What happens ten years from now and people watch it, only to realise 2020 and 2030 aren’t so different? That’s what happened when people had the Y2K bug.
That yellow sign on the side says “exit”. It’s not of any use.
That’s not a recoloured Kiro, is it? It’s not Shaw, either (who I think we saw somewhere in the previous episodes)…so then who is it?
…geesh, they even changed Helios to Ares. I guess it makes sense: Helios is the god of the sun, but Ares is the god of war.
Koi to Producer 12 (FINAL)
I read on the wiki Lucien’s power is copying powers. No wonder I couldn’t get a solid handle on it!
So that Helios wasn’t a mistake in the credits list in the previous episode???
Can we even hear what Helios says when Protag-chan is pulled away? Based on the lack of subs, probably no, but I wanted to ask anyway. (Or maybe he said “Watashi”, since that’s the pronoun Protag-chan goes by?)
…so that really is Kiro, huh?
Military…what? When did Protag-chan’s father have a military squad???
LOL, at the very end you can see Gavin gesturing at Greenie (the pot plant, presumably a succulent). I logged on to the game 7 days straight (they have a Discord channel!) and got a Gavin R card with Greenie on it, which is how I know about it.
Anyways, that was a fun show. Not the best, but still fun.
HypMic 3
*snickers* Just look at my boi! He’s so tall, he has to bend down for kids! (I don’t mean that teasingly, I mean that endearingly, but lately I’ve been no good at expressing myself…Must be the lockdown.)
If TsudaKen was a guest last time, then Degarashi and Irihatoma could be voiced by guest seiyuus too…
What is Jakurai, hmm? (A Transformer, LOL?...I’m kidding, of course.)
All I knew about this episode going in was that it was an MTR episode. Maybe they’ll cover the stalker story from the manga…?
More literally, Hifumi’s sign says “will you monopolise me until morning?”. This reminds me of the MTR truck one of the servers I was in was talking about…it looked like a giant billboard.
“The most notable thing about Doppo is that he has no notable characteristics.”…and yet, he’s still one of the most popular characters of the series.
Suddenly, HypMic becomes a mystery…? I’ll take it!
Yup, “Doppomine” is now confirmed as “Doppo-chin”.
If all the mysteries I’ve consumed say one thing, it’s “never forget there might be someone out there with a grudge against you willing to pin a crime on you”…or alternatively, “never forget there may be an unrelated 3rd party who would be willing to pin a crime on you”.
These guys (Tom etc.) are just food critics, I swear…(LOL)
Oddly enough(?), googling “Shinjuku waffles” reveals there are several waffle places in Shinjuku…you wouldn’t expect so many waffles away from the home of waffles (probably Belgium), but there you go.
All the results on Shinjuku French toast point to this Café Aaliya (give or take an H at the end). Apparently, it’s so popular, people line up for it on weekdays.
Oh, so Tom’s a (street) photographer…what are Iris and Rex then?
The CGI on that car looks really bad, man. It may be dark to disguise it, but it still looks bad.
Jakurai’s dad car strikes again!...Was it white? I don’t remember, but I’m pretty sure it was a lighter colour than this.
I was quite worried about how much swearing they were going to throw in the MTC episode, but then…they kicked it down a week. So…start worrying about next week, folks!
I…thought he would call Jyuto for some reason. (giggles) I’ve never seen Samatoki look so happy in relation to Jakurai, but maybe that’s because he’s just chilling. (Or maybe he was meant to have a neutral but slightly happy face and they messed up the angle. I know I do that sometimes in fanart.)
There’s Jyuto, right on cue…LOL, that kick to the guts was so random it became epic!
Uwabami…what sort of snake is that, again? *checks* Giant snake. That’s no help. (That host could have a guest seiyuu too.)
Ooh, I’m fairly sure that’s an automatic car.
Jakurai went Jitsu wa kyoumi bukai desu ne?. “Fascinating” isn’t a wrong translation, but they did forget “In fact…” or “Really…” from the start and possibly the “?” at the end (depending on interpretation). Update: It might actually be Jitsu ni, but same deal.
They struttin’ down Kabuki-cho all fancy-like…Doppo sure does get a lot of punchlines, though.
This random guy at the club could also have a guest seiyuu…
…what’s with the random Tahoma?
…oh, hey. If Hifumi’s jacket acts as a security blanket of sorts against women and he gave it to Doppo for extra warmth (presumably), then…he’s trying to protect Doppo, even in his own sort of unique way.
Mimimi vs Hifumi? This is gonna get confusing…(hey, did they actually make a flourish noise when Hifumi put on his jacket? Does the distinction need to be that clear…?)
…see, never forget the presence of an unrelated 3rd party.Wait, so we have motive…what’s the relationship of Mimimi and the dude she killed? Who is that dude? Update: We find out later.
Notice Mimimi says “Hifumi-kun” – she’s still on an outside layer compared to Doppo, who just uses Hifumi’s name. Also, I noticed Mimimi called herself Hifumi’s “onna” – “woman” – explicitly, as if she belonged to him. The subs reflect that, but it seems to have less meaning in English because they outright translated it as such.
Well, they got to demonstrate Doppo’s snapping. I’m more than happy with just that. Also, Hifumi calls Doppo with a -kun here.
LOL, this song is gonna be known as “catchy”, ain’t it? Anything with an easy-to-sing-along chorus like “nananana” is. Update: Or maybe not even a chorus, it’s just lyrics.
Hmm…I noticed the “use Mr with me” line isn’t actually reflected in the subs, but the lyrics are so fast, I don’t know how they are reflected.
Did you notice the da in the lyrics in romaji?
…and s*** goes ka-blooey, as you’ve come to expect by now.
Mimimi-kun…?
Oh, so the background from Hypnosis Mics can get caught in photos? I never thought of that.
It’s almost as if they’re nodding at the Doppo fans through the 4th wall regarding his appeal.
It seems they’re not switching out this Buster Bros track, which is…okay, but I was hoping for an MTR ED. (Tofubeats was on this track IIRC and the anime website didn’t list a future ED, so that’s why I’m okay with it.)
…Okay, so Irihatoma is Mutsumi Iwanaka, who’s a rookie in the seiyuu world. *goes to consult Anime News Network*
Oh! Mimimi Hibakari! I get it! (It means “me, me, me all day” when written differently to her name.)
Uwabami was Shugo Nakamura and Degarashi was Mitsuaki Hoshino. I’ve never heard of these guys – except for Nakamura’s role as Teru in Idolm@ster Side M – so it’s interesting they contrasted TsudaKen with them…eh? Heilong? Whossat? (Probably the guy whose…parts…almost got crushed by Jakurai with a billiards cue.) This Hiroya Eto is even more underground than those guys.
A-hah! Today’s new song is “WELCOME U” (that’s how it’s spelt, don’t diss me for it!) by Kohei from SIMONSAYZ.
Update: I thought that kid at the beginning was Yotsutsuji, so it scared me for a second.
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diningpageantry · 5 years
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tag game(s)
anï (i’m too exhausted to do three separate posts but i was tagged in three tag games over the past few days and i’d forgotten to do the last few games i was tagged in and i feel super guilty so here they are in one go)
i don’t know who to tag to do these rn because my brain is dead i am emotionally exhausted and i’m writing a fic that’s about halfway done so i’m gonna say tag anyone who wants to be tagged for any of these. i’m so sorry that i’m dead, i will be back alive again after may 10th, which is my AP exam day
six questions challenge
tagged by @simon--speaks
rules: answer the questions, then tag 9 people you want to get to know better!
Q1: Relationship status?
single bby
Q2: Favorite color?
maroon !
Q3: Top 3 ships?
snowbaz (wow) and uh. wow. idk who else. i wanna say my own ocs matchstick and summer (is that allowed? i’m making it allowed)
Q4: Lipstick or chapstick?
whenever i get to this question in any ask i freeze up because i use a tinted chapstick so i don’t look dead but like. it can also be seen as a lipstick because it has pigment. but. chapstick.
Q5: Last song I listened to?
Run by Hozier
Q6: Last movie I watched?
uhhh i watched like. 5 minutes of the emperor’s new groove a few days ago, and watched a documentary about obscure houses like 10 minutes before that. so. i’m gonna say the house documentary.
21 questions
i was tagged by @simon--speaks, @angelsfalling16, @wo2ash, @alixanderthequeer, @sharkmartini and @bazypitchandsimonsnow
rules: answer 21 questions then tag 21 people
nickname: anï, munchkin, menina, and my hebrew name is elisheva
height: the doctor says i’m 5′3.5″, but they can’t put fractions on IDs so according to the state i’m 5′4″ and i cling to that
last movie i saw: see above (so like. funky houses)
last thing i googled: (next town over) movie tavern. i’m not saying where it is exactly bc hah i don’t wanna be stalked but. i was looking at movie times because they have $5 movies every tuesday
favorite musician: frank iero. love that funky rat man and his funky music too (i’m gonna see him for the second time next month because i made the executive adult decision to say fuck it to my seizures and go see him anyway)
song stuck in my head: i don’t have one rn but usually it’s a song by the killers (when you were young is a usual one)
other blogs: none, actually! i didn’t delete my old tumblr purely bc i’m a nostalgic dumbass, but it’s a completely different login and it’s inactive so i don’t count it.
followers: 1,666 (originally i wasn’t gonna share the number but it hit this last night and i was like heh. nice)
following: 231
amount of sleep: 8ish hours! (spring break bby)
lucky numbers: 7, multiples of 3 (only in cases of knocking), and multiples of 2 (only in cases like volume)
dream job: writing and illustrating books! i have a variety of dream jobs within art, and even within the subcategory of books, but my top dream job is creating inclusive/diverse children’s books that represent a variety different ethnicities/races, religions, abilities, and identities so that children can see themselves represented in media
what i’m wearing: a black turtleneck, a bra, and marvel boxers. that’s it.
favorite food: soup in general. i make a kick ass matzo ball soup
language: english, conversational portuguese, i know a small small bit of japanese (i should know more given i was raised being taught it but i always struggled with it), and i know some spanish. i also plan on teaching myself ASL.
can i play an instrument: yes! i’ve been playing violin since i was 2. i wanna play guitar and i know some chords but i have small hands so it’s hard to find one that’s the right size that isn’t a shitty children’s guitar, and i sing! i’m an alto
favorite song: hnnghg please don’t make me pick................ i’d have to say choke on one another by death spells
random fact: so like. if you didn’t know already, i’m an LGBTQ+ youth activist on a national scale. i disappear on occasion because i’m doing something or another, and sometimes i post about it on my blog (speaking of i have exciting news that i heard, but at the same time, i’m pretty much booked every weekend from middle of next month until middle of july), but........ i hate networking. i loathe it. if i never had to network again, i’d be thrilled. networking is my absolute least favorite thing because i struggle at everyday conversation, much less networking with people at least 10-20 years my senior. sure it’s usually free publicity and i get great connections, but god. at what cost? and like.... it’s always after a really emotionally taxing event, so i’m already drained and then wow here’s a room full of adults who want my 18 year old input. please. just let me steal a cupcake then leave.
describe yourself in aesthetic things: dye stained fingernails and necks. cranked open windows during a spring shower. dried tears and breaking laughs. coffee stains and milky tea splashes. trembling fingers, writing instead of speaking because you’re too afraid, and finally breaking free--running through the rain. scabbing blood, fresh piercings. knowing you’re loved and not saying it because it doesn’t need to be spoken. the smell of a new canvas, paint splattered jeans, and art school sweaters. black skirts with docs, then fairy lights and soft blankets hidden behind sharp profanities and harsh disgust. the unexpected. the unknown. the ever-changing, unstoppable force of the shifting tides. 
carry on questions
tagged by @goodbyedandelion, @isthisisagoodkiss @wo2ash, 
1- favorite type of scone? 
cranberry orange! one of the farms a county over has a market and they sell them there and they’re to die for (altho, i found a sour cherry scone recipe that i’ve perfected and my family loves them so they’re a close second now)
2- london or la?
i’ve never been to london, but i’m gonna have to go with london. i went to la last october to present in an awards show for my organization and i lowkey was underwhelmed. i’m very much a gloom and rain kinda person, and it was too dry and sunny there. although, i did think the huge succulents were sick as fuck. but yeah definitely london. i’m planning to spend a semester abroad there in a few years for an illustration program
3- kissing in a forest or holding hands under the stars?
i’m afraid of forests because we have a lot of wildlife and i don’t want to get mauled by a bear don’t mind me holding hands under the stars :)
4- jeans or suit?
suit suit suIT SUIT suit. i love wearing suits. my chest doesn’t cooperate and my hips always hate them but god i do love suits.
5- loose hair or pulled back hair?
mine looks better loose, and my sides/back are shaved but the top reaches my ears, so it gets annoying sometimes and i pull it up to keep it out of my face
6- vampires or dragons?
i wanna say both. i used to say “yknow a dragon but in human form would be hot” then i got called dragon fucker for like two years so out of pure spite i’m going with vampires.
7- what saying do you wish could be a spell?
(this one’s a very specific reference so hear me out) “i’ve got to go pee on her”  used to disorient and confuse the speech of the person casted upon. it’s one of my favorite quotes from scott pilgrim vs. the world (my favorite movie ngl) when scott’s brain can’t figure out two different sentences and he just says that. it’s so good and just fuckin weird that i love it.
8- which carry on character would you go on a coffee date with if you could?
depends tbh! if we’re talking date date, then penny because i would wife penny in 0.5 seconds, but if we’re talking friends getting coffee then 10000000% baz because i’d talk activism and identities with him
9- favorite carry on quote?
“he told me we would be stars” (i don’t have my book on me so i could be getting the line wrong), but it hit so hard for me. like it’s clear how davy manipulated lucy so much that she fell into it and couldn’t crawl out. it’s such a powerful message of control from those who are charismatic enough to hold it, and how sometimes we aren’t weak enough to let go.
10- how excited are you for wayward son?
lemme paint this picture: i started hyperventilating in the hallway when i found out, and then cried an hour or two later when my friend texted me that he preordered me a signed copy. like. i’ve been pre-planning how to get home from college to come and pick it up (okok the 24th is also my dad’s birthday so i’m. um. “coming home to visit him”, of course) because i’m just SO EXCITED to read them again in a canon way :’)
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SPN 14x13, Lebanon (Yes, That One) -- Thoughts (Spoilers)
It's finally here, guys. The big 300. I've now seen 300 episodes of Supernatural. Phew...what a crazy ride its been. But let's dive into this, shall we.
I'm going to be a little different with this one. This is going to follow a little more of a recap structure. It's the big 300, so of course I had to change it up a little. As I recap this episode, I'll be inserting thoughts I have here and there. I will be recapping from memory so things might get a little out of order. It should go without saying but there will be spoilers. And keep in mind, this is just how I feel and how I interpret things. You may have a completely different interpretation and that's perfectly valid. These are just MY thoughts.
We open up with Sam and Dean in the midst of a hunt. A hunter friend of theirs died and Sam and Dean are trying to recover what was stolen from their friend as well as avenge him. They corner the murderer and in a really cringey fight scene, the murderer meets his maker. Typically, SPN fight scenes are, while not fantastically well put together, but at least put our heroes in a competent light. Honestly, I don't think I've seen such stilted choreography since season 13 in the vamp cave. But anyway, the murderer uses dragon's breath (which is essentially a flamethrower) to escape from Brothers Winchester and it sends them flying in different directions but apparently dragon's breath isn't that hot. Just a small little thing, but if you're standing that close to the fire, you should've had some burn marks, I'm just saying, at the very least, soot on your face. But whatever. Dean gets thrown across the room, Sam ends up on the floor with our villain monologuing to him and I'm uncomfortable with just how incompetent Sam appeared to be in this scene. The villain is monologuing and Sam is just sitting there and doing nothing. What happened to Sam's gun? Why didn't Sam sweep the leg or go for a gut punch? So many things he could've done to get the upper hand in the situation especially since the villain only had a sword. While swords can be very deadly, they're also easier to dodge as opposed to bullets or throwing daggers. But Sam just sits there in fear for a good 5 seconds (and 5 seconds is an eternity both on screen and in a fight) and Dean then shoots the guy and talks about the villain monologuing problem. I'm not mad that Dean got the kill or anything. I don't believe in "staning" culture but if you could at least have made Sam appear competent, that would be nice.
But with the murderer dead, Sam and Dean find out he has a lot of magical junk so they decide to take it back to the bunker. In the files, they find a magical pearl which apparently will grant your greatest desire. Obviously, the boys think, "this is great. Our greatest desire is to evict the douche currently residing in our nagen." But before this greatest wish can be made, we have to make a little side trip because one of the teenagers in Lebanon (the town where the bunker exists) stole the impala. Sam's all, "that kid is in danger, we gotta find her, there's dangerous shit in that car" -- and much to my annoyance, Dean is all, "how dare she take Baby, she better not hurt Baby". *Takes a deep breath* This is an aspect of Dean's character I find super irritating. This weird romance he has with the damn car. How he places the car above things that, realistically, are a little more important. Maybe he should be less concerned about Max scratching the car and more concerned about the fact you have a teenage girl you don't know (or barely know at the very most) in a car with deadly objects and deadly weapons. I get it, this is supposed to be a funny quirk of his and at one point it was but now it's been so overdone that it's more irritating than it is endearing. I really hope the show goes into Dean's character development, and approaches the car as a mirror of how Dean feels about his father and his childhood and as he grows to accept his father more, he'll eventually realize that just like he doesn't need his father, he doesn't need the impala. I'm sure I said something absolutely sacrilegious in the fandom but I'm not going to apologize for it. This whole obsession with the impala is immature and creepy and it makes me worry for Dean's mental health.
So they find the girl but not before the girl's actions releases a serial killer clown ghost (because in an episode dealing with past fears and insecurities, of course it's a clown). They kill the ghost but three of the teenagers see and therefore they get the "talk." And these three also appear to be seen as mirrors for Sam, Dean, and Cas. They weren't very subtle about it, let me tell you.
So after leaving the kids to process the information that the sounds you hear in your closet may actually not be in your head, Brothers Winchester arrive back at the bunker and try out this magical pearl. But behold! It would seem evicting au!Michael is not Dean's greatest desire because Father Winchester is yanked from the past (sometime before the pilot) and dropped into their time. And, I'm not going to say this a lot about this episode, but I like the cinematography used here. It was an excellent usage of the color red symbolizing Brothers Winchester's own repression and isolation they experienced from their father as well as John's revenge focused aggression, blindly lashing out at anything that moves even if it's his own children. And the scene was also shot in a very choppy way meant to be seen as a little confusing...also symbolizing the thoughts of confusion the boys harbor towards their father and much like the confusion John no doubt feels with the turn his life has taken.
Everyone eventually realizes what's up and they fill John in on what's been happening for the past 14 years. And it's a very nice, very touching reunion and then Momma Winchester shows up. John and Mary have a wonderful reunion kiss, its so beautiful. I completely understand how Dean got swept into the moment here. Witnessing something he probably only barely remembers from his childhood, thinking he'll never see it again, and there it is. And just like that it takes him back to a time when life was seemingly perfect. When he had hope, when he had dreams. His parents were alive, they loved each other, they loved him, he had an adorable baby brother. It gave him something he never thought he'd have again. And just the kiss in general, you know. Just so reminiscent of past lovers who never thought they would see each other again suddenly seeing each other and everything they used to feel all coming up at once. It was wonderful. Think Celine Dion, Its All Coming Back to Me Now and I think you'll have the tone of this moment nailed down.
But Sam and Dean leave these two to have their moment and Sam tells Dean there's going to be repercussions for this. Time travel is a funky thing. But they decide to have one family dinner and think about the consequences after that. Dean asks Mary for the ingredients to make her Winchester Surprise and John and Sam have a really touching moment. John feels the need to apologize to Sam about everything that happened between them. And Sam tells him it doesn't matter. Their fight happened a long time ago, he's put it in the past and moved on. Sam also tells his father that the biggest regret he has is never having the chance to say good-bye. Their last conversation being an argument and then Sam finding John dead on the hospital floor. This scene got me so choked up like you don't even know. I've been through this. Lost someone while we were on shaky terms, I never got the chance to say good-bye, so many things were left unsaid and I would kill for an opportunity Sam has here where I can finally tell that person it's okay and rectify the bad blood that occurred between us. And Sam acknowledges it as well. This opportunity he has right here and now is all he's ever wanted.
Sam and Dean go off to buy these ingredients but this is when they start noticing the time travel problems. The future is starting to change, but it's more of a ripple effect right now. They haven't changed yet, but time around them has and eventually the ripple is going to smother out and their new future will take hold. Sam calls it a time paradox. And because of the paradox, we're treated to season 4 Zachariah and Castiel. But in regards to Castiel here, it's important to note that he's more pre-season 4. He hasn't delved into hell yet to get Dean out so he doesn't really have any of those rebellious feelings yet. And no, I'm not going to quote THE Destiel line. In all honesty, I've come to hate the line. It's been over-used so much that it's basically lost all meaning to me. Fandom and canon just keep on poking at it, now it's just something I roll my eyes at whenever I hear it. I am sad that we got season 4 Zachariah. When they were saying we were going to get a different Zachariah, I was so hoping for a role reversal kind of situation but apparently the "different Zachariah" is meant to be interpreted as "different from season 13 au!Zachariah" who actually isn't all that different. PR is not show running, people. Take a grain of salt with everything they say. But the Wing Team is on a quest to find out who meddled with time. Even going so far as to threaten to murder a diner full of people. Thankfully, Sam and Dean stop that from commencing but are in a real shock that with this time paradox, it now means Cas is no longer the Cas they all know and love. That if John stays here, they're going to lose their best friend (in Sam's case) and potential lover (in Dean's case). But the scene plays out how you would expect it to. Zach is his usual douchey self and is giving Sam cancer just like he used to (good times, let me tell ya) but Sam remembers he has an angel blade on him and kills Zach. Nowhere near as badass as it was in season 5, but still cathartic. And next we get to see a re-creation of the tomb scene from season 8 with Dean and Cas in a match of fisticuffs. But this Cas has never met Dean so Dean really has no chance of reaching Cas. But Sam in some quick thinking rembers the sigil that will cast angels out and uses it. The boys make a break for the bunker and everyone gets filled in.
Sam and Dean realize that in order for everything to go back they way it was, they have to smash the pearl. Everything will be forgotten but everything will also revert back to the way it once was. Sam wishes there was a way John could remember everything but Dean tells him he prefers that John doesn't. John going back with knowledge of the future could change who they are and Dean doesn't want that change. He wants to be exactly who he is right here and right now which is just so much progress. John tells them to do it because if the timeline changes, Mary's resurrection could never have happened and she'll eventually disappear. Even though he's going back to a time where he will die, trading himself for Mary is more than worth it. He'd rather have Mary exist in the world and himself die as opposed to living the rest of his days without her. And maybe it's because I have so much Kingsom Hearts nonsense floating through my brain, even if he doesn't remember, this will have left a mark on his heart. It'll leave him feeling something even if he doesn't understand why he feels that way. Everyone has the family dinner they always wanted, John also apologizes to Dean for everything, he tells both of his sons just how proud he is of them, he and Mary have another moment and the pearl is broken. Father Winchester disappears and everyone is crying. Our most beloved Cas returns and remarks on why everyone is acting so weird and Dean tells him they have a story to tell him. I kind of wish we got to see them tell Cas but I understand why we don't. Story-Telling 101. Don't repeat information the audience already knows, instead, insinuate the character is being filled in off-screen. John wakes up in his time in the impala and remarks on the good dream he had and drives off to his dark future. And the episode ends.
So what did I think of this episode? Honestly, I'm of two minds on it. Narratively and character-wise, this was a really good episode. But structurally and production-wise, not so much.
It had a really good narrative, the acting was fantastic, but on a cinematic level, My Chuck, was this episode dull to look at. The directing was just extremely stilted, apart from John's entrance, I don't think there was a single scene I thought was visually appealing. The musical score was very bland. It makes me really sad that there was so much hype for this episode but so little effort put into the production of it. Of the milestone episodes, 200 is probably my favorite.
I also say this episode kind of faltered on a structural basis, as well. While I appreciate the use of the Lebanon characters, I feel like they were largely unnecessary for the actual plot. And when they were first pitching this episode to us last year, I was imagining the Lebanon townsfolk being more of a primary aspect of the episode. While I enjoyed the themes and the mirrors with the Lebanon element, I feel like this would've been a better structured episode without them and given the episode more time with the family reunion and the Wing Team.
But I do love the narrative themes in this episode. Choosing between your past family and your future family. Putting your past behind you and acknowledging yourself as an individual. I've seen a few posts lamenting about how they dislike that Dean didn't yell at John or anything along those lines and honestly, I feel like that's the point. Dean has grown past that. He's acknowledged that as part of his past and has moved on from it. We all have trauma we associate with our parents. And while yelling at our parents might make us feel better, will it really heal us? Will it give us what we really need? And that's the whole thing with Dean, isn't it? Want vs Need. Dean's greatest desire was never to face John again and tell him how much he hates him -- no, Dean's greatest desire was to face his father again and not see himself in his father. To realize he's become his own person that isn't his father and that he likes that person and he doesn't want that to change. That's what Dean wanted. That was the self-acceptance Dean needed and I'm really excited to see where this all heads for Dean as a character. Now that he's accepted himself, is he going to allow himself to be happy now?
Essentially, this episode was a beautiful episode about family, about the progression of family, about finding acceptance and forgiveness and being able to put it behind you and look towards the future and I thought that was extremely beautiful and well done. I'd give this episode a B+. Sadly, I do knock it down because of the production value.
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do you have any tips for writing dialogue?
You know I wrote a post with dialogue tips a while ago, couldn’t find it but I’ll run through a few things here I like to keep in mind when I write dialogue because I have a few more things to add from what I remember writing originally.
Anyway I also want to say that when I write I tend to have a lot of dialogue, because I like dialogue, and so much of my work is character and romance based. I also originated in theatre and apparently there’s this weird trend that theatre people write more dialogue in their stories. Too, I think that’s how a lot of relationships develop, through the way people talk and converse with each other. I’ve also been reading a lot of Toni Morrison and I notice she has a lot of dialogue. But different writers have different styles, some don’t have as much as myself or Morrison. I just reread Heart of Darkness (ugh) and leaving aside the fact the whole book is technically Marlowe’s long monologue about his trip to the Congo, there’s not a lot of dialogue in his story proper. It’s all dependent on your style or what works best for the story. But my pointers are as follows:
1. Don’t be afraid of it.
seems basic, but I have talked to a lot of writers who are afraid of writing dialogue for whatever reason, and who don’t think stories should have copious dialogue. It really is a case by case basis, but if you feel the best way to handle a scene is through dialogue, go for it. there’s a popular dialogue writing post I’ve seen float around here that says characters should only say a max of five sentences at a time, but sometimes someone has a lot to say and goes off on a long monologue, like Charlie Marlowe in Heart of Darkness. if that’s the case, go for it.
2. Unraveling
Dialogue scenes are unraveling. even if you’re talking with your friend about what to eat for lunch, you’re unraveling something. And in fiction, with two people arguing, flirting, or talking about what to eat for lunch, it’s an unraveling. It’s a build, and that has to lead to something. take this scene from In Waking Dreams, one of my fics: (You don’t have to read, I just think it’s a good example of the unraveling thing:
He closed his eyes, damning himself. “I don’t want anything to happen to you,” he said. “You have to know that I—“
“Are you going to tell me that you care?” she spat. “You? Actually care?”
“Lyd—Inquisitor, I thought you knew I cared.” He came closer, gently putting his hand on her shoulder to prove it. “Please know that.”
“What am I to you?”
“You’re…you’re my Inquisitor, and…” He thought long and hard. “You’re also my friend,” he said.
“But Commander,” she replied, looking straight in his eye. “I thought mages couldn’t be your friend. We can’t be treated like people, after all.”
Time stopped.
This wasn’t happening. Wasn’t…
He was stumbling backward. He was sinking, falling deeper, drowning and unable to resurface, unable to speak or do anything. And there was Lydia. Maker’s breath…he cared, he cared so much, and…
This wasn’t happening. He was going to tell her everything. She would hear it from him. Not this way, not—
“Hawke told me a few things,” Lydia explained, calmly. Much too calmly. “The tranquil solution. The extent of Meredith’s fanaticism. The people that died, and were hurt. And the Knight Captain, who stood by and watched it all happen.”
“You have to believe me, I didn’t know…I didn’t—“
“Bullshit!” She gripped the fur on his mantle, forcing their eyes to lock again. “You knew about the tranquil solution. You discussed it. You had to have known what was happening.”
“We didn’t go through with it!” he exclaimed, exasperated. “I didn’t know what was going on with Ser Alrik. Believe, me, please!” he pled, yet she still wouldn’t believe.
Her grip tightened. “What about everything else?”
“You have to understand what was happening in Kirkwall. Every day there were reports of another blood mage. The city was falling apart, and—"
“And instead of standing your ground and seeing, you didn’t. You were too concerned with your natural rights to oppose us, weren’t you? You had the ability to see things clearly. You had sense, even if you didn’t realize the woman who you so easily said ‘mages aren’t people’ to actually was a mage! And I don’t care that you stood by the Champion in the end!” she snapped before he could try to protest. “That doesn’t excuse anything.”
She finally let go, shoving him aside. She was strong for a mage, as Cullen fell a step backward. Her gaze still lingered on him, fire in the sea of blue, fire that was never going to burn out.
He wanted nothing more than for the lyrium to take him, to whittle his mind away until this moment was gone forever. Yet in such an odd and ironic twist of fate, Cullen felt nothing. No pain, no shaking, no aching limbs, or searing headache. He only felt the rapid beating of his heart, right along with his disgust and shame.
“I know it’s hard to admit that something isn’t working anymore,” Lydia muttered. “I know it’s hard…but dammit, you’re a coward for not seeing…not knowing what was going on.”
She was right…she was right…Maker he knew, always knew she was right.
Her voice was cracking. “I knew who you were when we met,” she continued. “Knight Captain, worked for Meredith, whatever. It was the past. I forgave you because you were kind to me, and the people here. But dammit Cull—Commander,” she corrected. “Tell me you didn’t say that. Tell me you didn’t really believe mages weren’t people. Tell me now it wasn’t true, Hawke lied, or…”
Her eyes beseeched him, begged, but there was only one thing he could give her. The truth.
And when he told her the truth, and he saw the one tear that escaped from her eyes, he would have lived a thousand years of ache to never see that again.
His voice was now cracking. “I was wrong,” he said, trying to hold his composure, a composure that was slowly crumbling. “I was wrong, I was vile, and I deserve to suffer for what I used to believe. But I don’t think that anymore. I hate that man I was. I wasn’t myself those years that I was in Kirkwall. I was angry, and you have to understand what happened before. Lydia…I was—“
“You know it all makes sense now, why you can’t write to your family. You just can’t bear to tell them how much of a coward you really were!”
So yeah, Lydia and Cullen arguing, and eventually we have this big build that ends with this blow up. it unraveled and it unraveled and it finally built into the final stinger.
3. Think about speech patterns.
people talk differently, have their own idiosyncrasies. as an example, Cullen in Dragon Age uses the word “rather,” a lot. Instead of saying “I’m really fond of this,” he would opt for “I am father fond of this,” as anpther example. Hank in Detroit Become human curses a lot. Connor, also from detroit become human is very formal when he speaks, while Morrigan from Dragon Age, for lack of a better term, has a way of speaking that invokes Shakespeare. If you are writing an established character, my best advice would be to observe and see how they speak. if your writing an OC, think about where they’re from, what things might have shaped their vocabulary. Stuff like that :)
4. Filler words and ellipses
I read a long time ago that dialogue in fiction should lack the “pauses and uhhhs and filler words like ‘like’ that real speech has.” Like most writing advice I find this situational. JK rowling for example has Harry say “eeerrr,” a lot, and I think for the most part it’s done effectively to convey his awkwardness at the situations unfolding, though it’s not done all the time. but when it does you feel it. People also pause a lot in real speech, and when I write dialogue I use the ellipses, or the …. to convey that. I’m trying to dial back because I think I’ve been using it too much, but it is true, people do pause. part of my thing too is when I write I can see the scene in my head, and I like to “block” the characters and “direct” them, if that makes sense?
So I guess for this section I would say, filler words and ellipses are fine to use, just be mindful that going overboard can be immersion breaking.
5. sometimes it’s not what’s said, but what isn’t.
In real life, people withhold information. they don’t say everything they have on their mind. they hold back. Same in fiction. In my fic right now, Sophie wants to say “hey Connor I think I like you and you like me too, we should consider the possibility of courting,” but she doesn’t say it because she’s scared that maybe she’s fooling herself.
So, I like to keep this in mind :) 
6. read plays, watch dialogue heavy movies.
Plays are told entirely through dialogue. Well, Tennesse Williams, and Arthur Miller, those people. We have new experimental theatre coming out where there’s a lot of funky stuff happening. But reading plays and watching movies with lots of dialogue are great because they can show you how stories can unfold through dialogue.
My final thoughts are that one should experiment, and find what works for them :) have fun, and have fun, and read a lot :) 
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queencryo · 5 years
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jalright, time for journal post three. That’s right folks, I’m STILL a fucking idiot loser.
So! two days ago. Silly didn’t have work, so we made a plan to meet with her mom for Something (she wouldn’t tell me what it was) at 4. As it turns out, we were actually meeting at 530. Unappreciated, but I guess fair to get us ready on time-ish.
Anyway, we met her mom, and went to this... chinese light show thing at the nearby convention center. It was very nice, I took some pictures of it that probably won’t be put here. Wireframe with cloth (or something) stretched over it, lights on the understructure, rather than anything inflatable like I had expected. but woo!
it was very pretty. And a nice experience! A little chily, but not nearly as bad as I’d been told to prepare for (was fine with a hoodie. “ooo wear an Actual Coat bluh bluhhh” my ass)
Then went to this nearby pizza place. Apparently im the one of us three that liked fried mushrooms (they were gooddddd), I stole a lot of silly’s fries (they were very good in ranch), the pizza itself was good, if expensive. I enjoyd spending time with her mom (something something I HOPE it’s not moving too fast to, like, think about “oh what if she’s my mother in law someday, but hey)
Went to half price books, cuz who DOESNT love half price books (books at half price!), I picked up a gift for socks and oboeist. Not much else caught my interest (except the book I got socks :eyes:). I did follow around this group of nerd fuckers, who were apparently talking about completing their naruto manga collections. It was fun being around people being happy about what they do, but then one of them had my deadname and another said “haha hey I’m gonna buy this transamerica dvd” as a joke (it’s a movie about a trans woman, form 2006. never seen it, looks neat. damn. 2006), so actually fuck them and I hope they burn in hell. Stupid fucking alternate universe me. (I think that was the one with long brown hair so. alternate unverse me?)
Silly wandered around for a while. I don’t remember everything she was looking for or saw, but I remember her interest in the metroid fusion gba cartridge, a copy of house of leaves, and and a book of poetry from a writer I unfortunately don’t remember. Sorry love :C
Skipping to next day.
Wake up, time to begin preparing for meetup with silly’s gf (bein poly is weird and fun). We plan to meet her at an asian place near here.
Silly convinces me to wear the top I don’t like (as it makes clear the fact that I have an undesirable amount of belly fat). I also wore it with the black maxi skirt that was one of the first female clothings I bought, and some like. blue fuckin 3-nch heels that weren’t nearly as bad to walk in as I thought. she says I looked very good, I think I kinda believe her!!!
so. On the way to the asian place, we meet gf there, she says its closed. It’s NOT closed, but the wait is like. an hour. So we decide instead to go to red robin. Also! gf is cute, she’s nice and stuff. we get along downright decentwell!
The drive to red robin sucks, and it wasn’t very good. I didn’t spend it in the (very cluttered) back seat, though, so... I guess I have that.
Red Robin was good. they had fried pickles!! and a very cheesy burger sily and gf made fun of me for putting ketchup on :C I like ketchup : Cand cheesy borger. The steak fries, bottomless, were VERY good dipped in ranch, omg. honk ;)
Uh... skp forward... return form red robin. We started a game of commander I don’t rememberwhat gf and silly were playing, but they were both largely blue decks. I don’t remember the whole game, but I was playing the snake deck, which actually went QUITE well for me. I board-wiped twice, at one point countering silly’s counters TWICE to get that gorgon’s board-wipe-non-gorgons thing going. So like. that was FUN. the game took like 2 or something hours in total, and it was fun! it was nice feeling like something of a contender for once.
but yeah it went so long that we had to pause it to go to silly’s friend’s place for new year’s eve. it was fun! got my ass kicked at trivia, but I did not n bad at the space ships part! I am a big nerd. it is what I do. kissed silly on the midnight!
Came back to silly’s place, finished the game, watched monty python, went to bed. Silly seemed to like cuddling TWO gfs. woo! it was warm. I fell asleep within moments.
Skipping to today! Uh... what DID happen today... oh yeah!@ I woke up, and gf was trying to see if she was gonna be fired for forgetting to lock up the store last night, and then silly called off work So we played another game of magic, then retired downstairs to watch... i don’t remember, I know dragon maid, but I think there was some other stuff too? Probably some other stuff. I ain’t smart lmfao
Got $35 worth of pizza from pizza hut. It was fucking amazing (I feel bad for letting gf pay, but then after I paid for her lyft so? I guess it’s not nothing). We’ve gone through most of it already, but there’s still a little of the two liter and the pineapple and meaty pizzas left. AND I got like.50 pizza hut reward points. SO that’s pretty fuckin hot.
Watched more movies, then gf left. Me and silly continued hanging out, I played ds3 (up to the great swamp by now! woo), called with socks and HER gf for like a couple hours I think? I feel bad for being so. Uncouth and weird while talking to them. Here is hoping forgiveness is given, but understood if it is not.
And now silly is asleep. What a fool what a fool. Very sweet. I love her. At one pint during the call socks did not know what was happening because I was overcome with love for her because she is so beautiful.
Let’s see... anything else? oh! I used a women’s restroom for the first time ,and also the waitress at rede robin called us ladies, so that was fun and nice!
Socks and silly BOTH say that I shold not be using a mace as my main weapon in ds3, meaning I will DEFINITELY be using it as my main weapon through the end of the game. Fuck god, and also both of you (idrythyll straight sword can be a backup, though. Think I finally have enough twinkling titanite to get that funky little fucker up and running. Maybe.)
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baconpal · 6 years
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so heres the long super paper mario post
strap in for why super paper mario is fucking bizarre and why that’s pretty much awesome
gonna be a good amounts of spoilers, so if you’re on desktop then hit that read more, and if your on mobile, then here’s your punishment for using this god awful app
super paper mario is a game that is incredibly difficult to put into words, but it leaves such a powerful, lasting impression on me and i can’t come to say anything first other than I love it so much, and if you havent played the game, please just go do it now, even if you have to pirate or emulate or something, just let yourself play this game. It’s one of those games that I really feel I can just recommend to anybody
it’s difficult to think of where to start with dissecting this thing so i’ll just start with the art since lookin at things is pretty easy
ART/WORLD DESIGN
every world in SPM is completely unique, not just in what type of environment, but it’s art style, and this is premised with the fact that none of these worlds are capable of existing together and are completely separate, and NOT part of a cohesive universe (LOOKIN AT YOU ODYSSEY I STILL THINK YOU LOOK STUPID)
The hub and the first 2 worlds are mostly just slight variants on the same general style of simplistic shapes and colors, with world 1 delving into more linework type aesthetics, and 2 focusing more on impressions and silhouettes, 
world 3 changes this completely with what is obviously an 8 bit kind of style, but instead of jarring over sized pixels, the world is composed of detailed tiles arranged to look like pixel art that imply a more real world, and not a gamey one, 
world 4 focuses on patterns and big patches of color to give the impression of the vast emptiness of both space and the surface of a barren planet, before giving you the “Whoa Zone”, with a striking mix of wire frame and futuristic UI style to it
world 5 takes the idea of nature being crude and simplistic and humanity being sharp, angular, and extreme and flips that on its head, with humanity and the space they occupy being these absolute memes with no sense of depth, and the plant life existing in a system of clean cut caves with futuristic technology and elegant historic values
world 6 simplifies a kind of colored Japanese painting aesthetic, down to the funny cylindrical cloud clusters and brushstroke trees
world 7 depicts what is essentially hell (yes there’s hell in this game keep your pants on) as a squarish blur of bright greens and warm reds and purples, and depicts heaven as fluffy land of clouds and Greek temples
and lastly, world 8 is inverted greyscale, where light is black and darkness is white, its simplistic and striking and i couldn’t think of a better style for the final area of a game so focused on the concept of light and dark
MUSIC
I’ll just try and keep it simple, the musics fucking cash money
The game makes great use of motifs when it needs to, where specific themes and instruments are used in other songs to suggest relationships and put battles and travels into perspective
And when it ISNT doing that, it’s just fucking funky stuff, with a weird trend of BOING and PLOP and SPLISH noises in the percussion because fuck you i guess
There’s a lot of good songs that do lots of interesting things, any of the like 5 final battle songs are great things to point to, but i’ll just go ahead and say the main theme of world 8 “Castle Bleck” is one of my favorites that isn’t super highly rated. It brings in the types of instruments that have been associated with the villain the entire game, but also throws in 2 very important things; a sudden triumphant burst of almost JRPG styled chiptune that pushes away the constantly building tension, which is then followed by the sound of a clock ticking, which is a musical motif only present in the songs “Memory” and “Promise” which is played whenever the memories of the player’s little guide thing and the main villain’s past lives together are alluded to. This one song holds a lot of weight, as well as simply being a fucking cool song.
GAMEPLAY
This is, sadly, the one place I’ll not mince any words and say the gameplay is not amazing by any standard, it’s pretty much a classic mario game if it had RPG stats, items, and random abilities granted through the character and partner systems. The 3D flipping mechanic is nothing astounding, though it is very interesting to see how worlds are constructed
One of the biggest flaws people will mark the game for in its gameplay is that it’s tedious, and while I have to agree, that’s because I’ve already played the game before, and the tedium only comes from not being completely invested in the experience anymore. I’ll get some specific examples in a bit, but there’s a few cases of “tedium” that i believe are 100% intentional and drive the story in an interesting way
STORY/WRITING/GAME DESIGN
Thats a fuckin broad section, but its pretty much everything else i have to say on the game, and where the most spoilers and random praise is gonna be
I’m not actually gonna talk about the whole story, more just the strong parts of it, under the assumption you’ve already played it or understand a story as simple as “villain wants to destroy world, hero wants that to not happen”
The writing and characters are just flawless, everyone is fun to be around, especially the bad guys, who you see more antics of than your own party. There’s goofy running plotlines about O’chunks and mimi essentially getting grounded and being forced to write essays about why they fucked up at beating mario, and big stinky brother dimentio teasting and bullying them and sneaking them out to do his bidding when The big Count Bleck is away
The game is full of referential humor to not just mario itself but all kinds of games, there’s skeletons in hell who are clearly just Marios from the mainline games who died in stupid ways, there’s an actual dragon quest turn based boss battle in hell too, and chapter 3 has an otaku villain who tried to get with peach in a simulated visual novel
but the humor exists not just in references, but in simple good scenarios, with things like “Having a game show in a bathroom when everyone's life is at stake” and “locating an ancient manuscript to use as toilet paper” or “flying through black holes to find a convenience store” and things of that nature
It also interacts with the players emotions in many interesting ways, one of the more lauded being chapter 2-3, where mario is forced into working off a massive debt of fictional money, and is required to do hard, boring labor. There isn’t anyway to avoid doing both the hitting a block 100 times and the running on a treadmill for a few minutes thing, but the constant feeling of “there has to be a faster way to do this” drives the player to prod around, find the secrets, and slowly discover how to break the system wide open and get to the end, and i love it for that
This entire game is some sort of bait and switch, to put it simply, while it’s already a bit of a departure from both mario itself and the paper series, the first 5 worlds are pretty fucking tame stuff, other than the void, which is a giant black and purple spot that sits in the sky, always, every single world has the void growing in its sky, and it does grow, every chapter it gets bigger and bigger and takes up the sky, but where this truly culminates into the “switch” part is chapter 6, which starts itself by presenting you with the most TEDIUS sounding chapter possible, fight 100 enemies in a row, and nothing else, and for 25 straight fights, that is all it is, so you’ve locked yourself into it at this point, you know whats up, but the void in the background begins to grow to the point of being the entire fucking background, and every enemy you face speaks as if they know they’re all going to die, and by the 30th fight, one of the villains comes to stall for time as the void completely swallows the world, and the party is sent back to the hub. When they decide to go back in to world 6, its empty, the entire world is a white void with a single black line making up the ground, and colorless destroyed structures occasionally peaking out of the ground.
and you walk on this white void for so long and you just feel nothing but regret and fear and no matter how fast you make yourself go you feel like you’ll never find anything, but you do eventually get your plot item and escape
then, Dimentio, one of the villains you’ve seen the least of, appears in the hub world, the safest place in the universe, and kills mario
he just fucking kills him
he puts mario in a box and fills the box with explosions and mario fucking dies and goes to hell because fuck you mario
then you go through all of chapter 7 just to escape hell (called the Underwhere cus how could we possibly be allowed to take hell seriously) and join up with your full party before confronting the final world, which i’ve already stated i just love the design off
the game just takes the comfortable ride you’re on and throws it into the fucking sun and burns you alive and i love it so much, even the very end of the game doesnt let up, where the main villain is overtaken by that absolute madman Dimentio (Whose name is a play on both Dimension and dementia), who clearly was powerful enough to have done the whole “ending of the world” himself, but did it this way for the theatrics of it
there’s a lot i could still say about the game, but this post is absolute rambling and its 2 in the morning but as usual, i just wanted to shit my thoughts onto the internet to people could maybe learn somethin about either the game or me and how i think and look at and respond to stuff, and as always, anybody who read this whole thing is cool and i love you a whole heck of a lot
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felicityb-reviews · 6 years
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Lee Taemin - Feature Spotlight
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Um... Surprise?!?!!?
So... While developing my playlists for my SHINee FSLs, I ran into a few problems (I guess). SHINee has such a wide and varied discography, I feel like it'd be a dishonor to them to just throw songs from completely different eras together like it wouldn't be an incredibly jarring experience. I also couldn't decide on a set number of tracks from each album to put in each playlist; I feel like doing more than three songs per album when pulling from four and five albums would just muddy up the playlist and make it unfocused.
So.
Do enjoy this Taemin FSL (I was planning on doing one on him March, anyway), while I work on my SHINee FSL series.
And yes, that does mean the SHINee tribute is going to extend into February; I'll keep you all updated as best as I can.
youtube
Wicked (ACE)
Oh Wicked... You swerved my ass big time when I first listened to you. Idk how, but to be fair - hindsight *is* 20/20.
Wicked starts out with a very calm trumpet line over smooth chords, but it doesn't stay that way for long. Quite like it's hard to keep Taemin in his clothes, the sassy Funk elements just couldn't stay tamed. But that's okay. That's why we like Wicked.
This is a song that I'd really love to see Taemin perform with a live band. Maybe a little choreo. But mostly just Taemin having fun with his backing band. That'd be so cool.
I'm Crying (Flame of Love)
When Taemin announced that he was debuting in Japan with Sayonara Hitori, I was... Intrigued™. I mostly didn't know what to expect (especially with Taeminnie serving Elvin Royalty/Fantasy Prince realness with the teasers), but I was real interested in what the music would sound like. Cause that's what I'm here for, sis.
I'm Crying is J-Pop af. It's also the closest thing to a ballad that I'd enjoy from Taemin. Idk why I don't like his ballads, they just feel bland and so unlike him to me. But I'm Crying is perfect, because it's got that Japanese Winter Ballad™ (all my J-pop fam knows exactly what I'm talking about) feel, but with his signature drama mixed in.
My favorite aspect of the song is how soft and bittersweet the opening melody is. It's such a simple piano melody, but I'm such a sucker for them. And when the strings kicked in?!?!!? I was gone, b.
One by One (Press It)
If ACE showed us Taemin's potential as a soloist, then Press It is Taemin realizing that potential, and showing us Lee Taemin, the artist. ACE remains my favorite body of work by Taemin, but Press It has some of my favorite songs by him.
Like, Top five favorite, sis.
Remember when I mentioned Taemin's signature drama?!?! One by One is a great example of that. Jonghyun is King of the Drama Gays, but Taemin is the Crown Prince. Every time I listen to One by One, I imagine Taemin dancing in the rain to it. Yes honey, full on '90s drama. And it fits, because One by One (hell, the best songs from Press It) all have a '90s flare to them.
Crazy 4 u (MOVE)
Crazy 4 u is one that might have fooled me if I hadn't peeped ha from the jump. See, you don't spring a song like Wicked on a bitch, and expect to surprise ha again with a song that starts out just the same. No ma'am!!
Crazy 4 u, to its credit, stays in the midtempo range for the first verse and prechorus (quite a bit longer than Wicked). Then the beat gets really going, and finally explodes into an RnB influsrd Future Bass style drop. Crazy 4 u never quite pops like Wicked does, but this is another song I'd like to see Taemin perform with a live band. But this time, I definitely wanna see him doin' it big with the choreo.
Door (Flame of Love)
Door is a song I'm surprised I haven't seen on a Korean release from Taem. It's very Jpop-esque, but if anyone could sell J-Pop style music to a Korean audience, it'd be these SHINee boys.
Door is a song that fits right in with the rest of Taemin's repertoire; midtempo with lots of drama. But damn if this man doesn't have me hooked to this type of song from him. He just does them so well, and I just really appreciate that.
Heart Stop (featuring Kang Seulgi of Red Velvet) (MOVE)
Heart Stop was a song that was H I G H L Y anticipated, because of one Miss Kang Seulgi. If we're not counting Drip Drop (which features unctredited background vocals from Miss LiVii/Alice Vicious), Heart Stop was Taemin's first official collaboration as a soloist.
And what a collaboration it is, sis.
Heart Stop is pretty upbeat for a Taemin b-side, but idk if I'd call her an uptempo. She's got groove, but this isn't "dance at the club music"; this is "seduce your mans into giving you $500k" music. Whatever you want to call her, I need Taemin and Seulgi to carve out some choreo to this, and scalp me. They're both awkward as hell around the opposite binary gender (cause they're both so fucking gay), but with some preparation, we could avoid the awkward (but still iconic) mess that was Taemin's collab stage with Sunmi.
Or Seulgi's dance stage with Taeyong. God, that was so fucking bad.
As far as collaborations go, Seulgi is present on the song just as much as Taemin is, and that is really appreciated. They even go as far to sing some sections together, and that was way more than I was expecting. Typically, collabs like this have the featured artist sing/rap one part in the song (typically the bridge) and then they're done. So it's nice to see them make this a Seulgi song as much as they made it a Taemin song. Cause idk if I'd like this as much as I do if it was just Taemin.
Soldier (Press It)
Can we give it up for Press It one good time, y'all?!!?! This album is top heavy with midtempos, but Taemin delivers every single one of them effortlessly. The album is a masterpiece, and I fall in love with it again every time I give it a listen.
Soldier is the quintessential Taemin midtempo. It's what comes to mind whenever I think of his style, sis. Soldier become a timeless classic within Taemin's repertoire, because a) he loves to perform the motherfucker and b) it's first song of his that we hear that *sounds* like Taemin, if that makes sense. I love it.
Play Me (ACE)
Play Me is the song I was expecting when I heard Wicked for the first time. But I'm glad Wicked turned into a funky uptempo, cause it sho' woulda' been awkward to have two sexy, smoldering midtempos so close to each other on an album as short as ACE. Play Me plays out (heh heh heh) the way you'd expect it, but there's nothing wrong with that. She doesn't reinvent the wheel, but she does her job well and that's what matters in my book.
Do It Baby (Flame of Love)
Do It Baby is Taemin givin' us an east meets west affair. The song features a hip hop beat, accented by a Far East sounding riff. I would probably hate this if it didn't work out so well, but God does it work.
if Taemin ever had the urge to film a video for this, I'd wanna see him doing a lot of martial arts inspired posing (similar to what 2NE1 did in I Love You) to the verses and breakdown, and then pull out some break dancing to the beat switch in the latter half of the song. It'd be so fucking cool.
Sexuality (Press It)
Can we give it up again for Press It, you guys?!?! Cause not only are all the midtempos strong as fuck all, but the uptempos are bloody amazing, girl!!
Sexuality is a very different song than what we're used to seeing from an SMe act. Not to say that SM is unfamiliar with a little controversy in their music (BoA's Kiss My Lips, anyone?!?!?!?!), but sis... The song is titled Sexuality.
Lee Taemin is bold as fuck, ladies and gentlemen.
Sexuality is Taemin's drama translated to an '80s template, with a heaping dollop of sex added for good measure. I can't listen to this song in public (as expected for a song titled Sexuality), but it's just so fucking good.
I never knew I needed '80s Taem till Sexuality and MOVE snatched my wig and blasted her into the sun, but now I need every album of his moving forward to include a song like this.
Ace (ACE)
Ace is another song I can't listen to in public. Mostly cause I'm too busy body rolling and giving JRE levels of stankitude in the face. But also because it feels like Taem is trying to fuck you through the music.
This is not a drill, folks - Lee Taemin is trying to sex your body with his Ace. And fuck if I'd ever stop that demon from ruining my life like that.
Ace is what us niggas Negroes of American Nationality like to call a sex jam. A classy sex jam, to be specific. This is not the song to jump zaddy to. Taemin has been generous enough to provide Sexuality for that. No baby, Ace is for lighting some scented candles, putting on your sexiest lingerie, and romancing your mans (or woman, because you know my gay ass doesn't discriminate) into bed with you. Ace is for those nights when you wanna take it nice and slow.
Ace is a rarity within the K-Pop landscape. You don't really hear songs like this. Most love songs are PG as fuck all, and there's not a damn thing wrong with that. I love to be all soft and giggly. But sometimes I want something more sensual.
Tiger (Sayonara Hitori)
So, remember how I said Taem could bring some of his Japanese songs over to Korea, and make it work?!?!
Tiger is not one of those songs.
Tiger is J-Pop as fuck all. Tiger is the type of song the Final Battle™ of an anime/video game would be animated against. Tiger is the opening theme to a dark fantasy anime. Tiger is, simply put, everything I wanted from a Japanese Taemin release. This song fits him so well, and I fucking love it.
Yes, I even love the breakdowns that are all wub wub'd out, because a) it fits the song so well (Tiger could be described as an experiment in how to do extreme sonic shifts without alienating your listener) and b) it's not some Skrillex style bullshit. If Taemin had decided not go with Sayonara Hitori as the feature track for his debut, I'd have loved to see him do Tiger. Especially with those Elvin Royalty/Fantasy Prince Lewks™ he was serving with that silver weave.
FINAL DRAGON (Sayonara Hitori)
If you I were to judge the whole of Final Dragon by just the first thirty seconds, it'd have gone on the trash on first listen. I don't know what's up with that weird Gregorian chant. But it gets better. After Taemin sets the atmosphere (I guess) with his little spoken word, we get thrown into a half time section with the most dramatic horn n violin duet I've ever heard.
And that's when the real fun starts.
Final Dragon is another song that would absolutely not work in Korea. This style of hard rock mixed with symphonic instrumentation sounds very Japanese in texture. But once again, this why we were intrigued by a Japanese Taemin debut. Not only did it make sense financially (Taemin is very popular in Japan), it makes sense musically and thematically.
Final Dragon shows off Taemin's title as the Crown Prince very effectively. This is another song I need to see Taemin perform with a live backing band. I put Final Dragon right after Tiger in this list, because it feels like the aftermath of that Final Battle™. It's the ending theme to Tiger's opening theme. Yes, the two songs were side by side in their original track listing, but sis...
If it ain't broke, don't fix it.
Rise (MOVE)
Firstly, if you're listening to the playlist as you read, I'm so sorry for that whiplash, baby. I took you from one end of the spectrum to the other, but there's a method to my madness. I promise!!
Rise feels like closure. You just endured this epic battle (and the aftermath of it), and now you're approaching reality again. Rise feels like life after crisis. Rise feels like healing. Like, you don't how you survived, but you're just lucky to be alive.
Rise is a big, rousing power ballad (like most of Taemin's midtempos) that feels like it lives and breathes. I like to think of it more of an experience than a song. Of all the songs I've mentioned I wanted to hear live, this is the one I wanna hear the most.
Thirsty (OFF SICK Concert Remix) (SM STATION)
Thirsty feels like a call out, guys. Thirsty is Taemin tellin' us he knows the way we look at him, and he fuckin loves that shit like the chaotic demon he is. Thirsty is Taemin challenging us to give it to him as good as he gives it us. Possibly.
Thirsty is, simply put, Taemin feelin his oats, babies. It's a loud and bombastic declaration of his sexuality (as if he doesn't wear that shit like a designer feaux fur coat), and it's really cool to watch since Taemin isn't your typical idol soloist.
Alright my loves, that's it for this Feature Spotlight!! Did we enjoy the surprise?!?!? Be sure to tune in next week for part one of the SHINee tribute in honor of Jonghyun at 6pm EST (I promise!!). And speaking of Jonghyun, be sure to check out his Feature Spotlight here. And while you're here, there's no harm in checking out my debut Review Roundup. In case you missed it. Love you, guys!!
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tumblunni · 6 years
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oreshika: you know who is not the bad guy? the bad guy also oreshika: you know who is actually the secret bad guy? this sweet harmless comic relief man who has done nothing wrong
except like its eight glowing brain levels deeper cos the sweet comic relief man is also a giant obviously evil demon mask that ANYONE could have pinned for “really just possessing this dude” since the very start but then his personality was very non bad and he was all ‘hey buddie why u no smile’ to his host and like I LET MY GUARD DOWN OKAY. I LEARNED TO TRUST AGAIN.
i’m at the final battle and I am so pissed off but also HYPED?? like im relaly mad cos like RIGHT FROM HIS FIRST APPEARANCE I was like ‘dear god please don’t make onigashira the real villain, it would be so fucking obvious’ and then i just got progressively more pissed because he literally did nothing evil in the entire damn plot, he’s just evil because Evil he’s some sort of Magical Evil Mask that was Made To Be Evil and like Unquestionably Is That and no sort of interesting exploration on that plot even though he HASNT ACTED EVIL EVER UNTIL THE LITERAL LAST FIVE MINUTES
and it raises SO MANY questions cos like why was he even cooperating with Seimei then?? why didnt he fully posess seimei at any earlier point?? why didnt he kill nueko at any of the five other mandatory boss fights we had with him?? Seimei at least had an intriguing personality that gave an odd justification for his plot laziness. Cos he’s an anti-villain who weirdly sees you all as friends or a mentor/student thing, and he’s really just pretending to be evil so that you’ll kill him, cos he can’t die and desperately wants to. So it makes sense that he doesnt do any of his evil actions until you arrive, cos the whole damn point was just to taunt you into arriving. And its nicely parodied cos he literally sends you tea party invitations to his latest evil plan and gets pissed off if you miss it XD i’m so sad for seimei plz say (mei) that we adopt him afterwards i wanted to adopt onigashira afterwards back when it looked like he was the not evil one of the pair I AM STILL REALLY SALTY THAT HE’S NOT!!!! HIS DESIGN IS REALLY COOL AND CUTE!!!!! AND HE WAS A COMIC RELIEF OLD MAN DEMON DRAGON DOOD!!! i trusted u
okay but to talk about why i am also HYPE i need to go into some endgame spoilers whoopy doop!
so yeah the twist of ‘evilman is actually just being controlled by his puppet dragon thing’ was WAY OBVIOUS and i was really wishing for it to not happen but they made up for it by having ANOTHER TWIST THAT’S WAY BETTER
random description of something else from the endgame that is cool but i dont really know where to fit it into this conversation lol you actually do get to fight Final Boss Seimei here, its a cool boss rush with him and then Super Onigashira Betrayal Mode but what I really like is that its an OPTIONAL boss rush! the first time you play it you fight seimei with his freaky spider legs superform, and then nueko steals it back cos it was hers first. Can i just say again that I love a sexy mom styled heroine who’s powers are entirely around growing friggin monsters out of her arms and stuff? Seriously way to subvert that fanservice bro! (its still a bit cringey when they show the monster tattoos being drawn on her butt and boobs...) so then you go into the second fight and your health has all been healed and now one party member has a new supermove (I was really pissed cos it didnt restore your MP and TP, so I couldnt use that move!) But then if you lose and come back it actually skips the first fight and has an altered cutscene that’s like ‘oh, you’re back for round two?’ and such. MUCH preferrable to stuff like kingdom hearts where i have to watch a damn ten minute cutscene each time! Tho I do wish there was an option to redo it in boss rush mode, I guess that’s just a reward for people who can get it on the first try. I’m prepared now thooooo... :(
OKAY BACK ON TOPIC
Now for this final arc of the story we’ve been investigating the mystery of the Nameless God, some dude in the past who was apparantly super great and then got erased from history. There’s also the mystery of who exactly was Nueko’s husband and what happened to separate her from Seimei and make him turn evil, tho i mean its PRETTY OBVIOUS his dad was this mystery god lol And even though its not really very much of a twist about his identity, its still really interesting how the whole thing is handled. Him being erased from history means that none of the characters can remember his name or face, but NEITHER CAN THE PLAYER! He appears in the interfaces long before the plot actually talks about him, as a silhouette and a name smudged out by ink.
Now the actually cool twist about him is that like.. we’ve been hearing for AGES about how great he was, and how someone must have put out a hit on him or something. And him being in the interface seems like a spoiler that he’s gonna be unlockable later as a godly husband candidate for your protagonists. And even when we see npc optional boss battle gods hating on him, it’s always the jerkass gods who have some sort of reason to be biased. Or (in retrospect) they’re hating him for entirely the wrong reasons based on other people’s flawed gossip about him. “He was too kind and if he made equality then I wouldn’t be rich!” says genericman mc gee, who is probably eighty times less evil than this man
COS THATS THE TWIST
He was an evil fucker and erased himself from history with essentially an alchemy equivelant of a mad science experiment gone wrong. And what happened with Nueko and Seimei was that evilbad mc trashdad tried to use his damn four year old child as raw materials for this experiment, and she tried and failed to save him. And then she was desperate and her only option left was to kill the kid so he couldnt be tortured like that, and then killed herself too from grief. But it all went horribly wrong because she didn’t know that the reason Seimei was a candidate for this experiment is because he had immortality powers as a half human half god. So the poor kid survived watching his mom stab him and then slit her own throat, and he had no clue it was because his dad was gonna kill him anyway, so he grows up hating her and missing her and being this big ol sad mess that’s easily manipulated by a fucko father...
COS THATS ALSO THE TWIST
ONIGASHIRA WAS DADS
WHAT HOW
DADS
And like if they were gonna reveal his entire funny cute sidekick personality to be completely false then I’m glad at least his real personality was Twisty Wow and Immensely Punchable like i still feel like i could never punch a cute puppet pal but i can surely punch an abusive father pretending to be his own son’s imaginary friend for twenty years and whispering bullshit in his ear just to drive him into his own grave and like POOR SEIMEI WANTED TO DIE JUST NOT LIKE THIS NOT LIKE THIIIIIIIISSSS
i still think that ‘hey i was made to be an evil superweapon demon dragon mask thing but i became sentient and decided to be a happy hugs jokeman’ would have been a really amazing character concept too either that or ‘hey it really is a harmless normal mask and i’m just super seriously angsty seimei doing ventriloquism as a hugs jokeman character because i’m lonely as fuck and please be my friend’ either of those would have been better than this but like if this is what we get then I’m at least glad they gave me good enough reason to feel ‘GAHH I WANNA STAB HIM AND SAVE MY NEW SON’ rather than just ‘oh blah this ending ruined my fave character, and i feel nothing towards anything now’
also his boss fight is really damn fuckin coolio wow like it was a HUGE WHOA MOMENT when the fight starts and his name is blanked out and you just instantly know who he was this whole time and your mind explodes that this guy was evil and then he’s like a giant buddha-esque multi armed dude doing sutra poses with a big ol spoopy demon head and then really fun classic gameplay of ‘him summon the many hands and u has to destroy the hands to get 2 him and then they regenerate after a short amount of time’ but he’s also got super hellish simultaneous buff and debuff powers and all sorts of other nasty tricks AND IM ON THE LOWEST DIFFICULTY GEEZ and like for some reason it really stabbed my heart seeing how just one of the many hands is still human, its like seimei’s still in there and maybe he might still be alive if we defeat this guy fast enough... and then the music is SO FUCKING GOOD and it has like three remixes for all his increasingly frantic stages. like he doenst actually have boss transformations for them, its just moveset changes and stat boosts as his health drops. but also the colours of the battlefield change and you get funky remix time so its still cool!
and then I was SO CLOSE, i had him down to 5% HP before he killed me T_T such a marathon boss and I was almost there... I’m really excited to try again tho! i finally got that damn curse off my inherited weapon from the first generation, and now i’m on generation 87, and now im ready to FUCK SOME SHIT UP! also my current party is all named after types of olives because i ran out of inspiration around character number 300 i am so fucking addicted to this grindy ass game!
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