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#another a-ha moment too
amyriadfthings · 4 months
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"Do you approve?"
This is such a cool little moment from the first time Alfred is at Henry´s place.
The score that sets in immediately after Henry closes the door and locks out the outside world is so unsettling at first and sounds like danger is afoot, and for Alfred´s status quo it certainly is. There´s tension building right away. But then wonder of discovery gets sprinkled in quickly with those individual twinkling notes on top. It´s giving thrill of the unknown, uncertainty of what you´re getting yourself into, starting out with uneasiness, but magnetically and willingly letting yourself be pulled in, or, you know, visiting your secret forbidden crush for the first time.
Alfred is so unguardedly wide-eyed when he´s in that intimate setting and tapping more into who Henry is and what he cares about by looking at his photographs, it does something to me 🫠 (Even if they´re for a story they´re still Henry´s pov and choices, and Alfred looks like he´s soaking it all up, and also like he´s never seen photographs like that before. Just wait for later, buddy. You ain´t seen nothing yet.) You can basically watch him make those connections between what he sees and who Henry is in his mind. He´s filling in a crude drawing, shading and refining it as he moves from picture to picture. Henry´s gaining dimension, depth and color by the second, and Alfred looks like he´d like to keep going, as uncertain and scared as he might be.
And Henry? He´s just trying to gauge what Alfred is about. The question whether Alfred approves is really the critical and central one in the bigger scheme of things. Does Alfred approve of what´s going to happen between them? Of Henry? Of them? Of being with a man? They´re also the first words spoken here after Alfred has entered and come as a disruption for him, just like that ultimate approval will be a disruption to his life. Fitting that he doesn´t give an answer here at this point.
The slightest knowing smile spreading on Henry´s face at the end when Alfred basically has to tear himself away and return to reality is the best, especially paired with Alfred´s mouth falling open again as it so often does around Henry 🥰 perpetual shock to Alfred´s system thy name is Henry Ashe 🥰)
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melimelotus · 2 months
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lgbtlunaverse · 5 days
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Most annoying NMJ or JC take is when someone that dislikes them is like "oh you're a fan of him? *scoff* Well obviously you've only seen cql, where he was super watered down. In the novel he's a dislikable asshole and that's the objectively superior canon I'm working from instead of your woobified fanfic." Meanwhile your main canon is novel canon and you genuinely find novel Jiang Cheng and Nie Mingjue complex sympathetic characters.
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rikkivoid · 1 year
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winter kiss
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forecast0ctopus · 2 months
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Any advice on drawing McCoy? I’m not used to drawing ancient wrinkley bastards (affectionate) and it’s surprisingly tough v-v
FOR SURE lmao i made. a diagram. just a warning that i am going to be irritating and long winded because u just hit a topic i really like sorry lmao
so first off i did some traces just to show whats there vs redraws to show my interpretation
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ive said this on other asks but again jsyk, tracing isnt bad!! its a tool. theres some stuff with intellectual property and whatnot but using tracing to study shapes and forms is a really valuable practice.
also just taking some time to learn facial structures and anatomy is super useful, reading what bones and muscles are where and how they interact with one another. taking this info and staring in the mirror and moving your face around and thinking about it. just really furthers understanding of how the face works. trying to sound normal about this but i love anatomy and motion and physics and whatever
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anyways im going to go through all the numbered points so there's no confusion. 1. forehead lines - self explanatory. more prominent when brows are raised 2. crows feet - at the outer corners of the eyes, more prominent when smiling or squinting 3. nasolabial folds - the folds that go from the corners of the nose to the corners of the mouth. more prominent when the mouth is wide, like smiling 4. brow furrow - self explanatory, most prominent when brows are furrowed. mccoy tends to have two right next to his eyebrows, kirk has one in the middle. everyones face works different lmao 5. chin crease - caused by how the chin and lower lip interact. 6. nasojugal groove - start from the inner corners of the eye and can extent over the cheeks. everyone has these and idk why people dont like them i think theyre really cool!!!! but Society. i guess. :/ 7. eye bags - caused by the skin sagging beneath the eyes. mccoy isnt even that old in tos i think hes meant to be mid 40s by the end of the 5 year mission, hes just got really prominent eye bags lmao 8. idk what the name is for these, but when the mouth is wide and pushes the skin to the sides, these folds sometimes form outside of the nasolabial folds 9. philtrum - the groove above the upper lip. i dont usually draw this but mccoy's struck me as prominent enough that i usually draw it on him 10. masseter - the muscle that moves the jaw up and down. its a pretty rugged muscle and while i wouldnt say mccoy's is especially prominent, it kind of extends that nasojugal groove from certain angles/positions 11. orbicularis oris - mouth muscle, usually easier to see when lips are pursed or frowns are pulled. mccoy's is pretty prominent from 3/4ths or side, his mouth tends to protrude in profile 12. this isnt a muscle but more of a line defining the planes of the face, but since i drew it i felt i should explain lmao
a few points:
im an animator i tend to exaggerate and emphasize certain things so i usually make him more square.
i like to combine eyebags and crows feet for brevity/flow, same with nasojugal grooves, eyebags, and masseter lines. my approach is always subject to change based on pose, expression, reference image, etc.
i take out details that i deem redundant or cluttering and keep what details i need to make things feel Right
all this info is applicable to any character of any age, its just in how you apply it and facial proportions that willl change how old a character is perceived to be
there's a lot more with drawing a Character rather than an Actor, just because the features are there doesnt necessarily mean things will feel correct? its very much in the mannerisms and poses and expressions
i only went over my approach to his likeness but not really body type or posing or anything idk if u want that i could always try to answer that later haha
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anyways all that info kind of exists nebulously in my brain while i draw its not like im sitting there thinking Must Draw. Nasolabial Fold...... i jsut do what feels right with the visual info i have. also i love specificity in faces.... i dont like to be a hater but when every character is drawn the same it pisses me off a little lmao. so
also dont take my word as The Only Way to do anything i just draw how i like to draw and no one should feel like these are things that Must be done to be a good artist or anything do whatever the hell u wanna do
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bigkickguy · 10 months
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ever since that line in Hells Chicken I think of Don and Heath as cosplay buddies!
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kyouka-supremacy · 5 months
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I think we should just bring back Wungo Wednesday and start a fandom collective anime rewatch
#Because otherwise I can feel I won't last much longer#Because like. The last two hyperfixations of mine ended the moment I started feeling like there wasn't any new content#And two days ago in one day I started a new manga a new book and rewatching a favourite show#Whereas I hadn't started anything new in the two years ever since I got into bsd. Which makes it NOT a good sign#But the bsd anime has now ended for one month and 25 days and that's the last time the plot actually moved forward.#And if I counted right. The manga took 4 chapters (that is chapters 110-111) to adapt 6 minutes#That means it's going to take another 12 months (18 minutes left to adapt. that's 12 more chapters) to catch up with the anime#Yeah I'm not. sticking around this long with nothing new to see I'm sorry#Best case scenario I take a one year hiatus but that doesn't make it sound likely that I'll be back#And I know it's fresh news as early as this morning that author said they were introducing a new character but like.#They also said they finished writing this arc like. One year and half ago if I remember correctly?#And we still have yet to see the end of i t so...#That is to say. I'll probably be starting an anime rewatch starting next Wednesday. I've been meaning to do it for a while anyway#I don't want to leave the fandom I like the one chapter a month format#On the positive news I still have a queue of original posts that spans over ten months#And I was meaning to start the reblogs queue too in these days. So there's that#random rambles
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smokewars · 10 months
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im just saying i think its interesting that despite how ultimately bleak, selfish and cruel the city and its residents are - its still extremely common for people (mainly fixers) to work together. and yeah i know its because there's strength in numbers, but at the same time a lot of those people get attached to others in the offices or syndicates they work in. they celebrate together, go drinking together and some of them even fall in love with each other. despite everything, there's still love and companionship to be found in that hellish world
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boyfriendgideon · 10 months
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as yr favorite local jason todd fan sometimes i get so fed up with the apparent inability of most dc comic writers to write a class conscious narrative about him.
and yes, i know that comics are a very ephemeral and constantly evolving and self-conflicting medium.
and yes, i know they’re a profit-driven art medium created in a capitalistic society, so there are very few times where comics are going to be created solely out of the desire to authentically and carefully and deliberately represent a character and take them from one emotional narrative place to another, because dc cares about profit and sometimes playing it safe is what sells.
and yes, i know comics and other forms of art reflect and recreate the society within which they were conceived as ideas, and so the dominant societal ideas about gender and race and class and so on are going to be recreated within comics (and/or will be responded to, if the writer is particularly societally conscious).
but jesus christ. you (the writer/writers) have a working class character who has been homeless, who has lost multiple parents, who has been in close proximity to someone struggling with addiction, who has had to steal to survive, who may have (depending on your reading of several different moments across different comics created by different people) been a victim of csa, who has clearly (subtextually) struggled with his mental health, who was a victim of a violent murder, and who has an entirely distinct and unique perspective on justice that has evolved based on his lived experiences.
and instead of delving into any of that, or examining the myriad of ways that classism in the writers’ room and the editors’ room and the readers’ heads affected jason’s character to make sure you’re writing him responsibly, or giving him a plotline where his views on what justice looks like are challenged by another working class character, or allowing him to demonstrate actual autonomy and agency in deciding what relationships he wants to have with people who he loves but sees as having failed him in different ways, or thinking carefully about what his having chosen an alias that once belonged to his murderer says about his decision-making and motivations, you keep him stuck in a loop of going by the red hood, addressing crime by occupying a position of relative power that perpetuates crime & harm rather than ever getting at the root causes, and seesawing between a) agreeing with his adoptive family entirely about fighting nonlethally in ways that are often inconsistent with his apparent motivations or b) disagreeing and experiencing unnecessarily brutal and violent reactions from his adoptive father as if that kind of violence isn’t the kind of thing he experienced as a child and something bruce himself is trying to prevent jason from perpetuating. because a comic with red hood, quips, high stakes, and familial drama sells.
it doesn’t matter if it keeps jason trapped, torn between an unanswered moral and philosophical question, a collection of identities that no longer fit him, and a family that accepts him circumstantially. it doesn’t matter if jason’s characterization is so utterly inconsistent that the only way to mesh it together is to piece different aspects of different titles and plotlines together like a jigsaw. it doesn’t matter if you do a disservice to his character, because in the end you don’t want to transform him or even understand him deeply enough to identify what makes him compelling and focus on that.
and i love jason!!!!! i love him. and i think about the stories we could have, if quality and art and doing justice to the character were prioritized as much as selling a title and having a dark and brooding batfam member besides bruce just to be the black sheep character are prioritized. and i just get a little sad.
#jason todd#jason todd meta#red hood#batfam#batman#dc comics#comic analysis#classism#tw: csa mention#maybe someday half of the most intriguing and nuanced aspects of his character will be touched upon#red hood outlaw 51-52 had some cool moments wrt jason + class + hometown friends + systems of power but. that was a two issue arc#and even then it was admittedly messy#GOD i want him to be three dimensional and well rounded and well used#even if a writer wrote a fucking. filler comic for an annual or smthn exploring what jason does outside of being red hood#keep the name if u want. have him have deliberately taken the name of his killer and twisted it until ppl from his city know rh#as a protector of kids and the poor and sex workers and so on. that WORKS. but show him connecting w his community#have him get involved in mutual aid. have him do something when he’s not out as red hood at night. let us see jason & barbara interact more#or jason and steph !!!!!!!! or another positive but complicated dynamic (he has a lot of those)#i just. i think that his stagnancy makes me fucking sad. i liked some aspects of task force z. felt like it ended too soon tho#FUCK the joker lets unpack his self concept & have him be a real person outside of vigilanteism (?) and vengeance#i liked some aspects of the cheer arc in batman urban legends mostly bc he had SOME agency and bc he wasn’t completely flat#even tho i hate the retconning of robin jason being angry and moody and so on#part of the problem is we don’t see him too too often for more than semi brief appearances so im so happy to see him i’ll just accept it#love the idea of a nightwing & red hood team up comic. hate that tom taylor a) wrote it and b) gave jason that stupid ass line abt justice#u think this man trusts cops ????? or the legal system !????????? BITCH.#get jason todd into like a sociology / gender and intersectionality / feminist studies class NOWWWWW#ok im done im sleepy and going to watch nimona. thx for reading to anyone who did#PLS anyone who reads this let me know what u think im frothing at the mouth rn#wes.txt#mine
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neuxue · 9 months
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me: *slaps roof of sentence* this bad boy can fit so many subordinate clauses in it!
sentence in question: *collapses at the slightest touch like a fucking jenga tower, adverbs clattering down all over the floor, nouns lying broken and bleeding, impaled on verbs they were never meant to touch,*
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hecksupremechips · 8 days
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Come back home when you have some sense
You can throw your life away just not at my expense
You’re not the son I raised
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#jhariah#this one just rawrrfrrr#and then uh another line thats like ‘tell me did you raise a man?’#nice#im just listening to the new album to cope with nasty sickness and feeling out of it#god this album is really good it has every emotion in there like this song for example just the part where they scream the chorus its like#hnnnghhh#hm some other moments from the album im liking a lot uhhh i love re: concerns a lot#the part where hes like reading off the complaints and then the part where hes just screaming and its like BAM BAM BAM BAAAM#sasuke is so good and the bit at the end where its like ‘i just want you to know im so so...’#like hes gonna say sorry but cant seem to say the word for whatever reason and i know nothing about sasuke#but i has to imagine the fan girlies are eating gravel over that one lol it gets me#and theres just that like spooky echoing afterwards#the intro to fire4fun goes SOOOOOOOO hard i was losing my shit its awesome#the entirety of trust ceremony is giving me big feelings but specifically that part towards the end where its all quiet and you hear#its like whistling i think? like a marching band is coming in maybe#but it also kinda sounds like nature too and idk i like got a little bit um magical at that part cuz i was driving down a big hill#and it had been raining but there was a clearing in the clouds and the sun was bright and like at this particular hill#you can just see everything like the land stretches for miles theres trees hills the river farms all that shit#and idk with the extreme stress and depression ive been feeling its hard to have these moments where life seems worth it#and its hard to really feel anything anymore or to feel in the moment but idk i was just going down that hill seeing everything and it was#very majestic so yeah that song is definitely gonna have the same effect as pin eye for me#which i must mention pin eye again its still OOOOGHH very good it came at a pretty good time for me#yeah basically this album is uhhhh whats keeping me somewhat grounded rn i recommend 👍
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ahalliance · 5 months
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qsmp francophone cubitos and their dynamic drive me wild, they all know they’re mutually lying and obscuring the truth to one another, they all know they’re keeping each other at arm’s distance, they all know they’re not as open as they once were when it was just them and the aftermath of a plane crash, but the love is still there. the worry and the concern. they pry information out of one another in supposedly subtle ways that really just convey how much they still care about each other. what’s your stance on the federation. how’s your code arm doing. even if in the end you don’t turn to me, please call out to someone. maybe looking out for yourself is looking out for others as well. i don’t know you anymore but i will protect the unknown anyway
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best-enemies · 1 year
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Missy (series two, episode one: 'The Lumiat', by Lisa McMullin), Big Finish, 2020
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bpdohwhatajoy · 4 months
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BPD IS SOOOO SILLY with how quickly you can get attached to someone. Like what do you MEANNNNN I’m attached to my tattoo artist who I knew for 3 hours and got salty that he has other clients????
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screwpinecaprice · 6 months
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Got my first display tab! And the first thing I tested it with is an anime Connie sketch lol.
HUGE thank you to my supporters at Ko-fi, as that's where I got the funds. 😊😊🤗💕
Seems needed time to get used to, and I use more shortcut keys than the number of shortcut buttons on the tab; but I am already loving the it so far! My laptop, on the other hand, is not handling it too well. 😅
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chirpsythismorning · 1 year
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Anyways the milkshake theory is so real
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