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#and you can't change my mind but that's another essay
enypneon · 4 months
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just a reminder that murtagh compares the way he should approach a child to the way he'd approach horses.
... as an alternative to dragon rider, he considers being a mercenary and/or surgeon for paid employment (maybe this can be used for crossovers where dragon riders won't make much sense).
... never had someone teach him the ways of magic (properly) sure galbatorix showed him this and that but ha ☝️ you'd be a fool to believe he taught him more than was the absolute and bare minimum. sometimes he still needs to get creative for 'basic' use of magic.
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14thgalerie · 7 months
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dreamin' of him
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• pairing: theodore nott x reader
• now playing: a little death by the neighbourhood / fuck it i love you by lana del rey
• word count: 5.7k
• genre: fluff
— a part of this is inspired by this scenario i saw on tiktok, can't exactly remember it which vid it was. anyways enjoy this little random scenario that i'm pretty sure is horrible because i didn't bother to proofread it again.
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You shot right up from your sleep, limbs tangled in the sheets that had been strewn about haphazardly. The room is still as dark as it had been when you fell asleep with only the faint light of the full moon serving as your guiding light.
You drop your head onto your hands that sit on your folded knees, pressing the heels of your palm into your eyes until you can only see white. Ignoring the pain only so that you can be rid of the images that keep flashing in your mind.
It was excruciating, it played like a broken VHS record on your parents’ television back home. Every millisecond, a frame of you in such a vulnerable embrace with–
No. Y/N, stop it.
You were grappling with your sanity, feeling yourself incredulous at how such an idea came to fruition in your mind. Several nights’ on the end of this senseless, out-of-the-world dream that popped out of nowhere. The both of you hardly spoke with one another, for Merlin’s sake.
Throwing your head back, giving up on forcing the images out of your thoughts. Your head was spinning. Slamming your temple against the solid, wooden headboard behind you until you hear a ring resonating through your ears.
How did you let yourself get into this? What happened that you are being haunted— if that’s what you would even call it — by these dreams?
It’s been days of sleepless nights and you are plain tired. He must have cursed you. There was no other reason for this, right? He could be annoying when he wanted to be.
With your back resting on the headboard, you see that your dorm mates haven’t gotten back yet. Still, you remain seated as you wonder where they are, staring at the open window to your right.
“You’re the only one that can do this to me, Y/N…”
You gasp and sit straight, slapping your forehead with your open palm, trying to chase the image away. Throwing a glance at your watch that sits on the bedside table, you see that it’s only an hour and a half before you are supposed to wake up.
Exhaling loudly, you shove the blankets away from your body, feeling a warmth creep up on you. Maybe a good, cold, and long shower will distract you for good.
Grabbing a change of clothes, you head straight for the bathroom in your dorm. Now’s one of the few times you are glad that the dorms at Hogwarts have their own showers. 
Looking at the small, worn mirror above the sink, you chuckle humorlessly at how disheveled your appearance is. Anyone who sees you right now might think that your dreams are last night’s reality.
Stepping under the painful cold water, your body unconsciously jolts at the shock. 
Thinking about it makes your heart race. It gives you jitters, too. The feeling wasn't much to your liking. It was distracting. Not to mention it made you feel so... vulnerable. A shiver ran up your spine. You paused for a breath to calm your heightened nerves.
This has to end soon. You couldn’t stand another night spent thinking of him, of all people.  
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“I uh- I need to go.” You cough, clearing your throat, hands shaking slightly as you move to stand up. “I still have this essay for Potions.” 
“What- Hey wait, Y/N!” Harry reaches out, nearly missing your arms. 
“Why are you suddenly running off? It’s not due until next week?” Giving you a worried look. “Are you alright?”
“Yes, Harry. I feel extraordinarily perfect, I just- I wanna go back to my room right now.” You sigh, looking up at him. Your body remains tense under his tight grip. “So please let me go.”
Harry tries to not look disappointed, giving a quick glance back at your two other friends who watch you in silence. “Alright then, but if you need anything, you know where to find us.”
Giving him a small nod before pivoting in your heel, you walked straight to the Great Hall's large entryway. You ignored the way your skin burned with the intensity of the searing eyes that had locked onto you since its entry. 
“Why did you leave in such a hurry?” A cool voice asks from behind you. 
You freeze.
“Pardon?” You conjure up a reply, bluntly.
“Ok- what’s got your knickers in a twist?” 
“Nothing!” You reply defensively. Wanting nothing more than to be back within the confines of your dorm room.
“Alright, alright. I got it.” The cool, calm voice waves off an erratic rhythm to your heart. You continue to stare forward along the corridor, paying no mind as he circles around until there is a face attached to the voice. “I was just wondering why you skittered out of the Hall faster than when you were caught by Filch with the Weasley twins.”
Tilting your chin towards your chest, “What do you want, Nott?”
“Nothing.” He shrugged, “I was just curious, that is all.”
You scoff at the mockery clear in his tone. “Seriously, what is it? Because if you’re only here to be an annoying twat, I have better places to be.” 
You purposely bump into his shoulder as you make your way past him. Not in the mood to play along with him right now. Not when that stupid smirk of his is reeling images that you have been tirelessly trying to be rid of. Images that are the cause of your cranky attitude in the mornings.
From the corner of your eyes, you see him cock his head slightly to the right. Another thing you hate. He becomes more incessantly annoying when you are visibly annoyed by him.
“Nott.” You warn.
“What?“ He asks, amusement clear in his tone. “Am I not allowed to walk the same grounds that you do now?”
“Walk elsewhere. I am quite sure that you know of other paths from here to wherever you are to go. With your many endeavors, it’ll be stupid if you didn’t.” You murmur the latter under your breath.
“What was that?” He catches up to you, walking leisurely with his long legs. “Didn’t quite hear that last part properly.”
Before you could reply, a shout from the courtyard called both of your attention. A redhead girl from Ravenclaw was waving in your direction. You turn to look at Theodore who has now turned his sight back to you.
“I think she’s waiting for you.” You swiftly walk towards your house tower, making haste before he follows you again.
Unbeknownst to you, his stare remains fixated on you until your figure disappears around the corner. Only then does he wave back at the girl and make a quick return to the Hall where he left his friends mid-conversation. 
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 It wasn’t the last that you see of Theodore after, nor was it the last morning when you woke up groggy and irritated at the lack of sleep. It seems that since then, the both of you find yourselves orbiting each other much more often than before.
Not that you found it all disappointing. 
There were times that he was a good companion to have around— forget the hooded eyes that left you conscious every time. When he isn’t being an annoying twat, he knew how to hold a conversation with you; your lack of similarities is a good point as you were able to share things that the other didn’t know of.
But in truth, Theodore searched for you. In the boisterous chatters of students in the corridors, between the towering bookshelves of the library, through the window of the dimly lit Potions classroom where he has a clear view of Hagrid’s hut where you and your friends frequent.
He looks for you in all places, unable to help himself from an attempt to have a glimpse of you.
He did give his best efforts to tuck away his inexplainable attraction to you recently, and he wouldn’t dare admit that there is even a chance that he does. His denial was a fortress but cracks appeared within its walls with each time he talks to you.
“She’s at the Hospital Wing.” Blaise hesitatingly brings up. 
He almost jerks up from his comfortable position on the couch where he and Blaise are observers of their other friend’s drunken endeavors. But he manages to grab a hold of himself before the other notices.
“Why bother telling me?” His forced indifference is not as apathetic as he wished it to be. “I don’t care.”
“Oh shut up, Theo. I have never seen you so utterly fond of another girl like you do with her.” Blaise retracts back to what he was gonna say, “Anyways, I hear she will be a volunteer ahead of the Quidditch match this Sunday.”
He doesn’t reply, letting the words of his friend slip from one ear to another. You were interesting. He was unsure how, in the many years you’ve known one another, that you caught his eye now.
“She’s nice, not unlike some of her friends at Gryffindor.” Blaise continues with his taunting, eager to see a reaction from Theo. “Even managed to convince me to be her partner for Herbology.”
Theo makes a noise in a mix between a scoff and a chuckle. “From the sound of how you speak of her, it’s like you’re the one that has caught butterflies.”
Blaise simply hums, nodding to himself. “Maybe.”
Not another word slips from him again. The silence of his relinquishment makes Theo’s heart skip a nervous beat. Blaise never gives up that easily.  
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“Hello there.” A voice makes you look up from your book which you have been drowned in since hours ago. To your surprise, it was Blaise. 
“What are you doing here?” You ask. Curious why he had so suddenly appeared beside you while you were studying. You scour your brain, trying to remember if you had a project with him that ultimately passed by you.
“Go to Hogsmeade with me later.” Blaise blurts out while you gather your books that are scattered along the table. 
“Huh?” You look up at him with wide eyes. You give out a confused laugh. Maybe you didn’t understand him, right? “Did I hear you right? Hogsmeade? The two of us?”
“Well, don’t make it sound like it’s such an atrocious thing.” He makes a sound of mock offense; even making the choice to put a hand above his chest. To which you vehemently shake your head.
“Gosh no! It’s just-“ You trail off. “Why all of a sudden?”
“Nothing at all…” He shrugs, but that look on his face tells you entirely different. The mischievous expression that is ever so slightly slipping through. “Just wanted to hang out with a good friend of mine.”
You look at him with a confused frown, unsure of what he’s doing. “Since when were we good friends? Last I checked we only talked every now and then and it was really only just for projects.”
“Just come with me, will you?” 
“No.” You shake your head to further make your point. “Tell me why first and maybe I’ll consider.”
Blaise sighs, giving up. He had expected that you would not be giving in so easily to his request, after all, you weren’t really that close. But he still thought that it was worth the try, he is tired of Theo acting like he’s better than his emotions. He decides to tell you.
Well… somewhat.
“Alright, lady. I want to make a friend of mine jealous.” You hummed, listening intently. Wondering why he chose you to do it. “Also, because you’re the only person that I genuinely enjoy hanging with from other houses.”
“Will you tell me who’s the friend?” You ask.
“No.” He quickly replies, “But Y/N…I’ll treat you with anything you want at the Three Broomsticks or wherever else. Just please.” He draws out the please, adding hints or really a dump load of sweetness to it to charm you.
You think for a second more before finally giving him a nod. “Ok, but you’ll have to come with me to Honeydukes. Payback for doing whatever it is you’re planning.”
“You can have whatever you want. I’ll wait for you by the Fat Lady.” Blaise tells you before walking off with a huge grin on his face. 
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“Y/N?”
And when you turned your head, a surprised Blaize looked at you with a smile, apparently he had just been in mid-conversation with a fellow Slytherin as he hung about the entrance.
He whistled as he wasted no time approaching you, waving a curt goodbye to his previous companion. 
“Remind me why you never wear clothes other than your uniform?” He asks, his eyes unabashedly trailing over you. Though not in a predatory way that leaves you uncomfortable.
“Because it’s a hassle having to think of an outfit when I could just put a uniform on and call it a day.”
He hums, nodding as he thought about it.
“Well you look good in your non-school clothes, you should wear them more often.” He suggests, although he quickly amends it. “Not that I’m saying you don’t look great normally, it’s just nice to see how you would personally choose the clothes you wear. It kind of reflects a lot of your personality more.”
The two of you make no rush as you travel to Hogsmeade along with the other students, chuckling at the eager third-years who are freely roaming around. Engaging in small talk all the way. 
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“What’s got you in such a sour mood?” You rolled your eyes at Theo, who has done nothing but glare at Blaise who sits beside you with such harsh blinding venom. “If all you plan to do here is to murder Blaise in a million ways inside your mind, then please do it some other time.”
The man beside you couldn’t help the amused choke that escapes him as he sips his glass of Butterbeer.
Theo finally breaks his lone stare down and shifts his attention to you. “Since when did you two hang about by yourselves?”
“We always have-“ Blaise starts to explain but he is cut off by a kick to his shin that makes his knee jerk up and hit the table. 
“I wasn’t talking to you.”
His eyes remained fixated on you still, a medley of emotions behind them that you couldn’t exactly pinpoint. 
“Well, Y/N? I’m waiting for you here.” He impatiently asks. “Are you two on a date?”
“Theo, if you think that we are, then why did you even come here?” You roll your eyes at whatever antics that the both of them are trying. Not realising that you called him by his nickname, usually reserved for his close friends.
“Well-“ He stammered, unable to explain why exactly did he approach you all of a sudden. “Blaise doesn’t have that good of a reputation with girls and I wanted to make sure he’s not trying anything with you.”
Blaise clears his throat in an attempt to remind his friend that he is still sitting at the table, clearly within earshot of whatever slander he’s being put to.
“I can hardly think of a reason why you would if he does, but we were just having a conversation as friends, Theo.” You finally answer. “Is it that much of a surprise that I tolerate one of you?”
“He wants it to be him.” The man beside you mutters under his breath which you ignore, thinking it is only a jab.
Theo once again kicks Blaise under the table, making the latter swear under his breath.
While the two of them bicker like they are some man-child, you spot Hermione and the rest of your friends coming in through a tiny door and sitting at a table by the staircase. You scoot over until you are out of the seat, glad that you chose to sit at the open end of the table, without making a noise.
You make quick haste to transfer to your friends' table without garnering attention from the two Slytherin boys.
“Hide me.” You drop your heavy body on the seat beside Harry, trying your best to hunch over his relatively short upper body. 
The three instead laugh at your obvious demise, Ron not even trying to hide his amusement with such a burst of boisterous laughter. Unlike you, the three had noticed how Theodore Nott had been seen beside you much more often than necessary. At first, it was nothing that they really paid attention to, but when you told them of your otherwise eventful dreams…they began to have other thoughts.
It was clear that both of you were attracted to one another except for yourselves. And it’s been a hilarious sight to be an audience to but they are beginning to tire of your constant zoning off when the other is in your peripheral.
“What even is with you and Blaise coming to Hogsmeade together?” Ron asks. “I thought you liked Nott.”
You exhaled in exasperation, “How many times do I have to tell you that I don’t like him.” Gritting your teeth and clenching your jaw at the blatant teasing. “I am seriously beginning to regret telling you about my dreams.”
You watch as Harry stands to grab drinks for the rest of you guys, trying to explain why you came here. Not forgetting to mention how Theo had suddenly the conversation you’ve been having with Blaise. 
You were shocked to find that the both of you actually shared a lot of the same interests in various aspects; books, music, values, name it all. So despite your previous disinclination to agree with his idea that you would get along well, you thoroughly enjoyed the short time that you spent alone. 
His genuine interest in the many muggle creations that you’ve mentioned has made you all giddy. Telling him of all and everything that he must try, making a mental note to give him some things that you have in your dorm.
On the other end, Blaise shared a few of his interests with you— though it was only very few, given that the wizarding world does not really pay much attention to those kinds of things, especially the purebloods. 
“So just because he bribed you with anything you want from Honeydukes, you agreed? Y/N!” Hermione exclaims, to which you only answer her with wide eyes. 
“What?” You ask, furrowing your eyebrows at the bewildered expression on her face. 
“You’ve been to Hogwarts for how many years now and yet you have no idea what going to Hogsmeade with only one person insinuates?”
“Uh- What?”
“That you two are going on a date of course?” She practically scolds you. Maybe you shouldn’t laugh at Ron anymore when she becomes like this. It's no joke that it feels like you could be the stupidest person on the planet.
“We’re only friends, for Merlin’s sake! Well, we became friends today.” You roll your eyes. “It’s not my fault that is what might people think.”
Harry and Ron look at each other with more than amused grins on their faces.
“I think I finally know why Nott was practically making the snow melt under his feet earlier,” Ron remarks. To which you give him a confused look, unsure what he meant.
“What?”
“Well, before we came in here, we saw Nott almost stomp his way to here. I swear that I actually saw steam coming out of his ears.” Ron exaggeratingly shares, taking a sip out of his pint glass. “I thought he was about to burn this place down to ashes with how he looked so mad.”
That explains why he’s being more moody than usual.
“What’s that got to do with Blaise and I?” You finally ask the question that’s been brewing in you since he mentioned it.
But the only response you get is a look of disbelief from all three of them. Each one just about screaming “Are you being serious?” without saying anything.
“Are you truly that dense Y/N?” Harry asks, his hand reaching out to pat you on the shoulder.
You push him off, glaring at him. “No, but seriously what do you mean?”
“Even Harry and Ron, oblivious as they come, recognise that Nott has some kind of interest in you.” Hermione explains, “I don’t even know if he realised it himself but the two of you are oozing love hearts everywhere you go. It’s torture to see how you both ignore it.”
You're left dumbfounded, feeling her cheeks flush with embarrassment at the mere suggestion. Your thoughts racing as you consider Hermione's words. Theodore Nott, the mysterious and enigmatic Slytherin, having an interest in you? It was a revelation that sent your mind reeling, and you couldn't help but wonder if you had been completely oblivious to his feelings all along.
No. That’s just… wrong. This had to be another one of their pranks again. Ever since you confided in them of your dreams, they’ve been ceaselessly teasing you with Theo. Yeah, this must be it.
You chose to respond in a haughty tone, in an attempt to mask her flustered feelings. “Gosh, if this is what spurs in your minds when I tell you about my struggles at night, then I’d rather just keep them to myself from now on. Find something else to speculate about.” 
Unbeknownst to you, while you were so flustered trying to deny anything and everything they say of you and Theo, Harry, Ron, and Hermione had mentally orchestrated a plan. Harry subtly made a signal to the other two to play along as he saw Theo stand up from his heated conversation with Blaise to approach you four.
With sly smiles quickly masked, they leaned in closer to you and feigned curiosity. 
“Alright then,” Ron begins, “But I heard from Hermione that you had another dream last night. Is it as juicy as last time?” 
Harry chimed in, his eyebrows raised suggestively. “Yes, please spill the details. We’re all ears.”
Caught off guard by their sudden and out-of-place interest.  “I said that I’m never telling you of anything again. And it's not juicy! Please don't ever use that word ever again.” You never wanted to divulge anything related to your rather steamy dreams again to your friends. 
“This is the last time, we promise! And we promise to not annoy you any more with Nott.” Hermione exclaims though you reach out to slap her on her arm at how loudly she said it. Looking around the bustling crowd to see if anyone heard it, confused when you see Blaise sitting with somebody else now, probably some friends from Slytherin, Theo nowhere in sight.
Little did she know that Theo had indeed overheard their conversation and as he was slowly nearing their table, curiosity piqued as he heard his name. He slowed in his steps, waiting to hear more.
Your face turned an even deeper shade of crimson as you think back to last night, a bit different— a whole lot different. The dream had left you truly confused because it was nothing like the otherwise steamy ones you had. It was unsettlingly normal, and it has left you with a sense of unease that left you unable to sleep properly, terrified at what this means.
 You cleared your throat, trying to maintain some semblance of composure. "Well, it was just a, you know, like the ones I told you. Nothing too different. I still hate it."
Hermione's eyes sparkled with mischief as she leaned in, feigning innocence. "From the look on your face, it seems to be different. Tell us about it, pretty please."
You hesitated but then began to describe the dream in the most vague and unassuming way possible, but you knew no matter what you said, they would use this to tease you endlessly. "Alright, alright. So, in the dream, I was in the Black Lake, and there was a gentle, warm breeze. I was walking with someone, and it was peaceful. It was like…everything is normal. No war, no problems, no animosity, just us walking like any normal person.”
Harry and Ron exchanged knowing glances, while Hermione continued to prod gently. "And who were you walking with, Y/N?"
Your gaze darted around the table, avoiding eye contact. Not seeing how their eyes slightly shifted behind you. "Well, it was just someone... you know, a dream version of someone I know. Like you don’t know already."
Hermione shook her head, “Yeah but this is different, so it must be somebody else right?”
“Hermione…It’s Theo, who else.” 
"Y/N…" You hear a voice behind you call out in a low tone, with a thread of voice. 
Your eyes widen, filled to the brim with alertness and humiliation. Your mother was right, one day this mouth will get you in trouble— not that it hasn’t been proven countless times before— but now nothing made you want to become more one with the ground than this moment.
You swallow hard and turn around, instantly the mortification in your features becomes tenfold. There it is— the stupid, bloody smirk that is always present on his stupid, pretty face when he has caught you red-handed. 
“Don’t.” You warn.
He leans his entire weight back on the wooden post behind him, staring down at you with a look of satisfaction, unapologetically reveling in your obvious embarrassment.
“Oh, but I must.” He drawls, his eyes gleaming with mischief.
Your frustration surges as you fold your arms, attempting to salvage a shred of dignity in this awkward moment. You give him a glare before turning back front facing to the table.
“You are truly insufferable, you know that?”
Without even being able to see it, you already know that his grin widens at your reply. “Guilty, I’m afraid.”
Theo pushed himself off the wooden post and sauntered closer to where you were sitting, making your heart stutter. The playful glint in his eyes brings forth an image that you would rather not see right now.
"But what's the fun in letting you off the hook so easily? It’s not every day that I find out somebody has been kept awake all night because of me."
You could only continue to cast a withering look at him as you shook your head. "You just love tormenting me, don't you?"
He sits down on the seat next to you, ignoring the other occupants who have reserved to remain quiet. Truly enjoying the show that you, unfortunately, are the star of. He inches closer to you until you can almost feel your eyelashes flutter at his breath.
“Only because I quite enjoy how flustered you can be.” He admits softly, and in that moment the playful teasing in his voice gives way to something else.
A different kind of tension. 
Not one that you would like to be a part of.
“Well, that would be the last of it.” 
Theo and your friends are left bewildered when you suddenly stand and disappear among the group of rowdy students.
His eyebrows furrow and his gleaming expression turns into one of confusion and a hint of hurt and disappointment. “What just happened?”
When he finally turns to look at your friends, all they do is share uneasy glances with each other. They were unsure of how to respond to Theo’s question when they could hardly comprehend what had only occurred.
Hermione opens her mouth to say something but closes it once more when the words in her mind are a jumble.
“Astronomy Tower.” He hears someone say. His cerulean blue eyes that somehow turned grey shifted to the bespectacled boy sitting a chair away from him. “Go.” 
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“Why did you run off?” You ignore the voice that shatters the silence. The bristles of the wind brush against your clothes. Your head thrumming as the sound of your shoes clicking against the concrete permeates into the air. 
He calls you by your name with a gentleness that sends tingles down your spine. But yet again, you ignore him. Choosing to stare intently at the rust that forms by the railing in front of you, the complex chemical reaction is seemingly more interesting to you now. 
“Y/N please…I don't know what’s going on your mind right now but we need to talk.” He moves to stand next to you, placing his arms on the barrier. “I will say it, no matter if you want to listen or not. We clearly have feelings for each other.”
You want to say that you are surprised that he is being so straightforward right now, but it’s evident that someone had to stop whatever dance the both of you had been playing at for the past month already. 
 “And that’s confirmed by what I heard earlier.” He chuckles in an attempt to lighten up the mood. “Gods, I hate you so much.”
“Your dreams say otherwise.” He continues with his teasing.
“Stop it. As if you’re any better with how you acted with Blaise earlier.” You hit him back. “Blaise is an annoying ass who meddles in my business way more often than necessary. But I guess he did one thing right.”
“What?” You ask, turning your body to lean on the railing, facing him.
“He kept bothering me about you, and I guess he got tired and decided to make a move leading us to this moment.” 
“He can be pretty persuasive when he wants to be." You agree. Silence befalling after.
“Gods, I don’t know what happened but it’s you.” He breathes heavily.  
A laugh escapes your chest, “If somebody came to us two months ago and told us that we’d be acting like this, I would think they’re mental.”
Theo grins at you, making you giggle to see the little fang on the corner of his mouth. He places his hands on your cheeks and cradles your face, making a move to press his forehead to yours as he nears.
The vivid, flashing images of Theo from your dreams doesn’t hold a candle to the real thing. The skin under his touch tingled and it made you itch to reach out with your fingertips, feeling as if you would crumble beneath his hands.
You pull away to stare up at him. The cold that typically veils over his eyes are gone as they reciprocate your stare with an even warmer touch. Every nerve ends in you lighting up with a golden electricity.
Theo opened his mouth, closed it again, opened it once more, and then shut it, apparently struggling to remember how to talk.
So, he decided that actions seem to be your thing anyways, as the two of you are quite horrible at talking.
Carefully, almost as if he’s never done it before, Theo leans forward and presses his lips against yours so gently. All you can think about is him even as you respond to his kiss, melting against the touch. 
He pressed himself into you, attempting to tangle your bodies together. He wants to feel every inch of you against his skin, willing the gods to let you be one. Hell, he wanted to climb into your ribcage and possibly live out the rest of his days inside your heart.
You gasp as his hands creep under your shirt and trail along your lower back, though he doesn’t wander. He takes this as an opportunity to slip his tongue inside your mouth, exploring eagerly.
You tilt forward, answering his devotion with an equal eagerness. In your distraction, your hands slide from their hold on his shirt and travel until your fingertips meet behind his nape.
This goes for a while before a sudden splash from the waters below you makes you jump apart, though still very much physically attached. His arms were still tightly wound around your waist.
“I think that’s a sign we should stop for now.”
“Yeah, definitely.”
Laughter met in the air between you—sweet, short, intertwined. Although you would like to have another one of your dreams to come true, you want to take it slow. The idea that he thought of you as you did to him has still not truly sunk into your mind.
Even now as he leans his face slightly towards yours again and begins to leave soft, tender kisses all over your cheek, making butterflies appear in your stomach.
“Gods, I just realised something.” You laugh all of a sudden, making him stand up straight to look at you curiously. “What is it?”
“I just made Ron win a bet for the first time since we all became friends.”
“What do you mean?”
“Well, he was the first person to tease me about these stupid dreams–”
“Excuse me, I rather think it’s not.” He interrupts playfully raising an eyebrow. “Shush.”
“Anyways,” You continue, “Harry and Hermione initially thought it was nothing and that it probably would stop after a while— obviously not. So Ron set a bet that I’ll end up having feelings for you or we’ll end up together.”
He chuckles, his eyes glinting with amusement. “I’m still surprised they didn’t hate the idea. With us being in literal houses that hate each other.”  
“They’re only annoyed at some of you, honestly. The ones that perpetuate the ‘Slytherin’ motto too much.” 
"Plus," he continued, the joking tone in his voice fading a bit, "even if they did have complaints, I would have ignored every single one and still pursued you."
“As if! You stormed to Hogsmeade just to interrupt our ‘date’ and you wouldn’t even admit it. If it weren’t for what our friends did, we wouldn’t be having this conversation right now.”
“Let me pretend, for goodness’ sake woman!”
His playful exasperation brought a genuine smile to your face, and for a moment, the world around you seemed to fade as you got lost in the playful banter you're used to with him.
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Is there hope in us, still? (is there something worth believing in?)
let me wrap my teeth around the world - series masterlist here
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pairing: poly marauders x reader (gender neutral)
length: 1.4k
genre: fluff, kinda angsty
warnings: slytherin reader, the good good post summer break mental illness, everybody's having some issues here, there will be a pt.2 next week to give it a happy happy ending but this isn't so bad, it has a hopeful ending on its own
a/n: wowie another one lol hope y'all enjoy <3
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Sirius is hollow when he gets back from summer break - quiet and petulant in a way that doesn't suit him anymore, snapping at his peers and pulling away from people's touch. You can't blame him. Especially not when you're feeling the same. You're not quite as showy about it as he is, that constant, underlying desperation to keep it all hidden burning under your skin. Sirius's suffering is loud - loud enough that you always hope it will drown out yours. It never really does, as far as the other two are concerned. 
He shoves towards the door when class ends, likely stalking back to his dorm to hole up for the rest of the evening. James sighs, a hand on Remus' shoulder comfortingly as the boy stares at the doorway where Sirius just was, his brow furrowed in that worried way that he's mastered. 
"We're going to do some studying together in the common room later… see if maybe Pads feels like joining. You're always welcome to come along with us…?" James asks in that gentle way of his, patiently hopeful. You busy yourself with gathering up your books, knowing that if you look at him, you'll crumble. There is love in the way he looks at you, despite everything. You're sure that, if you take notice of it, it would be enough to condemn you these days.
"I'm going to do some work alone tonight," you say shortly, brushing past the two of them. Remus catches your arm as you try to leave, fingers wrapping around your wrist ever so gently. But when you pause, he lets go of you abruptly, like there's something wrong with his touch against yours. This is the beginning, you think. This is where I start to lose you. 
"If you change your mind…" he begins softly. You nod stiffly.
"I'll let you know." James and Remus watch as you leave swiftly, Remus rubbing the palm of his hand against his thigh, as if trying to take back the contact he'd already made with your wrist. This is where it starts, he thinks. This is where you begin to realize that I'm better when I'm left behind.
Remus has to stop himself from startling later that night when he's woken up by a cold hand shaking his shoulder. You hadn't come to study with them that evening, which wasn't surprising, but it hurt something in Remus. James, especially, had deflated, his eyes dull and his hands fidgety while he tried desperately to finish his essay, his thoughts wandering to Sirius and the dark circles under his eyes, the paleness of his skin - and then to you, to the stubborn set of your jaw and the hard look in your eyes. Looking down at his own hands, he wonders what worth they have if he can't even save the people he loves.
Needless to say, the last thing Remus was expecting was to have you in his dorm in the middle of the night, one of Sirius's sweaters shoved hastily over your pajamas as you shook him awake. You place a finger over his lips when he wakes abruptly, climbing up next to him without so much as a word as he fumbles to find his wand on his nightstand, casting a silencing spell over the four-poster bed.
"What's going on, dove?" he asks, his hands itching to hold your face, to smooth his thumbs over the skin of your cheeks and soothe you in some way. But he resists - you're here, in his bed, looking at him like you need him, and the last thing he wants is to overwhelm you and have you scared away. The last thing he can bear to do is put his hands on you, his scars glinting against unblemished skin -  something ruined touching something holy.
"I just… couldn't sleep. I'm not - I haven't been sleeping well these days," you respond, and Remus is sure that if he could see you clearly, if he weren't squinting at you through the dark, you'd be shying away, face tilted away from his eyes, away from any kind of vulnerability.
"Well," he says carefully, reaching out to put a hand on your knee. You don't pull away, to his relief. In fact, you relax a bit into it, letting your posture slouch. "Stay here then, yea?" Much to Remus's delight, that's all it really takes for you to move forward, pulling the blankets back to settle underneath them. He joins you, of course, settling in next to you and letting you decide how much - or how little space to leave between your bodies.
When you reach your hand over, cupping his cheek in your palm and smoothing your thumb over the skin there, he feels a part of him melt in the relief of it, a part of him that didn't realize quite how much he'd missed your touch - your love. He cups his hand over yours, tilting his head to press a series of kisses across your palm. When you continue to let him, sagging further into the pillows, he keeps going, trailing kisses up and down each finger and finishing with your thumb. 
It's then that you pull him closer, tilting your own face up to place your own gentle kiss to his lips before thumping your head against his chest. He lets you, of course, keeping his hand tangled up with yours while the other wraps around you. Before you can sleep, though, he leans close to whisper near your ear.
"James has been wondering where the invisibility cloak disappeared to. I'm sure he'll be pleased to know you're the one who ran off with it." You can't help but smile at his words, your face still pressed against his chest.
"You have so little faith in me, Rem. Not everyone needs the cloak to sneak around in this castle."
"But you did steal it, didn't you?'
"…I'll give it back to him later." Remus huffs out a quiet laugh at your confession, pulling you closer and pressing a kiss to the crown of your head.
"You know he doesn't mind," he soothes. You squeeze his hand in thanks where your fingers are still interlocked.
"Goodnight, Rem… and thank you for this."
"No need to thank me, love. I don't mind at all."
Something clatters to the floor on the other side of the locked bathroom floor and Remus frowns, staring at it like he can burn a hole big enough to see Sirius on the other side - to make sure he's ok. James drapes himself over Remus's back where they're sitting on James's bed together, his arms wrapping tightly around his waist. Remus lets him, leaning back against him and feeling James sigh at the weight of it, a bit of tension draining from him.
"Were they really here last night? They really came and spoke with you?" James says, his face buried in Remus's neck, a desperate sort of lilt to his voice. Tell me there is hope, he thinks. Tell me I can fix this, still.
"You saw the note they left, love," Remus lets his eyes settle on his nightstand where you'd left the invisibility cloak, a note folded on top with a simple thank you written in it, a heart scrawled next to it that he recognized as yours. The whole thing almost made up for the fact that, by the time Remus had woken up, you'd already been gone.
"Do you think… things will be better now? At least a bit? Were things better last night?" James asks, his arms tightening around Remus's waist. Remus, in an act of reassurance, wraps his fingers around one of James's hands and squeezes gently as Sirius stalks out of the bathroom, slamming the door behind him and stomping away.
"I do think things are getting better. It's… slower than you and I would like, I know. But all we can is love them - and that, my dear Prongs, I know you can do." James grumbles something unintelligible at the compliment, his face still hidden from view. Remus is sure that, if he could see it, he'd be greeted by the flushed red of James's cheeks. He settles for bringing one of his hands up to press kisses across it, instead, content to bring a bit of hope back to the person he loves - to do something good with this body of his. 
There is hope, he thinks, in this love they all share. There is something here to fight for, still.
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slutforln4 · 9 months
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libertine — joel miller.
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synopsis. you've been having sexual fantasies about the substitute professor at your college. when the opportunity to get a better mark on a shitty essay you wrote arises, you take it. quite literally take it.
pairing. professor!joel x student!reader/fem!reader
warnings. smut, a smidge of fluff at the end, masturbation in a public bathroom, joel's got a southern accent that i tried to make obvious in the fic (if it's crappy, 'm sorry), oral (m receiving), unprotected piv, inexperienced and virgin reader, age gap (reader is in their early 20s and joel's in his late 40s), dom/sub dynamics praise kink, dirty talk. idk what else there is...
goes without saying but this is 18+, MDNI. i'm not responsible for what typa media you consume, but beware for your own good.
word count. 2.6k
author's note. i haven't written smut before so here's my shot at the self-indulgent professor!joel hc that i have... hope you enjoy ❤️ part two in the makings if this does well!!
Classic literature didn't come easy to you, but fucking your professor did.
It started off as every normal day at college did— you flow through your entire schedule, some free time here and there, during which you manage to take a nap or catch up on missing assignments, and at the end of almost every day, you were met with the class you hated, but also loved, the most… Classic literature.
The class itself is fairly easy. All you had to do was read some novels, write essays based on topics from said novels and also write a thorough analysis of it. Easy stuff. But you struggled with the essay writing, it just wasn't your thing.
However, you can't say that you didn't enjoy the class. The most interesting part of it being that substitute professor, Mr. Miller, that just transferred in. Him and that Texan accent of his, those deep, brown eyes, that salt-and-pepper hair trailing down his jaw, those luscious thighs and whatever's hiding behind the zipper of his jeans… You can't stop thinking about it.
It’s been occupying your mind for however long he's been working at your college, and you can't help but have those thoughts when it comes to him. From the way he looks, down to the way he talks about love, he’s attractive inside and out. The way he talks about women, though, was the thing that caught your attention the most. He speaks so highly of them that it almost seems like he worships them, which makes you want to fuck him all the more.
The day you decided to put your mind to rest and have your body do the work, Mr. Miller had put up another assignment.
You dreadfully open up your email at the beginning of class, and groan when the body of it reads “Essay about the importance of expressing love in current youth based on your analysis of Romeo and Juliet due next week Thursday, midnight.”
Turning off your phone, you assert your attention back to your professor. He stood there, in his suit and all, looking more delicious than ever as he reminded your class to check their emails. The stern tone in his voice made your insides flutter, and the way he held onto his waist… God, you can't help but rub your thighs together to hide the throbbing between your legs, already feeling the wetness in your panties.
“Alright, pull out ya laptops and open up that website I told y’all about,” Mr. Miller says, and you’re the first one to obey his order. He gives you a look and when your eyes lock with his, he smiles at you. “As I already mentioned in the emails, we’ll be readin’ and analysin’ Shakespeare’s Romeo and Juliet.”
The more he spoke, the less you could pay attention. Your eyes travelled all over his face, his chest, down to his crotch. Even without a hard-on, there was an imprint in his dress pants. Mr. Miller was the type to speak with his hands, resulting in you ogling at the way his fingers move in the air.
Mr. Miller begins talking about how love is portrayed in the tragedy, his tone changing with each point he makes. You stare at his lips, silently wishing they were on your body, somewhere. Anywhere would be fine as long as all his attention was on you. On all the parts that long for his touch.
You try your best to focus on what he’s saying, writing down what you need to remember. Your thighs are clenching together again when Mr.Miller scratches the back of his head, his bicep visible through the sleeve of his jacket. That’s about as much as you can take.
You hesitantly get up from your seat, mumbling a quiet “excuse me” as you walk out through the doors. It must've looked weird, since you ran out the door in such a rush, but you didn't care. Your main concern was finding a bathroom before all the thoughts about your professor fucking you into oblivion could make you cum on the spot.
You hurry past all the staff that are scattered across the halls and barge into the women’s bathroom. It's quiet and you’re sure you're alone, but you still check. “Hello?” No response. You hurry yourself into a stall and lock the door.
You don't even lift the toilet seat when you sit down on it, your skirt and panties on the floor. You spread your legs and put your fingers into a V shape, spreading your lips open. Using your other hand, you gather some of the arousal that’s been leaking out of you for the past twenty minutes and use it to coat your clit as your finger slowly rubs circles on it.
"That’s it,” you can almost hear Mr. Miller talking in your ear. “That’s my girl.”
“Fuck,” you mumble to yourself, feeling yourself getting more horny with the flood of thoughts that won't stop. Your finger rubs circles on your clit, increasing the pressure from time to time. Subconsciously, your hand unbuttons the shirt you’re wearing to reveal your bare chest and begins twirling your hard nipple. You imagine it's his hands, that he’s the one pleasuring you. Your finger’s now working at a pace you can't keep up with, quietly moaning out your professors last name when you use the hand that was rubbing your clit to finger yourself.
One finger in and you’re already gasping at the image on the back of your eyelids. You’re imagining it's his fingers in you, his cock in his other hand as he jerks himself off. You put a second finger in and start thrusting it in and out, when the image changes to his hips clashing into yours as his dick hits spots your fingers could only dream of. Your hips jolt against your fingers at the image of his veiny cock so vividly throbbing in your imagination.
You bring your other hand down to your clit, rubbing the throbbing nub once again. “Fuck,” you whimper as you feel your climax nearing. Your fingers curl inside you, and you’re about to let go.
“Attagirl,” the voice in the back of your head says and that’s the last push for you to cum all over your own fingers, your juices leaking out onto the toilet seat. You continue rubbing your clit until your climax wears off.
When you’re back in the classroom, everyone's already left, only Mr. Miller’s sat at his desk, typing away. His eyes look up at you when you enter through the door. “Oh, hey. I kept your stuff safe, since ya left in such a rush.” A comforting smile decorates his face. He’s so considerate it makes your clit throb again.
“Uh, thank you, sir.” You mumble shyly, packing your stuff into your bag and getting ready to leave. Mr. Miller’s eyes are on you when you turn back towards him.
He clears his throat. “I also wanted to speak to ya ‘bout somethin’.”
“Oh,” you nod. “Alright, what is it?”
“Listen, sweetheart. Y’know the last essay I assigned you to write?” He asks, eyebrows raised in question. You bite your bottom lip as you think back on what the last assignment was. When you remember, you nod. “Alright, well… You didn't do too good on it.”
“I know,” you laugh awkwardly, trying to hide the shame you feel. “It wasn't my finest work.”
“Yeah.” He laughs with you in an attempt to ease the situation. “But, uh. You can rewrite it and I’ll raise your mark. Whaddya say?”
You think it over for a moment, before shaking your head. “I think I could…” You’re not sure where this confidence is coming from, but you’re suddenly approaching him. “Get my mark up another way…” Your eyes glance down at his crotch and you bite your lip. When Mr. Miller realises what you’re insinuating, he shakes his head, but his eyes say different.
“Honey, it goes against teacher-student policy, you know that.” He reminds you, but you’re already on your knees in front of him and under his desk, batting your long eyelashes at him to get your way. His bulge grows right in front of your face and you don't think anymore, you just do. Your fingers are unclasping his belt, unzipping his pants and pulling them down. “Sweetheart-” he gets cut off by his dick springing up after you pull his boxers down, precum already leaking out of it. “Fuck.”
You look at him, not sure of what to do. You’ve never sucked a dick before, and the one in front of you would surely end up somehow fucking up your throat. You contemplate just sitting down on it, riding it like you did to your pillow when you woke up from a wet dream about him. That is, until he speaks. “You gonna stare at it or suck it like you wanted to?”
The tone in his voice changed from formal and sweet to deep and dominant, and you’re wet again from just the sound of it. “I’ve never, uh… done this before.”
Mr. Miller nods his head towards you. “Put your lips on the tip,” you do as told, your lips wrapping around the tip of his cock. “Just like that,” he says, his voice wavering. “Now put it in your mouth,” you hesitate to do so, instead wrapping your fingers around the base of his large cock. “Don't be shy, you want your mark up, don't ya?”
You nod, slowly opening your mouth to put more of his cock in. When it hits the back of your throat, you gag a bit. “Breathe through your nose, babygirl.” You do as told and the gagging goes away. “Now, slowly bob your head up and down. Yeah, just- just like that, fuck.” You're bobbing your head up and down on his dick, your fingers working at the base of it. His hips buckle and his dick thrusts deeper in your throat. A moan rumbles in your throat and vibrates on Mr. Miller’s dick, and he has to refrain himself from shoving his whole dick down your throat.
“Fuck, just like that,” he moans. “Good girl.” The praise makes you that much more wet, and you moan against his dick again.
Suddenly, the door swings open and Mr. Miller sits up, looking at whoever entered his classroom. Your mouth doesn't leave his cock, you simply thrust it in your mouth harder, using your tongue to caress his shaft. “Good evening,” he greets the janitor who came in to clean the classroom. “I, uh, I still got some,” Mr. Miller balls his fingers into a fist as he holds back a moan, trying his best to focus on the conversation with your mouth still sucking him off. “I’m still workin’, gimme thirty more minutes.”
The door closes behind the janitor and Mr. Miller leans back against his chair, his eyes half-lidded and looking down at you. He feels his orgasm nearing when you begin pumping the base of his cock again, along with thrusting his dick into your mouth. “I’ll be cummin’ in your mouth if you don't pull away right now, sweetheart.”
Your mouth leaves his cock, but your fingers still jerk him off. A deep moan leaves his lips as a string of hot cum shoots out in loads onto your clothed chest and neck. You’re still pumping his dick when he motions for you to get up. You stand up from under his desk and he’s immediately pulling you closer to himself. You're sat on his lap, dick still hard and rubbing on your belly as his lips connect with yours. He can still taste himself in your mouth and he smirks at that.
His hands are on your knees, but with each kiss, they inch closer and closer to where you need him the most. When he reaches the wet spot on your panties, he grins against your mouth. “So ready for me, hm?”
You nod, whimpering at the soft contact of his finger to your clothed clit. “Yes, Mr. Miller, please-”
“Call me Joel,” he mumbles as his fingers wrap around the waistband of your panties and tug them off of you. He slowly grabs you by the waist and aligns his cock with your dripping cunt.
“Wait-” you pause kissing him when you feel the tip brushing up against your folds. “I haven't- Y’know…”
Joel smirks. “You a virgin, baby?” You nod, slowly. “I’ll take care of ya, I promise.” You feel his finger rub over your hole, gathering some of your slick to rub it on his dick.
His hands slowly lower your waist down, his cock slipping past your folds with ease and you gasp at the feeling of him filling you up. It’s everything you’ve been dreaming of. He’s so big that it feels like you’re being split open. “You okay?” He asks you with a kiss to your collarbone. You nod, your bottom lip between your teeth and hands tightly gripping onto his shoulders. “Good, ‘cause this ain't all of it yet,” he says, voice low and taunting, before lowering you all the way down. You whimper as you feel his cock brush against your cervix.
“Fuck,” you whisper, leaning up to kiss his lips as you adjust to the size of him. Joel just holds you there, not moving you until you’re ready. His fingers find your throbbing clit and start rubbing it, your lips still connected. “Mmh,” you moan, your hips jolting towards his fingers and moving his dick deeper inside of you.
You begin pushing yourself up and slipping back down, a string of moans leaving your lips. “Attagirl.”
You’re riding his cock, feeling each and every inch of him filling up your insides. You can feel every throb of his veins pulsing inside of you and you catch all his moans with your lips. His hands are gripping your hips, pulling you down with more force. The classroom is filled with sounds of skin clashing on skin. You’re moaning and whimpering, his cock threatening to tip you over the edge. “I’m… I-” you can't even speak.
“You what, baby?” He asks, his thumbs digging into your hips with the intensity of your thrusts. “You gonna cum for me? You gon’ be a good girl and cum all on my dick?” You can't manage to speak so you nod, tears spilling from your eyes as you feel your climax approaching.
He’s thrusting up at you, now, his climax approaching him again. You're a moaning and whimpering mess, begging him to make you cum with the broken words you’re mumbling. “Ple- Please… Fu-uck, Joel…”
“Let go for me,” he coaxes, his lips right by your ear. “I got you, pretty girl.”
With a loud moan, you’re cumming all over his dick and you feel his hot liquid fill up your insides with a couple more thrusts of his hips. Joel kisses you again. Like a starving man that hasn't eaten for days on end. He kisses you with passion, with more than just lust behind those eyes.
When you both pull away, he makes sure to clean you up. “You were so good for me, sweetheart.” He praises. “So good.”
You’re not sure what to say, so you just kiss him again. And again. And one more time. Until he’s kissing on your neck again, but he inevitably stops and leans into your ear. “I gotta get to work, baby.”
“Okay,” you say with a sigh. “Thanks for helping me with the essay,” your lips pull into a small smirk as you open the door to his classroom.
“All thanks to you.” He returns the same smile. “Couldn’t have finished it without you.”
You shake your head with a laugh. “You’re so unfunny,” and close the door behind yourself.
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genericpuff · 4 months
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the last few episodes of persephone moping around have felt like less of a self-reflective moment for her to grow and change and more rachel griping about criticism and surrounding herself with yes men
this isn't gonna be in any way a formal essay like my usual sort, more of a slam post honestly, so fair warning that i'm gonna be a little salty here
EPISODE 263 SPOILERS AHEAD!!!!
but seriously, it's been a pity party of greek proportions because this constant "woe is me" shit with persephone that's constantly met with "no queeen you're amazing and perfect" has been going on for DAYS (real time and comic time)
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literally every episode since the comic returned has had some segment of either persephone or hades (or both) being upsetti spaghetti over their current situation because oh nooo persephone made the deal with erebus and had to sacrifice something. even though they both knew that was gonna happen and yet she did it anyways. so she just continues to lock herself away in her mansion and spout adorkable quips while her husband, mother, and colleagues deal with the mess she caused.
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and of course there's the constant inclusion of apollo spitting straight facts about persephone being a terrible queen and person, but of course because it's apollo saying it, it's not meant to be taken as gospel, essentially clapping back at the words of the critics who call out persephone for being a shitty and toxic protagonist by putting those words into the mouth of a literal rapist.
and yeah episode 263 had a lot of the same shit, to the point that you could literally swap out the names of the characters and the words they were speaking and it applies exactly to rachel and the corner she put herself in u.u it's been a thing for a while now that apollo has just felt like a mouthpiece for LO criticism but as mentioned by users within the subreddit during the discussion of this newest episode, it's never felt more apparent than now.
so yeah enjoy this satirical text edit of a sequence from the newest FP episode, which I honestly can't tell is meant to satirize the critical community or Rachel's reactions to the critical community because the weird reality this comic and its community exist in has just become that wack that it's hard to believe it's not directly from The Onion sometimes LMAO
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-and as much as i find myself empathizing with the pressure that rachel is surely under right now - no one should have to be subject to the screeching howls of the peanut gallery - i can't help but be reminded of the memes and tweets she's put out that basically outright say "persephone is supposed to be celebrated for being a shitty person, if you can't handle her at her worst you don't deserve her at her best 💅"-
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-and how often she's ruined her own day looking for critical groups or people with the "wrong opinions" that were minding their own business, or how much she's stifled her own community's attempts to discuss the story openly by having her mods ban anyone with even so much as a question regarding persephone's integrity.
so yeah, as much as i can empathize with her from one creator to another that being under this amount of pressure and scrutiny must be immensely frustrating and exhausting, beyond that one similarity i just can't empathize or relate to this mindset of almost learned helplessness that's taken a firm grip over her writing. this is the story she wants to tell and by all means no one is entitled to make her stop, but if she's gonna keep using her greek myth "retelling" comic that's trying to be "feminist" as a mouthpiece for her own griping over criticisms that are largely on-point and justified - to the point of putting the words of her critics into the mouth of her token villain like she's playing some single player barbie doll "act out that fight that sounded cooler in your head" game - then she's gonna keep getting called out, full stop. i figured she didn't have any nose left to rip off in spite of her face but apparently not.
look, i get it, there are some opinions and behaviors within the critical community that even i'm not on board with. there are people who absolutely take shit too far on both sides of the fandom, and i think both sides need to do more to hold themselves accountable for how they interact with each other, the comic, and rachel herself. i make it a point to keep my shit in my own house, i'm not entitled to rachel's attention and frankly it's the last thing i want because i have a lot of fun here and i don't want that to be potentially ruined or dampened! but if you come into my house and complain about the decorating, then i legitimately don't know what to tell you. i used to love LO and i'm so sad for my past self knowing fully well they're not gonna be able to wholeheartedly enjoy this comic forever due to how manipulative and shitty the storytelling has become. a story that i once connected to as an AFAB who was a victim of assault and abuse and generational trauma.
if persephone being the true main villain in her own story was ever meant to be the point of Lore Olympus, then it's taken way, way too long to get to that point, and rachel herself definitely doesn't seem to be of the mindset that that's what she's become with all of her blasé meme'ing on a plot arc that she's still expecting us to take seriously. persephone was never a very complex character to begin with - being an easy self-insert for the audience and rachel to project themselves onto and relate to - but at least in the beginning she felt like she had so much legitimate potential, she was naive but put her best foot forward and clearly wanted to make a life for herself, made by herself.
now she's just mean. jaded and mean. dependent on the constant validation of others to the point of being manipulative. an absolute shell of a person who can only grow a spine when she's punching down on people weaker than her, completely incapable of standing up to the people who are a legitimate threat to her. it's not empowering, it's not subversive, it's just another pick me story about women pitting themselves against other women and never taking accountability for their own behavior, mistakes, and deliberate actions meant to hurt others, often teetering on the line of straight up narcissism all for the sake of a "boss babe" moment.
anyways, if you want an actual well-written and GOOD scene of an empathetic female protagonist struggling to find their footing in adulthood being called the fuck out for their learned helplessness behavior, go read Tamberlane, it tackles this topic much better through its main character who keeps using her brokenness as an excuse to never do better, it slaps and it's so real.
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Writing this on my phone at work so a lil jumbled but one of the things that really does make Macdennis one of the greatest will-they-won't-theys in tv history and why it doesn't annoy me they haven't gotten together yet even this far in when I would usually be pulling out my hair in other cases much earlier on is that it doesn't fall into a lot of the common pitfalls of the genre because in most shows, you *know* the characters are going to be together from the start and they don't actually have a solid reason why it can't happen sooner, other than they need to drag it out for the show, so rather than use the tools they have and naturally play off the existing tension between characters, they almost always feel the need to throw in arbitrary, extraneous, and often frustrating external obstacles instead, like a series of random cardboard cutout boyfriends/girlfriends/wrong place/wrong times that last entire arcs over and over again for the *sole purpose* of keeping them apart and being like not yet tee hee, to the point where you're just like okay, okay, get on with it, already, but with Sunny, almost every obstacle is *internal* (or based on already built in external factors that affect them internally and haven't just been fabricated on the spot to create problems in the relationship): Mac's struggles with his sexuality and religion, both their parents' intense homophobia and neglect, Dennis' past experience of being sexually assaulted, and his fear of being perceived as anything less than perfect in a society he's learned he has to hide from/always be stealthy in, lest you be taken advantage of or hurt, in general that societal expectation, you will get married to a woman (Maureen), start a family, live a "normal" nuclear life, that's how the story goes, etc. etc. not to mention the culture of the time the show itself first aired, network tv of 2005, they didn't start with this endgame in mind, practically unheard of that they would ever get together in any official capacity even if they did, so they were able to grow separately from each other before starting to grow together, naturally inclined toward each other, yet just as naturally held back by themselves and the world that made them this way. But eventually... they outlived that world, and after being so used to standing still, now they're struggling to keep up, to find themselves, to find their place in an environment they no longer recognize, and to reconcile the fact that maybe they don't have to hide anymore, maybe they don't have to be miserable, to run away, it's okay it's okay, but it was not okay for so long, they need time. And I'll get into the parallels more another time because I'm obsessed with them, but in Waiting for Godot (and in turn Big Mo), there's the theme of "The whole world changes, only we can't," but Mac comes out, Dennis claims back his heart, Big Mo shows up, so maybe they can maybe they can, and that change is necessary before anything else can move forward. And god, do I have a lot more to say on *that* topic and theme of change, but I'm saving it for a full essay, god willing🤞
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caligvlasaqvarivm · 17 days
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ik you mentioned interest in writing out how you'd prefer homestuck ended (though obviously time and money makes that impossible lol), and you touched on it in your big eridan essay at the end, but would you ever consider maybe a more detailed outline? i really enjoy your thoughts on the characters and the abandoned plotlines, i'd love to get a little more of an in depth look at how you wish it went down.
Yeah sure!
For those who aren't sure what the hell I'm talking 'bout, please check out my blog and the various essays I've been writing.
Some of it is contingent on stuff I kind of still need to reread so I'm really sorry to the alpha kid likers but I'm still not totally 100% sure where I want to take them. I'm also going to include quite a few personal preference ships; I'm not interested in arguing what other people should ship or about arguing about the course of action for my dumb fanfic in general. I also tend to discover the plot I want while I'm writing it, which I don't have the luxury of here, so... some of it is going to be kind of sloppy. I'm also a big troll stan so unfortunately the kids are a little bit neglected (sorry!!!!). That said.
So the changes would take place directly after GAME OVER, which is personally the point at which I think the truncation/turning on the fanbase really starts - ships start to get turbo-sped at that point. I'm not even saying I dislike JohnRoxy or JohnRezi, but they just feel oddly rushed the way they're handled in the comic itself. IMO, anyway.
There's not too much I would rearrange during this interstitial segment; I think it's important for Jade to have the experience of loneliness, for Terezi to kick off the retcons by only feeling comfortable fixing her own mistakes. Moreover, there's no reason why other characters can't use her mind beacon abilities to ask John to rearrange the timeline, though their attempts, because they aren't backed by Seer of Mind abilities, are a lot sloppier and come with a lot more unforseen consequences.
But something I would change is that Roxy's deal with Nyx is not to just kind of... sit back and chill in non-space while John does all the work; instead, like Rose in Davesprite's timeline, Nyx puts her to sleep, and when the timeline ceases to be, GameOver!Roxy's memories get transferred to Past!Roxy via her dreamself (which wakes up early), fulfilling a "stealing from void for others" aspect of her abilities, and leads to some important interactions later on down the line.
Also, this timeline's ARquiussprite and Gamzee's corpse (heretofore referred to as (ARquiussprite) and (Gamzee)) need to come along for the ride somehow. Maybe they fall through the sky after LOLAR crashes into LOFAF.
This kicks off a series of retcons, as each troll that gets brought back successively asks for another troll/set of trolls to be brought back. This absolutely RIDDLES Act 5 with password pages, can't go two steps without running into a password page, there are password pages within password pages (which IMO is very funny and very Homestuck).
Meanwhile, a couple other plots are running concurrently - the GameOver!crew (heretofore referred to as (Name)) are now in the dream bubbles, completing their character arcs and preparing to defeat LE. Because time and space are weird in the Furthest Ring, every successive meteor trip that occurs as a result of John's retcons is the first time from the point of view of the meteor, but is a repeating event from the point of view of the people in the bubbles - eg those dead god tier Eridan and Feferi wind up healing the Mayor like seven times from their perspective.
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(Aradia) is fluttering her ASS off to make sure everyone is in the right "place" at the right "time" for this, lmfao.
Roxy gaining future memories also means that the Alpha kids get to complete their arcs in a way they weren't able to prior to Game Over. Because what John's retcons are doing are functionally whiting out and redrawing the past, the Alpha kids are also only seeing a single linear timeline.
One last arc, which is running concurrent to the retconned!trolls and their new meteor trips, is that bringing back each successive character allows them ALL to grow a little more. So it is NOT like they bring back Vriska, and now everyone's problem are fixed and everything is fine; Vriska's still kind of awful, but she gets better after Tavros gets brought back and they have to character develop alongside each other, and same when Aradia and Sollux get brought back, so on and so on. Because it's about BEING FRIENDS and BEING A TEAM. They're all still having interpersonal problems right up until ALL of them get brought back.
But as a side effect of this and the questing done by the GameOver!crew, the Dancestors get more fully utilized as foils, and get their problems addressed. As the retcon!team goes through their character development, they start to tear the Dancestors apart, because the Dancestors represent shitty parents who force their kids to clean up after their messes, and refuting them works both literally and symbolically as rejecting their irresponsible way of being in lieu of responsibility, accountability, empathy, and compassion.
So here's the series of retcons, and the absolute bullshit that accompanies each decision:
Terezi asks John to save Vriska, and prevent herself from getting too spades with Gamzee, as these are her two greatest regrets.
Pretty much just what her canon iteration asked for; I don't see any problems with the actions she asks John to do for her.
HOWEVER, we'd get more than just a montage of Vriska's time on the meteor, because in this version of events, we're taking our time and letting plot points breathe. Neither does she magically fix everything just by being around when she's very much herself still going thru it by the time the Meteor trip pops off. In any case, she brings with her some new complications:
Karkat still winds up having to play moirail and keep Gamzee calm. This still ends up breaking down by the halfway point of the comic, because they're kind of just not good for each other, but Karkat's personal shitty relationships are going to become A Theme, so it's important to make note of it here.
Vriska and Terezi don't fully make up on this iteration of the trip, since from Terezi's point of view, she was still actively about to kill Vriska before John intervened; however, we get more hints, now that they have to spend three years together, that not only does Vriska really miss Terezi (which is pretty well-established, given how she can't seem to leave Terezi alone), but Terezi actually misses Vriska, too - she's just really bad at separating her own feelings and desires from her instinctive grasp of karma and justice, a very Mind player-type problem to have.
At least with Vriska around, Terezi's able to nip her Gamzee habit in the bud, but this kind of leads to Gamzee feeling worse and more alone.
Something Really Messy happens between Vriska, Rose, and Kanaya when Rose starts her drinking habit, and it's pretty toxic for all involved, and Karkat is kind of stuck playing auspice. Vriska already expresses not liking Rose much and develops some flushed feelings for Kanaya after being watching her murder Eridan, so "It's Really Messy" is kind of all I can say on the matter. The girls are fightiiinnnnggggg
Dave and Terezi get close again, but given the weirdo vibes he notices between her and Vriska, and the fact that he's really not down with quadrants (YET.), means they still end up not getting together.
Sorry DaveKat likers but I am not one. They do not ever get together, so if you are hoping for that, I am sorry and you don't have to keep reading if you don't want to, it's OK.
On a note about Vriska and Terezi - personally, I do think their moirallegiance is endgame; Vriska clearly misses her terribly, constantly trying to bug her into making the Scourge Sisters a Thing again, and she even expresses feeling really bad about the Team Charge Debacle to Terezi explicitly, before directly foreshadowing how awful Terezi will feel after killing Vriska:
AG: Cause even though you got all these highfalutin morals and fancy reserv8tions, you know as well as me that a killer is a killer is a killer! AG: There 8n't no ch8nging your ways for good, and one d8y you're going to flail that silly l8ttle cane of yours and not find n8thin to 8ump into, and fall f8ce first into the shit ag8in. AG: And you're going to do something t8rri8le to some8ody and wish you could t8ke it 8ack 8ut you c8n't!!!!!!!! AG: And then you'll work hard to win 8ack their trust, and you'll try and try and tr8, and you'll see how hard it is! AG: You'll seeeeeeee!
We know that she starts using 8's where they don't make sense phonetically when she gets really agitated, so it's pretty safe to say that she's displaying genuine emotional distress here. When combined with the way she tells John about feeling absolutely horri8le about killing Tavros, it's pretty clear she's genuine about feeling really bad about the Team Charge debacle, and sincere about wanting to somehow make amends and get back into Terezi's good graces, at times trying rivalry, at times trying to prove that she's trying to fix her mistakes.
Terezi also vehemently denies them having a kismesistude and directly mirrors Vriska's hesitance about all the murder:
GC: W3 4R3 SUPPOS3D TO R3V3L 1N BLOODSH3D 4S W3 GROW UP GC: 4ND SH3 S33MS TO B3 3MBR4C1NG H3R R1T3 OF P4SS4G3 W1TH R3CKL3SS 4B4NDON, 4S 1 WOULD 3XP3CT GC: GR4BB1NG TH3 BULL BY TH3 HORNS, SO TO SP34K GC: 1TS 4 L1TTL3 1NT1M1D4T1NG GC: B3C4US3 1M NOT SUR3 1F 1M R34DY FOR TH4T
AG: On my world, I would 8e completely vindic8ed for killing him! He is far lower on the hemospectrum than me. He managed to disrespect me time and time again, 8ut I kept letting him live! In fact, the amount of slack I cut him would 8e considered scandalous 8y those in my class. AG: I had every reason to kill him. And yet... AG: I feel 8ad a8out it like a lame weak fudge8lood, just like he was. AG: And the fact that I feel 8ad is why I'm sort of freaking out right now!
They're basically two toxic girls who CANNOT be honest with their real feelings, and wind up hurting each other. They need therapy badly, but given the fact that they also mirror each other positively - Terezi feels grateful to Vriska for blinding her, and Vriska mentions she ought to thank Terezi for killing her, which set her up on a date with the dead John Terezi also killed - I think they have a lot of potential to be genuinely kind to each other once they work through their individual issues.
Anyway. We're keeping the Roxy stuff under wraps for now - last we saw of her, she went to go see her denizen, and her planet exploded, and John was really bummed about it. HOWEVER, we are going to check in with our GameOver!crew, although only lightly for now:
Meenah and (Vriska) have fully disappeared, and (Tavros), (Nepeta), and (Feferi) are looking for them because they've got the FUCKING TREASURE???
Everyone else from the Game Over timeline has landed in the afterlife, to varying degrees.
Shortly after entering the afterlife, (Eridan) fucked off somewhere to be alone. Last anyone heard from him was (ghost!Sollux) and him being Erisolsprite, but neither (ghost!Sollux) nor (alive!Sollux) have seen him since Erisolsprite died in Game Over.
(Karkat) is also brooding off on his own, feeling really shitty and sorry for himself. He's always felt personally responsible for everything going wrong for his team, and now that his team is basically entirely dead, he feels extra shitty.
Mostly just setting up that these guys are still relevant to the story, despite now being (irrelevant).
That brings us to the second retcon. Vriska obviously had great regrets about killing Tavros, both pre- and post-retcon, so she asks for his death to be prevented.
Tavros is back.
Vriska's requested fix is a very simple one - after all, Karkat makes mention about how Vriska's always had a competitive streak with Terezi, admiring/being jealous of her ability to manipul8 people; I think an ultimate culmination of that is her insisting that insisting to John that he do a retcon to stop her from killing Tavros - which, as covered above, she regrets greatly - but to do a much sloppier job of it, simply having John pop into [S] Wake and knock Tavros the fuck out.
Vriska herself doesn't believe this will have any unintended side effects, because her opinion of Tavros is still really low despite her genuine desire to make amends, and she's wrong.
Tavros's stay on the meteor has a major effect on Gamzee. I'm not entirely sure how it would pan out exactly, but I think Gamzee would step in between Dave and Tavros, into a situation none of them are happy with. This starts Tavros on a path of realizing that his inability to stand up for himself not only hurts him, but people he cares about (Gamzee, whom he ghosted).
Vriska is mostly uninterested in Tavros now, as the moment has kind of passed, and Terezi keeps getting on her ass about going after him (which brings the two of them closer).
Previous Messy romantic situations are still active. Karkat is going thru it.
Dave feels bad about tormenting Tavros but he kind of can't help himself, especially because Tavros keeps going up to him for some reason. The fact that he gets trapped in an auspice with Tavros and Gamzee kind of reinforces that he does NOT vibe with troll quadrants. Dave becomes MORE xenophobic.
On a note regarding Gamzee and Tavros: while I generally try to avoid relying on Hussie's commentary too much, as he likes to play his cards close to his chest, his note about Gamzee in the Act 5 book is actually significant enough to me to include:
The best explanation for why Gamzee says he's scared of Vriska, in my opinion, is this: he's flat-out lying. It's a good way for him to maintain his cover as 'Soft Gamzee.' It also provides some ammunition for those who, against all sense of good taste and judgment, want to continue to believe and assert that Gamzee is a decent guy with sensitive emotions and vulnerabilities before he undergoes his Muderstuck awakening. He was none of those things, ever.
Hussie likes to play coy, and you can't really trust anything he says after Act 6 because he's fed up with the fandom, but I think this comment comes early enough, and is made assertively enough, that it can be taken at face value. I know that "Soft Gamzee" is actually extremely popular in the fandom, so this may be controversial, but I do think there's more evidence for him being kind of nasty and manipulative than not, and having that always be a part of him brings more cohesiveness to his character. For example, he seems to have a pale crush on Karkat, trying to assert that Karkat is his best friend and changing the topic when Sollux gets brought up and he recognizes Karkat is closer to Sollux than him, and if you read his first log with Terezi as if he's hiding being nasty under a soft veneer, then his comments do read as pretty passive-aggressive.
TC: yOu KnOw HoW iT iS wItH fAmIlY. GC: NO, NOT R34LLY! GC: 4DURRRR DURR DURP TC: Oh YeAh... ... TC: I sPaCeD oUt, DiD yOu KnOw HoW bEaTuFuL tHe SoUnD oF tHe OcEaN iS? TC: hAvE yOu EvEr EvEn SeEn ThE oCeAn? TC: oR i MeAn SmElLeD iT... TC: SoRrY. GC: >:[
Maybe most damningly, his narration calls dealing with Eridan's genuine emotional distress "indulge emotional theatrics," an implication of his true feelings. Karkat and Eridan are heavily foreshadowed to be moirails, and Gamzee seems to have a pale crush on Karkat. What does Gamzee do in this conversation? He chases Eridan away from comforting Karkat - using the same excuse as he uses to avoid dealing with Vriska.
CA: put kar on TC: UuUuH, i cAn't rEaLlY ThInK AbOuT InTeRvEnInG, tHe bLaCk fRoWnInG MoThErFuCkEr kInDa sCaReS Me
Moreover, he does NOT seem to like Jack comforting Karkat instead, either.
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THIS IS NOT TO SAY I DON'T THINK GAMZEE ALSO DESERVES A SHOT AT KINDNESS AND REDEMPTION. Gamzee is clearly a very troubled youth, between his absentee lusus, his indoctrination into a fundie doomsday cult, and his sopor usage. The fact that having his faith shattered by Dave makes him snap implies that, one, he was already unstable and teetering on the edge, and having his faith fucked with was the last straw, and two, that until he lost that last shred of hope, he was still pretending to be nicer than he was for a reason, and given that his LE worship doesn't start up until after the snappage, I think it can be extrapolated that that reason is that he genuinely wants to get along with his friends.
Given that Gamzee's issues largely stem from his neglectful lusus, it's not a stretch to say that Gamzee does not take well to abandonment and isolation. So here's kind of where Tavros comes in:
Gamzee mentions that he feels "So aT ChIlL WiTh yOu" while talking to Tavros, and Tavros reciprocates the friendship and also - interestingly - acknowledges Gamzee's religion, calling it beautiful even if he doesn't necessarily believe in it. I call it interesting because Karkat's inability to do so is explicitly one of the reasons their moirallegiance broke down. Moreover, in their first conversation together, Gamzee explicitly praises Tavros for his "gumption" for stealing his clown nose, when Tavros's avoidance of his problems is one of his biggest personal issues. So yeah, personally, I'm all for moirallegiance.
But Tavros started ghosting him after Gamzee offered to make out a little, another symptom of his avoidance issues. I'm sure that, even in this meteor trip, the fact that Gamzee killed Equius and Nepeta really scares him. In his conversation with Terezi, Terezi outright says "NO WOND3R V4NT4S C4NT ST4ND YOU"; Equius is constantly yelling at him; lots of people on their team seem to genuinely just sort of dislike him.
CG: MIRACLES ARE LIKE POOP STAINS ON GOD'S UNDERWEAR. TA: eheheh makiing fun of people2 reliigiion2 i2 the be2t thiing two do.
So having one of the few people he does really like also ghost him probably did... bad things to his mental health. Especially so when said person wound up dead. But now that he isn't dead, I think they have a shot - they just need to address their personal problems. Tavros with his avoidance, and Gamzee with his resentment toward the world, and reliance on substances and religion to take the edge off. In this meteor iteration, that doesn't quite happen - their toxic auspicetism succeeds in letting them air out their dirty laundry to the audience, but doesn't bring full reconciliation.
In any case, this meteor trip is fairly short, and uneventful from the dream bubbles side, although I do think Tavros should get a talking-to from (Tavros) about real self-esteem and self-worth.
Still, being back in contact with Tavros again, even if in kind of a messed-up way, does make Gamzee start to reconsider some of his past actions. This brings us to:
Gamzee Asks for Equius and Nepeta back.
Gamzee's not as nice as he lets on, but he does genuinely care about his teammates, and for the people he really cares about, like Karkat or Tavros, I think he's willing to stick his neck out. Bringing back Nepeta and Equius is more for Tavros than himself, really, because Tavros is scared of him for doing that, and he motherfuckin' misses Tavros, okay? John mostly agrees because he's kind of scared of Gamzee.
Some really fun stuff starts happening this go around.
The Gamzee-Tavros situation becomes resolved because this time, Equius steps in as an auspice between Tavros and Dave, and this auspicetism is COMPLETELY HEALTHY (with the bonus of being extremely funny, and what is the point of a Homestuck ship if it is not deeply funny).
Gamzee and Tavros are able to enter into a totally healthy moirallegiance once the auspicetism builds up Tavros's self-confidence, much to Karkat's relief.
Being stuck in the auspicetism makes Dave go crawling back to Terezi on his hands and knees. I'm sorry, Terezi. I'll do anything if you take me back. Just don't let me die as the guy stuck in a threesome with the two worst trolls. Dave has overcome his xenophobia.
Dave and Terezi becoming official does make Karkat sad, however, so when Nepeta finally works up the courage to confess to him, he accepts the offer to date her, thus fulfilling Jaspersprite's musing that she might only be able to date him after she dies.
They also break up. We're keeping up this trend of Karkat and his disastrous relationships. He's still involved in the Rose/Kanaya/Vriska drama, too.
With GamTav and Dave/Tavros/Equius cinched, Tavros and Vriska reach a sort of truce with each other. Not really friends, since they kind of still dislike each other, but Vriska would genuinely be glad to see Tavros getting more actually confident, and muster up the energy to genuinely apologize for almost killing him, so there's a sort of mutual respect there now. Vriska and Terezi are even closer because of this, but still not fully over their problems.
On the topic of the Dave/Tavros/Equius auspicetism: Dave still can't stop bothering Tavros, but the lewdness of it sets Equius off, so he feels like he has to intervene. Dave also can't stop himself from bothering Equius, which ALWAYS BACKFIRES, and since Tavros has a weird fondness/rivalry with Dave, he'd find it within himself to ask Equius to back off (which would work, because of Equius's... Equius). And every time Equius gets too overbearing toward Tavros, Dave feels COMPELLED to intervene, because he's like, my fucking god, you are the two worst trolls, why must weirdos fight. Dave desperately wants out, but he can't stop staring at these two.
And weirdly enough, it's beneficial for all of them. With two people to yell at him for being weird, Equius becomes less weird. With a rival in Dave and more contact with Equius, Tavros becomes more confident. And Dave has two people to rap against and feel good about his art with, something he more or less had to deal with alone during previous trips.
On the topic of Karkat and Nepeta, there are quite a few implications that they wouldn't necessarily work out. For citations, let me just link my Nepeta essay, where I go over what the comic says about their relationship from a storytelling perspective; here, I'll talk about their relationship from a more interpersonal perspective.
Karkat's signals are mixed as fuuuuuuck. While I don't necessarily think this will be an issue for Nepeta, as - as a Heart player - she's preternatually gifted at understanding motivations, the thing is... I think Nepeta can do better, and deserves better, a sentiment echoed by Jasprosesprite^2. She certainly deserves better than being second to Terezi, at the very least, even if she states she likes his outbursts.
And the thing is, Karkat is pretty explicit about saying that he doesn't return her feelings; in a world where they date, there's always going to be a sense that she's his second choice. And, just... my girl deserves better, okay? Moreover, while he respects her personhood, he's also pretty nasty to her when he DOES talk to her, implying he doesn't necessarily respect her choices. And also, she's actually really bad at shipping, so there will be this extremely weird tension of like... a hobbyist vs. a professional. I don't think Karkat would be able to stop himself from mocking some of her shipping choices if she ever opened up to him about that.
But I think them getting together is important for Nepeta, developmentally - I talk about this in my essay for her, but shipping is something I think she does need to outgrow, since it's kind of a replacement she's using for her loneliness. Moreover, I say in that essay that the issues she has in her moirallegiance with Equius warrant relationship counselling - and that's what Karkat is uniquely qualified to dispense, as the team's Blood player. Although they end up not working out, Nepeta would take several valuable lessons from this relationship - that she's kind of bad at shipping, that Equius is being kind of a shithead to her, and that she needs to start making friends with other people.
Now then. We're finally getting into some drama in the bubbles.
Please imagine for me Equius and Horuss talking, and Equius being aghast at the way Horuss is so derisive towards his matesprit and moirail. Now imagine him pulling a mic out of nowhere and rapping at him about how his problem is that he does not respect his partners. Now imagine Tavros and Dave joining in, also out of nowhere, with Tavros adding bars about how the hemospectrum is, not a good thing, he thinks. And Dave adding bars about how he does not have a fucking dog in this race. He's not even a troll. He doesn't understand their hemospectrum. Let him out of here. The fine fucking art of Alternian slam poetry. I think Horuss would start crying. So would I if three people including my grandkid started rapping at me.
Nepeta's uncanny emotional acumen leads to her wanting to befriend Damara, but being unable to speak her language.
GameOver!crew is up to something, IDK, probably showing (Tavros) inspiring people and rebuilding the ghost army, to tell a parallel story to Tavros becoming more genuinely self-confident.
We check in with the Alpha kids, too, who have some group therapy sessions led by Roxy.
Vriska and Tavros confront Rufioh together, a final culmination of their no-longer-enemiesship, and together, they steal Rufioh's ones. Like, Tavros starts speak1ng w1th ones, something he always had in him, and they also roast Rufioh so badly that he stops speaking in ones. But the way it's presented to the audience, Vriska outright just says that Tavros should steal his ones. And Tavros does. This carries over to successive retcons, as it's implied that Tavros just kind of starts naturally being more confident as healthy relationships are established sooner and sooner.
Anyway, a final note about Equius - his problems are mostly due to being sheltered. Although he is probably the most casteist highblood, he's not really that casteist, as what's really going on is just that he's got a BDSM kink. But because he's sheltered, he does not realize that it's a kink. And a fetishist who does not realize that they're a fetishist has more power than God.
His protectiveness of Nepeta does come from a good place; preventing her from playing FLARP was actually in her best interest, given what happens to people who play FLARP. But he's very much going overboard with it, likely an extension of his own lack of understanding of how much sheltering is good and how much becomes detrimental. What he really needs is for someone to point it out to him, which I think he gets via Nepeta or via Karkat, and then have a reaaaaally long think about it. He's genuinely a polite and helpful soul, who doesn't WANT to make people uncomfortable. The auspicetism is very good for him in this regard, as is his moirallegiance once Karkat talks him and Nepeta through their issues.
The point is, once he's forced to reckon with the fact that the degeneracy is coming from inside the house, I think he'd have a LOT of regrets about the way he treated Aradia. Which leads us to:
Whoops That Robot Thing Was Really Inappropriate Huh
Equius approaches John to ask him to make Past!Equius reconsider the Aradiabot Thing. John's getting kind of impatient with all these trolls who keep asking him to go back through time, but given that everyone seems a little happier each time, he can't help but agree.
So he goes back to the past, before Equius can give Aradia her robot body with the love chip in it, and something really fun gets to happen here: first of all, Equius's Void status makes him really hard to place, so John winds up missing by a bit, time-wise, so Aradia's already in the body. This is the first time that retconning!John and Aradia have been in the same place together, and when she meets him and finds out that he can time travel without causing paradoxes, she demands (with her Aradiabot deathmurderkill intensity) to be taken back in time to before she died.
John's retcon powers explicitly ignore the usual rules of paradox space - he describes it as a "fresh start". Given that Breath is associated with choices and freedom, his retcon powers are kind of the ultimate culmination of his abilities as a breath player. Although doomed timelines can and will still result from paradoxes caused by players when John isn't there, anything he directly interferes with is totally a-okay.
So all Aradiabot asks him for is passage back in time, in order to sanction her interference in the past. After she dismisses him, she still more or less has to adhere to events in the original timeline, for two reasons - the first being that she doesn't want to risk a new doomed timeline, and the second so she can keep the timeline predictable.
So even though she's basically asked for passage to the time period before SGRUB, it's basically outright stated that the progression of events has to be more or less the same, up until the point where John's other retcons take place. So here are the cascading effects of Aradiabot preventing her own death:
Aradiabot takes Aradia's place in the Team Charge debacle, being blown up/"killed" (as a sprite) by Sollux's eye beams, so that she can take Aradia's place as Doc Scratch/the Handmaiden's servant and "carry out" their orders.
Meanwhile, Aradia seeks refuge with Equius, whose void powers keep her hidden from Doc Scratch's omnipotence.
Because Sollux never actually killed Aradia, and Aradia communicates with him via Equius's account, Sollux is less depressed and self-loathing. He no longer predicts a future where all of them die and he has to be blinded. It's left deliberately vague whether this future comes to pass because he's less pessimistic, so his Mage powers are calling a happier future into being, or if his future changed, so his Mage powers are prophesying something new.
Nepeta starts regaining memories of alternate timelines and past retcons, as an extension of her Rogue of Heart powers. This includes the relationship counselling she received from Karkat.
Between Nepeta and Aradia yelling at him, Equius's character development starts sooner, so he's squared away for future events, and ends up not making the creepy Aradiabot, making a non-creepy one instead.
Aradia and Equius do not strike up a relationship, and become uneasy enemies/friends.
Aradia secretly god tiers well in advance of Jack's arrival, and meets him at Derse rather than awakening on her crypt there.
Aradia and Sollux continue a loving matespritship, leading to Sollux settling into a moirallegiance with Feferi. He's devastated when she dies, which still happens along with the rest of Eridan's freakout; Aradiabot doesn't intervene because she's needed for:
Aradiabot winds up being the one to sacrifice herself piloting the meteor, allowing Sollux to stay with the rest of the team when he meets up with Aradia, (Aradia), and (Sollux) at the Green Sun. Aradiabot winds up with the GameOver!crew.
With the 1337 hackers back in commission, Sollux and Roxy are able to establish a server connection with each other, allowing them to communicate during the 3-year meteor trip.
Aradia involves herself in the Rose/Kanaya/Vriska Mess, and I kind of can't decide what I like better - a vascillatory pitch/flush threeway between Rose, Kanaya, and Vriska, now that Vriska's near the end of her character development, with Aradia serving as a stabilizing force as Kanaya's on-again off-again moirail, or Aradia stepping in as an auspice. Either way, it's out of Karkat's hands.
This has a knock-on effect of finally giving Vriska the chance to fully make amends with Aradia, which winds up cinching the Vriska/Terezi moirallegiance. The scourge sisters are back baybee. And between a healthy moirallegiance for Terezi and a healthy moirallegiance for Gamzee, I think pitch Terezi/Gamzee could work as a healthy ship this time around. I'm not married to it, but they did always seem to hate each other well before SGRUB.
Nepeta has LEARNED HER LESSON regarding dating Karkat, so that does not happen.
Karkat now has no quadrants. He winds up desperately throwing himself at Sadstuck Sollux to try and help him get over his breakup. It's not a good look. Sadkat. He also takes up talking to the alpha kids for emotional support, which puts them off, too. Still gives really good relationship advice. He's clearly one of the more unstable members of the retcon!crew at this point.
We're light on the dream bubble drama this time around because of how MUCH is happening for the retcon!crew, but there's going to be a reference in there of Nepeta learning East Beforan.
SO. NOTES TIME.
Aradia expresses outright that she hated the feeling that she was set up and that she wishes someone would have stopped her from being so reckless. And although she seems to find some satisfaction in being the stewardess of the afterlife, there's clearly some resentment there that she's been forced into that role, as she expresses that what she's really looking forward to is watching it all break apart. There's also kind of an orphaned plot thread where Aradia is spending a lot of time in the afterlife putting knowledge together, which never really directly pays off except to the audience, and I think a really good way to bring that back in would be for her to be communing with (Aradia) in the dream bubbles in order to make sure the timeline flows as smoothly as possible.
As for Aradia/Kanaya - they're actually really good friends, and Aradia expresses that she's flattered that Kanaya wants to talk to her so much. There is a tone here that matches the way Vriska thinks about Kanaya when Kanaya is still ostensibly Vriska's moirail, and Kanaya herself admits to being attracted to people who are reckless. In fact...
AA: i just wish AA: back when i was behaving recklessly AA: i had s0me0ne t0 tell me t0 st0p listening AA: even if i ended up ign0ring their advice AA: it w0uld have been nice
GA: It Must Be A Certain Madness Im Afflicted By GA: To Orbit Those More Reckless And Dangerous Than I And More Daring For It GA: I Guess I Want To Help Them But They Never Can Be Helped It Seems
So I'm just kind of saying... Aradia and Kanaya moirallegiance... is not entirely unfounded. And a moirail stabilizes a troll's other relationships; if we have a moirail for Kanaya and a moirail for Vriska, then the Mess that is whatever's going on with Kanaya, Vriska, and Rose would probably resolve itself, I think. Either way, Rose is surrounded by SUCH a girl's night of emotional support to help her with sobriety now.
As for whatever's going on between her and Equius, I tend to believe the comic when it tells me relationships don't work out, and Aradia expresses regret for kissing him during the Ministrife. I think they could be good vitriolic frenemies, though.
Okay, onto Sollux.
In the same panel where Eridan and Karkat are implied to be "hatched for each other" pale-wise, Feferi and Sollux are foreshadowed in the same way:
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They also spend a LOT OF TIME curled up in a pile together talking about their feelings, which we don't see with matesprits, but we DO see with moirails. Nepeta and Equius do the same thing, and they are kind of THE moirails. So I think Sollux and Feferi were always meant to be pale, but because Aradia died, Sollux wound up taking Feferi on as a matesprit instead. Between EriFef, SolFef, and GamTav, people getting flushed and pale feelings entangled is like, a Running Thing, so it's not really surprising to me.
Now, here's the thing. We already know that Sollux likes to cope with a rebound, since he went flushed with Feferi after Aradiabot exploded and was presumed dead. And Karkat cares very fucking much about Sollux, to the point where Gamzee speculates that he's actually Karkat's best friend, and Karkat even calls him that (although Karkat also kind of just calls anyone his best friend, lol).
CG: GAMZEE WAS MY VERY GOOD FRIEND, WHO WAS THIS GOOFY LOVEABLE BULLSHIT CLOWN UNTIL HE WENT PSYCHO AND KILLED SOME PEOPLE. I LIKED HIM A LOT. CG: I DON'T KNOW, I GUESS MY BEST FRIEND IS REALLY JUST THE GUY WHO I HAPPEN TO BE FEELING MOST SENTIMENTAL TO AT THE MOMENT, IS THAT A FUCKING CRIME.
This crab's got so much love in him. In any case, I mostly just want to keep sticking Karkat in these extremely unhealthy relationships for a while. It makes it sweeter when he finally winds up with Eridan LIKE HE WAS ALWAYS MEANT TO... but yeah.
Cross-session communication is also entirely possible, as Sollux set up chat clients between the trolls and the kids in the first place, and even without that, Kanaya found Rose's old GameFAQs on a server in the Furthest Ring. With both Sollux and Roxy on the case, there's no way they can't somehow establish communications way sooner.
Regarding Nepeta regaining her memories, let me once more point you towards the Nepeta essay. She's on track to become the one who attains Ultimate Selfhood, and comforts people like Jade and John about not really knowing their friends or being lonely.
But yeah, obviously Sollux asks for Feferi to be brought back.
F-EF-ERI!!!! 38D
Mostly Sollux just asks to be prevented from provoking Eridan so harshly. Eridan still winds up blowing up the matriorb, and thus, still getting killed by Kanaya in retribution, but this means that Eridan is now the only member of the team left dead.
PITCH FEFNEP. PITCH FEFNEP. PITCH FEFNEP
Pitch FefNep leads to Feferi letting slip something casteist where Sollux can hear; he doesn't personally care because he's heard much worse, but puts them on a break while she sorts herself out. They get back together after that.
Karkat alone :'( he's mostly just talking to the alpha kids at this point, trying to hide from all the happy fucking relationships happening all around him.
If the last retcon was really heavy on the retcon!crew, then this one is much more about what's happening in the bubbles. We get most of our dancestor development this go around. Do not read if you like the dancestors! I go very in-depth about how most of them are horrible people on purpose here, so their arcs are mostly about them being pulled up on their abject awfulness.
Nepeta, who has learned East Beforan, is able to talk to Damara and have an earnest heart-to-heart with her about how awfully she was treated. They hug and cry. Damara, finally validated, gives everyone a big middle finger.
Feferi heals Mituna's brain injury, because literally why the FUCK has nobody else done that. Now once more in control of his faculties, he breaks up with Latula, pissed off that she took advantage of him all those eons to boost her own ego. He also gives everyone a big middle finger. Damara steals her skateboard and high fives Mituna.
Porrim's basically the only dancestor who grew as a person so I think she mostly escapes unscathed.
Latula gets chased around by Sollux and Aradia, who basically just bully her for being bad at games. This is a date to them.
Gamzee completely refutes Kurloz, with his newfound clarity about the real miracle being friendship and the real dark carnival being the world he and his friends will build, not that LE noise.
In a double team between Terezi and Rose, Meulin gets eviscerated for the way her own Issues have made her ships deliberately awful, that she could have simply Not, and she has a bit of a breakdown.
As Feferi is grappling with her privilege and internalized casteism, Cronus wanders up to try and hit on her, and she goes "oh my god... when people look at me, are you what they see? A friendless loser that nobody likes? A total waste of seawater who's only pretending to be cool with the lower castes? A totally fake poser? 38(" Cronus just goes "..." and starts crying and Feferi ends the convo oblivious to that, just going "wow... thanks for talking with me! really gave me a lot to think about" imagine how funny it would be -
Karkat finds and talks to (Eridan), where he fully admits to missing the guy. His mopiness is so extreme that (Eridan) takes issue with it and punches him, before basically yelling at him to get his shit together. Karkat then yells at HIM for him to get HIS shit together, and they both leave, intent on getting their shit together.
We also get an update on Vriska and Meenah at this point, where Meenah is starting to seem more into how they totally ditched their responsibilities than Vriska is.
So the thing with this update is that most of the trolls have sorted their shit out; even Karkat has had a lot of introspection about how he really just fucking loves his friends and should have been more honest about it, not worried so much about appearing weak or lame. With the double Aradias in play to kind of handwave that the timeline will be stable because they're ensuring all loops get completed and all necessary conversations happen, and with everyone's successful relationships on display, we can kind of truncate the next leg of the journey:
Karkat Fixes Everything
Karkat is the Friendship Troll. Karkat is the Romance Troll. Karkat is the Bonds troll. He is their team's Blood player, and as the Blood player, he's been shown to deeply love all of his fucking friends - yes, even the assholes. Maybe even especially them.
As such, it's vitally important for the last push - last leg of the journey - to belong to Karkat. Where would our Blood player be without his bonds? Well, we actually have the answer to that. It's knocked out and prevented from joining in any of the important boss battles. LAME!
So in the last retcon, Karkat hears from Nepeta about the retcons that have been happening, and he really starts digging through his own past. If every retcon so far has been each troll only feeling comfortable undoing their own personal mistakes, then what of the guy who feels personally responsible for everything, all the time, forever?
Look, I'm not saying that a shipping chart saves Homestuck, but... by the time this last retcon is through, every Alternian troll is alive and god tiered. And he is dating Eridan.
If you have any questions about him dating Eridan, please refer to the link above. That essay is nearly as long as this one. There's SO MUCH FUCKING FORESHADOWING.
I don't think the god tiering needs to be explained, because if we hear that Karkat basically made his past self a shipping chart, and we've seen everybody's character development as they've gone through this journey, and we have Aradias on timeline duty and Nepeta with memories of past retcons and her alternate selves, I think we can more or less gloss over exactly how they go about earning their wings while maintaining timeline integrity. The important thing is that Karkat is dating Eridan now.
Because that leads to the last few bits of dream bubble stuff, but before we get into that...
Miscellaneous Plot Things That Need To Happen But I Don't Know Where To Put Them
Yeah there's just some ideas that I have floating around that need to be placed somewhere but IDK exactly where, or exactly how they shake out.
Hal becomes a real boy. And by that I mean as part of their character development, Jake makes Hal "real" a la brain ghost Dirk, and then the rest of them have to scramble against the clock (Jake's ability to maintain Hal's realness) to god tier him and make his existence permanent. He's a Sylph of Mind, which allows him to negate Condy's mind control. And maybe a GCATboy?
(Tavros) becomes the new leader of the ghost army.
Davesprite winds up dead at some point in the bubbles and doesn't explain how he died, but he and (Dave) get to fight each other and hash out their Realness and Relevance issues, before facing their final boss fight as bros once more.
Jade and Nepeta get to talk, and Nepeta gives Jade the reassuring speech about Ultimate Selfhood and how she won't be lonely forever. Maybe it's flushed. Might leave it ambiguous.
Somebody needs to auspicetize Dirk and Jake holy shit. Dunno who. Maybe Karkat, but I kind of like him pitch with Dirk, so IDK really.
Dad needs to die. Sorry Dad. If I can find a way to kill off all of the sprites besides ARquiusprite, I will. It's explicitly stated that sprites are drawn to the battlefield during the Reckoning, presumably to die, as part of the coming-of-age themes - losing one's guardians. It's sad but it's gotta happen.
All the Godtier!Calliope stuff basically happens as-is.
Can you tell I need to do more research on the alpha kids...
Ok Back To Karkat And Eridan
I think I'm going to leave their moirallegiance fairly ambiguous, but when Eridan is brought back, he and Karkat are basically together all the time. Karkat's signals are mixed even on the best of days, so I don't know how easy it'll be to tell that these two assholes slinging death threats at each other are pale, but *I* will know, and that's what matters.
This leads to the last two dancestor takedowns:
Karkat and Eridan (mostly Eridan) round on Kankri. Eridan calls him SO MANY SLURS. The fact that Karkat not only condones this, but is DATING ERIDAN, kind of makes Kankri lose it a bit.
(Karkat) and (Eridan), who have reconciled in the bubbles, finally find (Vriska) and Meenah. (Karkat) gives the two of them the speech that retcon!Vriska gave (Vriska) in the comic's original ending, but this time around, (Vriska) actually agrees with him. This serves as a conclusion to (Karkat) and Meenah's arc, and causes Meenah to feel so bad that she walks back to the other dancestors in shame, as (Vriska) leaves with him with the treasure to finally fight LE.
When Meenah returns to the dancestors, the first one she finds is Aranea, who's really sad about her own little escapade, blaming herself for the way Game Over went. This prompts Meenah to go, no, it was probably my fault, shouldn't have let you run off like that. And this would, from all the sobbing dancestors, prompt a string of "no, I'm the reason we failed"s, eventually culminating in Meenah rallying them together to do one last good thing before everyone gets sucked into the black hole and go join the fight against LE. Everyone agrees.
(Gamzee) is revived by the life players and cursed with immortality, so he can go on to become LE and complete that time loop. He is immediately locked in the fridge. This is also why he can't fucking die no matter what you do to him.
This also leads us into the final boss fights.
VS. CONDY
The twelve trolls. The Condesce represents tyranny, the worst aspects of the trolls' old society, and as such, is most thematically taken down by them. While she did fuck up the alpha kids' lives, too, I just personally think it's so much more thematic and satisfying to watch her be beaten down by the trolls.
VS. THE THREE JACKS
The eight kids plus Hal plus Davesprite. With Bec Noir specifically, it's fucking PERSONAL, as this guy killed their parents. This is where Dave fulfils his destiny of killing an iteration of English with his sword, when he decapitates Jack English; the person in the middle of that sandwich is Davesprite, which is how he dies and winds up in the bubbles. The iteration of Jack that survives to date Ms. Paint is Spades Slick, as he's the most sympathetic out of all of them and didn't kill anybody's parents.
At some point during this fight, I like the idea that they get zapped away by Jack English, John zaps them to the Godtier!Caliborn fight where he gets sealed in the juju, and then we cut back to the fight with Jack English, where, inexplicably, they all zap right back in.
VS. THE FELT
The spares - ARquiussprite, (Gamzee) in the fridge (who has since been revived by the life players and blessed/cursed with eternal life so he can go on to fulfill his role in the timelines and become part of LE), Dad, and the other sprites (if any of them are left alive).
VS. LORD ENGLISH
The GameOver!crew, the ghost army, the dancestors (they have a Big Damn Heroes moment right near the end, buying Jake time to deploy the Weapon), Aradiabot, and Davesprite.
Jake fulfills his destiny to defeat the Lord of all Angels by being the one to deploy the weapon, which deposits the beta kids, who knock LE in to the black hole. They then zap out of there, collecting the alpha kids from after the Caliborn fight, and zap back to the fight with the Jacks.
This specific configuration of boss battles winds up leaving Lord English entirely up to dead characters, who are then implied to all eventually get sucked into the black hole - their memories to live on through the living characters via Ultimate Selfhood, which only Nepeta achieves on screen, but implies that they will all achieve eventually.
It's important to me that the GameOver!crew is the one leading the fight against Lord English, as they're the ones who were the most screwed over by LE and his machinations - manipulated into killing each other, used as servants of his will, dying ignobly in a doomed timeline filled with special stardust. Meanwhile, the retcon!kids and trolls prove what they've learned - about compassion, kindness, equality, and forgiveness - by beating the shit out of the Condesce, who represents the horrors of Alternia, and the Jacks, especially Bec Noir and Jack English - the latter of which is a shadow of what Lord English represents - immaturity, cruelty, hatred - and the former of which is a culmination of all the failures they committed to get to this point, a symptom of their universal cancer.
I wrote a little snippet of Aradia once, and I think I'll use that to end this essay:
(ARADIA): ok now that we are all done being stupid (ARADIA): im sure enough people here remember the plan that i dont need to explain it again (ARADIA): so instead i just wanted to say (ARADIA): leave your backs to us and face forward without fear (ARADIA): the dead and irrelevant will slay the demon of double death while you unmake the threats of the living (ARADIA): and personally i think it's very fitting that he will perish here as nothing more than a bad dream (ARADIA): this will be the last time we see each other (ARADIA): so on behalf of everyone that you are going to be leaving behind (ARADIA): live (ARADIA): and be happy!
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canary-song · 9 months
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Due to what little on-screen interactions we see between Noir Peter (Pete) and Peni in ITSV, it's no surprise that a lot of people have agreed upon the popular fanon of them being a sort of father-daughter duo (or, for those who subscribe a bit more to Pete being younger due to the comics, a sibling-like relationship). It's cute so I support it, but it got me thinking about the two in comparison to eachother, specifically in terms of corrupt systems and how they're handled in their stories. I think the two have a bit more a contrast than just the surface level stuff, so let's look into it!
(Essay + comic panel evidence beneath the cut)
From the very start of Peni's (unfortunately short) comics, she's shown as very resigned to her fate - when brought in to discuss her father and her future "career" in the SP//DR program, she's upfront and blunt; My father is dead, and I'm the only one who can replace him, so I will. It's a foregone conclusion, and one she doesn't shy away from.
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Furthermore, even though we see how, throughout the comics, she's basically given no life beyond her work, and even her school hours are eaten into, she's told again and again that all of this cost means something.
She has to sacrifice everything, because there's no other choice. Her own Guardians, her Uncle Ben and Aunt May, work for the very organization that her father did, and persist to remind her of the importance of the job, even if they do try to remind her that she can't handle this alone. Very telling, when faced with threats to the multiverse, she briefly asks her Uncle Ben if she should stay with him, only for him to tell her to go.
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Duty calls.
This isn't the point of this, but of course she joined Spider HQ and went along with what Miguel was telling her - she's grown up surrounded by very like-minded, sacrifice-willing adults. Of course she has to do this. What other option is there?
On the other end, Pete is quite the opposite of Peni's story. Yes, 100%, like all Spiderpeople, there's the element of responsibility, that looming recognition that not doing what you can gets people hurt, but while Peni's story is set up so that she's fighting for her system of authority, Pete is unsurprisingly against his. At any point that he can, even pre-spiderbite, he's picking fights and trying to fix things. He's so set in his beliefs and outspoken that he makes his own mentor question his actions, constantly in pursuit of a better world.
It's the responsibility of the people to give a shit, and Pete cares so much that it drives him a bit mad, I think.
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Where Peni is told that this is the way things work, Pete is demanding that it change, asking questions. Peni was raised to accept her responsibility, whereas Pete was raised to fight against the expected status quo.
AND DON'T GET ME STARTED ON THEIR RESPECTIVE BENS.
I'll try keeping this fragment of a thought short because we're already clocking in 6 paragraphs pre-edits and I need to feed the dogs their dinner soon, but the TLDR is that Uncle Ben is the last surviving legal Guardian of Peni, and though distant, he tries his best to support her while she's in the SP//DR program. Pete's Uncle Ben is, by no such surprise, dead, but specifically, he was a WWI veteran, decorated but guilty.
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Uncle Ben is, in the Noir comics, yet another symbol of how doing what you're told can haunt you. He was very vocally against the war machine he was a part of, while Peni's Ben has known nothing else but his work.
This is how completely dead opposite they are in so many regards. They contrast eachother!! It's really interesting! Honestly, I could see Pete getting into an argument with Peni's Ben over how she's been treated, even if it probably wouldn't go well. He cares too much to keep his mouth shut, often.
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xinyuehui · 1 month
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I don't know if I want to write a massive essay about this, but they missed the whole point with all the characters, especially Ye Wenjie. I'm assuming everyone who said this portrayal is accurate and a raging angry Ye Wenjie is good is because they either never read the book, or non-Chinese, or both. (Or maybe projecting their own views on Maoism). Ye Wenjie received higher education during a time period where it wasn't common for women. She believed in science, she believed in people, but time and time again, the people in her life let her down and never showed any signs of remorse. What I've gathered from the text is that she isn't fuelled by rage, more so she is dead on the inside, she has lost all hope in people. Her decision to reply is not because she wants to destroy, she believes that a civilisation from a higher standpoint could save humans, and this roots in the fact that she is educated. She's not some crazy rage driving women who would ever say "time is a motherfucker", not even a Chinese equivalent.
I'm not sure why the writers decided to write Ye Wenjie and Yang Weining's relationships out of the story...Oh so she is rescued by a white man later on hmm??? (Coincidentally, all the characters driving the plot are also non-Chinese in this). Ye Wenjie marrying Yang Weining and giving birth to Yang Dong gave her a glimpse of light in the life from which she had lost hope. Spending time in Qijiatun also gave her a bit of warmth. When she pushed Yang Weining off the cliff, it marked another significant point, she was calm, cut the rope with no hesitation. She did not care to get herself entangled in romantic affairs. Making her have a child with Evans is laughable. They also dumb down Yang Weining, to the extent that Ye Wenjie had to explain 43+8=51 to him. Mind you, he was a real proper engineer. (Weirdly with all the diversifying, they did not keep a single male Chinese scientist in the main team huh)
Anyways, before I go on a tangent. The writers have fast tracked everything and left out the finer text about the characters in the book. I'm not sure if they missed the point or that nowadays the audience are ruined by fast media, something like the tencent version are simply too slow for the people in the west. Any of my moots and followers who watch cdramas will know that the real good stuff is all in the build-up. It's all the little text that adds up to a fleshed out character. If the culture difference is too much for Netflix, leading them to change all the characters and most of the plot, why not just buy a western ip. There's plenty of good western sci-fi ips.
I can't help but think they want to do this because they wanted to film the scene where Ye Zhetai is beaten to death. Have an excuse to turn Ye Wenjie an angry woman. We all know why. If they really cared about showing a true China during that time, they would have spend some care with the Red Coast details as mentioned above (we did not have screens in 1960s that display Chinese text!!! And definitely no simplified Chinese characters on computers!!!!). Instead of having her snog Bai Mulin off - unrealistic since people were a lot more conserved back then, they would not have done this and it's ooc for Ye Wenjie. Falling in love with Evans - a real blasphemy. I guess the 3 Body Problem here means 3 bodies pounding at each other. Jin-Raj-Will also seem to have their own 3 body problem going on too.
(One last tangent) Ye Wenjie and Yang Dong(Vera) as scientists not believing in god but having monks at her funeral ??????????? Not even a typical normal Chinese funeral will have monks. The stereotype enforcing is real.
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ic-3-e · 1 month
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Re-educate yourself on shifting!!
let's get rid of the 2020 misinfo that might be stuck in your head!!
(I've posted a part 2!)
what is shifting? what can you do with it? (clearing out misinfo)
shifting is becoming AWARE OF ANOTHER REALITY! (not your consciousness, your consciousness is infinite and moving it means you will go unconscious in this reality)
everything is possible with shifting. there are 0 limits to it.
you are constantly shifting every single time you change your intentions on something. not exactly every second but you do it so frequently you don't even notice!
every single person can shift. stop limiting yourself and your beliefs.
manifestation and shifting are very similar! they are basically the same concept.
what are some potential blockages?
not taking breaks!!! - you must take a break for yourself, it can be as long as you want just make sure to take breaks from shifting!
giving up. - NEVER EVER GIVE UP. you have everything to gain and nothing to lose.
copying off others. (for a very long period of time) - I'm not saying that you shouldn't follow other's tips but you have to remember that everyone's shifting journey is different and that you might not shift by copying off someone who has! find something that suits you the best, experiment with everything you can!
treating it like a chore - you must make shifting exciting and not feel like a chore. as i said realier, take breaks that helps a lot!!
not actually trying/giving effort. - even though some people have shifted by just saying one affirm, that's very rare. shifting is a skill and you must put your effort to learn it!
what is scripting?
scripting is writing down and describing the reality you want to shift in. SCRIPTS AREN'T NECESARRY TO SHIFT but they can really help you with motivation.
you dont need a 50 page essay as a script 😭 - shifting is all about intention, you don't really need to script every single detail possible. just trust your subconscious, you will get what you want no matter if you write it down or not!
how do i shift?
you can use a method, meditation or just your own intention! all of these things lead to one - your intention. you can shift only by intending you want to, but it's not as simple as just saying it in your head. as I said earlier, you must put effort in it.
i suggest you do your own research and experimenting on that and find what suits you the best!
some problems shifters might run into!
"my DR is really loud/has a distracting noise." - script that the background noise is in your DR.
"i can't visualize" - you don't need to visualize to shift. you can find some methods/meditations that don't require visualization. (or just shift by setting an intention)
"i'm doubting shifting/i don't believe hard enough in it" - that's totally okay! i know it all sounds kinda crazy and nobody has truly believed in it until they have actually shifted. countless of people have shifted with doubts and you can as well. i recommend you reprogram your mind using subliminals/reya's method or anything else really.
That's it! Hopefully you learnt something new and this post helped you. I'll probably make more shifting posts in the future.
If you have any questions DM me (honestly i have 0 idea if you can do that in tumblr bc i'm new to the app 😭)
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iouinotes · 3 months
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You're my dream | Alex Walter
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pairing: Alex Walter x female!reader
genre: fluff word count: 3,4k
show: My life with the Walter boys
summary: Alex thinks you prefer Cole over him. You show him that he is the most important person in your life.
a/n: @bbr0wni3 and I had the same idea for a story, so I hope you like the final result :) and sorry for gatekeeping sooo long
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Alex had been quiet for the entire walk home. It felt like the school day had passed painfully slow, without his sympathy, his jokes, or his comments in math class. I've tried to find out the reason for his silence, but each time I asked about it, he changed the topic and I was left clueless.
Of course, I thought about what could bother him so much, but none of my suggestions were that convincing. Maybe it was his bad history essay? Or did he have had another fight with Cole? Was it about Paige? She had become his black shadow over the last year and if I'm being honest, I never really liked her. I mean, as Alex's best friend, I have little say in his dating life, even though my opinion is important to him.
Because when Alex falls in love, no one can stop him. It happens quickly and is usually associated with a lot of pain afterwards.
But if I remember things correct, Alex has been acting a bit strange for a while now. I mean, I tried to get to the bottom of his sudden mood-changes, but understanding Alex's mind has never been an easy task.
Good thing for me, I've never liked things too easy. Then again, bad thing for me, that I'm in love with my best friend.
I didn´t notice it at first and I can't pinpoint the exact moment, when my feelings for him meant more than just friendship.
Alex has always been a special person in my life, someone I could open my heart to and who would never hurt me. Apparently, I opened the doors to my heart a little too wide for him, because on one warm spring day, when I couldn't stop looking at his smiling face, my feelings for him became very clear to me. I literally hung on every word he said and I didn't even know at that point, that you could see a light in his eyes, when he talked about something he liked, that shone as beautiful as the rays of the sun.
And then, without even paying attention to what he was saying anymore (I think it was something about a new video game, he was playing), I quickly wrote down a few phrases in my notebook. that came to my mind. Unfortunately, I probably acted a little bit too hectic, because he stopped talking mid-sentence, irritated but curious.
"What are you doing?" I heard him ask, a smile on his lips. He leaned towards me and before I could hide it, he read the words out loud.
"Looking at you is like having the sun right in front of me.
I´m blinded by your beauty."
I thought my heart would give out at that moment, but he just grinned at me with twinkling eyes and asked who these two poetic sentences were addressed to. I said back then that it was about a character from a movie, because he wouldn't have bought anything else. After all, he had known me for so long that he knew about every crush I ever had, so choosing a boy from school would have been out of question.
But he never found out that my inspiration was actually him.
However, when I clear my thoughts and turn to look at him now, a visible frown is attached all over his beautiful features. I decide to put my arm around his arm, the typical pose for a married couple, so he isn´t able to get away from me and I can convince him to hang out. With the aim that I can lighten up his sadness.
Unfortunately now, much to my discomfort, he's looking at me with raised eyebrows, which is why I finally bring up the sensitive topic.
"So, something is clearly bothering you and I will take it as my duty to change your miserable mood. Don´t protest, because we are going to my place and I will take care of you with lots of ice cream. How does that sound?" I see a smile tugging at the corner of his lips, he signs but then quietly nods. And when we arrive at my house, luckily my parents are still at work, I turn the key and let us in. He takes off his jacket, my eyes secretly wander to him and I notice, while my heart is pounding, that he wears my favorite sweater. A white one with a blue hood.
He fixes his hair, that always need to look perfect and I smile lightly, because I love every time that I can get on his nerves, when I ruffle through it. He throws himself on the sofa and while I turn on the heater and go into the kitchen to get the ice cream, he has already made himself comfortable with a blanket. When I see him hugging a pillow, still scowl on his face, I sit myself right next to him. But as he keeps his attention at the black TV, I notice his exhausted figure and decide to speak up.
"Alex, come on. Talk to me, something is obviously going on. I don´t like it, when you are sad. Plus, I really miss your smile." My hand rests on his shoulder, lightly stroking the hair on the back of his neck, because I know he has a weakness for physical touch. When I see him struggling to keep up his act, I approach him and whisper "you can tell me anything, you know that right? I would never judge you."
Again, he signs loudly, but finally looks at me. His eyes are searching for mine and now that his attention is focused completely on me, I suddenly feel uneasy.
"D-did I do something?" My nerves are getting thinner by the second. I hate to upset him. Probably because I love seeing him happy so much.
"No, it´s-" his hand brushes over his face. "It is complicated." I'm still trying to understand, why he can't tell me what's going on.
"You didn´t do something illegal, didn´t you? I mean, I would still be your best friend, but I would have to make up a story, why I'm visiting you in prison-" at that, he quietly laughs and shakes his head.
"It´s legal, even though I feel like it shouldnt be." Now I'm curious and scared at the same time.
"Please, tell me. I´m dying to know." I try to put on my best puppy dog look, even though it probably looks pretty stupid.
A few seconds later, he slowly raises his hand and places it on my cheek, gently stroking my skin, while still holding the eye contact. His gesture leaves me speechless. I mean we cuddled every now and then during a movie or I've fallen asleep on him. I've also kissed him on the cheek once while doing a chore, but otherwise we always kept a decent distance. The fact that he's coming so close to me now is catching me off guard.
"You...you would tell me if you like someone, right?" His question surprises me.
"Yeah, of course. You now, that I can barely keep something from you. You always know what I get you for your birthday, because I can´t resist, when you keep asking me about it." His hand slowly sneaks into mine. My eyes wander to our laps. I feel myself getting more and more confused.
"Alex, what´s going on? I don´t hide anything from? Do you think otherwise?" I feel a pang in my heart as I look into his eyes.
"I heard a rumor" he begins to say and I draw my eyebrows together at his words. He never considers any rumors, because most of the time they are false anyway.
"And?" I want him to continue.
"It was about you and-" hopefully not about the fact that I'm in love with you, just let it stay my secret.
"-Cole." What?
"What?" He signs, looking away from me.
"Someone said, he heard you talking about how in love you were with him or something. That you prefer him over me." He averts his eyes so he's no longer looking at me. I almost laugh at this ridiculous statement.
"Do you really believe that? That I would prefer Cole over you? My funny and kind, but sometimes very very stupid best friend? You really think, I hang out with you in every free second, that I have, because I like your brother? Who is by the way, not even close on my list of people I would visit in prison." I'm glad he didn't do anything illegal and it's just about a stupid rumor. But now, I still have to convince him, that it is in fact just a rumor.
He is quiet for a moment, but when he speaks up, I almost laugh at his question.
"Where am I on your list?" His eyes look into mine and now I'm the one taking his hands.
"Alex" I start to speak in a gentle voice "you will always be my number one, you hear me? I don´t think, I like another person in this world or in this universe as much as I like you. Sometimes, it feels like you are literally the reason, that the earth revolves. Because for me, my world revolves around you. I enjoy every second, I spent with you and I would never, ever trade this for even a minute with Cole. Okay? Never. I promise."
I finally see his shoulders relax and a genuine smile that spreads across his face. When I nudge him on the shoulder, he laughs.
"You, big dummy. I thought, you would tell me, you robbed a bank or something."
"Oh, I would never dare. You would kick my ass." We smile at each other in silence.
But I still want to know, how it comes, that he would believe something so ridiculous.
"So, why did you think, I would prefer Cole over you?" It hurts a little to think, that he believes he´s not that important for me.
"Because" he begins to say, gesturing with his hands "the Cole effect exits and all that. Every girl falls for his charm or whatever. I can´t compete with him." Something I will never understand. How he always makes himself look bad in comparison to his older brother.
"Well, for the matter, you affect me with your smart and kind soul. And I think my heart could bear it a lot better, if you would not look like a dream come true."
He's silent for a moment and I begin to panic, when he suddenly looks at me with a nervous expression.
"Can I- I mean, I think I´m going to say something really concerning. And it will affect our friendship, like a lot. So, just let me say it." Since that means, that he wants to talk about something important, I stay quiet. Nevertheless, still holding his hand for support.
He exhales heavily, but then looks directly at me. "I know you for as long as I can remember, you were by my site since the second I walked on this earth. You know, quite literally, because we were in the same kindergarden group. You were my first friend and I remember so many moments, that will forever exist in my memory. And...in my heart. Because you seem to have a say in what my heart wants and it feels like it wants you, for some time now. I know you are my best friend, but I cant imagine someone else being so connected in my life. In everything I do, everything I am. You support my decisions, even if you don´t like them. When you force me to watch rom-coms with you and the characters talk about finding their soulmate, doing all these cheesy things, I realize I want that too. With you. Since watching the Notebook three weeks ago, I wake up every day and wish that you would lay next to me. So, I could-"
He leans forward and with a shy smile, that makes my heart burst with happiness, he kisses me. It´s a feeling, I never want to miss again.
"-kiss you. It would be the first thing I would do in the morning."
He tucks a strand of hair behind my ears.
"I would-" his hands move to my waist and pull me onto his lap. "-make you sit right here and whisper all the things I adore about you. Like-" he kisses my forehead, I feel his lips across my face. I close my eyes and enjoy being so close to him. He leans further towards me, his lips brush over my neck and leaves a kiss there.
He mutters a few words, that I -much to my dislike- can´t understand. But I´m too caught up in his embrace to ask about it.
But then, he seems to get more confident and when he speaks again, I almost tear up.
"I love you. As my best friend, my heart, my love, my person. If you let me. I'll be yours, if you want to be mine."
I kiss him again, letting the tears flow, because I don´t know what else I could do to show my happiness. When we break apart, I look at him. A lovesick feeling inside my chest.
We're holding each other in our arms, but just a few seconds pass until his curiosity wins and he turns to me.
"That quote, that you wrote a few weeks ago, about someone being like the sun for you. Who was it about? Because you did not, just for once, talked about a fictional character. I would remember." Okay, I didn't expect that.
His beautiful eyes continue to look at me, encouraging me to come out with the truth. I nervously smile, tracing the lines in his hand.
"As you said, you ever looked at someone and just thought: This is my person? Someone, you want to have in your life, no matter, if it´s just a friend, a boyfriend or maybe even a best friend." I look at him, searching in his eyes, that he knows how I feel. Then I continue.
"Someone who makes you smile just by existing. Or someone who has a shitty humor, but he delivers his jokes so perfect, it makes you laugh anyway. Someone, who holds my heart and my mind in his hands, even if he doesnt know it."
"What´s he like?" His eyes are curious, but to my surprise, he seems irritated by the thought, that I could be in love with someone. Someone, who isnt him. You big, big, idiot.
"He's kind, has a fascination for fantasy books and for riding horses, playing baseball or fighting creatures in video games. He doesn't know, why I have a soft spot for sweet, gentle and caring characters, even though he is my inspiration for writing them."
His lips part in surprise.
"He's my everything. Sometimes it makes me sad, because I can´t love someone else, the same way. But then, I look at him and I feel like, why do I even want to love someone else, when he exits." I pause for a moment.
"When you exist."
My words make him speechless, but he continues to hold me close to his heart.
"For a long time, I didnt even know I had feelings for you too, Alex. You were always like a second home for me.
You are someone I trust the most and who I rely on in any kind of situation. You make me laugh and you´re always there for me. At first, I didnt notice my change of feelings. Because you kept being my safe place, but as I grew up, I realized that nothing mattered the way, you matter to me.
Sometimes, when I look at you, it feels like I have met my other soul or that maybe, we share the same. Nothing in this world is as important to me than you or your feelings. Maybe it wasnt clear enough for you to see, but I am in love with you.
Your existence in this world is so special and like nothing else, I could ever dream of. Because you are my dream, the most-dearest one."
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Possessed by Grief - an essay on MyHouse.pk3
Here's that essay on MyHouse.wad I've kept threatening to drop like a big anvil, which I definitely did not forget about for like a month :P Seems like an opportune moment to publish it, what with all the recent influx of interest in the game - and so I present some more of my thoughts on this masterpiece. Enjoy :)
MyHouse.pk3 is a game about grief.
It is a game about nostalgia and regret, obsession and devotion, confusion and despair. A game that asks if it's ever possible to escape grief's clutches, or if each apparent success only makes the net close tighter around us. A game that compels us to seek answers, and provides only further questions.
This is also a game about love, and how grief scrunches it up impossibly small and stretches it out impossibly thin, as we are forced to reckon with what this person really means to us, what impact they've had on us, and how we can possibly continue to exist in this world without them.
It is by all accounts a common thing for prospective modders to recreate their own houses, or those of their relatives, as part labour of love, part test run for future projects, part rite of passage. I imagine that playing through one is akin to a virtual property tour, with added demon killing and grunting. And perhaps this was all MyHouse.pk3 was ever meant to be - just another map of just another house, albeit uploaded as a tribute to its original owner who passed on.
What we get instead… is nothing short of an electronic manifestation of grief itself. The house changes as we play, as demons thought vanquished return stronger than ever. New hallways jut out at impossible angles while old doorways vanish into thin air. We wander through wildly different versions of the house's floorplan - a brutalist office block that changes in size, a perpetually-flooded bathhouse suspended in an eeriely tranquil skybox, an abandoned daycare falling into disrepair, an empty airport devoid of life, adjoined to a bathroom with a bloody secret. Mirrors become portals to alternate versions of the same house, where everything is the same except reversed. You jump out of a plane and seemingly wake up back at the house, but time has passed and everyone has moved on and the one thing you thought a concrete certainty ("Safe as houses", so the saying goes) is literally sold off behind your back and you turn around and there's nothing there anymore, it's just gone.
No-one asked you. You did not consent to any of this, and yet it has happened all the same.
And life ticks on and you try to move on but you can't. Even the Underhalls, Doom II's second level, provides only temporary respite, as you are immediately spat back out right where you began, and the whole process starts over.
THIS is what grief does to someone. It freezes you in time, folds your mind into endlessly recursive origami shapes that loop on themselves again and again, removes an old keystone from the bridge of your psyche before stepping back to watch the structure slowly crumble to ruins. You flail helplessly as you are caught between trying to invoke what you've lost in meaningful objects and places, and tossing everything aside and trying to escape into some new, different reality. The past contains bittersweet memories of happier times you can never return to, while the future promises nothing but a bleak pseudo-existence utterly devoid of meaning. You cannot go back. You cannot move forward.
And all the while, you torment yourself with the same questions, over and over and over: Why did this happen? What do I do now they're gone? Could I have changed something? Could things have been different, if I had just been kinder/braver/better/gentler/more attentive?
Grief haunts MyHouse. It is the unseen hand that shapes the world and all the artefacts scattered throughout it. It is the force that compels Steve to continue adding to it, convinces him that only he can do what is needed, and he becomes as dependent upon the map to frame his loss as it is dependent on him to shape it. There are no ghosts or demons, no supernatural forces at play here - just one person trapped in his despair and loneliness, pouring everything he has into the one last thing that connects him to his dead friend. And in the finished map, we see exactly what Tom was to Steve, just how precious and irreplacable of a friend they were to him, just how fathomless his depth of feeling for them. So deep that Tom may very well be "the only person I [Steve] ever loved."
Grief and love are intertwined, they cannot be teased apart. The deeper and more profound the love for someone, the greater the agony experienced when they are taken from you. For Steve to have constructed such an elaborate, multifaceted, labyrinthian space, and to have done so deliberately as a trubute, it becomes increasingly obvious that he was motivated by a love and a grief so abyssal and all-consuming that there was no-one and nothing he valued more in life - to the point where it must have seemed that he, too, had died alongside his friend.
This house and all of its impossible multitudes is a digital mausoleum, built not so much for a person as for a relationship, dedicated to stupid in-jokes and childhood traumas and painful secrets, plagued by a burning love that cannot be spoken yet has to be expressed lest it destroys the one who harbours it. It stands as proof that Tom existed, that the bond they shared was real. And through all the confusion, the hopelessness and the heartbreak, a way forward begins to emerge.
Grief never truly goes away, is never truly "beaten" as a video game final battle may be. But it does become easier to navigate, its twists and turns becoming more familiar with each pass, with each story shared between others who are struggling alongside us. Contentment can be reattained. Life does, indeed, go on. Love is not negated by death, but endures forever in how we choose to honour those who are no longer with us.
Thanks for reading.
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internetmisfitsworld · 6 months
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So far from what I've seen, the reboot doesn't showed or mentioned any implications that Makarov and Yuri were former friends or served together in the army. Hell by the looks of it, Yuri looks much older than Mak.
So I'm guessing in this new timeline, Activision probably won't go with that route anymore.
I noticed that not many people saw how much Yuri truly meant to Makarov. I'll go as far to say that Yuri was the LAST and ONLY shreds of humanity that's left in Makarov. Just a tiny piece.
Now why would I say that Yuri was his last shreds of humanity? I mean surely it's not possible right? After all, this is the same man who shot at him, almost blew him to pieces and literally KILLED him at the end.
Well, here's a few hints that I noticed.
(Long essay here. Because why not.)
(I'm feeling a bit emo over the fact that I'm gonna miss these two bastards dynamics.)
1. 1996 and 2011 flashback
He seemed so happy and content with Yuri during the flashback scene. His little smile when talking about the future of Ultranationalist to him. It seemed so genuine I almost forgot this man is a terrorist lol.
Also, it's kinda wholesome to know that these two were always joined at the hip. First, Pripyat then the whole nuking the US army. Must've been one hell of a duo back then to be picked as second in commands of Zakhaev. Well, either that or Zakhaev didn't have the heart to separate them 🤣 (they both shared one braincell).
Zakhaev: No. Yuri cannot go with you for this mission, Vladimir. He must stay here.
Makarov:
Yuri:
Zakhaev:
Makarov: ☹️
Yuri: ☹️
Zakhaev: 😑
Zakhaev: FINE. BOTH OF YOU GO!
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2. No Russian
I wonder why didn't Mak killed Yuri sooner when he found out that Yuri was snitching on him to the FSB. Unless he found out about it on his way to the airport, then there was no reason to kill him at the airport.
I mean, why? Why did it just moments away from committing "the most world changing" act? He could've just killed him at the safehouse? There must've been someone guarding the safehouse, so if he wanted to pull the whole "let him suffer till his last moment" to Yuri, the safest way to do that was at the safehouse. At least his guards will shoot him if he so much as stand on his feet.
It makes me wonder if he was having hesitation? It's this complex feelings of the fact that he doesn't necessarily wants Yuri dead but he also doesn't really care if he lives either. He can't have him in his circle anymore due to his betrayal but it will set a bad example to his men if he lets Yuri live.
But he have to kill him in front of his men, so that they know he's not to be fucked with and he's not going soft. He can't afford any flaws. Especially now that he's the leader.
So the plan was to shoot Yuri in the abdomen area, under the pretense of "let him enjoy his last moment", and then count on him having the strength to crawl his way out of there.
Mind you, there's even an unused voiceline of Mak stopping the other from finishing Yuri off.
"No. Let him enjoy these last moments."
Which is bullshit, not to mention how uncharacteristically careless of him to pull this lol.
Because first of all, he and Yuri had fought side by side before, so he must've known just how far and how much Yuri is willing to push his strength and haul ass. He must've known Yuri's stubborn ass will NOT just lay there dying. He KNOWS Yuri would drag his ass up that elevator, hell even the fucking stairs if he have to, just to survive.
Like Mak, my dude, I know the chance of him catching up with you and shooting your ass was low due to him suffering from blood loss and everything, but still, my man, the risk is THERE.
That is dangerously stupid Mak agagaggaa you damn softie idiot.
But yeah I guess shooting up the airport was not the only successful mission that day. I'm certain he must've, unintentionally and discreetly, let out sigh of relief when he heard Yuri survived.
But also another incoming headache. Because he damn sure knows Yuri's gonna go after him using all the information that he knows about him.
3. Blood Brothers
Prior to this mission, we seen plenty times where Yuri gave intels about Makarov to Price and Soap. Some of those intels even sound... too personal. The kind of intels where you need to know him personally to be able to know that much. And sure enough Soap caught on to that during the Blood Brothers briefing;
Soap: Which vehicle will he be in?
Yuri: They constantly rotate for security. We won't know until he steps out.
Soap: You seem to know a lot about Makarov.
And the silence that followed after that lmao. I'm was dying to know the look on Soap and Yuri's face. I'm guessing Soap was hella suspicious and Yuri was pretending not to exist.
Also, I can imagined Yuri's guilt for not revealing the whole truth of who he was and his relations with Makarov.
Makarov had many "friends", no doubt due to his cold, no-nonsense yet charismatic charm. However, Yuri proved to be one of the only people who can adapt to his ways and doesn't cowered, like other people, from his steely mismatched eyes.
An equal. He was his closest friend. His only, truest friend, to be exact. Blood brothers. Brothers whom once bled together, not cause each other to bleed. Brothers whom once fought side by side, not against each other. Brothers whom once saved each other's lives countless times. Brothers whom suffer together, laugh together. Aight I'm getting emo here I'll stop.
Alright back on the topic. So, he must've known that Price, Yuri, and Soap were gonna assassinate him. He probably had the tower opposite the hotel planted with bombs as security measure but when he looked right at them (as Soap mentioned), his suspicion was confirmed.
It amazed me he chose this method instead of having his men snipe them. Not to mentioned he spoiled the surprise too. The tower that Soap and Yuri was in had huge ass open walls, which easily allows them to jump in time. Yeah they could still die from the high jumps but the survival chance was still there. The only reason Soap died was because of his previous unheal stab wound reopening again.
This man seems to really have a problem to kill his former friend didn't he? Like, how did you failed to kill him TWICE 😭✋️ ??
I'm sure his men at that point was sick of it.
Inner Circle dude: Sir, I think we should just snipe them from a distance. They won't see it coming.
Makarov: No, we're gonna use the bomb. But detonate it after I dramatically announce myself.
Inner Circle dude: But sir, that means they will have the time to jump off and survives?
Makarov: JUST DO AS I SAY.
Inner Circle dude:
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He really kept on giving Yuri the chance to live. Even more funny, he still referred Yuri as "my friend" (albeit mockingly so but still).
4. Dust to Dust
Oh this mission breaks my heart in so many ways and reasons. Yuri dying, Price being alone.
But most of all, this moment right here.
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This and Pripyat, was one of the two moments where he looks most human. It is a rather... oddly unique sight, seeing the big bad Vladimir Makarov, the monster, the terrorist who coldly slaughtered an airport filled with people,
.....staring so painfully disoriented and conflicted at his dead former friend that he just killed.
No doubt, even before he shot that gun, he's AWARE it was Yuri shooting at him. Because, who else. It's only him and Price. But of course, out of instinct, he reacts anyway.
And after all that adrenaline fades away, only then he truly let it sink in that the person he just shot three times, was Yuri. And fuck does it hurts him alot more than that pain in his stomach.
Mind you, at this point Price has already risen up, on his knees, ready to tackle him, and he STILL didn't turn around. Seconds must've felt like eternity for him. Man was lost in his head.
That's how long this man stares at Yuri's dead body. That's how much Yuri's death affects him to the point he loses his focus on his surrounding. It's like in those few seconds, he was having a hard time taking in the fact that;
a) he just killed his only friend.
b) he really is alone now. he just killed the only person who knows him truly, well before he turn into the monster that he is now.
He snapped out of it at the last minute, and even then he seems hesitant. Not because he was hesitated to kill Price but he was hesitated to live.
He knows he's screwed the moment he turns around. He realized just how much he fucked up for losing his focus. It's like at that point he just gave up on fighting. Yeah I know he still fights back if we were not quick enough to continously strangle him but still he doesn't seem to try hard enough.
For the first time in a long time, he was exhausted. Yuri's death drained him of all the fight he had left in him.
Yuri shooting at Makarov is not the only thing that saves Price. Yeah, it helps distract + weakening Makarov.
But I promise you, if Yuri didn't have any meaningful friendship with Mak and was just another random soldier defected from the Ultranationalist, Price would've been dead. Yeah change my mind.
Look at how fast Makarov's reaction time when Yuri shot at him. Mind you, this man just seconds ago was barely able to STAND UP, holding his stomach in pain, clearly suffered from major injuries in the abdominal areas.
The second that bullet hits his right shoulder, he slumped down for like 1 second, lift that gun up, take his aim, and fired that shit up. So pretty much he won't have a problem to immediately turn around and shoot Price as well.
But since said problem was Yuri, and so, Price got lucky.
And now it seems in the reboot, chances are, we will never get to this again.
(Also, I'm aware that there are people who ships them romantically. Which is perfectly fine. I personally sees them as close friends, like brothers. But hey, even I enjoyed Makayuri contents sometimes. So just letting you know that and I hope people can respect that.)
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landwriter · 1 year
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1589 got me feeling&rambling and I'm so sorry beforehand that I can't keep it short and simple, as would probably befit the thing. Feel free to ignore if not interesting to you, still you are the one that comes to mind when thinking about Hob being morally grey.
That scene is always so painful to watch, mostly because Hob is behaving like such a sorry fool. He has really decked himself out to impress his stranger and misses the mark so dramatically.
(Whereas Dream seemingly has not held back either - I mean it's easily his hottest look, you can't tell me he didn't mean to make a lasting impression. So much disappointment on both sides.)
Cringe Hob as part of the dark Hob spectrum, his self-importance/selfishness showing - of course it's not pure fun to watch, but I'm always so fascinated by that flicker of pain (foreshadowing shame) that comes right to the surface in all his put on show, just before he orders the lamb. The contrast makes for a very intense moment, imo. And I am wondering, has he really left all of this behind by 1889? Or is he simply more smooth by that time (that's what I'm getting from the show) ? In fanfics his flaws are mostly depicted as minor or serving a good end in modern times, he is always such a goodie by then (and I love him, of course). But can we imagine just a trace of more questionable/offputting Hob in the mix (if only on impulse) - to be clear, I have no idea how that would work. Or should we just be grateful that that lies behind him (it certainly makes for a much more likeable character and a nicer love story)?
(me force feeding myself more of the horrible stuff I just wanted to avoid looking at)
It's a beautiful contrast: opulence and insecurity. Success and asking still for validation. I have Thoughts on each meeting (please send me asks about them) - ostensibly the very first fannish thing I did for this show, and also in my adult life, was rewatch the meetings and pause constantly and take - oh holy Christ over 4,000 words of notes.
I propose Hob is not acting like a sorry fool. Sure, some bits are clearly played for comedy. Hob is selfish, self-important, and given to hedonism. He is concerned primarily with his own comfort and the personal pleasures of life. But I blame 1589 pretty solidly on Dream. In 1489, after being asked what his experience is like, he answers Dream with an inarticulate statement spoken by a true person who just Digs The Experience of Experiencing: it's 'fucking brilliant' and 'all changing'. Dream asks how, Hob literally looks around the room like a student who forgot an essay was due, and names chimneys and playing cards. Handkerchiefs. Simple things - still sensual things - but simple ones. Certainly no sociopolitical discourse here. What will you people think of next, says Dream, deeply sarcastic and visibly disinterested. And Dream also asks him: but what is Hob doing with his time? This, too, he is under-prepared to answer. Soldiering, banditry, bit of printing press work. Hardly enough to impress this supernatural lord, and Hob can tell.
When he is granted, explicitly, another 100 years by Dream, it is not only a relief, but I think a part of Hob squares its jaw in that moment and says: I'll show him - I'll show him what I can do in a century, I'll earn his pleased regard. Not necessarily because he's even, you know, madly in love at this point, but because he's in it for the living, does not intrinsically have great ambitions, but does have someone who has a) seemingly granted him this greatest gift and b) is unimpressed with what he's doing with it. And he's lost everyone he knew. Dream is now his oldest acquaintance, and wouldn't it be nice if he liked Hob?
He knows only the language of what impresses other men, and this is what he achieves. But to Dream, both Hob's socially-valued successes and his deeply personal ones are terrifically uninteresting. They are not New Dreams To Spur The Minds Of Men. There is no new story in a man seeking fortune and having a wife and a child he loves. He is ancient as the first dreaming thing, and he is Bored. He is, in fact, soured on this meeting from the outset, when he says "Hello, Hob," which on my watch struck me, apparently, as extremely bizarre and of having a real air of Hob being In Trouble. (The only other times Dream says his name are at the first, looming and omniscient, and in 1789, - 'I suggest you find yourself a different line of business, Robert Gadling'. He does not say it at their modern meeting.)
I mean - how would you impress someone? Someone who was interested in your deeds? Putting on a nice little dinner and catching them up on your life, talking about your family, seems a decent enough shout. It's not like you can ask him about his life, he won't offer information when asked and only sometimes will correct you if you venture your own guesses. (see also: 1889 foreshadowing) Hob is feeling proud and triumphant, feeling like he's come far. He is obviously a bit obnoxious about it, but I do think Dream shows off his flaws far more in 1589 than Hob does.
Hob's greatest sin, here, is trying to be liked. His greatest regret is almost certainly not the spread he put on, but the moment he was really, truly, earnest - not underscored even by a subsequent joke - the moment he declaims that this is what he had imagined Heaven to be like (safe enough to walk the streets; good food; good wine) - Life is so rich, he says - and Dream looks away to listen to Will Shaxberd, and we watch real time as Hob's expression collapses. He had leaned forward nearly out of his chair in enthusiasm, and now he shrinks back, reminded again of the dangers of earnestness: being alone in it. Being ignored. Better to make a joke of things, which is why he tells so many around Dream, especially after being more open - it's clearly a matter of habit. (It is also, incidentally, absolutely unappealing to Dream, who really and truly looks at him for the first time in 1689, when he is stripped of the social niceties of men and reigns nothing in.) He eats. He frets. He has had another century, and he has failed to impress the stranger.
The worst moment, I think, is that Dream does not renew their compact. He does not ask Hob if he still wishes to live, and Hob does not get the opportunity to say "Oh, yes." He was given this gift for one reason: the stranger was curious about his experiences. Does the stranger seem still curious about him now? I wonder, honestly, if Hob thought he would see another meeting.
Has he really left that all behind by 1889? No - you hear it in his own words, 'People are almost always better than you think they are.' - the earnesty, and then the joke - 'Not me, though, still the same as ever.' Except it's not really a joke, is it? Hob is saying to Dream, I know you don't think much of me, well, I don't pretend to think much of myself. He still wants Dream's validation, of course, he's just trying to earn it differently. (It goes poorly.) He's smoother, but also more frustrated, more fed up, more hungry for knowledge of his stranger; and I think that's such an interesting point in time for him. I think he leaves little behind, and what he does leave behind, he dreams of. He's changed so much and so little, and I think you could really go in whatever direction you want depicting that and be convincing.
I can't speak to the fanon on Hob's flaws because I don't read nearly as much as I wish I could. While I don't personally think 1589 Hob was actually that questionable or offputting - at least no more than most people would be in that situation - I would love to see a modern fic where has the same flaws he's always had, where they come up maybe different than they would have several centuries ago, but they absolutely exist, it does have plot consequences. Bonus points if he is not being offputting for the purposes of rescuing Dream from the fishbowl - if his flaws exist independent of his relationship with Dream altogether. Bonus bonus points if Hob is the one whose character development needs to be developed and Dream is in a better place than he is. If anyone has fic recs feel free to drop them in the comments!
P.S. 1589 Dream, wow, yes, for sure. 10/10 would babble and get walked out on
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krakenartificer · 11 months
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Notes on therapist selection
(From someone who is getting a good grade in Having a Therapist, something that is both normal to want and possible to achieve)
Some friends were discussing their work to find a therapist today, and I noticed some unspoken assumptions that can sometimes get in the way of finding someone who's a good fit for your recovery needs, especially around deciding what specializations to look for when no one covers the full range of your crazy. So a list of things to think about that -- as always -- may or may not be useful to anyone except me.
1) On overlapping specializations Anyone who specializes in ADHD or Autism will also have experience dealing with trauma, because every school system I've ever encountered has been traumatizing for NDs. They may or may not call it trauma in their own minds, but they know how to handle "a bad thing happened in my past and it's fucking up my present" problems.
Likewise, everyone who specializes in trauma has experience with anxiety. PTSD was, until 2013, classified as an anxiety disorder. DSM-V puts it in its own category for presumably good reasons, but everyone with PTSD has anxiety (or close enough that you can't specialize in trauma without knowing how to deal with anxiety).
That said ... 2) On picking your therapist based on vibes
Vibes are really more important than specialization. Specialization is important if, like, you have one (1) specific problem and you are looking for a solution for that problem. Like, if your life is fine except that you have ADHD and the executive dysfunction is causing you to be unable to write English essays, then you definitely want an ADHD specialist. But if your opening session is going to be
Therapist: So what brings you in? Me: Well! -straightens lapels- -pulls out easel- -pulls out prepared presentation notes- I have a list
Or
Therapist: So what brings you in? What changes are you looking to make? Me: This -gestures- Therapist: You just pointed to all of you Me: Yes.
then any generic psychologist is as good as any other. You got shit in your head and you gotta detangle it and it's all snarled together anyway, so it's a lot more important that you find someone who you're willing to be working with for years.
3) On finding "the one"
Odds are really really good that you're gonna have more than one therapist in your recovery arc. I did 2 years with one who specialized in psychological impacts on physical health, and it did so. much. for me, and I don't regret it for a moment, but also ... I reached a point where that wasn't the specialization I needed anymore, and also the shit in my head I needed to deal with was the kind of shit that (for trauma reasons) I couldn't talk about to someone in that therapist's demographic. So I left that practice, and found my current therapist.
My current therapist is great, and I'm really glad I'm working with him, but it's entirely possible that he's not going to be able to sort out this entire mess. We may reach a point where his specialties of relationships and adhd are not my bottlenecks any more, and he doesn't really have the tools he needs to handle what my next bottleneck is, and I'll go find someone else who can meet my needs at that time. This is normal and expected, and it's entirely fine to plan on it by (for example) deciding that you want a specialist in this thing right now, and you'll go find a specialist in this other thing later.
4) On Shopping
It's entirely reasonable to have more than one therapist this week. You are in no way expected or required to pick a single therapist based off of some profile pictures, a bio on the website, and a phone call, and then you're stuck with them forever. It is normal and understood that you will set up appointments with half a dozen therapists, and then pick two (or three) to do another session with, before settling into a single choice. Or don't! If you like two therapists for different reasons, and you'd rather work with them simultaneously instead of serially, then feel free to schedule with twice as many therapists, half as often. This ain't a wedding; you don't have to restrict yourself to only one.
Narrow down your choices as quickly as you want to based on your anxiety about not having a decision, based on your executive dysfunction and inability to track multiple things, based on how you feel about each one ... but don't narrow them down to one just because you think that's "the rules", somehow.
5) On Being Abrasive
If you know, upfront, what some of your dealbreakers are, just straight-up say that as you're scheduling the appointment or in the first session. My last therapist became a problem for me because she expressed empathy in a way that was too similar to the way my abuser used weaponized politeness to deny me boundaries; I couldn't talk to her about my violations because her demeanor was too similar to the person who violated me. So when I first talked to my current therapist, I told him, "I need someone who, if they think I'm full of shit, will say 'I think you're full of shit.'" He replied "One of my other clients calls me 'Deadpool'." I said, "Perfect. Let's give it a shot."
So if you really care that someone will let you schedule appointments online, or will never touch your wrist, or will treat your "disorder" as a neurodivergence to be accommodated rather than a problem to be solved, then say so. The sooner you both know that, the better: if you have particular needs, they need to know that now; and if they're not willing to meet your needs, YOU need to know that now.
(You will not, of course, always know your dealbreakers upfront. When I picked my first therapist, my primary problem was hip pain, and I didn't know it was PTSD. It was through her help that I realized that (a) I had trauma and (b) she was way too like my abuser for me to treat PTSD with her. This was not a failure. This was a massive success, because learning that was what allowed me to find someone who could help me (see point #3). It's fine if you don't know, right now, what you need -- that's part of why vibes are so important (see point #2). But whatever information you can give them, it is helpful to do so, and (despite what people in your past have implied) it is not rude, it is beneficial and desired.
6 - not advice, just a reminder
You are beautiful and brave and strong and I am so proud of you for fighting through all the shit -- both internal and external -- to get yourself help. No one ever talks about how hard it is to get to the point where you schedule that first meeting with that first therapist, and I want you to know that it is painful, it is challenging, and you're not lazy or stupid or whatever other lie your brain is telling you.
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rx-aysgl · 7 months
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On Kyle's Side: My Personal Take on Cartman And Kyle's Dynamic From Kyle's Point Of View
This is a four part essay in which i explore Cartman and Kyle's relationship, focusing primarily on Kyle's perspective. As said, i have broken it down into four different parts titled:
Sense of Identity
Martyr Complex and Competitiveness
Cartman
Their Relationship
There will be an extra chapter where i will make some additional commentary.
Hope you guys enjoy.
1. Sense of Identity and Selfishness
In the show Kyle is always concerned about “doing the right thing”, at least that's what he likes to tell himself. Though in reality, he is extremely selfish when push comes to shove and the reason for that stems from his constant questioning of his own identity and his stance in things. This makes him come off as rather inconsistent in a lot of ways. As a result, Kyle feels very lost. So what does he do? He decides to base his opinions and feelings and thoughts off of his environment because his own existance overwhelms him so much (eg. the "Tooth Fairy Tats 2000" episode). This puts him into this vicious cycle where he keeps getting lost even more due to not being able to pinpoint his own frame of thought and latching onto the external world that consists of many different people who have found their own way in life who also keep changing constantly and thus leaving all kinds of contradicting impressions on him. Throughout the series we see him try to change his apparence, religion, even his personality for the sake of fitting in (this also correlates to his martyr complex which i will get to). He creates this moral code for himself that he conditions himself to stick to in order to find his own identity and feel a sense of belonging but the sheer inconsistency of said moral code causes him to come off as indecisive, sometimes as a people pleaser and sometimes a hypocrite.
His defiance of a stable frame of mind pushes him to act on instinct and his momentary emotions while his refusal of self-acceptance causes him to distance his true self from others he considers close to him (Stan), hence the selfishness. It makes sense because how could someone get close to another when he can't even make peace with his own identity?
The reason i am mentioning this is to point out that since Cartman is so extreme in his beliefs and deliberately commits so many evil and selfish deeds, Kyle is obsessively drawn to him because it is so easy to call out and oppose him. Their polarity makes Kyle feel a sense of self he doesnt allow himself to truly make peace with and sugarcoat how fucked up he can be just like all the people in South Park that have wronged him but not enough to channel these feelings into. Cartman keeps Kyle grounded. Just like basically every other kid in the show, Kyle has done terrible things but he is so concerned about being right that he has to have Cartman by his side to make him escape from his own inner conflicts by reflecting it directly onto Cartman, the one person he is actually much more similar to more than he likes to think but he can only subconsciously acknowledge it.
2. Martyr Complex and Competitiveness
Another very essential aspect we need to pay attention to is Kyle's martyr complex. Kyle feels the need to not only to do the right thing but also to “sacrifice himself” for it. He is so self righteous to the point that not only does he not acknowledge his own flaws he also thinks he has to be and is some kind of heroic figure to others (eg. "Ginger Cow"), though this is more subtle compared to the other aspects of his personality.
The martyr complex causes Cartman to be seen as an even easier target than he already is and Cartman is more than willing to exploit Kyle for it hence feeding his very own complexes. They mutually feed off of each other to the point they are obsessed with each other and need each other. I would also like to point out that Kyle often shares some of his most vulnerable moments when Cartman is by his side in a suprising way (eg. choosing to stay by Cartman's side in the "You're Getting Old" and "Ass Burgers" episodes as an escape from Stan's depression at the time, crying with Cartman in "Kenny Dies" etc.) and vice versa. Though this is hard to notice on Cartman's side because Kyle conveys his vulnerability via confusion, sadness and desparation whereas Cartman does so via anger, jealousy and revenge.
3. Cartman
Cartman chastising Kyle like this most likely stems from how he believes Kyle was the catalyst to how fucked up he turned out to be due to his constant agression and bullying towards him in the earlier seasons, where he was mostly just a spoiled brat and nowhere near as bad as he is now. His pent up fury leads Cartman to also feel an extreme amount of envy towards Kyle with the reason of Cartman being a little more capable than Kyle at recognizing how him and Kyle share many similarities (being very emotionally driven, selfishness, neuroticism, stubbornnes, a habit of denying their own mistakes) who is in full denial of it on a conscious level. Cartman does try to get closer to Kyle and also the rest of his friends and seek their validation in the earlier seasons but as time goes by he realizes more and more that Kyle does not get the same treatment as him regardless.
Therefore, Cartman blames Kyle for his suffering and takes it all out on him in various disgusting ways because he thinks that Kyle deserves all the terrbile things happening to him.
It is very important to take into consideration how abhorrent Cartman's upbringing was and how influential it is to the way he feels towards Kyle. All of his childhood; he was raised with all kinds of abuse, neglect, extensive bullying and was depraved of almost all positive emotions. The result of this is Cartman ending up percieving positive emotions in a very traumatized, distorted and disturbing way. With this gradual build-up and "Scott Tennorman Must Die" being his breaking point by spreading fear to all of South Park and feeling an overwhelming amout of attention on him that he craved so much, Cartman ultimately comes to the conclusion that he can only and only validate himself by inflicting negativity on others. Independent from being conventionally "positive" or "negative" emotions, post-Scott Tennorman Cartman correlates all of his emotions to seeking attention and asserting himself as much as he can in means of a defense mechanism and in means of validating his own existance. His real feelings are filtered through a broken perspective, of which are conveyed intensely to the people he feels strongly about like Kyle or Liane.
How this all comes back to Kyle lies in the fact that Cartman also "benefits" from the way Kyle caters to his own problems via their seemingly very polarized relationship, not only does Cartman keep Kyle grounded as mentioned but Kyle does keep Cartman grounded as well.
At this point, their individual vicious cycles have become one, a constant play of cat and mouse; with both of them unable to differentiate which one is which, ever chasing.
4. Their Relationship
Describing their feelings towards each other as solely hate wouldn’t do justice to the times they tried so hard to keep the other in their lives (eg. the "Smug Alert" and "Skank Hunt" episodes) not only for the sake of just existing in each others lives or keeping in touch etc. but also to keep each other in their individual loops they are in, of which they cannot maintain with anyone else.
As a consequence Kyle and Cartman’s mutual obsession with each other leads them to go such lengths as saving each other multiple times. However, since there is a perpetual competitiveness between them due to Cartman's evny towards Kyle and Kyle's insatiable need to prove himself to be better than Cartman, they simply cannot stand each other’s happiness, especially if it involves someone really close to them, like a partner. Cartman ruining Kyle's potential romantic relationship with Nicole in "Cartman Finds Love" and Kyle trying to ruin Cartman's relationship with Heidi in "Doubling Down" and Kyle being unable to appreciate Cartman finally changing his ways for good and having a loving relationship and family in the Post Covid specials are all examples of both of them selfishly trying to involve the other in their own issues they should be able to deal with on their own, only have they not been such self absorbed people.
Their rivalry brings out the best and the worst in each other and they both know deep down that they are just like each other and they both hate it and feel an odd sense of comfort in it. That is exactly the reason why they simply cannot stand when the one of them goes on to have a happier life than the other. Not only do they feel as if they have lost some kind of battle but they also feel abandoned when it happens.
Extra Thoughts:
I find their relationship to be extremely complex and honest to god it has my multi media overthinker ass climbing up the walls and shitting furnitures. They are my favorite characters in the show and analyzing both of them was such treat to me. Due to some things i have mentioned in this essay especially on the last chapter, you can interpret some of them in the same vein as some kind of shipping subtext, even though this essay is essentially written in means of sheerly exploring this dynamic as it is. I honestly like keeping things really ambigious without necessarily categorizing relationships as romantic or platonic but if written properly i can enjoy both renditions of this relationship.
In order to clarify some things, i can enjoy romantic kyman ONLY AND ONLY in the condition of Cartman bettering himself over the years. I know it would be really difficult and may seem impossible to most of you but i find it an interesting and challenging story to think about and create content for. I believe that Eric is forever gonna stay as an asshole and i do not expect him to become an angel in the future. However I also think of him to be a really traumatized 8 year old, who is a really fucked up product of his really fucked up environment, a child who is smart enough to learn to be a better person, especially to those he values as his friends if given the proper opportunity. I do not think that their relationship will ever be a conventionally and classically an ideal one, especially from an outsider's perspective but Kyle and Cartman (and the entirety of South Park's cast) are both very far from being ideal human beings in the first place. At the end of the day, relationships can be very complex and unhealthy in real life, they always come in different colors and shapes. It is okay to explore a relationship in fiction without thinking it is the ideal relationship or the relationship you want to have in your own lives. It is okay to explore a relationship because it is interesting and well-written. This is what media literacy is all about.
As a disclaimer before some dumbass ship discourse happens, there are ofc some lines not to cross like the romanticization of inc*st, p*dophilia, r*pe and things like ww2 aus and shit btw. That being said, if you cannot separate fiction and reality to the extent i talked about in the previous chapter, this is your stupidity. Stop making it everybody's fucking problem.
anyways im gonna be extra deadass rn if someone gave me a 100k word long collage au that is written properly i would eat that shit up like theres no tomorrow. it doesnt even have to be romantic i just want more of them they are so interesting 😭😭😭 they also funny as fuck so the 2012 yaoi becomes even funnier. what a great dynamic godzamn 😭😭😭😭
Thanks for reading!!!
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