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#and yet actions have consequences
randomnameless · 18 days
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what do you think would realistically edelgerd's fate post AG?
We know Doylist wise she was Supreme Puppet'd to have her, somehow, survive (when we know how she reacts to military defeat in AM!) and removing all of her agency - Supreme Puppet was Puppet'd, so she cannot be hold accountable for what she did as Lobotogard, or with her regressed state, cannot be accountable the things she did with her mind intact.
I've already ranted about this special plot device to make sure the waifu escapes the axe and its sexist undertones, but damn if thinking about it to this day pisses me to no ends.
Faced with Regressed!Leader, Dimitri dgaf and moves on (or rather, away from her, reminiscing of AM - he has other things to do than to linger on his relationship with Supreme Leader).
I'd say -
Dimtri dgaf and leaves her to her own devices (which would be a nod to the "parley"? Now that Supreme Leader became one of the "weaks" what is she going to do? Bootstraps or rely on a support system she so much decried?) and move to Enbarr to put an end to the War.
But thinking in more serious terms?
His bannermen, friends and people wouldn't settle for anything else than Supreme Leader's death (maybe not on the gates on Enbarr?). She's the one who started this war and had so many people killed in her imperialist bid, so the only way Supreme Leader escapes death is with the Church.
Now, Supreme Puppet'd by Thales and maybe acknowledging Supreme Leader's second crust, Rhea might be more partial to her - she had been used as a plaything by Agarthans (hopefully she developped her racist tendencies after the experiments?) - and could see her as a victim.
On the other hand, she did start this war, and had more agency than expected given how she petitionned the CoS to war against the Agarthans who infiltrated her Empire - and yet, she still launched her attack on the monastery of her own free will.
Rhea is a compassionate person (Yuri still exists even after killing her knights!) so I think, with all things considered - Supreme Leader's status as a victim of Agarthans, Supreme Puppet and Lobotogard, but also, the war she declared and planned, sacking Garreg Mach, attacking the CoS both spiritually (the Southern Church thing was meant to be a direct "contradiction?" to what she preaches?) and martially, and MAGA > Peace - I'd say Rhea'd agree on not killing Supreme Leader, but at the only condition that she remains with the CoS, in something like her sentence will be to rebuild what she destroyed and mend the wounds she caused so that she might have a different outlook on Fodlan and its people (aka, not going all "i don't mind sacrificing them to reach my goals") when she will remember what she did/who she was, and/or will not become the same "tyrant" she was when she will "grow up" (mentally speaking?).
But that's at the only condition that she never gets to rule anything ever again or hold any kind of political power returning to Adrestia/Enbarr - if those conditions aren't met, she will be executed.
(and maybe to appease the people she's now supposed to work with, Rhea will lend her some old bottle of hairdye, maybe people will not see her as the former emperor who bled the continent for her whims, but as someone who is living a new life)
Rhea might thus "request custody" of Supreme Puppet and while the Kingdom might want her dead, the Church, as the main victim of the war, can have the last say (besides Dimitri might be relieved that Supreme Leader will not be executed), however, the Church asks to everyone present to tell their people that the "Supreme Leader who declared this war of unification died and is no more", maybe taking her crown and Aymr away, as proof she's "dead".
It sounds a bit too merciful coming from Rhea, when we see her in Tru Piss and with her history as Seiros the Warrior - but post!AG!Rhea imo is in a different mood, first of all, with Thales gone there are no people who will target Nabateans because of their race (so no genocide PTSD anymore?) and/or try to make new relics, and unlike the events of FE16, Rhea spent the last few years living with humans who demonstrated they could be trustworthy and actually helped her when she was in need (tfw Rhea doesn't know about Dimitro).
I can see her having more faith in humans and a future in Fodlan for everyone post!AG, as Dimitri and the Kingdom people seem to be trustworthy, than in FE16 when all of the events we play through in WC are basically triggering her genocide trauma (people hunting bones and crest stones, killing Jerry, turning her beloved wards in demonic beasts, some people targeting her for no plausible reason (unless the Western Church knew she had pointy ears?), Hresvelg becoming the new Nemesis, etc...)
That being said...
If Clout tries, during the epilogue, to take a shot at Rhea - when people are celebrating the end of the war - I cannot see things not turning sour for him.
Granted, if you want realism, Clout and GW cannot function because they expect the people involved to be completely stupid, but for this AU's sake, let's say Clout and Dimitro had their heart to heart in Zahrofl, he holds her at Failnaught range and demands her death/resignation/removal of her church.
If he shots and kills her (because Rhea would have dropped her guard, thinking she is surrounded by allies!), I cannot see anyone/anything preventing Claude from being dismembered/slaughtered in the seconds after Rhea's death - not even Dimitro because, hey, Clout said he will accept the consequences of his actions to "change" Fodlan, right? - by Church forces, Kingdom forces and, if we want to push the realism card, even Alliance forces (why the fuck did he do that? Maybe it's a weird doppelganger like those dark mages use! Or Erwin will behead him himself - sure this guy did that, but he doesn't represent the Alliance!).
In the chaos and confusion following Rhea's death, Supreme Leader is executed ("if she never started her war, nothing like this would have ever happened") and Fodlan is fucked when Sothis eventually pops up.
If Clout only holds Rhea at "Failnaught range" and she wonders wtf and asks him to explain - while the entire host of people from, again, the Kingdom, the CoS and KoS, the former BL and maybe some peeps from the GD and Leicester are there - Clout gives his bonker
"Who steals your freedom and gives you an endless list of duties and obligations simply because you have a Crest? Who forces you and your friends into a bunch of unwanted marriages and positions of power? The church even forbids any official contact with outside regions! Not exactly great for Faerghus, right? Being as close to Sreng and Albinea as you are."
reasons, Rhea's first reaction might be to crush him (because now she's on guard!) but if Dimitro says this is not a matter partaining to Faerghus and would rather stay aside (which would throw a wrench in Rhea's previous belief that humanity can be trusted again!) the CoS/Kos, Kingdom and Alliance people might just call crap and bullshit and debunk his baseless accusations (rekindling Rhea's faith in people and Fodlan?) from Annette telling him that they already trade with Albinea, Duscur generals and even Dedue telling him they witnessed the Church helping them regardless of their place of birth, Ingrid saying that her marriage to Glenn had not be organised or planned by the Church, but out of the affection they both had for each other and Ashe telling him those obligations and duties he seems to resent don't exist because he has a crest, but out of a genuine desire to help people.
Maybe we can add Judith wondering wtf is going on with Clout-boy, has he forgotten people get responsabilities and duties because they want them or because Nobility exists well beyond Fodlan's borders? "And I thought you had more common sense than this!"
A Goneril bannerman/loldier might add that the Archbishop asked them to treat Almyran as something else than nuisances and parasites when she came to visit and left with an Almyran kid in tow, but hey - they always attack them for no reason and create strife in Goneril for no reason, haven't they attacked just before the Academy closed?
Basically everyone debunking his claims, Clout realising that said claims were sprouted from his ass so he gets some tissue and wipes it clean.
Clout then relents (tfw no allies to support him) and the Alliance's roundtable finally vote to elect a branch member of the Riegan fam as head of the House - Clout leaves Failnaught and departs "somewhere far away".
(maybe he returns as Almyra's King later on, or as a crown prince, with a treaty/offer of peace, wishing for prosperity between the two lands).
-> all jokes aside and in a more serious setting, even with Dimitro not outwardly condemning him, Clout's course of action would be frowned upon by every party - Alliance included - and depending on his involvment, Dimitro himself might be challenged by his vassals/friends "Sure it's not about Faerghus' safety, but are we really going to let this guy target and ice and bring more chaos by eliminating our ally - who repaid our hospitality with kindness and supported our war efforts - when the Alliance refused to assist us when the Empire swore to Make Adrestia Great Again and warred against us?"
Granted, in this more serious setting, Dimitro doesn't exist because the plot doesn't bend backwards to accomodate Clout so...
Even if Clout doesn't try to ice Rhea asap and waits maybe 8 months after GM's recovery and the end of the war, I cannot see the Lords of the Alliance - when they can try to do "business as usual" with the former Adrestia lands - endorse a military campaing against the Church to, uh, decalcify Fodlan's current order to put YOLO in place. Clout suggesting this is basically handing to Erwin/anyone reason enough to depose him from his seat as Riegan's representative (the alliance has more to win with rebuilding Adrestia/Fodlan than to wage a pointless war that will alienate everyone and leave their backs open to an Almyran attack), and he either runs away to Almyra or dies in a pointless attempt to start a civil war/rebellion to garner troops to target the Church.
For sure this looks like an ideal "and everything ends good AU!" but in a more serious setting, where people have common sense and don't suddenly hold idiot plot balls to make sure Clout seems to have a point... his POV doesn't hold under scrutiny and no one can normally follow him, unless they have another agenda (Make Leicester Great Again?)
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coffeecakecafe · 2 years
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sometimes it's like haHA everyone was Lying about the effects of age kicking in as you approach thirty! I am invincible to the ravages of time!
and also sometimes you think "oh I can have a coke with dinner at 6pm that's super early and I have the adhd caffeine tolerance thing" but then you are awake at 1 in the am like. Ah.
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dreadnotau · 3 months
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Happy three years everybody! As always, there’s a lot to say on the occasion, so pop in at the end of the post for the tl;dr if you don’t have time for my detailed diatribes, haha
Boy, time flies, huh? Feels like the second anniversary was just yesterday, but maybe that’s just the several long hiatuses getting to me. I’ve been scarce on uploading anything anywhere for a while now, even though I promised I’d actually pick up the slack this time around. What gives? Well…
For one, college hell, and for two, a lot of unfounded anxiety about putting my art out there. Allow me some theatrics for a moment and I’ll actually get back to the comic at hand… I’ve never had an exceptionally supportive environment for making art. It wasn’t suppressive, not in the slightest, but it also wasn’t… encouraging. It was always treated as a hobby or a distraction rather than something I was allowed to be fully proud of, especially because a lot of my art focused on more cartoon-y and fantasy ideas, rather than still life studies and painting (which people generally outside of the art sphere tend to value more, arbitrarily). Couple that with a childhood full of being bullied over minute shit you hadn’t even considered could be an issue before, and you get a teenager hellbent on never sharing his interests or ideas with anyone, mostly due to the fear of rejection.
I’ve grown, thankfully, but that paranoia and fear doesn’t go away overnight. As I’m sure you all know, Meowchela was the one who originally encouraged me to post this comic, and the only reason she succeeded was because she was the first person in a long time who listened and engaged with my interests and my art in a meaningful way. It’s kind of obvious her friendship had a profound impact on me, and I’d cite her as one of the reasons I was even hopeful enough to apply to an art college in the first place! This comic, and that bond with another person, proved that maybe these things I’m so passionate about weren’t duds, and weren’t something I had to keep to myself.
So, fast forward a few years. About three years, in fact.
During one of my classes, right before this hellish two weeks of exams started, one of the class assistants talked me into showing my comic pages to one of my professors. He’s generally a pretty open guy when it comes to new mediums, but I’m always… apprehensive about showing my less “traditional art”-y things to professors, but, he ended up being genuinely proud of it. Specifically, I showed him pages 85-87 (because they’re my favourites) and, he didn’t read the text, just the visuals were enough for him to say “good job, keep it up” (which is HIGH praise from that guy). When I mentioned I’ve been meaning to simplify the visuals because I didn’t have time to work on the comic very often because of college and classes, he dismissed it on principle. I was honestly caught off guard. Heavily paraphrasing, he suggested that worsening the visuals for an arbitrary deadline was counterproductive to making something that’s Good™.
That’s kinda stuck with me. For a good few years now I was more focused on optimisation rather than visual improvement for the comic, and though it HAS contributed to better visuals in some ways (cutting corners sometimes makes for a less pointy and jagged end result), it’s kind of weird I’m treating an art project that way, isn’t it? I set a lot of… arbitrary deadlines and standards for myself, in the form of expectations and what I “should” or “shouldn’t” be doing at certain stages in my life. I’ve thought of Dread Not as a passion project second and a stepping stone first, if I’m being honest. As if it was too… fandom-y and derivative to be treated with more gravity than that, like it’s an immature project because I was still a child when I came up with it. As if it was something I’m making to Build Up to Something Else, something Bigger and Cooler and More Important, and… the more I think about the future of Dread Not, and even my future career options, the more I realised that’s, ironically, a really immature way to think about it.
If there’s one thing going to this art college has taught me, is that there’s no “right” way to make art, and there’s no “right” way to success as an artist. There’s no clear-cut paths, just more commonly treaded roads, but even those are heavily overgrown. Why should I try to box myself into thinking I have to make things from complete scratch to be taken seriously? What’s so bad about Dread Not as a story and as a comic that’s caused me to vaguely keep it under wraps when conversing with people in my day-to-day life? Why wouldn’t I put all these skills I’ve acquired to improve and expand this project that’s Right There, WAITING for me to finally get off my ass and get pages out there again?
I wish I could say I’ve used all this time away in a particularly clever way, but I really haven’t - at least, it feels like I haven’t. My art has undoubtedly improved over time (though admittedly the art for this post was Very rushed, fuckin exams), and while I’ve been working on projects in the background, chipping away at them in a VERY disorganised way, I haven’t been posting that progress anywhere, and I haven’t made any good progress on my biggest project, Dread Not, because of the other ones. And, honestly? Admitting that kinda stings. This comic means a lot to me, and I wish I actually gave it the time and attention it deserves instead of letting it sit out hiatus after hiatus because I keep failing at structuring my time.
So, my new plan is a little more abstract: find a way to work Dread Not into my school schedule, and slowly build a habit of working on it more often. No clue how long that’ll take, but I think it’ll be worth it to consider it as an option, and hopefully finally end these long, drawn out hiatuses with short bursts of uploads in-between. HOPEFULLY. Building habits was never my strong suit, so please bear with me while I figure this out in what will probably be the most hectic upload schedule in this comics history, which is: no schedule at all.
From now on (until the end of Act 1), I’ll upload pages when they’re ready, and depending on how the weeks go and how complex the page is, they could be weeks or days apart from one another. Hell, some might even take a month to finish if school stuff gets REALLY hectic (god knows Hellish Exam Week number 1 and number 2 won’t be giving me much time to work on the comic), but I’m determined to do this. I want to be able to put my all into this project again!!
(And hopefully finish Act 1 by the end of this semester…)
TL;DR: College is giving me life lessons I didn’t expect, and because of them I’ve decided to give myself a non-existent upload schedule for Dread Not: Pages will be posted when they’re ready, and the spacing between pages could wildly vary depending on circumstances and the actual complexity of the page itself.
As always, thank you for being here, thank you for reading, and thank you for being patient!
If all goes well, there will be new content very, very soon.
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the-last-quest · 1 month
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I’m sure everything is going to turn out fine :))
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saintchaser · 1 year
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hey, people! friendly reminder that artists, be they fanart artists or writers, do see the criticism you write on their posts and the vagueposting on certain social medias and it is not fucking okay. you have to remember that these content creators are people too, the very same way you are, and that they create content because they like engaging with a certain fandom.
i know i made a post about this a while ago when zar left the fandom but this post really made me realize how entitled people are in regards to consuming fandom material. fanart artists, the very same way writers do, get better over time, and many people in fandom, maybe not the majority, but still a good part, are amateur artists, and most of them are still looking for an artstyle that fits them. i joined this fandom in 2019, and i was really young back then. with experience, artists get better. or maybe they won't! that's fine too; however, this kind of criticism is both harmful and unasked for.
you are not entitled to anything. you consume media that people put out on the internet for free, and yet you're acting as if people are supposed to great godsent art; (fanart) artists and writers, listen to me. you do not owe the people who engage with your content anything. you decide what you want to do, and you should not feel pressured and obligated to do things you don't want to.
this fandom is really demanding towards the content creators they consider to be "good", and ignoring, to cite the previously linked post, the "mid" ones.
you decide what content you engage with. is it not your cup of tea? is it something that is not visually pleasing to you, or writing that is, by your standards, not good enough? do you just not like it? do not fucking engage with it. do not make other people feel bad about their art just because you don't like it. please, for the love of everything, understand that content is not created for you, and that people will not always produce the content you like. just scroll down; it's that simple.
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total-drama-brainrot · 3 months
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my total drama oc is a reversal of the show's pre-established "villain" archetype.
right off the bat, they're just the worst person; outright antagonistic towards everyone and constantly causing conflict amidst the cast, openly orchestrating people's eliminations, blatantly cheating but in such a way that technically they're not breaking any rules- without disguising themself behind a mask of geniality (like alejandro, heather and julia did).
and they're kept around well into the competition because their villainy? it's ratings gold. people love a good antagonist, especially one that's so productive. the audience loves to hate them, or hates that they love them, and everyone is gunning for their downfall- which only becomes more and more tempting with every elimination.
plus, chris is more than happy to enable them so long as they keep things interesting.
interestingly enough, they never seem to use the confessional. or at least, none of their confessions are aired. well, that's not exactly true. one confession is aired, and it's them boasting to the audience that they wouldn't understand the inner machinations of their mind, and that they don't deserve to hear their thoughts.
consequently, the audience has no idea what they're thinking at any given time, only seeing glimpses of their schemes throughout the episode until everything comes to fruition- like a puzzle finally being completed. it's a smart move for the network, because it means the audience gets to watch their plans play out in 'real time' without their insight/foreknowledge, making it just as impactful to the viewers as it is to the competitors. it helps with immersion, which is a boon for the ratings!
until their elimination, wherein their confessions are played out on the big screen, and it's heartbreaking.
they explain, in their first confession, that they were accosted by chris at the beginning of the competition to act as the main antagonistic force for the show, and that he's turn a blind eye to their antics so long as they kept the viewers watching, even paying them a decent salary if their act was good enough. because they're smart- smart enough to play the rest of the cast like a fiddle if they wanted to, and chris wants them to.
what a great deal, right? being given blanket permission to be as conniving as possible, and a pay check to boot- who wouldn't take the opportunity?
and they round it out by "getting into character" on camera, sneering haughtily at the lens and- you guessed it- boasting to the audience that they wouldn't understand the inner machinations of their mind, before giggling dorkily at the silliness of their statement, commenting that it'd we way too obvious they were faking if they acted that snooty. they're a theatre kid at heart, so the idea of "playing the villain" is exciting! it's going to be so fun!
but their second confession is sombre. they're visibly tired, wiping away at the concealer under their eyes to reveal some heavy bags, and they're curled up into a pitiful ball in front of the camera. they divulge that the pressure to constantly live up to the shows expectations of antagonism is crushing, and their status as a social pariah is more draining than they'd care to admit, and that- despite the apparent glee they've been committing these acts of villainy with- being so outwardly morally corrupt has left them with a constant churning of guilt in their gut. they only agreed to be the "bad guy" for the money, which would help their family's financial situation tremendously, but they're growing increasingly uncertain if the reward justifies the risks.
by the third confession, they're actively sickened by their actions, eventually devolving from airing their frustrations, lamenting their choice to method act as such an awful person, to throwing up into the confessional's toilet as they hold back guilt-leaden tears and repeat a mantra of "i'm sorry, i'm sorry,". they're drowning in the murky waters of their persona, and backing out now would only lead to more scrutiny and suspicion from the people who were supposed to be their friends, and they know they'd deserve the mistrust. plus, backtracking from their deal with chris would jeopardise everything- from the dirty money they've earned from their antagonism to their place in the competition itself; they'd be voted out in a heartbeat without the network's safety blanket of plot armour!
they don't know what to do. they barely even know who they are anymore.
and then the camera's focus cuts to the real-time them, who's sat ashen-faced and deathly still as their weakest moments are broadcast, not only to the people who rightfully hate them, but to the whole world.
#we've seen “charming persona villainous person” now get ready for “villainous persona poor little meow meow person”#it's like alejandro and julia's 'character arcs' but backwards. kind of.#instead of going from fake-nice to real-mean. they go from fake-mean to real-depressed. oops.#i think it's unrealistic to expect a ~16 year old to be some mastermind villain without it having some mental health consequences#plus being outright encouraged to be an awful person would be so so bad for anyone's sense of morality. not to mention the self-loathing--#that's stems from both KNOWING you're a bad person and being ostracised by your peers because of such.#yet having no idea how to change for the better without putting everything you've worked for (everything you've suffered for) at risk#what i'm trying to say is. my total drama oc needs therapy and maybe a hug#it's giving kokichi ouma but with less self-sacrifice and more angst/self hatred#it'd be totally in character for chris to pay off the series' antagonist in a bid for more drama btw. don't even act like i'm wrong.#(it's happened in canon before with owen's mole arc in action!)#though ig this type of character wouldn't appear in a cartoon aimed at kids/tweens.#unless they're trying to teach their target audiences morality/the consequences of being a bad person? 🤔#anyway-#total drama oc#ophe rambling#character analysis#sort of? more like character outline#love me some sympathetic villains!!#long post#feel free to ignore#is this too angsty for a total drama oc? idk 🥶
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dodecademons · 8 months
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Funny how like 90 percent of people wanting the wilds back hate to acknowledge the fact that it's partly their fault. I want the wilds to be renewed as well, however if I DARE say yall aren't ready for it and a small part of me thinks some viewers are undeserving I'm the bad guy. Right because the vast majority of you didn't openly admit to skipping over the boys parts in the show, smh. If you arent watching the whole episode why would they want to renew it? They want views, they want money. Do I want the wilds back? Of course. Do I think the gretchen clones deserve it? No. Be better.
#just say you hate men and quit pretending it's 'only because streaming sites hate women/wlw'#you guys LITERALLY THREATENED the actors who played the boys just because they took a job in a show they thought was cool#right and you think you deserve the show to be renewed#you arent ready for that conversation yet though proven time and time again#was it only because of that? absolutely not but dont be so willing to place the blame when we blatantly see where some problems come from#am i annoyed that my replies have been deleted on some the wilds post JUST because i said i didnt mind the boys storyline?#yup#live with the consequences of your actions#the wilds#i want the show back but some of you were really nasty just because a man existed and thats not cool#in the words of waverly earp 'reverse sexism is still sexism wynonna'#shoni was cute leatin had potential but you dont get to be a horrible human#there were so many reactors skipping the boys parts or just saying things just because the boys existed and i cant watch them anymore now#THATS LITERALLY WHAT THE SHOW IS ABOUT#the show is literally about the effects misogyny/the patriarchy has on women and men#if you actually watched the show for it's content you would see that#gretchen is the bad guy for going to extremes and subjecting children to trauma just because she doesn't like men so quit acting like her#I'm not sorry for saying facts#if you're offended you might be the issue so lets take a look at that#the whole the thing is boys vs girls so why in tf would you think they wouldnt at least be brought up a little like in s2#ugh#i still hate amazon for canceling it
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I think PrinceZam should be put in a saw trap. Not that it’d be good for him just that it would force him to either confront the worst of his mortality and all of his fears and force him to reckon with the parts of himself that he continually tries to deny. Or die trying
#my brain put me in The Torment Nexus last night for five consecutive nightmares in a row so I’m coping by figuring out what kind of trap#would force Zam into acknowledging all the worst parts of him#(gesturing vaguely at my brain) you put ME in saw traps?!!!???? I’m gonna put ZAM in one#this is also partially inspired by holland’s ASDOM saw au because it goes crazy hard#I’m thinking that the best trap for him would be one where he has to choose between being selfish (saving himself)#or selfless (saving someone else) BUT it can’t be a simple decision. he needs to be forced to run through the cowardly and catastrophizing#thought patterns that have guided him this far (heavy s4 inspiration) with a side of severe mind games#I think for that reason the bathroom from the original saw film would work well but that is too much mind game not enough hands on death#but the reverse bear trap would also work to drive home the significant physical threat there needs to be#thinking……. thinking……..#no drawn out conclusions yet but god . this is an AU I wojld really want to work with if I had the spoons and time#ohhhh perhaps he is a paranoid shutin after ruining the only friendship he’s ever had (reporting severe academic violations? perhaps) and#the whole pont is to force him to find a way to throw his full faith into doing what’s right (IE: grievous bodily harm / death) or choose#the coward’s way out becaude he cannot stand the consequences of his actions (death again but this time his own)#cats.txt#cats.writes
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quietwingsinthesky · 4 months
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I mean rn I wish you would write a fic w a description of 11089 so I can draw them 👉👈 :lookingaway:
bold of you to assume i even know what they look like alsjfjgljdksk
things i know about 11089’s appearance (revealed to me as if receiving prophecy):
1) You know those posts about how the ultimate image of androgyny in our society ends up being people who are skinny and hairless and sexless? so there’s our starting point, the horror story of that being forced upon you because it’s more useful for you to be as similar to the rest of the crew as possible because then you can simply be quantified by the amount of resources you can provide versus those you take. because every single time i think about this spaceship, it becomes an even more dystopian situation because how else would they survive when they were underprepared and have no way of getting help.
1a) what i’m saying is there’s a very good reason they’re instantly fascinated by visual modes of self-expression like dyeing hair. (similarly fascinated by other bodily changes, whether natural, like when Donna gets a burst of freckles across her face when she’s been out in the sun, or unnatural, absolutely transfixed by piercings and good for them.)
1b) they are going to be so much better off once they’re living on the TARDIS and can put on some weight and some muscle from running around with aliens and let their hair grow out all fluffy and uneven (and eventually accidentally turn it orange through hair bleach mishaps and keep it that way)
2) related, but they tend to prefer bright colors on other people rather then themself, for the most part. fun sometimes but attention-grabbing in a way that layered shades of gray are less so. so however they dress, it’s with a trend towards darker colors with little splashes of brightness from accessories or such.
3) set in stone for me now is the idea that where this story ends up going is ‘Someone Has To Keep An Eye On Donna And Her Completely Human Friend, John Smith’. If a Donna can’t survive being a human metacrisis or whatever with all the Doctor’s memories in her little human brain, why should Ten 2.0 be any different. Donna gets mindwiped, but Ten Again goes voluntarily to keep living, to stay near her, a measure that will mean if her memory starts itching her about some ‘Doctor’, she’ll associate his face with John instead and stop digging.
Which wraps back around to 11089 because I’m now very attached to Another Ten getting FOB watched and 11089 wearing it on a chain at all times. It’s definitely a totally normal and reasonable burden for them to carry their friends’ lives around their neck. this is very healthy behavior and does NOT show a lack of ability to set boundaries in situations that will end up hurting them or a need to prove that they can be useful that overrides everything else. they’re fine. this will not end up going horribly wrong as the guilt of hiding these things from people they love gnaws at them, and they start looking for any other solution only to find dead end after dead end and get desperate enough to start thinking ‘well, if the doctor couldn’t figure it out, maybe if we had another timelord-’
3a) but that’s not important. what’s important is watch on a chain that they can never ever open.
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romijuli · 6 days
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Crying I’m trying to work on this outline before I forget it but I wrote the words “basic gist” and then like 350 words and we haven’t even gotten to the main bit of the fic yet
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phantomchick · 11 months
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Looking back on Batman (2022)
Enough time has passed now that my initial adrenaline rush )and then later afterglow) over Batman 2022 has resolved itself at least enough that I can look back on the film a bit more critically.
I enjoyed this movie, I enjoyed this Batman, but and this is a big but, this movie did not like Batman.
The thing about Batman is that he's a grim dark fantasy where a hero who's in pain can use that pain as a motivation to help people, to change things, to strive for a better Gotham because he just can't fucking accept the Gotham that allowed his parents to get killed while coming home from the movies, that kills so many other parents and children and sucks the people that remain into a mire of corruption and austerity. This is not that Batman, this is a Batman that's utterly oblivious to the problems with wealth inequality until the movie rubs in his face and even then has his inaction in his role of Bruce Wayne while letting his Batman role monopolise his every waking thought presented as his main problem. This is not a Batman that announces to a dinner party, “Ladies. Gentlemen. You have eaten well. You've eaten Gotham's wealth. Its spirit. Your feast is nearly over. From this moment on...none of you are safe.”. That attacks violent crime on two fronts by giving legitimate jobs to ex cons by day and solving kidnapping or murder cases by night.
And most crucially this isn't a Batman that ... succeeds. By that I mean yes he solves the grand mystery, yes he saves people in the flood, but the classic Batman would have saved that man he interrupts the bomb disposal squad to answer Riddler's phone call for. The classic Batman would have saved Falcone, evil doer that he is, not because he deserved to live but because Batman is a hyper competent hero who's comic gimmick was that he was quick witted enough to stay ahead of the crooks and always save the person in front of him as a result, perhaps it's only natural for that to be subverted with the Riddler as his enemy (a character invented with the intent of putting the detective hero to the test when it came to his cerebral limits) but because this is a stand alone film, which as the name says has this Batman stand alone with the contents as the only basis to judge him with it has the effect of making his presence as a hero less warranted. After all, does Batman's presence in this film really save anyone besides the flood victims and Selina?
Yes the only victims who really get killed are all bad people but... that's not the point of Batman, the point is that he saves everyone he can.
The film also does the whole 'batman creates his own villains and actively makes the city worse because he espouses vengeance and violence' thing which egh, slightly more palatable with the transition from vengeance to hope, but I really don't fucking like it all the same. And besides that I dislike the idea that vengeance can't be hopeful, that a man who lost everything in one terrifying night, who got no justice, whose loved ones and personal loss and whose innocence remain unavenged saying to himself "I am justice, I am vengeance, I am the night!" as a way of reclaiming everything that's happened to him and everything he wants to be for the people of Gotham whose cries go unanswered by corrupt law enforcement and an even more corrupt bureaucracy, is presented as invalid, as somehow immature. When Batman was always crafted as a mature hero in the mold of the Scarlet Pimpernel and Zorro and James Bond, of Sherlock Holmes! That was part of his central appeal! He's the cool mature down to earth, detective hero.
Here he is reduced to a naive rich boy who's so ignorant his main approach to crime is to inefficiently beat the shit out of whatever hoodlums he encounters and who literally doesn't have the idea of using his money to fix the poverty or corruption fuelling the crime until Riddler highlights what his parents wanted to do for the city by denigrating it + the politician lady who repeatedly points it out. It's a movie that loves Batman but also passionately declares the stupidity of Batman. Perhaps that's also inevitable because solving crime by beating it up while dressed as a Bat is well, silly, when you approach it with real world cynicism instead of the wish fulfillment, the fantasy of being rich and powerful and smart enough to actually do something about an entire city that's drowning in crime, that has been drowning, suffocating, for decades, and have a hope of succeeding. There is no fun of acting like an airhead so the other rich people and crooks will underestimate and look down on you like they look down on everyone in the city as you use your access to learn things people outside that circle of rich opportunists can't and then use it to reveal their crimes as a vigilante whose identity no one suspects. Instead we have a traumatised Bruce Wayne openly beg Don Falcone for information who indulges him because he owes his father that favour and Bruce Wayne isn't a threat, is it interesting pathos? Definitely! Is it dramatic and fun! Also yes! Is it traditional Batman/Bruce Wayne secret identity shenanigans? Well kind of in that it gets him the extra information but genuinely not so much because it's not really an act. Does it have to be traditional Batman? I really don't know. We can't ever create something refreshing like this movie was if we don't try to deviate from the norm and in that regard I think it deserves respect. And yet. There's a but.
This movie doesn't let Batman succeed at anything but the bare minimum as a vigilante but it does let him try his best, always and it lets him care, deeply. Which is enough that it pulls through as a good batman film. However for all the budget and clever characterisation I don't think it's a great Batman film. After all Batman is a superhero fantasy and in those, the good guys are allowed to save the day.
#and yet#batman 2022#bruce wayne#meta#thoughts#personal#batman 2022 meta#batman#something about how he doesn't prevent the flood but does save some people in it could be a great metaphor#for how batman in the comics can't ever fix gotham (because then the comic would end) but he can save people who live there#but i don't actually think that's what they meant to do here#my main problem is the movie clearly doesn't approve of vigilantism and like that's fine but it's a movie about a superhero#and it never lets us really suspend our disbelief because it's too busy being cynical about the whole concept#and like maybe that too is refreshing in its way? the whole this is a stupid way to deal with crimes thing is true#but it also fails to acknowledge that#what other recourse is there? with a police force that's literally in the pocket of the mob#when you look at it like that batman becomes a much more understandable alternative course of action#and a vehicle of narrative catharsis for people who know the law isn't protecting them but still desire justice#desire that the criminals be they the rich defrauding them of what little money they have or the mob bosses actually will see consequences#the whole concept of vengeance is too readily dismissed as toxic and as diametric to hope imo#like yeah i'm all in on a redemptive justice system that actually helps people reform but the idea#that bad powerful people shouldnt be made to face consequences by batman if no one else (because cops and lawyers and politicians won't)#is dismissed soooooo readily to the point where bruce's initial stance on justice as vengeance is presented as two dimensional#something about that bothers me#and i think also gets to the core of batman as a character and to the core of why I can't fully vibe with this presentation of him#for all its many boons
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chiefguideandcentre · 23 days
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The Boomer generation, who is currently in charge of everything, should look at themselves and the choices they’ve made for the rest of us instead of making fun of younger people for struggling to live in the world that they have created. That generation could do with a little humility right now
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obsolete-stars-if · 9 months
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What's everyones birthdays?
Oh you have no idea what u brought onto this blog. BCS OS does NOT run on human earth time. And therefore they have different birthdays and different zodiac signs.
The link to the sheet lining the week-/days, weeks, months, seasons and zodiac sign/element out will be at the end under the cut. I have not written descriptions for the signs, and I do plan to one day make a converter (if anyone wants to take that off my hands I will forever thank you, sadly I'm a poor student on financial aid)
Anyway:
TK born on Labi, the 16th day of Asi, Week 3, Sign of the Sun, Element of the Flame. Season of Dajan.
Sammy born on Bine, the 10th day of Lalota, Week 62, Sign of the Monkey, Element of the Soul. Season of Gaptang.
Alia born on Esma, the 22th day of Laawal, Week 60, Sign of the Eye, Element of the Breathe. Season of Lawbay.
Sascha born on Haw, the 24th day of Psam, Week 50, Sign of the Beetle, Element of the Flame. Season of Lawbay.
Kate born on Bine, the 10th day of Yambe, Week 42, Sign of the Moon, Element of the Flow. Season of Pagayo.
Mikhail born on Kumi, the 13th day of Alim, Week 23, Sign of the Hand, Element of the Root. Season of Polagit.
Gigi born on Esma, the 12th day of Psam, Week 48, Sign of the Raven, Element of the Soul. Season of Lawbay.
The year works on a 375 day schedule, divided by 75 Weeks. Each week having 5 weekdays. There are 25 Signs divided equally on 5 Elements, one sign lasts for 3 weeks. With 5 Seasons that each last 15 weeks; 15 Months that last 5 weeks each, so one month is 25 days.
Days: Labi, Esma, Kumi, Haw, Bine.
Months: Asi, Awal, Lota, Tap, Alim, Lugo, Itop, Owal, Yambe, Psam, Laasi, Lawal, Lalota, Latap, Lamin
Seasons: Dajan, Polagit, Pagayo, Lawbay, Gaptang
Signs + Element: Cow (Soul), Sun (Flame), Goose (Root), Koi (Flow), Sow (Breathe), Maggot (Soul), Serpent (Flame), Hand (Root), Boar (Flow), Falcon (Breathe), Jackal (Soul), Lion (Flame), Ibis (Root), Moon (Flow), Cobra (Breathe), Raven (Soul), Beetle (Flame), Cat (Root), Ram (Flow), Eye (Breathe), Monkey (Soul), Fox (Flame), Moth (Root), Ostrich (Flow), Eagle (Breathe).
terrible Google sheets list. Yes, they all have meaning, yes the signs and elements are important, no, I will not explain anything.
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copsecore · 1 year
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me like ..... am I a bad teacher .......because I make class fun and my students laugh ........ surely this is wrong ........
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puppetlooselystrung · 5 months
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i cant evem go home until Saturday and its the worst thing in the world trying to scrape by and try to force yourself (and failing) to do everything you have to do like id rather just give up go home now tell my family i failed a class and have gotten a c in another class band will probably end up failing more classes and then haven them passively berate me and deal with the classic youre wasting potential and youve become wasted potential spiel ive heard since likw 8th grade and then take myself to the back of the shed on my own volition and be done with everything.
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