#and why the fandom has been so set on the 'they must and always will be practically blood related siblings or you're wrong' interpretation

[elisaintime]

Woah, I must have missed something, why are people jumping down your throat?

From what I can gather at this point, it seems like they feel like anyone who likes Anne Rice herself and the books better than the show=automatically racist. Even if they ALSO enjoy the show and support the race change of the characters and all the racial conversation the show incorporated into its adaptation.

Personally, I think it does a disservice to the fandom to assume that the only reason one could like the books over the show is because of racist reasons. Anne's books speak to so many people in so many ways, especially those who have ever felt like outcasts or apart from mainstream society, and many fans have extremely personal connections to the books for a huge variety of reasons.

Like I said in my videos, I was excited and intrigued to see this AU version of the story (I love AUs!) but my complaints with the writing of the episodes mostly came back to when the show was trying to stick TOO MUCH to the books.... Because the show was really making its own thing with its own versions of the characters and all these new ideas, but then suddenly it would shove in a scene/dialogue straight out of the books which would contradict or make no sense with everything else the show had already worked to set up with the new direction it was taking itself.

Critiquing sloppy/weak writing does not mean I or any other fan who feels the same is doing it for racist reasons. Much of my criticism was about how the scripts changed Lestat's character to make him so much worse than he was in the books (which would be fine, it's their story, whatever--except the show runners told us over and over again that the whole reason Louis was doing a second interview was so that this time we could see the real version of Lestat and how Louis felt about him instead of the mean, insulting version he gave in the first interview). There was a lot promised by the showrunners about what their adaptation would be like that was not delivered ("closer to the books than the 1994 movie," "true to the spirit of Anne Rice" etc). The entire reason I made my videos was to evaluate how well the show measured up to those promises.

Worse than making Lestat so irredeemable, the way the first season ended in a way that made so many fans believe that Louis might have been lying about everything didn't sit well with me at all--it's a harmful stereotype to make the black man a liar, especially when it comes to abuse. I know the "the DV didn't actually happen and black Louis was lying or mind controlled by his evil non-white boyfriend" became a running fan theory, but I personally don't believe it one bit. But I can see why so many fans do--again, sloppy/weak writing on the show's part.

Like I said in my video, the only thing Louis actually lied about in ep7 (and he was lying to himself, not deliberately lying to Daniel) was the depth of his love for Lestat at the end. And that's entirely canon for Louis to deceive himself about--admitting how much he truly loves Lestat always came hard for him. I personally don't think it's going to turn out that anything Louis told us in season 1 was a lie. I think the show would have revealed that at the end of the season, not waited another season (or two or three) to reveal that. And the theme of season 2's promotional material has all been about memory, not honesty. I don't think Louis could mistakenly remember getting dropped from a mile in the sky and the months/years of recovery afterward, so I personally think all those memories were real.

The first three episodes of season 1 made Louis's struggle with race its primary focus, and the series description began with how Louis was chafing at society as a black man. But then from episode 4 on, the focus of the show shifted entirely. Obviously racism still existed in Louis's world, but the show pushed it all entirely to the background with little things, like segregation on the bus, and we saw the characters quietly taking in stride, not making any plot out of it. Suddenly all of Louis's character-driving moments weren't about that anymore and we were in a whole new story, when his battle against racism had been the entire theme of the first three episodes. This was something I noticed and pointed out in my videos--I didn't say it was a bad thing (after all, seeing people be racist to Louis on screen, while "realistic," isn't exactly fun for anyone, and we'd already seen plenty), but I did think the sudden dramatic shift in story focus weakened the show's themes and throughline.

Again this comes down to writing, and the premise/script was written by white people. I think they could have done much better with much more non-white involvement on the writing level. I think the show could have been stronger with some more care taken to create consistency and smoother transitions between episodes (like when they take Claudia out to feed in episode 4, suddenly all the race riots are gone, when everything was on fire 2 hours ago). It's common for shows to have each episode written by a different person, even though they all collaborate in a writer's room, but to me it felt like the show lacked efficient script supervision to make sure all the scripts flowed into each other without any contradictions or inconsistency.

When I talked about these things in my videos, when I said I would have liked the show to do better with the way it missed the mark sometimes in handling racial aspects (even though other parts I commended as being great), and the way I critiqued the inconsistencies and contradictions, some people took that to mean I hated the show entirely. The point of my videos was to see how well the show measured up to Rolin Jones's promises that it was so faithful and respectful to the spirit of the books and that all he wanted to do was honor Anne's work. I know the books back and forth, enjoy having a ND hyperfixation that gives me near-encyclopedic knowledge of the texts and Anne as an author. So people ask me questions about them all the time, especially in comparison to the adaptations. Who better to make videos evaluating how well the show measured up to RJ's promises and claims of faithfulness? But some people took me comparing the show to the books to mean I thought it was a bad thing that they weren't the same, and I hated the show entirely for not being the same as Anne wrote it, and therefore that meant I (and anyone else who loves the books) was racist 🤷

#amc interview with the vampire #vampire chronicles #maven of the eventide

[thedrarrylibrarian]

When I first started Happy Hour, @crazybutgood made me the cutest origami mug that resembles the foamy butterbeer in my Happy Hour image. I had been so nervous to try something new and write recs instead of just do lists and seeing that someone had enjoyed my rec enough to sit and fold paper into art was really touching to me. Since then, our whole fandom has been privileged to enjoy this unique and creative art that @crazybutgood has contributed. It's a joy to invite her to Happy Hour to give her own rec.

Thank you to @thedrarrylibrarian for this opportunity and for thinking of me!

The fic I’d like to rec is A Christmas Miracle by @sleepstxtic (E, 39k)

Draco is a world-renowned Magi-Diagnostician and Harry is a Cursebreaking Healer, both working in St. Mungo's. They're not- quite-friends, not-quite-lovers, who argue at work and have sex on the weekends. And they're both fine with it, thank you very much. But when a mysterious attack in the hospital leaves Draco trapped in a coma, Harry must do all he can to save him. All the while, an inexplicable, deadly, children's illness is spreading through wizarding London. Oh, and there's some Time Magic thrown into the mix.

Or

A Christmas Carol with a Drarry twist.

Though this 25 Days of Drarry fic is set during Christmas, it’s a perfect read for any season. @sleepstxtic (Kat) uses her own wonderful take on A Christmas Carol to weave together a gripping medical thriller with Draco racing against time to save Teddy, after himself going on a journey of self-reflection as he travels through time with his Ghosts of Christmas. The scenes Kat writes for the time-travel are as emotional and gripping as the suspenseful case in the present, as Draco, moved by his eye-opening experience, navigates his duty – and expressing his feelings for Harry. The characters’ (including great OCs) dynamics, personalities – especially Draco’s growth – and dialogues are deliberate, on point, and a delight to read. Plus, Kat gives an especially wonderful snark and demeanour to Draco that are not only reminiscent of her inspiration of House M.D., but is also uniquely him. Of course, Harry too has his own sassy moments thrown in with his softness towards Draco.

Why I especially rec this fic (apart from Kat's brilliant writing that I always love) is that by December 2023, I had been on-and-off and down about a lot of things, including fandom. Though I wasn't sure where I stood then, one thing I knew was that I could always count on Kat’s amazing stories cheering me up. This one came at a time when I appreciated anything to rely on as an escape and a treat, and adding it to my list of subscriptions to daily updating fics last winter was a joy. The anticipation and thrill of following a daily WIP is something else; I eagerly read as the story unfolded each day, especially mulling over what might happen next after each cliffhanger, which Kat is infuriatingly good at. Her story is a wonderful unique blend of concepts and feelings of despair, fear, hope, and love, gelling into a plot that'll definitely have you hooked. Whether you choose to savour a chapter a day in your free time, or treat yourself to a late-night binge, I hope you enjoy unravelling the mysteries of the puzzling illness, what happened to Draco, and his and Harry’s future.

❤️ As always, if you find a fic you enjoy, please leave the author a kudos or a comment! ❤️

#crazybutgood #happy hour #happy hour rec #happy hour guest rec #friday fic rec #happy hour guest fic rec #lots of love and happy friday

[hadesknockedupintheunderworld]

Okay, so I went looking for the Sonic 2 game manual last night for...reasons, and I decided I needed to share this page

So as I've said before, it's not as if I've consumed even half of the Sonic media out there. So my idea of the origins of Sonic and Tails I gathered through a tiny bit of Osmosis, tidbits from different tv shows (namely Sonic's depiction of how he met Tails in Sonic prime), and different origin stories via tv shows and comics. This is all to say that I was more than a bit uneducated, so I was under the impression for a while that Sonic saves Tails from the bullies who pick on him, and then he decides to take him with him (and so begins Sonic 2)

But given what a friend of mine described as implications that Sonic 1 (the game) is not the first time Sonic and Eggman have fought in addition to this page, my friend pointed out that this page from the manual may imply that Sonic and Tails were crafted originally as childhood friends. And that both blew my mind (!) and caused a couple puzzle pieces to click into place in my brain.

Despite Sega getting rid of the canon character ages, we at least know from the past that Sega/Sonic Team has had no problem depicting younger (and often very young) characters as fighters in battles against Robotnik or other villains (and this isn't even to mention this in various comic or tv show continuities). Back then (at least with just this game manual as context), there is not only a non zero chance that Sonic has been fending off danger (and potentially even Robotnik) since he was very young, but also the implication that he and Tails have known each other the longest. Since there are no ages mentioned at this point (for the record, I have no access to magazines or reporting on the game at the time of release, so you can take this with a grain of salt), to me it's possible to interpret Sonic and Tails originally being only a couple to a few years apart in age. To me it's possible to interpret their backstory as this:

Before Sonic would fight Robotnik and come to be known as a hero, he'd fight off these bullies picking on this little fox kit. The fox kit himself, known to the animals as "Tails" came to regard the hedgehog as his hero, so he came to follow Sonic around and try to catch up with him. Eventually, Sonic would officially begin to travel with Tails and look out for him, but he had a tendency to leave Tails behind when going on adventures focused on fighting off villains such as Robotnik, who would threaten the natural land and its inhabitants. But the young fox, determined to be like his hero (the young hedgehog) and to not be left behind (both when it came to fighting and because Sonic tended to get a laugh out of speeding ahead while Tails struggled to catch up), would practice flying until he could keep up and learn how to fight (partly by trying to use his Tails to his advantage, and partly by watching Sonic).

And to me, this sets up an interesting dynamic with them. Sonic is a bit of a jerk, but he ultimately cares about Tails' well-being. Tails deals with his hero acting like a bit of a jerk and leaving him behind by trying so hard to be able to join/catch up with him (and later be able to stand on his own too). This also sets them up as younger, likely orphaned, children who travel together and take care of each other. With all of this in mind too, it also makes more sense to me as to why the original Sonic Movie (currently known as "the ova") depicted Sonic and Tails having their own personal home base they live at together.

And this is more of a side thing, but after reading that excerpt from the manual my friend and I just couldn't help but think about Sora and Riku (Kingdom Hearts). While I have for a while found my brain drawing many lines/parallels between these pairs (although compiling all of these would be an essay for another time), this excerpt sort of set it in stone for me. I'll explain under the cut.

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So, in case you're not a Kingdom Hearts fan or entrenched in the part of Soriku fandom doing deep dive analysis and theory making and making fan translations, I'll set up Sora and Riku for a moment.

Sora and Riku are two young boys who live on Destiny Islands. They've known each other since they were very young, and, although they had other friends, the two have always considered each other best friends. They also often went out to a small island (dubbed "the play island") to play together, where they had a "secret place" to play. This "secret place" was a place where the two played together and was to be a secret between only the two of them. The two would play and dream of adventure, and Riku would dream of leaving the islands one day. At the young age of 5, he was given proof of the existence of other worlds in the form of Terra (a stranger from another world—a keyblade wielder) who would ask him why he wants to see "the outside world".

"To protect the things that matter" is a desire that lasts even until Kingdom Hearts 3 (11 years later), and (as fan translators have found out) takes a progression over time in the original Japanese from "the precious things" to "the precious people" to "precious person" (or person I cherish). The "person I cherish" in question, is highly implied to be Sora. I don't have the space to throw evidence here unfortunately, but there is a good amount (I'd suggest checking blogs such as @/blowingoffsteam2 and looking into the necklace theory and the sleeping realms theory as a start, as these will lead you to other blogs. Or you can dm me I suppose. I have a store of screenshots and kh media to draw from, just know...it's a lot).

Anyhow, with all that in mind, I also offer up an excerpt of Riku's story from the KH character files (this is a fan translation of the Japanese version), which serves to tell us a bit about Riku, he and Sora's relationship, and his perpective of the Dark Margin scene from KH2.

Translation by keijithekit on twitter

After all, when you're a child, a year is a big age difference, so I played the older brother and took Sora around with me everywhere. When did that change?

Other fan translators have also interpreted the original japanese as saying that Riku not only played the "older brother" role, but tried (perhaps not very well) to play this role. This is a short story that gives implications of feelings (and even the roles you take in another's life) changing over time. This is to say that Riku had once tried to play older brother to Sora, protect him and play with him, but over time things...changed.

Sora and Riku, as young children and all the way through to KH2, were best friends and friendly rivals. The two would often race, spar, and start up contests, with Riku winning the most. This is an important part of their relationship—as friends who drive each other to become better through competition. As Sora would fight to catch up to Riku, to beat him just once (which would also start him down a path of proving he doesn't need to fully rely on Riku anymore), Riku would fight back, get stronger and run faster so he could still be better.

Riku in KH1 (like classic Sonic as implied by the earlier excerpt from the Sonic 2 manual) is a bit of a jerk, and he often enjoys proving that he's "better" than Sora (faster and stronger). Sonic values the idea of freedom, and Riku too wants to be free, wants to explore the outside world. And Tails is a bit like Sora, who tries until he can catch up to Riku, until he can beat him just once. When Riku tells Sora in kh1 that he can go home and he (Riku) can handle everything else, Sora proves that he has the fighting prowess to stand on his own feet now and doesn't need to leave it all to Riku. Of course, Tails is a bit like Riku too. He doesn't just want to be able to catch up to Sonic, to stand on his own two feet, he wants the kind of strength Sonic seems to have (to be able to fight on his own, and to be able to protect what he cares about). And likewise, while Sora isn't initially as driven to leave their home as Riku is (as he both wants to see the outside world with him and likes his home), he also comes to value the idea of freedom, of living your own life.

And this is all to say that the parallels aren't one to one for me (especially as I believe Sonic and Tails can each parallel both Sora and Riku), but I see them regardless.

Let's return back to the Sonic 2 manual and that excerpt from Riku's story in the character files and compare the the two possible interpretations of these different backstories.

"Two childhood best friends grew up together. The older one often took care of the younger one, and the elder would try to play the older brother role to the younger as they took the younger everywhere with them. Likewise, the younger idolized the older one. The two would often compete, which would drive each of them to become better as the older would try to stay on top and the younger would keep trying to catch up and win even once. One of them desires strength to protect the things that matter (such as their best friend). The other desires to be as strong and fast as the other, fighting to be able to rival them competitively. While the older would spend time protecting the other, the younger one day is able to prove that they can stand on their own, no longer needing the older as they once did, not allowing the older to make them stay behind."

"Once, a very young kid was saved by one just older. The younger started to idolize and admire the other as their hero and began to follow the older around. Eventually, the older would begin to take care of the younger, but the older would often show off their own speed and strength and leave the younger behind. The younger, determined to be able to catch up, to be able to stand with the older, flies and trains until they can (and desires too to be able to stand alone, to have the kind of strength the older possesses, to not need the older). As the two grow older, the younger eventually is able to catch up with and fight beside the older (and too develops their own ways to fight). The two, from this point forward stick beside each other as much as they can (to the point that if they aren't adventuring together, they are often in contact)."

ㅤ

Okay, I've kept you all here long enough. I mostly was hoping I could shed a bit of light as to why this excerpt from the Sonic 2 manual reminds me so much of Soriku. Food for thought, right?

#Sontails #Soriku #Sonic the Hedgehog 2 #sonic the hedgehog #tails the fox #miles tails prower #Kingdom Hearts #parallels #essay time #i just be ramblin #The 'reasons' in this case were mostly me wondering why Sontails isn't that big of a ship (especially considering people's tendencies to #ship the two male best friend characters who fight together and especially because Tails was Sonic's first friend to be introduced) #and why the fandom has been so set on the 'they must and always will be practically blood related siblings or you're wrong' interpretation #So I looked up the Sonic 2 game manual to see if it would shed some light on what I was wondering #And what I found just gave my friend and I brainrot #(also consider that a piece of media or it's creator labeling two unrelated main characters as sibling like has never stopped people from #shipping them anyways or interpreting it as a coverup for queerness or as writers queercoding in a way that circumvents censorship) #If you liked this post at all you can thank my friend #1. For starting this discussion after I showed them the excerpt from the game manual #and 2. for saying 'oh yeah you could post about that conversation we had if you want' #Also side thing that didn't really fit in the post. If Tails was saved by Sonic and became a hero to him before Tails decided to follow him #around‚ does that not parallel Amy's story of being saved by Sonic‚ who would become her hero‚ and following him around after that? #More food for thought. Even the Archie Sonic depiction of Sonic CD (issue 25 of mainline) had Sonic racing Metal Sonic to save both Tails #and Amy‚ who both touted the 'my hero' line and were glad Sonic would come to save them #In terms of the interpretation I drew using only what I know from Sonic Prime and that game manual for context‚ I actually quite like the #idea that Sonic and Tails grew up together‚ with Tails having quite a bit of admiration and an unrealized puppy crush‚ and with Sonic #initially trying to play the role of older brother. And I like the idea that when they get older that relationship evolves until the nature #of it is unclear‚ where the only certainty they have is that they aren't like blood related siblings and that they just want to be together #forever (you know a 'is this platonic or romantic or what? who knows' kind of deal.) #unbreakable bond

[aethon-recs]

Tomarrymort Starter Pack: 10 Recs for Getting Started in Tomarrymort

I've compiled a list of 10 medium to longfic recs that I think represent a great on-ramp to the Tomarrymort ship, as inspired by @sitp-recs’ Drarry for Beginners rec list. These are the fics that I would use to on-board people to the ship — gorgeous writing, superb characterization, and just as enjoyable on the first read as the 20th reread. 

As always, I am stunned by the talent in this ship! I tried to pick a good mix of different themes/tropes/settings, with a focus on elements that make for a good introductory work: the characters are recognizable; the setting skews more recognizable; both characters in the ship are a meaningful part of the story; the ship is central to the story; and the fics are for the most part complete (or updated within the last year). 

(Standard rec list disclaimers apply: please mind all tags and warnings on AO3 before reading; this blog abides by the age-old fandom axiom of don’t like; don’t read; recs are in alphabetical order by title.)

This is Part 1 of a 3-part series — I also have an Intermediate reading list and Advanced reading list coming up for readers who have been with the ship for a longer time.

For now, please enjoy these 1.3 million words of absolutely brilliant Tomarrymort reads that I hope will keep you hooked until the very last word:

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Tomarrymort Starter Pack Recs

A Dangerous Game by @cybrid (E, 284k, WIP)

Setting: Canon Divergence – Book 5 Premise: If Tom’s diary horcrux gains a body at the end of Harry’s 5th year (instead of his 2nd), and then promptly kidnaps Harry and holds him captive over the summer. Lots of smut ensues. Why I rec it: The characterization is truly stunning — Tom Riddle is undoubtedly a psychopath — manipulative, thrill-seeking, kind of an irredeemable shithead — but he’s also dazzlingly charming when he chooses to be, someone whose presence Harry quickly grows addicted to. Their relationship can get incredibly toxic and fucked-up at times, but Harry has top-notch instincts and can hold his own against Tom. The plot is absolutely gripping, with the threat of (the main) Voldemort, who has set his sights on reclaiming his wayward horcrux, looming in the background. 

A Future Without a Face by @dividawrites (E, 115k, complete)

Setting: Time-Travel (1940s) Premise: If Harry travels back in time to Tom’s 5th year at Hogwarts, and Tom becomes obsessed with the new transfer student and wants nothing more than to possess him every way. Why I rec it: A 1940s time travel fic told entirely from Tom Riddle POV! Divida absolutely nails psychopath Tom — how he quickly gets singlemindedly focused on Harry, how the idea of possessing Harry consumes him, how he has no compunctions about doing completely fucked-up and destructive things to achieve his goals. There is so much tension between them from the start, so there’s not much of a wait to see some hot Harry & Tom action — and the conflict and tension only continues to build and build in dramatic fashion throughout the rest of the fic.

Either must die at the hand of the other by @metalomagnetic (E, 260k, complete)

Setting: Post-Canon Premise: If Voldemort survives the Battle of Hogwarts and is initially kept prisoner in Azkaban, until Harry takes him into Grimmauld Place under house arrest. Why I rec it: This fic is an incredible exploration of Voldemort at his most terrifying. Even if he starts off the fic with his magic temporarily blocked, he is no less powerful without his magic. The force of his personality is powerful enough for him to chip away at Harry’s initial resistance — @metalomagnetic manages to write one of the most charismatic, brilliantly manipulative, and psychologically devastating versions of Voldemort I’ve ever read. Harry ends up in a good place by the end of the fic, but the journey to get there is a roller-coaster of emotions that have permanently imprinted onto my soul.

In Somno Veritas by ladyoflilacs and @lordansketil (M, 158k, complete)

Setting: Canon Divergence – Book 6 Premise: If Harry starts appearing in Voldemort’s nightly dreams during Book 6, and Voldemort becomes obsessed with Harry after realizing he’s his horcrux. Why I rec it: This is one of the most unique fics I’ve ever read in this ship! Every scene is told in alternating POV between Harry’s POV and Voldemort’s POV, so you get to see how every scene unfolds from both of their perspectives. Voldemort is so intense and just as terrible as he is in canon, so his character is not at all sugarcoated, and Harry has so much compassion and heart and manages to fall in love with Voldemort anyway. The writing style is gorgeous, with richly detailed and emotionally-laden prose. Also, one thing that pleasantly surprised me is how funny their banter is! There were definitely a number of times where I laughed out loud in the middle of an otherwise really intense scene. Bonus content: also comes with a lovely sequel that made me melt.

Inevitabilities by @shadow-of-the-eclipse (T, 103k, complete)

Setting: Same-Age AU Premise: If Harry and Tom attend Hogwarts together and go traveling around the world after they graduate. A betrayal leads to their break-up, but after many years, Harry returns to find Tom in Britain, and the two of them are drawn back together again. Why I rec it: An excellent same-age AU with unhinged dark Harry and just-as-unhinged Tom. Their relationship starts out quite dark and twisted and unhealthy — and only devolves from there. The fic ends with the two of them as equals — utterly devoted to each other — but in an incredibly fucked-up way: “He loves Tom like a forest fire; wild and all-consuming, he wants to devour Tom, to claim him, to mark him, break him.” Isn’t that absolutely breathtaking?

love is touching souls (surely you touched mine) by @toast-ranger-to-a-stranger (M, 34k, complete)

Setting: Time-Travel (1940s) Premise: If Harry gets thrown back into the mid-1940s and meets Tom Riddle as a young man just graduated from Hogwarts working at Borgin and Burkes. Why I rec it: When Harry accidentally travels back in time and chances upon Tom Riddle as a fresh graduate, he realizes this is his chance to make a difference. While Harry is only in the past for a brief interlude, he leaves enough of an impression to change the trajectory of Tom’s life. The dynamic between Harry and Tom is rife with tension and witty dialogue, and the story is set during Christmastime, which lends a very festive and heartwarming atmosphere for falling in love with each other.

No Glory by @obsidianpen (E, 254k, WIP)

Setting: Voldemort Wins AU  Premise: If Voldemort figures out Harry is his horcrux when Harry surrenders in the Forbidden Forest, and decides to keep Harry instead of killing him.  Why I rec it: This fic showcases the absolute, terrifying genius side of Voldemort, in a universe where he wins the war and captures Harry at the end of book 7. I am stunned at how skillfully @obsidianpen portrays Voldemort as a brilliant political strategist — the courtroom scene where he manipulates the story and the audience so well stands out as a top 10 fanfic moment in my mind. Harry and Voldemort’s relationship is chilling from the very start, and grows even more unhealthy as Voldemort gets addicted to Harry’s touch due to the presence of the horcrux, but Harry later learns to turn that to his advantage.

The Fire, Burning by @parsimmony (E, 35k, complete)

Setting: Canon Divergence – Book 6 Premise: If Voldemort discovers Harry is his horcrux after Book 6, and kidnaps him to keep him captive by his side in his bed, inside of a lovely greenhouse setting full of friendly snakes on the grounds of Malfoy Manor. Why I rec it: The prose!! I am swooning over the prose! Harry is Voldemort’s captive in this fic, but he is so much more than that — and the emotions that gradually blossom between them have so much richness and depth and are utterly moving that I’m still drowning in the depths of intimacy that were portrayed. Their relationship unfolds in such a gorgeous and unrushed way, and the setting is so unique too — a lush and overgrown greenhouse that’s exploding with exotic plants and friendly snakes around every corner that imbues the fic with a very romantic, dreamy quality.

the pleasure, the privilege by @being-luminous (M, 20k, complete)

Setting: Canon Divergence – Book 6 Premise: If Voldemort is doused with Amortentia keyed to Harry, and starts sending Harry bizarre and gruesome courting gifts, like the bodies of the Dursleys.  Why I rec it: Breathtaking prose! Voldemort somehow ends up more terrifying when he’s trying to woo Harry than when he’s trying to kill him. Every single sentence had me on the edge of my seat, as Voldemort’s ‘gifts’ become more elaborate and devastatingly dramatic, until Harry basically has no choice but to respond to his overtures. The ending is incredibly clever in how it parallels certain plot elements of book 6, with an added Harrymort twist. 

The Untouchable by @treacleteacups (M, 75k, complete)

Setting: Canon Rewrite (Books 1-7) Premise: If Harry starts out his first year a little bit more suspicious and a little less wide-eyed and guileless, and subsequently gets sorted into Slytherin. He has many of the same encounters with Voldemort along the way as he does in canon, but his interactions with Voldemort will end up leading him down quite a different path. Why I rec it: A snappy, fast-paced full canon rewrite that still manages to fit in all the essential Tomarrymort plot points, between Horcruxes and Hallows and the major events of books 1-7, in a compact 75k words that doesn’t at all feel rushed. It’s a delightful journey following Harry’s character evolution from an overlooked, peculiar child who relies on wishy-washy wish magic to a confident (and still endearingly peculiar) young man who can challenge and hold his own against the great Lord Voldemort. Voldemort’s obsession with Harry deepens with every encounter that they have, as he finds ways to continually insinuate himself in Harry’s life and his mind and his dreams.

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#Tomarrymort Starter Pack #tomarrymort #tomarry #harrymort #aethon recs #tomarry recs #tomarrymort recs #harrymort recs #hp fic recs #longfic recs #ao3 recs #fanfic recs #2023 reads #2023 recs

[asgardian--angels]

Izzy Discourse Masterpost

Hey all, given the amount of awful splintering and wank happening in ofmd fandom rn regarding Izzy's death, including the flat-out immature and unacceptable harassment of David Jenkins and Co, I wanted to just make this one all-encompassing post to address the various grievances and complaints I've seen (almost entirely on Twitter). If I've missed anything, please feel free to add on. I'm putting most of this under a read-more for length.

Please be aware, I say all of this as an Izzy fan. I've loved his character since season 1, and while I was sad to see him go, I completely understand and support David & Co's reasons for concluding his arc, and I think it was done respectfully in a way fitting to his character. So let's break down some of the takes I've seen. I am not referencing specific posts or people here, I just want to address the general themes that I keep seeing about why some people are upset.

Izzy's death served no narrative purpose.

Look, this is one that I'm sure fans will debate for the rest of the hiatus. It's completely within your right to disagree with this writing choice, but Izzy's death did serve a narrative purpose in the story that David Jenkins is telling - and he has spoken to this end in several interviews already. I can only summarize here, and fans may find other perspectives in time as well. What we need to remember is that Our Flag Means Death is, at the end of the day, Ed and Stede's love story. That has been made abundantly, explicitly clear. The show has been fantastic at fleshing out the other supporting characters, but that's what they are - supporting characters. They often have their own subplots but ultimately the narrative seeks to move Ed and Stede's story forward and they are tools to spur Ed and Stede's growth or mirror their struggles. Izzy has been a wonderfully complex, multifaceted character but we must remember that all characters are vessels through which stories are told, lessons are imparted, and metaphors are established. He's not a real person who 'deserves' any particular fate. David said he's always intended for Izzy to die at the end of his arc.

Firstly, Izzy (now canonically, through his own dying words) represents part of Blackbeard. He enabled and encouraged Ed's darker side, they were mutually toxic forces to each other. Ed is attempting to cope with and move on from this phase of his life, and like Stede in season 1, set out a free man, unshackled by expectations and loose ends of those he's hurt and been hurt by (though we realize this is an ongoing process that takes time). This lovely gifset sums it up nicely, with Izzy being the Mary parallel, and making s2 mirror s1. Blackbeard is both Ed and Izzy; Ed cannot be free of Blackbeard while Izzy is in his life, and when Izzy is gone he will never truly be Blackbeard again. They are each other's rotting leg!! Yet, they love each other - and David has said that for Ed, this has developed into a mentor and father relationship, and where Ed has previously despised his father figures (his actual father, Hornigold) he does not want to lose Izzy. This time, Izzy brings out Ed, not Blackbeard - and that's where we get the callback to 'there he is', bringing their impact on each other full circle, freeing Ed, getting approval of sorts that he never had, to be soft, to be loved (and there are parallels to Zheng and Auntie here as well that others have made) from that force that drove him to stay in line all this time. David has said in multiple interviews now that he was going for the idea of the mentor/father figure dying and the hero living on and trying to do justice to them.

From Izzy's side, Izzy cannot be free while Edward remains either (Mary cannot find peace while Stede remains). The scar never truly healed, the leg will always be a reminder. At this point the argument becomes 'yes, but why did he have to die? Why not just sail off with the crew of the Revenge?' David has stated that he feels they've done everything they can with, and for, Izzy; he's come leagues from season 1, he's found community, he's found hope, he's found new parts of himself, and he's made good memories. He's found worth outside of what he can be to others. That's more than most pirates could hope for. Where would his character go from there, when the Golden Age of Piracy he belongs to has burned to the ground? Would he stay around and whittle on the Revenge? If he were a real person, yes, that would be lovely, and he'd deserve all the quiet peaceful happiness in the world. But as I explain several points below, he's not interested in being a captain. He's not up for the hard physical labor of regular crew, and he's extremely overqualified for that besides. He has served his narrative purpose, and symbolically, to enter a new age, everything must go. He's connected to the old age of piracy, to the Republic of Pirates, that is now demolished. To him, fighting for what he believes in, for the family he's found, bringing down an army of British twats in the process, is how he should go. It's a pirate's death, and as Izzy's said, he's a pirate - unlike Blackbeard who's succeeding in breaking away from piracy, Izzy never wanted to stop being a pirate, throughout his arc. To me, that's why Izzy remains trapped in the narrative, trapped in history, whereas Ed and Stede will escape history. They leave piracy, and canon, behind, while Izzy was content to remain a pirate and face a pirate's fate.

Burying him on land, right next to Ed and Stede's beach house, shows that his sacrifice was not in vain - they start this new life together, thanks to Izzy's mentorship, his role in their lives that sometimes for worse, sometimes for better, made their love what it was and made their breakaway possible. The new age is built on the foundations of the old age, and is stronger for it.

As we're well aware by now, David tweeted that there's no version of ofmd without Izzy. Whether that's literal or not, symbolically it's true. Izzy's arc of growth affected everyone on the Revenge. Jim fondly remembered fighting for a time when life meant something on that ship; the crew helped give Izzy new meaning in life, and he helped them in return. When he dies, they mourn and have a funeral; that wouldn't have happened under Blackbeard's watch in episode 2. His life meant something to them. He influenced Ed and Stede immensely, and they will take that with them. As David's said, they're all a family, and Izzy was a part of that family, and his loss unites them and brings them closer to continue to fight for that family they've built. It's a tragic, sudden death of someone they've all grown to care for, and that steels their reserve to keep the torch lit. They literally sail off into the sunset to hunt down Ricky to avenge Izzy; he will always be a part of this show. And, of course, with the brief appearance of seagull Buttons, the door is left open for anything.

If this was The Izzy Show, then sure, we'd be content to see him simply engaged in shenanigans every episode. But the plot, and therefore the characters, need to keep moving forward, and Izzy got his growth and development. He got what he needed for his character to have closure, and he served his symbolic narrative purpose in Ed's (and Stede's) story. You may have your own ideas and perspectives, and that's great - that's what fandom is for. But we cannot say his death was pointless when David Jenkins and the writers clearly had a well-defined motive for pushing the narrative in this direction. I actually think the narrative around Ed and Izzy is the most well-developed in the entire show. I for one am so happy we got such an interesting and complex character, and had the brilliant Con O'Neill to portray him.

Izzy's growth & healing arc was rendered pointless by his death.

As this post so eloquently puts it, it's pretty bleak to have the outlook that taking steps to heal and find meaning in life is worthless if it's later lost. Seeking happiness and self-actualization is worthwhile for its own sake; no one knows what's down the road, and we all die eventually. Find meaning in life now. Would you rather have had Izzy not miss with his bullet in ep2? He was given the chance to experience joy, freedom, and hope for the first time in potentially a long time, and when he died he did so with those happy memories. As mentioned, Izzy's death was decided long beforehand given the narrative, and the point of storytelling is to make you feel emotions. We were given impetus to connect and relate to Izzy's character through his process of healing, so when he did die, we felt it keenly. That's how stories work actually! We felt what Ed felt. It moved us. It's not a bad thing that Izzy's arc made him more likeable to fans before his death. It's not a bad thing to lose a beloved character - guess what, it happens constantly in stories - and it's not bad to grieve over it either, but to say that it made his journey pointless is just not true. People saying that Con must be upset that they snatched his character away from him after getting to develop him so much - again I say, would you rather him have died in ep 2 before he had the chance to grow? Or how about in s1, when the crew tried to mutiny? How'd you feel when Stede killed him in his dream, in the very first scene of the season? I think Con's probably glad for the opportunity to have explored this character so much in season 2. Ask him if he thinks it was pointless.

Killing off Izzy was bad for queer rep/burying your gays/"Izzy was the queer heart of the show"

I'm putting 'bury your gays' on the top shelf so people can't use it when it doesn't actually apply. Most of the main cast of characters in this show are queer, and it's a show about pirates with a good amount of violence. Ergo, chances are a queer character will die in the course of Things Happening In Stories. Izzy didn't die because he was queer, and he wasn't the token queer rep. Please turn your attention to the boatloads (literally) of queer characters that are happy and thriving (how about the LuPete wedding immediately afterwards??). As for Izzy being the "queer heart of the show," this is literally the Ed and Stede show. You know, the two queer leads whose queer love the show revolves around, per David Jenkins himself. I'm glad folks connected with and derived joy from Izzy's growth and especially his performance in Calypso's birthday, but he is not the main character of the show. The queer heart of the show is in fact, the entire show, all of their characters and the community & found family they create aboard the Revenge. Not to mention the fan community as well. Izzy was never carrying the show's representation on his back, and frankly that's an absurdly wild take to have (esp when he spent most of s1 actively working against the main queer relationships in the show, attempting to maintain the oppressive status quo of pirate society).

It was bad and irresponsible to have a suicidal character die

Are we forgetting the entire first half of the season where Ed, who was suicidal, kept trying to passively kill himself because he felt he was an unlovable monster, only to be shown that he is in fact loved unconditionally and it gives him the strength to fight for life and triumph against his own self-doubt? The show has spent quite a lot of effort telling viewers that despite feeling damaged or broken you are worthy of love and that you are loved even if it may be hard to see it when you're in a bad place. That you don't need to be fully healed to deserve love and care, and that love and support will help you along your journey. It's incredibly wild to disregard this major plot point and fundamental message of s2 to try and spin this the opposite way for Izzy's character.

Secondly, where are people getting 'Izzy is suicidal' from? Are we going back all the way to episode 2, when he's at his lowest point and fails at his suicide attempt, only to be figuratively reborn after removing the metaphorical rotten leg? By the time of the finale he's shown to be in a good place, thanks to the arc of healing and growth he's gotten, through the support of the Revenge crew and his 'breakup' with Blackbeard allowing him to find his own way in life, realizing he doesn't need a purpose to have value and enjoying his time on the Revenge and the bonds he's made with Stede and the crew. He is, in the words of Ivan, "the most open and available I've ever seen him" by the finale. To take episode 2 as evidence he's suicidal is to erase his whole season of growth, which is an ironic thing to do in the context of these arguments. There's no canon evidence Izzy Hands was suicidal post-'Fun and Games'.

As for 'irresponsible,' once again I say, David Jenkins is not your therapist, he's not 'Dad,' and has no responsibility to tell his story any other way than he intended to tell it. Please find media that gives you what you want or need, and if the death of a fictional character causes you this much distress please seek help. I mean this kindly but seriously.

Killing off Izzy was ableist/bad for disability rep.

I point once again to the rest of the characters, several of which are disabled in varied ways. There are literally multiple other amputee characters specifically. It's not good storytelling to wholly avoid killing off any character that is disabled/queer/poc/female or [insert marginalized group here], especially when a) it makes sense narratively, and b) there's plenty of representation of these groups in the media in question. The answer isn't making such characters invincible and immortal, it's increasing the number of these characters in shows so it's not devastating when some do die in the course of natural storytelling.

OFMD was my comfort show/safe space show, now it's ruined for me

I am not trying to be insensitive here when I say that's a problem that is yours and nobody else's. David Jenkins created this show with a three-season vision and a story in mind, and he is telling that story to the best of his ability the way he wants to. It's already been said that he and the crew did not anticipate the fandom becoming as large and passionate as it has. The plot of the show was never intended to be 'fan service,' and it's ironic that there were people complaining this season that there's been too many fanservice tropes, up until David and the rest of the writers room made a narrative decision they did not like, then the complaints changed to not coddling the fans enough.

We as viewers can derive joy from this show, it can be a comfort to us, it can be important to us. But it was not designed specifically for that purpose, therefore it cannot fail in that respect. We do not have the right to harass writers for not steering the ship in the direction we want - it's their work of art, and we can choose to either come along for the ride or not. It's rare to see creators actually given the chance to tell their story the way they intend (budget cuts aside), so let him do that. He should not cater to fans, or cave and change the story to appease us. Respect his right to create his art, and remember you have the right to create your own. That's what fanfiction is for - write fix-its to your heart's content, but keep these realms separate. David Jenkins and Co hold zero, and I mean zero, responsibility to you. He could not please everyone no matter what he did, it would be fruitless to try, and it would certainly compromise the quality of the story he set out to tell.

You are absolutely allowed to dislike choices made in any show. Curate your media experience. If this show no longer brings you joy, stop watching. But it was never David's purpose nor responsibility to juggle the mental health of millions of fans. Trying to put that on him will only make him less enthusiastic about interacting with fans or continuing to make this show. This isn't rocket science. You're responsible for yourself, not this guy you call 'Dad' that you've developed a parasocial-therapist relationship with.

Izzy should have become captain of the Revenge.

Really?? Firstly, we did actually get that already in s1. He was tyrannical and the crew mutinied. But even if you think 'well after his character arc he'd be better suited to it,' it goes against the point of this arc. He's found value in not having a distinct role or purpose on the ship, decoupling his worth from the job he's expected to perform. He's found his place amongst the crew, not commanding it. There's no narrative reason to put him in charge when he's expressed no further interest in slotting himself back into a role full of pressure and expectations.

Con O'Neill was only told halfway through filming, it's cruel to just kill off the character he loves so much.

Guys, he's an actor. More than that, an actor with a theater background. I think he's used to characters dying. You don't need to look out for him. Con and David spoke one on one about it at length so they were on the same page, and David even said that Con took it well. I'm sure Con had input, just as other members of the cast have influenced their characters' stories, costumes, backstories, etc. Do you really think David Jenkins hurt Con's feelings or something? The writers (remember, it's not just David, it's a whole team of hard-working people coming up with these ideas) gave Con such a chance to shine this season, really developing Izzy beyond what he was given in s1 and letting Con show off his full acting range. Why are you only focusing on the destination rather than the journey? Sure, Con's probably sad to see Izzy go, but please do not project your distress onto him or try and accuse David & Co of being 'cruel' to their cast. That's really ridiculous. It's constantly evident how close they all are.

More importantly, do you actually, seriously think that Con O'Neill would want fans to harass each other or the writers over his character? The man who preaches being kind above all? There is no better way to make an actor uncomfortable about a show and its fanbase than to start treating fictional characters like they're more important than real people. He would not want you to bully people over Izzy Hands, and it's mind-boggling that some of you have convinced yourself otherwise.

Lastly, I just want to talk about the fact that some people are holding OFMD to absurdly high expectations.

Our Flag Means Death has been a pioneer series for its diverse representation, earnest storytelling, and themes of hope, community, and love. It's fine to discuss aspects of the show with a critical eye, but so much of the discourse has truly felt like folks are trying to find fault in a show that is leagues ahead of the average tv series that we still enjoy. How many fan favorites are killed off all the time? How many plotlines are scrapped, or drawn out without closure, or contradicted the very next season? How many shows are indifferent or actively hostile towards their fanbase? How many have any queer characters, or actually do bury them? The bar's so low, and OFMD has risen above to give us so much. Some are holding the show to astronomical expectations, waiting for it to fall from the pedestal it's been placed on. If something you don't like happens in the show, it's not suddenly ruined or demoted to being ~just as bad as those other shows~. Give them some breathing room, have some perspective on how progressive the show is, and that perfection is impossible, especially meeting every single viewer's idea of it. This is basically a repeat of the recent Good Omens drama, with an absurd number of people harassing Neil Gaiman for breaking up Aziraphale and Crowley and leaving the second of three acts on a very predictable cliffhanger. Let stories be told, let them unfold as they may, and you are free to leave anytime. It's so wonderful that more queer love stories are becoming popular and even mainstream, but let's not shoot ourselves in the foot by tearing them down when they don't go exactly the way you want it, which often seems to mean no drama, no character deaths, and therefore no conflict or even plot!

Just, please be civil human beings, and while this seems to be a difficult thing for so many fandoms to do, just keep your fan opinions in the fan space. Never bring your grievances to the writers, never bully them and persecute them for telling a story that you opted into viewing. That's something that goes entirely against everything this show, and this cast and crew, have imparted onto us - the importance of kindness, support, community, and love. I'll say it again because it bears repeating: the fate of a fictional character is never more important than how you treat real people. Just be kind in real life, which includes the internet. Thanks.

Now please, let's work together to ensure we get a season 3. There's so much more story to be told, and if you want to see Izzy back, whether that's as flashbacks, as a ghost haunting the inn, or in the gravy basket, we'll need more episodes! #RenewAsACrew

#our flag means death #ofmd #ofmd s2 #ofmd s2 spoilers #and after this i will speak of it no more ok #now once we're all calmed down i am really looking forward to meta about izzy's role in the narrative #i truly think izzy's one of the most well written characters on not just this show but on tv lately in general #suicide mention tw #I tried to put a read more under the first bullet point but tumblr's formatting basically deleted it #by automatically overriding it with an Expand #so sorry about the length and such

[maple-the-awesome]

The Chain Meets Your Baby || 1/2

Part 2 ||

Pairing: Hyrule, Time, Wild, Four x Reader

Requested by @kieradumpzz081927: I hope your request are open(or if ur free for requests), so i saw ur LU oneshots about the one that is called ' He becames a dad ' or smth. So, why not that he would introduce his kid(s) to the chain? That ones going to be interesting Interesting indeed 😈Now, I have my own set of headcannons for what order the Chain becomes dads in, but regardless of their own experience, I'm sure the Links would all subject the new dad to lots of support and teasing. Here you go 💜 Warning: Some mature jokes here and there. Nothing major, but gotta give the new dad a little hell, right? ¯_(ツ)_/¯

Zelda Masterlist 🤍Fandom Masterlist

The last thing Hyrule was expecting to encounter during his village visit was his old traveling companions, the other heroes of courage. Then again, life has been full of surprises lately and it wasn't like he didn't already know that the portals between their worlds are still active. It was only a matter of time before their paths crossed again and honestly, it couldn't have aligned more perfectly.

Happy to see the rest of the Chain again, Hyrule takes the liberty of inviting them back to his home so that they can properly catch up and not be the subject of so many judgment stares from villagers. Throughout the short trip there, the group’s laughter is vibrant as they detail accounts from their recent adventures, soon turning it into a friendly competition of who has the craziest stories. 

This conversation stays well alive all the way from their first steps outside of the village gates to the second Hyrule opens the door to his house, at which point the spirited teasing immediately dies off into a stunned silence.

“Oh! Hello again!” You’re just as pleasantly surprised to see the boys as your boyfriend had been, your smile more than welcoming as you turn around to greet them, yet they’re less focused on you and more so on the small infant you cradle in your arms.

“...I think the Traveler wins,” Wild mumbles, his disbelief shared amongst the rest of the group who merely nod distractedly. 

“Right! I forgot to mention -” Hyrule excitedly hurries to your side before turning to his friends with a thrilled smile, “- This is our daughter, Hope.”

“You just casually forgot to mention you have a kid now…?” Legend narrows his eyes while pointing to the kid in question. He should probably be more annoyed with Hyrule’s tendency of always skipping over important details, but honestly he’s just too shocked to process it right this second.

“Well, she’s only about a month old. Being a dad now takes some getting used to,” Hyrule defends, rubbing the back of his neck timidly, but when you pass your daughter over to him, he shows practice in the way he gently holds her securely to himself before approaching the boys to properly show her off.

Despite their surprise, they’re eager to crowd around him, each wanting to get a good look to ensure this isn’t some clever joke you’re both pulling on them. Fluffy head of dark wavy hair…A little button nose…Sharp pointed ears…Yep, this baby must be yours. She looks exactly as one would imagine the product of Hyrule’s sex life to look like…

“...Geeze. She’s adorable,” Warrior awes, practically leaning over Legend who elbows him back with a glare.

“Isn’t she?” You preen.

“She’s strong, too,” The Vet acknowledges with an unamused pout. He had made the mistake of holding a finger out to the baby only for her to grasp it in an unwavering grip. His attempts at pulling away are fruitless, not that he’s actually trying that hard. Maybe he even likes the feeling of his heart melting just a bit.

“Congratulations. You two must be very proud,” Time praises kindly, having already felt the joy that comes with being a parent himself. He can recognize it in the way Hyrule and you affectionately watch your giggling baby with a pleasant glow surrounding you both.

“We very much are…”

Muffled commotion outside alerts you to the fact that you have visitors long before they stumble into your home, not even bothering to knock as their excitement gets the better of them. Now, any other day, your husband would be quick to scold such ill-mannered behavior, but fortunately for your guests, he's in far too good of a mood to let it be soured.

So, instead of acknowledging the Chain’s less than graceful entrance, Time immediately rises to his feet with a proud hand left upon your shoulder, "Everyone, we'd like you to meet Saria and Mallory."

The young heroes are in awe as they crowd around the bed just to get a look at the small bundles held within your arms. Sure, they've seen babies before, but these are Time's babies. For many of them, the complicated concept of love alone had once seemed out of reach for any hero of courage, yet here the Old Man is, hitched to a lovely wife and now the lucky father of two adorable daughters. It's an amazing accomplishment, really; one that has the entire Chain feeling happy for him.

"They're so little," Hyrule whispers, scared to speak any louder out of fear he'll accidently wake them.

"They inherited their dad's nose, poor things," Warrior jests, throwing a smirk Time's way.

"They'll grow into them," Rather than take it personally, he chuckles while carefully taking one of the girls from you. Despite having only become a father a few hours ago, he's already a natural at handling them. Ever so gently - as if handling the thinnest of glass - he cradles his daughter to his chest and fixes the tiny hand-sewn blanket around her; a gift from her godmother, Malon, of course.

"You'll have your hands full with twins," Four remarks prudently.

You sigh at the thought, your head thrown back against your pillow, "Ugh, we know…”

Although you’re visibly tired after having undergone hours of stressful labor, you still look upon the baby in your arms with nothing short of pure admiration, clearly having no actual regrets towards having either of them. In your eyes, twins just mean all the more love to give.

"Nothing we can't handle," Time promises before getting a mischievous glimmer in his eye while casually extending his sleeping baby out to Twilight, "This one is Mallory, by the way -"

"- W-Wait -!" The Rancher is immediately caught off guard by it, yet his objections are ignored. Time drops the baby into his arms anyway, practically forcing Twilight to take her, not that he truly minds. A natural around children himself, it takes him only a few seconds to adjust the baby comfortably in his hold.

Blind to the other boys who hover around his shoulders, Twilight's eyes are locked in amazement upon the tiny bean who scrunches her nose and whimpers quietly before soon settling down…To think, this small infant no more than a few hours old is a relative of his. He can't help but wonder how closely related they are. How many generations between them? Three? Two? Maybe even just one? It's a strange thought to consider...but also a very comforting one, too.

"...She's a real beauty, isn't she?" Time asks softly with a strong pat to Twilight's back. The only reply he gets is a wordless nod and whimper as the teary eyed Rancher sniffles.

What kind of horrors do they need to prepare themselves for? That's the question that rings through every hero's head as they approach Wild's home. They're concern only grows when - as if sensing them - the Champion suddenly appears in his open doorway with an ear-to-ear grin greeting them...Not the most comforting sight seeing as they've come all this way under his vague request.

A letter had been sent to each of them only giving the minor hint that there’s a certain 'surprise' he can't wait to show them, and with someone as chaotic as their accident prone centenarian, the Chain has every right to be anxious about it.

Even as they all crowd outside of his home, Wild refuses to add any context, instead maintaining his mysteriously upbeat aura before finally stepping aside to allow them in. It's only then that the heroes realize what his 'surprise' is, welcomed by the sight of you as you stand there matching Wild's grin while holding an unfamiliar baby in your arms. She can't be much older than a few weeks, judging on both her tiny features and the obvious bags under both of her parents’ eyes...

"You have a baby?!" Wind screeches with delight, not wasting a second to race to your side.

"Her name is Mikan," Chuckling, you kneel down to let him better see your pride and joy. It isn't long before you're surrounded by most of the heroes who are immediately taken by your daughter's cuteness.

"When did this happen?" Time inquires through a raised eyebrow, one of the few Links who had remained by the door with Wild.

"Uh, she'll be three weeks old tomorrow," Wild answers, his hand darting up to rub the side of his neck. He knows that isn’t exactly what Time meant, but it’s the easiest answer.

"I didn't think you -..." Begins Twilight quietly. Although he ultimately cuts himself short, the curious look he gives his successor wordless finishes what he might've said.

Nodding slowly with some hesitation, Wild bows his head while looking back over to you. There's a fondness in his eyes as he watches you carefully pass your daughter over for Wind to hold, "I know what I said before. I...I didn't think this was something I could have - something I could want this badly, but...Well…I probably don’t need to tell you how it is…”

Twilight pats Wild’s back with a knowing smirk, indeed understanding. He’s happy to see his friend finally accept the peaceful life he deserves instead of continuing to run away from it, after all, Twilight has never been blind to the curiosity and faint jealousy that would shine in Wild’s eyes whenever listening to the other heroes talk about their families. He’s been long overdue to have one of his own.

"Hey, just one question," While Wind is busy cooing and rocking your daughter, Four turns around to address Wild once they finally join everyone else, "Did you really name your daughter after a fruit?"

Wild's cheeks flare in embarrassment, "I - It can be a pretty name, too!"

"I'm actually the one who chose it," You confess sheepishly, taking the attention away from your partner, "I was really craving tangerines throughout the whole pregnancy."

"At least it's a somewhat normal name. I was half expecting you to name your future kids something like 'Biscuit' or 'Curry'," Legend snorts.

"...We did consider picking 'Sage'.”

Warrior laughs heartily before throwing a hand over Wild shoulder with a suggestive wiggle of his eyebrows, "Can we expect that to be the second child's name then?"

"Woah, woah, woah - Let's settle down now, gentleman,” You immediately scold while also taking the chance to save your poor partner by pulling him away from the onslaught of teasing he was about to endure, “One baby at a time. It’s not easy carrying those things, just ask your wives!”

Four has been off into his own little world - That is to say, he’s been both distracted and extremely tired; a terrible mix, but hey, it’s nothing he hasn’t dealt with before. Despite his eyelids feeling like bricks, he remains awake and alert, arms folded across his chest as he sits in the bedside chair keeping watch over your sleeping form. 

You need the rest more than him anyway. Your husband has been through some pretty fearsome and ravenous beasts in his time, yet your work last night easily trumpeted every hell he’s undergone himself. Best to let you sleep unless he wants to change that statement.

A series of echoed knocks send Four bolting through the house, hissing a curse under his breath before tossing the front door open with plans to scold whoever’s on the other side, yet he’s stunned into silence when he realizes it’s no poorly timed mailman, rather the very friends he had invited over…although, they did come a lot sooner than he thought they would…

“WE’VE COME TO SEE -!”

“- SHHH!!!” Four nearly smacks a hand over Wild’s face. 

“- …The baby…” Wild finishes with a whisper and a grimace.

Four quickly ushers the Chain inside, allowing them to make themselves comfortable with STRICT orders to keep the noise level down. Yes, their early visit may not have been exactly anticipated, but Four holds no ill feelings towards it, in fact, he’s rather smiley while leading them to the nursery.

“Here they are,” He practically sings, eagerly looking inside the large crib as if he, himself, still can’t get enough of its contents. He has every right to be infatuated, “These are my girls~”

Although Four is bubbling with joy as he admires his little creations, the rest of the Chain stands by with wide eyes. Some even take the time to count each baby just to confirm that they are, indeed, seeing triple. Inside lies three little newborns, each fast asleep after having about as stressful of a day as their parents.

“We’re thinking of naming them Marigold, Amber, and Camelia. You know, keep to the color theme and all…”

“Damn, three of them, huh? You didn’t hold back at all, did you, Smithy?” Warrior observes aloud, much to Four’s instant lack of amusement.

“They’re so cute~” Wind coos, Twilight having to pull him back before he accidentally falls into a crib again.

“I suppose it’s a good thing I brought some of the twins’ old stuff then,” Time hums, his smirk holding a hint of sympathy. Needless to say, he doesn’t miss those early days of juggling babies himself, as much as he loves them dearly.

Four preens at the attention his daughters get, however his smile falters when he notices Sky sticking to the very back of the group, awkwardly rubbing his arm and chewing down on his lip. Four frowns.

“...I’m sorry. We should’ve waited until we told -” He keeps his voice down as he joins the older hero who is quick to shake his head and muster his best smile.

“- No, no. We’re happy for you both. Really…” Despite the sorrow stuck in his voice, Four can tell Sky means every word of it, even the sighed: “...You’re a very lucky guy.”

“...I am,” While there could be more said, he realizes now might not be the time to discuss it. Not with so many new babies in the room.

“No wonder you wanted us to be quiet. I can barely handle one newborn at a time, let alone three at once?” Legend mumbles half to himself, his finger gently cresting one of the baby’s chubby cheeks.

“You know, if you ever find your house getting a little too quiet, you can always babysit -”

“- No way in hell. We already have our hands full as it is.”

#lu time x reader #lu hyrule x reader #lu wild x reader #linked universe x reader #link x reader #linked universe #x reader #reader insert #legend of zelda #lu four x reader

[comfortless]

what's ur most unconventional Headcanon? like ones you have that most of the fandom doesn't agree with. mine is that I don't think h's 6'10, in my mind he's closer to 6'6 or 6'7. Also I don't think he would be the most caring bf 😶😶 like not abusive or anything, but to me he will almost always prioritize himself in the long run

HA… well….. i do not think any of mine are too strange! but i can not ever shush when someone has lent an ear to listen!!

warning for nsfw content, mentions of injury, and unhealthy relationship stuff below the cut.

i agree with you about his height. he’s significantly taller than Simon, but i would place him at 6’7”-6’8” max. i’m no health or military expert, but i do not think that he could do the work that he does efficiently if he were a complete Goliath. he would stand out so easily! and there are a slew of issues that can stem from someone being “too tall”. he probably doesn’t have the best posture, either.

i love the conventionally attractive, long-haired König headcanons, they’re fun! but ultimately… very, very unrealistic for my interpretation of König. i tend to side with Salome and Ghost when it comes to their takes on how he actually looks under the hood. his character description suggests that his face is scary, and judging by the game that he’s in, i do not think that the other operators are going to find some goth guy nor… Jim Boeven… to be worthy of such a rumor!

König’s face is always going to be a fluctuating thing for me, heavily dependent on the setting/time period i’m shoving him into or reading about. the thing that’s stuck with me however has always been facial scarring!! where he got it? who knows… i mentioned it on my headcanons post, but the cause is just as changing as his appearance.

i like the thought of him being a little different looking: crooked teeth, pockmarks, maybe a harelip or a broken nose, burn scars, something. maybe his hair is so light it simply looks as if he doesn’t have eyebrows. maybe a combination of all of those things! the less conventionally attractive the better, it’s not his face that had us scrambling from the rafters with our hearts in our hands, after all. though i am and always will be a glitched default face model König defender. it’s just so unbearably adorable to think of that soft, sad-eyed face making that much noise while he’s rushing around in battle. ):

and though i believe he would have the best intentions at heart… you are right, he is likely a very selfish lover. still hopelessly devoted and needy, but he would be the king of double standards. most decisions are made with his preferences in mind, and the bullying has stuck with him. König is insecure as hell when it comes to anything but his skills in killing or bashing through a door.

he likes the idea of you dressing up for him, but he’s also actively pulling up your dress/top to hide your cleavage if he even thinks another man may have glanced your way. yet… he will go to the gym shirtless, and if other women happen to ogle him, well it’s just fine because he didn’t notice them anyway.

you don’t like the house you’re living in when you move in together? well he does, you’re staying… he’ll just fix it up a little to better suit your needs. even if he screws up setting up a new counter or painting, that can all be fixed.

you want to go out with your friends? he should be allowed to come with you… spending time with you makes him happy. why wouldn’t you want him to come too? yet, when he wants time alone to focus on his aim, decompress with a book, or mess around with a vehicle or a house project, you’re expected to leave him be.

he’s too blunt about what he does for work, doesn’t bat an eye when he tells you he put a bullet through someone’s head and watched the spray. he’s so used to it, it doesn’t even faze him anymore, but… you don’t want to hear about it? oh that must mean you think he’s something filthy or worse. he’s not going to cry, but he might bring it up when you tell him about something you enjoy.

just ridiculous, petty things that would drive most up a wall, but he’s firm in whatever he decides. there’s always a little room for compromise, but not much without an argument.

he has his savings account and the house is in his name in case you decide to leave. it would gut him, of course, but a part of him also expects it.

he’s not above begging for you to stay, trying any way that he can to convince you, but… he’s never expected to have things handed to him easily. his childhood wasn’t the best, why would his adulthood be any better? the way he sees it is simple: he doesn’t hit you, his cock and heart are reserved solely for you, if you can’t love him enough to stay, then… maybe you’re not any different from the people he’s known before.

he’s self aware enough to know he can be a complete arschloch, thinks with his cock more than his brain, but he’s completely lost when it comes to matters like love. he wants to console you when you cry, when you’re angry, but asking you a dozen times just why you feel such a way while squishing you into a too-tight embrace doesn’t help much. his search history is filled with things like “why is my girlfriend mad at me” or “how to make a woman stop ignoring me”. his communication toward you isn’t great, but he tries in his own way. very easy to break an argument up when he tells you some silly, scripted thing like, “I’m here for you. I’m listening.” when under normal circumstances he’s staring at you with wide-eyes and swallowing hard the very second you seem a little ruffled. you tell him to stop reciting some guide he read online, and he’s immediately worried sick you’re going to think him a complete fool, in utter denial about ever having searched something like that up.

can’t see him as being god’s gift to women in the bedroom at all. König has probably watched a lot of porn. he doesn’t care for the scripted, practiced stuff, but his tastes have always been a little odd. the amateur, solo stuff is what piques his interest the most. he knows a vibrator can make a woman come, knows that a dildo can be nice too if she sets the pace. what he’s watched with a proper couple, well… the men are always smaller than him. the terms and dynamics are lost on him, he knows what a safe word is and that he should be a gentleman and make sure his partner finishes too, but each time that’s happened has been a miracle really. he’s not a virgin, but he’s never had a partner long enough to bother learning. if he can make you feel good and vice versa, that’s enough, right..?!

he’s not going to bludgeon you with his dick, he knows he’s a bit too big and thick to just fuck you recklessly, but often times he does get excited or fretful— too deep or too shallow, flicks your clit like it’s indestructible or keeps his head between your thighs waaay after you’ve already come. he’ll stop when you ask, when you’re teary eyed and overstimulated repeating the ridiculous German word he makes you use. not above begging you to use your hand on him instead, though…

switching positions is difficult if you’re a lot smaller than him. he’s not against having you on your knees, but he wants to be so close, pant into your ear about how good you feel, smother you with his weight all the while. missionary is a nightmare because he’s drooly and comes far too quickly when he can see your face and overpower you like this, cue further squishing even after he’s done; you’re likely going to be lying beneath him all night. cowgirl seems to work best, though he’s a bit too fond of having your tits so accessible - expect biting!!

when i try to think of König with any sort of hobby my mind just blanks. i think he would try a lot, but never stick to one thing! he’s got a few sporadic collections, but nothing he keeps up with to the same caliber as his guns and knives. books are often half-finished these days, keeping focused long enough to sit through a puzzle or the like is rare. definitely longs to have something for comfort that isn’t some winding trail to no where or suffocating you in himself to just have a hint of what it feels like to be entirely happy and ‘normal’.

he’s become a bit of an amalgamation of all of the things he liked as a child: knights with their swords he thinks of as his knives, deities with bolts of thunder cascading from their hands like the bullets from his guns, loves in the way he read men of myths fall in love - utterly unfathomably devoted but always the leader… if he could he would probably whisk himself and the object of his affection to another place entirely where he could be someone deserving: someone who’s loved despite the way that he looks or behaves, someone who’s never had to question what love was at all.

[qtubbo]

There has been some talk (mainly on twitter but some here) about calling Em, Tubbo’s daughter. It comes off as so cold, and anti what qsmp family have been teaching, if you don’t agree with that dynamic being there that’s perfectly fine (you are allowed opinions funfact). The reason though is always upsetting, stating that Empanada has enough parents, that she’s perfectly happy without him, that any outsiders to her established family would be an intruder trying to take her away. Qsmp’s family’s are a village, what’s so disturbing about someone non official becoming an eggs parent that didn’t “join” the family.

Using Bad and Pomme as an example, Pomme has 4 other parents (in this case I guess it would be bad taking pomme from the french) that take good care of her. When Bad considers Pomme his daughter, it’s out of love, just because he wasn’t assigned doesn’t mean he can’t have parental love for her. Pomme would be fine without Bad being her dad, but Bad being her dad doesn’t Affect her negatively at all. Pomme still choses to wake up for her other parents, bad doesn’t have priority, and it’s ridiculous to assume that he took her from them. Pomme and Bad are not related by a family tree, they just love each other like father and daughter and so they became that.

It’s a bigger statement of the fandom as a whole and how we really push for familial ties forged by blood even in an adoption setting. For example no one had issue with the idea of Roier being Richas’s dad instead of his uncle because he had forged a literal connection to Cellbit. In the same vein people often depict Cellbit as Bobby’s dad in another life even though he never really got to take care of him. These were never considered taking Richas or Bobby from their parents because there was a marriage, Roier joined Cellbit’s family. The most I ever see going against this dynamic is people arguing Cellbit isn’t Jaiden’s family, which inherently pushes the point once again.

We are given examples of non traditional family relationships where everything is done by adoption and there is barely any blood relationships. Though as a fandom we still try to push things into a traditional box. Fit and Tubbo are not related, nor is Fit to any of Sunny’s parents, yet he still calls her his child. They love each other like father and daughter, so why should it be any different why should Fit be blocked from that because he’s not married to any of Sunny’s parents.

Why is seeing a familial relationship more similar to father and daughter between Empanada and Tubbo an issue. If you believe they love each other like that, shouldn’t that be enough. Why must we consider love like that to be certified, that anyone else getting involved is an invader that is just getting in the way of the old parents.

Every single egg was adopted none have parents that would be considered traditional, but yet we still push for the perfect traditional nuclear family were there is no village, there is no family outside the one given, and believing in anything else is disgusting.

#qsmp #Qsmp fandom crit #Discourse #<- not really this is really just a teaching lesson #Qsmp fandom neg #fandom analysis #qsmp tubbo #qsmp empanada #qsmp bad #qsmp pomme #qsmp sunny #qsmp fit

[nattikay]

Jake is a Good Dad and I will Die On That Hill

Howdy Avatar fandom. Over the past six months or so I’ve seen a lot of criticism directed toward Jake Sully as a father, ranging from him simply being a little too strict at best, to outright neglectful and even abusive at worst. This, my friends, is some grade-A nonsense, and today we’re gonna talk about why. Strap in, lads, this is gonna be a long one. Let’s roll.

So before we get into breaking down the events of the main storyline, let’s address the idea that Jake was always the super-strict “military dad” throughout the kids’ lives: put simply, bullcrap.

Out of the film’s over-three-hour runtime, we get to see very little of the Sullies’ lives before the RDA’s return—only about six minutes’ worth. If Jake was meant to be this strict militaristic dictator during this time period, especially in a way that would significantly impact the kids’ character development and their relationships with him, this would be the time to show it, or at least hint at it. But instead of any of that, we really get quite the opposite. Jake laughs and plays with the kids:

Jokes around and cuddles:

Teaches Neteyam to fish:

He even says in his narration:

“Happiness is simple…whoever thought that a jarhead like me could’ve cracked the code?”

Guys, this is quite literally the best time of his life. This man absolutely adores his family with every fiber of his being, they are his whole world. Like, look at him! He has stars in his eyes!!

We have zero reason to suspect that Jake was overly harsh or strict in a way that would impede his relationship with his kids during this time. The Sullies appear to be a normal, healthy, close-knit family. 

It’s only when the RDA returns and reignites war that things change. 

I’ve seen some people claim that Jake’s personality changed it the second movie. I disagree—it was not his personality that changed, but rather his priorities. 

A1 Jake was a disabled marine vet who was offered his brother’s contract after said brother was unexpectedly murdered by some thug on the street…and part of the reason he agreed to take that contract was that there really wasn’t much else left for him back on Earth, so why not go? A1 Jake had just about nothing left to lose, and therefore could afford to be more reckless.

A2 Jake, however, is another story altogether. A2 Jake can’t just run around poking and prodding and taking risks like A1 Jake did because now he has a wife and four children who rely on him and who he loves more than anything else in the world. It’s not just himself he has to look out for anymore, it’s them. He now has everything to lose. He says as much himself:

Not to mention that he’s older now. Did you really expect the 37-year-old father of four who’s been leading the clan for 15 years and is suddenly thrust back into a brutal war to behave exactly the same as the 22-year-old fish-out-of-water ex-marine sent to fill in for his scientist brother out of the sheer convenience of sharing a genome? A2 Jake’s behavior is not a sudden 180 from his personality in A1, it’s a natural progression and reaction for his character given the changed circumstances. 

“A father protects. It’s what gives him meaning.”

This is essentially Jake’s thesis for the movie. This is his #1 priority, his purpose, the lens through which all his actions must be viewed in order to understand them, and it’s important to establish it upfront because it sets up everything else.

With that in mind, let’s take a look at the train raid sequence as its aftermath. Jake begrudgingly allows his now-teenage sons to participate in the war party—from a distance, as spotters. Neteyam seems content to fill this role, but Lo’ak, against orders, eagerly insists that they “have to get in there”, even goading his brother: 

Tailed by an exasperated Neteyam, Lo’ak grabs a weapon from Tarsem and lets out a half-hearted warcry:

...let’s be honest here, Lo’ak doesn’t really seem to be taking this raid anywhere near as seriously as he should be; he’s treating it more like a game—on which point, y’know what, let’s pause to talk about Lo’ak for a moment.

Because the primary purpose of this post is defending Jake, it may at times appear that I am being overly critical towards Lo’ak. This is not my intention—I love Lo’ak as much as I love the rest of the Sully family (which is a lot lol). I think the things he struggles with are reasonable and valid struggles to have considering his circumstances. However, that does not always mean that he is in the “right”. Jake and Lo’ak’s conflict through the movie is not as simple as “son right dad wrong” or vice-versa; rather, it stems from a generational/age gap in experience and priorities. 

In this case, for example, Lo’ak is treating the raid more like a cool action game than a real battle with real stakes. Which may not be much of a surprise—he’s 14! He’s young, he’s naive, he’s never experienced anything close to real war until the past year or so—he probably genuinely does not fully grasp the stakes of this situation just yet. And why should we expect him to, really? He’s never had to before.

Jake, on the other hand, knows the stakes all too well. This ain’t his first rodeo. He was a solider both on Earth (where he was injured severely enough to become paralyzed from the waist down) and then again on Pandora driving out the RDA in a battle that killed several of his friends and allies, including almost completely wiping out the entire Olangi clan. 

Jake understands the risks of war and doesn’t want his kids anywhere near it. We see this not only in the film where he only allows Neteyam and Lo’ak to participate in the raid “from a distance” and ultimately fleeing his own clan altogether once his kids are directly threatened, but also in the comics in which he consistently turns down Neteyam’s pleadings to participate in the war efforts. Unfortunately for him, his sons do happen to be coming of age at around this time and there’s only so much he can do to keep them out of it, so he tries to let them participate in relatively safe ways, like as spotters.

Lo’ak…doesn’t understand this. Not really. And that leads to him recklessly taking unnecessary risks—be it out of curiosity, to get in on the action, or even simply to prove himself. Which understandably scares the crap out of Jake.

When the raid is over, Jake desperately searches the rubble for his sons. He finds Lo’ak quickly and makes sure he’s alright:

…before taking off to search for Neteyam, who he also promptly checks over for injuries. 

which is something I’d like to point out here: although Jake sometimes gets gruff with his sons, he never leads with that. He always always always makes sure they’re ok first. That’s important. We’ll come back to it throughout the post.

Anyways, it’s only after making sure that Neteyam is ok that Jake’s initial bout of fear subsides and morphs into frustration and anger: what were you thinking?! And it’s a fair question. If the boys had followed orders, they wouldn’t have been at such risk in the first place. Once the party returns to High Camp, Jake addresses this point with them, reminding them that by disobeying direct orders they put themselves in very serious danger, and reiterating to Lo’ak in particular that his recklessness nearly got his brother killed and grounding him.

In other words, Jake’s response to his sons going against his orders was���a lecture and a grounding. That’s…a pretty reasonable parental reaction, actually. Sure, you could nitpick and say his tone was too harsh, but given the situation, I struggle to blame him…

…which leads into the next relevant scene: while Mo’at and Kiri tend to Neteyam’s scratches, Neytiri gently chides Jake for being too hard on the boys, concluding with the infamous line: “This is not a squad. It is a family.”

Now, what I find interesting about this scene is that neither party is really in the wrong here. Jake is doing his best to fill his role as a father by watching out for his kids’ physical safety—even if it means being a little strict. Likewise, Neytiri is filling her role as a mother by looking out for her kids’ emotional well-being. As she should!

That said, I think people who use this line as proof of Jake’s supposed parental failure are forgetting the context. While Neytiri’s line is true in general, when the boys sign up to participate in a war party, they kinda do become a “squad”. In that moment, in that context, they are a squad, they have to behave like one lest someone gets hurt if not killed. 

I also think they forget Jake’s reaction to Neytiri’s line:

Look closely. There are tears in his eyes. This dude was terrified of the possibility that he may have just lost one of his sons in the raid, and all his strictness stems from that. And Neytiri seems to recognize this as well, as she can’t seem to decide how to respond. She probably worries about the same thing, after all, even if she handles it differently. 

On that note, let’s look at the next time Lo’ak disobeys instructions: going to the old shack with Spider, Kiri, and Tuk, where they first encounter the recom unit. 

Something interesting about the aftermath of the recom rescue is that no one gets lectured this time actually. Remember what I said about how, no matter how upset he is, Jake always checks to make sure the kids are ok first and foremost? Sure enough, that’s what he does here:

Not only for his daughters, mind you, but also both his sons (we’ll address the daughter-favoritism claims later):

With the recoms now targeting the Sully family specifically, Jake, feeling out of other options, makes the difficult decision to flee and find refuge among the Metkayina clan. 

whoops, there’s that “protection” theme again

When their request for sanctuary is somewhat reluctantly accepted, Jake calls a family meeting and tells the kids this:

Remember how earlier we established how “a father protects” is essentially Jake’s thesis for this movie? Well, this is an offshoot of that: Jake believes that hiding amongst the Metkayina is currently the best was to keep his family safe; therefore, throughout the Sullies’ time with the clan, Jake’s primary goal is to lay low and get along with the clan so as not to tread on their hospitality and get kicked out (even if and when that means setting aside one’s own pride). This, then, is the lens through which Jake’s actions must be analyzed while his family is staying with the Metkayina.

The first time this becomes relevant is after Neteyam and Lo’ak’s little scrap defending Kiri from Aonung and his posse. Jake is clearly not thrilled about Kiri being bullied, but again, his top priority is keeping his family safe and right now this entails maintaining a good standing with the chief, which in turns means that his sons getting into brawls with Tonowari’s son is a very bad look. Which is why, after a moment of internal conflict, he asks Lo’ak to apologize to Aonung (he even tries to explain when Lo’ak protests:)

On that note, while remaining on good terms with the clan has to take precedence at this moment, Jake is clearly quietly proud of his boys for kicking butt, as we see from his exchange with Neteyam (though yes, it is unfortunate that Lo’ak didn’t get to see this bit).

…which brings us to one of the bigger moments that people point to when accusing Jake of being a bad father: the “you bring shame to this family” line. Now, I can understand why this line doesn’t sit right with viewers initially, especially since we have just seen firsthand the truth about what Lo’ak experienced over the past few hours. However, when you consider what’s going on from Jake’s perspective, the line is not quite as unreasonable as it first seems.

Let’s back up a bit to when Lo’ak first returns to the village after meeting Payakan. At first Jake is just relieved that his son is ok (remember: he always checks first)

In fact, once it’s clear that Lo’ak is ok, it seems Jake just wanted to let it go and head home…the real conflict didn’t begin until after Lo’ak lied to take the blame for Aonung.

Up until this moment, Jake only knew Aonung’s side of the story, that he’d taken Lo’ak outside the reef and he got stranded there (it’s unclear whether Aonung specifies that he abandoned him out there on purpose, the little punk, but I digress). But when Tonowari (rightfully) declares Aonung’s responsibility for the incident, Lo’ak speaks up to take the fall, claiming that the whole ordeal was all his idea, which Aonung had tried to talk him out of.

Lo’ak does not have a reputation for lying…but he does have a reputation for pulling reckless stunts that put himself and others in danger, so for better or for worse, Jake has literally zero reason not to believe this claim. 

In other words, for Jake, the situation has just gone from “my son got taken advantage of by the local bullies and put into a precarious situation but he’s home safe now” to “my son dragged a bunch of other kids to a dangerous location where he knows he’s not supposed to go despite the chef’s son trying to talk him out of it, endangering both his life and theirs, getting lost in the process, and thereby worrying and inconveniencing the entire clan on whose hospitality we rely by making them go out of their way to arrange a whole search party in the dead of night just to find him.”

…yeah, no wonder he was flippin’ ticked. No wonder he “didn’t want to hear it” when Lo’ak tries to explain that he was “only trying to make friends”. We as the audience know that’s true, of course, but as far as Jake knows in that moment, based on what Lo’ak himself claimed just moments ago, he was trying to “make friends” by…dragging them out to a dangerous location despite their protests thus jeopardizing both his and their lives as well as his family’s standing in the clan who can kick them out at any time. Yeah, I wouldn’t want to “hear it” either.

When you look at it from that perspective, “you brought shame to this family” doesn’t really seem quite as extreme, does it?

And yes, I feel for Lo’ak here, really, I do; he’s just been through a lot and yes based on the actual events that just occurred his father’s anger is the last thing the poor kid needs and I totally get why it would upset him…but at the same time, I can’t help feeling that he kinda brought this particular lecture on himself by voluntarily taking the blame for Aonung. Not really sure what he was expecting: that Jake would somehow read his mind and understand the way things actually went? That he would see through his lie and praise him for being so amiable towards Aonung by taking the fall perhaps similar to how Neteyam so often claims the blame for Lo’ak’s own reckless shenanigans despite how rude Aonung had been to him thus far? Or perhaps he just blurted out the blame claim as an olive branch of sorts to Aonung (genuinely trying to “make friends” in a way) without really thinking about the consequences of doing so. Who knows. But regardless of how Lo’ak did or didn’t think things would go, I think it’s a little unfair to blame Jake for his reaction. Based on his knowledge of the circumstances, which in turn were based on Lo’ak’s own account given only moments before (remember, Jake had zero reason to suspect he was lying), his reaction is actually pretty understandable.

Speaking of Lo’ak’s adventures with Payakan, the next time we see him clash with his father is when Tonowari lectures him for bonding with the outcast, and Lo’ak defends his new friend. Remember: Jake’s top priority is keeping his family safe which currently means not getting kicked out of the Metkayina. Lo’ak, regardless of whether or not he was in the right, was clearly upsetting Ronal and Tonowari in this exchange—Neytiri is actually the first to step in and warn her son:

…and when Lo’ak persists anyways, Jake has to step in in hopes of smoothing things over with the chief. 

It sucks that this upset Lo’ak, especially because we the audience know that Lo’ak is right about Payakan, but again, Jake is currently more concerned with not getting kicked out of the clan than with his son winning an argument about the validity of a tulkun’s outcast status.

.

...aaaand here comes the hardest part of this essay to write. Admittedly I wasn’t aware of this argument until recently, but now that I know it’s out there I feel obligated to address it here. Apparently some folks are out there claim that Jake did not display a sufficient amount of emotion at Neteyam’s death, and this somehow proves that he wasn’t as attached to his sons as he should have been. And all I have to say to that is: did we watch the same movie?? 

That man broke upon his son’s death. Did he wail and cry like Neytiri, no, but that doesn’t mean he wasn’t heartbroken—wailing and crying simply aren’t how his character responds to trauma. He’s a solider, he’s probably trained to delay any external breakdown at least until a given battle is over.

But you can still see it in his face. You can hear it in his voice which breaks and shudders when he realizes that Neteyam is dying and tries to give him a few last words of comfort, wanting so desperately to ease his pain to the best of his abilities. 

...yeah. This man is broken in this moment.

…but his job isn’t over yet. The battle is still raging. He still has three more kids who still need him. As much as he may want to, he cannot take the time to fully grieve in this moment.

…which brings us to the big one, the main line people point to when arguing that Jake is a bad father:

Now, let’s be honest: was this an awful thing to say? Yes, absolutely. Should Jake apologize to Lo’ak for it after the fact, if he hasn’t already? Definitely, one-hundred-percent. I’m not disputing that in the least.

however…

In this moment, Jake has just spent the past however-long locked in a vicious battle, and hardly minutes before watched his firstborn son bleed out in his arms. And now he learns that his daughters—one of whom is a pre-pubescent child with no chance of defending herself—are still caught on the “demon ship” with the recoms, who have just very clearly proven that they have absolutely no qualms with killing these kids. Quaritch taunting in his ear certainly is not helping. 

The only thing Jake could properly focus on in that moment was getting Kiri and Tuk off that boat. Repeat: he wants to get his kids OFF the demon ship, not risk bringing any of them back ON. On top of that, Lo’ak, as established very early on in the film (see: train raid), has a reputation for struggling to follow orders…even when not emotionally devastated by the death of his brother. 

All these things considered, is it really any wonder that Jake did not want Lo’ak coming along on this mission? He’s already lost one son, why in the ever-loving flip flap would he want to risk losing the other by intentionally bringing him back to the danger zone with no guarantee he’ll come out again, especially given his apparent propensity to ignore orders and throw himself into danger? 

Heck, the only reason he lets Spider come is that Spider knows where the girls are and, unlike Lo’ak, Spider doesn’t have that same reckless reputation. Spider, in that moment, appears to be able to compartmentalize the fresh trauma well enough to focus on the task at hand, and can be trusted to do as Jake asks. Lo’ak…can’t. So, Jake wants him to stay behind.

Did he express it horribly? Absolutely. But saying one stupid insensitive thing in a moment of numbness underlaid by grief, pain, and fear does not make him a horrible dad overall, and I think it’s a little unfair to say that it does.

On that note, I do not believe for one moment that Jake genuinely blames Lo’ak for Neteyam’s death. Now, Lo’ak may well view it that way and I’m sure it’ll come into play for his character arc in future movies, which can be a topic for another day, but as for Jake’s perspective, no. I don’t think he truly blames Lo’ak. Even if he couldn’t necessarily process it all right away, I think he knows that Lo’ak is going through as much heartbreak as the rest of the family…especially given that Jake himself has firsthand experience losing a brother. He just said something dumb in a moment of pain.

(On the topic of Lo’ak being unable to follow orders, less than five minutes after Jake, Neytiri, and Spider leave for the ship, Lo’ak…immediately disobeys the order to stay safe on the island and heads back out to the ship anyways. Obviously in the grand scheme of things it’s good that he was there to save Jake from drowning after the scuffle with Quaritch, but still, good gracious son. Way to spectacularly prove your dad’s point.) 

So now we come to the point where Lo’ak saves Jake’s life. After a mutual choke-out with Quaritch, Jake is left to drown until Lo’ak finds him and pulls him to the surface, at which point he gasps for air and chokes out Neteyam’s name. 

This can be interpreted in a few ways. It could be that Jake is so accustomed to Neteyam being the “responsible” one that he irrationally thought it was him coming to the rescue, momentarily forgetting he had died or somehow thinking maybe by some stroke of fate he pulled through after all—this seems to be Lo’ak’s assumption, given that he promptly corrects him.

Now, some may take Jake’s “oh, Lo’ak…” as a show of favoritism, or proof that Jake values his first son above his second. I don’t think this is the case though—I don’t think Jake’s apparent disappointment is about Lo’ak being there so much it’s about Neteyam not being there. In other words, it’s not a personal slight against or disappointment in Lo’ak, but rather a form of still-very-raw grief for Neteyam who, remember, only just died, like, an hour ago.

It could also be that Jake is still so distraught following Neteyam’s death that it’s consuming his thoughts…he was able to shove it down and compartmentalize long enough to fight the recoms and get Tuk and Kiri off the boat, but that compartmentalization broke down while he was literally drowning and it took him a minute to focus and put things back together (which he manages to do a moment later when Lo’ak tries to apologize for his brother’s death):

The most excruciating interpretation I’ve seen is Jake thinking he had drowned and is rejoining Neteyam in the afterlife. ouch. Though that is, of course, just speculation.

Regardless, at this point Jake has just about given up. He’s exhausted, he’s in agony, both physically and emotionally. He’s completely drained. He wants Lo’ak to live but is ready to give up on himself (“I can’t make it. You can.”). It’s only when Lo’ak insists: 

 ...that Jake realizes he still needs to press forward. Because his other kids still need him. His other son still needs him and he’s not willing to give up on him. So he takes a deep breath (literally), puts his trust in Lo’ak, and lets his son lead him through the flooded passageways out of the wreck. When they finally break the surface, we have this lovely moment:

This moment is a resolution to one of Lo’ak’s primary emotional conflicts throughout the movie: living in the shadow of his legendary war hero father and prodigious older brother, finally getting the recognition and affirmation he so craved from that father. Some might argue that in terms of “ideal” parenting that this kind of moment should have come sooner, or that Jake’s recognition of his son should never have been in doubt in the first place, and while there may be some truth to that, I struggle to really blame Jake for it for reasons I just spent the past 4000 words discussing. I think the fact that this moment happened at all shows that despite their clashes and struggles and miscommunications, Jake does and always has cared very deeply about Lo’ak; his lectures and frustrations come not out of malice or some personal distaste, but out of fear for his well-being.

We see Jake comforting Lo’ak again after the family returns to Neteyam’s body on the rocks.

 As I said before, I don’t think for even the briefest moment Jake genuinely blames Lo’ak for Neteyam’s death. I don’t think he would be comforting him like this if he did.

…which, I suppose, brings us to Neteyam’s funeral, and Jake and Neytiri visiting his spirit within Eywa. No parent should ever have to bury their child and good golly gracious this scene ripped my heart out but I digress. I don’t even really have a lot of commentary to add to these scenes…just…just this. It speaks for itself.

look me in the eye and tell me this man “doesn’t care about his sons”. I flipping DARE you.

.

Well, that concludes the debunking of scenes that supposedly make Jake a bad father. But before we go, let’s look just briefly at this scene of him being a good dad with Kiri. I didn’t mention this earlier because while I’ve seen a lot of complaints about Jake’s interactions with Neteyam and especially Lo’ak, few people have qualms with the way Jake treats Kiri and Tuk—in fact, many people claim that he shows favoritism to his daughters, going out of his way “baby” them and treat them more gently and lovingly than his sons. I disagree and hope the above has done a thorough job dispelling that notion: Kiri and Tuk don’t go around throwing themselves headlong into the same kind of danger that Neteyam and Lo’ak do. They aren’t begging to participate in battle, they aren’t disobeying orders that land them in mortal peril. 

In other words: Jake lectures his sons more than his daughters out of necessity, not nepotism. Remember: Jake’s #1 priority is protecting his family, keeping them all safe and alive. That means that when one of his kids pulls a stupid stunt that puts them in danger he feels the need to crack down on that in hopes of preventing it from happening again. Lo’ak is, quite frankly, prone to pulling those kind of stunts, so he gets lectured a lot. Kiri and Tuk do not typically pull such stunts, so they don’t get lectured. It’s as simple as that, really.

Buuuuuut now that we’ve cleared that up, let’s talk just briefly about Jake comforting Kiri.

Like with the scene of visiting Neteyam’s spirit, I don’t have much commentary to add to this scene—it’s a very sweet scene and it speaks for itself really. Jake is very gentle and doing his best to listen to Kiri, even if he is a little unsure about her claims. He doesn’t criticize or invalidate, he just tries to be there for her. What can I say, that’s a good dad right there ¯\_(ツ)_/¯  

One last little point before we wrap up for real: the fact that Lo’ak and Neteyam occasionally refer to Jake as “sir”. I was originally planning to address this earlier but it didn’t quite fit in with the flow of the discussion and I consider it such a minor point anyways, I figured I could save it for a side note—but seriously, it baffles me what a big deal people make of this. 

It would be one thing if “sir” was something that Jake strictly enforced, if it was the only thing he allowed the kids to address him as, if one of them called him “Dad” and he barked back, “no! it is sir!” But…literally none of that is the case. He never explicitly asks them to call him “sir”, and they call him “Dad” just as often if not more.

The kids referring to Jake as “sir” in tense moments is a simple show of respect, nothing more. I recall my own dad also wanting to be called “sir” when we were in trouble and it was never really an issue. And I suppose your milage may vary depending on where you live, but growing up in the southern US, “sir” and “ma’am” are just very common basic courtesy in many situations (not just familial). 

Sooooo….yeah, the idea that Neteyam and Lo’ak occasionally calling Jake sir is somehow proof of Jake being too strict or cold or whatever else is really making a mountain out of a molehill. It’s not that deep y’all.

…aaaand I suppose that’s it for this post. 

In conclusion: 

Look guys, Jake does not have to be your favorite character. You don’t even have to like him, or agree with everything that he says or does. He isn’t perfect (which, by the way, literally no one is). But if nothing else, I hope this behemoth of a post has at least helped you understand his character and why he acts and reacts the way that he does.

Jake Sully may not be a shining beacon of parental perfection from a psychological development perspective (and all things considered, expecting him to be such is, quite frankly, a little silly), but good golly gracious he is trying his absolute darnedest in incredibly difficult and precarious circumstances beyond his control i.e. the RDA coming back to quite literally take over. This man’s family means absolutely everything to him and I’m done sitting back and watching y’all slander him just because he didn’t react to x situation the way you think he should have.

thank you and good night

#avatar #avatar 2 #way of water #jake sully #lo'ak

[secretmellowblog]

One thing I feel people almost always overlook about Javert is that:

The book’s narrator is usually harsh/sarcastic towards Javert, and that harshness is why his character has pathos. Javert is able to be sympathetic because Victor Hugo has basically no respect for his beliefs. Javert is so pitiable because Hugo mocks and drags him on basically every page he appears.

I’ve mentioned before that the message of Les Mis is (paraphrasing) that ACAB— Javert is the best police officer it is possible to be, and he is terrible, because the laws he enforces are terrible. His law & order ideology is terrible. Everything he believes is fundamentally wrong, and so deeply wrong that it deserves no respect.

Yes, Hugo acknowledges that Javert occasionally has a misguided kind of nobility— the nobility of holding yourself honestly to a set of bad rules, the nobility of following a terrible moral code even when it hurts you. But Hugo has no respect for Javert’s bigotry, or his bootlicking, or his deranged obsessive worship of law and order. Hugo portrays the way that Javert martyrs himself for his ideology as strangely honorable— but the ideology itself is mocked and condemned. Hugo thinks martyrdom is cool, but that Javert is martyring himself for a terrible cause.

In his most sympathetic moments, Javert’s worldview is portrayed as pitiable…. not a worldview that’s worthy of true total genuine respect, but a worldview that’s deeply pathetic in its wrongness.

Without himself suspecting the fact, Javert in his formidable happiness was to be pitied, as is every ignorant man who triumphs.

This is part of why those old 2012-era les mis fanfics always threw me off, if anyone remembers the fandom trends at the time. XD People used to write Valjean and pre-barricades Javert having political debates, as if the two of them could make arguments about law that were equally valid and worthy of respect, and pre-barricades Javert had a worthwhile set of beliefs that Valjean could learn from. But to me it’s personally kinda like, no XD. Nah. The whole thing about pre-barricades Javert is that he does not have any valid points to make. He has nothing resembling a point. He is “ignorant” and determined to stay that way because he literally believes that thinking is evil. He is a violent authoritarian whose worldview is just “mindless self-destructive bootlicking and bigotry.” I joked about it in a previous post but if we want a character who offers a genuinely meaningful counterpoint to Valjean’s philosophy, who could debate him on politics, and who could represent justice while Valjean represents mercy— that character is Enjolras, not Javert.

Valjean has a fascinating complicated relationship with law and politics and violence, but Javert is just a deeply pitiable brainwashed creature who martyrs himself for Wrong things.

Hugo pities Javert, but he does not treat Javert’s worldview --‘authority is always right, rigid social hierarchies must always be enforced, human life has no intrinsic value, the police must violently suppress any kind of crime or rebellion’— as something that deserves to be genuinely respected. It is not something that’s even worthy of debate. It is wrong, it is nonsense, it is an incoherent cruel self-contradicting ideology, and Javert only believes it because (to quote Hugo’s sarcastic narration) “thought was something to which he was unused.” (Or to be more charitable, Javert believes these terrible things because he was born inside a prison and has been brainwashed from birth into internalizing a cruel carceral view of the world.)

And I think Hugo generally does a good job of walking that tightrope — having pity for Javert without portraying Javert’s ideology as something worthy of genuine admiration. He sympathizes with how rigidly Javert holds himself to his own moral code, while condemning the moral code itself for being idiotic. He has empathy with Javert’s sincere self-destructive dedication to what he believes in, while pointing out the things he believes in are all stupid. He pities Javert’s martyrdom, while condemning the nonsense that Javert martyrs himself for.

One of my Top Ten Favorite Pathetic Javert Moments is this one, when Javert recognizes Marius’s body after the barricades:

A spy of the first quality, who had observed everything, listened to everything, and taken in everything, even when he thought that he was to die; who had played the spy even in his agony, and who, with his elbows leaning on the first step of the sepulchre, had taken notes.

Because Javert martyrs himself so earnestly for this terrible cause! He “takes notes” even when he believes he’s going to die and the notes cannot possibly be of any use to anyone, simply because taking notes is the thing he has been ordered to do. He’s so self-destructively dedicated to performing these useless pointless tasks because he believes there is real ~dignity~ to his mindless bootlicking— when there isn’t.

That’s why Javert’s emotional breakdown and suicide hit so hard for me, in a way that it wouldn’t if the narration was forgiving towards his stupid belief system. The contrast between Javert’s sheer pathetic terror and the often harsh/sarcastic narration is just….wild. It makes Javert sympathetic without making his awful ideology seem good, reasonable, or valuable. (And while this is only adjacent to the point I’m making- the harsh narration in Derailed also emphasizes the way Javert has been trained to view his own thoughts/emotions with contempt.) Javert is deeply pitiable/sympathetic without his ideology being framed as correct. And the whole tragedy of his character comes from the fact that he is utterly entirely wrong.

If I were to summarize the pathos of Javert, I wouldn’t say “he’s sympathetic because he’s a noble anti-hero with good strong morals who makes some valuable points about the importance of law” or w/e. I’d say that you can feel sorry for him because he’s a wretched brainwashed creature who’s never done anything right even though he wants to, and is deeply ridiculously pathetic without ever realizing it.

As Hugo puts it: “without himself suspecting the fact, Javert (…) was to be pitied.”

#send an ask if you want to know my other top ten favorite pathetic javert moments! #les mis #XD #it’s javert death day so I decided to make an overlong tumblr post for him #a very Vintage Mellow thing to do #but yeah #people always say I hate javert because I mock and drag him all the time #but like!!! #the reason javert is sympathetic is because Hugo’s always mocking and dragging him #I love it #that’s my take anyway #he’s just a horrible Creature #my complicated emotional relationship with javert #but yeee idk if this is coherent XD

[cursedvibes]

I absolutely hate the way fandom keeps misinterpreting this chart, especially in regards to Yuuji and Hakari. They just go "oh someone is bad at learning in a classroom setting? well they must be stupid and an absolute meathead". Zero consideration for why some people might do worse in academic settings or why one school has considerably "smarter" students than the other. Maybe it's not the students fault and maybe test scores aren't everything.

I'm gonna assume this person was just making a general statement about the Tokyo Trio group dynamic that wasn't meant to be that serious and worded it badly. That's why I'm writing this in a separate post. And again, this is more about a broader trend I see every time that chart gets passed around, not this specific person.

It just annoys me so much how they keep hammering in on Yuuji and Hakari being at the bottom and what that must mean about their overall mental capacity. Hakari was mistreated by the school, no wonder he didn't care about tests. In a day-to-day situation he's much smarter than Panda (three kids in a trenchcoat) or Megumi, but obviously that won't show here. Most people get overwhelmed as soon as he so much as attempts to explain his cursed technique and domain, but sure he's the dumb one. This shows he isn't even bad at regular learning topics, he just had no reason to care about this school.

Same with Yuuji. The fanbook this same chart is from shows he's good in regular high school, he just struggles with the more mathematical side of the STEM subjects. Getting physics lessons from Gojo sounds like a nightmare. Which brings me again to the phenomena that the students in Kyoto do overall much better than the one in Tokyo. If you have nobody to properly explain concepts to you, no shit you're not gonna do well and we have heard many times before that Gojo is a bad teacher. Yuuji learns very fast, we've seen it when he is together with Nanami, Todo and Kusakabe, it just all comes down to how you teach him. Although to be fair, the classroom teaching is also done by assistant directors and windows, who are probably too overworked to put much effort into it. So you have naturally the students already good at learning in this type of environment at the top, while everyone else gets left behind.

Besides that, Yuuji and Nobara have always been very good at thinking on their feet, especially when they are together. Just think their teamwork when fighting Eso and Kechizu or Mahito. In Mahito's case they didn't even see each other and it worked. Dumb Nobara figured out the Mahito she was fighting was a clone, dealt considerable damage to him and thereby helped Yuuji immensely. Anticipating the next steps of enemies and allies alike takes intelligence as well as analysing an opponents abilities and weaknesses like when Nobara turned Rot against Kechizu. Dumb little Yuuji is the sole reason there is even a coherent plan to save Megumi right now.

Yuuji and Nobara like to joke around and be goofy while Megumi is more reserved, but that doesn't make him smarter or them dumber that's just a part of their personality. Megumi being too much in his head and not appropriately judging risks and coming up with effective solutions for them was a whole thing he had to work on and overcome. Todo is also a good example that being a bit of a delinquent and silly guy doesn't say anything about smarts. He's probably just better at school learning (being trained by Yuki that would be partially a necessity) and also had better teachers.

#jujutsu kaisen #itadori yuuji

[doki-doki-imagines]

Kitsune!Michael Kaiser x AFAB reader

TW: Smut with really little plot, religious themes, dom!Kaiser, oral sex (m receiving), fingering, scent kink, Kaiser wants you to carry his baby LOL

author notes: I didn’t want to write smut anymore and here I am with this one. I also did a damn mood board I can’t even recognize myself anymore. It’s all Michael’s fault. Hope that I will get him out of my system with this one and finally write something else for the other fandoms LOL (and if possible not smut). Anyway it's 2k words of smut, hope you'll enojoy it.

It was an old habit you got from your granny-

“Every month visit the temple we have behind our house, cook some strawberry delicacy and the God of the mountain will protect you.”

Now, it’s not like you fully believed your granny's words, a lovely woman, but that kind soul believed a little too much in rituals.

But you know? Why not try? It was also a good way to improve your cooking skill and jog in the forest.

Every time you bring to the little shrine the food you made you get heart palpitation, the luck to live near such a wonderful forest. It is a small one, and rarely people jogged there, so you often found yourself alone or with some fawns passing by, the gentle wind caressing your face; truly relaxing.

Now it is a habit of yours, every afternoon you would bring to the temple a new strawberry delicacy. Too bad that winter came, and strawberries are nowhere to be found.

“Well, I suppose the God of the mountain will have to accept an orange delicacy this time!”

Imagine the surprise when the next day, near the plate you set near the shrine you found a ticket, made with some expensive paper, the words on it still make you tremble-

“I hate oranges, bring me something better.”

So there was for real a mountain God! You always thought the animals were the ones eating your food- “No, it’s impossible” you try to regain your composure. There is no God, it must have been some dumb kid passing by that wanted to play some cheap trick. Muscles still twitching for the fear you ran back home, not spending more than a minute there, and not noticing a pair of blue eyes following your every step from behind a bush.

The next time you visit the temple it is January, exactly one month from the last time you visited the shrine and you bring the same exact delicacy as last time.

“Can’t you read? I told you last time that I hate oranges!”

The plate falls on the ground with a thud, it isn’t broken, but for sure the food you made is now spoiled. But what surprised you so much?

A guy of breathtaking beauty sits on top of the shrine, he has sharp features, his deep blue eyes adorned by a delicate shade of red eyeshadow, the same color of his lips, plump and soft, you could tell it from afar. He has blonde hair, ruffled and all over the place, but you noticed the tips to be blue, the same shade as his eyes and you can only think about how much you would pay to brush his fingers in between his gold and sapphire tresses.

“Hey! Are you deaf? Reply back human!” He stands up, and you can’t not notice how tall he is, how broad are his shoulder and how fit he looks.

And then you also see the fangs and the nine white tails waving left and right from anger.

“I-Is this a dream?” don’t wake me up “Who are you?”

“I’m the God of the Mountains. Call me Kaiser.”

You nod, a loud gulp breaks the silence between you two.

“I’m so sorry, I thought some dumb kid left the note and-“

“Shut up, I don’t care about your excuses! I protect you and this is how you show your gratitude? With this disgusting-“Did he just throw at you the food you made?  “oranges!?”

“When have you ever protected me you asshole! Never seen you around!” You shout back, trying to clean your chest; what a waste of good food.

“Maybe when I got rid of that stalker that was following you anywhere? Or when that brute of your colleague tried to punch you?”

A flash. Now you understand why all of a sudden that strange guy stopped following you, it hasn’t been going on for a long time so in the end you just thought you had similar routines. And that jerk of your colleague? You were sure he was going to punch you, but in the end didn’t, you thought he just cleared his mind and decided to let go.

“Oh I didn’t think-“

“Yeah, you don’t look like someone that has ever done that.”

Okay, this God is as much good-looking as he is irritating, but honestly, you don’t feel like angering the God even more so you let go.

“I’m so sorry for my attitude. What can I do to make it up to you?”

It must have been your trembling irises, your pupils were already blown wide, your chest slowly rising, up and down, and now pushing on his hard and broad one, faces mere centimeters apart, that gave the God an idea; a delicious idea.

“On your knees”

“W-What, umpf-“

Kaiser pushed you down and was now untying the know that kept his white linen robe in place.

“Be a faithful worshiper and pleasure your God”

At that moment you see his erect cock, such a pure white with two veins on the sides and the tip so engorged and so red, a mouth-watering contrast. You don’t complain and start by leaving kisses on his tip, they never linger, the heath subsiding immediately, never giving the pleasure the God wants to receive.

“Brat, take it”

Kaiser grips your hair and pushes in, the intrusion makes you choke, but the vibration just makes him want to abuse your throat more. You try to suck as good as you can, but you are not used to such a girth, saliva slips from the corner of your mouth, while his hands keep a steady grip on your hair, your scalp hurts, but even more your throat now that your nose brushes the blonde curls of his pelvis. You put your right hand on his hips, trying to set the rhythm yourself while the other massage the heavy balls that keep slapping on your chin.

“Yes like that, I know that you had it in you, whore”

He keeps abusing your mouth, and since you can’t still his hip you decide to use your hand where you can’t reach his length, finally relieving your sore throat.

“Look at you, squeezing your thighs together-“ finally a moan escape his mouth “you can’t wait to have me in you, mh?”

He is right, if he can stretch your mouth so much you can only imagine how deliciously he can stretch your tight pussy.

“Now darling-“ Kaiser pull out, your saliva still connect your lips to his cherry-red tip “pull out your tongue and hands, your God here is gonna bless you”

And he does, with a few strokes, his dick twitch and white hot cum cover your tongue and your open palms.

What can you do other than gulping down and licking your fingers clean? By the look on the deity’s face, you followed the right path.

“You are my fave kind of worshiper” He licks his lips and looks at you with a wicked spark in his eyes “lay down, you need to get ready”

You can’t even start to follow his order, that Kaiser already manhandled you on the ground, tearing your leggings with a swift motion, it would be a lie to say that he didn’t excite you immeasurably.

“Fuck, you don’t even wear panties? You really wanted to be railed in the mountains, bitch” His forefinger caress up and down your outer lips “Hold on me, it’s for your own good.” So you hold his biceps, while the other grip the cold ground.

It’s the last warning before his middle and forefinger start to abuse your wet core, scissoring, and curling against your spongy walls, you can’t help but let out heavy breaths in between broken whines. The God is brutal, doing this more for his pleasure, your drooling cunt must be a signal of how good he is, rather than your own.

“C’mon darling, touch your clit, it’s screaming for your help” He licks the shell of your ear, while one hand massages one of your breasts still covered by various layers of clothes.

You start to circle your clit, trying to follow the brutal peace of his fingers, but you are way too out of your mind to do that, your hips jerking totally off the peace.

You cum, your loud moan eaten by the blonde deity, his hot tongue sucking and licking yours, tasting himself on you, slapping your pussy every time you tried to escape from his mouth.

“So fucking wet, I bet anyone can understand what we are doing, fuck-“ Kaiser licks his fingers clean “delicious, better than everything you ever cooked” he pops them out from his mouth, and sit up, now in between your legs, holding your ankles and spreading you impossibly wide.

A devious laugh reverberates in the forest “Look at your cunt, squeezing nothing, it’s screaming to be fucked dumb by me, right?”

The shame finally overcomes you, this God is the nastiest being you have ever met. So you shake your head, a sigh escaping your mouth.

“Tsk, after all we’ve done you act all shy now? Just say it. Just say you want to be fucked up by me, a God”

You look at the deity, he pulled your legs down, still spread wide, but at least in a more comfortable position, his ears stand up and his tails too, his face is tinted red, and his plush lips are red and swollen; he would look so pure, if going down, you didn’t notice his throbbing cock against his stomach, in need for attention too.

Maybe you just want to be fucked dumb after all.

You finally nod and the God let out a laughter more similar to the one of a hyena than one from kitsunes.

“I knew you wanted this too.” He lifts again your legs now leaning on his shoulder, his hands planted on your sides, and bullies his cock in, a slight pain makes you shiver, but it is nothing compared to the pleasure his girth gives you.

“Fuck, you take me so well darling” His thrusts are restless like his fingers were, the loud claps of his hips against your plush ass fog your mind even more, while he couldn’t stop watching your tits, still bound but still jumping up and down thanks to his powerful thrusts.

“You fuck me so good- Kaiser!” That must awaken something in him, the deity looks at you, pupils so wide that the deep blue can be barely seen and then you see them, the fangs, getting sharper with each thrust.

“Say it again”

“K-Kaiser! Fuckfuck-“ You can only blabber, your hand now gripping his blond locks, pulling a few hair for every cruel roll of his hip, while his hand let your leg go, locking instead with your hand, still tightening on the ground.

“You want to be filled with my pups mh? Get all swollen with my cum-” His fangs get near your neck, your scent intoxicating his brain, each thrust now off peace.

“Yes, fill me! Fuck-“ You reach your apex, your glands releasing such a sweet scent that the deity has to restrain every fiber of his body not to mark you forever as his.

“Fuck take it all, I want you f-“ The God couldn’t finish, the mere thought made him cum, filling your cunt to the brim. His eyes roll back, the bitchiest moan slips from his open lips, and his tails flex to the sky, probably in tune with the roll of his toes.

After a few heavy breaths, the deity pulls out, and you feel his hot cum slipping down your core, wetting your ass together with your own wetness. He is still in front of you to notice that and push his cum back him, with the same two fingers that stretched you before.

“Don’t make anything slip. This is holy cum, it would be a sin to waste it.” Then he lays down next to you.

“Come again next week, don’t make me wait another month. And bring strawberries, next time we’ll eat them together.”

It is an order, and with your mind still fogged by bliss you can only nod, now hugging his warm body in this cold winter afternoon.

#bllk x reader #blue lock x reader #bllk imagines #blue lock imagines #bllk smut #blue lock smut #michael kaiser x reader #michael kaiser

[stargazing-imagines]

The Grudge — Conrad Fisher x Fem!reader

Description: you and Conrad breakup the 2 summers before after him cheating on you, but what happens when you come back to cousins beach with another lover? Leaving him regretting what he did.

Warning: Conrad being a jerk, bad writing.

Fandom: the summer I turned pretty

Requested: no

A/n: this song is based on the song the grudge by Olivia Rodrigo! Oh and this isn’t going to have a happy ending, but if you want a part two then let me know because this can definitely work with a part two!

It has been a few years since you have last seen Conrad, after the heartache of seeing him kiss belly was clear vision of why he was acting weird that one summer.

Here you were in the passenger seat of your fiancés car as you and him were driving to cousins beach for Susannah’s annual Fourth of July party. Everyone was going to be there, Laurel, Steven, Jeremiah, Belly, even Conrad.

You wanted to turn down the invitation, but Susannah pushed you into coming after she saw your Facebook pictures of your engagement to Anthony and wanting to meet him.

“How are you feeling, tell me honestly.” Said Anthony as he placed his hand on top of your shaking hands, you clutched you’re hands with his looking down

“Honestly… im nervous.” You said “from what Susannah said, everyone has changed,”

“What do you mean?” Asked Anthony as he looked at you then back at the road

“For starters, belly is grown up.” You said “Susannah even told me that she’s doing the debutante ball.”

“Didn’t you do it?” Asked Anthony as he kept his eyes on the road

“Yeah, the summer before I left…”

That was also the day that you and Conrad have broken up, he was your escort to the ball when all the sudden he kissed another girl

“Yeah, she even invited me to come watch her.”

“Are you going to?”

You scoffed before shaking your head

“And watch belly and Conrad together?” You said “nope.”

After you said that, he pulled into the driveway of the beach house, putting the car in park. He turned the car off before turning towards you.

“Remember… I’ll always be by your side.” Said Anthony as he gave your knuckles a kiss before stroking your cheek

“Guys she’s here!” You heard Susannah say as she rushed to your car door, opening it

“I missed you.” Said susannah as she gave you a gut squeezing hug before pulling away eyes lighting up at the sight of you’re fiancé. “you must be Anthony.”

“Yep.” Said Anthony as he gave Susannah a hug “it’s a pleasure to meet you, y/n has told me a lot of things about you and your family.”

“Good things I hope.” Said Susannah “Jeremiah, Steven! Help Y/n and Anthony get their stuff in the house!”

“So how did you two meet?” Asked belly

She was currently stood next to Gigi and the other debs as she was talking to you

“You mean me and Anthony?” You asked

“Yeah, when’s the wedding?” Asked gigi as she eyed your engagement ring

“Oh… next summer.” You said setting your stuff down

“Maybe you could have it at cousins!” Suggested belly “I could be your bridesmaid!”

You laughed at belly

“Bells you are already my bridesmaid whether I get married or not.”

You looked at Anthony who was talking to Jeremiah and Steven, he looked at you before smiling and waving at you, you waved back.

That was until you saw him.

Conrad fisher, giving the both of you death glares, you looked back at belly

“Is everything alright with Conrad?” You asked “he’s acting…”

“Strange?” Asked belly “yeah he’s been like that all summer.”

“Im going to talk to him.”

With that you sat your stuff down before following him inside the house

“Why don’t you go back outside with your lover boy?” Asked Conrad as he yelled at you “I don’t want you.”

“Why are you being like this?” You asked frustrated “you used to be so sweet and kind and gentlemanly… what happened?”

“You happened!” Said Conrad “the summer you left… I was devastated.”

“Look Conrad…”

“Please give us another chance.” Said Conrad “to make it right.”

“I can’t Conrad…” you said “I’m sorry…” 

—

The summer I turned pretty masterlist

#the summer i turned pretty #tsitp imagine #conrad fisher imagine #conrad fisher x you #conrad fisher x reader #conrad x reader #tsitp conrad #tsitp #Spotify

[gotta-get-back-to-hatchetfield]

Here's what you missed on Hatchetfield...

Okay so Nerdy Prudes Must Die is happening in a month's time and I'm aware that lots of people who enjoyed guy who didn't like musicals and black friday might not have had time to watch nightmare time. While Nick has said this musical will be fully stand alone and no knowledge of nightmare time is required, nonetheless some of you might be curious about what we've learned that might come up

Presenting a tldr lore drop for nightmare time:

1) Wiggly has brothers (aka the Lords in Black)

You remember Wiggly from black friday? That ugly green little fucker? Well turns out he has brothers. They call themselves the Lords in black because they're pretentious little fucks and they all have different 'powers'.

Itemised list

Pokey (pokotho) - mind control type stuff, likes to make hiveminds

Wiggly (Wiggog Y'wrath) - idk you saw black friday whatever the fuck goes on there

Blinky (blinklotep) - massive eye, likes watching things

Tinky (T'noy karaxis) - fucks with time

Nibbly (nibblenephem) - massive mouth, eats shit

You've actually met Pokey before - remember the blue shit from guy who didn't like musicals? That's the same blue shit leaking out of the cracks in pokey's face in the picture above.

They also have a sister called Webby that I believe Hannah references in Black Friday. We don't know much about her but thus far she seems like a good guy

2) Grace Chasity is a nerdy prude

Remember the girl Bill is trying to set Alice up in guy who didn't like musicals because 'at least she's nice to him in church'?

Well turns out Alice was right. Grace Chasity is a nerdy prude. And also coincidentally one of the main characters of Nerdy Prudes Must Die (to be played by Angela Giarratana).

We meet her in nightmare time 2 (episode 2 part 2) which takes place at a religious camp designed to educate people about the perils of pre marital sex.

Grace Chasity is, well she's many things, but she is very much the stereotype of an American evangelical Christian. She even showers with a swimming costume on so as not to tempt herself into sin.

Despite all this, however, she is a devious motherfucker who will absolutely fuck you up

3) You remember Ted from guy who didn't like musicals...

Well not only are he and the homeless guy the same person (time travel, its a whole thing, blame the yellow guy from the Lords in black photo)

But also we learn that his surname is Spankoffski (because of course it is) and he has a 'nerdy little brother' called Pete Spankoffski who will be one of the leads in nerdy prudes. In nightmare time he's played by Nick Lang but in nerdy prudes he'll be played by Joey Richter

We meet Pete in nightmare time 2 (episode 2 part 2) but we've actually met him before in guy who didn't like musicals. You remember hot chocolate boy? The one who had very low blood sugar?

Yup you guessed it that is one Peter Spankoffski

(If you've been super out of the loop and are wondering why he was recast and for that matter where the heck is Robert anyway just trust that that is a whole thing im not going to get into and it's for the best he's gone)

4) Meet the Lauters

Two more characters who have been announced for NPMD who we met in nightmare time 2 are Stephanie Lauter (Mariah Rose Faith) and her father Solomon Lauter (Corey Dorris)

Steph is actually pretty nice and chill on the inside but definitely has a reputation for being a bit of a party animal/wild child.

This isn't helped by her father who is the mayor of hatchetfield and from what little we see of him will always put his career before his daughter.

Steph and Pete hook up in nightmare time so look out for a possible romance between these two

5) What the fuck is a Holloduke?

You may have seen the word 'holloduke' batted a lot around this fandom lately which refers to the ship of two characters that we've been introduced to through nightmare time.

While it's unclear if either of them will appear in nerdy prudes, given that both Kim and Curt are in the cast and they go a long way out of their way in nightmare time to show Kim's character getting a job at Hatchetfield High in set up for *something* a lot of people think there's a good chance she at least will be appearing.

The Hollo of these characters is called Miss Holloway although at the end of nightmare time she ends up ret conning herself and is forced to assume a new identity as Miss Holiday so if we meet her in nerdy prudes that will likely be her name. She is a witch who has a deep love for all things 80s. We don't know a huge amount about her but that might be because she's cursed(?) so that anything she reveals about her backstory will be instantly wiped from the mind of the listener.

Curts character is an ordinary social worker called Duke who among other things works with Hannah and Lex when they're having troubles with their mum. He's in love with Miss Holloway/Holiday, and it's reciprocated, but due to the curse(?) et al things keep not quite working out for them.

They're both absolutely wonderful people who deserve the world and are absolute OTP fodder

6) The Gift

We don't know a huge amount about this yet but we do know that some people in Hatchetfield, notably including Hannah from black friday have something called 'the gift' which gives them some loose powers

Most people grow out of the gift as they go through puberty, for instance Lex also used to have it, but they may be able to use it in some scenarios (such as manifesting a firearm from the black and white as Lex does in Black Friday)

People with the gift were historically persecuted in Hatchetfield by a group of people called 'the hatchet men' who may or may not have turned them into trees(?)

7) The Black Book

There is a book of spells called the black book which Miss Holloway/Holiday uses to do her magic

#starkid #hatchetfield #guy who didnt like musicals #tgwdlm #nerdy prudes must die #npmd #black friday #nightmare time

[physalian]

How to Subvert Expectations Without Compromising The Story

Whoo boy, is this a contentious topic with the last few blockbuster franchises. To “subvert expectations” is to do the opposite of whatever your audience expects to happen. Your audience expects the story to go a certain way based on the archetypes and tropes your characters follow, the tone you’ve set for your story, and the level of mature themes that tone allows.

It might mean your long-lost princess doesn’t actually reclaim the throne she’s been fighting for. Or the presumed hero (or any of their straight friends) of the story dies halfway through their arcs. The mentor pegged for death actually survives to the end credits. The villain’s plan actually succeeds, or the heroes fail to deactivate the bomb before it explodes. The “will they/won’t they” is never fulfilled.

Supporters of SE argue the following:

It’s refreshing, novel, new, a fun twist on a classic tale

They like that it’s unpredictable and bold

They’re tired of stories fitting within the same wheel ruts of every other story that came before and like to see creativity thrive

It gives audiences something they didn’t even know they wanted

Haters of SE argue this:

It’s only done for drama at the cost of fulfilling character arcs

It’s a cheap gag that only works once and has zero rewatchability with the same impact

Tropes and archetypes have stood the test of time for a reason - to entertain

Plot holes ensue

When expectations are subverted and the story changes in a more positive light (like a beloved character who doesn’t die when we all think they will), the reaction is not nearly as emotionally charged as when the story changes negatively. Thus, the haters have plenty of evidence of bad examples, but minimize the good ones. Good SE is novel, or a pleasant surprise, or a quaint relief. Bad SE trashes the story and spits on the fans and destroys the legacy of the fandom.

What makes a bad subversion?

Like killing any character for shock value, bad SE takes all of the potential of a good story and gambles it for a string of gasps in the movie theater. It exists only to keep the audience on their toes, or because the writer went out of their way to change the direction of their work when fans figured out the mystery too quickly and now *must* prove all the clever sleuths wrong.

So, say your subversion is making the hero lose a tournament arc when they made it all the way to the final round and the entire story is riding on this victory. They may have stumbled along the way and had some near-misses, but they must win. Not just so the audience cheers, but because this is the direction their arc must take to be at all entertaining and fulfilling.

Then they lose, because it’s *novel* and irreparable consequences are reaped in the aftermath. They lose when, by rights, they were either stronger or smarter or faster than their opponent. They lose when the hand of the author rigs the fight against them and everyone notices.

Sure, it’s not at all what audiences expect, but you, writer, your first responsibility to the people consuming your content is to entertain them. So what purpose does this loss serve this character? How does it impact their arc, the themes that surround them, the message of your story?

Even if mainstream audiences don’t care on the surface about themes and motifs, they still know when a story fumbles. It’s not entertaining anymore, it’s not satisfying. Yes, crap happens in reality, but this is fiction. If I wanted to read about some tragic hero’s bitter and unsatisfying demise, I’d read about any losing side in any war ever in a history book. I picked up a fiction book for catharsis.

On the topic of “gritty fantasy/sci-fi anyone can die and no one is safe” – no author has the guts to roll the dice and kill whoever it lands on. Some characters will always have plot armor. Why? Because you wouldn’t have a story otherwise, you’d just have a bloody, gory, depressing reality TV show with hidden cameras.

What makes a good subversion?

Now. What if this character loses the final round of their tournament, but it’s their own fault? Maybe they get too cocky. Maybe it’s perfectly, tragically in character for them to fall on their own sword. Maybe the audience is already primed with the knowledge that this fight will be close, that there might be foul play involved, but still deny that it will happen because that’s the hero, they won’t lose. Until they do.

Then, it’s not the hand of the author, it’s this character’s flaws finally biting them in the ass. It’s still disappointing, no doubt, but then the audience is less mad at the author and more mad at the dumbass character for letting their ego get to their head.

If you write a character who’s entire goal in life is to win that trophy, or reclaim their throne, or get the girl, and they *don’t* do those things, then the “trophy” had better be the friends they made along the way, that they learned it wasn’t the trophy, it was something *better* and even though they lost, they still won. Even when expectations are shredded, the story still has to say something, otherwise the audience just feels like they wasted their time.

A good subversion does not compromise the soul of the narrative. You might kill a fan favorite character or even the hero of the story, but their impact on the characters they leave behind is felt until the very end. The hero might lose her tournament, but she still walks away with wisdom, maturity, and new friends. Heck, sports movies leave the winner of the big game a toss-up more often than not. Audiences know the game is important, but they know the character they’re following is even more important. Doesn’t matter if the *team* loses the battle, so long as the protagonist wins the Character Development war.

Good SE that should be more popular:

The “Trial of threes” – your hero faces three obstacles and usually botches the first two and succeeds on the third attempt. Subvert it by having them win on the first or second, lose all three, or have a secret fourth

Not killing your gays. Just. Don’t do it. That’ll subvert expectations just fine, won’t it?

Let the villain win

Have your hero’s love interest not actually interested in them because they realize they deserve better / Have the hero realize they don’t want the romantic subplot they thought they did

Have the love triangle become a polycule / have the two warring love interests get with each other instead, or both find someone they don’t have to compete for

Mid-redemption villain backslides at the Worst Moment Possible

Hero doesn’t actually have all the MacGuffins necessary at the Worst Moment Possible

Hero is simply wrong, about anything, about important things, about themselves

The character who knows too much still can’t warn their friends in time, but lives instead with the guilt of their failure

The mentor lives and becomes a bitter rival out to maintain their spot at the top of the charts

Kill the hero, and make the villain Regret Everything

More deadbeat missing parents, not just dead parents

Let the hero live long enough to become the villain

—

Why write a crown prince that never becomes king? What’s the point of his story if all he does is remain exactly who he was on page 1 and learns nothing for his efforts? Why write a rookie racer if he spins out in the infield in the big race and ends his story broken and demoralized in a hospital bed? Why should we, the audience, spend time and emotional investment on a story that goes nowhere and says nothing?

Cinderella always gets a happy ending no matter how many iterations her story gets, because she wouldn’t be Cinerella if she remained an abused orphan with no friends. We like predictability, we like puzzling out where we think the story will go based on the crumbs of evidence we pick up along the way, we like interacting with our fiction and patting ourselves on the back when we’re proven right.

Tragedies exist. There’s seven types of stories and the fall from grace is one of them… but audiences can see a tragedy coming from a mile away. Audiences sign up for a tragedy when they pay for the movie ticket. We know, no matter how much we root for that character to make better choices, that their future is doomed. Tragedy is still cathartic.

What’s not cathartic is being bait-and-switched by a writer who laughs and snaps pictures of our horrified faces just so they can say they proved us wrong. Congratulations? Go ahead and write the rookie broken in the hospital bed. I can’t stop you. Just don’t be shocked when no one wants to watch your misery parade march on by.

#writing resources #writing advice #writing tips #writing tools #writing a book #subverting expectations #subversion

[whywoulditho]

"the fandom ruined mha" is one of those vastly popular opinions that i've never quite understood. because they honestly...weren't as bad as people made it seem??? i swear people with zero fandom experience will see a thirteen year old in cheap cosplay having fun and say shit like "ew i hate this fandom you're ruining it" like maybe leave the goddamn kid alone??

mha has a very large fan community, and what makes it a little different than most other anime fandoms is that mha was specifically targeted for a global audience. they did their best to avoid any quirks and cliche tropes of anime that would go over non-japanese' heads. the art style is pretty cartoonish and it's got lots of references to western comics. there's a whole ass movie set in the US. what i'm trying to say is that a large, international fandom was always what they were going for, and it was well received. it was one of those shows that you'd kind of had to watch if you wanted to be in anime spaces back in like 2016-2018. mind you this is when even aot wasn't that popular. and when something is so popular, there's gonna be lot of weird people in the fandom. BECAUSE most of them will be people who have never been in fandom spaces before. the "cringy mha fans" that were the butt of every joke in anime discord were more of than not minors having just been introduced to anime or fandom culture as a whole. there were lots of weird stuff, i admit. but was it ever really that serious? like why couldn't yall just leave those people alone??

another thing people just couldn't stop talking about was how there were way too many ships in the fandom but 1) why is that a bad thing? and 2) of course there were gonna be a lot of ships in a show that introduced TWO WHOLE CLASSROOMS OF TEENAGERS AS THE MAIN CAST who interacted all the time. not to mention all the students from other hero schools, upperclassmen, pro heroes & teachers. there are like a million characters in this show and the more characters the more potential ships -it's fucking common sense. i think what really happened there was that people outside of the fandom looked at the fanmade content and thought the fandom must have been obsessed with ships. when in reality i think the fans were really chill about it. most of them were multishippers, they didn’t mind the other pairings. i understand that for an outsider's eye all the ships and disclose must've looked chaotic but in fandom spaces people know how to filter the content they engage with so there really arent any serious "ship wars" going on anywhere except for maybe instagram comments.

i am not saying all the ships were unproblematic, there were some pretty weird ships going on too, but honestly i thought half of them were jokes? or at least crackships? and if you compared the number of fics those kind of pairings have on ao3 to the more family friendly ones you'd see that there really weren't an actual fanbase for any of those weird ass pairings.

i think the core of mha fandom has never been as chaotic as others thought it was. mha fans were interested in the story, the fights & the character development while casually enjoying ships as well. it wasn't that serious until yall started bullying a bunch of kids online. with the rise of tiktok and the boredom the pandemic caused there were a huge amount of amateur content. i'm not saying i've never seen a mha fan being genuinely cringe. i just think the mature response to those posts would have been leaving the poor kids alone.

yesterday i've seen a youtube video about how awful mha fans are and this guy just showed a clip of a bunch of cosplayers outside of what was probably an anime convention dancing to gangnam style and he was going on and on about how annoying they are. and it made me so angry because where the fuck did these anime fan bourgeoisie snobs come from telling people they can't have fun at FUCKING ANIME CONVENTIONS??? i dont know if you've ever been to one but an anime con is basically the only place that's supposed to be safe to do cringe shit like that. everyone goes to those things in cosplay, some better than others. but last i checked everyone was pretty nice to each other, complimenting each other's costumes, asking to take photos. the cosplays don't have to be good, they don't even have to be complete. a convention is the one place you can show up in a wig you bought off ebay and a costume you finished making the night before. i dont know what yall are on but people go to those events to have fun. not to be filmed and made fun of. and from my personal experience having been in fandom spaces since middle school, someone who dances to gangnam style in a cheap todoroki cosplay is an infinitely nicer person than the stuck-up loser who makes a video complaining about it

#long post #fandom #mha #bnha #my hero academia #boku no hero academia #ships #cosplay #i talk