whatever this is girls keep doing it
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Personally I think that Azula should have been redeemed simply so that she can become Zuko's horrible little advisor who whispers evil little plans to him so that he can do the exact opposite
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this is my roman empire. and after all these years, i finally have to say something.
GRUNT-WHIMPER??? GRUNT-WHIMPER!!!!???
ANNABETH GIRL ARE YOU OKAY??
forget her just standing there gasping for air. forget her very audible sigh. forget the fact that annabeth initiates 80% of their kisses and literally has to restrain herself from kissing him in front of all of New Rome in MoA. i could go on and on about how many times percy calls her beautiful and attractive (let’s not forget how his heart races and his skin tingles at her touch) and all his boyfriend-ly thoughts about her, but lets focus on annabeth for a sec. BECAUSE ANNABETH CHASE IS GRUNT-WHIMPERING??
our girl was feeling ALL the things in this scene. she’s so weak in the knees for him that she can’t even hide it in front of piper. also percy must be a fantastic kisser? BECAUSE GRUNT-WHIMPER??
do not EVER tell me percy and annabeth don’t have romantic feelings for each other. do not EVER tell me it’s purely platonic. if you’re someone who thinks “nah i can’t see them getting married and having kids cause i don’t think they feel that way about each other” you clearly did not read about the grunt-whimper (well, you can hc whatever you want. i respect all opinions. but i do think you need to re-consider and account for the grunt-whimper)
BECAUSE GRUNT-WHIMPER?? ONE GOOD KISS FROM PERCY IS MAKING ANNABETH CHASE GRUNT-WHIMPER?? IS THAT RICK’S “CHILD-APPROPRIATE” WAY OF SAYING SHE MOANED?? HE SHOULD HAVE JUST SAID SHE MOANED. GRUNT-WHIMPER IS SO MUCH WORSE. THAT GOES SO FAR BEYOND A MOAN. A MOAN IS TAME COMPARED TO A GRUNT-WHIMPER.
GUYS I-
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There's a version of the "don't go grocery shopping while hungry" rule specifically for writers where you should never under any circumstances be allowed to touch your draft within 3 hours of reading a really good story. Because sometimes when you read something great your head goes "fuck this is so much better than my stuff I should make that more like THIS instead!" Look at me. That's the devil talking and you should close the document NOW.
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tshirt that says NO LIVE ORGANISM CAN CONTINUE FOR LONG TO EXIST SANELY UNDER CONDITIONS OF ABSOLUTE REALITY
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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Hypothetically speaking, what would happen if Feralnette ended up in the Scarlet Lady timeline?
big fan.
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There are so many Dick, Bruce, or Tim kills the Joker fics on AO3, meanwhile Barbara was the one talking about how The Joker should be the exception to the No Kill Rule years before Red Hood Jason even existed.
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it's actually super funny when you think about how the Superfam 🤝 Flashfam 🤝 Arrowfam 🤝 Wonderfam = basically all collectively being friends with and/or respecting the hell out of Dick Grayson
You think it's just Clark but no. Lois loves him. Post-Crisis!Kara thought of him as a mentor and big brother figure. Kon canonically thinks Dick is cool. And Jon looks up to Dick a lot (and obviously Clark literally put Dick in charge of looking out for Jon while he was off-planet)
And then you think it's just Roy, but no. Lian calls him "Uncle Nightwing," Dinah thinks he's good for Babs, Connor's generally chill with him, Emiko thinks he's nice and hot (lmao), and Ollie's apparently fond enough of him that we're told Dick is the one who named the Arrowcave
And then you think it's just Wally but no. Wally's kids love him, Barry likes him, he's on good enough terms with Bart to get a focus panel at Bart's funeral, he's led Jesse on two separate teams, and Jay's willing to swing by NYC with the rest of the JSA to help him move out of the Cloisters after Final Crisis
And THEN you think it's just Donna, but no. Diana watched him grow up and thinks fondly of him, and Cassie respects Dick enough that she not only took Damian onto the Teen Titans on a trial basis just because Dick asked but he's also the first person she calls when she thinks Tim's gone crazy after Bruce's death
truly the linchpin character of the DCU, we have no choice but to stan
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returning to the arms of my lover (jstor) oh how i have missed her
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Alright let's imagine a scene that is all too normal in palestine. A palestinian business owner finds his building covered in graffiti stars of Davids and Hebrew that says "gas the arabs" and "death to arabs"
Now imagine there's a reporter there and asks the palestinian business owner what happens and they say "the jews attacked my business"
Pause. Now your response might be "uncle no. Say israelis not jews" and then this is when he would look at you like youre stupid because the israelis doing this are jewish. They are not the Christians or the druze or the palestinian ones with Israeli citizenship. They are Jewish israelis who believe in their religious supremacy. When you graffiti stars of david all over a palestinian business, car, or the street you seek that conflation. it sends a message, this is jewish land and you're next.
The problem is that these videos circulate in zionist circles. "Watch this video of children in gaza calling for the death of jews" "watch how they say they want to fight and kill jews" those children are referring to Israeli soldiers that come in night and do their raids with the star of David attached to their uniform or the ones that bomb them. It's easy to watch those videos and assume that palestinians are indoctrinating their children on anti semitism or you can realize that those children's only interaction with jewish ppl is through violence and parents cannot protect their children from this. Doesn't matter context is lost
Abby Martin went to Jerusalem and interviewed israelis for 2 hours and she says every israeli was extremely confident to say that this land is for them and that they should push the Arabs out and when she interviewed palestinians they spoke of freedom from occupation and their dreams. That's reality. Not the soundbites.
And yet we have invasive youtubers and interviewers constantly in the street of ramallah or wherever in palestine asking palestinians "do you hate jews?" And in those videos you hear those palestinians say "no we have no problem with jews we have a problem with occupation and we have a problem with zionism." Bc this is how we are trained to respond to this trope. Palestinians are very aware what the world thinks of us and the reality is that many palestinians have internalized it and we grow up reading books on the Holocaust and train ourselves to recognize anti semitic dog whistles so zionists don't get the soundbites they want.
So we say "anti zionism is not anti semitism" and we say "israeli zionists" and we do not say "jewish supremacy" even thought it exists in palestine but "zionist supremacy" and in these carefully worded speech we water down what is happening to us in an effort to not deter people away from solidarity. But it means nothing. The world categorically blames palestinians for rising anti semitism they blame us for jewish insecurity globally.
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what gives
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Marcille and Falin's relationship is so. Like to start out this ten year old child and this thirty-seven year old research grad were one another's first ever friend, right? They're adorable, there's mutual respect, they change and enrich eachother's lives, Marcille revises her whole approach to her life goals due to Falin's influence, ect.
Fast forward a decade, and Falin grows up. Falin leaves, for four whole years, and Marcille follows her to the end of the earth as soon as she's asked. She'll risk her life, die repeatedly, eat monsters and slime, invoke ancient and forbidden magic to save her.
But acknowledging Falin as an adult who has grown and changed with the passage of time? That's scary. That's too scary.
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Pudding!
This was inspired by @fishing-lesbian-catgirl's lovely story, Sweet Like Pudding!
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