buggy who turns to shanks one night after they've reunited and says softly, with indecipherable look in his eyes and says, "i'm not in love with you anymore." and shanks, shocked beyond belief, heart aching with a want he didn't even know he had, with a need he hadn't even realized was there, thinks quietly to himself, i didn't know you ever were
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You know I am surprise Sebek that is never jealous to anyone who is close to Yuu. It is a boys school and I can imagine some have crushes on her.
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I love it when women hate men. I love it when women are allowed to vent to each other about how horrible and creepy men are. I love it when women form friendships with and prioritize each other over relationships with men(whether they're attracted to them or not). I love it when women put men dni in their bios and on their nude photos and on posts on their blogs. I love it when women refuse to mollycoddle and accommodate entitled male feelings with "but this doesn't mean I hate all men, I know a few men who are great, I love my father/sons/brothers/uncles/male cousins/guy friends" I love it when women complain about men WITHOUT "not all men" being a disclaimer. I love it when women avoid socializing with/refuse to be around/befriend/get close to men because they know men can't be trusted. I love it when women make "kill all men" jokes. I love it when women offer absolutely no concern or care for men's feelings and if their misandry offends men whatsoever because why should we, men are the oppressor class who have raped and killed and abused us and kept us as subjugated as second-class citizens for millennia, they regularly mistreat us and the women in their own marginalized communities still every single day and make this world so much harder and more awful for us to be in, and if we choose to hate them and not spare them any sympathy then so be it, and I don't just mean "men as a class" either, you can be a woman who doesn't want to have anything to do with any man on an individual basis and completely cuts off men from her personal life too and ykw I will love and fucking support you in that because men deserve absolutely NOTHING from us. If they're so tough and strong then they can handle it just like they can handle being lonely. If you are a woman who hates men, ESPECIALLY IF YOU ARE A LESBIAN AND/OR A TRANS WOMAN, then just know that I love you. I love you, I support you, and you are safe here.
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rotting in bed (not so bad edition)
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annabeth "my grand plan is that i will be remembered/and someday soon someone will notice me" chase
vs
percy "i swear i swear that im a good kid. all i need is one last chance to prove im good enough for someone" jackson
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Eddie Munson's message as a character should never have been that he needed to stop running and fight to be a hero. It should have been that heroism can look a lot of different ways. It should have been you don't have to be a hero to have worth.
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that man does NOT think of wei wuxian as his gege
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What’s up with the ties between Sally & Eddie?
There are quite a few - to the point where I’m starting to suspect that they may be foils, or at least inherently tied together in the story.
First let's bring things back to the clocks. The “day” side has an obvious resemblance to Sally, like how the “night” side resembles Eddie. There’s not really much I can say here since we don’t know much more yet, and who knows if this has changed behind the scenes. But just think about that, the rarity of the color purple, night vs day, and the “monster”. Keep it in your head, I think it may be important.
Also the fact that Eddie is the only one with a watch, but Sally’s face has an incredibly similar face on her door.
Obviously Sally has some sort of beef with Eddie, despite him being nothing but friendly and (to our knowledge) being undeserving of it. One thought I entertained was “maybe Sally is dismissive of him because he’s a worker,” but that holds zero water when you consider how perfectly friendly Sally was with Howdy (karen Sally debunked <3). The second thought I had was “maybe Sally senses the queer in Eddie and it intimidates her” - which would make sense if Sally is a lesbian like I suspect. Internalized homophobia, anyone? This holds up if Eddie is going to turn out to be - not open about himself, but comfortable in his skin in a way that, say, Frank isn’t. Which I have a feeling that will be the case, which would likely make Sally put on airs even more so than usual.
Anyone else seeing a continuous trend of (social) masks and performances unfolding in the Neighborhood? I sure am.
But let’s talk about why I think they might be foils. They balance each other out in an interesting way, despite their only solid similarity being that Both will work/perform no matter the weather. They have a lot of closely related differences:
Eddie has been mentioned (and implied within the story so far) to have a deeper well of knowledge than he lets on, but acts humble about it. Sally has been mentioned (and implied) to know less than she portrays, but acts like a bit of a know-it-all - she pretends to know things that she doesn’t.
Eddie’s role is about helping others at his own expense, while Sally’s is using others to reach fame.
Eddie strives to connect with his Neighbors and is all about accuracy/precision. Sally is in her own little world and has proved to be more than willing to improvise / not think things through before acting.
Eddie is slow to anger, and Sally is easily irritated.
Selfless vs Selfish.
Night vs Day.
And to put them in the Johari Window - i believe that Sally resides in the Blind Spot (known to others, not known to self), and Eddie resides in either the Facade (not known to others, known to self) OR the Unknown (not known to others, not known to self). Personally I’m starting to believe that Eddie may reside in both.
It’s far too early to draw any real conclusions, and theorizing on all of this is difficult. I feel as though - as usual - we have puzzle pieces but no frame of reference for the way they fit together, what picture they build. And who knows, tomorrow’s update may shred this to ribbons, but I doubt it.
One thought I had was that they’re in cahoots about something - it doesn’t have to be something malicious or some sort of secret plot, it could simply be something they both know and are trying to keep quiet about. Eddie is trying to connect with Sally since they have this in common, but Sally is actively putting distance between them to preserve their secret / plausible deniability. Do I actually believe this? Meh. I’m just throwing spaghetti at the wall to see what sticks.
So current base thoughts: Sally is dismissive of Eddie either because he intimidates/scares her on an internalized level, or she’s actively trying to put distance between them for a currently unknown reason. There’s probably a secret third option I haven’t even considered!
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Thinking about Lestat seeing Louis’s eating patterns as a waste of his gift/himself while Armand gives Louis food that he literally can not enjoy or digest just so he has something on his stomach
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...okay, so I'm probably not the first person to notice this.
But gear's earing that he points towards when he says that he did the same ritual he wanted to help kuro with already on himself before:
actually looks pretty similar to the pieces of the necklace the count used to create the servamps:
The different pieces of the necklace seem to contain one demon each and the count used them to create the servamps.
So...did the count either learn this technique from the werewolves or is he possible even originally a werewolf himself? It would explain why he's immortal, that's why I'm wondering about this.
Gear says that the ritual is used to remove spirits, could it be that the count removed his own sins using the werewolf ritual and created the demons this way? But he went too far and removed too much unlike gear who only removed one part of himself? Him removing the sins from himself would also explain why he's so weird and doesn't understand other beings. As the sin demons say, they are a natural part of being a human and we have seen multiple times that denying their existence is harmful, removing them all from you would probably lead to you not being able to relate to other people anymore.
Maybe removing all these parts of himself is also why he has no appearance. Without his demons he's not a person anymore.
The count originally being a werewolf would also explain why he has magical abilities (gear can also use magic) before other magicians existed and why he's so anxious about certain people dying. Gear talks about how his immortality makes him sad because human friends do die, but unlike the count gear seems to accept death, grieves in a heathier way than the count and is able to move on and make new friends. Could also explain why his magic and creations are all strongly tied to the (full) moon.
Another similarity is that while werewolves apparently can't reproduce gear was able to have descendants by sharing his life force (it's mentioned in chapter 135 which isn't translated yet) with a woman and through her human children tsurugi is related to gear. Sigurd explained to nicco that the magicians came to be because the count let humans drink his blood, three survived, got magical ablities and became the ancestors of all human magicians:
Maybe the count is more of a werecat though. He and the sloth demon do seem to have a closer connection, even though the count's appearance changes depending on the person looking at him he does usually keep his tail and the tip looks exactly like the one of kuro's cat/lion form and similar to the the one of inner sloth's non-human form.
It was also stated multiple times that the sloth demon is the strongest. I wonder why that is. Servamp comments on the fact that being lazy is often actually a sign of depression/anxiety through kuro's arc, so maybe the count was depressed and that's why the sloth demon is the strongest? Basically the demons strength depends on how much the count suffered from the different sins? It would also explain why melancholy is so strong, I assume kuro refusing to see him no matter how many siblings he sent his way to tell him to come looking for the count made him extremely sad and probably even made him come up with the plan to have himself be killed and then put in the same body as kuro through the ritual.
I assume he was behind C3 ordering the servamps to kill him because he's the one who created the magicians and thus C3 and lily who is kind of working for him was probably the one who put the idea that the count needed to be killed into the head of his eve (aka a member of the alicein family who hold a lot of power in C3 basically since the beginning. I explained this in more detail in another post). The people from C3 even said that the count can only be killed if he wants to and yeah, kuro didn't truly kill him, but he did destroy his body and kuro seems to have met little resistance when he attacked the count. Which probably means the count wanted this to happen.
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they're so GROSSSSSS (<- desperately wants what they have)
alt color under the cut:
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actually it's kind of funny how people will say Alex's fatal flaw is that he 'doesn't ask for help' and that it's his determination to handle things on his own that leads to his deterioration and eventual death when his whole introduction to the present-day timeline was a very literal cry for help that simply went ignored
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thinking about scully sitting on the floor of mulder’s apartment just holding him as he wept after his mother’s death and after she told him through tears that it’s time to stop. it’s time to stop looking for his sister.
and how she had already told him that once, seven years earlier, a month into their partnership, when she chased him out of a police station and told him to stop running after his sister because it won’t bring her back.
she called after him to just stop, because she’s the scientist, and that’s the logical conclusion that she had reached.
except later that night, he told her why he does it. that he’s been closing his eyes and walking into that room, thinking maybe, when he opens them, his sister will be there, since he was 12 years old. “every day” of his life.
and she never told him to stop again.
until seven years later, when she rocked him on the floor, and then the next day was asked “why do you want to bring all this back up now?” and answered, “someone owes it to mulder.”
so she started looking. she reopened files, she tracked down records, she went to his mother’s house to dig through the trash. she confronted CSM about what he knew, she flew to california, she held hands and prayed.
she looked at mulder and said “it hurts me to tell you this” and stayed steady in the truth anyway. she listened to him read to her about a 14-year-old girl’s pain, held his hand and told him to get some sleep. she stayed up, kept looking, and found it. “i got it, mulder. i couldn’t believe it when i saw it. it was like it was looking for me.”
the police report from when samantha ran away.
she read the hospital records, went to the home of the nurse who signed the intake report, asked him if he wanted her to go herself.
she left him by the car and walked up and knocked, asked about a patient in 1979. she listened as the nurse described how “you couldn’t forget her or how frightened she was. scared for her sweet life.” and the man who came for her, who wouldn’t put out his cigarette.
earlier the day before, she had been told to just stop. “word of advice, me to you: let it be. you know, there’s some wounds that are just too painful ever to be reopened.”
and she had responded, “this particular wound has never healed. and mulder deserves closure.”
after seven years, she knows now, that you can’t just stop chasing. she knows how heavy grief is, and she‘s seen the effects of carrying it alone. of walking into the worst night of your life every day, eyes closed, hopeful.
you can’t just stop, and you can’t really have closure, but you can help someone carry it.
and ultimately, that’s what made this the end of the road. sometimes the heaviest burden of grief is feeling that pain is all there is left of someone, and that alleviating it would be to abandon them.
scully’s right, this wound has never closed, but there’s freedom in shared remembrance and shared dedication. she doesn’t ask him to stop until he’s ready to know the truth, and she’s willing to find it. she doesn’t ask him to rest until it’s safe for him to, because it’s not forgetting samantha. she knows and she remembers.
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Oh..... I'm devastated.... Haruka is scared, but he has long set his mind on this, he has repeated it constantly, how there is no other way. He wishes there was, but he can't see it at all, he probably looked around, scared hoping for another answer, but couldn't find anything else.
And at the end, its almost like for him, choosing to commit to the act, is almost the same as already have done something that you can not undo....
And he knows about that....
He still feels happy, he still thrives on attention, on kindness. And... Having to let go of all of that which he finally has, probably hurts like hell... Yet, he is willing to do it, because he truly believes (or believed) that doing so, will bring happiness and good things to the person he loves the most...
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Its so funny that Makoto gets such an awful rep (usually bc of her treatment of Futaba), but going through the game again, Makoto is the one who leads the conversation into getting her to open up for the palace door. She immediately offers up the idea of just being honest with Futaba; no lies or soft words, just straight facts in a calm voice. She knew Futaba wanted the change of heart, badly enough that shed listen without having to be convinced by force. And when Futaba panics about having to open up, Makoto makes sure she has no chance of backing out (‘give me time to open the door’ ‘ten seconds’ ‘WHAT???!’). Its for her own good!!
I think it can come across as mean and overbearing and even insensitive, especially if you are someone who is sees themself IN Futaba, but Makoto is both incredibly caring, sisterly, and understanding during the entirety of her arc. Like most characters, fandom seems to completely warp and exaggerate very specific moments and traits and sum up entire personalities bc of it. Ryuji and him being stupid; Ann and her being loud and mean; Yusuke being dumb as shit and singleminded for NO discernible reason, etc etc. People took the snooping and her one vaguely insensitive comment (about futaba and her whole Thing) and decided that she was a cunt and a bitch that couldnt be reasoned with.
Its so bizarre. Im aware that every piece of media w vaguely assertive girls has this issue (Sakura, Katara, Aqua, etc etc) but its still crazy that this is prevalent. Shes like the direct mirror of Goro and he does not get this specific kind of hate (usually its ‘he backstabbed and blackmailed us so i hate him’). Sorry. I need to be a Makoto Apologist to protect her from the rest of the world. My girl did nothing wrong shes just weird. She thought she could fight a mafia boss and she was RIGHT! She WON!!!!
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As an avid D&D player and DM, I love this magic system you've created so much- bc it means that necromancy exists like it does in D&D, but because David is David (TM), he just goes "yeah, but yk what would make this better? Puppets." and just is flying by the seat of his pants trying to create a fusion of DIY crafts and reanimation. he even could be inadvertendly creating an entirely new form of magic while messing around with the Book and his puppetry, but no one will ever know bc he just wants to play around with his little flesh puppets instead of, idk, sitting down and writing an actual grimoire/codex on it and i love him so much for that <3
Really tho!! This is the closest anyone has ever come come to actual reanimation in this universe, not just souless zombies or possessed lamps, real breathing creatures with the souls of people and working innards to back it up! And he's not even writing it down!
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