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#they could have had narrative parallels!!!
cemeterything · 3 days
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PLEASE elaborate on “davidelizabeth in alien covenant if i wrote it” they squandered her potential so bad !
okay so first all i have already talked about how i feel that covenant should have built on the sticky psychosexual gothic horror tension between david and shaw and developed it into a toxic codependent dynamic (that predictably ends poorly due to their fundamentally opposing ideological stances as well as one-sided obsession on david's side), so i'm going to attach that rather than rehash it.
but honestly if i'd written covenant i would have had elizabeth survive david long enough to establish herself on the engineer planet in hiding from him (following a "breakup" caused by his act of genocide), and have the arrival of the colonists in covenant be the catalyst that forces them to confront each other again and finish what they started. i'm not entirely certain of the specifics, but i think there's a lot you could do with the central themes of alien as a cosmic/existential horror (a story about horrifying revelations, terrible change and progress/evolution that is unrecognisable as anything but nightmarish to the human minds bearing witness), a body horror narrative focused on sexual assault, pregnancy and childbirth/parenthood, and an examination of extraterrestrial horror as this colonial mindset - the fear of being violently replaced by something that deems itself better than you and works ruthlessly to eradicate you from your places of safety which it has taken for its own - as well as the more prometheus-specific themes of parental trauma and religion (mostly christianity) by making the core conflict between david and his xenomorphs and elizabeth and humanity, like a sort of fucked up retelling of adam and eve in the garden of eden.
to tie up loose ends, since prometheus and covenant are meant to be prequels to the original alien films, i'd probably have elizabeth succeed in being the final girl (a parallel to ripley in the original franchise) but tragically go into self-imposed exile/die alone in an attempt to prevent the xenomorphs from being stumbled across by future explorers and becoming a threat again, as well as possibly out of some warped sense of guilt, both for having allowed herself to ever love david and believe him capable of change, and for failing to save him ("save" very much in the biblical sense, as in persuade him to share her point of view and abandon his descent down a dark path). needless to say, she doesn't succeed, making her "victory" all the more phyrric.
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The Vanishing of BLANK Wheeler
I wanted to make a list, from least likely to most likely, for which Wheeler I think is going to go missing.
But I also wanted to give a little disclaimer first, that even if these titles are real, they could still be fake, or could even possibly change given how much time we still have until s5 actually premieres.
For s2-3, the Duffers literally released official promo videos announcing episode titles for their upcoming season, with some of them changing when the season finally premiered.
Like in the case of s3 for example, they dropped a s3 episode promo video only a day after they completed filming. Meaning them titling 3x06 The Birthday, made absolutely no sense. They knew they didn't film anything birthday related for that episode. So they intentionally gave that one a fake name.
In the case of s4, that was the first time they promoted an upcoming season without giving fake titles, with the s4 promo announcing them following through with what we ended up with when s4 finally dropped.
I guess I sort of assumed s5 would follow in s4's footsteps, but from a leak standpoint, it might be smart to remember that fake titles are still a possiblity regardless. Especially in this case, where it's getting to the point in production where leaks are unavoidable. And so that might even explain why they play with this idea of fake episodes, which is because they can rest easy knowing leaks will mostly consist of half fake titles they planted there.
But for the sake of this post, lets humor the title for episode 2.
For starters, it's worth noting that the person who shared this leak originally said 'BLANK wheeler'. So as far as I know, they did not give any number of letters via underscores (_) to hint at who this Wheeler could possibly be. It's when ST news accounts caught wind of the leak and started rolling out posts, replacing BLANK with 5 underscores, that led a lot of fans to assume that the Wheeler had to have 5 letters in their name, which would have obviously ruled out Ted and Mike. But since all the Wheeler's are still on the table based on the original leak, they will all be included in this list.
5. Ted Wheeler
Believe it or not, there is something that I think actually warrants considering Ted as a possiblity.
There were some posts @stranger-chichka made a while back, comparing visual parallels between Stranger Things and Chernobyl, which could be hinting at this concept of Ted being in danger.
TBH though I think Ted being in danger or ending up dead is a possiblity regardless of him actually being the missing Wheeler.
Technically speaking, quite literally no one on the show is ruled out from being in danger at this point, so that's not saying much.
And considering the show is going to need to kill off some people next season and they are insistent on not killing any of their leads, supporting characters amongst the ranks have a high risk at being taken out. The emotional connection for Ted from the audience isn't as strong as other characters, but at least him being in close relation to a few main characters is something? I mean, he's funny I guess?
Quite frankly I don't think it's likely nor do I think it would actually make sense narratively for Ted to be the one to go missing out of all of them. I think it's a lot more likely they'd just kill him off, hence the Chernobyl parallels which imply he's gonna die. And so wasting time by having him go missing, only to kill him, just doesn't track. I think they'd just get that over with without dragging it out for very long, if anything.
Can you just imagine someone on the show shouting emotionally, It's Dad (Ted). He's gone.' Like, okay... And? I have a hard time imagining the characters being in serious turmoil over this, at least not enough for it to warrant like final season stakes amongst a bunch of other crazy shit happening. At best, the characters would be indifferently guilty for getting him roped into all this.
So yeah, I really don't see it happening.
4. Nancy Wheeler
I honestly feel like Nancy is even less likely to go missing than Ted, but the un-seriousness of an episode titled The Vanishing of Ted Wheeler is so astronomical, that I really had no choice but to put him last.
The reason I think Nancy is just very unlikely to go missing is because they technically already had her go missing as a cliffhanger between Vol 1 and 2 last season. It would just fall flat if they repeated something along those lines, with that same character, 3 episodes later. Vecna could have killed her and yet he didn't. His point was to send her a message, which was why he did what he did and then released her. The choice to target Nancy and taunt her about her family's safety in the first place, felt like their attempt at foreshadowing the danger that is to come for all of them, but one specifically. One of them that is not her. Which will make this moment back in s4 feel a lot more impactful upon rewatches.
So yeah, not feeling like Nancy is very likely.
3. Karen Wheeler
Karen is sort of a hard nut to crack all around. In the case that she is somehow connected to the Creels (Alice), anything is possible in terms of not only her being targeted, but again the entire family being at risk in some capacity. Without much to go off of outside of the obvious very haphazard timeline confusion, I feel like putting her somewhere in the middle. She was given a poster for s4. If she is Alice, then yeah it would make sense to target her. The stakes are also a lot stronger in comparison to Ted, because she was the parent in the family that actually came to Mike or Nancy and told them verbally that she wanted them to open up to her and is actually shown trying on several occasions. Whereas Ted is sort of just there when he's on screen. So the characters' distress would be a lot more dire and interesting to see unfold amongst everyone.
I also remember there being a leak in relation to Karen, Holly, Mike and Nancy all being at the hospital filming. And this was also like a day or so after ST dropped a video of Cara saying she was filming that day to hype up fans. So that leak did check out on the Karen front at least. Which puts her at the hospital at some point, potentially along with the rest of the Wheelers. Now that I'm thinking about it though, this could all fit with a Ted Wheeler death...
At this point, I'm sort of like indifferent to the possiblity, but it's still more likely than Ted and Nancy to me.
2. Holly Wheeler
It all goes back to s1, when Karen was visiting the Byers to console Joyce after Will went missing, when Holly sort of ventures off to Will's room, being guided by the lights, and sees the demogorgan in the wall.
I feel like people overlook this moment too, because it's kind of crazy that Holly has seen UD shit for herself. She was young enough that she could rule it out as just imagining things. And that could be partly the case even if she is skeptical.
There is something about Holly that makes her curious and sort of open to this world that most around her have no idea exists. And yet simultaneously some of the people closest to her do know about it and could easily clue her in when the time comes to do so, and because of that, I think she would probably be able to believe it all a lot faster than others.
Maybe this is a story where things need to happen and it just always ends up this way, but she has this tendency to be included in things that feel very important. Like in s4 with her playing with the lite-brite, and how that ended up being used to communicate with the others in the UD. There's this almost clairvoyance vibe about her. Her feeling the need to follow the Christmas lights to Will's room and her noticing and then fixating on the trees in s3.
Like I said, I don't know if it's something deeper, but it very well could be in the case she is connected to the Creels.
And while that is all somewhat compelling, at the same time it also feels very convoluted. Even if the Wheelers are Creels, I don't think that means the Wheelers would have powers, given that Henry got them when he was a child, meaning none of his family could have gotten them unless they too were taken in by the lab at some point, or were born with it.
Though I'm being full serious when I say the theories about Mike having time powers or maybe just manifestations from his emotions connected to the powers of others around him is one of my favorite theories of all time. I want it to happen. It would be cool. But that just opens the door to all of the Wheelers in my opinion, assuming his time powers came from being related to Henry. And if it was done that way, I feel like it would add way too much confusion to the story, where now all the Wheelers are gonna need to have powers, and then as a result would just takes away from the uniqueness that is already associated with Henry, El and potentially Will. One person potentially having powers without us knowing until the end aka Will, is enough honestly. Adding the Wheelers to the mix might be a bit much.
I'm also not totally convinced of the Wheeler's being Creels, and yet I also can't seem to want to rule it out entirely. But the prospects of Holly having powers or some sort of ability and just going through the same thing as Will when he was young and unaware of his powers, who is just now finding out the truth about his experiences... It just feels like serious whiplash honestly, when they haven't spent much of any time on Holly up to this point.
Like what are the stakes here exactly? What makes her disappearance and what that would look like compelling, on her front specifically? Because sure, I can see it being compelling watching the perspective of those around her reacting to this, what they would do to try to save her and all that, but what does that mean for her exactly? Are we going to see what she's doing? Are they going to hide it from us like they did with Will and then have to spend even more time uncovering it later on. And what does she even gain from being alone and taunted by Vecna presumably? What does the audience gain from witnessing that sort of event? There isn't a lot of story to explore there, outside of maybe making direct parallels to Will in s1? And then wouldn't that sort of take away from the importance of Will's role in it all just now being uncovered, if it all just repeats for Holly?
Which brings me to something that I see a lot of people using as strong evidence for why it has to be Holly, which is the fact that they recast her character.
What I think people are failing to consider is the fact that the twins who were cast to play Holly originally, were like 3-4 years old while filming s1. They weren't just kid actors, they were damn near baby actors. And while I know a big part of the reason why they gave Holly such few lines over the years was because the actors were aging way faster than the character they played, I think another factor could have been the fact that their acting experience is near nothing outside of Stranger Things, which is also pretty little on its own as well given that they have very few lines on the show.
It's not at all uncommon for child actors, let alone toddler actors to leave the industry once they start getting older. It could be for personal reasons, like wanting to explore other ventures, or it could be that they just don't perform as well with all the added expectations that come with acting as a character who is a kid with a lot of lines vs. a baby with 2 lines.
The girls got cast because at the time, they were able to perform as well as a 3 year old possibly could and would be expected to be in that role. But does that skill carry forth as they grew older? When now they have to deliver full sentences and carry conversations for scenes that are longer than 5 minutes? They've never really had to do that up to this point. Is it something that they feel comfortable with doing? Is their performance believable and is it something the writers feel confident about?
Honestly, I think they might have recast Holly, not because I think she is going to be targeted and focused on as this missing person they have to find, going through a near identical situation to 11 year old Will, but because they simply want her to be more apart of the story in general. And maybe because either the twins and/or the production didn't feel that they would be able to perform it in the way that they wanted it to be done.
And I mean, even if Holly isn't the one to go missing, one of the Wheelers is going to go missing based on this leak. If it was one of her parents, she would get a lot more scenes than she has in the past. If it was one of her siblings, again it would make sense for her to be more involved with the story. No matter what she is going to have a bigger role.
So no I don't think her being recast is as strong enough of proof as some might believe. If anything I think there is much stronger evidence that, like Karen, if they are related to the Creels, Holly is as fair game as any of them. The stakes could be high because she i such s a child. And her parents and Nancy and Mike worrying about her seems like something they would obviously do because she is so innocent and completely ill-equipped to endure something like that. But like I said, I just can't picture an focus like that on her, for her character, being very compelling given that Holly isn't really someone that needs like alone time with us witnessing it...
But there is one Wheeler left, and boy oh boy would he benefit from being alone.
1. Mike Wheeler
The most simple explanation for why it makes sense for it to be Mike, is that he genuinely benefits more than anyone when it comes to being alone with his thoughts, and with the audience watching. There's a lot of stuff dude has to work through in his own head, and since they haven't really let us have a moment alone with him that isn't under ten seconds since s3, an episode or two dedicated to making that a priority would make him coming back and things building up to the end, feel a lot more earned.
The audience needs to feel confident about how Mike feels about things. It can't be a guessing game for much longer when so many different factors are involved.
And while I think Mike may be the strongest possiblity in terms of the value it would add to the overall story is compelling enough to put him at number 1, the evidence supporting it happening is even stronger.
If we want to be crazy we can go back to the beginning. Plenty of fans have already speculated about how Mike is always late at the start of every season and how that might play into the beginning of season 5 again. I made a post about this recently and speculated it would happen one last time around the 15 minute mark. And maybe I was wrong... but maybe I was also right? Because if the second episode is called The Vanishing of Mike Wheeler, it's likely Mike's fate wouldn't be confirmed by the opening of 5x01, but in fact the closing scene of 5x01.
Throughout the show Mike plays a key role in leading the others, he's even referred to as 'the key' in s3 by Hopper. You know this show and their keys, they don't joke about that sort of thing. It's likely that Mike's story and what it is leading to is going to be central to how all of this ends.
Also in s3, there is one scene in particular that I think could be hinting at Mike being targeted, along with the s4 main poster with all of the characters. In the poster, we see El at the top, with Max and Mike as near equals on each side of her. Of course their roles are central and that's a fair layout on it's own arguably, but the equal-ness provided to Mike and Max feels very intentional. While she is slightly bigger than Mike in the frame, that could be a hint in regards to her being central now in s4, with Mike joining the mix alongside her in s5. Honestly, they could have made it so these two were beside other characters that also played a huge role in s4, and yet they chose those two to give a specific focus to. I think that is interesting (and probably intentional).
But if I'm being honest, there are so many moments in s4 specifically that hint at Mike being in danger, that I will not be able to include it all in detail in this post. So I'm going to link those below and then build off of some of it with some new details I've recovered that are worth re-contextualizing again with all of this in mind.
Hints regarding Mike and Will being targets of the town, but Mike specifically being focused on after the word 'missing' is said...
I'm gonna expand on this one because I think it's important to recognize the massive curtain in the background as this is all happening. And I vaguely reference this concept here as well which is worth checking out. But not is this whole concept of the curtain pretty blatant in this episode, this scene of the town all fleeing to hunt down hellfire club, is followed directly after, by this:
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Notice how Mike is nearly always central in these moments? And how what follows feels eerily similar to what is about to go down at the end of s4 aka Suzie = Mike.
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Now, this has already been talked about plenty so I won't go into detail, but... based on everything else happening surrounding this, this would apply to Mike in the sense that not only is he not in love with El, he's gay and in love with Will aka a boy. A BOY!
And then this mention of 'the terrible truth'. This word has been used like 3 times in the last few minutes. First intensely during Jason's speech about a terrible truth, with Ted and Karen being focused on with the Mike and Will extra in the background.
But what is even more crazy is that what follows sort of seals the deal for me that, this IS about Mike and it's foreshadowing what is about to come in s5.
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5:02... 5x02!!!!
Also peep the watch and the letter from Dustin under it... I don't want to speculate but lettergate is looking extra relevant within all of this as well...
And to close off this point, lets show the shot that follows directly after this one.
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Then later in the season, after Nancy is back from being taken by Vecna, here we have this long and emotional pause before she says Mike's name, last after her mom and Holly.
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If they wrote and filmed this scene, knowing Mike would be the Wheeler missing early s5, it would make sense for them to list off the characters like this.
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Mike peeking in the frame at this moment is not suspicious at all...
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If it wasn't enough that Jason hyped up the whole town to see the Hellfire club as their enemy responsible for all of this, here we have a focus on Mike specifically being targeted by Jason.
The Duffer's statement about the show overall in the Piggyback script, and I gotta say it fits Mike a lot more than any of the other Wheelers.
Mike is a Paladin. And when they break an oath, they might spend an all-night vigil as a sign of penitence... aka everything is going to come to a head and Mike is going to be alone dealing with this shit for a bit, until he can come back ready to face it.
And I know it's controversial, but this post explains perfectly why Mike being central to this would make the show go full circle in a really compelling way.
Mike hasn't really unpacked...
Karen lookalike standing in front of the missing persons board. Could be any one of them but still, considering the costume of this extra looks closer to what Karen was wearing when she reunited and hugged Mike... I'm gonna put it more so with him.
Mike's guilt and shame regarding the past and what it has led them to could also play a big role and why him going missing would be worthwhile to explore. Part 1 / Part 2
Mike paralleling Yuri, who eventually reveals the truth (in his pocket) after stalling. If Mike parallels him all throughout the start of that moment, what does that mean for how it ends for Mike?
An antique funeral home fan behind Mike in the s4 character promo photos in the Creel attic, how Mike is seen sitting before Will sits beside him shortly after and it involving upside down imagery, Mike's first line in the show being used to later foreshadow his fate in early s5, and also bringing it back to Suzie's house which I already went into but it might be helpful to look at it again from this lens.
The Duffers would not pass up on the opportunity to parallel Mike with Finn's other character Richie in IT, which is literally based on a book that heavily inspired ST in the first place. And how all of that plays into the queer-coding for Mike going all the way back to s1.
The Duffers revealed after posting the funko-pop shotplanning pictures (2) that they were finished with planning for 5x01-5x02.... meaning this shot of Mike all by himself, is going to occur in one of those episodes...
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We could still hypothesize Holly is the one to be taken, given that she doesn't have a funko and so they couldn't include her here regardless. But the fact that Nancy is with the other seems to imply to me that they are all likely working together to get Mike back, who is alone.
This one is a little more hard to pinpoint for sure, but it comes from a BTS Ross posted recently.
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We are clearly in the Wheeler's house here. And if you zoom in, it looks like someone is standing (hiding?) behind a doorway/curtain. And the only person that seems to fit it imo is Mike... But why would he be hiding in his own house...?
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It just makes me think about what is going on with Mike in early s5. What would be occurring that has him in this sort of situation? And it makes me wonder if him going missing has solely to do with him being taken and gone in one single moment, or if it could involve him avoiding his family and others potentially, with him being taken after that.
Lastly, I'm going to go into more choppy territory, stuff I know only a couple of people will actually consider. But it is pretty fucking fitting of what is about to go down so I can't not mention it.
In the Puzzle Tales' most recent Hellfire Campaign, this is the title...
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Like the whole chapter is just a big joke on Mike about him being scared to be alone, which is painfully ironic if this is the direction the show is about to go for the next 2 upcoming episodes.
And then we have a song WSQK posted on Twitter back in January. I know people don't believe that this account is connected with anyone in the production, which is fair because I myself rarely believe leaks from anonymous accounts as it is. But I've been keeping up with it and it genuinely doesn't seem like a fan could come up with these songs.
The song I'm about to mention is the 7th song they posted, called Army Dreamers by Kate Bush. And you might fight it sounds a lot like the situation Mike might find himself in in early s5.
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And though I'm sure I didn't cover everything, I feel like all the things I've mentioned and referenced from other posts are plenty to at least consider this as opposed to rejecting it all together.
At the end of the day I think there are some valid arguments for all of them to some extent. And quite frankly all of the Wheelers and most of the characters in the show will find themselves in danger in a way that is going to probably last longer than just one single moment the entire season. So even if it's just one of them, I don't think that rules out the others playing a bigger role in what is going down.
I just think narratively, there is one person that benefits from being on-screen and alone with their thoughts. And the other 4 being confronted with what that person discovers eventually will also make all of this a lot more worthwhile than any of the other options in my opinion.
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callmewisteria · 2 days
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Norm is absolutely one of my favourite characters in the Fallout universe. The fact he loves his family and wants what's best for them being what drives him to look for the truth of what has happened to them and why is fantastic. The ultimate difference between him and Chet, too, is a great show of his character. It began with him choosing to help his sister find their father and ends with him coming to the same realisation as she has – their father was not the man he said he was and much of their life has been a lie. Watching him decide to take the hunt for the truth into his own hands, even when it could be the end of him, is incredibly compelling.
What makes Norm so enjoyable to watch, too, is just how human he is. All of the characters in the show are that way, which is part of what makes it great (yes, even the ghouls as they were at one time human). The distress he feels at seeing what happened to Vault 32 being swept under the rug, and the anger he feels towards Betty and the others for doing it seemingly out of a desire for control and power more than anything else is tangible. The fact it drives him to take the risk of sneaking into Vault 31 shows his bold and couregous side, and also that it's driven by not only his own curiosities but his desire for the truth. It’s a great parallel trait he shares with Lucy and, as she comes to find out, their mother. The anger he feels towards his father and also the desperation he feels to survive are a great contrast of his truth seeking and his baser humanity.
All things considered, Norm's competing feelings of a desire for truth, a desire for safety, curiosity, and a love for his family are what make him a great character. The fact he shares those traits with Lucy but expresses them in different ways creates a strong parallel narrative for their characters, and also does a great job showing the two sides of courage. The fact neither he or Lucy are impervious or shy away from moments of weakness and subsiming emotion latch onto the naivety from their upbringing and also their humanity. With them both now having to reckon with the truth about their father, a reunion between them will I'm sure be great and also remind them that not all of their family members are bad. Reckoning with the truth about their mother and Lucy's love for her being what compelled her to end her suffering before breaking down at the gravity of it is another layer of complexity to their family dynamics that both of them will need time to sit with. The contrasting feelings of how they knew their father versus what they've come to learn about him serve well to separate them from others like Chet; where he, their cousin, chooses to remain wilfully ignorant, they chose to put aside their fears and look for a truth they knew was out there.
Chet is a coward because he chooses to ignore the truth he has seen with his own eyes.
Lucy is brave because she is willing to go to any and all lengths to find her father and is then willing to end the suffering her mother is under because of him; she is openly emotional and driven by that and the love she feels for her family and is horrified and shattered by her father being a different man than the one she had always known.
Norm is brave because he is willing to do anything for his sister and father and, when faced with the choice to stay in blissful ignorance, because he chooses to seek out the truth even when it could hurt him; he, too, doesn't shy away from the pain the truth about his father causes him and, like Lucy, has to learn to live with the competing memories of their father and the reality of who and what he is.
Hank is a coward because, while he goes to the extremes to attempt to preserve himself and his family, he refuses to accept the fact his actions have consequences for the way his children (and, previously, their mother) had seen him and instead tries to force things to go back to the way they were before his children could learn of his ability to be selfish.
And Rose was brave because she loved her children so much that she would and did do everything for them, even when she had to put her love for their father aside and risk herself so that she and her children could have a chance to live in truth rather than lies. Her children share that with her, even though they didn't know it, just as much as they share her love, empathy, and desire for the truth even when living in wilful ignorance could have been easier.
Tl;dr – the entire MacLean family being driven by love for each other but expressing it in different ways that ultimately drive them apart is not only great at showcasing the different sides of courage and cowardice but showing the way Lucy and Norm are so similar and are driven by their love for their family just as much as their desire for the truth and that neither Lucy or Norm shy away from their emotional and impulsive reactions to it presents them as not only fully human but two sides of the same coin; they are both couregous even though they take two different paths to the truth.
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a-cat-in-toffee · 2 days
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me: yeah im gonna go to sleep
also me: *proceeds to send my friend 650+ words of pepsisprite analysis*
thinking about john being a literal embodiment of the narrative and davesprite being an embodiment of the game. the game and the narrative are intrinsic to each other's existence, but without each other they would be useless. what's the point of the game if no ones watching, and whats the point of watching if no ones playing? john and davesprite’s relationship sort of mirrors that, davesprite wouldn't exist as a sprite if john had never died, but john WOULD have died if davesprite didnt save him. they're necessary to each other's creation and to each other's continued existence and relevance. 
they're the world's shittiest soulmates because their relationship is so riddled with the game and narrative but davesprite and john are tied together in a way which ends up with davesprite always ending up right next to john again. johndirk and pepsisprite are very related what with davesprite mirroring dirk in a bunch of ways, but the difference between the two ships is mainly when they would happen imo. (canon) johndirk can only work postcanon, mostly because they simply don't actually get to meet each other until then, whereas pepsisprite HAS to happen during the game, the 3 year trip to be precise. 
all they had were those 3 years together, really, before everything went to shit. obviously they had known each other before then, but that was john and dave. the "real" dave, before the specifications had to be made. it's kinda sad how because of the timeframe that pepsisprite would be able to work out in, they could never actually have a relationship. like they were both dealing with their own issues (most of which never were resolved, not fully) but it mightve fixed them tbh.
thats really why I'm a big fan of back to the beginning post game aus that include the splinters because their stories are never really completely resolved, most of them are sort of just brushed away or swept into something new (e.g. davepeta)
also going back to what I said earlier on how johndirk mirrors pepsisprite in a way, it does! but there's a lot of nuance to the situations? davesprite is more like bro than dave is, thus making him more like dirk, but he's still a dave yknow. pepsisprite is actually a closer parallel to jakehal, especially by the end of the boat trip with the vaguely antagonistic relationship the two of them have.
actually i think they should be kismesis sometimes as a treat. john has so much emotion and anger built up and having somewhere to vent out that frustration would probably be really good for him. at the same time, though, they're also moirails because john and dave are quite literally the closest humans can get to moirallegiance. john and davesprite transcend quadrants in the actual definition of it, embodying the quads all at once instead of vacillating.
davekat (a ship most people consider to embody all quads) sort of does something similar, however a lot of the time their characterization is of vacillation between redrom and blackrom vs where pepsisprite is happening simultaneously. 
davesprite *is* proud of john and he does really love his friends, however because of the trauma he went through growing up (which was later reinforced by all the shit that went down in the game) he can only express so "ironically" or backhandedly, and john is so repressed to hell and back that *he's* not even sure what emotions he's feeling half the time
I think the fact that the two of them can so effortlessly communicate despite all that, though, really shows you their relationship. john can see the genuine in davesprite's "ironic" statements, and davesprite can pick out john's feelings through all the happy freedom bullshit. they communicate so well despite everything because they're best friends and because they've known each other so long. davesprite is important to john just like john is important to davesprite, and they always end up right back next to each other.
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abby might genuinely be one of the most poorly written sympathetic/grey characters ive ever encountered im forever thinking about how they tried to make her some sort of parallel to joel, an actual well written sympathetic/grey character, and fucked it up so badly
#muscles dont make a character interesting lol#she fr did so many ugly things got all her friends killed relished in murder and torture of friends and foes#doesn’t show any remorse doesn’t show at all how years of dreaming of revenge#and then getting it fuck her up like she’s fine lol#her relationship with lev is rushed and it’s 2 days and they want you to believe she’s earned some sort of redemption through him#and beyond all that she’s so bland lol#the writing fucked her over too like she could a) not been the top soldier in her FASCIST militia#and b) they could have spent more time with her and built her an interesting arc that did work as a parallel to joel#if they’d just kept her story separate#neil’s issue was he wanted to do an abby story but he also wanted to make sure ppl who loved ellie and joel bought the game Lmao#so he lied and he tried to ham fist them into the same story and it was a mess#imagine if abby had encountered lev on her way to joel and helped him and through that realised she didn’t need revenge#it wasn’t gonna help#and it could have helped her understand joel’s choice#that could have broken that cycle of violence in a much more interesting way#rather than them completely breaking ellie and taking everything away from her and she still having to be the bigger person lol#abby continues the cycle of violence and is rewarded and redeemed through the narrative#and the person who actually breaks the cycle is the one who loses everything#make it make sense#the last of us spoilers
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tbcanary · 5 months
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thinking about jason and dick. thinking about how when jason was robin, dick was too hurt and angry at bruce to really be there for jason as a mentor and older brother. thinking about how dick is with tim, how he very clearly wants to take him in as a younger brother and show him the ropes, and how he and jason could have gotten there, too, if they had more time to figure it out.
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aeoris4lovers · 9 months
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can i say something about this battle that might make some people hate me
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munadyke · 8 months
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ok. sometimes I just want to listen to people talk abt star wars but the youtube results are all men and I refuse to do that to myself. found myself on a reddit thread of good sw youtube accounts/podcasts and it's like....for one dollar name a woman:/
#CRINGE or whatever#but like i am thinking abt themes of fate and agency and the way they change across series and how certacertain characters exist outside#the narrative etc and i just wanna talk abt rebels and how its such a fantastic follow up to tcw/the prequels in terms of its core cast and#the fact that their only commonality is that they chose to be a part of the rebellion as opposed to the characters of tcw that are stuck in#this perpetual loop of following orders and uplifting those in power & feeling as though everything in their lives are destined meanwhile#there were so many opportunities to stop the end destiny (if u will) of the prequels if only they werent so blind etc but at the same time#you have characters like maul and ahsoka who exist outside of these power structures (one by choice and the other not) and when it comes#time to change anakins fate together ahsoka cant do it bc shes refuses to see the truth#and then this is directly paralleled at the end of rebels s2 where it takes kanan being literally blinded for him to see ezras pull to the#dark side bc until then kanan (the last remaining jedi) still clings to the beliefs and structures that raised him. he cant see/understand#ezra bc he refuses to view the world outside of the lens of his jedi training he has to be blinded to see the world around him in a new way#ofc this is all happening while ahsoka and anakin meet again and we see what could have happened had kanan failed to change#idk something something the illusion of choice under capatalism & 2 party systems leading to facism#something something rebellion/change comes from the ability to question authority and find individual purpose#noooo idea where im going with this shit at the end i promise i understand facism#see this is why i need to listen to other people talk abt it i am just spewing nonsense in my tumblr tags!!!!
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oswinsdolma · 1 year
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no, you don't understand, merlin didn't lie to arthur when he said that it was arthur's destiny to pull the sword from the stone!! no, he wasn't a bad person for letting arthur believe in a version of himself that didn't exist, because it was merlin's construction of that idea within him that allowed him to grow into the legend he was told he embodied!! we assume at first glance that the version of merlin that arthur sees is a lie disguised in bits of truth - hell, even arthur believes it ("you're not an idiot, that was another lie") but i think it's the other way round. obviously merlin isn't fully truthful until the end, but in a way, that's what makes the prophecy come true. between them, merlin and arthur are camelot: two sides of the same coin. soulmates. brothers. lovers. whatever. when arthur first pulls the sword from the stone, he does not manage it, because he does not yet understand why. if he pulled it out with no resistance, he would not believe it was any great accomplishment and that doubt would have eaten away at it, like doubt always does. but merlin recognises that, and holds back. he believes, but arthur does not, and it is not until they are parallel, until their minds converge, that any miracle can truly come to be. similarly, merlin lies about his magic for all those years, and it is not until the end of the road that he allows it to shine through, because arthur wasn't ready to believe that yet, not until his death. but morbidity aside, yes, arthur's pulling the sword drom might not be divinely ordained. and yes, merlin had a chance to save arthur, and he made the wrong decision, of his own free will. but respectfully, that is not the point of the show. merlin is unique as an arthurian retelling because at no point does it ever pedestalise the characters: they are messy, flawed, but most importantly they love and grow. the heart of the show isn't some far off prophecy and immovable, heroic figures, because camelot is not yet a legend. at this point it is unequivocally, heartbreakingly human. and yeah, the story merlin told arthur was bullshit. yeah, he lied, and he made fatal mistakes, but that's. what. people. do!! and the reason arthur was able to pull the sword from the stone was because of merlin, and his fragile, human heart that saw his friend struggling and gave him something to hope for, in his kingdom and in himself. the legend didn't precede them, and the show doesn't act like it does. they're just muddling through, and in the end, the legend they create isn't because of the prophecy, but because of the choices they made along the way. their legacy is one that echoes through the ages because they had the humanity to construct it for themselves, and there is no tragedy, or triumph, greater than the simple act of being alive, because then, and only then, those two things are one and the same.
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leofrith · 1 year
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thinking about how dor could have actually been a very good eivor dlc if they actually gave a shit about eivor :/
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jacksintention · 1 year
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I can't with the previous post. It's just so good applied to Levi, Lacie, Oswald and even Jack.
Levi has his hands tied by the Baskerville system that is a sort of scam by the Jurors‚ like every Glen. But he says "let's just create a change" and gives a will to the Core. And he does so with the full intention of changing the narrative, if just to avoid the boredom of spending eternity watching the same thing happen over and over again from a sit in someone else's mind.
Lacie goes along with it because of her desire to ease the Core's loneliness, but in her idea of the children of misfortune being a consequence of this loneliness and her feelings of doubt or reservations, perhaps, revealed even before the tree scene in the scene in which she talks about this with Oswald, we could interpret this as her desire to end the existence of the children of misfortune and thus the cycle.
Jack plays into this in his attempt to take the "real" world to the "Abyss" world, but when he most consciously twists the narrative the Jurors had settled was when he intently made the decision to take the power from the Baskervilles. And I do think it has to do with ending the very system that doomed Lacie and Oswald and he deemed cruel and like torture, but mainly it is so that no one would interfere with him in the future.
Oswald tries to destroy the new narrative Jack has or is creating first by trying to stop him, but later on by trying to stop Levi's schemes before everything happened, resettling the narrative he was controlled and doomed by, serving still as their tool. And then he literally faces the truth, in the most explicitly way no one ever has been told this in that "real" world before, and threatens to kill the instigators of that narrative. And then just renounces, in a lack of action that is him at his most active ("not with a bang but a whimper", how fitting is that?!!!).
Ultimately there is a middle ground but the narrative is changed for good. For better or worse. With uncertain future consequences. But it is changed, and it feels kinder. And as a thank you the source of every narrative, the ink and paper of the narrative, lulls someone who shouldn't have existed but changed the world to sleep by telling him a different story. Because that's it. They're stories, and Oz deserved to go with a kinder one, because the ink and paper of the narrative loves him. And it's so interesting how that works metanarratively too. The author tells the story, but the author tells the reader a story about the stroy telling a softer version of the story, so that the reader too will get it alongside Oz. That works on several levels and it's so so interesting.
#I talk too much#I should probably delete this later#I was thinking a couple of days ago about how Lacie states that to Oswald in chapter 101 and how it seems to hint towards her choosing#to go through it not just in an attempt to ease the Core's loneliness but also trying to end the cycle if the children of misfortune really#originate from that. Ultimately it doesn't seem to work because even after Vincent there had kept existing new children. It could be argued#that perhaps it's due to the Will's own loneliness and isolation‚ or to the Core now being more sure about what loneliness is‚ or maybe#the author just didn't think of it further. Even after everything that happens the existence of the children of misfortune is necessary to#access the Core‚ that will now speak through Jack's body‚ Jack's mouth. So maybe Lacie's theory is true. And I like to think it is‚#but I'm biased bc I like how it works narratively and I love the concept of the children of misfortune being like emanences of the Core#and the parallelisms drawn from it. Like with Jack. Lacie's attempt to ease the Core's loneliness + chance the cycle works so well with#Jack's own intention and methods but in a twisted way‚ which works so well with how he misinterpreted her desire in his will to keep living#The Core gaining a certain sense of personhood through Lacie works very well with Jack both gaining first and then losing it for the same#The Core having a vague feeling of loneliness that Lacie recognises and knowing to acknowledge it thanks to Lacie works well with Lacie#learning to do the same through Jack‚ and with both Jack and Lacie recognising that loneliness in each other and feeling some kind of#connection and understanding due to that‚ yet not knowing it in themselves until facing the other. How that dooms them both in some ways#And now it's the typical Core/Lacie/Jack parallelisms that get a thousand faces and mirages through the story#of which I always talk and that makes me end up talking about pretty much every character in the manga and Cantor's transfinite numbers#so I will shut up already. I've already talked a lot. And sorry for the post but I couldn't fit everything in the tags#and I don't want to lose the idea‚ I want to keep on thinking about it more thoroughly#Pardon also my denomination of the worlds. Understand the " in the nietzschean sense please#Also that goes to my future self if I forget but I think I'll understand what I mean with that#I'm myself after all‚ if slightly altered‚ and live inside myself#I think there was some other clarification I wanted to make and perhaps some correction but I can't recall right now#It doesn't matter much because this is a draft for future personal pondering‚#but I hope it's not too grave as to confuse my future thoughts or that at least I will catch it later on
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archived-lehkonen · 2 years
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,
#yue.txt#not to be absolutely batshit deranged but the way nate and arsi are foils of each other narratively makes me alittle bit unhinged#the more i think about it the more my fingers twitch and my mind escapes me and my soul leaves my body and oh......#its the fact that nate has always been strong when it came to hockey and how his trajectory follows a pretty standard path:#become a star player and make a name for yourself and (post-crosby) get called the next crosby#and he could have gone a touch insane. he could have broken. he could have BEEN broken by the weight of it all#but he had a father who cared and loved him in a sensitive way. who told him it wasenough that he was himself#and for all intents and purposes hes been fine about it yknow? like he was well adjusted all things considered#and then u look across the world and arsi is 12 years old and he tells his dad he wants to play in the nhl#and his dad spits on his dreams and questions his skills and makes him doubt and doubt and doubt#and for years he does this. for 8 years he questions his own sons validity his own skills his own passions#and yes in the end arsi is a better player for it and theres no hard feelings betweenhim and his father#but you have to wonder if maybe there were times when he felt that this was the last time. this was it.#that his soul has been crushed and broken and there was no coming back from it#and idk. something very.. parallel. mirrored. weird. about the way their lives have unfurled.#nate the superstar . his father has always maintained that he was enough.#arsi the quiet one. his father tells him he might never be good enough#and now theyre on the same team and theyve won the cup and nate loves arsi. he /loves/ him.#and i wonder how that sort of love might change a person. how maybe if someone of nates caliber looks at arsi and theres pure joy and#adoration in his eyes and its too late to mend the person he was when he was 12 but maybe he can learn a thing or two abt being loved anyway#and maybe nate is keyed up and withdrawn and difficult now but arsi's weathered worse than that and loves him in spite of it#because nate is such a storm and oh arsi is a lighthouse#anyways. fic about this  in the works i guess.\
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multicarinata · 1 year
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they literally sent him to a farm upstate 👍
#feeling honestly completely normal there were No other options but they didn't do anything really fun within that framework :-/#bit disappointing given the iron grip s1 had on my cock or. hm I guess I'm the kind of person 2 use that metaphor now? but no television#could EVER come close to that so likeee it was still pretty good. season all about exhaustion and regret and not getting things#felt as if the finale could have been about twice as good by being 15 minutes longer b/c the abruptness caused certain meaningful parallels#to be unexplored. but for the themes of getting written out of your own story that's fine! it was Fine it was not outstanding it didn't mak#me do the tails gets trolled face. also what the fuck happened 2 hands did he even find out what happened to blackbeard at ANY point#felt like around ep5 it stopped being about any of the characters and started being only abt putting the cause to sleep because there's no#other way it could end which made it kinda painful given the overarching message of the REST of the show. also didn't love every woman bein#put at the end of their agency but it worked w the concept of having to mold back into the broken world. and I did fall very in love w how#silver's recount of what happened is TOTALLY open to disbelief. guy who is another guy who writes his ending for himself FOR that guy.#who only exists because of a story some guy made abt him / who only exists bcs of the story empire made abt him et Fucking Cetera#gotdamn! awesome show! I love a narrative#showsposting
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consulaaris · 1 year
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i am having….. so many zori/thancred thoughts rn
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too-much-tma-stuff · 2 months
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Finally getting help (prt 4)
Masterpost
The bats worked through the night, coordinating and researching everything that needed to be done. Distortion showed up on the camera which they assumed was Vlad trying to get in but he didn’t manage it. After he finished trying from multiple angels including somehow from directly above (well Zatana did say invisibility, intangibility, and flight were the minimal powers they should expect from creatures of the infinite realms.) He turned human again and spent a long time banging on their front door.
He tried to call the cops but commissioner Gordon called Bruce directly to get the full story then told Vlad it could be dealt with in the morning. Zatana was also coordinating people heading to Amity, a full on raid of the GIW, and the Fentons.
Batman and Superman were collecting all the information that the raid team was sending out and workshopping public statements they could sent out to the public and the government about the unacceptable things they had found and the steps the JL was taking to fix it. The government was not going to be happy they knew, with the JL ‘over-stepping’ into their business and actually getting the word out about the atrocities a branch of their government and their pet scientists had been planning. The JL needed to get out ahead of it before the narrative could be twisted against them.
It was first thing in the morning when they did a live broadcast from the watchtower with Batman, Superman, and Zatana telling the world about the parallel world existing harmlessly along side their own, and the way the government tried to exploit it. The atrocities committed under the name of the Anti-Ecto acts with the ignorance of the public as a cover.
It was at the same time that Constantine, Dick, and Cas were raiding the Fenton’s home. Of course they were armed, but so were the bats, and they were used to fighting people who were armed. It wasn’t a particularly hard fight.
A redhead was sitting wide eyed at the kitchen table. “Can’t we just have one normal day!” She suddenly snapped but she was glaring at her parents, standing up and slamming her hands on the table.  “First you send Danny away with Vlad even though you KNOW they hate each other and it’s a school day and now this! What did you do to bring the heroes down on us!?”
“I don’t know Jazzybear!” Jack half whined as he was forced into power supressing cuffs to neutralize his minor super strength and sat down in the living room.
“I’m sure this is just a misunderstanding, don’t worry sweetie,” Maddie added, both of them were dressed in jump suits which did not help their supervillain vibes.
“it’s not a mistake mate, you’ve been messing with shit you really shouldn’t. And that portal in your basement is a fucking beacon welcoming a war. You’ve gone unchecked for too god damn long, we’re taking over things now.” Constantine told them before stalking down into the basement with Tim on his heels, Batman would be joining them as soon as they were done their press conference.
Cas stayed to watch the parents and Dick approached Jazz gently. “Hey can I talk to you in private please? It’s about your brother,” He said gently and she stiffened immediately. Looking at him in a way that made him feel like she could see straight into his soul and froze him to the spot. After a moment though she just sighed and nodded, beckoning to him to follow her upstairs, to a room that was probably Danny’s not her own. She sat on his bed and grabbed a bear that had been sitting on the edge, waving for him to sit at the desk.
“So, what do you know?” She asked with a sigh.
“Well, last night Vlad took Danny to a Wayne Gala, one of Bruce’s daughter Cas is really good with body language and clocked that something was wrong so she and one of the other kids got him away from Vlad and out of the party. I guess he really needed some adult support because he broke down and told them a lot, about the Phantom thing, the ghosts and… something you’re not going to like. But first I want you to know he’s safe, Bruce Wayne is a licensed foster parent and he’s taking good care of Danny, you can come live with them too if you want.
“We’re going to deal with the ghosts and the GIW and everything else now, I can’t promise by the end of this you won’t need somewhere else to go. I have a feeling if Batman and the Martian family have anything to say about this your parents will end up in prison for their unethical experiments.”
“As long as Danny is okay,” Jazz said firmly. “I was only staying to take care of him anyway, just get me emancipated and a scholarship for Gotham U so I can study while still being close to him I’ll be fine. I’m almost 18 as it is.”
Dick nodded, she was a smart and driven girl, she knew what she wanted, he could respect that. “Now, the thing you won’t like…” he trailed off and took a deep breath. “Danny is pregnant.”
“What!?“ Jazz blanched, gaping at him for a long minute. “That can’t be right! I mean I knew he was trans but he’s usually only interested in girls, how would he even-“ She cut off her eyes widening. “It was Vlad wasn’t it?” She gritted out with an expression the promised excruciating violence.
“Yes,” Dick said shifting awkwardly in his chair.
“Right.” Jazz said and got up, coldly calm. “If you’ll excuse me, I’ll be right back.” She grabbed a baseball bat from next to Danny’s bed that seemed to be glowing slightly then marched to the other side of the room, opened a cabinet and pulled out two odd looking guns. Before Dick could say much of anything she had vaulted out of the window and taking off down the street.
“Oh dear,” Dick muttered faintly before heading back downstairs. “Hey Cas can we turn on the news, some sort of local station?” He asked. Cas nodded and searched around for the remote, turning it on to find the channel was already on local news.
Vlad was already on there, talking about how it was awful Bruce Wayne had Kidnapped a local child Danial Fenton, and he could not be allowed to get away with this just because he was rich! But that didn’t last long, they watched for a few minutes before a blur of red hair and blue rushed past the camera.
“YOU TOUCHED MY BROTHER YOU CREEP!” Jazz said as she came out swinging and she must have quite the arm because her first swing sent him nearly flying off the stage. He scrambled to get up as she lunged at him again.
“Now Jasmine you’ve clearly been misinformed, I didn’t do anything-“ His muffled voice was cut off as she swung the bat again and he yelped as she hit him in the stomach.
“YOU GOT HIM PREGNANT! YOU DID THIS! YOU SHOULD BEHIND BARS NOT BEHIND A PODIUM YOU FROOTLOOP!” She shrieked as she swung again and this time he managed to dodge. The cameras following them as Jazz chased him down the street, the sound of his supplications and her shrieking fading out as they became more and more distant.
It took a frantic moment for the camera angle to switch to something else, maybe a drone, which was able to follow them down the street.
“You Don’t UNDERSTAND! I didn’t want to hurt him! I just wanted a perfect son! If he had just agreed to be my son none of this would have happened! When I knew it failed I told him to let them die!” Vlad yelled at her, though that did NOT seem to comfort Jazz at all. She had devolved into shrieking book titles like curses as she chased him with the bat and shot at him with the guns though her aim didn’t seem very good.
Well they had him admitting to it on camera now. As he watched a new actor joined the fray, a girl in a red jumpsuit holding a blaster.
“You did what to Danny!?” She demanded as she pointed the blaster at Vlad.
“Oh cheespuffs!” Vlad breathed, his eyes widening as Jazz trailed off letting who must be Red Huntress take over the chase as Vlad shouted about how he had made her! He had given her her weapons she couldn’t use them against him! Which did not seem to be stopping her.
The camera fuzzed out for just a second and then Valery was chasing a ghost with red eyes and a white outfit. Cas was laughing silently at the show and both of the Fenton parents seemed to be in shock. A few minutes later Jazz walked back in through the front door looking tired.
“Turn that off please,” she sighed as she put the bat down.
“Of course,” Cas agreed and picked up the remote again, turning off the tv. 
“Vlad didn’t actually do that, did he Jazzy?” Jack asked softly, he sounded so hurt, as if he had any fucking right!
Jazz looked at him blankly. “How many times have we tried to warn you about him? How many times has Danny told you he didn’t feel safe with Vlad? But as usual you couldn’t see past your own desires. I’m going to go see if the trenchcoat guy needs any help getting into your files,” She sighed before vanishing downstairs. 
Dick glanced at Cas, and then followed them, she would have no trouble watching the Fentons and staying quiet whereas Dick felt like he was about to explode. Batman joined them before long and between the three of them they shut the bulkheads on the portal and locked them, secured dangerous chemicals and devices, and downloaded everything they could. There were plenty of prototypes and blueprints, and stuff that could generously be called research.
It was obvious these people were geniuses but it was even more obvious that at some point they had become careless and obsessive. Half of the writing on the blueprints wasn’t legible, dangerous chemicals were not in proper containment, and the weapons were not locked up. Looking at all of this it wasn’t surprising that two of the people they had been involving in their research suffered exposure, it was a surprise more hadn’t. It was easy to tell when Bruce came down he was horrified, it was in the way he froze when he saw the lab, as if his brain was struggling to process just how irresponsible the Fenton parents had been.
“You must be Jazz, it’s nice to meet you. Danny speaks highly of you,” He finally rebooted to say when she waved at him. 
“I love my little brother, I always did the best I could to keep him safe from… all this,” Jazz said gesturing at the lab with a sigh. “I wish it had done any good.”
“You did plenty of good,” Dick put in. “Trust me, to a kid having someone care about them can make all the difference. 
“All those nights I patched him up after he came back from fighting ghosts. He healed fast but still. I can’t believe… he’s already been through so much and we knew Vlad was up to something! Ellie said she was our cousin but she looked just like him, I should have kept a closer eye on-” She cut off and shook her head. “He’s a good kid, of course if he couldn’t give the babies up, even if it would be better for them if he did. I hope he knows I’d support him either way, I hope he didn’t not tell me because he thought I’d be upset at Him.”
“I’m sure he didn’t,” Dick assured her gently. “Being a big sibling is hard, I know. But trust me you’re doing a great job, better than I did with my brothers,” he said, patting her shoulder. “You can ask him yourself later though. We have a lot to get done today to make sure he’s safe.”
She nodded stubbornly and doubled down on her work, directing them occasionally to where she knew they’d find more weapons or logs. She knew her way around the lab to a disturbing extent. 
Bruce and Dick both got a notification from Agent A saying that after a substantial sleep in Danny had woken up and was having breakfast. He seemed worried about the family but he was taking it alright, especially since he knew they were busy people. It did motivate Dick to clear things up as soon as they could so that they could get back to Danny though. The last thing he needed was More stress!
They had plenty of evidence of the Fenton parents breaking the law to call the police and have them taken away which gave them all the time they needed to strip the house. They got everything they could and decided to leave Constantine at the house to watch the portal until they could figure out how to shut it down completely without causing any damage. It seemed unstable so they didn’t want to risk it just now, especially without Danny’s input because according to Jazz Danny had made genuine connections in the Infinite Realms. 
They wrapped up this stage of the investigation before dinner after being up for about 36 hours. Of course they weren’t Done, there was still plenty to do investigating the government, how they’d gotten away with this and if they had any other nasty tricks up their sleeve. They’d have to manage any backlash from this unilateral move, and they’d have to figure out what to tell the public about Danny since Bruce would be fostering him. But all that could be done after having a family dinner with their new brother and a nap. 
part 5
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headspace-hotel · 3 months
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Just spent a couple hours digging into this book. I'm not even sure what has worse environmental impacts, the paper the book is made of or the opinions printed within.
Is "post-colonial" literary theory a joke? It's distressing that a book printed in 2021 by a reputable academic press can be so painfully Eurocentric, and I mean PAINFULLY. The philosophical and literary frameworks drawn upon in most chapters are like what some British guy in 1802 would come up with. In most of the chapters, every framework, terminology, and example is inseparably fused to Latin, Greek, and/or Christian philosophers, myths and texts, even down to the specific turns of phrase. You would think only Europeans had history or ideas until the 20th century.
Don't get me wrong, non-european and even specifically anti-colonial sources are used, and I don't think all the writers are white people, but...that's what's so weird and off-putting about it, most of the book as a whole utterly fails to absorb anything from non-European and in particular anti-colonial points of view. The chapters will quote those points of view but not incorporate them or really give their ideas the time of day, just go right back to acting like Plato and Aristotle and Romantic poets are the gold standard for defining what it means to be human.
In brief, the book is trying to examine how literature can shed light on the climate crisis, which is funny because it completely fails to demonstrate that literature is good or helpful for the climate crisis. Like that is for sure one major issue with it, it shows that people *have* written stuff about climate change, but it sure doesn't convince you that this stuff is good.
Most of the works quoted are rather doomerist, and a lot of the narrative works specifically are apocalypse tales where most of Earth's population dies. The most coherent function the authors can propose that literature fulfills is to essentially help people understand how bad things are. One of the essays even argues that poetry and other creative work that simply appreciates nature is basically outdated, because:
“One could no longer imagine wandering lonely as a cloud, because clouds now jostle in our imaginations with an awareness of atmospheric concentrations of carbon dioxide and other atmospheric pollutants” (Mandy Bloomfield, pg. 72)
Skill issue, Mandy.
The menace of doomerism in fiction and poetry is addressed, by Byron Caminero-Santangelo, on page 127 when he references,
the literary non-fiction of a growing number of authors who explicitly assert, some might even say embrace, the equation between fatalistic apocalyptic narrative and enlightenment…they are authoritative in their rejection of any hope and in their representation of mitigatory action as the cliched moving of deckchairs on a sinking ship
He quotes an essay “Elegy for a country’s seasons” by Zadie Smith, who says: “The fatalists have the luxury of focusing on an eschatological apocalyptic narrative and on the nostalgia of elegy, as well as of escape from uncertainty and responsibility to act." Which is spot-on and accurate, but these observations aren't recognized as a menace to positive action, nor is the parallel to Christian thought that eagerly looks forward to Earth's destruction as a cathartic release from its pain made fully explicit and analyzed. Most of the creative works referenced and quoted in the book ARE this exact type of fatalistic, elegiac performance of mourning.
I basically quit reading after Chapter 11, "Animals," by Eileen Crist, which begins:
The humanization of the world began unfolding when agricultural humans separated themselves from wild nature, and started to tame landscapes, subjugate and domesticate animals and plants, treat wild animals as enemies of flocks and fields, engineer freshwater ecologies, and open their psyches to the meme of the ‘the human’ as world conquerer, ruler and owner.
This is what I'm talking about when I say it's dripping Eurocentrism; these ideas are NOT universal, and it's adding nothing to the world to write them because they fall perfectly in line with what the European colonizing culture already believes, complete with the lingering ghost of a reference to the Fall of Man and banishment from the Garden of Eden. It keeps going:
“Over time, the new human elaborated a view of the animal that ruptured from the totemic, shamanic and relational past.”
Okay so now she's introducing the idea of progression from shamanic nature-worshipping religions of our primitive past...hmm I'm sure this isn't going anywhere bad
“While humanity has largely rejected the colonizing project with respect to fellow humans, the occupation of non-human nature constitutes civilization’s last bastion of ‘normal’ colonialism. A new humanity is bound sooner or later to recognize and overthrow a colonialism of ‘nature,’ embracing a universal norm of interspecies justice.” (pg. 206) 
OKAY????
Not only denying that colonialism still exists, but also saying that humans' relationship with nature constitutes colonialism??
Embracing limitations means scaling down the human presence on demographic and economic fronts…(pg.207)
ope, there's the "we have to reduce the human population"
Embracing limitations further mandates pulling back from vast expanses of the natural world, thus letting the lavishness of wild (free) nature rule Earth again” (pg. 207) 
aaaaaaand there's the "we have to remove humans from wild nature so it can be freeeeeee"
don't get me wrong like I am a random white person with no particular expertise in anti-colonialist thought but I think this is an easy one. I'm pretty sure if your view of nature is that colonialism involving subjugating humans doesn't exist any more and actually humans existing in and altering nature is the real colonialism so we should remove humans from vast tracts of earth, your opinion is just bad.
Anyways y'all know I have an axe to grind against doomerism so it was probably obvious where this was going but good grief.
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