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destiel-wings · 8 months

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Dean Winchester & hug dynamic analysis

I was thinking about how whenever Dean hugs someone he's almost always the one hugging the other and how this links to his psychological trauma of always being the caretaker of people, making himself bigger to protect them.

Because that's how Dean sees himself, as a shield for others, and then I thought about how Cas actually is the shield, and he's HIS SHIELD, specifically, the only one who's really there to protect HIM, which is why it hits so much when we see this:

The way Cas wraps his arms around him, trying to protect him with his whole body--that he'd use as a shield and give up in a second if he could spare him from any pain and save him.

(for context: Dean was about to go use the soul bomb on Amara there, it was a suicide mission)

Bobby is another one that hits, he hugs him as the big hugger because he's his father, he loves him and he's actually here to protect him (and Dean LETS him -barely, but he lets him *and Cas* - in a way that he doesn't let Sam)

I watched a compilation of Sam & Dean hugs to check if i was right about it, but it's almost always Dean the big hugger with Sam, except when he's about to die or Sam sees him alive again after losing him.

Even then, Dean mostly tries to hug Sam as the big hugger anyway, with at least one arm, like a way to comfort him, making him feel protected, like his body language is saying "I'm here, I'm okay, I'm still strong, i can still protect you" (because their real father failed and Dean thinks it's his job).

He rarely lets himself be the little one hugged with Sam, unless he's barely conscious. Which is why it kills me so much more now that in this moment (s14, when Dean was going to lock himself in the Ma'lak box cause he was possessed by Michael) and Sam has a desperate breakdown and punches him (to stop him) he forcefully hugs him as the little hugger, the way Dean always kept him, like a way of saying "I still need you to protect me, please don't do this to yourself".

In the scene below he gives Sam his blessing to do a dangerous (possibly suicidal) mission, and one of his arms is down, but the other one tries to stay up--he's forcing himself to do it and he struggles because he still wants to protect him, but (as the seasons progress) he slowly becomes more prone to let go.

So in this view the hug dynamic becomes an indicator of how Dean sees Sam (and himself) and his protector role, how adult and self sufficient he considers Sam, and how much he lets people around him take care of him, lowering his walls and letting himself be hugged.

This is also why i think hugs from characters like Garth or Charlie are so special, because they're just like us: they see Dean and they just know that he needs to be hugged a lot, and that he's not used to it, so they just go for it-- and it's so normal and kind and spontaneous that Dean's just not used to it-- he doesn't know how to respond (especially with Garth, at the beginning, but as the seasons progress, he learns to, and he even initiates the hug eventually).

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I love the hugs where they're 50/50 (one arm up, one arm down both), feels like they're equals, both taking care of each other. I feel like with Sam and Dean, this indicates a healthier dynamic, because Dean lets go a little of the role that was imposed to him and manages to see Sam as the strong individual that he is. But the same applies to 50/50 hugs with other characters, like with Cas, where I feel like it testifies how equals they feel in terms of being fighters, there's a show of respect of each other's strength that transpires by the gesture (which is even more astounding considering that Cas is literally a powerful angel).

And just to end on a destiel note, I'd like to note the possessiveness and protectiveness of Dean (rightfully so) whenever he finds Cas after he thought he had lost him, and how that translates into his body/hug language:

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dreadark · 1 month

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that ivan loves till is the most obvious thing about them

but. does ivan know that…?

the ivan that regards his own feelings as shallow, the ivan that learned how emotions are expressed only from copying others… does he even know that the love he’s felt for so long is love? probably not. and part of the reason is the one he loves himself

because the easiest example he has of love is till's feelings to mizi. till outright calls it love, and ivan watches him so much he has to be aware of this and till’s love to mizi is totally unselfish, right. he doesn’t seem to actually want much from her—just that she's still there and still "mizi"

but ivan can't be satisfied with just watching he… wants. ivan wants till’s attention, till’s affection—

surely this selfish wanting can’t be love

...no wonder he was never able to express his feelings straightforwardly when he belittles them so much but he can’t stand not having anything either, so he does… whatever he does instead to get any scraps of attention he can, from someone he's convinced doesn't care about him at all only showing affection when till can't see it, right until he knows he's going to die

but ivan's feelings for till are all he still has of himself... to think of them as shallow...

I've seen this translated as "I should've been kinder" to him (till) or to her (sua)

but really, the one he should've been kinder to was himself

#alien stage #alnst #alnst ivan #ivantill #i have a lot of thoughts on till -> mizi too but this is long enough #just attempting to rewrite my twt rambles more coherently #idk why i wrote this so dramatically tho...#'thank you for being the victim of my shallow emotions' is going to haunt me to my grave #ivan's character is just a careful balance between his natural freak nature and his extreme depths of self-loathing #making him the most miserable guy ever #...really once you realize so much of what went wrong is thanks to ivan just hating himself too much to even think of them as friends. well #c...can we bring him back... don't die like this.....#(also you know. with the implications of how 'pets' are treated #wanting someone physically must feel... even more wrong

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kaiserouo · 4 months

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Tired Ghost

#i don't wanna spend too much time on this #(wrote an essay about how i thought vanguard hacking kit was developed)#yep that's not lorem ipsum #i just wanna see ghost complaining don't judge me too much #i didn't take history class in the ishtar collective (TM) those are all ooc don't actually read into that #if you actually know what im saying then you'd know i probably failed my computer security lesson #also the traveller probably gave them similar tech so their physical architecture should be similar #also ur a nerd lol #destiny 2 #destiny hunter #destiny ghost #destiny 2 art #my art

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howlonomy · 3 months

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Monster Clover, like this is so awesomecool.

They're such a little beast and it is amazing and please i need more, like written text even i just need the juicy lore and emotional moments that are circling in ur brain.

HAT: RETRIEVED!!

#undertale yellow #uty clover #flowey the flower #chara dreemurr #frisk undertale #monster clover au #my art #as for emotional moments. hang in there for another day or 2. got a big batch of comics coming 😈#if i ever made a fic for this au i would not advertise it. i got irls following me #they can look at all my cringe ass art but if they read a WORD of fic i wrote i would have to end it all. hope this helps #anyways. frisk appears!! i wont be doing too many canon ut characters in this little au but i like frisk :)#theyre also important for the next part #narrator chara makes an appearance too bc i love them #cowboy (gender neutral)#SORRY I LOVE RAMBLING IN TAGS </3 i love Talking #BUT THANK YOUU i also love my little skrungly im so glad other people like them so much too #mcau comic #mcau art

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starstruckodysseys · 3 months

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can you imagine being thirteen and having the world at your fingertips. everyone loves you - why shouldn’t they? you’re the epitome of a good girl, the ideal, the popular cheerleader type who gets The Guy. you giggle and you flirt with the football players and you have sleepovers with your friends (who don’t really feel like your friends but you’re all popular so you have to like each other, right?). you do your makeup and you bat your eyelashes and everything is perfect.

and then you start growing horns. you start looking like the devil - and you might as well be, the way everyone turns on you, starts looking at you as if you’re a freak, a monster. and, well, if everyone’s going to treat you as such, you might as well play the part, right?

so you rebel against your parents (if they’re not lying about that, too). you go out and you buy a bass guitar and you pluck at the strings until your fingers bleed. it’s better than listening to the arguments downstairs. you transform into people you’re not to pretend you could really be someone instead of the shell you are now. you flirt with guys twice your age to pretend you still have it in you, even if it feels hollow. you grin and you bear it but it’s hollow, in the end.

if you can’t be perfection anymore, why bother being anything?

(and then you meet the most wonderful people in your life. and they accept you as you are and don’t ask you to change. but you find yourself changing anyway, because they make you feel like you can be something. like maybe it’s worth it again. and you finally get The Girl. and maybe life isn’t perfection anymore, but maybe perfection is overrated, anyway.)

#hiiii i’m insane about fig All The Time actually #no it’s not bc i relate to her way too much why would you say that #no im not projecting here wdym. i would never #(yes it is and yes i am btw. but like. lowkey)#also it’s 1am when i’m writing this so if it’s incomprehensible that’s why !!#dimension 20 #fantasy high #fig faeth #figueroth faeth #wrote this almost two months ago b4 junior year came out so if there’s any inaccuracies that’s why <3

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eyrieofsynapses · 5 months

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why Aurora's art is genius

It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.

And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.

I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.

SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???

All positive feedback btw! No downers here. <3

---

I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!

Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.

Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.

THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)

Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:

Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:

Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.

I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.

If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!

Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:

Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.

A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):

(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)

The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—

—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.

(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)

Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!

One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!

And another thing re: rain, the use of it to establish perspective, particularly in panels like this—

—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)

Additionally, the misting here:

We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.

A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).

Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):

First panel, listed in numbers because these build on each other:

The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.

The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.

The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.

A handful of miscellaneous notes on the second panel:

The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)

The flowing of fabric in the wind and associated variation in the lineart

The way Erin's tattoos interact with the fire he's pulling to his hand

The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)

I could go on. I won't because this is a lot of writing already.

Third panel gets paragraphs, not bullets:

Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.

Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)

And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.

Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.

Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):

It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:

Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.

And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.

One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.

A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.

Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?

Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):

The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:

What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P

Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):

They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.

Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.

And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3

...brownie points for getting all the way down here? Have a cookie.

#aurora comic #aurora webcomic #comicaurora #art analysis #...I hope those are the right tags???#new fandom new tagging practices to learn ig #much thanks for something to read while I try to rest my wrists. carpal tunnel BAD. (ignore that I wrote this I've got braces ok it's fine)#anyway! I HAVE. MANY MORE THOUGHTS. ON THE STORY ITSELF. THIS LOVELY STORY #also a collection of reactions to a chunk of the comic before I hit the point where I was too busy reading to write anything down #idk how to format those tho #...yeet them into one post...???#eh I usually don't go off this much these days but this seems like a smaller tight-knit fandom so... might as well help build it?#and I have a little more time thanks to break so #oh yes also shoutout to my insanely awesome professor for teaching me all the technical stuff from this he is LOVELY #made an incredibly complex program into something comprehensible <3 #synapse talks

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starrystevie · 1 year

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eddie figures out that he likes steve all because of nancy fucking wheeler.

it isn't often that they find themselves hanging out just the two of them, quite the opposite. this is the first time they've ever done it and the only reason nancy is even stepping foot inside the munson's new government-provided trailer is because she's having a crisis.

"but what does it mean," she asks, voice muffled as her lips wrap around the opening of her beer bottle before taking a swig. her cheeks hollow and her eyes shut against the feeling of the carbonation bubbling up before she fixes eddie with a glare that he doesn't think is for him. "it didn't... feel this way with barb."

and eddie's just sitting there on the couch, rolling a much needed joint for both of them, trying to follow along with what nancy is saying. she's pacing a hole in the carpet and her hands are flying around in a way that eddie himself does when the wheels in his brain are spinning too fast.

"... what didn't feel what way?"

nancy glares at him again and he gets the feeling that it's directed at him this time. he feels himself shrink under her eyes and wants to raise his hands up in surrender (he gives in and does indeed raise his hands in surrender).

"i think i'm in love with robin, please try and keep up."

eddie stills, his hands in the air and mouth open in shock. nancy's still muttering about something but his brain is stuck on the being-in-love-with-robin part of her tirade. it's not an issue, not in the slightest, and sure he's heard of people who... but he's never met someone who actually-

"are you even listening?" nancy asks, her tone firm. she has a hand on her hip while the other is clenched tightly around the neck of her beer. "what am i supposed to do?! am i just supposed to kiss her and tell her that her eyes are my favorite color and that i miss her when she leaves a room even for just a minute?"

"how should i know?! i'm not in love with robin!" eddie responds and he knows it's the wrong answer by how nancy's whole face falls in the span of .02 seconds. she looks like she's on the brink of tears, frustrated or hopeless or sad, and eddie doesn't know what to do with that either.

"but... you know. what about steve?" nancy's voice is soft now, and paired with her puppy dog eyes, eddie almost doesn't process what she says. "how'd you know with him?"

and if eddie thought he was stunned before, this takes the cake. a nervous laugh bubbles out of him, his face hot and heart pounding. his arms feel a bit like liquid and he doesn't know if he's even breathing anymore.

"nancy, i'm sorry but i think we're on two different wave lengths here." he needs to do something with his hands so he starts to fiddle with his lighter, flicking the zippo open and shut until the clink of the metal sounds too loud in the quiet room. "i don't.... love steve."

tears start to roll down her cheeks and yeah, eddie definitely messed up somewhere. she's wiping the drops away furiously like she's surprised they even dared to show up and she's biting her lip in a way that looks like it hurts.

"what are you talking about? of course you do." her eyebrows furrow which makes her look even angrier or disgusted and eddie feels like they're on a tightrope in his living room that's about to snap away from underneath them.

"well yeah, i... love him," he stutters over the words, "like i love you and rob and everyone. but not like... love love."

nancy's laugh sounds way too harsh for it to have come out of her. "are you sure? you stare at his ass more than i stare at robin's." she takes a deep breath, ignores the gasp of indignation that her statement gets out of eddie, and tilts her chin up like she's taking the high ground.

"i do not!"

"do too! and you're always looking for him when you walk into a room, like it doesn't matter if we're there, you only look for him. and you sit right next to him even if there's an open seat that's more comfortable. and you have this little, i don't know, tic when he smiles that makes you wiggle your fingers and you-"

"wheeler, you gotta stop."

"-always listen to him and he does all of that back for you and it's so obvious. i can't believe you didn't know you were in love with steve! you do everything that i do for robin and i'm in love with her so it must mean you're in love with steve and- holy shit i'm in love with robin."

the silence after nancy stops rings loud in his ears. honestly, he hadn't really given it any thought before but it makes sense.

the very idea of steve has his heart feeling a way it hasn't since he was nine and tracy nichols gave him a shiny rock on valentine's day. he does always look for steve when he enters a room, his very presence calming and dependable. he does sit next to him no matter what, their sides pressed together, heat radiating between them like a blanket. and god, when steve smiles, he does have to move his fingers, something to get out these jolts of energy that he feels licking through his veins.

steve is good and steve is a bit of an asshole but eddie likes that and suddenly the line between platonic and romantic seems to have vanished because holy shit, how did he live for the past year without spending every day loving steve harrington?

eddie reaches for the half rolled joint, licks at the paper to close it and lights up quickly. he holds the smoke in his lungs for probably too long but couldn't care less because he's now having a crisis of his own thanks to nancy.

"goddamnit," eddie hisses out as he exhales. "i'm in love with steve."

nancy looks smug, her arm extended as she waits for eddie to pass the joint to her before taking a hit. "that's what i'm saying."

"but i'm not... you know."

nancy rolls her eyes. "it's not going to bite you if you say it, eddie."

"i'm not gay."

the silence seems louder now as the paper on the joint sizzles. there's a dog somewhere in the park barking and he can hear his own heartbeat pounding in his ears.

"neither am i." nancy responds quietly with a shrug of her shoulders. "but i am for robin. and you are for steve."

she passes the joint back over to eddie and stands up from the couch, wipes off imaginary crumbs from her pants like she didn't just turn eddie's world upside down.

"i think i'm gonna go. i have a lady to woo." nancy looks happy. it's a good look on her, one he doesn't see all that often what with everything that's happened to them in the past year. she deserves it, he thinks, happiness.

"let me know how it goes," he calls to her as she stops at the trailer door.

"i will." with a tilt of her head and a with a gleam in her eye, she gives eddie yet another look that he doesn't know if he wants to try and decipher. "you should call him."

eddie snorts and takes a hit, rolling his eyes as he stares up at the ceiling so he doesn't have to look at nancy's all knowing eyes. it isn't that he's scared to call steve, it's that he's terrified. petrified. what would he say? what would steve say? he just figured out that he loves him, he hasn't had time to prepare a whole speech to declare it and-

"eddie." nancy's voice is sharp but certain and part of him thinks that robin is a lucky woman to have nancy wheeler falling in love with her. "trust me. call him."

after she's gone, he finishes the joint. he sits in the silence of his trailer and pulls hit after hit of sticky smoke until it's down the end and burning his fingertips. he stares at the ceiling some more, contemplates what to say, how to say it, how to do anything without throwing up.

he wonders if wayne knows, if he saw what nancy saw, what he thinks of eddie falling in with a guy. he wonders if this will change everything. wonders if it'll change for better or worse. wonders if he'll have to skip town and change his name like he imagined doing after he was cleared of murder.

picking up the phone is easy, dialing is easier when he has steve's number memorized like the back of his hand.

"hello?" steve mutters like he's been roused out of sleep. his voice is scruffy and somehow soft and eddie knows he's going to throw up.

"steve."

"hey, man. is everything okay?"

and it makes eddie's heart flutter in a way that a generic question shouldn't but damn it, he's in love. he's allowed.

"yeah, yeah. everything's good i just-" eddie sighs, scrubs a hand down his face to stop from twirling the phone cord in his fingers. "do you wanna maybe come over? watch a movie or something?"

eddie can almost hear the smile in his voice when he breathes out a yes, thanking whatever higher powers there may be for nancy wheeler.

#yikes i had way too much to do at work today but didn't do anything of it until i wrote this down oops #honestly the only place i write stranger things headcanons is at work apparently #steddie #steddie headcanon #but also a mini bit of #ronance #steve harrington #eddie munson #nancy wheeler #robin buckley #my writing #the next fic i write has to be ronance because i've yet to write anything angsty for them and i NEED to #please excuse the gratuitous overuse of italics in this #1k #2k

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