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tellthemeerkatsitsfine · 1 month

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Further update in the running thread of “I Like Vinay Joshi, the Radio X producer, even though early on the frequent interference from radio producers annoyed me, and I realized it was because fundamentally they were trying to mould the comedy chat into a radio show and I just want it to be a comedy show, but since Vin took over I’ve found it less annoying, I mean obviously he’s still moulding things into proper radio because that’s his job, but he also tends to be slower to shut down the comedy riffs and lets it unfold a bit more naturally, plus his own interjections tend to be a lot funnier than ones from other people, and every once in a while he’ll make a comedy reference that makes me think the reason it works so well with him is he is also inclined toward comedy and can see where they’re going with something more easily” – I have a further update in that running thread: He just made a reference to Simon Amstell’s stand-up that went over even John’s head, even though John Robins has mentioned several times being a fan of the sitcom Grandma’s House, so you’d think he’d know that. Also, I wouldn’t have had to actually hear John Robins say he really likes the sitcom Grandma’s House, I could have just assumed that based on everything else about John Robins. But in the episode I'm listening to now, John did not pick up on Vin's fairly subtle dig at Amstell’s penchant for confusing drugs-based stand-up stories, a reference that I appreciated because despite also being a fan of Grandma’s House and most of Amstell’s stand-up, I also find the drug stories annoying.

Anyway, I’m down to thirty episodes left in the Radio X years. I think I’ll get to episode 240, then do the audiobook, then do episodes 241-264, which will be all that’s left. Though the number 264 is misleading because there have been so many bonus episodes, I think there are about 320 episodes in the XFM/Radio X years in total.

And then I guess there will be the BBC years, which is relevant to this post because there will be no more Producer Vin. I have also seen those years described as having “the edges smoothed out”, I’m not sure how that’ll work given that them on Radio X already is comedy with the edges smoothed out, given Ofcom rules. I mean it’s fine, I don’t actually need to hear a comedian say the word “cunt” to be funny, and it frequently is funny to hear them come up with creative alternatives to swear words in the moment. And as some of John’s stand-up has shown, it’s possible that there might be a nice balance somewhere between “not allowed to actually say the word ‘sex’ so they have to imply it in the vaguest possible sense and skirt way around the issue if they want to talk about it, usually best to just avoid any story that references sex entirely”, and “telling me in graphic detail about your bodily fluids being inside a specific other person whose name I know and whose face I see on TV”. The amount of edginess I like lies somewhere between those two things. But I definitely don’t listen to them on Radio X and think I wish this could have its edges smoothed out.

And I don't understand the format of the BBC episodes. It seems like they put out highlights of one radio show, and then do a separate episode with outtakes? I think. I don't like that as much. I know the Radio X episodes have been chopped up into highlights from the full radio show (which I already don't like, I liked having those episodes of the Howard/Richardson show that are the entire thing with only news and songs removed), but at least I think they're in chronological order and basically follow what happened in the show. I don't want to hear random other bits totally out of context. Which I think might be entirely whatever they're doing now, but that's 300 episodes away so I don't need to figure that out yet.

Also, here’s a thing that I think will probably be fine but I don’t really want it to come up – I broadly agree with John Robins on most political things that I’ve heard him mention, they’re supposed to avoid giving too clear political opinions on the radio show so it’s not like I know all the details, but obviously political issues affect everything so sometimes it comes out. I admire his genuine love of the tax system, for one thing. I like how difficult he found it to adhere to the “no explicitly stating your political views” when he was furious the day after the Brexit vote. There are some instances when he’ll say something and I’ll think I disagree with the specifics of that point, but it’s always about specifics, not a difference in broad value issues. Which is fine with me, because contrary to what people say about leftists, I can like people just fine if we don’t agree on every single point of every single issue. As long as I think they’re basically on side with the broad value things like whether poor people deserve to live and racism and misogyny are bad (it’s just that that shockingly low bar is too high for a shocking number of people). And he seems basically fine.

Except on one thing, which I try to ignore every time be brings it up, which is how much he admire police. And I know it’s not like he’s thinking “I hate racialized and mentally ill people and I’m glad cops hurt them.” It’s related to his overall weirdly rigid obsession with following rules to the letter. And every once in a while, while going on about how great cops are, he will throw in a caveat of “And of course sometimes they get it wrong or there are corrupt ones and of course we should get rid of those.” But mostly I just try to ignore it when he talks about that. And given this, I’m not sure I want to hear what John Robins has to say during the summer of 2020, when the widespread horrifying issues with policing were all over international news to the point where it would be hard not to mention them. I’m just not totally sure if I want to hear what John Robins had to say during that, because my mental health is being held together by too few threads for me to risk losing my ability to enjoy listening to John Robins.

Anyway, I’m sure I’ll get one episode into the BBC 5 Live era and say “actually this is exactly the same as before and it’s fine”. Which brings me to my next point, which is that apparently the RSS feed is deleting old ones! I swear I opened their BBC show on my podcast app just a couple of weeks ago, to make sure it was all there, and it went back to episode 1. Now I’ve gone back to look again, and they start at episode 24. I got on my laptop and went to the websites I normally use for downloading like Podbean, and it was the same everywhere. It’s not some issue with my mobile app, the whole feed’s cut the first 23 episodes.

Luckily I found that they’re all still available on the BBC Sounds website, so I immediately downloaded the first 23. That took too long, because I’m not as good as I’d like to be with this sort of thing, so I manually downloaded each one with Jdownloader, then converted them from mp4 to mp3 in a different program (I’m almost sure there’s a way to get Jdownloader to just download audio only, but I’ve never bothered to work it out), then had to name them all with the dates and episode numbers and titles. I’m now worried that they’re going to delete more old episodes, so I’d really like to just download all of the BBC episodes, and for that matter wouldn’t mind doing the XFM/Radio X episodes, because this weekend has reminded me that sometimes things disappear from RSS feeds, and also I just wouldn’t mind having all those as mp3s, will make it easier to cut out clips and stuff.

So I’ve spent several hours today trying to learn how to use the various programs that allow you to automate downloading a whole podcast, but my understanding of tech things is, I think, about 1.5 levels too low to be able to actually do it. I’m pretty good at data hoarding but as soon as I have to start messing around in the Command Prompt I get confused. It would take forever to do it all manually though, so I’ll see if I can figure it out. In the meantime – and now I finally come to the actual purpose of this post – if anyone knows how to do that, or just has mp3s of John Robins + Elis James podcasts, please let me know.

This post started out complaining about annoying Simon Amstell routines and has come a long way around since then. I've let this radio show consume my entire daily routine and I don't like change. But it will be fine.

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cthulhubert · 2 years

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Ocarina of Time, Sheik, and Zelda

Spoilers for a 24 year old game:

So way back in high school, it was basically known among my friend circle, including the tiny bits of it online, that in Ocarina of Time, when Zelda transformed into Sheik, it was a magical transformation that physically transformed her body.

(It was also “known” among part of that friend circle, that Dark Link was an independent existence with a tragic backstory as a shadow of a true timeline or something like that. I honestly thought that I’d missed something in the game when some of them talked about him. I suppose that at the time, I was unfamiliar with the concept of fanfiction and fanon.)

Part of the reason for this certainty, at least on my part, was that the manga adaptation explicitly said so. Or so I thought.

This rumor was at least popularized by webcomic El Goonish Shive in 2011 (next and previous comics also relevant), but I think I’d heard the rumor before then (and Dan says they were basing it on what they’d heard).

However, in the time after that, I heard that this was total hogwash, I’ve even seen people say that that comic started this rumor, making it up out of whole cloth. I looked but found a lot of people repeating both sides, but a curious absence of, eg, screenshots from the manga. I wasn’t sure why it was so troublesome to find out.

I finally ended up finally downloading a fan translation of the comic to check for myself, and, uh, just now, some 8 years later, got around to reading it.

Point 1: the manga contradicts the game about several points, as was much more common in that era, the adaptation is not the same canon.

Point 2: this fan translation is, by its own admission, relatively amateurish and may not get everything right. (Huh, I just looked it up and apparently there was an official English translation made in 2008? And an omnibus special edition released in English in 2016.)

Even taking those into account, the manga doesn’t seem to make any claims whatsoever about the physical changes. No, the important bit is that Zelda’s transformation is mental: Impa uses some kind of hypnosis-like magic on her that “puts the consciousness of Princess Zelda to sleep.” This allows Sheik to operate as Ganondorf’s minion, undetected, for the next seven years.

Now, obviously, both in the game and in the manga, Sheik’s transformation looks fairly magical, since they just make a smoke cloud and suddenly there’s Zelda, but instantaneous disguise/removal is pretty in line with the ninja like abilities Sheik’s displayed anyways.

(I’ve also read so much more manga and history since first playing Ocarina of Time, and the fact that the Sheikah are quite directly modeled after a ninja clan is very clear now.)

I guess if I have any point at all beyond random musing, it’s that it’s really amazing how certain I can be that something is not only true, but widely known as true, without challenging that or tracking it to its source.

Point PS: Himekawa (the mangaka) is apparently well respected as a Legend of Zelda adapter (their Twilight Princess manga is popular and still ongoing), but they butchered my girl Naboru. She’s generic anime girl #3 in here. Draw a lady with her real nose, coward.

#in all fairness to myself: it's not exactly a claim that has consequences that merit an in depth examination #legend of zelda #ocarina of time

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babylyctor · 3 years

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can John actually control time or am i making things up? trying to reach a conclusion via tumblr posting

so as a theory this is 75% vibes. however there’s some things in the books that give me pause, and i wanted to put together all those bits and see if there’s something there. i’m not totally on board with this idea because it seems too complex to leave entirely to the last book, and i don’t know how it could fit with the rest of the narrative (or do i?) but in any case i keep thinking about it so here’s this way too long post. spoliers for everything

first, this fucking suspicious sentence that’s one of the first things John tells Harrow (Chapter 2, HtN)

"I would let you come back, bit by bit, until you felt entirely ready to wake up. I can’t. I mastered Death, Harrowhark; I wish I’d done the smarter thing and mastered Time. I have to ask you to get ready soon, and so I am going to show you something I hope might … trigger your readiness.”

so this sounds like a really dull complaint on this immortal god’s part but also i don’t trust a single thing out of this man’s mouth, and this would be the exact kind of private joke he would make if he had actually mastered Time (capitalized) too. Also the context in which it’s said, talking about Harrow coming back from her coma, regaigning consciousness, awakening... you get it, oddly relevant theme wise.

then there’s the whole Soup Moment (Chapter 25, HtN), in which John seems to actually stop time maybe? i have doubts about this so lets see what our narrator tells us;

And God said, “Stop.”

The world slowed down. Augustine and Mercymorn stopped, arrested in the act of half-rising from their seats. Ianthe stopped, left arm paused, outflung, to shield her face. You stopped, sitting upright in your chair: your bones somehow rigid and still, and your flesh chilly and rigid around those bones. The shrapnel spray from the Saint of Duty did not stop, [...] But what remained of him stopped too, half man, half rupture—his prurient details hot and white, naked insides clothed with the sinus-drying burst of the power of God.

so here John freezes all the lyctors in place, they’re still conscious, or at least Harrow is, but they have their range of movement almost totally restricted. this is not like Mercy pinching Harrow’s dorsal nerve to paralyze her, this is a completely different feeling, maybe John’s thalergetic powers? it would make sense, all the lyctors are living bodies, they have thalergy and Johs is able to manipulate that, presumably. the bits of Gideon OG cascading down the table don’t stop but that might be John selectively using his powers, or it might be that that’s no longer living flesh.

so we’re saying this could just be John’s super special thalergy magic and nothing else. the first problem though is that technically he shouldn’t be able to use it against his lyctors without touching them, thanks to lyctoral invisibility. in fact when he explodes Mercy’s chest (rip in peace queen) he expressely reaches out and touches her to do so, because presumably he needs to make contact with a body in order to use magic against it, same as Mercy. so that’s a caveat, then there are these descriptions from the same Soup Moment;

You stared down the table at him: at the blank, remote faces of your two nominal teachers—at the frozen ivory stillness of Ianthe, her hair now whitish pink—at space outside the window, where the asteroids themselves seemed to hang in tranquilized arrest.

The Emperor of the Nine Houses stood. The spell, whatever it had been, dropped like a white sun setting.

These seem to imply certain ambiguity. John’s God and all that but i don’t think thalergetic magic should be able to affect asteroids, lifeless space rocks. of course it says they “seem” to hang in tranquilized arrest, not that they are really unmoving, but i think it’s a suggestive sentence all the same, and i’m suspicious of every word Muir writes. The second quote, specifically the highlighted part, is also a bit frustrating. It seems to imply that John isn’t exactly doing magic as we know it, but something else. If it was Harrow narrating we could go further with it, but since it’s Gideon we could simply attribute it to her lack of knowledge and familiarity with magic. However, two sentences after that we don’t have that problem;

The construct gamely clamberign our of the Saint of Duty dwindled to a powder of pink dust. The shard you had been driving up the cervical vertebrae to the base of the spine [...] simply disappeared: destroyed or removed, you could not tell.

This is still Gideon narrating but in this case she’s specifically telling us that Harrow doesn’t understand what John just did, it’s not magic Harrow is familiar with. There’s also the contrast between what we know is a normal process of destroying a construct - reducing it to dust - vs this mysterious disappearance, that doesn’t really fit into what we know so far about the way thanergy/thalergy work.

so far, nothing conclusive, we know John is really powerful, but we don’t know exactly how, where his power comes from or what it can do. Then there’s the moment he unexplodes himself (Chapter 52, HtN);

White light.

It bleached the insides of your nose and the back of your throat. It hurt coming out your ears. It bled out your eyeballs. It wasn’t a flash of light, more … a suddenness; when it was gone—as though it hadn’t even existed, but had been a luminous hallucination—time stopped.

That light took colour from the room—everyone was a slow-motion cavalcade of greys, of eyes caught widening, of mouths parting in stone-shaded articulations of shock.

It happened in an instant. It happened over a myriad. A wet red construct knitted itself back together, [...]

again that white light that has been associated with thalergy magic and again all these references to time slowing down, stopping or just behaving in strange ways in general. again lots of ambiguity, this could be a thalergy based power - the ability to hold living bodies in stasis, and therefore make everyone feel like time has slowed down - or it could be that John is actually affecting time, maybe even reversing it (?) since he literally un-exploded himself, after Mercy put all her millenia of expertise into atomizing him and reducing him to almost nothing.

is that even explicable with regular thanergy/thalergy based magic? i’m not sure, a regular necro could never do that, a lyctor couldn’t do that. So if John isn’t just an overpowered lyctor what’s the difference exactly? i mean, how do his powers manifest differently from those of every other necromancer we know?

the other person we’ve seen using powerful thalergy magic is Silas. Whenever he siphoned, Gideon describes a similar vacuum sensation to the one that John’s magic also provokes, as well as white light;

As he faded, the pale Silas incandesced. He glowed with an irradiated shimmer, iridescent white, and the air began to taste of thunder. (Chapter 17, GtN)

Gideon felt an internal tug, like a blanket being pulled off in the cold. (Chapter 17, GtN)

Silas clambered to his knees, clasped his fingers together, and the feeling of suction popped the pressure in both of Gideon’s ears. (Chapter 34, GtN)

Silas is nowhere near as powerful as John but siphoning - thalergy based magic, condemned by God - still causes that suction effect and is marked by white light and lightning, just like John’s magic. However, there’s no mention of a time altering effect, no slowing down, no freezing in place, and seeing how both kinds of magic are similarly coded otherwise i find this difference suspicious.

To end this somewhere, two quotes, first, this thing Harrow tells Ortus when they both discuss what it must be like to be a lyctor (Chapter 5, HtN);

“Nigenad, what would be the tragedy in living for a myriad? Ten thousand years to learn everything there is to know [...] What is the tragedy of time?”

honestly to me that sounds like Muir making Harrow say things she will regret later. of course it could be about any of the numerous tragedies in Harrow life but still, gave me pause, specially because it kinda echoes John’s earlier sentiment, wishing he had mastered Time.

finally, a quote that might be totally meaningless and completely off base in this theory or it could round it up perfectly, i haven’t decided yet;

[...] ; yet you prayed all the while knowing Ianthe’s facility for tergiversation would have given the whole universe pause. (Chapter 36, HtN)

we know Ianthe is a girlboss and gaslighting is her thing. However, isn’t this sentence a bit too dramatic to describe Ianthe? doesn’t it sound kinda ominous to you? it definitely does to me, and although it might totally be my Ianthe bias wanting her to play an important part, who is Ianthe hanging out with lately? exactly John God “Jod” the Emperor.

in conclusion, i haven’t reached any conclusion. but i still think there’s something off with John’s powers beyond what we’ve been told, which isn’t much really, and i think there’s something going on with Time within the narrative (that’s another whole post though), and i think these two things are most probably related. but i can’t say i’m 100% sure of any of it. this was fun though. if you made it here thank you so much you’re the best <3

#the intermitent use of capitalization throughtout this wole thing...#this is really very long. if you read it and have any thought whatsoever about it please do share i'd love to hear them #htn spoilers #harrow the ninth spoilers #the locked tomb #meta commentary

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kerasines · 3 years

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GIF Tutorial for Beginners

People keep asking me to teach them how to make gifs and I end up writing them long confusing messages, so I figured maybe it’s time to just write up an actual clean tutorial instead! This is supposed to be for total beginners! (Or people who want to switch to a new process that I’ve curated and streamlined over 8 years of making gifs.) I’ll try to keep this as barebones as possible, and won’t include all the advanced stuff I usually add. I hope it’s easy enough to follow, and I’ll include some links at the end for more stuff. I really do think it’s better to make a few simple gifs before doing more complicated stuff though, just to get used to it!

There will be three sections in this tutorial: #1 Basics - How to make a gif in PS at all #2 Sharpen - How to use sharpen/denoise filters in an easy way #3 Colouring - Just a few very basic adjustment layers

What you need:

A video (most common formats should work, although .mkv doesn’t always)

Photoshop (I use PS CC 2018 - this one because I'm morally opposed to Adobe’s subscription model - but versions aren’t super different from each other)

In the end, you should hopefully be able to make something like this:

This is gonna be so long. Sorry. You can make a gif with just part #1! The rest is just to make it look better.

#1 Basics

If any of the tools/functions aren’t where they should be for you, your best bet is googling it, you might need to change something in your preferences!

Make sure to save your PS file... often. PS has a tendency to crash, especially on laptops.

First, you need to get the video file. I recommend a shorter video, a few minutes long, if it’s longer you might want to cut it into shorter parts beforehand. This is just because PS’s video import tool sucks.

I chose the Butter MV, specifically Jungkook’s body roll at 1:24 because that’s what I want to look at for the duration of this tutorial. No further questions, thanks.

1. Open PS, go to File > Import > Video Frames to Layers

2. In the little pop-up, choose the part of the video that you want to gif. This will import every frame of the video into PS as a layer, so it has to be a relatively short part, or it’ll take ages (and gifs can’t be that big anyway). Now you can also see why it’s almost impossible to select the correct part if the video is too long.

The little controls at the bottom are for trimming, the one in the middle just for the preview. Make sure “Make Frame Animation” is selected! Then click OK.

3. Now you have your layers, and you have a frame animation! On the right are your layers, that’s where we’ll apply the colouring etc. later on. On the bottom, that’s your timeline or frame animation - that’s what the gif will be in the end! So if you delete frames, the layers will still be there, but they won’t show up in the gif. If you click on a frame, you can see the little eye checkmark on the layer that’s currently visible.

4. The timeline controls at the bottom that are relevant right now: set to “forever” so the gif will loop, you can play the animation with the play button, and you can delete the selected frame(s). The number on each frame is the speed of the gif, depending on the video I usually set it to 0.05 or 0.06 (photoshop lies to you when you play the animation, the only way to test this is to open the finished gif, preferably on tumblr or wherever you want to upload it).

5. As you can see, the animation starts a bit before the actual part that I want, so go ahead and delete all the frames in the animation that you don’t want! You can delete the corresponding layers too if you want, to make the PS file smaller, but it has no influence on the gif. (Hold Shift to select multiple frames as usual)

6. Next, we’re gonna crop the gif however we want! You can do this with the crop tool in the left sidebar, but with gifs like this where there’s a lot of moving parts, I sometimes just use the selection tool in the left sidebar, like so:

When you click on different frames, the selection stays, and you can check to make sure Jungkook doesn’t suddenly go out of frame if you crop it like that!

At this point, make sure the selection/crop isn’t smaller than you want the gif to be! For tumblr, what matters is the width (in pixels) of gifs. In the end, the width dimensions on tumblr should be 540px (1 gif per row), 268px (2 gifs per row), or 177/178px (3 gifs per row). Anything else will lead to very shitty resizing!

For this gif I’m going full sized, meaning 540px wide, so I made sure my selection isn’t smaller than that.

Then just go to Image > Crop, and it’s done!

7. Check to see if this is what you want, then resize: go to Image > Image Size to resize the picture. Make sure the little “link” between Width and Height is active (to keep the same aspect ratio), then set the width to 540px or whatever you chose. I always set the resample option to Bicubic.

Once that’s done, set the zoom to 100% right above the timeline, to see what it really looks like.

Almost done! A little note about the sizing: width is the important part for tumblr, but if you want to make a whole gif set (especially with more than 1 gif per row!!!) make sure to make all the gifs the same height, otherwise they won’t line up and tumblr will do whatever it wants.

I ended up making mine 540 x 400 and ended up with this:

8. Time to save the gif!! Go to File > Export > Save for Web (OR just use the shortcut Ctrl + Shift + Alt + S) (or whatever it is on Mac).

In the pop-up, you can change things about the gif, but most things should already be the way you want it (Image size, Looping option forever). Selective should be the default, just like the rest.

You can choose between Pattern and Diffusion, some gif makers swear on one or the other, I go back and forth.

On the bottom left, you can see the size of your gif. Keep an eye on that! I believe Tumblr allows every single gif to be up to 10mb, but I try to keep mine under 5mb or close to it, because I think tumblr adds compression if it gets closer to 10mb?? Anyway back in my day you couldn’t upload anything over 1mb. You’ll never know our struggles.

Then just save it, and that’s it, you made a gif! Well done!! Here’s the end result:

#2 Sharpen

There are countless ways out there to make gifs as smooth and clean as possible! Here I’ll show you the easiest way, but it also provides a good basis for other methods. The main difficulty is that you you need to sharpen the layers, but you don’t want to 100 layers one by one. So what we’re gonna do is convert the layers into a Smart Object, which functions as one layer!

1. Convert the frame animation timeline to a video timeline with the little button right underneath on the left:

It should look like this, and I’m sorry but I can’t explain this one because I’m not an expert here, but you can just ignore it:

2. Select all layers: Select > All Layers, or just manually.

Then right click on the layers > Convert to Smart Object. Now there’s only one layer left, but don’t worry, the frames are still there!

3. De-noise! It reduces noise, takes away some of that grain. More necessary in some videos. It also makes it less sharp, so I do this one first. Filter > Noise > Reduce Noise

My default settings are, Strength: 6, Preserve Details: 60, Reduce Color Noise: 45, Sharpen Details: 25, Remove JPEG Artifact: No. But you can play around, especially with the strength, and see how the little preview looks. Don’t apply too much of it! Or it will look weirdly smooth with no details in the end.

4. File > Sharpen > Smart Sharpen.

Settings: I usually have mine at Amount: 500, Reduce Noise: 5, and Radius at either 0.2 or 0.3, depending on the video. I’ll actually do 0.3 here, because I find it a bit blurry otherwise. If you sharpen more, it can quickly get grainy.

The difference isn’t huge, but here’s a little before and after denoise & sharpen:

5. Technically you can just save it as a gif (save for web) as shown above now, or you can convert it back to a frame animation, which I’d recommend especially if you use certain other sharpening methods (I’ll show you how to convert it back at the end of the colouring part), but for now, let’s go straight to the next part:

#3 Colouring

Now, you CAN do this part right after part #1, still in frame animation, without a smart object. I prefer it like this because sometimes PS acts weird, but if you want to skip the smart object stuff: select all frames, and add the adjustment layers at the very top, above all the other layers. (It only affects selected frames; and it only affects the layers under it.)

The adjustment layers should be above the layer tray, and these are the ones we’ll use today: Brightness/Contrast, Curves, Vibrance, Color Balance, Selective Color.

All of these are optional! You can do one, or all, or any combination. This is just the very most basic for me to get a gif to a point that I like. I’d recommend sticking to these for a start, but once you get the hang of it, definitely feel free to play around! It’s fun! Every gif maker has different preferences here, too, so there’s tutorials for everything.

1. Curves: Just click Auto, tbh. You can play around, but Auto works fine for me as a start, just to brighten or darken some parts as a base.

2. Brightness/Contrast: Usually videos are a bit dark, and contrast can help to make it seem sharper AND cut down on gif size, so I usually just up both of them a bit (but not too much! Or it’ll look cheap). Here I put them at B: 19, C: 23

3. Vibrance: I love very vibrant and colourful gifs, so I usually up the vibrance (and sometimes the saturation). This one is already very vibrant, so I only put +5, but if you try to colour, say, a very moody tv show, this can help wonders, especially if you want to work with the colours more later.

If you prefer less vibrant gifs, you can also lower the values here!

4. Color Balance: getting a bit more complicated now. Often, videos will have a slight yellow or green or blue tint, and this is where you can correct that. This video is a bit yellow, so I added +17 Blue. It was still too warm, so i added -11 Cyan as well. This neutralized the yellow tint, but I wanted some of the reddish tone back, so I added -5 Magenta. I usually do a similar process like that, depending on the tone.

Instead of Midtones, you can also do this for Shadows and Highlights individually.

5. Selective Color: now this is the most complicated, but also the most fun to play around in my opinion! Be careful here, if you do something too extreme it’ll look like shit or make the gif super grainy. I some rough goals in mind here: make the blue hair as blue as possible, make their skin tone a bit less pale, and enhance the black and white (which I always do).

You choose a colour at the top, and then add or subtract cyan/magenta/yellow/black values for that colour.

Skin tone: yellow and red. For this gif, I just added black to both, making them darker. Sometimes, if you change one or both those colours for a different part of the gif (for example, if I wanted to make the background less yellow, I’d subtract yellow from the yellows - but then I’d add yellow to the reds, to make the skin tone natural again.)

Blue hair: Just ramp up the cyan for the blues. Be careful with putting anything to +100, but here it’s already so bright that it should be fine. His roots are more purple, so I changed the magentas by adding cyan and black, and subtracting magenta and yellow. It’s not super clean, but fine for our purposes.

Black/white: depending on the gif, I often either add or subtract black to the whites. Adding makes the highlights less blinding, a bit darker, and flatter (I like to do that if one side of the face is bright white in the sunlight, for example). Subtracting creates contrast, makes it brighter, can wash it out. It can also lessen the gif size, and here it’s mostly just the tracksuit instead of important details, so I subtracted black. For the blacks, I almost always just add a bit of black, to make it more intense. Just like adding contrast, this can make the gif seem sharper and less grainy.

And done!

6. You could just save it as gif now, but as I said, I prefer to convert it back to frame animation timeline first, if only because I like to let it play through before I save it, and it works better for me there than in the video timeline.

Select all frames, then click the little menu on the top right of the video timeline > Convert Frames > Flatten Frames into Clips

7. When you scroll down to the bottom of the layers now, the old smart object + adjustment layers should be at the bottom, under all the new layers. Delete the old ones, we don’t need them anymore.

8. Convert the timeline back to frame animation, by clicking the little button at the bottom left of the video timeline:

9. Click on the menu top right of the timeline again > Make Frames from Layers

10. Now, just some potential cleaning left to do. Sometimes, there’s a doubled or empty frame or layer at the beginning or end, just delete those as necessary. The timing of the frames is probably off, too, just select all frames and set the delay time to 0.05 (or whatever).

Now your done! Save as gif, and you should get this:

I included some bonus links and tips after this but tumblr ate that whole part so I guess it’s going into a separate post. (Here is is)

Anyway, I tried to make this as easy to follow as possible for beginners, but feel free to send me an ask for clarification anytime. Hope this helps, now go make gifs and have fun!!

#photoshop #tutorial #gif tutorial #ps tutorial #btsgif #*#*tutorial #this took so much longer than i expected i'm not giffing for at least a week now

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stillness-in-green · 3 years

Text

MVA In Memoriam (2/5)

The Comprehensive Account of the Butchering of My Villain Academia

(Introduction and Part One, Episode 108: My Villain Academia)

Part Two, Episode 109: Revival Party

Chapter 224 – Revival Party

• Mr. Compress’s side comment about how the distance Re-Destro wants them to travel means he must know they have warp capabilities. Also shortens his subsequent line, removing the bit about how their position has been locked onto, leaving only the marveling about the dude on the phone being the kind of person who has access to a satellite camera. Not a major cut, but it did strip out a bit of reiteration on how very Seen the League is. The warp line is another nod to how the MLA’s been doing their research—in particular, it ties in nicely with RD’s observations about the Noumu. He talks, there, about something Dabi said after the High End fight, which means he must also know that Dabi was warped out by an “Ujiko-san.”

• Also Mr. C’s observation that they haven’t broken Machia yet, and his posed question about what to do. Mr. Compress, I’m so sorry that you’re so wordy and lose so many quips and asides because the anime was set on brutally scything out every line of non-essential dialogue it could find.

• Ujiko’s extremely hilarious, “Listening to Villain Radio is my new favorite hobby,” line. Why would you cut this; this line is hysterical.

• The bit where Mr. Compress has the bright idea to use a High End Noumu like the one Dabi used, Ujiko rejects the suggestion out of hand, citing production woes, and Shigaraki says that he wasn’t going to ask for one of them anyway. Aside from being more cut Compress content (or “Comptent,” for short), it helps center the timeline somewhat at a point where the manga is jerking it around all over; it also shows that the League has been keeping up with news from the outside world. It also shows that at least one of them thought about using the Noumu—and since we know Re-Destro did some rationalizing on that scenario too, it’s good to see that it is at least briefly on the table. Further, Ujiko provides a few rare details about the Noumu creation process. Firstly, that AFO is normally involved, so his absence makes the procedure much more difficult (though not, apparently, impossible). Secondly, that Hood-chan was the only Noumu who’d actually reached the testing stage. This will be important later, for Ujiko’s agonizing about unleashing them early/Mirko having to fight four of them at once. Also, I just miss Mr. C’s funny little head wilt when Ujiko immediately turns down his “use some Noumu” idea. Ditto Shigaraki’s blasé shrug and little grin. Again, not to harp on the art too much, but man I wish the anime had kept all the fierce little grins and tight, incensed smirks Shigaraki has through the majority of this and the phone call sequence.

• Spinner’s line, “Without knowing squat about what we’re up against?!” A minor cut, as these things go, but it reiterates that there’s a chance RD is bluffing and the League has no way to know one way or the other, and demonstrates that the League can give Shigaraki some pushback on his decisions without having to worry about getting dusted for the temerity.[1]

• Takes one of Spinner’s lines—“Wait. I get it. Wherever you go, Shigaraki, he’ll sniff you out and hunt you down.”—and gives it to Shigaraki instead. Because fuck Spinner’s growing understanding of Shigaraki and the way his mind works, I guess! It’s especially notable that Spinner figures this out when Mr. C had completely the wrong idea about Shigaraki’s intentions—it demonstrates the way Spinner is gradually aligning himself with Shigaraki’s way of thinking, which we’ll see even more clearly during the War Arc. Also, again, it’s good to see the moments where the League weighs in on Shigaraki’s plans.

• The visual of Twice lashing out at Dabi with his razor-edged tape measure over Dabi’s dismissal of Giran, though all the relevant dialogue was there. Possibly this is because, having cut the CRC bit, the audience has no way of knowing that Twice’s tape measure is razor-edged, so why bother raising the question, “Why is Twice trying to attack Dabi with a tape measure..?” Possibly it’s because showing that attack would require animating movement, and MAN ALIVE, did Episode 109 ever want to do everything it could to avoid animating movement.

• Slidin’ Go’s line about how Deika isn’t usually his turf, but today is a big exception. This makes the hearty affirmative with which Trumpet announces himself a response to Shigaraki’s half-phrased observation about the reason behind the city’s emptiness, rather than a response to Slidin’ Go. It works, more or less, and probably even flows more clearly, all things considered. I’m always sad to lose lines from the vanishingly few named/characterized MLA members we have, though. I like, too, that it hints at the machinations that have to have been involved with setting things up for the Revival Party, and the way those plans were carried out with confidence that Re-Destro’s “bait the League into coming for their broker” plan would work despite the total absence of a response from the League in any of the time Giran was missing/his fingers were cropping up on the nightly news reports.

• A few shots of cameras in the city, which foreshadow Skeptic’s watchful eyes and ability to track the League through the city. In retrospect, this isn’t surprising, since the anime went on to cut basically any indication of Skeptic’s entire plan re: the footage of the League attacking, so why bother keeping the cameras? (Oh, right. Skeptic’s whole thing is cameras and information/disinformation. Skeptic for second-most screwed-by-the-anime MLA member.)

Additions

• Showed Toga having stood back up somewhere during Shigaraki’s explanation of their throw-Machia-against-the-MLA plan. A simply appalling choice. In the manga, she stays crouched down by Twice the entire time Shigaraki has his mask pulled off, because Toga cares about reassuring Jin-kun when he’s in a bad way.

• Rephrased Compress’s dialogue somewhat, also giving him a new line about the MLA’s forces in Deika when the League was still in the hills looking down at the city: “The so-called Meta Liberation Army has a force of 110,000 here.” I assume it was because the scene falls in a different episode than the tactical discussion did (in the manga, they’re the same chapter), so the anime was reminding the viewer of the stakes, but it’s potentially awkward because, er, no, the MLA categorically did not bring their entire army to Deika. We’ll find out as much for sure later, with the note that the regiment advisors weren’t in attendance because they were occupied at the bases they command, but even with only the knowledge we have here, Re-Destro’s statement about his numbers is that they’re scattered all over the country—hence the shot of Japan with a bunch of lights scattered across it to represent said numbers. That said, to be (briefly) charitable, there’s no particular reason for the League to assume that, and they did discuss the possibility that there were going to have to fight 110,000 people. So it makes sense that Mr. C might state as much when recapping for the audience.

Chapter 225 – Interview with a Vampire

• Re-Destro talking about Deika’s geography and why they chose it strategically. The anime dropped so much about the MLA’s planning and information-gathering beforehand; it really made the MLA look ludicrously overconfident. And while they don’t lack for that trait, certainly,[2] this is also an organization that has meticulously grown its membership for generations right under Hero Society’s collective nose; you don’t get to where they are by being unduly foolhardy. Erasing so many scenes demonstrating their caution and forward-planning undercuts the threat they represent to both the League and society at large. Also too, the descriptor of Deika as a nice, quiet, isolated little town in the mountains gives us some hints about how the MLA has avoided notice for so long, when you consider how the Hero business works: because so many people who get into heroism want to make it big, like celebrities, they don’t want to stick around small-town beats, and so the rural areas are understaffed.[3] That’s presumably why groups like the CRC and the MLA grow their numbers out in the boonies: much less attention from the Powers That Be. You can guess at some of that from how Spinner describes the place—“not too small, not too big”—and what Trumpet says about the percentage of the population that’s MLA, but RD adds that key “isolated” descriptor, and says that it’s a place where they “lay low.” That gives us some potential insight into how many—likely the majority—of the MLA came to their beliefs: by being raised to them, because their hometown was infiltrated by the MLA generations ago and they have literally never known anything else.

• RD’s phrasing, “Counter to point one,” when he makes his second point about the Noumu. He acknowledges that it’s counter-intuitive to his first argument, that he knows it would normally be an argument against that opening point, not in support. It’s just conversational padding, really, but “conversational padding” like that does a lot to distinguish character voice, so that not everyone talks the same way.

• A panel showing a trio of unnamed MLA warriors strategizing about how to divide their forces now that the League has split up. It’s the little cuts like this that gradually remove the agency of unnamed characters, such that they’re left looking like unthinking puppets instead of real people with the ability to register and respond to their circumstances. It also points towards the truth of what the MLA warriors are and one reason they’re so dangerous (for all that the manga itself will neglect this most egregiously later on): they’re trained in regiment tactics and accustomed to working in groups. This contrasts them both with villains, who might group together, but certainly don’t usually fight that way, and heroes, who are so unaccustomed to working in groups that it’s cited as part of the reason to have named super moves.

• Curious’s little pageboy-cut middle school kid line telling Toga to back off when Miss Curious is on the job. This is an early example of how defensive the MLA are of people above them in the hierarchy, an important thing Spinner will pick up on and attempt to use against Trumpet. Again, it’s little moments like this that both add some welcome notes of individuality to the MLA warriors (if only by virtue of Horikoshi and his assistants’ traditional talent for distinctive character design) while also fleshing out who the MLA are as a group, and contrasting them with the League.

• Deleted Toga’s line IDing her “on-the-go suck-suck mask,” but did insert a nice little bit of her expression shifting when she whipped it out. It lost a bit of the self-conscious silliness of her support item name in exchange for a cool little animation beat. I don’t dislike it, particularly, but I am, as previously stated, very leery of edits that make the League more polished in their villainy at the cost of their human foibles.

• Curious’s line about having come prepared to counter Toga’s moves, which was supposed to further reiterate that the MLA has done their research on the League; they didn’t just decide out of the blue to target the most notorious Villains in the country without studying up on them first and planning accordingly!

• Curious’s line about how she’s going to get started with some background info while her people use their meta-abilities to keep Toga and her buddies on the ropes. A marvelously characterful line! It speaks especially to that edge of formality the MLA brass observe that even as she’s ringleading this attack, Miss Curious is still set on going through her interview process step by established step.

Framing Shifts

• Made some of Curious’s lines spoken dialogue instead of internal monologue. That’s probably fine for when she’s waxing enthusiastic about Toga’s lack of hesitation in committing murder or how she’ll use Toga’s story to further the MLA’s agenda. It’s less fine when she’s rattling out the entire name, brand and patent status of her support item for no particular reason when Toga is already halfway through trying to knife her (that’ll be next chapter).

• The anime implied pretty firmly that Curious’s bombers died. And like, yeah, that’s always made more sense than the idea that anyone could survive something like that, but I hate it anyway. For one thing, it makes it even harder to credit the idea that Toga’s still on her feet afterward if Curious’s supposedly not-very-lethal explosions merk all her own people. People in this series survive ludicrous amounts of damage, and these random MLA devotees are no exception! For another, it leans into the narrative that the MLA higher-ups throw away the lives of their minions without the slightest care. It’s a lot harder to make that case when it’s explicit in the manga that Curious’s people survive the blood explosions—the blonde in the tracksuit is unharmed enough to snicker about it, and the noodle chef is even doing well enough to continue attacking! I’ve always been of the opinion that the MLA are, yes, willing to spend the lives of their underlings on attaining goals, if that’s what they think is necessary, but that is not at all the same as gleefully throwing them onto the pyre to watch them burn.

Additions

• Some individual shots of Mr. Compress, Dabi and Twice fending off or fleeing from various MLA types. A nice try on getting the group split up, but it feels kind of budget save-y, when we could have gotten actual animation of those fights instead.

• Inserted a quick shot of a headline about Toga’s first attack as Curious was rambling on about why she’s interested in Toga but not the League in general. Actually a fairly reasonable insertion, given how much text is crammed into her talk bubble in the manga while the dude standing next to her is already getting a knife in the neck.

Chapter 226 – Bloody Love

• A panel of interviewees talking about Toga’s first victim being sociable and popular. It gives a bit of context on what he was like, what people thought of him, but given that we know enough about Toga at this point to know that his popularity was entirely incidental to what she liked about him, it’s not a huge loss.

• The detail of the broadcasted interviews censoring Toga’s name. Considering how Japanese media normally treats minors accused of crimes, this is an eyebrow-raising change—the manga censors it because Japanese media outlets would have done the same. No idea why the anime didn’t, unless it’s another of those places where it would feel too “real,” to have something that so closely mirrors real life treatment of criminals?

• Everything about quirk counseling, and whoo boy, that is a loaded cut. There is exactly one other mention of quirk counseling anywhere in the manga, and, curiously enough, it also comes up in relation to a villain: in the U.A. faculty meeting after the USJ attack, Midnight muses that maybe Shigaraki never received quirk counseling in elementary school. It’s a weird little non sequitur there—exactly what sort of program did she expect could single-handedly make the difference between a well-adjusted adult and a gleefully murderous manchild with aims on killing Japan’s Number 1 Hero? Just over two hundred chapters later, we get a hint: a program designed to fit people “neatly into society’s little boxes.” Quirk counseling, then, is not about helping children find healthy ways to process their quirks, but rather, about teaching children what is and is not acceptable in terms of quirk use—and as Curious says, Toga’s admiration of blood was never going to be acceptable.[4] This explanation doesn’t just tell us a lot about Toga—that she wasn’t only failed by the hysterical condemnation of her parents, but also by a society that had no interest in helping her if it didn’t see a use for her—but also provides some insight on the viewpoint of the Meta Liberation Army vis-à-vis mandatory state-funded programs that dictate what “normalcy” looks like to impressionable children. Curious is, of course, not a particularly trustworthy narrator in this, as one might expect of someone who uses language like “society’s little boxes,” but it does track with Midnight’s earlier musing of, “Maybe the anti-social dude never took the program intended to make sure he was a functioning member of society.” That kind of statement—“State-sponsored educational programs are there to program children into becoming unthinking cogs of society, actually.”—is one that it’s all too easy to imagine the people with an eye on broadcast standards taking issue with, even coming as it does from the mouth of a villain.

• Curious’s line, “Let’s turn your death into a legendary tragedy, shall we?” and its accompanying visual of two different papers with imagined headlines. The dialogue doesn’t strike me as crucial—Curious’s fervent belief in Toga’s story is amply demonstrated elsewhere and her intent to turn that story into a legend reiterated in the line immediately following—but it is a shame to lose the headlines. They tell us, in Curious’s own words, exactly the tack she was planning to take in telling Toga’s story to the general public, without the constant namedropping of the Liberation Army that she does when talking about it in person. One headline in particular—The Price of Suppression: A String of Bloody Murders—is an especially useful reference for discussing whether the MLA actually wants, as is popularly claimed, completely unhindered quirk use, even for people like e.g. Muscular who want nothing more than to murder people with their quirks.[5]

• Curious’s initial wait what response to getting Floated, and her people’s focus shifting away from Toga and onto Curious instead. On a surface level, that focus shift helps explain why Toga’s able to zip around the ground and touch nearly twenty people before they even react: because they’re afraid for Curious. It also hurts the ongoing characterization of the MLA rank and file as being fanatically devoted to their higher-ups which, again, is something Spinner is supposed to notice later. It’s the worst kind of plot device if that devotion is completely told to us rather than consistently shown!

• Toga’s internal reflection that she’s seen Ochaco use her quirk, and knows how to use it. It’s obvious from the panel that she knows how to use it, but the manga implies that Toga transforming doesn’t automatically grant her an understanding of peoples’ quirks; it’s only in observation (and possibly love) that she can reach this particular unlock. Leaving out that information leaves open the possibility that she can just do this all the time now, with anybody she transforms into.

• The reaction from the surviving crowd to Curious’s death. See above re: STOP FUCKING ERASING HOW MUCH THE MLA CARES FOR EACH OTHER.

Framing Shifts

• When Toga bolts, Curious in the anime sounded serious, her expression alarmed, like she was actually worried that Toga might escape, even though her dialogue said just the opposite. Maybe you could say that she was afraid Toga would die before she got her statement, but given that she tried to kill the girl herself moments later, I’m skeptical of that claim. Regardless, in the manga, she never loses her smile, and she flashes a Liberation salute as she stands up to give chase. It’s a characterization note, that she’s so wildly confident about this that she never stops being completely enthralled with whatever Toga has to show her.

Chapter 227 – Sleepy

• The last of Toga’s conscious dialogue, about how she’s lost a lot of blood, is fading out, can’t move—but more notably, the way that this state of things makes her feel closer to “them,” that it’s “the same sensation.” And who is “they” here—her victims? The people she loves? More alarmingly, why does the line sound like she’s been this beat-up before, and remembers the sensation? Does that tie into e.g. her comment during the training camp that she doesn’t want to fight too many hero students at once because she doesn’t want to die? Has she actually been subject to this kind of violence before in the past? Does that tie into her still-unexplained ability to erase her presence? It’s an interestingly loaded little line, for being so vague, and illustrative of Toga’s mentality on becoming the people she loves. Which also lets the scene segue nicely into Re-Destro’s observation that, in Toga Himiko’s world, there’s no such thing as “other people.” On which note, guess what else the anime cut?

• The entire fucking scene where Re-Destro actually reacts to Curious’ death, the motherfuckers. This lost: 1. RD’s talk about the way Toga sees the world and how that led to society casting her out, which he points to as evidence of said society clinging to old ideals even though the nature of humanity itself has changed. It calls back to his methodology with Detnerat, marrying his lines from the commercial to his overarching ideals; it also shows that he understood very well what Curious saw in Toga, and demonstrates that he can express that understanding and empathy even in the face of losing one of his closest allies. 2. Skeptic’s reaction to Curious’s death, which is pretty sparse, but at least present. He says she never should have been on the front lines—an excellent reminder to the people who’re always going on about how the MLA brass thinks themselves so above their followers: Curious was on the front lines, against the wishes of some of her peers!—and calls her a valuable resource.[6] You can theorize about Skeptic not caring for her beyond her usefulness to the cause, or just that Skeptic is a huge autist who processes his emotions differently than most, and isn’t going to stop to do that when there’s still a battle going on, but either way, you need this scene to do it accurately. 3. Speaking of people who process their emotions in unusual ways, as I said above, this scene also shows Re-Destro openly crying over the deaths of Curious and each and every warrior diving into battle with their hopes for the future. They’re not crocodile tears, either. As was the case with Miyashita, there’s no one in this room that Re-Destro would need to perform grief for: Skeptic clearly doesn’t see a use for tears right now, so I don’t see him expecting them from Re-Destro, and the only other person in the room is Giran, a hostage who the MLA—very probably Re-Destro himself—maimed! It’s not like RD’s tears are going to change Giran’s mind about him (indeed, Giran gets a comedic reaction beat at the absurdity of the dude who started all this up here crying about it)! But RD says life is precious and he cries anyway, briefly, before he ruthlessly turns it off. RD’s valuing of human life—especially his own peoples’ lives—crops up in roundabout ways twice more, both leading the fight with Shigaraki (“It angers me.”) and ending it (“Any more would bring about meaningless death.”). This, though, is when he’s most open about it, to the degree that—as with Machia’s grief—it’s kind of off-putting and strange. Cutting it makes it that much easier for people to get entirely the wrong impression of RD as a character. 4. The delightful scene where Skeptic berates Giran about asking brainless questions and then answers his question anyway. Fuckin’ hell, why cut this?? So much of Skeptic’s character is in this scene! You get moments of his neuroticism later on, but never in so concentrated a burst as this (there’s one other sequence that could compete, but—spoilers—the anime cut that one, too). The exchange also explains the cameras placed throughout the city—which are visually referenced early on—and what the MLA is planning to do with their footage. Without that explanation, the audience has no idea how, exactly, the MLA was planning to use wiping out the League as a springboard for their grand return to the spotlight. That footage is the crucial part of how the rest of the country reacts to Deika in the Endeavor Agency Arc, and the anime never even mentioned it! The audience was just left to assume that all the media came in afterward, not that there was the slightest whiff of footage from the battle itself. 5. Once again brings up Re-Destro’s belief in the power of the heart to move other hearts. We get a bit of that in Curious’s flashback, but here he says it in his own words—as he will also bring it up to Shigaraki. Once again, Shigaraki is going to be challenged about his conviction, which ties back into what Spinner and Ujiko demanded from him earlier in the arc. With so

many people set to be grilling Shigaraki on this front, it tells us again what the arc is for: Shigaraki’s conviction, and him demonstrating it to the people who think he lacks it.

• The panel of Spinner asking how long they’ve been at it and Mr. Compress responding. This line helps manage the pacing, giving the audience an idea how much time is passing as we cut around to different places. It’s also, you know, more cut Spinner dialogue, and shows the beginnings of Shigaraki and Spinner getting split off from the rest by Shigaraki’s sleep-drunk staggering angling him off in a different direction. The rest of the scene is moved to after Toga’s fight with Curious, but not otherwise tampered with.

• The other big reaction to Curious’s death, which is Trumpet using it to rile up the crowd. The group that attacks Shigaraki isn’t just some free-roaming mob—they’re coming at him in a grief-stricken frenzy, which they’ve been goaded into by one of their leaders. This sequence also introduces the campaign van—a vehicle that will have several more appearances—to events, and hints at Trumpet’s meta-ability. Further, it’s one of the scenes that outright states that the MLA is less an army than a religion, in Mr. Compress’s line about how Trumpet is like a preacher rallying his flock. That understanding—that the MLA may style themselves as an army, but what they really are is a cult—is key to the way the MLA members act, from the very bottom to the very top.

• Trimmed Shigaraki’s flashback down, cutting—among other things—the very first lines Hana speaks, and her namedrop. This moment is the first one Tomura gets back, and the very first thing we find out is that he was doing something he wasn’t supposed to be doing. The anime also failed to identify Shimura Nana’s relation to Tenko/Tomura and Hana—helpful to remind the audience of a plot thread they haven’t heard about since Kamino. It also cut out the silhouette of chubby baby Tenko and Tenko’s first line, asking why Hana’s showing him this, a line which clues us in that Hana was the impetus here, not Shigaraki as he was back then. Still not satisfied, it also cut the phrase, “Daddy said all that stuff,” which is a clear and ominous warning that there was some conflict going on between young Shigaraki and the Father whose dismembered hand he now wears on his face.

• Left the dialogue but cut the silhouette of an airborne Geten with his enormous ice fists coming in hot behind Dabi when he was smarming about it not being his style to take the pacifist route. It’s not crucial, since we see the fists again shortly (it’s the end of the chapter page, whereas the anime rolls right on into the continuation of the scene), but it’s a shame, since framing Dabi from below with this sudden presence behind him is a much more fun, dynamic angle than the dead-boring medium shot the anime used. Also too, it’s good foreshadowing for the fact that Geten can fly, since he certainly didn’t get that kind of air by jumping off the roof of the mini-mart across the street.

Framing Shifts

• The crowd attacking Tomura came at him from the back of the shot, whereas in the manga, they’re surging forth from the front; that is, the anime had Shigaraki between the crowd and the POV of the viewer, whereas the manga has the crowd interposing between the viewer and Shigaraki. It makes a huge difference in the impact! Running up from a nebulous background distance, the crowd looked small and futile. Crossing directly in front of the viewer as they attack Shigaraki makes them look like the crashing human wave that they are. But, you know, coming in from the front would mean they’d have to be animated with more detail, and again, Episode 109, more than any other episode in the arc, clearly didn’t have the budget to spare on such things.

• The moment Shigaraki first uses the spreading Decay is horrifically clear in the manga. It’s full of speed lines, Shigaraki moving so fast he decays a dude mid-word, but the impact itself is spread over two pages. We watch his hand literally cleaving through the leading attacker’s face, and then are encouraged to linger on the oversized panel below, the intricately drawn crowd, full of individual faces, still intact on the left, scattering to dust on the right, all fully lit, with Shigaraki—still drawn with speedlines to emphasize his movement—the focal figure in black at the center. The anime rendered this moment in two stills—Shigaraki’s hand about to hit the lead attacker’s face, and then the crowd already decaying. There was virtually no movement to it, the crowd was so heavily silhouetted against a glare of daylight that it was difficult to tell what was going on, and the moment stayed on screen for only two seconds before Shigaraki landed and threw up, both actions favored with more animation than one of the signature moments of the entire arc. Hell, it even left the walls on either side of the alley intact, when the manga shows them dissolving into ash as well, decay traveling through the ground in a deadly, destructive radius around Shigaraki’s attack. The anime ever-so-graciously allowed Spinner his line to explain to the audience what just happened, but I think that’s mostly because it would be genuinely difficult to parse if he didn’t. It also gave him a flashback to what we had literally just seen, except this time it wasn’t silhouetted for some reason, so at least the audience got another chance to look at it, I guess? “Am I seeing things? Just now, his decay effect spread to people he wasn’t even touching!” Well, I guess we’ll have to take your word for it, Spinner.

Additions

• A quick shot of a camera, there and gone almost too fast to register. I want to compliment the anime for adding a camera back in, since it removed the shot of the cameras earlier, but honestly, given that it cut all the scenes about how and why the MLA was gathering footage, I really don’t know why it even bothered. Also too, the camera was gone so fast it felt more like a marker for a scene change—which it also was, segueing the scene from Toga collapsing (only to cut back to her later staggering down an alley) to Spinner and the rest still trying to hold their own—than it did something the audience was supposed to really notice.

Chapter 228 – Wounded Soul

• Twice in the opening pages left out scattered members of the MLA that were around for the start of the Dabi/Geten fight. Leaving them out raises the question of where all the people attacking went, but it’s also the first demonstration that Geten is a danger to his own allies. We don’t see any of them dying on-panel or anything, but we do see them having to dive frantically out of the way because Geten demonstrates no care to the collateral damage of his attacks.

• Cut a small flashback, presumably from Twice’s perspective, of finding the site where Toga and Curious’s fight concluded. You can see the ground covered in blood, and a body that looks a bit like Curious if you squint (distinguishable by the sleeves of her jacket), as well as a small group of people kneeling on the ground in various poses suggesting mourning and a paying of respects. Yet another shot demonstrating the depths of care these people have for their leaders, that they’ve completely let the battle fall by the wayside in favor of their grief.

• Drops the “those zealots” phrase from Twice’s, “I’ll rip those zealots limb from limb for this!” line. Damn, the anime really was determined to erase everything that even hints at the Liberation Army being something much creepier and more damaging than just an underground militia, huh?

Framing Shifts

• For all my complaints about the material, I generally like the voice acting quite a bit. I don’t love the first exchange between Dabi and Geten, though. It’s not a fault of the voice actors themselves, but rather the delivery. Geten was very cool and level-headed throughout, which is all right to a point, but he’s a gremlin under that troll parka, and this fight is where we hear him as close as we ever will to how he is before the multi-layered humbling he’s subject to over the course of this fight. It’s a bit of a shame to play him totally straight, without any of the snark he’s so clearly capable of—and without the tick upwards in vehemence his talk bubbles indicate in his last lines. Meanwhile, it’s fine for Dabi to get more heated as the scene goes along, and indeed he does, but he also plays it pretty cool at first. You can tell in the shape of his talk bubbles that he’s completely unruffled during his delivery of that, “Consider this a freebie, just for you: ice melts,” line. The anime had him raising his voice for it, and it just loses a lot of the humor of Dabi’s own snark to have him yelling it instead of just laughingly stating it, voice barely raising enough to give his talk bubbles some straighter lines instead of being all undisturbed curves. (For comparison’s sake, it’s about the same level of angular as Geten’s, “You’d best not think your little campfire can melt my ice!” line, but the anime had Dabi shout his line, while Geten continued at the same unperturbed volume he’d maintained since the beginning.)

• As with Shigaraki’s first mass decay, the shot of Geten’s ice dragon did not make the impact on me in the anime that the manga did. I think it’s mostly the way the ice was colored? The claw’s pretty good, but the head looks blobby and indistinct, more like blue soft-serve than the shifting, sharp-edged, brilliantly bright sculpture-in-motion of the manga.

• Twice’s voice actor did his best to sell the scene of him finding Toga, but I wish they’d kept that tight close-up on his mouth when he says, “Give it up. The girl’s dead.” They animated him leaning closer to the camera, but that doesn’t have the sharpness of that sudden cut to being right there on his lips, like some malevolent thing is using them to speak words so terrible that they can’t even be associated with the rest of his face.

---

Come back next time (and hopefully in less time) for Part Three, Episode 110: Sad Man's Parade.

FOOTNOTES

[1] We would, of course, have an even clearer idea of that had the anime not cut the scene of Spinner shouting in Shigaraki’s face.

[2] It seems particularly strange to me that Curious and RD both mention quirk evolution as a thing they know can happen in extreme circumstances, but didn’t predict that backing the League into a life-or-death corner might provoke one or two members to undergo exactly that evolution.

[3] Mount Lady is the obvious example, but you can look to places like the island in Heroes Rising, too: one hero, and when they retired, a group of high school kids had to go sub in for a while until a replacement could be arranged. It’s not like retirements just happen overnight; the Commission had to have known it was coming. Still, they had to scramble to find someone. It doesn’t suggest they had anybody just champing at the bit to take the post, you know?

[4] In Chapter 140, we see a young Tamaki Amajiki in a class called “quirk training.” It’s uncertain how connected this P.E.-like class is to quirk counseling, but Toga wouldn’t have been getting much help there, either, seeing as it’s all about figuring out how to use one’s quirk in a way that’s “useful to society.” I can think of some ways, but nothing that I expect would be very popular or liable to be explained to a grade schooler in a country with as long a history with ritual cleanliness as Japan. To a Shinto mindset, Transformation isn’t just off-putting or unhygienic; it’s spiritually unclean.

[5] The answer there being, no, obviously not, or Curious wouldn’t, in all apparent sincerity, be trying to characterize Toga using her quirk to murder people as an undesirable outcome, a cost society is paying for its current stance on quirk use. Yes, you can gather that much from her calling Toga a tragic girl, and Re-Destro concurring later, but listen, I will take every line I can get that I can use to push back against the wretchedly widespread idea that the kid whose name means Apocrypha is the be-all-end-all source on MLA ideology, somehow more reliable and trustworthy than every other MLA character combined, including Destro himself. I would very much like it if the anime had not deleted a bunch of my talking points while making good and sure to leave all Geten’s most damning lines intact.

[6] Not that an anime-only person would fully understand why some random reporter was all that valuable a resource, since the anime cut the explanation of what Curious actually does for a living.

#my villain academia #bnha #bnha meta #boku no hero academia #my hero academia #my writing #stillness has salt

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love-hatred-stuff · 3 years

Text

Villain's girl } Im Changkyun [monsta x]

genre: royal/soldier au, vampire au

warning(s): mentions of war(indirect), kind of kidnapping

word count: 1.9k

He, he was perfect, but I just wasn't ready to get involved with him.

I knew I would regret it because we needed each other. But he just hurt me too much. No, actually I really didn't care about myself. Still, I ran away from him again, probably the most unnecessary decision of my life. The only thing that stood in my way was my fear of the gilding of his life. I simply wasn't worth it, was I?

before:...

I was lying on a green meadow that was on a mountain. Hundreds of Lisianthus flowers had grown next to me. I loved them, their scent, their colors and also their sizes. They had a calm effect on me because I had known them since my short childhood.

I've been looking after myself since I was ten years old. My parents? Probably dead. They had left me for a reason unknown to me, but I hadn't thought about it for a long time, because it had racked my mind for the next thirteen years after they disappeared.

Now I was lying here and as far as I knew it was my birthday that day. I couldn't exactly remember that date, but I had celebrated it over and over again on the same day for a long time.

It wasn't a big deal to me as it wouldn't change anything in my life but I was finally eighteen.

The sun had just started to rise, but I wanted to start the day like this, with a quiet hour on my favorite meadow in the morning sun that smiled at me. Unfortunately she was the only one who did that.

Often times I would lie there all night and watch the stars. I was more than lonely, for many years I hadn't met anyone except soldiers who attacked and burned villages, as well as my house eight years ago.

I lost my parents, my house, my food and everything else I owned. Even if it wasn't much, my already small property shrunk even more. But I had to take it for what I was, what I was trying to do.

Despite my health, which had kept up well, I had thoughts of suicide several times. Jumping off a cliff is, eating any branches and herbs. And after a few temptations, I gave up. I couldn't do that to myself yet.

As slowly as possible, I got up to look for something to eat. I didn't really liked to go hunting because I was very fond of animals and hated to hurt them, so I mostly ate berries or mushrooms.

Except once a week, I took my bow with arrow to get me a hearty meal.

When I finally got up on my two legs, I ran and went to my hut, which I had built a long time ago from branches and bushes.

I was there in no time, but something bothered me. Everything was still in its place, but I could make out a musty smell of smoke, which made me cringe.

I looked around silently and indeed, about half a mile away, a huge gray cloud was making its way through the trees.

My heart pounded alarm and without thinking twice, I sprinted in the opposite direction from which the possible fire was coming.

At the moment I didn't care about my growling stomach, nor my hut.

After a while of running I could hear voices in the direction I was walking towards.

I slowly walked slowly in order to be able to listen to every sound, no matter how small. But suddenly a soldier was standing in front of me who looked at me with a grin. I was wearing only a thin, white, yet dirty dress that hung airily up to my knees.

Uncomfortable, that's how I felt. I had never had closer contact with men, how could I (?).

"Well, who do we have here?" The soldier mockingly said.

I just widened my eyes, not to mention my mouth, which had been open since I saw him.

After a short time, more and more soldiers came and looked at me, but I was frozen. People were so fascinating but at the same time so nauseating. The soldier, who was still grinning stupidly at me, stepped closer and grabbed my hand.

"The little one must have forgotten how to speak. But she is breathtakingly beautiful. Take a look at her, guys!" He asked his men to examine me too, which is why they all took a few steps closer.

"Hey!" I heard it from not far away, in the woods.

The one whose voice it was now also ran towards me, which made me take some steps back.

"Don't touch her! She's an innocent one!" The soldier who was now standing in my immediate vicinity.

Fortunately for me, he now attracted the attention that had been on me. He pushed the others away from me, who then stumbled backwards. Then he grabbed my wrist and I felt a heat rise in me instantly, it was a completely new feeling.

I looked into a prominent face with defined cheekbones, which made him look very masculine to me. He looked like someone that could be royal, naturally beautiful.

He looked at me out of his intense brown eyes in which I could have lost myself in, in a matter of seconds.

He raised his hand, pushed a strand of hair out of my face and touched my cheek in the process. All I could do was to stay still like a statue and admire his figure.

His dark black hair that was a little messed up and some strands also graced his face.

A cold but pleasant shiver ran down my spine from his touch. I was fascinated by his looks, it seemed like he looked like a friendly devil. Although his features seemed absolutely flawless, he radiated a dark aura. I couldn't see it but I could sense it. He also had broad shoulders from which two muscular arms protruded. He was looking like a God next to me.

"She really is quite acceptable. Nevertheless, she has to come with me." He pulled me by the arm to the horses, which were not far away at a campsite.

Damn. I should have run faster, now I have to go with them if I don't get a chance to get out of here. I blamed myself silently.

The men were in the majority and clearly superior to me.

The Soldier's grin was quite strong and even when we were already in one of the tents, he was still holding onto my arm tightly. After we I hissed in pain.

Besides all that, I was still totally in shock as it was my first close contact with people in many years.

Suddenly he stopped and took a close look at my body, me not really thinking anything, because I first had to get used to people's behavior and body language.

With his gaze he stopped where he had gripped me tightly to probably prevent me from running away, but slowly the pressure got too big and hurt. Immediately he let go, but he took a closer look at the now yellow spots that adorned my arm.

They weren't the only wounds I had, I kept getting injured and accordingly had blood wounds or scratches all over the place. We were alone in the tent and he finally broke the silence.

"Who did this to you?" He asked, pointing to my wounds, like the blood stain on my dress, over my stomach. At first I didn't know what he meant but then I understood. He meant if I had been hurt by someone else.

"Nobody." I answered clearly and looked up into his wonderful eyes that flashed at me.

"What's your name?" Was his next question.

"Y/n. I think." I guessed to myself.

My name had never been relevant, but I still had vague memories from my childhood and how I was often addressed by that name back then. In the other moment, his gaze softened. He put a strand behind my ear again, as he had earlier. My attention went to his full lips which he twisted into a small grin.

“You are beautiful, Y/n. You will be mine I promise it. Nobody's going to get you." He said with determination.

What did he say? Was that just a compliment? If so, then they sound really nice, but actually I didn't really know what they meant to me. Although I could speak his language fluently and had a good vocabulary to choose from, I wasn't up to date.

"What do you mean?" I was taught to ask when you didn't understand someone, so I did just that.

"Means that we will take you to the palace where you can be sold." He suddenly changed his face and removed his hand from my cheek where it had lingered for a moment.

He had just changed his mind from one second to the other. He wanted me to be his and complimented me, so what now? Now he just wanted to drag me along and let me get sold? Great, I probably wouldn't find a way out on all these soldiers.

"But, to whom should I be sold?" If it was to my advantage I would accept it, then I would no longer be alone and would finally be among people who were equal to me.

"To some rich snob." He simply replied.

I was surprised at his sudden change of heart, but it was the chance for me to finally escape this hole. It had made me sink deeper and deeper until that point. I was redeemed.

"You have to change. We'll stay here one more night before we leave." He stepped away from me and took a white dress down from a kind of drawer, to give it to me afterwards.

A little baffled, I stood there and took the soft fabric towards me. It was soft and embroidered with small flowers.

"Thanks, where should I change and where should I sleep?" I asked briefly.

"Change here. There's a bed back there, behind the curtain. You will sleep with me, I don’t want you to run away." He answered less summarily.

Only after a short moment I could understand what he wanted from me. He was still standing right in front of my feet and looking down at me.

"So I'm supposed to change here and now?" I asked with disbelief in my voice.

"Yes, you should." He persisted.

I suspected he wouldn't give in, so I told him to at least turn around. Then he innocently raised his hands to shoulder height and obeyed my request. When he let his hands fall again, I pushed my dirty dress off my body, which meant that I stood in front of him, completely bare for a moment. Fortunately, he was standing with his back turned to me. But even if not, I would probably have obeyed, because I didn't know whether I corresponded to the typical image of women and had never had unpleasant situations like this before. That's why I never had a reason to be ashamed of my body. But as I stood in front of him I realized how important it actually was to be able to see someone like that.

I quickly slipped into the fresh dress, which clung to my thin body and my delicate curves. It actually looked very pretty, but I could hardly judge it because I still had no taste for fashion.

"You can turn around." I wanted to point out, but my words got stuck in my throat when I noticed that he had already turned around.

I had focused on my dress the whole time and trusted it. Obviously this was a mistake.

-to be continued-

#changkyun #monsta x #monsta x i.m #monsta x au #royal au #vampire au #monsta x smut

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kpopfanfictrash · 4 years

Text

The Criminal

Author: kpopfanfictrash

Pairing: Jungkook / Reader

Word Count: 1,528

Rating: PG-13

Summary: A follow-up drabble to my Brooklyn 99 drabble entitled The Suspenders. AKA we finally find out who Taehyung is in this BTS/B99 themed fic-verse.

[ PART OF MY JUNGKOOK BIRTHDAY DRABBLE GAME ]

Slamming open the door to the observation room, Jungkook quickly ran in and came to a stop. Chest heaving, he scanned the walls before locating the glass panel which separated them from the next room.

Jungkook’s eyes narrowed. “Taehyung,” he seethed.

On the other side of glass, dingily lit by fluorescent lighting and crammed into a chair much too small for his body, was Jungkook’s arch nemesis – the wily, cunning and morally ambivalent Kim Taehyung.

Taehyung wore a black hoodie and jeans, his hair artfully styled and pushed behind ears slightly too big for his frame. He didn’t look like a prodigious car thief per se, except for the continual tapping of fingers on jeans. Kim Taehyung wasn’t the type of guy who often sat still.

Leaning forward, Jungkook pressed the talk button.

“Kim Taehyung,” he growled.

Suddenly beaming, Taehyung’s head jerked up from his chest. “Jungkook – is that you?” Affable as ever, he shook his head. “What am I saying? Of course it’s you. I’d know that sweet, falsetto voice anywhere. Come on in, JK and give me a hug!”

When Taehyung tried to move, he was jerked back by his cuffs until his head hit the seatrest. Wincing a little, his smile remained large.

“You’re in handcuffs for a reason, Taehyung,” Jungkook said sternly. “Maybe I fell for that line once before–”

You gave him a pointed look.

“Alright, twice,” Jungkook admitted, a flush rising to his cheeks. “So, there’s not going to be a third time!”

Leaning forward as far as he could, Taehyung gave the two-way glass his best puppy-dog eyed look. You arched a brow beside Jungkook because, frankly, the look was a good one.

Ignoring Taehyung, Jungkook turned to face you instead. “Alright.” He removed his hand from the button. “What’s he in for this time?”

“The usual,” you said, handing over a binder. “Cops caught him running from a crime scene on 11th. Taehyung keeps saying he didn’t do it, but his fingerprints are all over the scene.”

“I didn’t do it, JK!” Taehyung yelled from the next room. “If that delicious detective you’re dating just handed you a binder and said I’m a criminal, don’t believe her!”

Your jaw immediately dropped. “How does he know we’re dating?” you demanded, glaring at Jungkook.

“I… um…” Jungkook reached up and rubbed the back of his neck. The action inadvertently flexed his bicep, which you tried – and failed – to ignore. “I maybe posted about it on Facebook and Taehyung maybe sent us congratulations?”

“Jungkook!”

“What?” Jungkook said, somewhat defensive. “It’s not like I can just control who I’m friends with on Facebook.”

“That’s literally all you can do on Facebook.”

“Oh, yeah – I guess you’re right.” Jungkook flashed you a hopeful smile. “Alright, so this one’s my bad.”

Heaving a small sigh, you bent forward and pressed the talk button.

“I do have a name, Kim,” you said.

“Damn straight you do, Y/N.” Taehyung’s grin widened. “And a damn good one at that. Did your parents name you after Y/N Korakova, the famous botanist? Pioneered the modern greenhouse, but that’s not the point. I was just trying to figure out who I’m talking to. Is Jimin here yet?”

As though on cue, Jimin burst into the room holding two mugs of steaming hot chocolate. He frowned when he saw Jungkook empty-handed, rushing over to give him one of his steaming mugs.

“Jungkook.” Jimin shook of his head. “You ran off so fast when Y/N called, you completely missed your chance to try my new concoction – hot chocolate with ox’s milk!”

Jungkook, who’d been eagerly reaching at the sound of hot chocolate, immediately recoiled.

“I – what milk?”

“Uh, yeah.” This was from Taehyung, who’d heard everything through the mic. Wincing, you removed your hand from the talk button. “I’m supportive of anyone who loves my best friend, JK, but that sounds nasty.”

Scowling, Jimin turned towards the window. “Number one – I’m Jungkook’s best friend. Number two, this doesn’t concern you, Kim!”

Taehyung cocked his head to the side. “I didn’t hear any of that, man – Y/N must’ve taken her hand off the talk button – but if you’re saying you believe in my total innocence – thanks, Jimin! I always knew you’d be on my side.”

Still beaming, he settled back in his seat.

“He’s not innocent, though,” you said as Jungkook opened the binder. “There’s so much evidence pointing to Kim as the culprit. His fingerprints are all over the interior of the car, he was caught fleeing the scene and there are two witnesses who swear they saw him hotwire the vehicle.”

Jungkook frowned, flipping through pages. The more he read, the deeper his frown got – you were right. There was a lot of evidence pointing towards Kim Taehyung. This, frankly, didn’t make any sense.

Taehyung wasn’t a sloppy criminal. He was the damn Pontiac bandit, a criminal who’d escaped Jungkook’s clutches many times and whom Jungkook had been unable to identify for years. It wasn’t like him to leave so much evidence.

Leaning forward, Jungkook slowly pushed the talk button. “Kim,” he said, looking troubled. “Two people swear they saw you hotwire the car.”

“They’re lying! Someone must have them on their payroll.”

“Right.” Jungkook paused. “And the explanation for your prints being all over the car?”

“Okay, so I was in the car, but I didn’t hotwire it!” Taehyung gave the two-way mirror a pleading expression. “An old buddy called and said he needed help, so I got in his car to talk. That’s when I noticed one of Banson’s henchmen in his side mirror.”

“Wait – Rico Banson?” you said, eyes wide. “As in, the drug lord Rico Banson?”

“That’s the one.” For the first time today, Taehyung’s smile faltered. “As it turns out I, uh... may have slept with his ex-girlfriend.”

Slowly, Jungkook lowered his head. “Shit, Kim.”

Guys like Rico Banson didn’t mess around when you went after their women. They tended to shoot first and ask questions later. Taehyung probably knew this already, but he was in some deep shit. Jungkook couldn’t help but feel bad for the guy.

“I didn’t know she dated him!” Taehyung protested. “We only hooked up once, but I guess he’s had it in for me ever since. I swear on the soul of my mom, I’m being set up.”

Jungkook’s head jerked upwards. “He’s telling the truth,” he said immediately. “Taehyung would never swear on the soul of his mom as a lie. Mrs. Kim is a very nice lady.”

Removing your hand from the talk button, you glanced dubiously at your boyfriend. “I don’t know,” you said slowly. “Can we really trust the word Kim Taehyung?”

“Yes,” Jungkook said immediately.

Rolling your eyes, you looked at Jimin. “What do you think?”

“I’m torn.” Jimin chewed his lower lip. “On the one hand, I support Jungkook in everything he does and on the other hand, Kim Taehyung is a low-life criminal who continually undermines my best friendship with Jungkook.”

“Neither of those things are relevant,” you said.

“Taehyung isn’t a criminal anymore – he turned his life around!” protested Jungkook.

“I have!” agreed Taehyung, from behind the glass.

Everyone glanced at him in surprise.

His grin widened. “The fact that I’m getting no response must mean my random exclamation was timely.”

After another moment of silence, you cleared your throat. “Anyways,” you said, returning to the rest. “Everything points to Kim as the culprit, Jeon. Do you seriously think he’s telling the truth? I know you’re weirdly friendly with him, but…”

“Not that friendly,” Jimin interjected with a pout.

“Listen.” Jungkook set down the binder. “Have you ever known Kim Taehyung to be sloppy?”

“No,” you admitted. “Usually, he’s one step ahead of us.”

“And if he is telling the truth. How great would it be to finally have new intel on Rico Banson? He’s been off the grid for nearly a year now.”

“Really great,” Jimin said.

“Exactly.” Jungkook looked thoughtfully at Kim Taehyung. “I might regret saying this, but–”

“You want to drink the ox milk?”

“No, Jimin.” Jungkook narrowed his gaze. “I think... we should trust Kim Taehyung.”

Silence fell between them, with each person weighing the options and coming to the same conclusion. Banson’s name sealed the deal. The precinct hadn’t gotten new information on Banson in months and many regarded him as the lynchpin in his crime organization.

Shifting in his seat, Taehyung crossed a leg. “Damn straight you should listen to Yoongi,” he said with a nod.

Leaning forward, Jungkook pressed the talk button again. “No luck, bud,” he said. “Yoongi isn’t in the room.”

“Damn.” Taehyung frowned. “Oh, well. Good thing we’ve got the entire length of the case to work on our banter. Dream team!”

“Dream team!” Jungkook cheered before you reached out and removed his hand from the button.

“So.” Jimin glanced between you. “Does this mean no one wants this hot ox-late?”

#bangtanarmynet #btsbookclub #jungkook fanfic #bts fanfic #jungkook drabble

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bloodbenderz · 3 years

Note

humaniterations (dot) net/2014/10/13/an-anarchist-perspective-on-the-red-lotus/ this article from oct 2014 is very dense — truly, a lot to unpack here, but I feel like you would find this piece interesting. I would love it if you shared your thoughts on the points that stood out to you, whether you agree or disagree. you obv don’t have to respond to it tho, but I’m sending it as an ask jic you feel like penning (and sharing) a magnificent essay, as is your wont 💕

article

i know this took me forever 2 answer SORRY but i just checked off all the things on my to do list for the first time in days today so. Essay incoming ladies!

ok im SO glad u sent me this bc it’s so so good. it’s a genuinely thoughtful criticism of the politics in legend of korra (altho i think its sometimes a little mean to korra unnecessarily like there’s no reason to call her a “petulant brat” or say that she throws tantrums but i do understand their point about her being an immature and reactionary hero, which i’ll get back to) and i think the author has a good balance between acknowledging like Yeah the lok writers were american liberals and wrote their show accordingly and Also writing a thorough analysis of lok’s politics that felt relevant and interesting without throwing their hands up and saying this is all useless liberal bullshit (which i will admit that i tend to do).

this article essentially argues that the red lotus antagonists of s3 were right. And that’s not an uncommon opinion i think but this gives it serious weight. Like, everything that zaheer’s gang did was, in context, fully understandable. of course the red lotus would be invested in making sure that the physically and spiritually and politically most powerful person in the world ISNT raised by world leaders and a secret society of elites that’s completely unaccountable to the people! of course the red lotus wants to bring down tyrannical governments and allow communities to form and self govern organically! and the writers dismiss all of that out of hand by 1. consistently framing the red lotus as insane and murderous (korra never actually gives zaheer’s ideas a chance or truly considers integrating them into her own approach) 2. representing the death of the earth queen as not just something that’s not necessarily popular (what was with mako’s bootlicker grandma, i’d love to know) but as something that causes unbelievable violence and chaos in ba sing se (which, like, a lot of history and research will tell you that people in disasters tend towards prosocial behaviors). so the way the story frames each of these characters and ideologies is fascinating because like. if you wanted to write season 3 of legend of korra with zaheer as the protagonist and korra as the antagonist, you wouldn’t actually have to change the sequence of events at all, really. these writers in particular and liberal writers in general LOVE writing morally-gray-but-ultimately-sympathetic characters (like, almost EVERY SINGLE fire nation character in the first series, who were full on violent colonizers but all to a degree were rehabilitated in the eyes of the viewer) but instead of framing the red lotus as good people who are devoted to justice and freedom and sometimes behave cruelly to get where theyre trying to go, they frame them as psychopaths and murderers who have good intentions don’t really understand how to make the world a better place.

and the interesting thing about all this, about the fact that the red lotus acted in most cases exactly as it should have in context and the only reason its relegated to villain status is bc the show is written by liberals, is that the red lotus actually points out really glaring sociopolitical issues in universe! like, watching the show, u think well why the fuck HASN’T korra done anything about the earth queen oppressing her subjects? why DOESN’T korra do anything about the worse than useless republic president? why the hell are so many people living in poverty while our mains live cushy well fed lives? how come earth kingdom land only seems to belong to various monarchs and settler colonists, instead of the people who are actually indigenous to it? the show does not want to answer these questions, because american liberal capitalism literally survives on the reality of oppressive governments and worse than useless presidents and people living in poverty while the middle/upper class eats and indigenous land being stolen. if the show were to answer these questions honestly, the answer would be that the status quo in real life (and the one on the show that mirrors real life) Has To Change.

So they avoid answering these questions honestly in order for the thesis statement to be that the status quo is good. and the only way for the show to escape answering these questions is for them to individualize all these broad social problems down into Good people and Bad people. so while we have obvious bad ones like the earth queen we also have all these capitalists and monarchs and politicians who are actually very nice and lovely people who would never hurt anyone! which is just such an absurd take and it’s liberal propaganda at its best. holding a position of incredible political/economic power in an unjust society is inherently unethical and maintaining that position of power requires violence against the people you have power over. which is literally social justice 101. but there’s literally no normal, average, not-politically-powerful person on the show. so when leftist anarchism is presented and says that destroying systems that enforce extreme power differentials is the only way to bring peace and freedom to all, the show has already set us up to think, hey, fuck you, top cop lin beifong and ford motor ceo asami sato are good people and good people like them exist! and all we have to do to move forward and progress as a society is to make sure we have enough good individuals in enough powerful positions (like zuko as the fire lord ending the war, or wu as the earth king ending the monarchy)! which is of course complete fiction. liberal reform doesn’t work. but by pretending that it could work by saying that the SYSTEM isnt rotten it’s just that the people running it suck and we just need to replace those people, it automatically delegitimizes any radical movements that actually seek to change things.

and that’s the most interesting thing about this article to me is that it posits that the avatar...might actually be a negative presence in the world. the avatar is the exact same thing: it’s a position of immense political and physical power bestowed completely randomly, and depending on the moral character and various actions of who fills that position at any given time, millions of people will or won’t suffer. like kyoshi, who created the fascist dai li, like roku, who refused to remove a genocidal dictator from power, like aang, who facilitated the establishment of a settler colonial state on earth kingdom land. like korra! she’s an incredibly immature avatar and a generally reactionary lead. i’ve talked about this at length before but she never actually gets in touch with the needs of the people. she’s constantly running in elite circles, exposed only to the needs and squabbles of the upper class! how the hell is she supposed to understand the complexities of oppression and privilege when she was raised by a chess club with inordinate amounts of power and associates almost exclusively with politicians and billionaires?? from day 1 we see that she tends to see things in very black and white ways which is FINE if you’re a privileged 17 yr old girl seeing the world for the first time but NOT FINE if you’re the single most powerful person in the world! Yeah, korra thinks the world is probably mostly fine and just needs a little whipping into shape every couple years, because all she has ever known is a mostly fine world! in s1 when mako mentions that he as a homeless impoverished teenager worked for a gang (which is. Not weird. Impoverished people of every background are ALWAYS more likely to resort to socially unacceptable ways of making money) korra is like “you guys are criminals?????!!!!!” she was raised in perfect luxury by a conservative institution and just never developed beyond that. So sure, if the red lotus raised her anarchist, probably a lot would’ve been different/better, but....they didn’t. and korra ended up being a reactionary and conservative avatar who protected monarchs and colonialist politicians. The avatar as a position is completely subject to the whims of whoever is currently the avatar. and not only does that suck for everyone who is not the avatar, not only is it totally unfair to whatever kid who grows up knowing the fate of the world is squarely on their shoulders, but it as a concept is a highly individualist product of the authors’ own western liberal ideas of progress! the idea that one good leader can fix the world (or should even try) based on their own inherent superiority to everyone else is unbelievably flawed and ignores the fact that all real progress is brought about as a result of COMMUNITY work, as a result of normal people working for themselves and their neighbors!

the broader analysis of bending was really interesting to me too, but im honestly not sure i Totally agree with it. the article pretty much accepts the show’s assertion that bending is a privilege (and frankly backs it up much better than the original show did, but whatever), and i don’t think that’s NECESSARILY untrue since it is, like, a physical advantage (the author compares it to, for example, the fact that some people are born athletically gifted and others are born with extreme physical limitations), but i DO think that it discounts the in universe racialization of bending. in any sequel to atla that made sense, bending as a race making fact would have been explored ALONGSIDE the physical advantages it bestows on people. colonialism and its aftermath is generally ignored in this article which is its major weakness i think, especially in conjunction with bending. you can bring up the ideas the author did about individual vs community oriented progress in the avatar universe while safely ignoring the colonialism, but you can’t not bring up race and colonialism when you discuss bending. especially once you get to thinking about how water/earth/airbenders were imprisoned and killed specifically because bending was a physical advantage, and that physical advantage was something that would have given colonized populations a means of resistance and that the fire nation wanted to keep to itself.

i think that’s the best lens thru which to analyze bending tbh! like in the avatar universe bending is a tool that different ethnic groups tend to use in different ways. at its best, bending actually doesn’t represent social power differences (despite representing a physical power difference) because it’s used to represent/maintain community solidarity. like, take the water tribe. katara being the last waterbender, in some way, makes her the last of a part of swt CULTURE. the implication is that when there were a lot of waterbenders in the south, they dedicated their talents to building community and helping their neighbors, because this was something incredibly culturally important and important to the water tribe as a community. the swt as a COLLECTIVE values bending for what it can do for the entire tribe, which counts for basically every other talent a person can have (strength, creativity, etc). the fire nation, by contrast, distorts the community value of bending by racializing it: anyone who bends an element that isn’t fire is inherently NOT fire nation (and therefore inherently inferior) and, because of the physical power that bending confers, anyone who bends an element that isn’t fire is a threat to fire nation hegemony. and in THAT framework of bending, it’s something that intrinsically assigns worth and reifies race in a way that’s conveniently beneficial to the oppressor.

it IS worth talking about how using Element as a way to categorize people reifies nations, borders, and race in a way that is VERY characteristic of white american liberals. i tried to be conscious of that (and the way that elements/bending can act in DIFFERENT ways, depending on cultural context) but i think it’s pretty clear that the writers did intend for element to unequivocally signify nation (and, by extension, race), which is part of why they screwed up mixed families so bad in lok. when they’ve locked themselves into this idea that element=nation=race, they end up with sets of siblings like mako and bolin or kya tenzin and bumi, who all “take” after only one parent based on the element that they bend. which is just completely stupid but very indicative of how the writers actually INTENDED element/bending to be a race making process. and its both fucked up and interesting that the writers display the same framework of race analysis that the canonical antagonists of atla do.

anyway that’s a few thoughts! thank u again for sending the article i really loved it and i had a lot of fun writing this <3

#this is 2.1k words LMFAOO #asks #analysis #do i have an analysis tag?#crit #lok crit

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the-insomniac-emporium · 3 years

Note

thoughts on Bela///Donna?

What a lovely can of worms you've placed in my inbox, dear nonnie. I cannot wait to open it and lose followers (regardless of what I actually say).

Since this is, uh, a subject of some debate among RE8 fans, I will be inputting my thoughts on the idea of the ship (and the possible controversy), as opposed to doing HCs or something for it (which I recognize might be what you were asking for, despite the excessive /s).

This is all based on my playthroughs of the game, as well as what I've managed to double check on the fandom/wiki for it. I know that a lot of people who read fanfic for the game haven't actually played it, likely having been lured in by Tall Vampire Milf, and so I hope that some people will be open to a reminder of, like, canon vs fanon? I've mentioned in a previous post that there's a lot of details for RE8 that are not made clear, and I feel the need to reiterate that in this post. Capcom left a lot of stuff up to people's imaginations, or kind of just hinted at in game or in concept art.

But more importantly, regardless of what game we're talking about, regardless of the conclusion I come to (and the one you come to) at the end of this post, I want to say that I absolutely understand the need/desire to have your own perspective/take on the characters from the game, as well as their dynamics. If a ship makes you uncomfortable because you see the characters as being family members, it's totally okay. Block the ship tag, or filter it out when you look through fandom stuff, don't follow people who post for it, etc, etc.

If you think of characters as being family-family (like, not just "we got married and are now a family" but, like, "we're siblings/parent and child") and still ship them? uh. sorry, bruv, maybe think of hitting that unfollow button. No, seriously, hit that unfollow button. This blog is anti-incest, thank you very much.

The last thing I'll say before putting it under a read-more (for both length and major RE8 spoilers) is that I recognize that I might have missed something, either in game or developers talking about things on social media, and so if you read through this and go "god, J, you're such a dumbass for forgetting *critical piece of media*" or even just "okay but have you seen *small but meaningful piece of media*?" please. Just. Please. Tell me. Link me to that shit. I WANT to know if I'm wrong. I've literally avoided talking about this for as long as I could in order to TRY and make sure I have all the context I need.

With that said, let's examine what context we are given for Alcina Dimitrescu, Bela Dimitrescu, Donna Beneviento, and their relations to each other. I will be leaving my personal thoughts on Bela///Donna at the very end of this, as somewhat of a conclusion, somewhat of just a "hey, this is what you technically asked me about".

Firstly, let me begin by explaining what I consider to be the 3 tiers of "canon"

In-Game/Direct: The highest, truest tier, the definitive canon. This is everything that takes place in game, excluding certain hallucination scenes (ex: Mia was not really in House Beneviento, but we can infer some things from what Donna made Ethan hallucinate about). Things either happen, or are directly stated by characters. There's some wiggle room for dialogue, as characters can lie, but overall we, as the audience, assume we are being told the truth. At the very least, games usually eventually make it clear when a character has been dishonest. Examples of Direct Canon include the following: Ethan is infected with the mold, Lady Dimitrescu drinks blood, Heisenberg wears sunglasses, Mother Miranda can shapeshift.

Concept Art/Developer's Notes/Indirect: Mid-tier and debatable, the "we think, but we're not sure" of canon. Resident Evil: Village contains lots of concept art that the players can browse through, all of which include notes from the developers about the game, characters, environments, and story. Sometimes the notes make something "direct", but oftentimes they do not specify whether the listed idea is still canon or if it was removed during development. This tier also includes information that is implied/can be inferred from tier 1 information, but is not directly stated. Examples of Indirect Canon include the following: Donna's mother died by suicide, Moreau was going to have his lover fused to his back, Duke was originally a fifth lord, Heisenberg was going to have a twin. As you can see, not all of the concept art ideas made it into the final version of the game, so it can be hard when some information seems like it might still be true (such as the matter of Donna's parents).

Fanon/"False": Sometimes collective ideas in a fandom become so widespread that people start interpreting them as actual canon. Sometimes it gets hard to remember what's just obscure lore and what's fanon. When we get a piece of fiction as overall vague as a lot of Resident Evil: Village is, there's bound to be some confusion over time. That's one of the main reasons I waited to talk about Bela////Donna until after I had recently replayed relevant sections of the game, as I wanted to remind myself of what we're actually told. Examples of False Canon are difficult to pinpoint, but might include things like: Hufflepuffs are good at finding things? The Avengers got along for awhile and all had their own rooms in the tower? There's a number scale for the danger level of ghosts in Danny Phantom?

For this post, I will be limiting the majority of my notes to the first two levels of canon, and will do my best to mark them as such. Now... let us... begin.

Alcina Dimitrescu:

Born no later than 1914, Alcina Dimitrescu was 44 years old when she was granted the Cadou by Mother Miranda. (1st Tier: Canon. Source: A note in the castle basement from a servant is dated 1958, and mentions both Alcina and her children. Secondly, Miranda's experiment notes state that Alcina was the 181st subject, and was given the Cadou at age 44. By doing math, we can then determine the earliest Alcina could have been born.)

Alcina refers to the other Lords as her family once without any disdain (when Ethan first arrives at the castle and is caught, Alcina says "you've escaped my little brother"). In a private journal (located near where she threw the infamous vanity) she insults the other Lords, and expresses anger that she is "treated like a sister to them". She argues with Heisenberg without any hesitation, and seems honest in her hatred of him (per Maggie Robertson's wunderbar performance). (1st Tier/2nd Tier: Canon with a sprinkle of interpretation for the last line)

Alcina openly refers to Bela, Cassandra, and Daniela as her daughters, and wrote in her experiment journal that she felt instantly connected to them (as mother and daughters). (1st Tier: Canon).

Bela Dimitrescu:

Likely born in the 1930's or 1940's, in order to be an adult by 1958 (the first dated appearance of the Dimitrescu daughters). (2nd Tier: Based on inference)

Dialogue shows that all three of the daughters do love their mother, and reinforces the bond Alcina's journal mentions. (1st Tier: Canon)

We are not given any information about how Bela feels about the other Lords, or even what she knows about them. Once can assume that she shares the ideas of her mother, either because Alcina tells her things directly, or because Bela (who is eager to please her mother) picks up on them over time. (2nd Tier: Based on inference)

Donna Beneviento:

No idea when she was born. If you've read one of my recent posts, then you know that it's almost entirely a matter of 2nd and 3rd tier canon.

Of the four lords, Donna seems to have the most story within the 2nd tier, and has very, very little in the 1st tier. Duke says she's somewhat isolated, and that her "playmates" never leave the house. Miranda's notes state that Donna is mentally ill, and the gardener's diary states/implies (bit of both) that Donna has severe social anxiety. (1st/2nd Tier: Mostly canon)

Supposedly, her parents committed suicide while she was still a child. This is indicated in concept art/the attached developer's notes. However, the only part that's also directly stated in game is that her parents (specifically her father) died while she was young. (1st/2nd Tier: Mostly canon)

While Donna only has one voice line in the game (and it's sad), Angie talks a fair bit. Angie seems to disapprove of the other Lords, or at the very least enjoys mocking them, as well as enjoys watching them fight with each other. As Angie is connected to Donna, and Donna has some level of control over her, one can assume that the two have similar (if not the same) opinions. (1st/2nd Tier: Mostly Canon)

Donna was adopted by Mother Miranda as an adult. It's unclear exactly how old Donna was, or what exactly Miranda did as her "mother", just that Donna was excited about it. (1st Tier: Canon)

Other Relevant Information:

Heisenberg refers to the other Lords as his siblings a minimum of 1 time. Similarly to Alcina, however, he openly insults them and seems to hate them. He just, you know, hates Mother Miranda the most. (1st Tier: Canon)

Mother Miranda does not actually give a shit about the four Lords, intended for them to die before the ceremony, and has been manipulating them for her own gain this entire time. Her notes and dialogue make it clear that she only cares about getting Eva back. Somehow mother of the year and worst mother ever. At the same time. (1st/2nd Tier: Mostly Canon)

It's unclear who treats Alcina "like a sister" to the other Lords. Were there cut lines of dialogue that cemented the idea of them being a "family"? Did Miranda call them a "family" as part of pretending she cared about them? I've done my best to dig around, but there's very little in game that treats them as a family of any sort.

As each Lord ruled their own section of the region, they don't have any mentions of interacting with each other outside of meetings with Mother Miranda. None of the notes for any Lord (and their relevant experiments) mention what the others are doing. In game, their environments are very separate, very well divided, though this is likely as much for gameplay as it is for story.

Conclusion:

I do not not believe there is enough in game evidence to suggest that Alcina and Donna consider themselves to be siblings. There's the possibility for a large age gap, Alcina was a fair bit older than Donna when she met Miranda, Donna is a social recluse whose closest bonds were with dead blood relatives and dolls, Alcina openly dislikes (if not hates) the other Lords, they seemingly lived very separate and distanced lives, and Mother Miranda does not enforce the idea of "family". Furthermore, the sheer contrast between how Alcina interacts with/speaks of the other Lords compared to how she interacts with/speaks of her daughters says a lot about her feelings. Even if Heisenberg takes the brunt of her anger, Alcina never once says anything remotely positive about anyone other than Miranda and her daughters.

As Alcina/Bela and Donna are not blood-relatives, the definition of what would count as "incest" does vary depending on who you ask. Personally, I do count non-blood relations as potentially incestuous. For example: Alcina "dating" one of her daughters would be incest, regardless of the fact that she's a mutated human and her daughters are weird swarms of flies.

Now, I do understand how popular the idea of the four Lords being a real, chaotic but still close family is. And as I mentioned above, it's totally valid to not like the Bela///Donna ship, whether it's because you think they're family or some other reason. I don't personally see them that way, even in my definitely-not-canon stories.

Do I personally ship Bela///Donna? Nope. Have I liked art for the ship? Admittedly yes, even if I thought some of it was, like, maiden x Bela because Donna didn't have her veil and I'm a DUMBASS who doesn't always remember to read tags. Would I ever write for it? Yeah, probably, assuming I didn't miss anything in game/that I don't eventually change my mind.

#*incredibly deep sigh*#*incoherent screaming*#it's 6 in the morning #i spent too long doing research #again feel free to send me links if you think I missed something #what do I even tag this as?#asks #anonymous #meta shit #i'm procrastinating on posting this because of anxiety #I'm worried 2 specific followers are going to unfollow me #and possibly one mutual #somebody just kill me already

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granny-griffin · 3 years

Text

Hi guys! This post has content warnings for the following: suicide, incest, abortion, politics, and swearing. I've tagged this post for all of the above, so you should add one or all of them to your blocked tags if you don't want to see it. Stay safe friends!

@arists started a conversation with me on this post. I'm making my own post now so that I don't clog up op's notifications with our discussion. I'll post the relevant screenshots here, but I'm including the link so that you can fact check what happened if you want.

#1 (op's post)

Image Description: "A screenshot of a twitter thread. Sarah Chavez writes, 'It's not hard to see what a pro-life world looks like. It looks like a world with a lot of dead women in it." An article is linked, but the url is cut off. Emily Gould replies to the first tweet, saying, '"Amnesty International reports that suicide now accounts for 57 percent of deaths of pregnant femals ages 10-19 in El Salvador." That's what a "culture of life" looks like.'"

#2 (in the notes of op's post)

Image Description: "granny-griffin replies, 'This. Suicide is an evil we have to prevent. But murder is NEVER the answer. I'm not sure how it even became a viable option. We need a better solution.'"

(note that there is a significant time gap between images #2 and #3)

Image Description: "arists replies, '@granny-griffin the only other "solution" is mandatory vasectomies on males but good luck telling men what you want to force onto their bodies. ntm abortion at 6 weeks isn't fucking murder but science doesn't fucking matter to you.' Then granny-griffin replies, '@arists if you want to start a conversation, then I'm happy to talk! you can dm me or whatever! But if you're just angry, then I'm glad you found an outlet and I hope you feel better soon'"

Image Description: "arists replies, '@granny-griffin go start a conversation with the women of texas' Then granny-griffin replies, '@arists I mean. I am a woman living in texas so that should be pretty easy. I'll try to do that sometime soon! It's always helpful to me to hear other people's perspectives on important issues'"

Image Description: "arists replies '@granny-griffin so you're a traitor then? when you see little girls being forced to birth a product of incest you feel better about yourself? you see women who have a dead baby in their body forced to cary to full at the risk of her life and think "nice job me!!" And you've probably never adopted with makes it even funnier. youre an embodiment ignorance and selfishness.'"

#6 (private message between arists and granny-griffin)

Image Description: "granny-griffin says, 'hey I really. don't want to fight you. I know that you're upset. I think we both want to help women in vulnerable situations, we just have different ideas of how that should work out practically.' In a second text, granny-griffin continues, 'If you need to keep venting, you should do it here. That way if you say something you might regret, it won't be in public'"

Image Description: "arists sends three messages. The first one says, 'I'm not venting I'm saying it how it is' The second one says, 'I've dealt with ill-minded christians like you my entire life I know your strategy' The third one says, 'now go back to the post because I refuse to deal with you behind doors so you can appear "holier than thou" by putting on a fake image'"

Image Description: "granny-griffin sends seven messages. The first one says, 'ok we can do this in public' The second one says 'give me until tonight though I've got school' The third one says 'do you care if I make a separate post? I'll copy all the previous stuff from our conversation and the main post' The fourth one says, 'I just don't want to have a whole conversation on op's thread' The fifth one says, 'it would feel disrespectful almost?' The sixth one says, 'like they have their whole point and I don't want to completely de-rail them' The seventh one says, 'but if you aren't cool with moving them then I can come to wherever is comfortable to you'"

Image Description: "arists says, 'go ahead'"

to preface—airsts I'm still not totally sure what you want out of this. You aren't obligated to respond to anything I say—just like I'm not obligated to respond to you. We don't know each other, and this is kind of an unfortunate way for us to meet. Still, I hope we can have a productive conversation going forward. I'll go through everything and ask questions. You can respond to as many or as few of them as you want.

#3:

The only other solution to what—suicide? unwanted pregnancy? incest? Is that really the only other solution? What are some policies you would like to see implemented to deal with each of these?

How do you define murder? How do you define what a human life is? Are there particular scientific facts or theories you make use of in your definition? If you have time, please either explain them, or reference an article/book/other source that does. I would like to learn! But I understand that fact checking is a lot of work so if you're too busy I understand.

#4:

(A note here—my knowledge of the situation is not as thorough as I would like it to be, but from what I know I'm not satisfied with the way abortion restrictions are being implemented in Texas. What are we doing—reporting each other to the secret police or something? Notifying the authorities of a crime is one thing, but why is there a finder's fee? Why are we sueing each other? This kind of thing will only breed corruption and mistrust.)

#5:

Huh, what am I a traitor to? Women? Is there a point of view that is specifically the "pro-women" point of view? Traitor makes this sound like a war—are there sides? are there good and bad guys? Who gets to define all of this?

No, I don't like it when girls are forced to birth a child conceived in incest. What are some ways that this situation could be prevented? Do you think that easy abortion access could ever perpetuate abuse by allowing abusers to get rid of the evidence of their actions? Is providing abortion services to victims of incest worth this risk? (and I mean that as a legitimate question, not a leading question)

(Another note here—I am pretty sure children who die in the womb can still be born naturally (hence the term "still-born"). But again, my knowledge here is limited and my issue with abortion is largely because of the harm it does to the child. If the child is dead already, and abortion is the only way to remove them, then I don't have a problem with this.)

Do you think adoption is the only way to take care of vulnerable children? Did you know that people who adopt sometimes need help raising funds to do so, or need help with babysitting, or need meals made and chores done for them? Did you know that mothers who raise their own children need these things too? Is this an attack on my argument, or an attack on me (ad hominem)?

Sorry to assume you were venting—I should have asked what your purpose was instead of making assumptions.

Okay but do please tell me—what is my strategy? I am curious to hear your psychoanalysis of me and my goals.

Arists, I'm really sorry if I came off as "holier than thou." I'm not a better person than you. I know that I think I'm right—everybody does. But I do want to be open to hearing and learning from your perspective. Even if you don't change my mind, you can increase my empathy, and that's extremely valuable to me.

okay, that’s it! I’ll wait for your response!

#cw suicide #cw incest #cw abortion #pro life #pro choice #cw politics #cw swearing #long post

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acesydneysage · 3 years

Text

A Sydney and Eddie retrospective

@vablappreciationweek Favorite familial relationship: The Melrose Twins

Part 2, Books 4-6: The Heartbreaking Trilogy, Why Are You Doing This To Me This Is So Sad

Part 1 here

In The Fiery Heart, Sydney and Eddie definitely already love each othe like siblings. By the end of the book they prove that in the most painful way possible, but let's ge through some cuteness first while I steel my heart.

We get Adrian's perspective on this book, so it's nice to see Eddie talking about Sydney when she isn't around:

“Because it’s Sydney,”said Eddie from the backseat. In the rearview mirror, I could see an easy smile on his face, though there was a perpetual sharpness in his eyes as he scanned the world for danger. He and Neil had been trained by the guardians, the dhampir organization of badasses that protected the Moroi. “Giving one hundred percent to a task is slacking for her.”

When Sydney wants to soften Zoe's extreme opinions on vampires, she picks Eddie to be Zoe's driving instructor because she wants "someone approachable and friendly who’d show her not all dhampirs were evil creatures of the night."

When Sydney is being a sappy romantic and describes what love is to the group, Eddie is the one who lingers looking at her the longest, he can tell something is different about her. They really know each other by now. When Eddie let's Zoe drive outside of the parking lot, he knows Sydney so well that he knows what she's going to say, and what to say to make it better:

“I can’t believe Eddie of all people would do that. It’s irresponsible.”She nodded. “He said you’d say that and that I should tell you, ‘At least it wasn’t Angeline.’”I couldn’t help it. I laughed at that. “That’s true. He does have limits.”

Later when she tells Zoe frivolity might not be such a bad thing, they have a sweet little moment:

“Sometimes frivolity isn’t a bad thing.” Eddie, who didn’t seem put out about the dance, grinned. “Sydney, when we first met, I never would’ve thought those words could come out of your mouth. What happened to you?” Everything, I thought. I met his grin with one of my own. “We all need some fun. We should forget that dance and go out and see a movie that night. When was the last time we all did that?”“I think the answer is ‘never,’” said Jill.

When Neil comes up with his crazy plan to test the Stigoi vaccine, Eddie is very shaken up by the similarities to the event in Spokane that lead to Mason's death. While Sydney thinks that "if Eddie was involved, one Strigoi seemed feasible", what finally convinces Eddie to go is her magic. Although Neil puts her on the spot, she does ultimately make the choice to trust him with this dangerous knowledge about her:

Eddie wasn’t swayed, and there was a look on his face I’d never seen before. “I’m not denying the principles, but it’s too dangerous. And not just to you. I did something like this once . . .” A pain so intense that it tore at my heart crossed Eddie’s features. “Me and some friends. We thought we could take on Strigoi . . . and my best friend ended up dead. No matter how prepared you think you are, even against only one, the unexpected can happen.” [...] The more this got out, the more trouble I was in. And yet, as I looked into Eddie’s steady gaze, I was reminded of our friendship and all we’d been through. In a world of secrets and lies, there were few I could thoroughly trust anymore, but I knew then, without a doubt, that Eddie was one I could. Taking a deep breath, hoping I wasn’t being a fool, I held out my hand. A nervous glance around confirmed we were alone, and I brought forth a spark of fire in my palm that soon grew into the size of a tennis ball. Eddie leaned over and gasped, the orange flames reflecting off his face. “Maybe . . . maybe our odds have gotten better,” he said.

During the fight with the Strigoi they go after, we get a little more about their similarities, how they're both so dedicated to helping others, and they both seriously admire each other so much. You get a bit of that from Sydney's perspective,and how much she cares about Eddie:

I knew what agony Eddie had to be in because I shared it. We both wanted to help Neil. Doing nothing, even for a handful of seconds, went against every part of our beings. [...] For his part, Eddie was magnificent. It had been a while since I’d seen him fight, and I’d nearly forgotten that the adopted brother I joked and ate lunch with was a lethal warrior. [...] I had to act. I couldn’t just stand by and let Eddie be annihilated, not if there was anything I could do.

After the fight, Sydney is caught up in the euphoria of surviving a near death experience, and she makes pretty much zero effort to hide her relationship with Adrian from Eddie:

As soon as I was on the road with Eddie and Jill, I told them, “I need to see Adrian. Drop me off and take my car. He’ll give me a ride back.” Eddie looked totally surprised by that. “Why do you need to see him?” “I just do.” I didn’t feel like attempting an excuse, and Eddie wasn’t the type to badger me. The most I got was a curious look when we reached the apartment. His curiosity turned to panic when he realized I’d be leaving him alone with Jill. “Good luck,”I said as I got out, not entirely sure who needed it the most.

When Eddie figures out that they're together she tries to avoid the conversation, expecting condemnation, but he's very supportive. This is the last conversation they have before everything falls apart, and everything I tried to remove to shorten it felt like an important character moment, but the most relevant parts are bolded:

“Sydney . . .”Eddie’s light mood vanished, and even with my eyes on the road, his tone tipped me off that something serious was about to happen. “About that. About you going to Adrian’s . . .”I felt a tightening of my throat and couldn’t answer immediately. “Don’t talk about that,” I said. “Please.” “No, we need to.” Eddie knew. Eddie knew, and if the subject wasn’t so dire, I would’ve laughed. He was oblivious to his own social affairs, but guardians were trained to watch and observe. Eddie did that, and no doubt he’d picked up all sorts of little things between Adrian and me. We tried so hard to hide from the Alchemists, but hiding from our friends, who knew us and loved us, was impossible. “Are you going to lecture me?” I asked stiffly. “Tell me I’m breaking taboos that have been in place for centuries to preserve the purity of our races?” “What?” He was aghast. “No, of course not.” I dared a look. “What do you mean ‘of course not’?” “Sydney, I’m your friend. I’m his friend. I’d never judge you, and I’d certainly never condemn you.” “A lot of people think what we’re doing is wrong.” It felt strange and oddly relieving to acknowledge my relationship with Adrian to another person. “Well, I’m not one of them. If you guys want it . . . that’s your business.” “Everyone’s suddenly very liberal about this,” I said with wonder. “I just heard a similar thing from Trey and Angeline—about their own relationship, that is. Not about . . . other people’s.” “I think my ill-fated time with Angeline may be part of it,” he said, with more humor than I expected, considering she’d cheated on him. “She talked enough about her people that after a while, it didn’t seem that weird. And, well, my race exists because humans and Moroi got together and had kids way back when.”I felt a smile start to grow on my lips. “Adrian says it wouldn’t be fair to the world if he and I had kids, what with the overwhelming power of our collective charm, brains, and good looks.” Eddie laughed outright, not something I heard very often, and I found myself laughing too. “Yeah, I can see him saying something like that. And that’s the thing, I think . . . the real reason I’m not that weirded out by you two. It goes against all sound logic, but somehow, you two together . . . it just works.” “‘Against all sound logic,’” I repeated. “Isn’t that the truth.” A little of his amusement faded. “But that’s not what worries me. Or the morality of it. It’s your own people I’m worried about. How long are you going to be able to go on like this?” I sighed as I took the exit for the meeting spot. “As long as the center holds.”

Eddie thinks Sydney and Adrian make sense. Obviously I agree that they absolutely do, but on a surface level it doesn't look like it. You have to know them and have a better understanding of their personalities to figure out how they actually fit together. What he's worried about is the Alchemists. Of course, by this point, since the ending of TFH is a sadistically drawn out torture, we already know from the ending of the last chapter that she's about to be captured.

I made it the door first... and found Eddie. His clothes were dirty and torn, and the right side of his face was swollen and red. There was a wild, half-crazed look in his eyes I’d never seen before. A feeling of dread settled over me, and the darkness and despair and fear that had left me alone for so long began to rear their collective ugly head. I knew, even without Eddie saying a word, what had to have happened. I knew because of that terrible look of pain on his face, a pain similar to when he hadn’t been able to save Mason. [...] “Adrian,” he gasped out. “I tried, I tried. There were too many. I couldn’t stop them.” He came forward and gripped my arm. “I tried, but they took her. It was a setup. I don’t know where she is. She tricked me, damn it! I never would have left her if she hadn’t tricked me!”

When they figure out it's a trap and he tells her to run, her first instinct was that she couldn't leave him behind. When they're running together through the woods the Alchemists start shooting at Eddie, specifically. He's running at Sydney's pace and she knows he would never leave her, the he would die to save her. And she knows she could not let him die.

Eddie won’t leave me, I thought frantically. He’ll never leave me. They want me, but they don’t care about him. He can live or die, and it won’t matter to them. But if he’s what’s keeping them away, they’ll shoot him and destroy his body. “Eddie,”I said, panting. “We need to split up.” “Never.” That answer wasn’t a surprise. What was a surprise was that out of all the things rattling around in my mind, Abe Mazur’s words popped up in the forefront:. Don’t think for an instant that I wouldn’t do terrible, unspeakable things if it could save someone I love. Because it was Abe, I’d naturally assumed he was talking about doing terrible, unspeakable things to other people. But as Eddie and I held on to each other, the words took on a whole different meaning. In that moment, I knew I would do anything to save Eddie—my friend—whom I loved. Even if it meant doing something terrible and unspeakable to myself.

The first thing established in the first paragraph of Bloodlines is that re-education is Sydney's greatest fear, literally her worst nightmare. But she faces that, she walks right back and turns herself in in order to keep Eddie safe. She tricks him into spliting up by claiming that it's part of a spell, and he believes her because he's seen her do extraordinary things.

“I tried,” he whispered. “Adrian, I tried. I never would have ever left her if I’d known. I would have stayed with her to the end. I would have laid down my life and—” I had to forcibly hit the pause button on my own feelings as I dealt with his. Eddie had lost another person. It was bad luck, that was all. He was one of the most badass , capable guardians out there, but he couldn’t believe that about himself, not when he kept seeing these failures laid at his feet. Looking into his eyes, I recognized the intense self-loathing consuming him. I knew the feeling well because I was carrying around a fair amount of it myself. “I know you would have,” I said. “There was nothing you could do.” He shook his head and stared off with a haunted look. “I was an idiot. I never should’ve bought into that spell stuff. After what I’d seen her do with fire, it just seemed so . . . well, real. I believed her. It made sense.” I smiled without humor. “Because that’s what she does. She’s trained to make people believe things. And outsmart them. You didn’t have a chance.” She also was willing to trade her own life to save her friend’s, but no one had trained her to do that. It was just something within her. Eddie wasn’t going to be swayed so easily, and I left him to his grief as I huddled with mine.

When Sydney's captured, Eddie feels like he failed her, just as he'd failed Mason in Spokane, and Jill when the rebels killed her. But still, he has faith in her, that she can hold on to herself:

“How much can they really change her, though?” asked Eddie. “I mean . . . she’s Sydney. She’ll be the same . . . right? She can fight them.”

In Silver Shadows,Sydney is in re-education, and she still finds it in her to be worried about her friends on the outside. Eddie's humiliation and guilt over having lost Sydney killed the kindling romance he had with Jill. There isn't much he can do to help find her at this point.

Once they find a lead on where she is, going to her rescue is very important to Eddie, but he also feels conflicted about leaving Jill with less protection. When the time comes, Jill convinces them to take Eddie because he needed to be part of her rescue, he'd been consumed by guilt this whole time, and that might be the only thing that would allow him to feel redeemed.

With some urging from Jill, he leaves her behind, and goes off to break into a prison again, to rescue a much worthier prisoner this time. After getting mostof the prisoners out, Eddie and Adrian go back into the burning building to get Sydney and the remaining people. After they bring her out to freedom, they have this moment where they hold each other and cry, it always makes me so emotional:

Eddie came last, and as we sized each other up, the tears hovering in my eyes finally spilled. “Eddie, I’m so sorry I lied to you that night.” He shook his head and pulled me to him. I heard tears choke up his voice. “I’m sorry I couldn’t stop them. I’m sorry I wasn’t protection enough.” “Oh, Eddie,” I said, sniffling. “You’re the best protection. No one could have a better guardian than you. Or a better friend.”

I hope Eddie did feel redeemed, because Sydney pretty much immediately tricks him, and gives him the slip again. She does take the time to try to nudge his love life again first. Then she goes off with Adrian, going against the plan, because she thinks the other fugitives will be safer without her.

"Eddie shot me one last parting smile that nearly choked me up again." “I never thought I’d see Castile brought to tears,” said Adrian as he started up the Mustang. “This really hit him hard. Hell, it hit all of us hard, but he really beat himself up for it. He never forgave himself for you giving him the slip.” “Let’s hope he can,” I said, putting my seatbelt on. “Because it’s about to happen again. We aren’t meeting them at the safe house.”

Eddie was furious about this, but at least this time she didn't get captured. And soon enough he had something else to feel bad about, since Jill went missing right after he got back to her. She disppeared without a trace in the middle of the night, and there's another failure laid at Eddie's feet.

He's not in a great state in the beginning of The Ruby Circle:

Eddie appeared in the doorway. Seeing him almost always brought a smile to my face. In Palm Springs, we’d passed ourselves off as twins, sharing similar dark blond hair and brown eyes. But over time, he’d truly come to feel like a brother to me. I knew few others with such courage and loyalty. I was proud to call him my friend, and as such, it hurt me to see all the pain he felt over Jill’s disappearance. There was always a haunted look about him now, and sometimes I worried whether he was really taking care of himself. He hardly ever shaved anymore, and I had a feeling the only reason he bothered eating was so that he could keep training and stay in shape for when he located Jill’s abductors.

Sydney isn't doing all that great either, stuck in a hostile environment while she deals with her trauma and worries about Jill. When Sydney and Eddie sneak out of court to look for Jill, the power of Raptorbot can make him smile:

“It couldn’t have been that unexpected,” I argued. “I mean, why did he build a dinosaur body for her? Why not something more human? Or at least a more friendly animal?” “Because then there wouldn’t have been much of a movie,” said Eddie. “There’s still got to be a plausible backstory …” I said. A wry smile crossed Eddie’s features, and although the entire topic was absurd, I realized I’d hardly ever seen anything but a grim expression on his face since Jill had been taken. “I don’t think you can really sit down with a movie called Raptorbot Rampage and expect a plausible backstory,” he said. The attendant looked offended. “What are you suggesting? It was a fine piece of film. When the sequel comes out, people will be lined up out the doors to see this exhibit!” “Sequel?” Eddie and I asked in unison.

I love it when the twins talkin unison, even if they probably had opposite tones. And I really love Eddie being a fan of Raptorbot I'm sorry. He and Declan have matching Raptorbot pajamas, you can't change my mind. This is another exchange that screams siblings to me:

“We were probably his only customers today,” I remarked. “That’ll make us memorable—that and having someone who’s actually seen and liked Raptorbot Rampage.” “Hey,” warned Eddie. “Don’t judge until you’ve watched it.”

Later Sydney tries to tease him about it again, but he's focused on the search so his good humor doesn't come back. I think it's very sweet thet she saw something that had made him momentarily happy through the pain, and tried to press that button again.

Eddie is understandably very protective throughout this book. It's not paranoia if they're really out to get you, they actually run into Sydney's family, while they're trying to stay off the Alchemists' radar:

“Then get out of here. Hurry—before he comes out. Both of you.” I was stunned at this complete reversal in her behavior, but Eddie didn’t need to be told twice. He took hold of my arm and nearly dragged me to the car. “We’re going—now,” he ordered. I caught one last glimpse of Zoe before Eddie shoved me in the car, where Ms. Terwilliger sat waiting for us. A thousand emotions played over Zoe’s face as we peeled out, but I could only interpret a few. Sadness. Longing. As we quickly got back on the road, I found myself shaking. Eddie was driving and kept anxiously checking the rearview mirror. “No sign of pursuit,” he said. “She must not have been able to see which direction we went to tell him.” I slowly shook my head. “No … she didn’t tell him at all. She helped us.” “Sydney,” said Eddie, in a stern-but-trying-to-sound-kind voice, “she’s the one who turned you in the first time! The one who started that whole re-education nightmare.”

He doesn't really belive that Zoe had a change of heart, and he tries to be so gentle with Sydney, while anxiously trying to get her away.

With how sad he is in this TRC (he even has broody beard to show it), the bits where he gets excited about things are really adorable. He's very enthusiastic about meeting Malachi Wolfe:

“Are the Chihuahuas really trained to attack?” he asked. I couldn’t help but grin. “That’s what Wolfe claims. We’ve never seen them in action, though.” “I can’t wait to see his nunchucks.” “Do not touch them,” I warned. “Or any weapon, without permission. If he approves of you, he might lend you something too.” [...] “Oh, man,” breathed Eddie. “There really is a herd of them.” I’d seen Eddie fearlessly face down an attacking Strigoi, but he took an uneasy step back at the sound of the canine charge. I grinned and turned toward the door, waiting for Malachi Wolfe himself to answer.

There's a lot of hugging after Sydney leaves re-education. Sydney and Eddie hug a lot, but just in general. Good for her it's what she deserves. "“Eddie,” Sydney exclaimed, running to give him a hug. He grinned back. “You guys okay?” "

When Sydney and Eddie are preparing to infiltrate the Warriors of Light as recruits, she gets a super strength spell while he gets super excited about it, and they have the cutest arm wrestle in history:

“And how much stronger?” asked Eddie eagerly. “Like lift-up-a-car stronger?” Maude smiled. “Sorry to disappoint, but no. [...]” She glanced between Eddie and Sydney speculatively, her smile growing. “I’d say you’re strong enough to hold your own with a dhampir in an arm wrestling match.” “I would kind of love to see that,” I admitted. Eddie’s face said he would as well. Sydney groaned. “Really? That’s so barbaric.” Eddie leaned over and propped his arm up on the table that had previously held the canteen. “Come on, Mrs. Ivashkov. Let’s do this. Besides, if you’re squeamish about arm wrestling, how are you going to handle going head-to-head with the Warriors?” [...] Ultimately, Eddie pushed his strength to its limit and finally defeated her, but not without her holding her own for a while. I held up her arm triumphantly, like a victor at a boxing match. “My wife, ladies and gentlemen. Beauty, brains, and now brawn.” “Awesome,” said Eddie, in a rare moment of delight.

He's really excited about human magic in general, such an adorable nerd. And again, they really do admire each other so much. Following Sydney's blackmailing the Alchemists: "I hung up, and Eddie regarded me with awe. “That was pretty badass. But do you actually think it’ll work?”"

In the epilogue, Eddie pulled strings to live with Sydney and Adrian as a Guardian, and he's one of the people who's in on Declan's secret. He even chooses to sleepin Declan's room.

I sprinted out of the room and up the stairs, to the bedroom that doubled as both a nursery and Eddie’s room. I had high enough royal rank to finally be assigned my own guardian, and Eddie, in that noble way of his, had pulled strings to be assigned to us. I’d initially protested because I wanted him to stay at Court and have a semi-normal dating life with Jill. Eddie, however, felt obligated to be with us—both out of friendship to Sydney and me and for all the times Neil had helped him. We’d offered to turn the house’s small study into Eddie’s own bedroom, but he always ended up sleeping in Declan’s room anyway.

I'm really glad they didn't get separated by the end, it always makes me happy to think about them living together.

#Rapha's Bloodlines Tag #sydney sage #eddie castile #bloodlines series #vampire academy #melrose twins #va #bloodlines #vablappreciationweek #I think I'm late even in Honolulu #I'm incapable of keeping things short and simple #my outline for both these posts had one sentence per book

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