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#and finishing the draft of its
zoetheduckling · 2 months
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I did a Piper re-design for fun
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raepliica · 7 months
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one of these nights
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broh3m3 · 5 months
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azul and riddles
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starry-bi-sky · 4 months
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fast food is the best course of action after causing a scene. ᴘᴀʀᴛ ᴏғ ᴛʜᴇ ᴅᴀɴʏᴀʟ ᴀʟ ɢʜᴜʟ ᴀᴜ
(First Post Here and Second Post Here
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Danny finds Sam easily.
She's right where she said she was over the phone: standing outside on a balcony, in Gotham, at Father's many charity functions. 
("Would you still be willing to fly over to Gotham, Danny?" She asks, her voice ringing clear through the speakers. Danny is already climbing out his window before she even finishes her sentence. He was just about to settle down for the night, his ghosts would know better by now than to disturb him at this time. The Box Ghost not included.)
("Of course." He says, sounding more confident than he feels. Sam was one of his best— closest friends, he would do anything she or Tucker asked. Even if it means stepping foot into his Father's city. He drops down silently, and walks through the house's ghost shield. "Would you like me to bring you anything?")
(Sam sighs through the phone, relief leaking through. "One of the veggie burgers from Nasty Burgers would be great, with their new ecto-fries. Extra salt. I'm sick of all this rich people food.")
(A small smile pulls across Danny's face, tilting at the corner as his living form falls away to his ghost self. "Alright," he says, and kicks himself off the ground, "I'll be there in a few minutes.")
("Thanks, Danny.")
He had the bag of food with him, stored in a container he had to run back to the house to get that would prevent the food from cooling during his flight over. Clutching it in hand, he floats down behind Sam and sheds his invisibility.
Being visible and being invisible always felt different, but in a way Danny can never describe, no matter how many times he tries to think about it. It's like a gut-feeling, a sixth sense, he always knows when he's visible and when he is not.
His ghost form burns away like steel wool being lit, and Danny drops the last foot to the ground silently. In his other hand lies his thermos, but filled with plain ectoplasm — lazarus water. "I have your food." 
(He brought the thermos for himself — his side was still healing from his last fight with Technus. The ghost impaled him with a broken pipe, and Danny returned the favor by wedging his sword into his chest. Technus had been quite offended by him ruining his favorite coat.)
Sam jumps a foot into the air, and her hand slams across her mouth to muffle the shriek she lets out as she whirls around. "Danny!" She hisses, her voice rising in pitch, and her eyes narrow at him into a glare. "Freaking-- Tucker's right, we seriously need to put a bell on you."
"You have been saying that for years," Danny grins, sharp-toothed and jack-knifed, and passes the container over to her. "And yet I've yet to see any kind of bell." He was going to start getting disappointed at this rate.
As Sam takes the container, Danny hops up onto the railing and looks around. He hadn't seen any of Father's other children lurking around the building before he revealed himself, but that doesn't mean they aren't there. He wasn't going to fool himself into thinking that their stealth skills were poor.
He wasn't that arrogant.
...Anymore.
"Oh you will." Sam threatens, unzipping the container and grabbing the takeout bag. "I'll get you a collar and everything, we can start calling you Catwoman." When she pulls out her fries, Danny snaps forward and steals one from the box, ignoring her indignant yell as he pops it into his mouth.
"I spent my own money on these fries, Sam." He sniffs, leaning away from her with a stifled huff of laughter as she swats at him. "So they are technically my fries. And also, Catwoman would be a poor thief if she wore a bell."
Sam grumbles at him, and takes a bite out of a handful of fries. "I'll venmo you money." She says past a mouthful of food, Danny would have been disgusted in the past, when he was still new. But he's gotten used to this... normality. So he makes no reaction to it. "How does three hundred bucks sound?"
Danny immediately frowns.
"Did you have a fight with your parents?" He asks, eyes glancing to the doors. Doors that are covered heavily by curtains and blurred heavily, decadent music passing through in muffled sounds. He shifts himself away from the light. "You only spend that much money when they've pissed you off."
Sam's chewing stops, and her annoyed expression falters into one Danny knows well -- hurt, furrowed brows, a small frown, disappointment -- and she turns her head away from him. She swallows. "Yeah." she says, quiet.
Oh.
Danny knows that tone too.
Guilt settles like a rock in his chest. He leans forward, "Was it about me again?" He wasn't blind to the disdain Sam's parents had for him, far from it. This wasn't the first time Sam had gotten into a fight with them over her friendship with him and Tucker. But especially him. He unsettled people, even after years of observing his age-mates and trying to mimic their behavior, and anyone who knew him in middle school knew it was an act.  
Sam's silence gives him all the confirmation he needs, and the guilt heavies itself with the weight of the sky. Danny's never much cared about others' opinions of him -- he is (was?) an Al Ghul, they never heed to mind what the weight of a simpleton's thoughts.
But.. he cares a little a lot when it hurts his friends like this. He presses his lips together into a thin line, and forces the words out through his teeth. It sounds robotic. Al Ghul's do not apologize. "I... am sorry." But this one does. It doesn’t come easy. 
Sam sighs through her nose, and turns to roll her eyes at him. "Don't apologize on their behalf when you won't even apologize for your own; their assholes." She says, and goes reaching for more fries.
It's a sign, a signal. A silent word for the conversation to move on, to change. A distraction. Danny grasps it with both hands, and makes an offended noise in the back of his throat. And like he has learned, puts a hand to his chest like a scandalized American southern lady. "I apologize! I apologize plenty."
She snorts. "Only when you think it matters." And pokes him in the ribs sharply with her fry. He withholds a wince and snatches it out of her hands. "You're about as unapologetic as they come, Danny J. Fenton. I've seen you look more sincere when you're trying to drive your sword between Vlad's ribs."
"Stabbing Masters is a very important task for me, Sam." Danny says in only partially faux-seriousness. Masters has yet to realize that Danny had no interest in becoming his son, but he had to (reluctantly) admire his persistence. "Of course I will apply myself to it as best as I can."
He grins triumphantly when Sam laughs, and she reaches over to shove him square in the chest. He barks out a laugh of his own as he grips onto the balcony railing and catches himself at an angle.
"Quit with your method actor talk," Sam retorts, grinning sharply while Danny twists himself back up elegantly. "I know you can talk like a normal person, I've literally seen you do it."
Danny sniffs, and snatches more fries from the carton as revenge. "I'm not entirely sure what you mean, Miss Sam." He says, grin-twisting when Sam rolls her eyes. "My speech has always been this way. This 'normal' you speak of, I do not know it."
She waves her hand dismissively at him. "Yeah, yeah, whatever. But if you keep talking like that, I'm pushing you off the balcony."
"Such violence, Sam."
He gets a laugh again, full of disbelief without any of the annoyance. "I'm gonna be the one that stabs you, oh my god. Pot meet kettle." She looks at him again, smiling.
Danny smiles back, and with a flick of his wrist pulls out a kunai from his sleeve. It was one of the few weapons Mother was able to pass on to him whenever she made her scarce visits. He cherishes it well, along with anything else she was capable of giving him. 
He holds the handle out to her, and watches her face shift from disbelief to shock, then back to disbelief. "Then you're gonna need a weapon to do that." 
"Of course you have a pointy object on you." She mutters, and takes the kunai and puts it in her purse. Danny makes a pleased hum, it resonates low in his core, and drops his hand. "When do you not have a pointy object on you?"
As if to make her point, Danny's hands twist near his side, and he holds his palms up to her, revealing the shobo he had also hidden on him. He gives her a shit-eating grin. "Never." He lowers his hand, and pockets the small weapon once again. 
Sam huffs, "Of course," she repeats, "thanks. I was gonna bring a knife but..."
Danny finishes the sentence for her, kicking his feet idly and knowingly. "The security at the door?" He'd seen them on his flight over the building. It wouldn't do much in the face of the Rogues, but at least they were good at keeping appearances and keeping out the smaller threats.
He rolls his eyes and turns his head away, looking up to the ugly, smog-covered skies. There was no bat signal in the air, and while that was a good thing, Danny almost wished there was. He wanted to see it. "I saw, and I would’ve called Father foolish if he hadn’t hired help. He attracts trouble almost as badly as I do."
"Maybe it's hereditary," Sam jokes, laughing under her breath. With her fries finished, she started on her veggie burger. "At least your dad isn't a vigilante like you are."
Danny smiles wryly. It felt nice to be able to talk more freely about this. That he didn't have to hide the fact that his father was Bruce Wayne, now that Sam knew it from her own accord. Maybe he could have conversations like these more often. Even if it was limited to Bruce Wayne only.
(Even if it felt a little terrifying to know that his father was so close by, close enough that Danny could reach out and touch him. To speak to him. But how would he explain that? And with an audience?)
(He’s wanted to see him since he was a kid, and he still does. It clings onto him like a cough that doesn’t go away after the cold already has, and while it has faded over the years, it clings. His mother’s words still ring in his ears however; it’s not safe. It’s not safe.)
(And isn’t that why he faked his death in the first place? So that his little brother would be safe? Why he gave up the heirship, his home, his Mother, Damian, and his chance to meet his Father? Going to see Father, even now, would be throwing that all away. He has to stay away.)
(Why is Damian with Father if staying with Father was unsafe?) 
He just needed to tell Tucker. Danny wouldn’t keep him out of the loop, he was just as much as his friend as Sam was. His eyes draw towards the door, where the golden glow of lights was still pouring through, where music was playing loudly. "Yeah, fortunately." 
They fall into a comfortable silence after that, and Danny finally cracks open his thermos. The pipe Technus impaled him with was covered in a goo that Danny didn’t recognize, but whatever it was, his injury was taking its time healing. The ectoplasm was speeding it up. 
He isn’t sure what the difference between the ectoplasm that Drs. Fenton collected and Grandfather’s Lazarus pools is, but there’s a difference. He swirls the thermos slowly, watching as the ectoplasm inside twists into a small whirlpool sluggishly. 
When left alone, it thickens into a consistency similar to egg whites, or perhaps a thick smoothie, but reverts back into a water-like substance when moved and swirled. It was strange; unexplainable. He can understand, to an extent, why the Drs. Fenton are so obsessed with studying it and the dimension it comes from. 
Sam watches him idly as he brings the thermos to his lips and drinks from it. The effect is instantaneous, a sense of relief washing over Danny as if someone had put a soothing balm onto an injury. It buzzes down to his fingertips, and when he lowers the thermos, he licks his lips and watches the tips of his fingers burn green like frostbite. 
“Your hair turned white again.” Sam comments, her hand reaching out and touching the hair on the nape of his neck. While it’s not the first time Sam’s touched his hair, it still makes him tense up with her hand so close to his throat. Instinct. dan
He ignores the urge to bat her hand away, humming thoughtfully. “I’ve noticed it does that.” He says, pulling down his bangs to see if they’ve also turned white. No, still black. He lets go. “Let me guess; my eyes are green too?” He lifts the thermos again and peers into the chrome casing. 
Sam nods, “Yep, but it’s only the, uh.” She makes a circle around her eyes with her finger. “The iris part. Everything else is fine.” 
Danny can see that. The faint reflection on the chrome casts back an intense green. He takes another sip. It chills the back of his teeth, and he can feel his canines warp and sharpen. He runs his tongue over them, and swallows. 
Sam is still watching him, her fingers drumming against the balcony railing. “What’s it taste like?” 
“Carbonated.” He says dryly, before taking a large swig. He couldn’t name a specific flavor if he tried, it changed every time he took a sip. The only thing that stayed consistent was that it tasted carbonated. And slightly sweet. When he pulls the thermos away, Danny twists his body towards her and offers it out, wiping his mouth on his sleeve. “Want to try?” 
Her reaction is immediate. Sam’s nose scrunches up and her mouth twists into a smile, and she makes a huffing-laugh sound. “No, thank you.” She pushes it away lightly with her fingers, “I don’t know how to explain to my parents why my hair is white.” 
Right. Danny pulls the thermos away and puts it down beside him, straining his eyes to see if the rest of his hair has changed colors. Even just his first sip would take half an hour to fade back to its normal black, and he was a halfa. He had no idea how long it’d take to fade on Sam, who was human. 
There’s movement from the corner of his eye, and Danny snaps his head towards the source. There’s a figure, small, a boy, trying to hide behind one of the curtains at the door. His form just barely peeking out from the angle Danny was sitting at. He wouldn’t have seen him if the boy hadn’t moved. 
His fingers curl tightly into the railing, and he breathes in sharp. Sam’s smile crumbles away and she turns to see what he’s looking at. “I should go.” He says, and reaches for his thermos. “There’s someone spying on us. Don’t say anything, just look at me.” 
Sam’s expression warps, twists. Her eyes widen, her jaw starts to drop before fixing itself into place, and her shoulders curl up and tense. She forces it all to smooth over, and she leans casually against the railing. There’s a tick in her jaw. “I see.” Her voice comes through teeth. “Do you think they saw you?”
“I am not sure.” Danny says. He keeps an eye on the figure as he twists himself over and grabs the Nasty Burger bag and the container. He tries not to look like he’s rushing. He is. How long has that boy been there? How much did he see? Did he hear anything? 
“Father, fortunately, has privacy films on the glass. Nobody should have seen me unless they’re specifically trying to peep through the door.” He says. The boy seems to realize that Danny was starting to leave. And, his heart beginning to sink, instead of leaving, moves to grab the door handle instead.
No. No, no, no, no, no.
Danny’s breath catches in his throat, he’s hoping that isn’t who he think it is. But how else would he have not noticed an eavesdropper on their conversation unless it was someone who was capable of bypassing those skills? He told himself that he wouldn’t fool himself into thinking that his siblings’ had poor stealth. He got distracted. 
Five years, five years. He refuses to let that go down the drain. He zips up the container and throws his legs over the other side of the railing, his back facing the door. He hears the doorknob click, and without a word to Sam, slips off down the side and down to the ground below.
Just in time. The once muffled music now sounds blaring as the door presumably is thrown open and the pull of invisibility washes over him like a second skin. He doesn't stay to see who it is.
#dpxdc#danny fenton is not the ghost king#dp x dc#dp x dc crossover#dpdc#dpxdc crossover#danyal al ghul au#older brother danny#first danny pov of the au! whoo!#danny's hair turns white if he drinks ectoplasm brrrrr and his eyes turn green. good for him#this sat in my drafts for the last few days until i finally finished it during class#it was a math class and i already knew the material so tis fiiiine. now i just need to finish my CFAU post rewrite :)#ectoplasm tastes like that time i went to go get pepsi from the soda machine and it was all out of the pepsi flavoring so instead i got a#cup full of carbonated liquid. it was disgusting. ectoplasm kinda tastes like that. sometimes.#danny smiles in this more than i thought he would but yk it fits. he IS more smiley around his friends and family.#ectoplasm is a weird non-newtonion fluid and danny is fascinated. its got the consistency of egg whites one minute and then water the next#its a water slime and then suddenly its as brittle as annealed glass. it heats up and rots like milk or it heats up and boils like water#it congeals. it thickens. it boils. it solidifies. it does whatever it wants. it gels and melts into a tar-like substance#how long has damian been standing there? good question. :) i almost had him open the door and make eye contact with damian before falling#backwards. i also almost had it be *bruce* and damian opening the door bc bruce found out that damian pulled a knife on sam and was gonna#have him come apologize. that would be a fun scene. prolonged eye contact prolonged eye contact prolonged eye contact#imagery brrrr. had fun playing with how danny's ghost form works. if anyone has seen a video of steel wool burning thats how i imagine#danny's ghost transformation to be like.#also ayyy balancing danny's dialogue be like “how fancy should he sound and how Normal Teenager Should He Sound”#when sam gets home she catches tucker up to speed about everything including the convos with the waynes she had and they both form the#'“Fuck Them Waynes” squad. Sam has jumped to the entirely wrong conclusion about danny's separation from his family but in her defense.#it is a pretty sound conclusion to jump to considering the lack of context she has from danny's prior home life. which is almost none at al#so to her it looks like danny got abandoned by bruce wayne
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emblazons · 2 months
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"This Planet's Still A Kid. A Little Kid Sick And Trembling In The Middle Of This Huge Universe. Someone's Gotta Protect It."
The Party // Playable Characters in Final Fantasy VII (Rebirth)
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sydmarch · 1 year
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fuck it we ball
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space-invading-pigeon · 2 months
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Look I love the Steve has Awful Parents trope but hear me out: Steve's parents are genuinely great people, but his dad's a bit of an idiot and his mom has to be supervised because she never quite learned how to watch her mouth. Steve has some pretty severe anxiety so he genuinely thinks his parents hate him if they aren't there to reassure him.
His dad, Samuel Harrington, is smart but dense; he misses a lot of social cues and sometimes has to be reminded to do basic functions like brushing his teeth or taking his socks off before stepping into the shower. He's bigger than Hop and crazy strong, but is the definition of a pushover when it comes to his family.
Now his mom, Penelope, is small and looks like a shy, demure housewife; she's a shark in human form. She's petty and a bit vindictive, but she has a soft spot for kids and (most of the time) her husband. Her best friend from high school, Wayne Munson, is the only person to insult her and not regret it (he uses that power to make sure she stays humble).
The annual, month-long trip that Samuel Harrington has to take every November means that they aren't around for the first two years of the worst experience of Steve's life, but the summer of 1985, Penelope Harrington gets into a fistfight with a firefighter after he tries to stop her from entering the mall when she hears little Erica Sinclair screaming about her brother and friends still being in the burning building. Samuel Harrington is holding her off the ground as she spits vitriol at the useless first responders when he catches sight of Steve and just walks away from the person his wife has reduced to tears. They lose sight of everything except Steve, sitting beaten and bloody in the back of an ambulance, clutching his coworker with one arm and cradling his other arm to his chest.
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samarecharm · 6 months
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Ryuji having the worst bi crisis of his fucking life bc his mom just had to fucking ask “oh, whats this young ladys name?” when he showed her a picture of Akira petting Morgana. Like okay yeah Akira is like objectively pretty, hes like the Classic Delicate Pretty Boy just like Yusuke which is like whatever; straight dudes have eyes, and they know what women like to see. But now hes like. Seeing things he likes in girls IN Akira now and he cant make it Stop like its genuinely keeping him up at night 😭
Pretty boy used to be A Face that would come up in his mind when he thought of the term. There was no specifics in mind, just like. Pretty Boy. Pretty boy! You say that and theres like a Face Template that shows up in ur minds eye and hed just attribute that to any dude who was like Vaguely Pretty. But now its Akira 😭 and he finds himself cataloging things that Akira does that he KNOWS he finds cute when girls do it. The hairtuck behind the ears. The headtilt when he mishears a question. The Actually Pretty Doe Eyes. The breathy, nearly inaudible chuckle he does in place of a Real laugh (thats made better by the fact that its so hard to get him to laugh in the first place). He likes cute snacks. He blushes easily. Ryuji is sitting here like ‘theres no fucking way man. Like theres just no way. That shit makes NO sense (a lie)’ lying in bed in the middle of the night looking like this vvvv w his phone in his hands (looking at pictures of akira)
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It drives him insane bc like he did Not see any of these things as like inherently girly or whatever. Like thats just akira thats just his bro! And he does OTHER weird shit that cancels all that shit out. Hes like a messy engineer/tinkerer, he rolls out of bed and whatever situation his hair is is everyones problem. He wears that AWFUL gym uniform and doesnt tweak it AT ALL?? He likes baseball?? hes got a whole binder of trading cards that he will show off if u show any moment of weakness. Like hes just Some Dude but also manages to be Some Girl at the same time and Ryuji is like thats not fair. Life sucked ass but at least it made sense before Akira stumbled into it 😭
#persona 5#pegoryu#akiryu#chattin#long post#THIS one is almost a year old lmao its been in my drafts for a while#i at least tagged it as pegoryu before running away cutely so i think i was finished ??? well now i am throwing it into the world#anyway. akira is the guy ever. and ryuji is exploding#‘i have died. badly’#i like thinking of akira like this; hes ryujis first exposure to nb ppl and gnc adjacent stuff#even if akira is p masc by most standards hes still got a bit of. aloofness. about his gender stuffs#ryuji is just really into the way akira carries himself#and it takes him a while to go oh. oh i think its cause i like this dude#um.#😳.#also i wanted to clarify#but ryujis mom just doesnt know Who akira is in that picture#and in my head hes like. looking down at mona and petting him (while sitting)#(AND hes with ann and theyre both kind of a distance away from the camera)#so at a quick glance; hes just Some Girl#and even though shes wrong; it kicks off the mental chaos olympics in ryujis head#‘what hes not a girl’ to ‘where would she even get that from’ to ‘well akira said himself he didnt rlly care what ppl thought about it’#to ‘well. where DID she get that from?’ to lookin at what his homie does a little closer to ‘aw fuck. man.’#but i love that for him#ALSO. RYU/GORO IN TAGS…..#but ryuji going oh my GOD oh my godddd 😨😓😓😓 when something clicks in his head about goro#his voice is so practiced and naturally softspoken and his public facing persona is very demure#and once he gets past the initial anger over goro being a pompous prick who shittalks about the thieves. hes like. god fucking dammit.#There Is A Pattern and A Type He Has and Its Killing Him To Realize it.#hes literally sitting in his room w his head in his hands
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suprecorp · 6 months
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GET TO KNOW ME ♡ [1/10] Favorite Relationships Valentina Carvajal & Juliana Valdés
This is the most beautiful thing I have felt in my entire life.
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ineffectualbookseller · 9 months
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The way Azirphale is underestimated and practically infantalized by heaven is so closely tied to his femininity and I think we should talk about it more because I just want to shout about how relatable the way he's treated in his workplace is as a woman working in a traditionally male field
It's in all the little niggling comments from your boss about personal things that hold no bearing on your work
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and the assumption that what you're doing must be simple if it was assigned to you
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your work is trivialized
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and you get these the placating smiles when you're told plans and proposals are rejected and passed over
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or when your complaints are dismissed
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and you get more of the same from upper management
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it all feels so frustrating and draining but you're at work so all you can do is take a breathe put on that mask and move on with your day
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It is all so deteimental to your emotional well being and textually, so much of this is tied to Aziraphale's softness, his gayness - his femininity
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The thing about working in an environment and gives you this feeling - of being simultaneously destrought watching your belief in yourself get chipped away but also just so irate becuase you know you don't deserve it - is how it builds. It sinks under your skin and feeds into this indignant dejection until you can have a moment of release - but Azirphale doesn't get to bitch about it over drinks with friends, he doesn't get a lunch break where he can go for a walk and listen to an angry scandi death metal playlist, he doesn't even get the chance to cry about it in the bathroom for 5 minutes before confronting it again
(And I talked a little bit about it in the tags of this beautiful photoset but this all comes into play whenever Crowley dismisses his plans or calls him an idiot. These are purely emotional reactions; I really don't think Crowley means much by it - he respects Aziraphale's opinion and genuinely thinks he's brilliant - but Crowley is so quick to use this terminology when Aziraphale is making a decision Crowley thinks is wrong and he doesn't know how much this hurts Aziraphale. Just like Aziraphale doesn't understand the true impact the Fall had on Crowley, Crowley doesn't understand the ways heaven has been tearing away at Aziraphale's self worth)
Aziraphale has been facing this constant drip of denigration since before the beginning of time and has never released the pressure valve. At this point, he's a bomb waiting to go off
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sassthatsarcasm · 6 months
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hey, don’t write yourself off yet
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coolnonsenseworld · 2 months
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❤️🧡💛💚💙💜
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I'm catching up with comms so in the meantime here is a page from KF 2022 PDF, which I drew to substitute for a NSFW post!
I hope you will have a great Monday <3
52 weeks of KICK Fridays - what is it?
It's 3 PDFs made out of my Patreon content where I published Klance each Friday (Kick Fridays) since 2020. You can buy them by lowest price Patreons could pay each year to see it (1/month) on my shop (payhip.com/mezzy). I publish something for each sold PDF 💞
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seaquestions · 4 months
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and now all’s left to do is be powerless, too - then be crushed by the cavalry coming to save you. that's all there is. (id under readmore)
[ID: four black and white drawings in sequence, of a human & a merfolk, accompanied by lyrics from paradise by tropical fuck storm:
a prince holding a mermaid who is mid-turning into bubbles. text reads "i spent a night at sea. (everything dies and that's the way it's always been.) decorated with atlantic cod & bubbles.
a cephalopod mermaid holding up a dead diver wearing old deep sea diving gear. text reads "now nothing's foreign to me. everything dies and that's the way it's always been." decorated with cuttlefish & rope.
a shark-person and a man hold each other, a harpoon piercing through both of them, through the shark's abdomen and through the man's throat. the shark-person has a hole through their head. blood splatters behind them both. text reads "no joy, no sorrow, nothing is spared! everything dies and that's the way it's always been!" decorated with sharks & fish hooks.
a mermaid is strung up with a fishing net, while a sea captain smokes & reads a book. two panels separating them in the background show a sky behind the mermaid & a ship interior behind the captain. text in speech bubbles: mermaid: "to be reborn again?" captain: "everything dies and that's the way it's always been." decorated by bluefin tuna, kelp, and a knife.
End ID.]
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shoezuki · 2 months
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Sampo has taken him to dozens of planets at this point, massive ships the size of celestial bodies and burnt out stars that have turned lush with discolored plant life over billions of years. Massive, writhing metropolitans and quaint, warm planets with people who gawked at their appearance. He's seen massive astral leviathans' open maws that span galaxies and ingest stars, phantom ships made of wood and bone slice through shimmering fogs. Planets composed of intertwined living beings, made of twisting and layered plant matter, places where the stars speak low sharp words and dance over his closed eyelids and make him dizzy.
But he hasn't take Gepard to his home planet.
Gepard assumed it was inevitable; he had known a while before Sampo had taken him off Jarilo-IV that Sampo wasn't from Belobog. He'd suspected it but been unsure long before Sampo mended him back to health. It was a partially spoken truth now, while Sampo divulged more information about every aspect of the universe to him.
"When are we going to your home planet?" Gepard had asked, openly, one night they spent on a waterlogged planet with specks of land, watching as the ocean jumped up and strange aquatic creatures swam through thick air.
Sampo had scoffed, Gepard watching him stand and look out over the horizon with his arms crossed. "My home planet? Please, no need to go to that lump of rock! Trust me, it's the worst planet out here. I've walked on gas giants and burning sun's that were better than that place."
"You came from it," Gepard said softly, maybe thinking Sampo would understand why there's something clinging on the inner walls of his heart that make him want to see where Sampo came from so bad. "It can't be that horrible then, right?"
Sampo doesn't speak, but he shakes his head. "Do you wanna go out? Do you think we could swim in the water... sky... thing?" He grins and Gepard let's him change the topic, content to follow Sampo.
He doesn't talk about his planet without Gepard pushing him. He doesn't talk much of anything about where he came from, how he grew up, why he apparently spent years jumping across planets long before he ended up in Belobog. Gepard asks, sometimes, when he feels maybe he can coax a response from Sampo. But he always deflects, gives vague or contradictory answers, or only responds with tame non-answers.
Sampo acts as usual; he talks constantly, about little things or memories or stuff he wants to show Gepard. When he's not talking, he's humming, tapping his fingers against the glass control panels of the ship, kicking his foot absentmindedly against his chair with a constant metallic thunkthunkthunkthunk. He always grins wide when he looks at Gepard, sometimes grabbing Gepard by his face and pressing kisses against every inch of skin so rapidly it's almost overwhelming.
Sampo talks to Gepard when he thinks he's asleep. Gepard, every time, pretends not to listen.
"I don't want to take you back."
Their bed is small, more like a cot made for one person. Gepard had offered it to Sampo the first time they'd investigated their stolen ship but Sampo had just laughed and pulled Gepard to lay with him. Every night Sampo holds Gepard, arms locked around him and keeping his head pressed to Sampo's chest, or his own body weight draped over Gepard like a weighted blanket.
Right now, he hooks his chin over Gepard's shoulder, running fingers through his blonde hair, one hand over his side. Sampo's hand ghosts over his ribs, burning through Gepard's shirt, directly over the rough, newly healed scar.
He's quiet, so painfully quiet, and gentle, with his touch faint and entirely for Sampo's own gain. Gepard nearly drifted off, but now he keeps his eyes closed, his breathing soft, hoping Sampo doesn't feel how his heart jumps when Sampo brushes a finger over the shell of his ear.
"I don't want to take you back," he repeats softly, his words dark and low with the confession, "I'd keep you in this... stupid little ship, in the stars with me forever. If I could. If you wanted. Only if you wanted."
Gepard does want it: to keep waking up to nothing but stars and Sampo's sleeping face or exhausted grin; to listen to Sampo drawl on about all the stars and planets and strange celestial lifeforms they pass with knowledge that feels bigger than Sampo himself; to be dragged from planet to planet, Sampo's hand searing new marks into his own palm and finger prints, his excitement electric and tangible.
Gepard does, deep down, want it. He wants Sampo to himself, too. To give himself entirely to Sampo. But a part of him will always be in Belebog. They both know it.
Sampo is quiet, the next morning. More than quiet--he's subdued, faraway, as if locked inside himself. Even when Sampo isn't speaking he's loud, his presence always drawing and begging for Gepard's attention. Now he seems small, curled in on himself in the piloting seat.
"Sampo?" It feels rude, wrong to break the silence with his own voice, but Gepard does. "Are you okay?" Sampo turns his head, barely, to look at Gepard where he stands against the wall. He shoots him just a smile, but says nothing. It makes more concern coil and simmer deep in his gut.
Gepard has no clue where they are now, in the vast impossibility of space. The universe is foreign to him, but Sampo treats it like an old friend, like he knows it intimately. Gepard has let Sampo take the reigns, guide them to wherever he wants to go. It had stressed him out, at first, the lack of knowing, the unfamiliarity of new worlds. But now more than ever, he's content just being with Sampo. He'd go with him anywhere.
Where they are now, though, feels different. The outside space is dark, swirling celestial bodies of black and grey and bloody reds and browns the colour of bruises. The terrain is made up of fragments of comets, rocks, shattered formations and debris. The debris varies from collections of dust to meteors larger than their ship, jagged and broken apart like Qlipoth had shattered them open with his hammer. Gepard sees the metallic glint of wrecked ships, metal shards embedded in rock and flayed among it all.
He hates this place. Gepard doesn't know if it's him, or if it's some sort of cosmic effect, but there's a heaviness pressing on him. Maybe it's something real, tangible, or maybe it's the way Sampo navigates the wreckages and meteors with a stiff ease in his shoulders.
Gepard walks up to him, quiet behind him. He wants to touch Sampo, feel the heat of him against his palms, but for some reason he feels like he can't. Instead he places his hands on the back of Sampo's seat, his fingers barely brushing against Sampo's back.
"Sampo, are you okay? If... if something is the matter, you can tell me--"
"What d'ya think?"
Gepard blinks, finding himself shocked by the weight of Sampo's gaze suddenly on him. His eyes always have a dull quality to them, the shine underneath his pupils gone save for when Gepard whispers against his skin or presses his lips across his face. Now, though, his eyes are dark, all consuming. They absorb the light and snuff it out, making the small ship feel cold. "I... what?"
"This place," Sampo hums, turning back to focus on navigating. His smile is a practised, stiff line. "It's lovely, isn't it? Or do you find it creepy? Messy? I mean, it's a lot of destruction. There's a good reason no one but ol' Sampo comes around here anymore."
Gepard frowns, feeling like Sampo's having a conversation he's not a part of. "What do you mean? What is this place?"
"There used to be a planet," he pauses, making a noise in the back of his throat, "actually, a few planets. Small ones. They'd been under the IPC's control for a looonnng time. Until they abandoned 'em after clearing all the minerals out and leaving the planets hollow."
His mouth is dry, his fingers digging into the back of Sampo's seat harshly. Sampo's voice is light, conversational, like he's explaining one of the allegedly 'boring and lame' planets they'd passed before. "The planets were basically just rocks, before the IPC made them into mining projects and shipped a bunch of people to work away there. They left the workers when the mines dried up.
"Rivet Town looks almost exactly like the mining planets did, back then." He clicks his tongue, shaking his head slightly. "The people who'd scrounged up enough money took off, taking everything they could with them. Mine supervisors left behind their working families and their kids and went back with the IPC while the planets starved slowly."
The ship slows, between asteroids and at the edge of a vast, whirling expanse of debris. It swirls around out and around a burning, black body of... of something, within the center of a shattered planet light years away from them. Gepard stares, and the sight of it burns into his eyes.
"D'you know how Masked Fools recruit people?" Sampo says it with a giggle, not waiting for a response. "Sometimes they just whisk kids away from happy families before they can remember anything. Sometimes people go to the taverns themselves and try and choke down the drinks, but that's not often. Most often, though, the Fools find hopeless, little planets and whisk away orphans seconds before... boom! Planet gone! You never forget the popping noise a collapsing, imploding planet makes."
He cackles, laughter loud and echoing off the metal walls. Gepard's hands are shaking, staring out into the ruined abyss, the remnants of planets and lives and a past Gepard can never, ever see or understand. His eyes burn and his heart aches.
Gepard lunges forward, pressing himself harshly against the chair as he wraps his arms around Sampo. He circles his chest and presses his face into the curve of his neck, holding him so tightly as if Gepard is trying to squeeze Sampo into his very being. Sampo's laughter becomes broken, wet and frantic when Gepard holds him tightly. He shakes under Gepard's tight grip, the shine of tears of Sampo's face as he continues to stare into ruined space. Sampo bites his lip, hard, to stifle himself.
"Come home," Gepard exhales, pressing his words into Sampo's skin, "come home with me. After-- after all this. I don't care how long we're out here or where else we go but please. Please come home with me. I'll copy the key to my apartment. I have enough room in my closet for you. We can--I can buy you wigs and dresses and whatever the fuck you want. Anything."
"Why?" It's a whisper, barely a question. Sampo lifts his hand and grasps the forearm pressed over his chest. "Why?"
"Because Natasha probably still needs your help, and Seele will gut me if you don't return, and Hook without a doubt misses you, and Serval pretends she hates you but still asks me how you are when you text me, and I'm in love with you." He sucks in a breath; saying it always makes him feel airy, lightheaded. "I'm in love with you, and I want you there. Why else?"
There's silence for some moments too long, Sampo still shaky in Gepard's grip. He starts to worry that he's suffocating, that it's too much, but when he tries to pull away Sampo grabs his arms and holds them there, stopping him from moving.
"... but my criminal record's gone," Sampo whines, the faintest bit of humour in his voice. He tilts his head back, eyes still red rimmed when he looks up at Gepard with a searching smile. Gepard, having spent so long with him at this point, knows what he's really saying.
"I'm sure you'll record will be as long as it was before in no time." Gepard grumbles, wrinkling his nose and letting his conflicted feelings into his tone. But he lets it drop away with a sigh, shaking his head and feeling fond. "... as long as you try not to give my Guards too much grief, Koski."
Sampo doesn't say anything, but when he smiles and laughs, when he pokes into Gepard's cheek and says that the Silvermane Captain better not go soft on him, his eyes are shining.
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dreamsy990 · 2 months
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some of the less nice thoughts about being aroace
extras below the cut
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sketch
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closeups on my favorite panels
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bonus: adios
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asweetprologue · 1 year
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u can’t tell me this isn’t their entire vibe
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