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#and decided to finally draw it since I've always wanted to as a kid
jy-earl · 2 years
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“Go on, Elyon! Show him who you are!”
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lynaferns · 21 days
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The Forest On The Other Side
Chapter 1: I want to go home.
Ver. [ENGLISH / SPANISH]
A girl gets lost in the forest and finds a misterious gate in the middle of nowhere. At the other side she meets a... very peculiar individual who seems to only want to befriend her and play. Everything seems fine. Until night falls and someone else joins to play...
Again, I appreciate feedback about the english adaptation. English is not my first lenguage and I still mess up sometimes.
This is in some way a more "joyful" story than BIOMáquina, still with its dark themes. I wrote this a year ago. By this I mean I forced myself to get it written down and ended up hating it and burning myself out. A couple of weeks ago I decided to reread it and I though it was pretty ok actually, so I edited it a bit to make it flow better. It used to be written more as a script for the comic I wanted to draw buuuut that didn't happen (cough stressed myself out cough forced myself cough don't force yourself to make content out of a hobby, a hobby is supposed to be for your own fun). I'm not completely satisfied with the final draft but I think is good enough for my first ever fic written.
I originally planned to make it a Y/N thing but that didn't last long. But I keeped the original idea of the first person POV. The Y/N stories I've read has always some narrator telling you what you do insert you in the story. I thought of making the MC the narrator, this way the reader can insert themselves like it's their story or they can read it as if someone else is telling them a story. This is also a bit limiting, since the narration is also the MCs thought process and sometimes I may skip details MC couldn't have seen.
AU, Magical forest, DCA centered, Sun fnaf, Moon fnaf, Elves Sun & Moon, OC, Selfinsert, Character & OC, platonic, friendship, slowburn (kind of), Moon is agresive at first, Moon is also a bit of a gremlin, Protective Sun (I think), OC is a potty mouth, Female Main Character, First person, Angst.
The first post where I showed this AU and my first sketches ideas.
Tumblr archive with all of the art, ideas and anwsered asks.
Youtube Playlist which I'm pretty proud of how it turned out :] It's in a specific order but you can put it on mix.
Note: even though I try to keep things light some things may be triggering for some readers.
CW: Anxiety, Suicide ideation, Implied death, Choking, Non sexual abuse.
Wordcount: 9,700 (It's not rounded, that's literally the number Word tells me it's at lol)
Welp.
Here we are again, in the old village house (yey...). Well, 'I am', my family won't arrive to settle in for another week. They brought me here beforehand a few days ago for organizational reasons. They took a quick look inside before they left to see the state of the house, if it needed any repairs and such, and they headed back to the city. While they finish preparing everything, I take care of the house and text them messages about anything that may be needed for when they return.
We haven't been here in years, the house needs some repairs, and I'm sorry for the spiders, but it could use a deep cleaning. We can't do a deep cleaning but I have been cleaning what I can these last few days, at least so that it looks decent... at first glance.
Well, it's not like anyone is coming to visit.
It's a quiet town, until the kids from the town next door come to make a racket with their bikes. They play in our field, scare away the cats and throw cans around. They are assholes.
Anyways, the people in the village are nice. The adults I mean, the kids I used to play with, I don't get along with them anymore. Some of them aren't kids anymore, we have grown up and are going down different paths. But those who are still kids... they're still interested in the only older kid in the town who listened to them and let them do whatever they wanted, to a certain extent.
I don't want them to come looking for me to go out and play. I've been avoiding them by saying that I'm busy cleaning the house and getting it ready for when my family arrives, but I feel like interacting with them less and less. That's why I'm going out to the woods behind the house to get lost for a while, as always. The kids don't go near the forest so they won't bother me there.
There is an area for tourism and hiking but not many people come, some police cars border the forest from time to time but they never go inside. The reports of missing people in this forest have been coming in for decades, only some lost children have returned but there is no trace of any of the adults who disappeared along with the rest of the children. The areas marked with signs are safe but you can't go out of bounds unless you want to disappear with those people.
And I, who right now am alone and with no one to notice my absence if I go missing, am going to head straight to the forest. Don't you think, I don't want to disappear, I just don't like people and I usually go into the forest but I don't go too far away. As long as I see my house in the distance, I know how to return.
I grab my bag with my sketchbook and pencil case, in case I feel like drawing (probably won't) and step out to the back porch. The outer sliding metal door that protects the inner one is rusty and difficult to open. It would be better to oil it but I don't know when it will be done, considering that the broken railing has had a wooden board tied to it for years. I already sent my mother a message talking about it.
I enter the forest and start walking around. It's hot, of course, it's early summer, but it's quite noticeable after being in the cool inside the brick and stone house. That's the good thing about coming here in summer, the houses are made to stay cold inside and it's great, sometimes I even need to wear a jacket. But outside I'm dying, the trees don't provide enough shade. In fact, some trees are missing. I used to have my routes memorized but time has passed and some paths have changed, some have disappeared and others have formed. I admit that it makes me a little sad... I began to walk absorbed in my thoughts not paying attention to where I was going.
I'm walking away, I should go back. I'm not going to draw anything here anyway, and it's hotter outside than inside so I'm gonna to turn around-
I hear screams and laughter in the distance, the sound of the voices produces me an immediate disgust. It's those kids from the next door village. They must have come to 'investigate' about the disappearances or maybe they don't care and they just came to be idiots-
They're getting closer.
I don't want them to see me. God. Don't let them see me. Anyone but them. They're getting closser. Don't let them see me. I can't go back home now. They're cutting me off. Of all the people who could have found me. It had to be them. No, please. Don't let them see me. I have to go further into the forest, I can't let them see me. They're getting closer. Don't let them see me. I want to leave. I want to leave. I'm getting too far. I want to leave. I don't see my house. I want to leave. I don't see the village. I want to leave. I don't see the kids.
...
...
...
Where am I?
Fuck.
Where am I?
I want to leave.
I want to leave.
I want to leave.
I want to leave.
Now I'm wandering through the forest. I don't want to go back. I want to get out of here. Even though I'm walking in a straight line I feel like I'm going around in circles, and I'm not going to get out of here now. Great. I'm lost. Now what? People who get lost in this forest don't return, no one has returned except for some children.
...
I'm going to disappear.
...
For now I keep walking until something happens. Maybe there's an animal that kills people who get lost, or maybe it's a group of kidnappers, or maybe I should stop giving myself anxiety and focus on getting out of here. Maybe if I find a field or road, or even the tourist area, I'll be able to get out of here and return bordering the fores-
...
There is... colorful graffitis on the trees. Someone has painted eyes, hands, stars and more on the bark of the trees...
What's this?
I don't know where I've come to, I didn't know this was here, in the middle of nowhere in the forest. The trees have red leaves like in autumn even though summer has just started... The first thing I thought was 'climate change's fault' but there is something that stands out in the middle of this entire flat area and it is disturbing me.
In the center there is a kind of circular gate made of stones supported by roots.
Okay, maybe it doesn't sound aaaaas disturbing as, I don't know, a totem with a human figure being impaled or something, but it's giving me a bad vibe. What is this place? Who built a stone arch in the middle of everything and why?
A bird appears flying from behind me and goes through the gate, but nothing comes out on the other side... wait what? how? The bird has crossed the gate, and disappeared behind the stone arch? ...I had to imagine it, it's not possible that that happened. I approach the arch but not before picking up a rock from the ground and throwing it to the other side of the gate.
It's still there.
For some reason the thought of going through the gate makes me uncomfortable, so I go around it.
...
...And the rock? It's not there.
I go back and look from inside the portal.
The rock is there.
...
I look from outside. The rock is not there. I repeat this multiple times. Rock. No rock. Rock. No rock. Rock. No rock... What?
Alright, this is weird, this is VERY weird.
Even though it is clear that this isn't normal, I have to go back, pick up a fallen branch from the ground and pass it through the portal. This time I don't throw it, I've grabbed a branch long enough to see it peek out from the other side of the arch.
...
Welp.
I should be seeing not only the branch, but also my hand sticking out of the side, but I'M NOT SEEING IT. OKAY. OK. ALRIGHT. IT'S CONFIRMED. THIS IS WEIRD.
I'm asleep, right? Or unconscious. I must have passed out from exhaustion from endlessly wandering through the woods and I'm delirious or something. No, wait, it can't be, in my dreams I'm not this aware of what's around me. Where am I?
A breeze begins to pass through the gate. It's getting stronger but not enough to push me. The leaves rise from the ground and float towards the portal, none slipping outside, all entering through the stone arch. Suddenly the breeze that had become wind stops. The leaves fall to the ground.
...
I look back for a moment, as if there was something behind me that could help me make a decision. Grabbing with both hands my bag strap I look back at the portal again. Okay. Alright. This is possibly the death of me. I'm going to cross. I'm going to go to the other side. I'm just one step away from crossing. I wrinkle my face and narrow my eyes before taking the last step.
...
Nothing has happened. Everything seems the same. However, I know it's not the same... Or at least it doesn't feel the same!
Well, I've already crossed. I'm gonna... keep walking, I guess, even though this is scaring me and I don't know if I'll know how to go back. For now I'm moving forward. The red leaves have disappeared several meters ago. It's starting to look like a normal forest, except for the multicolored drawings and handprints that I keep seeing on the trees. In fact, it seems like the trees are taller with every step I take. So high that I can barely see the top. I almost tripped while looking up. Whether this is the same forest I come from, I no longer know.
This was a bad idea. I just hope to find something that'll help me know where I am, a sign or the road if possible.
*cling*
...?
I hit something with my foot. There is a ball attached to a small chain on the ground. Oh, no, wait. *cling diring ding* It's a rusty bell, I think. It doesn't have the typical cross-shaped hole or slot, rather it has several holes in a pattern. It looks like it can be opened.
There's nothing inside.
?
There's nothing? But I could have sworn it had rang. I close it again and shake it.
*...*
Nothing.
I'm going to put it in the bag, it's totally a good idea. I'll think about it later, for now I'm moving on.
I've been walking for a while now and throughout this time I had a constant chill on the back of my neck, as if someone had their eyes on me.
*din dirring* I hear a soft tinkling in the distance.
Okay, I'm not alone, awesome, what do I do now? Do I say hi and risk the potential danger finding me? Do I ignore the sound of bells and keep moving? It's very possible that whatever made that sound is watching me right now...
“Hello?” Still nervous, I try to say hello looking around “...” “Is someone there? H-hello?”
“-HEEEEELLO!”
“AAAAAH-!” I cover my mouth with my hands as I turn to look at what the hell has greeted me back. I take a few steps back while I look at the figure of earthy and sunny tones who responded, he seems as surprised as I am, I think (with the scream I made, normal), at least it looks like he's surprised. He wears a two toned wooden mask... it looks like a sun, with a crescent moon on its right... It gives the impression of two faces merged into one... Damn, he is tall, he's almost doubles my size. He appears to have two skin tones dividing him in half, his right side being the lighter and the left darker, especially the arm, which also has a light-colored tattoo of lines representing a sun symbol that covers from the shoulder to the pectoral and to the middle of the bicep. The right arm is covered by a long fingerless glove that reaches to the shoulder and is tied around the chest. He's wearing baggy pants with leaves coming out of the waist and legs, some... cloth boots? with a long toe bending sharply and curving in a geometric swirl with a bell at the tips, a bag hangs from the waistband of his pants and falls below his hips. His chest and neck are tied by ropes decorated with hanging stones, metals and crystals, he wears a pendant that ends in a carved symbol of a crescent moon with rays. Some of the 'sunrays' on his mask have ropes tied between them holding them in place and some metal dangling. Some red ribbons along with bells hang from his wrists.
“um... Helloooooo.” He greets again, this time he lowers his tone of voice. I manage to react, I turn around and walk away. “¡ah- eh- Wait!” Nope, I'm not going to wait and see what he does with me, I'm leaving. “He-! Hey!” Nope. I quicken my pace and try to get lost among the trees, changing direction every time he appears in my vision angle. “Human? Human-! FRIEND. Can I call you friend?!” Nope, nope, nopnop, nop, nop, nope. “Friend! Hey!” God, no, god, god, no, why are you following me? “Look, I know what you're trying to look for...! And believe me, you're not going to find it~!” How are you still following me? Where do you come from? “Hey! Listen! Why don't we do something else besides running in circles!?” Noooooooooo... “There are TONS of other activities we could do! Like... HOLY MOLY, look at this stick! Do you like sticks!?” Leave me aloneee... “You aren't looking at it! Okay, alright, you don't like sticks, erm... what might be of interest to you...” If I don't look at it it doesn't exist. “Could you help me a little here?” I want to leave... “Look, no matter how much you wander around, you won't find the portal-!”
“STOP—! STOP FOLLOWING ME! LEAVE ME ALONE!” The sudden scream startles him again, making him jump in place. He stands completely still looking at me. I'm leaving before he gets angry.
“B-but I- ...okay.” I thought I heard him say before I left him behind.
It seems that this time he's not following me, finally... Although I'm not calm, he could still be following me and simply not be in sight. Anyway, I think I'm coming back? I hope I am. I want to find that portal as soon as possible and go back to the house- what the fu-? “WHY?”
He's there. Right where I left him. Sitting on a rock. Waiting. “...! I haven't moved from the spot!”
“Yeah- but- WHY?”
“Because I knew you were going to come back here!”
“...What?”
“Is what I was trying to tell you! You can't leave! No matter how hard you try to find the portal, it won't appear before you!” The Sunman exclaimed.
“…” I'm just about to turn around. In fact, I'm already turning around.
“N-No, wait! Please don't go!” I stop in my track and look back at him. He gets off the rock he was sitting on but remains squatting, almost at my height, a little below. I move back, keeping my distance. He puts his hands up. “Look, I'm not doing anything! I won't chase you! Just- ...don't go.”
“…”
“L-look, listen, there's no way it's going to show up! Well, not to you at least. But even if you find it back, it won't work! It only works when it wants to work.”
“...” Let's imagine that I trust what he says “Ok... and when does it want to be working?”
“...” “No idea!”
“...”
“...”
I'm about to collapse on the spot. At least he doesn't seem hostile, for now. “...” “Okay... Good... Great...” “...” “FanTAS-tic.”
“...” “You don't seem like it.”
*ಠ_ಠ* I could only look to the side in frustration in response to that. I looked back at him with concern showing on my face and grabbing the strap of my bag with both hands. “And... what... do you plan to do with me?”
He took his hand to the chin of his mask and with the other he held his elbow in a comical thoughtful pose. “MmmmnnDUN know! What do you plan to do?” He asked so nonchalantly. He ended up sitting on the ground crossing his legs. “You have a good while until the portal opens again...!”
“...”
“...”
“...”
He started swaying. The silence has become uncomfortable for a while now, but I can't organize myself on what to say, and I don't know if I trust him. I don't even know if he's human, although something tells me he's not.
“You could wait here.” He suggested, breaking me out of my thoughts. “Or anywhere else, if you want. I would recommend somewhere high like the treetops (for no particular reason)! If you're going to wait... But wouldn't that be really boring?” There was something in his tone of voice... “Being there... at the top of a tree... waiting... alone... with no friends to hang out with (can I call you a friend?). Aaall on your own until the portal opens again.” He looks aside for a moment “...” And back at me again. “With no one to be with you.” He repeats the head motion “...” “alone...” Wow... I wonder what he's implying, ahem. “Wouldn't you want to have someone...? ...Someone...keeping you company?” Yeah, yeah...
“...” I guess... “I-I guess I wouldn't want to be alon-?”
He rises to his knees. “That's what I thought! Do you want me to accompany you? Only if you want! But can I?” He clasped his hands together as if asking a favor.
“um...”
“Can I?Can I?Can I?Can I?Can I?Can I?Can I?” He approaches, dragging his knees on the ground.
I'm starting to miss personal space. “Okay! Okay, alright...”
“REALLY?” He started hopping and jumping around me. “OH, ohoho hO! Great! Oh, there are TONS of things we could do! Like... Like...!” He moves faster, doing bigger and bigger flips and jumps, it almost seems that he is very light, as if the breeze of air lifted him. “We could paint and decorate trees! Or we can also paint on rocks! Or paint leaves! Or paint us! Oh! We can tell stories! I'm very good at making shadows and puppets.” He moves from place to place with each sentence he says. “We can also play something!” It's moving so fast all I can see is the wind and the leaves it stirs up as it moves. “Anything! Whatever you want!” Finally he stopped in front of me half crouched. “What do ya say?! Hmm! Friend!?”
“Don't... call me like that.” Makes me feel awkward.
“Oh...why not-? Oh true, true! How silly, I don't know your name! What do you call yourself, potential friend?”
“...”
“...” “Aren't... you gonna tell me your name?”
I twist the bag strap “Depends...” I must say I'm a little skeptical about this. “Are there any consequences for telling you my name?”
“...Consequences...?”
“Like... I don't know... Mmm-by telling you my name I become your possession and cannot regain my freedom until... certain conditions are met...”
“...”
“...”
“Why- how-? Where did you get that from!?” It did sound a bit stupid when I said it out loud.
“I dunno- that's what they say in old children's stories about elves and fairies!” I just hope the embarrassment isn't showing on my face.
“Really?” I could feel his deadpan expression behind the mask.
I shrugged.
“...” “Okay... Oh, what if I tell you my name first? Will you tell me yours? It's only fair, I'm Sun!”
“...”
“Can I know your name now?” He asked expectantly.
“...How do I know you're not trying to trick me?”
“...” I must be driving him crazy with this “The only thing I can do with your name is treasure it in my memory.” He put his hands together as if he was carefully holding something and brought them to the forehead of the mask. I gave him a distrustful look. It doesn't seem like it made him desist “Please?”
I grip at my worn out bag strap “...” “ Fern...” I ended up murmuring.
“Hmm? Fern? OH, I like it!” “Sounds like FRIEND.” He emphasized the last word by making a gesture like jazz hands, leaning to the side and moving his head closer to me.
“Yeah... I think you are missing a couple of letters.”
He straightened his posture again. “Nope, I don't think so!”
“You're still not my friend.”
“Oooowwwwwnnnnnggghhh” He lowers his head dramatically until it practically touches the ground “nnnnnnngggghh, alright!” And cartwheels to stand up again “So... what will it be?”
“Hm?”
He straightened his posture and puts his arms on his hips “We have plenty of time, ya? What do you wanna to do?”
“I don't know, what do you want to do-?” Bad mistake.
“Come with me!”
“aaAAAAA-!” Before I knew it, he had grabbed my arm and I was being dragged through the woods. We visited several places and he offered me an activity to do in each of them.
Sun took me to a place where the trees were full of colorful paint “We practice painting on the trees here!” He said.
“Ah.” That explains the crossed out lines and the repeated imperfect shapes. By the look of it is also where he tests the quality of the paint.
“Do you want us to paint something!?”
“Not really...”
“Oh, would you prefer it to be on a rock?”
“Nah.”
“...And in star leaves-?”
“I don't want to paint, Sun.”
“Oh... Well, I can show you more places!”
“OkayyEEEEEE-” And I'm being dragged away again.
He brought me to another area of the forest, the ground here seemed more leveled. Not a single tree was straight, all of them were twisted and even seemed to be hollow. “How about playing something!? Like hide and seek-! No, wait, I can’t let you out of my sight.” He mumbled at the end “And chase?! We can climb a tree and see who reaches the top first! We have a place full of vines and it's perfect for swinging- and jumping from one tree to another-!”
“I don't... really want to move a lot…” With the way he runs without getting tired and me, who doesn't exercise... he would let me dead.
“Oh... well, theeen-”
We arrived at a place full of vegetation and humidity. Sun seemed quite excited... “This place is full of insects! We can look for cool bugs!”
“Mmmmmnoooo... I don't want to.” I had to tell him, trying to show as little disinterest as I could.
“You don't like them?” He sounded a little disappointed hearing my reaction.
“No, I do like them, some of them, but I don't like to touch them.” And I'm terrified of them flying into my face.
“Oh, well, it's okay!” He said brushing it off and we moved on to the next stop.
“I know that bird!” He stopped us on the way to point at a robin high up on a branch.
“ah.” I said as I removed leaves from my hair and clothes, and checked that I still had my glasses.
“He's a little rascal!”
“...” I think the bird is making us the equivalent of 'mooning'.
“Look fish-! Oh, they're gone…” The noise must have scared them away “We can go find more places to look at them if you want!”
“...” “...no, pass...”
“…”
“Look at this stick!” Sun had suddenly sprinted past me, picked up something from the ground, and came back just as fast, showing me the stick as if it were a sword.
“oh.” It's a cool stick, must admit it.
“Do you want to look for more sticks!?”
“No...”
“oh...” He looked at the ground in disappointment.
“Why would we go looking for sticks? There are all over the ground.” Specifically, in this area the ground was all sticks. We are literally just stepping on sticks right now. I don't see the ground.
“Variety!” Sun said pointing at the ground with both hands. A branch is heard falling in the distance.
“That's a deer!” He pointed at the deer passing nearby. The deer stopped to look at us.
“Yeah, I see.”
“We call 'em Adoquín!”
“...Why is it called Adoquí-?”
*THUMP!*
“…”
The deer smacked itself against a tree when trying to run away. It stands still for a minute, processing the hit, looks at a side and then the other, then runs off again but this time avoiding the tree.
Another *thump!* is heard in the distance.
“...” Alright.
“Do you wannaaaa look for pine cones? There will be some fallen around here. Oh! We can also look for mushrooms!”
I keep saying no to everything he suggests and it doesn't look like he's going to run out of ideas to pass the time. In fact, he's very insistent that we do something. I guess at some point I'll have to say yes to something. “...” “...okay...”
“Hmm?! Okay? Okay to what?” His exaggerated surprise offends me but I don't blame him.
“To... I don't know, pine cones?”
“...You don't look very convinced.”
“…”
“…”
“…”
“OKAY! On the hunt for pine cones then!” I startle a little at the sudden shout. He makes a pose pointing in a direction, as if he were leading an expedition.
He takes me through the forest looking for pine cones. We aren't finding many, especially me who's not paying any interest. He tries encouraging me to put more effort into it but I keep looking at my boots.
We passed near a shingle river. I find a pebble at my feet and bend down to pick it up and take a better look. It's like a bluish gray, it has some reddish lines in the shape of waves, it feels good to the touch.
I hear the soft tinkling of a bell and feel a shadow fall beside me. “You like pebbles?” Sun is crouched next to me with his arms full of pine cones.
“…” I nod.
We go down to the river and spend some time collecting pebbles with curious shapes or small details of colors, lines, spots, etc. He comes over to show me one every time he finds weird shapes.
“…”
*rin* This time he's hunched over resting his hands on his knees. “You look… a little down.”
“…”
“Hey... we can do something else if you're tired of the pebbles.”
“...” I drop the pebbles I was looking at on the ground.
“...” He turns his gaze from me to the sky. It hasn't gotten late enough to be getting dark, but it's been a while between the walks we've taken (dragging me from here to there), looking for pine cones and then pebbles in the river. He looks back at me. “Oh, I know! Can I take you to one last place? A better place than the ones I've shown you!”
“…” I got up from the ground and waited for him to start leading to follow him.
We enter the increasingly thick forest. The trees are taller and bigger, in fact, I start to see platforms and bridges lying between the trees, I even see small shanties in them.
“Wait here!” He takes a run and jumps onto one of the trees with bridges. He takes three steps running up the tree, with a jump he pushes himself off and climbs with agility until he reaches the platform and climbs on it. “Just a moment!” It can't be seen from here but I can faintly hear some squeaks. I have no idea of what he's doin-
*rush*
“........eh?”
A rope.
A rope has fallen. At the level of my head.
“.......”
What?
He said he knew a better place.
No. It can't be this.
“Is it at a good height?! Can you reach it?!” He says...
It can't be.
A better place.
He can't be referring to this.
A better place.
A better place. A better place. A better place. A better place.
“Can you put your foot in?!”
“..........” For some reason what he said throws me off. “WAT-?”
“Can you put your foot in the loop and hold on to the rope so I can pull you up!?”
“..............”
“You can't climb trees, can you?! ...or you can?"
… “...” Oh “....It's...It's too high!”
“Okay!” Squeaks are heard and the rope descends to the ground.
I put my foot into the rope as he told me and hold on to it. “O-okay...!”
“Are you ready!?”
“Yes!”
“Okay!”
He begins to pull up the rope (which doesn't tighten around my foot as it supports my weight) and helps me up to the platform. (That's what it was for, obviously, what else would he want? I'm such an...) “Come on!” He says cheerfully, as always, and takes me over the bridges. “You seem tense... Don't tell me you're afraid of heights!”
“S-something like that... it's nothing.” He tilts his head at that but he says nothing. I have an unpleasant sensation in my throat.
We arrived at a high place with a view of waterfalls, I can't see above the trees. We sat on one of the bridges, resting our arms on the rope that serves as a railing and letting our legs hang off the bridge. I've thought about taking out the sketchbook to draw... but I don't really feel like it right now, so I just quietly observe the landscape. It is a better place, yeah.
I feel watched. I turn to look at him ...Of course he was looking at me. I don't even know whether to say something or keep quiet. ...I decide... not to say anything and look to the front.
“You... aren't very talkative, huh.”
“…”
“Not that it's a bad thing! Many people who have come here weren't very talkative at first either.” More people...
“...” “I have… nothing to talk about.” I don't want to talk.
“...” “Well, I do.”
“…”
“If it's okay with you, of course.” He laughed. Although something tells me that he is going to talk anyway.
“…”
“...” “What brings you to the forest?”
“...” Really? “I got lost.”
“Yeah, I already know!” He says between laughs “But what made you get lost?”
“...” “There was a group of kids I didn't want to get close to and I decided to go into the woods to lose them.” He makes a 'hum' sound and looks at me expectantly waiting for me to continue “And... I ended up getting myself lost...”
“...” “Only that?”
“...” “Well, yeah.” What do you mean 'oNlY tHaT'?
“...Mmm...” He places his hand on the chin of the mask.
“...” “What?”
“Nothing!” “...” “You know? You're the first human to visit the forest in a loooong time. For several cycles now…”
“Cycles?”
“Mhm” He nods.
“...What are cycles?”
Sun points to the sky “The turns that the Moon makes in the sky!” He emphasizes by rotating his arm in the air. It's pointing right at the Moon that's visible in the sky.
“Oh...” He uses the lunar cycles to know what day he's in, makes sense. “...” “So no one has been here in a while.”
“That's what I said! Well no, but yes!”
“A-and so the humans who came are still here? Have they been here all this time?”
“Yeah...! Well, no!” He paused. “They're gone!”
“What do you mean they're-?” He didn't let me finish the question.
“They are gone! They 'left'!” It sounded like he had given this answer many times already.
“What do you mean they left-?”
“They 'left'!”
“...” “...You mean...they disappear-?”
“Nope!” “...” “Something like that!” “…” “Mmmore or less…” He hesitated between one answer and another.
It seemed worthless to ask about the missing people. “...okay.” “Can I ask you-?”
“You can ask me anything!” A hint of nervousness escaped his tone.
“...okay. What is this forest?”
“My home! And the home of many other animals.”
“...” “Alright, and... how many are you...? How many of you live here? I mean. You have taken me everywhere and we haven't seen anyone of your…” I make a pointing gesture, spinning my hand around in the air. He can't be human, it doesn't look like he is. “...” “Honestly, I don't know what you are.”
“...” “There's only me... And someone else!” He looks away, as if trying to hide something.
“Oh... and who's that someone?”
“Oh! N-no, don't worry! He’s… just a friend… But it’s not important that you meet him or anything!” He brushes it off making a gesture with his hand. “Uh-um- How about we talk about you!? huh? What things do you like? Earlier, since you said no to everything, I thought you didn't like ANYTHING!” He continued talking without letting me respond. “I didn't know what to do if I ran out of ideas. I started to worry! But at least you're not one of those who spend all day shouting and threatening with a weapon in hand, ahaha...” He let out a nervous laugh.
“Um-”
“Well, you ran away screaming, yes.” He began to gesticulate widely as he complained “Like everyone-! No, not like everyone, some don't run, but those who, apart from running and screaming, attack you...! I mean...!” Something tells me he wasn't going to shut up and I was already half listening. “First they throw rocks at my head, then they insult me and run away. And I have to run after them because I can't just leave a human running around alone! No! I can't! Not in this forest! Anything could happen to them! But they never let me warn them!” He sounded tired. “And when I get them to stop running away from me, they throw things at me again and yell before demanding me to tell them where are they and how to get out of here, and when I explain it, they yell at me even more and accuse me of lying!” He turns to look at me with his hands pointing to his chest. “What reason would I have to lie?!” I don't know if he hasn't noticed or if he's ignoring the deapan I responded with. “UGH! I don't know what to do with those! But anyhow... I'm so glad we found something to do in the end!
“eh?” I snap out of my thoughts. It seems that now he is directing the conversation to me.
“The pebbles!” He sits turning his body towards me, leaving one single leg hanging from the bridge and the other resting on it. He takes out of his pocket some of the pebbles that he had been collecting with me. “I don't know why I assumed you wouldn't want to look for rocks. Maybe because you didn't want to paint them before... You left them back in the river in the end tho, I thought you would keep some.”
“Ah... I don't know. I didn't think I could take them with me.”
“You can keep some of mine!”
“No, it's okay.”
“You sure?”
“Yes.”
“You suuuuure??” He insist.
“Yeees.”
He puts a pebble very close to my face “Suuuuuuuure?” Each 'u' sounding higher than the last.
“...” I push the pebble away from my face “Yeeeees.”
“mmmh... Okay! But I hope you don't regret it later when you don't have a cool rock like these and think 'Oh man, I could have a cool rock right now!'.” After a bad impression of me, he keeps the rocks in his pants. “So... Besides pebbles, what else do you like? Mm? I haven't been able to deduce much from today.”
“Don't know.”
“What do you mean you don't know!? Oh! Is it a secret?” He approaches and starts to whisper, putting his hands to the mask's mouth “I won't tell anyone, promise.”
“No. I don't know.” I looked to the side. “I can't think of anything... so suddenly.”
“ooow...” He slumps a little over the railing, looking sad.
“…” I hesitate whether to say something or not “...Drawing...”
“Mmm?!” He no longer seems sad.
“And listening to music, I guess.” “It's... all I do... most of the time.”
“Really!? Oh! I also like drawing! And music! But is that really all you do all day? Don't you do other kinds of things? Like reading! Or writting. Don't you go out for a walk or play with your friends?” I wrinkle my face at that last bit and he tilts his head in confusion.
“I don't go out.” “I have comics, but I rarely read.”
“Comics?”
“Um... They are stories but instead of narrating what happens there are drawings and only what the characters say is written.”
“...It's a book with drawings?”
“Yeah, but with a lot of drawings on each page, from start to finish.”
“WOAH.” He sounded perplexed. “That's drawing A LOT.”
“Yeah, it is.”
“Ahh, I'd love to see what they look like.” He rested his arm on the railing to hold his head in his hand “Too bad I can't…”
“I didn't bring them anyway.”
“Do you normally carry them around?”
“No, it's just that I didn't bring them to the village with me, I left them at home.”
“...” “Oh!” It seems that something has clicked on him. “You are not from the village.”
“No, I'm from a more urban area. My family used to come to the village every year in the summer, but we stopped coming. Now it seems that we are trying to get back into the habit.” I sighed.
“Why did you stop coming?”
“...That's personal.”
“Oh... okay.” He let a minute of awkward silence pass. “Hey, I can bring some books that I have at home! I think you might be interes-!” He looks away from me to the sunset behind us, the sun is almost gone. “-ted...” I look at the sunset too and then at him with confusion. “...” “...oh...oh-OH, Oh-no!” He stands up abruptly causing the bridge to shake slightly. What could have he seen? “We have to move!” He extends a hand to help me up. “We have to start moving!”
I get up in a hurry on my own, ignoring his hand. “O-okay, to where?”
“Come, run!” Once again he grabs me by the arm and leads me over the bridges between the trees until we reach a tree hut. It's small and dark, it looks like a small shelter. He opens the door and enters “You'll spend the night here, stay inside, do not go out, try to hide well and don't open the windows or doors, okay? Here, there are some blankets. I'll come back later.”
“Wait wait wait! What? What do you mean you'll come back later? What's happening? Why do I have to hide-!?”
“Sssh-ssh-sh” He grabs me and covers my hand with his, his left hand resting on the back of my right hand. He begins to speak in a calmer tone, with a voice that I had not heard him use until now. “It's okay, nothing happens. I have to go, I'll come back, but I can't stay now. You hide, try to rest, I'll be back, I promise.”
“...” I take my hand away from his. “Okay.” “I'll stay, but don't take too long.” Please, I don't want to be here alone.
“Yes. I'll be back.” He affirmed one last time. I watch him run away and disappear among the trees and undergrowth. I enter the small shelter to inspect it.
*TAP TAP TAP* *PLOK* *TAP TAP FOOSSSH! *
…? A noise comes from behind me. I turn around and there's a pebble on the floor.
Okay.
I take out my phones flashlight to see better inside the house. There are what appear to be some trunks, small cabinets, and a trapdoor in the floor, It seems that there are corners and blind spots for the windows where the little moonlight that enters through the cracks cannot reach. It's freezing cold and I haven't brought my jacket. I leave the bag on the floor against the wall, I cover myself with the blanket and curl up in a ball in the most hidden corner I can find. I'm tired, I want to sleep, but I can't close my eyes.
It's been a few hours now.
I can't sleep, I simply can't.
It doesn't look like he's coming back.
*creek*
…?
*rin*
*tap tap, creek*
Sun?
“S-...” I pause before saying a word, I have the feeling I shouldn't speak. I remain silent and wait.
*tap, tap, tap, creeeeeek, tap*
*rin dirrin*
If it were Sun he would have already let me know it is him. That or he's playing a prank on me which isn't funny, but I'd better stay silent. From the shadow I look at the windows. I notice movement through the cracks, something has just passed through the wall next to me.
*dirriring dirring*
I cover myself more with the blanket, back against the wall, I stay as still as I can, I leave a gap between the blankets and the floor to see. A red glow sneaks through the cracks in the window and scans the room.
The glow is gone.
*tap, tap, rin, tap, dirring, tap, tap*
It's on the roof.
*tap, tap, tap...*
It moves again.
*rin *
It sounded on the other side of the wall.
“nghehe...”
It laughed. Why did it laugh? Whatever is on the other side of the wall just let out a laugh that made the hairs on the back of my neck and all over my back rise.
Oh no.
Oh no no no no no no no no.
I have to move. I have to get out of here. I can't stay here.
*creeek*
It came from the door. It's trying to get in.
*rin*
The trapdoor.
*rin dirring*
Where was the trapdoor?
*creek creeeek*
I crawl across the floor making the minimum noise, carefully feeling the floor, looking for the edge of the door.
*tap tap ring dirring*
…!
I found it. I open it carefully. It's too high. I'm at a very high altitude, I don't know if I'll be able to go down.
*rin, creeek...*
Fuck it. I slip through the gap quietly, closing it slowly, but that doesn't stop the door from creaking. I cling to the bark of the tree-
I left my bag. If it comes in and see it it'll know for sure that I have been there-
It doesn't matter now. I have to focus on getting down from the tree without killing myself. My fingers hurt and I can't put my foot down properly because of the soles of my boots. I feel like I'm going to slip at any moment. Somehow I make it to the ground. Still attached to the tree, I look up at the house. I don't see it-
A shadow appears from behind the tree. I press myself against the tree and hold my breath. It's looking for something. When he doesn't seem to look I move to a nearby tree, he moves to another tree, I move to the next, and the next, and the next. We continue like this until I start to get further and further away from him. When I think I've lost him I start running. I hide behind a tree to catch my breath.
I slowly peek out from behind the tree.
*rin*
It sounded above me.
I don't look up, I run.
“nnghehee...” He laughs.
He gives me a few seconds advantage before coming after me. The chase begins.
I run forward as much as I can, I hear his footsteps behind me but I don't look back, there's no time for that. I hear him laughing like a madman as he moves from left to right, from one tree to another, crawling on the ground, trying to confuse me, waiting for me to make the slightest mistake to catch me.
“Ah-” I trip. As soon as I fall to the ground I get up, ripping my stockings and scraping my knees, falling again, my nerves not letting me stand up.
“Nnhehehhehe...” Asshole. He has stopped running, he approaches by walking. I try to keep as much distance as my hands and legs allow me to move. I search desperately with my hand for something on the ground to throw. Finally my hand finds something.
I throw a rock at him “AGH!”
The rock passes by him, flying one or two meters away from him. He hasn't even moved, he didn't move a single muscle to avoid it, he just watches me still from where he is. I hear the nearby *pof* of the rock falling to the ground.
“...”
“...”
I get up and run. He grabs my leg and I fall to the ground again. He won't let me get up, every time I try he throws me to the ground. I struggle, I kick, but I don't break free from his grip. He never stops laughing, he is enjoying this. He drags me closer to him, no matter how much I twists, he doesn't let go. “ACKH-!...Hhhh-hh...-hh-h...” He grabs me by the neck, red pupils stared at me, I'm looking straight into his crescent moon mask (or waning, I don't know. Do you think I care right now?). He raises his free hand and his veins begin to glow a platinum color that extends to his fingertips. The hand approaches my face, I don't know what it's going to do to me, I'm scared, I don't want to look. I close my eyes, cover my face with my hands. I wait.
…?
Nothing's happening. It stopped. Why?
“Mun, nïe.” I hear Sun's voice. I open my hands a little to see what's going on. Indeed, it is Sun, several meters away from us... He looks exhausted. The one with the moon mask stares at him for a moment, until he decides to look at me again while bringing his glowing veiny hand closer. “¡Mun!” The Moonman looks at Sun again “Fehreh.” He seems to speak another language, I don't understand what he says.
“...” “Nïe” For the first time I hear him say something else besides laughing. Even though I can't understand him.
“Fïer pehgïer.” Sun responds.
“...” Moonman remains silent again.
“Bïelïe óubseh góuh...” Sun continues.
“Móu txehb móunsuvïe.” The Moon responds.
“Lïe bóu ¿Sóundïe mïesugïeb fehreh nïe txehtehrlïe?”
The air feels tense. Probably because of the hand grabbing my neck.
“¿Zkaóu fuóunbehb txehtóur tkaehnvïe nïe bóueh mehb zkaóu ïesreh rehuh óunsóurrehveh óun leh suóurreh?” Longest sentence I've heard him say so far.
“...” “Fïer óubseh góuh.” “...” “Vóuyehmóu óuntehrdehrmóu vóu óulleh” Sun takes a step forward “Nïe suóunóu fïer zkaóu ehtehkehr ehbu” Another step forward “Nïe sóunóumïeb fïer zkaóu txehtóurlóub... óubsïe” Another step “Óullïeb bïelïe óubsehn... fóurvuvïeb.”
“...” There's no response from the moon man.
“Behkehb tïemïe óub óubïe.”
“...”
The hand that grabbed my neck now grabs my shirt and yanks it. I grab his wrist as he pulls me to my feet and drags me to Sun, making me stumble. He throws me against him. Sun catches me before I fall over.
“Ska óubpkaóurhïe óub óun gehnïe.” The moon says something as he walks past. Sun puts a hand on his shoulder before letting him go, there's a pause between the two. The Moonman disappears into the trees. Wind and leaves are heard passing by.
He's gone. I feel dizzy. I fall down.
A faint light begins to seep through the cracks, illuminating enough to wake me up and make me open my eyes, I look around. I see my bag propped against the wall. I'm at the shelter where Sun left me.
My body aches, I have a hard time keeping my eyes open, it feels like I've been sleeping on the hard floor. No, wait, there are some blankets underneath me... It's still too hard to sleep well, either that or as I said, it shouldn't help me at all that everything hurts. After a while of staring at the ceiling I try to sit up. I emphasize trying. With every slight effort a pained moan escapes me.
“Oof...” Hurts.
*creek, tap tap tap tap*
Those wood creaks bring back bad memories from last night (which by the way, I'm alive, wow, I just realized), I can't help but cringe at every noise, I hear footsteps approaching, I try to move but the stinging pain prevents me from it.
*creek... *
The door opens.
Triangular shapes appear through the door followed by orange earth tones. “…Oh…!” “Early bird!” Thank god it's Sun and not the other one, or something worse “I didn't expect you up this early!” He says laughingly.
“ah?”
“How are you feeling?” He walks in. When he sets foot inside I lean back, towards the wall. “...” I don't really know why I did that. Sun stands at the door showing confusion with his usual head tilt. “...Arrr...re you okay, Fern?”
“...” I became tense suddenly. I really don't know still if I can trust him? He hasn't done anything to me yet but that doesn't mean that I can trust him. I don't know if he plans to do something with me like whatever that other one, the moon one, was going to do last night. “...ehh...hhh...h...” I can't get a word out, I'm afraid to ask.
“Mm?”
“...” I don't know what to say to him. My eyes go somewhere else.
He enters further into the house, ignoring that I keep my distance from him, leaves a bag he was carrying on the floor and begins to open the windows, letting in the little light of the dawn that is just beginning. He kneels on the floor in front of me with the bag. “Are you hungry?” He opens the bag and takes out an apple “Do you like apples?”
“...”
“No?”
“...”
“Um... I also brought berries... (It's what I had on hand coming here) There are... different types, you can choose” He brings the bag closer to me. I move further away. “uhhh...”
“...” I want to leave.
“You don't like them either...?”
“...” I don't want to eat. I want to leave.
“...”
“*snif... *”
“u-um...!”
“...*snif* *sob*...” I started crying out of nowhere.
“Ahhh...! D-do- don't cry! Ah-I-Um- Ca-can go find other things you might like-!”
I felt ashamed for crying and I put my hands to my face trying to wipe away the tears, but they wouldn't stop coming. “*hic, sniff, snif *” I looked away in an attempt to cover my face. I ended up looking at the floor, letting my hair act as a curtain.
“I can go in a moment!” Sun was already getting up.
“...w-want to leave...” I managed to get a murmur out.
“...W-what? Um...”
“...” *hic, hic *
“O-okay, um... If you aren't hungry... -we can do something else- uh- we can go look for rocks like yesterday in the river!”
“...” I don't want to do anything “...want to leave...”
“O-or we can do something else! Ah-bah-b-b-b- W-won't you like to go draw??! Somewhere, some landscape?! Wherever you want! We can draw together! If you prefer we can look for animals instead of landscapes!”
“...leave...want to...go... *hic, snif *”
“¡D-don't n- uh! ¡L-let's... um- let's not- uh!” He no longer knew how to order his words “H-hey, ¿Why don't we go to-?” He extends his hand towards my arm.
“I want to go home...”
He stops before touching me and removes his hand. “...” “...home?” There is a pause. He remains silent and unmoving. He finally speaks “Do you want…?” His tone became more serious.
“...”
“...to... go see the portal?” I look up slightly, I can't see through the tears and the fogged lenses of my glasses.
“...” I nod my head.
We didn't walk far until the red began to become visible. He brought me back to the portal. The same plain of red leaves and stone arch in the center of it all, as yesterday.
Sun has been quiet the entire time.
He advances towards the portal and stands facing it. He turns. “Come.” He extends his hand towards me. “You can pass through.”
“...”
I advance towards the portal. I stop before crossing. If it doesn't take me back home, what do I do? I don't want to stay.
A breeze begins to come out of the portal. The breeze turns to wind, the leaves rise, they pass through us. It's the same thing that happened yesterday when I went to cross. I turn to face Sun. Motionless, he looks back at me, the leaves pause in the air for a second as if time has stopped, the wind changes. From where the wind and leaves came now they come in, they push me towards the portal. I finally cross it.
Am I in the forest I know? I turn to look at Sun who stayed behind in the portal. “...Sun?” He's not there. I look around. He's not here. I've already crossed the portal, he must have left.
I notice a sudden draft pass by me. It's soft, like someone walking past you. I turn towards the forest, I have to start moving, I don't want to be here another minute.
...The air current that I noticed has lifted some leaves, they reach the trees, between them the wind does something strange, it forms a transparent silhouette. It looks like Sun, I can barely see him but I could swear it's him. The wind figure raises its hand and makes a gesture, it wants me to follow it. When I approach it turns around and walks into the forest, leaving a trail of leaves behind it. I follow the trail of the air current. Sometimes it stops to look at me, making sure I'm still following it. The red-leafed trees and the paintings disappear from view the farther we go. We crossed the forest until we arrived at the entrance of the town, near my house. There is no one on the street. If I walked into the house and pretended nothing had happened, officially no one would have noticed my absence.
I'm not one hundred percent sure if the wind figure that guided me is Sun or not, but I should at least thank him for bringing me back.
The air current has dissipated before I turn around. I look around, there's no one.
I enter the house, go up to my room and throw the bag on the floor. I go to the bathroom to wash. …I feel something strange in my hands but I couldn't say what. Doesn't matter. I change my clothes and get into bed, the tiredness of the previous night makes my body succumb immediately and I fall asleep instantly.
“ah...!” I wake up with my lungs begging for air. I need a moment to calm my breathing. I look at the clock without lifting my head from the pillow.
It is 12 midday. I rub my eyes and from my eyes I move to my face. I'm still tired. My body still aches. I stare at the ceiling.
My bag. I reach out to pick it up from the floor, making strange positions so as not to get out of bed.
I open it and search in the pockets. The bell. I put the bell to my ear. “...” I shake it.
*rin, diring diring*
“...”
I open it.
It's empty.
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yum-yumalicious · 2 months
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Hazbin Hotel OC!!
I've finally worked up the courage to post about my Hazbin Hotel OC! Her design might change in the future, so stay tuned for any changes I decide to make. I would also appreciate some advice since I'm new to digital art, so I'm not the best at it!! In this drawing, I decided to finally teach myself how to draw her hair properly.
She was first featured in one of @corpsebridalshower posts after I asked them to deliver an opinion on Yuma <3
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This is Yuma!
Her and her younger sister have always wanted to run a cafe, even during the time they were alive. It took some time, but Yuma was finally able to fulfill this dream in Hell! As odd as that is...
Why not try it her treats? She's sure anyone would enjoy them. So why not give the BerryBunny Cafe a visit? (...It's the name her and her sister came up with as kids)
(I didn't really know what to add onto the tray she was holding, so sorry if it looks random)
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cherrythepuppet · 7 months
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Corpse puppet [Part 14]
sobbing because I'm almost done with this but I don't really mind because that means I can finally draw Cherry, @sketchquill tis a great sorrow
~
After they found cherry and made her apologize to Barnaby (Which she refused to do for thirteen minutes until she was threatened by frank), Wally and (Y/n) stood in the center of the town
"Gather round! Gather round, everybody!" (Y/n) yelled making sure to gain everyone's aattention We've decided to do this thing properly!" Wally said
"So grab what you can and follow us! We're mlving this wedding party upstairs!" (Y/n) exclaimed as the dead citizens began to talk "Upstairs? l didn't know we had an upstairs!"
"Sounds creepy!" "Let's go!" "A wedding, a wedding! We're going to have a wedding"
As wally went over to talk with sally cherry jad walked up to (Y/n) "Hold on, (Y/n)! You can't get married looking like that!" Cherry said
(Y/n) looked at them in confusion as cherry pulled a needle and thread out of her pocket "Sit down" Cherry mumbled which (Y/n) did as cherry fixed the rips and tears in their outfit
"I want you know that if you ever make apple man cry again or hurt him in any way i will steal your soul" cherry told them "Y-yes of course!" (Y/n) said
"Great! Oh I've been waiting to go to your wedding since we were ten!" Cherry exclaimed "what?" They asked "You stuipd and dense" Cherry muttered 
Then it dawned on them "Cherry!" (Y/n) yelled "But how- how did you die?!" They asked which made cherry pulled up the hair on her forehead
There was an X on her forehead "Assination" Cherry told them then put her hair back "What!?" (Y/n) yelled "Who did it?!" They asked "I don't know them personally but it was some blonde chick...i dont know why all I know is they wanted me dead" Cherry mumbled 
"Now I must go get my sewing kid to fix wally's hand" Cherry said before disappearing
"A wedding, we're going to have! A wedding ake is no mistake it must be quite sublime!" Poppy exclaimed as they began to finish up the cake
poppy slapped Sally's hand away as she tried to steal frosting "The perfect cake is hard to miss!" Poppy said as she finished the cake and with Barnaby's help brought the cake outside
"A wedding, a wedding! We're going to have A wedding! Huzzah, huzzah We're going to have a wedding! A wedding! Let's all give out a cheer 'Cause the Groom is getting married today!"
Cherry bit the thread off and tightened it to make sure it wouldn't come off again "There we go" Cherry mumbled 
"One thing you can surely say is we will stand beside Until the end we will defend Our one and only Groom! Our Groom-to-be, our Groom-to-be! Our lovely Corpse Puppet!"
"Huzzah! Hooray! Huzzah! Hooray! Our Groom is getting married today!" "Oh, there he is!" "Here he comes!" "Oh, oh, the Groom is here! he's waited for this day For many a year For this day, for this day! Our hopes and our pride The Groom is here!"
"Here comes the Groom! Here comes the Groom! Here comes the Groom For this day, for this day Will last forever! And all of his friends Will work together To make it the perfect day he's always dreamed of!"
"Our hopes and our pride! Our Groom, our lovely Groom! We're going to have a party Like nobody's ever seen The living in the land above Will not know where they've been The land above!" 
"The party of the Groom! Here comes the Groom On this glorious day of days Up to the land of the living To celebrate!"
The deas citizens began to head up to the land of the living as (Y/n) held wally's Hand and Cherry who was being carried by Sally got hit with a book "CHERRY!" Sally yelled
"That wasn't me!" Cherry replied "IT WAS ME!" José exclaimed as they ran past everyone and threw a book at (Y/n) "OW- HEY! I GET ENOUGH OF THAT FROM CHERRY!" (Y/n) yelled
"Oh, dear" julie mumbled "Quiet down now, everyone!" She said as she tapped a wine glass with a small spoon "Thank you" She said
"Elegant, cultured, radiant, Howdy has found a wife with all these qualities and more Serendipity brought us together and no force on earth could tear us apart"
as julie was making something boring speech everything turned darker and darker...the lighting was now a dark green
.
.
.
.
"There's an eye in me soup" lord piller said as Barnaby approached him "Oh, sorry" Barnaby said as he grabbed his eye out of the soup
As Barnaby put his eye back in every living person stared at him as Cherry appeared onto the table "WHERE THE F!CK AM I?!" She yelled
She saw julie and her eyes widened "You..." she mumbled but julie didn't notice her as everyone began screaming and panicking once more of the dead came....
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notfreetoday · 8 months
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MPW Ep 3 Subtitle Corrections
EP 1 || EP 2 Cultural/Language Tidbits: EP 2
Same translation disclaimer applies. Thanks again for indulging my crazy long t/n, please keep geeking out with me in the notes!
We've got a change of director this episode - to Funabiki Shinju (twitter linked here) who was the scriptwriter for Jack Frost. This date is also a drama-only episode and does not appear in the manga. So, we have quite a few ad-libs here! I'll point out these out, as well as any interesting comments by the director and the producer from the Ep 3 twitter space as we go on. (Due to tumblr's image space limitations, some of these scenes will have no pics, just a description)
Ep 3, let's go! (If you read nothing in this post, please just read Yoh's monologue)
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Since this is the theme of this episode, and Yoh's favourite word, let's talk a little more about it. I've mentioned it previously, but both "嫌い (kirai)" and "大嫌い (dai kirai)" are often translated as "hate/really hate", when they really function more as the opposite of "(suki)", ie "to like". That said, the amount of emotional weight this word carries depends on the context. It can accurately convey the pain/anger of hating someone, but it can also be used very mildly. For eg, it's often used by kids in the "I hate homework/vegetables/the rain/etc" form, or by teens/young adults in the "I don't want everyone to hate me" form, as opposed to other synonyms. When introducing yourself/getting to know someone, it's not uncommon to be asked "what are your suki/kirai?"
In other words, overuse of this word can actually come off as slightly childish, because kids/young people are usually the ones using this word to reject small things/express themselves. Yoh's constant insistence that he hates Segasaki pretty much sounds like this - which is why Man-san expresses doubt about it, and why when Segasaki repeats this line back to Yoh, Yoh understands that Segasaki is teasing him. (The word "love" is considered too heavy and precious of a concept to be thrown around easily, so "suki" is the default go to even in committed relationships.)
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Y: 相変わらずすごいよ、この人の外面モード。 Y: As always, this person's "public mode" is amazing.
"外面 (soto zura)" literally refers to the "outside face", and when used to describe a person means someone who puts up a certain personality/attitude depending on who they're speaking to/the situation.
The reason Yoh's saying this is because Segasaki is speaking to him in a much nicer way than he usually does at home 🤣He's using plain forms yes, but he's also praising him and smiling at him and actually saying a whole, proper sentence as opposed to the one-word sickness he has at home🤣 This is most obvious right before Segasaki leaves, when he warns Yoh to be careful when drawing other people - he says "気をつけてね~ (ki o tsukete ne~)", ending with a ne~ which is sweet and cute and which he almost never does with Yoh at home 🤣🤣
Twitter Space Note (TSN): They decided that since they finally got to shoot an "outdoor scene" for Yoh, they'd try to make him look a little more fashionable with a shirt instead of a hoodie 🤣
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Y: いってらっしゃい Y: Itterasshai - this is a standard greeting that you say when someone is leaving the house (or the office, if they're going out on a business errand). Basically, the one leaving says "ittekimasu" and the one staying behind says "itterasshai". They mean "(I'll) go and come back/Go safely and return well" When returning, you say "tadaima" and the one welcoming you back says "okaerinasai" meaning: "(I have) just now (returned)/ (you have) returned safely". Unlike Yoh, Segasaki does none of these standard greetings (which Yoh complained about in Ep 1 whilst chopping onions).
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Y: だからね、気持ちが通じ合った*っていう描写が必要だと思うんだよおれは Y: だからこそ、体が盛り上がる**、的な? M: はーん。中高生処女みたいなこといってろ Original: Y: That's why I think it's necessary to depict the feeling of "mutual understanding" Y: That's how the physical aspect also gets exciting... or something like that? M: Hmm.. talking about it like a high school virgin, huh? Mine: Y: So that's why, I think it's important - showing that (the characters') have this unspoken understanding* of each other's feelings. Y: It's precisely because of that, that you get physically excited** - something like that? M: Mm.... you're saying things a high-school virgin would say **体が盛り上がる - literally, "the body gets excited/heated up/lively etc" - given that they are talking about erotica, he probably means physically aroused here, but this term also works to explain the feeling of excitement or emotion just swelling in your chest for eg *通じ合った - is not just "mutual understanding" - it specifically refers to a situation in which both parties understand each other without having to say a word - like when you look at someone and just get them, or like in sports, you just look at your team mate and you know.
This is an important distinction because in this line, Yoh again emphasizes "I" - at the end of the sentence he ends off with the pronoun "俺 (ore)" marked by the subject particle "は (wa)" - which means that in this sentence Yoh is emphasizing that this is his opinion - that he himself thinks it's important to show that 2 people simply get each other, because that's exactly what translates to that sensation you feel in your body. This is what Yoh wants - he wants to understand Segasaki, and he wants Segasaki to understand him, without them having to actually say anything. Which at the moment, only Segasaki is achieving, ironically.
[ Man-san's dialogue, where she says "a sex scene follows]
TSN: Man-san actually only says “se-“ here, and then mutes herself (because they’re in public). In the script, it was supposed to be the full “sex” word, but they weren't sure whether it would be ok (it's not clear whether they mean ok for the actress to say this or ok for the show in general) so in the end it became "se-". Yes it's an odd place to be concerned about given the whole Ep2 but #Japan
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Again, the word here used is “kirai” but translated as “dislike” instead of hate 😉
TSN: Between this scene and the start of the next scene, they praised how Acchan uses his eyes to convey Yoh's dejection and how he expresses Yoh's emotions very sensitively through his gaze (and I agree!)
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TSN: The director mentioned that she had thought it would look good if Segasaki to put his hand up like this on the ceiling partition, but the moment Kouhei walked in, he just did it naturally without her having to say anything, and so she was really amazed.
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S: じゃ、出かけるぞ (Jya, dekakeru zo) S: Then, we’re going out.
“Let’s go out” would be more of "じゃ、でかけましょう (Jya, dekakemashou)" – by using the ending form “(-ma)shou”, the listener is included in the action of going out as an equal to the speaker, the same way “let’s” is used in English. It is by far the most common way Japanese people make a statement without trying to sound too overbearing. But here, Segasaki once again demonstrates his habit of simply stating what they’re going to do, and speaking for Yoh. The sentence-final particle “zo” at the end of his sentence is an assertive one that doesn’t leave much room for argument.
TSN: Again they talked about how they emphasised to Acchan to do the housework improperly, since Yoh isn't supposed to be good at it. Also, when Yoh thinks, "what's with this, all of a sudden?", the director asked that he move his hands "more" as he folded the clothes, like he was still happy to be asked out.
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Y: デート自体ないんだよ Y: I’ve never even been on a date.
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Y: 俺、いま一体何してんだろう Y: What am I even doing right now?
Yoh’s not wondering what they’re doing, he’s questioning his own actions, like "why am I even here, doing this, what am I supposed to do" etc, because you know, he's never even been on a date before and he has no clue whether this actually is one.
[The scene with the 2 of them on the bench, and Segasaki asks Yoh what he'd like to eat]
TSN: The script only went up to Yoh answering that he wanted to eat “Chinese food”, and this whole bit afterward just happened naturally when they let the camera run.
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Yoh says “たっか(taka)!” which is short for “高い(takai)” aka “expensive!” but his voice is so cute here I’m dying. (It really is bloody expensive, these things are usually anywhere between 180 yen – 300 yen pre-pandemic. Even with the big one they have here, I don’t think anyone would sell this above 500 yen)
TSN: They said they searched for a 1200 yen steamed pork bun but couldn’t find one, and in actuality the store sells them at a really reasonable price, so to please go give it a try 🤣🤣
[The scene of them walking and sharing the chicken cutlet]
TSN: This scene, as well as them walking along they alley way looking at the shops, was mostly ad-libbed (which is probably why we see Acchan smiling so much here hahaha I’m guessing the question about which he liked better was probably an adlib, which surprised Acchan). For the alleyway, they were told that their conversation was not going to be used, so they were quite relaxed (and that explains the audio fade out lol)
[The scene of them drinking Boba/Bubble Tea]
About Gyaru - when Boba/Bubble Tea first came to Japan, it became pretty popular amongst Gyaru, and quickly became associated with Gyaru culture - hence why they both felt it was something only Gyaru drank. It's similar to the idea that only ladies eat sweets/desserts that was briefly mentioned in OFC (which makes Nozue feel awkward about 2 men eating cake in a dessert cafe) - here they mean they both felt too embarrassed to try Boba out before due to the idea that it's a "Gyaru" drink (and I love how Yoh looks at Segasaki then, like he only just realises that even Segasaki might get embarrassed/feel awkward sometimes).
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S: 乗るぞ (noru zo)
Again, this is “we’re riding it” instead of “let’s”.
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Y: 思ったよりすごく透明で Y: (The cabin) is more transparent than I thought
The floor of the cabin is actually clear, so you can see right down through to the bottom, which is why Yoh is a little freaked out here. Not because he thought glass wasn’t transparent.
TSN: Acchan is also afraid of heights, so the stiffness you see here is real, he really didn’t like it, but they went 4 rounds in total to finish this scene. (Kouhei apparently was fine and enjoyed looking right through the glass, though I can’t remember which interview this was mentioned in, sorry!)
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S: ほら S: See?
ほら (hora) is commonly used to draw the listener’s attention to something, so here Segasaki really just means “look (I was right)”
TSN: They apparently redid the scene where Segasaki dismisses the store attendant many times so they could make sure it was done in a way that looked natural and wouldn’t be off-putting.
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We’re back to one of Segasaki’s humming sounds – the “hmm…?” here again conveys the “oh, really/is that so?” sort of lazy drawl that can easily be mistaken as Segasaki being bored – which is why Yoh immediately suggests they go do their own thing.
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Y: そっちも、好きなところいっていいから Y: You too, it’s okay (if you go) to the places you like so…
Yoh uses “そっち” here to refer to Segasaki - which literally means “your/that side” and is another way in which Yoh avoids addressing Segasaki directly (remember, in Japan we don’t like being direct, and “you” is sometimes too direct).
Fun fact: Depending on which part of Japan you’re in, this can either be seen as a totally normal way of speaking, or it might annoy you a little to be referred to as if you were an object/place, or you might feel like the speaker was treating you a little like an “outsider”. The divide in opinion seems to be somewhere between the northeast regions, and the western regions. Tokyo and the rest of the Kantou region (where the show is based, judging by the lack of an obvious accent) are sort of 50-50.
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Y: もしあれ*だったら、あ、あの、こっちはこっちで、好きにやってるし Original: Y: Ah, if you want to. Well… we’re both doing our own things… Mine: Y: If (you feel) that way*, then, ah, umm, I can… do as I like, by myself too...
*that way - this refers to that sort of awkward, uncomfortable feeling you get that is hard to describe when you’ve been put on the spot. So, this makes it clear that Yoh is offering Segasaki an “out” from this uncomfortable, weird position he thinks Segasaki is in.
Similar to his earlier sentence, Yoh refers to himself as “こっち (this side)”, and the phrase he uses pretty much means “I can entertain myself”. This is an example of kizukai – or at least, what Yoh thinks is kizukai - which is a concept where you do your best to think of the other person’s needs and wants, so you can anticipate what help they might need and so you don’t inadvertently inconvenience them. Ok, now get ready for some mental gymnastics:
From Yoh's POV, Segasaki wants to buy clothes, and has brought Yoh along to carry the bags. Therefore, Segasaki’s offer to buy him a shirt, and asking him if he is having fun, is Segasaki’s kizukai – Segasaki is going out of his way to make sure Yoh is taken care of. But! Yoh doesn’t want Segasaki to feel inconvenienced (similar to how in EP 2, Yoh said he doesn’t want Segasaki to dislike him), so he instead almost reflexively rejects Segasaki’s offer, then encourages Segasaki to go enjoy himself, and in response to Segasaki’s “Ha!?”, doubles down and says he’s totally ok by himself - This is Yoh’s kizukai.
Tired yet? This is a normal consideration in daily interactions! You can see why the phrase “yokei na kizukai (excessive/unwanted kizukai)” also exists in Japanese lolol 🤣
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S: ああ。せっかくの休日に、大嫌いな俺*と一緒にいてのはたのしくない? Original: S: Ah. So spending a day with someone you hate on your precious day off isn’t enjoyable? Mine: S: Ah. On your precious day off, being together with me – who you hate* – isn’t fun?
*“大嫌いな俺 (dai kirai na ore)” is literally “the ‘me’ that you hate”, or “me who is hated by you” - emphasis on "me", the person standing right in front of you.
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Y: いや、それは…違。。。あ、その。。。 Y: No, that’s…not-…- ah.. um…
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“A, so” again.
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S: 五時にここ集合*な (goji ni koko shuugou *na) S: We’ll meet here at 5, *yea?
*Ending with “na” is softer than “zo” – this statement is still pretty much an order, as with his other statements that ended with “zo”, but it’s gentler, and softens the fact that he’s walking away from Yoh here.
TSN: Pretty much everyone was just going on and on about “oh, poor thing!” in response to Segasaki getting rejected and chased away, and how even though he’s sad here he’s still sweet and gentle with Yoh. Yes, that’s right, everyone loves Segasaki.
[The scene of Yoh spilling water on his shirt]
TSN: This was apparently pretty difficult to shoot in a way the camera could see the water spilling, but the wardrobe team came to the rescue with hairdryers so they could keep reshooting 🤣🤣
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S: じゃ、帰んぞ  (Jya, kaen zo) S: Then, we’re going back
“zo” is back! Sorry for being so pedantic about tiny things like this, but I do think it gives us insight into Segasaki's character and how he may be feeling.
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This line is the most important correction in this post.
Y: 本当はさ、ずっと、ささいな表情とか、しぐさとか、 俺が言うこと聞くとちょっと嬉しそうにするのとか、 晴れの予報を告げる優しい声とか、 全部バカみたいに俺ばっかり。 毎日俺ばっかり心臓大暴れさせてるみたいで  嫌だった Y: むかつくとこ拾い集めて 大嫌いだって思ってないと  その気持ちの不釣り合いに 息ができなくなってしまいそうで 嫌だった Y: 嫌いじゃない 嫌いじゃないよ Original: Y: Actually, all these times, your expressions, gestures, the way you look kind of happy when you listen to me, and your gentle voice forecasting good weather. All of them, make my heart beat as if it’s coming out. I don’t like it. Y: I gathered everything that annoyed me, thinking that if I didn’t, the imbalance of my feelings would suffocate me. I don’t like it. Y: I don’t hate you. I really don’t. Mine: Y: In truth, all this while, the little expressions you make, the gestures you do, the way you seem just that little bit happier when I listen to you, and the gentle voice with which you announce the sunny weather… All of that - like an idiot, it's just me who… It feels like it's just me whose heart has been made to pound and race wildly and - I didn't like that. Y: If I didn't gather up all the things that frustrated me and told myself "I hate this" then, the disparity (between us) in those feelings would suffocate me, making me feel like I could hardly breathe and - I didn't like that. Y: I don't hate you. I really don't hate you.
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TSN: This was ad-libbed too. It just happened that the metal post was coming up in between them as they walked, and Acchan saw it and planned to go around it, because he felt that emotionally there was a gap forming between Yoh and Segasaki at this point. But right as he was about to do that, Kouhei grabbed him by the sleeve and pulled him over, which Acchan was really surprised by, because they both had the same thought to ad-lib something about that post, and they both did it as their characters would do it, but it was the exact opposite action. The director said that when the 2 were walking back towards the start point they were both smiling a little, and then asked the director “how was that?” to which she replied “It’s really great!”, and then Acchan looked a little frustrated (in a sorta arrgh I got it wrong sort of way) whereas Kouhei was all “I was definitely right” (Acchan mentioned he was abit worried about the ad-lib, so I’m guessing they both were discussing as they walked back and finally decided to settle it by asking the director hahaha)
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Y: すいません S: なにが Y: その。。。いろいろ S: だからなにが Original: Y: I’m sorry S: For what? Y: Well, for everything S: What do you mean? Mine: Y: I’m sorry S: About what? Y: That… for many things S: And (I said,), about what?
Yoh uses the formal "すいません (suimasen)" here, as opposed to his usual and more casual "gomen" or "gomen nasai", because this line is important to him, and he means it. "Sorry" in Japanese does not always carry the meaning of regret/remorse - it can be used to express gratitude as well. You''ll often here people say "Sorry that you had to (go through the trouble)" after they've accepted a gift, or "Sorry, I've caused you much trouble" as a way of thanking someone for their care. So, Yoh says "sorry" here after accepting Segasaki's gift, which could be seen as a thank you, but he also means he's sorry that he's like this, that he can't be honest/straightforward about his feelings (a theme that is brought up in Ep 4), that Segasaki has to care for him like this etc. "For many things" is a common way to encompass all of these mixed feelings, and yet not say them out directly.
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Y: どうせ口じゃ、うまく言えないから Original: No matter what, I don’t dare say it Mine: Since I can't get the words out of my mouth properly anyway
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S: よくできました (yoku dekimashita)
This is a formal way of saying “well done”, and if you did well in your work/test in elementary school you’d get a stamp that says just this, or your teacher would draw you a flower. The more elaborate the flower, the better you did. This is the only time thus far that Segasaki has said anything formal to Yoh at all. The sudden shift, and the imagery this phrase evokes – a literal stamp of approval – emphasises not just Segasaki’s approval, but also his role in Yoh’s life (ie, his role as Yoh’s provider, or well, maybe keeper is more accurate. Honestly Dom makes the most sense, but I’m not qualified to talk about that so see @lutawolf posts for more!). We’ll talk more about how both Segasaki and Yoh acknowledge the power dynamic between them in the way the speak in the language analysis post (that will come after this, before Ep 4's).
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Y: この人、もしかして本当はめっちゃ俺のこと。。。? Y: This person… could it be that he actually…really is… …me?
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Y: 信じていい? Y: Is it ok if I believe? sue me, I think believe and trust carry different nuances.
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S: よかったな* (yokatta *na) S: シーツ買ったからいっぱいできんじゃん、大好きなセックス S: まあ 残念ながら 相手は大嫌いな俺**ですけど Original: S: Great, S: with more sheets, we can do it more often. Your beloved sex S: Well, unfortunately the other person is someone you hate Mine: S: Isn't this nice* S: Since you bought more sheets, we can do it a lot - the sex that you love so much S: Well, unfortunately, your partner is me - who you hate **so much
*The use of "na" here is slightly different from the one earlier - here it is used more for emphasis, and the downward tone carries a hint of mockery.
Again, Segasaki uses the same "the me who you hate" phrasing as he did earlier, emphasizing to Yoh once again that Segasaki is the one Yoh hates. Except here, he also ends off the sentence with "ですけど (desukedo)", and the whole phrasing of this line too, from the word "unfortunately" onwards, just feels business-like. As before, the shift in style gives the statement more weight- Segasaki is really not letting Yoh get away with this line here, and Yoh feels this acutely. The sharpness of the line makes him turn away abruptly in shock and even some anger.
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S: お前が好きにしていいって言うんだから S: 好きにさせてもらうけど *な (na)? S: お前 本当バーカ Original: S: You told me to do as I like, S: then I’ll do what I want. Okay? S: You really are… an idiot Mine: S: You said I could do as I wish so, S: I'll gratefully do as I please... *yea? S: You're...really an idiot
*The "na" used here is similar to the one Segasaki used when telling Yoh to meet back at 5, in that it assumes the listener will agree with the speaker. This time it's not so much used to soften an imperative, but rather, to soften the teasing of the preceeding line - "I'll gratefully do as I please".
The phrase used here is "~させてもらう (~sasete morau)". "Sasete" means "to do" something, with the permission of the other person, and "morau" means "to receive (with thanks/gratefulness)" so together this phrase means that you're going to "do something (with the permission of the other person)", and you are thankful to have received that permission. It's usually used for things like asking your boss "May I please go home early with your kind permission" sorta thing, or telling someone that you "ate a meal someone provided for you that you are grateful for".
So here, Segasaki is pretty much saying "I'll do as I please since you so kindly told me I could, didn't you?" which is why he smirks as he says it.
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And we're finally done with EP 3!! Finally! Now I can finally talk about their general speech styles and what it means when they choose to switch between them. Thanks for joining me! Also, shout out to @eralkfang for tagging me in their meta post - I'm really glad these posts are helpful that way!!
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aimtodraw · 1 month
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Hi, Aim! 🥰
I've been thinking night and day about what I wanted to request, and I've finally decided on a meme redraw! Specifically this scene from the Hangover with Luffy, Law, and Kid. And Kid's carrying Shriek in the baby carrier. 😭
No rush, just lots of thanks for being your wonderful artsy self!
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Had a lot of fun with this one!! I love Shriek with my whole heart and she's always fun to draw, especially since I don't draw characters with animal features very often. Hope you like it, Cas! <3
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avelera · 2 months
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Apologies for screaming into your askbox like this but
EVERYTHING YOU SAID ABOUT BENIOFF AND WEISS IS SO FUCKING TRUE AND I AM SO GLAD SOMEONE ELSE IS FINALLY SAYING SOMETHING
As someone who read the Game of Thrones books (probably younger than I should have...but that's beside the point) the sorts of things that the two Ds decided needed to be added for the sake of "realism" or "accuracy" was ALWAYS just an excuse to brutalize someone. Be it kids, be it women (though in GoT is was usually women) and so much of it was not in the books!!! Like, sure, the books have accrued a reputation for being brutal, and they totally are...but they never seem as gretuatus in the way that David and Dan seem to revel in the crualty. Utterly original characters are introduced for the express purpose of being killed or assaulted, and it makes watching Game of Thrones a harrowing experience.
I'm not surprised that this has continued in their other work, in so many ways, the bloodlust became their calling card. I am deeply thankful that most of the other places that had been courting them to make projects have dropped them.
I will say in defense of the no doubt huge team who worked on Three Body Problem that it's not a gore fest or anything. There was a lot I've enjoyed in eps 1-5 (which as far as I've gotten at the moment) and scenes of violence are hardly the only thing that happens (though umm... maybe be prepared for the opening scene. It's also a doozy.)
Anyway, as I see it, Benioff and Weiss's sadism is more like... Tarantino's foot fetish. It doesn't consume the entire story, but when Tarantino does a loving closeup of feet you're like, "Ah, there it is. I was wondering when that would show up." If B&W work on something, like it or not, they're going to mash the cruelty button and heighten the cruelty of canonical scenes (if it's an adaptation) in order to try to get a reaction out of the audience. It's just how they work. For some audiences, that might even be a feature, not a bug!
The thing that makes me so frothing at the mouth enraged about Benioff and Weiss is how fucking coquettish they are about their sadism. They always act so fucking surprised like they're shocked that anyone would think that the gore and the horror were the point and what drew them to the story (I know, I'm just repeating my post at this point but STILL--!).
Look, when I was a teen, I totally first started writing angst to sort of... express this vein of sadism in myself in a safe outlet like fiction. I wanted to make people cry with my writing. So I'd do things like just kill off all the characters and be so proud when a reader said they were sad after.
But that's just... really flat and amateurish angst, y'know? There are so many more sophisticated and meaningful ways to create emotion, including sadness, in an audience other than just killing off all the characters or torturing them.
But I feel I remember enough from those days (I'd like to think I've long since grown out of that impulse) to know a sadist when I see one? And Benioff and Weiss's storytelling, to my eyes again, is simply sadistic. It glories in watching people in pain and it finds ways to exaggerate that pain and the chance to exaggerate moments of pain is what draws them to the stories they like to depict.
And that's fine. Plenty of horror creators revel in gore and cruelty and it's an entirely worthy art form!
But for the most part, those horror creators know what they're doing and they're open or even joyful about the fun they have creating these horror stories! Enjoying creating horror stories or depicting suffering or even being sadistic, particularly in fiction where no one is actually getting hurt, is perfectly fine.
I just fuckin... wish Benioff and Weiss would admit that's what it is goddamn it makes me INSANE.
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coldhndss · 3 months
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──★ ˙ ̟ Blue Lock matchup No.5 @mooncakes-and-peaches
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Hello! This is my last current matchup. I’ll be writing more soon as I have 3 shorter bonus ones planned for the few people who sent in after the cut-off. I’ll be opening them up again soon once I find I have more free time! I also have some special types of matchups planned so stay tuned!
So anyways, some of the things you noted in your matchup felt really refined and sort of sophisticated, in a way? So, with that, I decided to match you to Reo Mikage!
I know you’re anime only, and so matching you to Reo might not make much sense now, but his personality really shines through in the manga, and I might write a bit over my intended limit trying to prove that to you, so hear me out!
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―୨୧⋆ ˚ “I'm a huge homebody. I enjoy watching TV… drawing occasionally.. writing ideas and characters for stories…” 
“…and working out (my goal is to look fit and I’ve actually managed to get some muscle!) I like playing tennis, but I have to be in the mood and the weather has to be right.” 
If you’ve read most of my matchups so far, I’ve said this same thing a few times, but most of your description sort of gave me Reo vibes (if that makes sense). We know that canonically, Reo is/was studious in school, achieved high marks and always performed well in what he did/does. Despite this, I feel as though he’d definitely enjoy staying home after a long day of training (as anyone else probably would). Though, Reo would definitely motivate you to play more tennis; he’d probably see potential in your skills despite you having specific conditions to be in the mood to play right! He’d also bring you along when he has training at the gym, and the two of you would train together, and this way, the both of you can meet your fitness goals together. Though on those off days when the both of you aren’t in the right mood to go to the gym, you’d stay home, and binge watch a TV show together, sharing a bowl of popcorn and different types of chocolates that he picked up from a super-high-end chocolatier earlier that day. I feel like Reo, being the rich kid that he is, is probably used to super refined tastes, like 95%+ dark chocolate. I’m not sure whether you like dark chocolate or not (personally, I absolutely love it) but if you don’t he’d try to convince you to try it, and if you do, the two of you would eat the box of chocolates together.
―୨୧⋆ ˚ “I'll let things slide here and there, but I've never been a big risk-taker/have been rebellious. At the same time, and I know this is contradicting, I'm a very lazy individual, but recently I've been doing better doing what needs to be done and more.”
Seeing as Reo is kinda a textbook spoiled rich kid, he also carries a little bit of a ‘look at me, I’m following the rules’ kind of personality, but not necessarily in a bad way. Seeing as you’re someone who seems to avoid trouble, he may see you as a ‘refined’ individual and take interest in that. We know that Reo is a huge business and stocks nerd, (duh) his family says it all. So, I’d imagine that he’d constantly yap to you about those types of things, asking you if you’ve seen the stocks today, and always telling you and about the shifting economic state of whichever country is on his mind today. I may be wrong about this, but in the case that you do know about those types of things (I def do not) I can imagine the two of you talking about it for hours. In the case that you don’t really know much about business-y type things, you’d listen to him talk and talk about something he read in a book he bought earlier that day, only to end his yap session by saying: 
“Well, I don’t really care since I don’t want my dad’s company anyway. I’ve got Nagi, and together, our soccer will…”. Congratulations, yap session number 2 is about to begin! Although, you don’t really mind, because seeing Reo finally have something to call his own brings a special type of warmth to your heart. His newfound motivation towards wanting to be good at something that he grew from nothing himself definitely makes you feel like you can motivate yourself to build your own skill at things that you already enjoy doing. 
I’d imagine that Reo would obviously bring you to meet Nagi. He’d take you along to watch him practice one time and introduce you to his closest friends (literally only Nagi, maybe Chigiri? – but I won’t spoil anything for you). Seeing as you didn’t mention soccer as one of your interests he might suggest that the three of you play a sport together one day, and you’d suggest tennis. With Nagi being the talented freak he is, his general skill in almost anything he does may physically exhaust you, with you opting to watch him and Reo go against each other in a match while you keep the scores. That’s not to say that you’re bad at playing tennis, of course. Nagi is (was) known to make these types of underhanded comments at another person who isn’t up to his skill level (😭). 
―୨୧⋆ ˚  “I don't have an aesthetic, I just like to wear whatever is comfy and don't really stray from my regular stuff (another thing I need to work on).”
Given his riches, Reo would obviously have expensive taste. If I’m not wrong, he wears designer clothes and all that jazz. So, seeing as you also have a super self-improving orientated mindset, (in my opinion) he’d always motivate you to do new things and open your avenues up a little. That’s why I think he’d pamper you with new clothes, or randomly take you ‘shopping’ where in reality he takes you to get one of those colour analyses, where the person would help you figure out what colour ‘looks best’ on you. He’d pay extra attention to it and buy you things based on what the analyst says. Of course, he takes it with a grain of salt, and lets his personal opinion seep through when buying you gifts. As for you, you’d give him a little ‘fashion show’ where you try on the clothes he bought you so as to not disappoint him, even if they’re not really your style. In the end, you’d pick out a couple pieces that you ended up liking a lot and scold him for splurging (just because he has tons of money, doesn’t mean he should spend it all!). He’d also take note of the types of things you ended up keeping and use it as reference for his next shopping haul for you. From personal experience, he knows that money isn’t the only thing that can keep a person happy, so he definitely tries to not overwhelm you with all his gifts and stuff. Seeing you smile and be content is one of the most important things to him, and he’d be absolutely torn if he was the reason for you to feel any sort of sadness.
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pyjamaart · 3 months
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A looming presence... (A piece of fan art for Episode 11 of the Christmas Comeback Crisis)
Read more for an essay on all the memes and references ;)
So here it is. Finally. Only one month too late: This piece of CCC fan art I've worked on since the episode came out.
Sorry for the delay, but I just started at my new job this week and it's been a little stressful, so I didn't have much time to work on this. But now it's finally here!!! I gotta say, the hardest part by far was the background, lol. I didn't mean for it to escalate that much. At the end I was honestly running out of memes to draw.
I bet we can all agree that episode 11 of the Christmas Comeback Crisis was so worth the wait, right???? My god. Peak entertainment. I still can't believe I'm getting all this awesome lore and music for free, feels kinda criminal.
I'm so invested in this story, it's unreal. I can't wait to see how it will end. I can already tell it's gonna be pretty emotional. (And not to alarm anyone, but I have a slight feeling that the Voice is not gonna make it out of this story arc alive. I mean, after everything he's done, it's safe to say that he kinda deserves it. Of course I really don't want him to die, cause that would mean…….. Woodman would also have to die??? Otherwise the Voice will just keep coming back again and again because Woodman is keeping his memory alive…….. Oh man wait a moment….. I don't even want to think about that. Forget I said anything about this.)
Anyway, let's talk about this piece of art for a moment.
In the foreground, we have our brave protagonists. I really really like how Nozomi turned out, so I decided to make her my new icon from now on. Don't get me wrong, I love my old icon, but it's kinda zoomed out and you can't really make out any details when it's really small. So Nozomi it is. Meta Knights sword was shockingly difficult to draw, especially because I had to figure out how to draw it when he's holding it at an angle like that. Otherwise, drawing him was actually one of the easiest things about this whole thing. His design is really just two circles with some arms and armor. Figuring out how the circle tool in Gimp works has never felt this good. (Kinda crazy I can just draw him like this now, considering how obsessed with him I was when I was about 12-13 years old. Back then you had to download official renders of your favorite characters onto your computer, then print them out and hang them on your walls all around your room. Yeah I've always been like this.) Drawing Santa was really fun too, just his right hand was a little difficult. But that's just because I still can't draw hands in general. Maybe I should practice drawing hands more. (Naaaaaah I'm just kidding, I'll never do that.) Now that I'm looking at him again, he's also longingly staring at President Haltmann in the background. Doomed yaoi fr.
Speaking of the background, let's talk about that next. There's obviously the title-giving "looming presence" the Voice. I had his hands completely in the background at first, but I thought it looked cooler when they were hanging threateningly around Santa's shoulders. (You may ask yourself, 'man these hands look kinda alright for my usual hand drawing standards', and that is because I traced over pictures of my own hands. I love "cheating" at art.) I also gave him his stupid little bow tie and the colored buttons on his suit sleeves. Not only is that kinda my trademark for drawing him at this point, it's also supposed to show, that under all the threats and the evil villain persona, he's just kind of a loser. A real (male equivalent of a) girlfailure. That's why I made sure that half of the things shown in the background are there to make fun of him a little. I love the Voice dearly, but that's just what felt right.
And now let's get to the actual main course of this essay. I probably spent half the time working on this on the freaking background. I'm just gonna start in the top left corner and then go down each column and explain what each of these mean or what they reference. (Since there are some quite obscure ones in there.)
Let's start with the two ponies in the very top left. They're actually ponysonas of Nozomi Tojo (left) and Takane Shijou (right). Nozomi is an earth pony and has a tarot card as her cutie mark, specifically the ace of cups. Takane on the other hand is a unicorn and has some musical notes as her cutie mark, which you can't really see. I don't know enough about the Idolmaster to think of something more meaningful for her, sorry. ;)
Under that are Susie Haltmann and her father, President Haltmann. They were (after Woodman) the first characters I wanted to draw into the background. Susie has this black bar covering her face, since she was never really there to begin with. The whole story line with her father wanting to bring her back was actually so freaking sad. And when the Voice killed him in episode 11 and that image of Susie flashed on screen as the last thing he saw before he died….. Oof……… That's also why I drew that cursor looming next to her "window" about to click on the closing button. Haltmann himself is also the only character in the background to actually leave his little window, wanting to reach his daughter. He's also glaring at the Voice for causing him all of this grief and anger in the first place with his false promises.
Then there's…. ahem, "Hot robots in your area". With drawings of a random unnamed robot and Mettaton from Undertale. Which the Voice has apparently bookmarked. This is just a head canon, but I like to think he has a thing for robots, lol. ;)
Oh and on the left next to that on the very first column is Simpleflips' logo. Shoutouts to Simpleflips indeed.
Onto the next column. At the very top is Haruka Amami (also from the Idolmaster), who played a pretty huge role in the CCC, especially in the latest episode. That moment at the very end where she saved Grand Dad from certain death was just fantastic. Absolutely goated scene. She's kinda pressing her face against the window she's trapped in. I hope you can even see that from far away, haha.
Under that is one of the more obscure references. It's from a King for Another Day video, specifically one titled "The Hobart Hootenanny - SiIvaGunner: King for Another Day". It's a slideshow made of beautiful Hobart pictures. One that struck me personally the most was a little family picture of Hobart and the rapper Eminem, who was also a contestant in the KfAD tournament, looking lovingly over their son sitting in a cradle. Eminem is seen saying "Our son is beutiful". A truly touching photograph indeed. In that same slideshow is also another scene of Hobart together with the Voice, but we'll talk about that one later.
The next one is a reference to the CCC side story "I wanna thank me" and shows a pie chart with the election results that were discussed in that episode. Under the pie chart itself is a little box containing all the different parties and showing their respective percentages. On the left is a poster for the "Poké Poké Literature Party", showing Monika's head with the words "Just vote Monika" at the top of the poster. The words (and Misha.) are scribbled on the bottom, lest we forget that she's not running this party alone. This side story was first featured in the Christmas Comeback Crisis Watchalong in 2020, which was actually the first time I watched the CCC in its entirety. It all went downhill from there. ;)
Then there's the Voice's… thing? Object? Weird apparatus where no one really knows what it does or what its purpose is? Every time we see the Voice sitting in his office, this thing is sitting on his desk right next to him. There's been loads of jokes about its purpose. They've all been made before. I'm not going to repeat them. Only the Voice himself truly knows what this thing does. Probably. Could just be a decorative piece of art.
Then we have something veeeery self indulgent on the next column. It's Aquaman from Megaman 8 (With a not so subtle skull right next to him). You should all know by now that I'm the founding father of the Aquawood ship. And I also have the head canon that Woodman and the Voice are very divorced. Interpret into this whatever you want.
Next to Aquaman is the internets' favorite panel from the web comic Tails Gets Trolled. I fucking love that comic. If you haven't read it in its entirety, I highly recommend doing it. (Though be warned that it contains some pretty heavy topics, many many slurs and a plethora of gore.) Okay, maybe I don't recommend reading it. (Just read it with all of that in mind.)
Under that is a personal favorite joke of mine. It's supposed to be Spotify, with a playlist open that I created some time ago. I called it "Die Pizza Playlist" (Remember that die in German is just "the") which I always listen to when I'm baking my own pizza. Highlights include "Pizza" by Antilopen Gang, "Pizza Heroes" by Lemon Demon (You can actually see the album art for Spirit Phone on the left of the playlist.), "Pizza Pizza Pizza" from the Ratatouille musical and so on and so on. The first song in the playlist is obviously "We like pizza" by the Pizza kids, which is even playing in the image. On the side are two more music artists, at the bottom is the image for the Veggie Tales soundtrack, which also featured a song called "Pizza Angel". And over that is Mitski. I just feel like the Voice would listen to her music. Do not question me on this.
The audience laughs at the funny 7.
On the Voice's left shoulder sits a single green bean. It's flashing you a cheeky grin and a peace sign. While I didn't intend for this to happen, I accidentally referenced my own Woodman birthday gallery art from two years ago, where the bean also sits atop the Voice's shoulder. I know that next to "Yankin'", the bean is one of the most hated memes on SiIva, but I think he's just a silly little guy! :D
Let's head on over to the next column. Seems like the Voice has an incoming call from one of his guards, but he's ignoring it as he has more important things to do, like hovering intimidatingly over Santa Claus.
Next to that window on the right are the Voice's messages. I almost wrote "messanges". That would have been embarrassing, thank god I caught that in time. This is also (yet again) a little self indulgent, since the Voice apparently has the last message he sent Woodman pinned to the very top of his messenger app. His big triangular head is blocking most of it, but since I'm the artist, I can tell you exactly what it says: "Please call me back", which was sent on February 1st 2023, the day "The Disappearance of Woodman" was released. Yeah, I'm still very upset, how could you tell? :( Under that is a message to his trusty pizza guy asking for a pizza with extra cheese.
Next we have two of my favorite memes on the SiIvagunner channel (My absolute favorite being "Funny budots", since I never wrote that down anywhere.), one being Frisk Undertale becoming uncanny and the other one being the goat. I don't really know how to describe the goat, but apparently it was crafted by the same artist who made the stoned fox that's also very popular online?? I may just be stupid, but I didn't know about that until I looked up a reference for the goat. Since it often appears alongside Undertale and Deltarune, many have made the assumption that this is what Asriel would look like in real life. That's why Flowey is there next to it with an equal sign. Whoever drew up that calculation wasn't really sure of their work, which is why they drew a question mark right next to it. Between Frisk and the goat is a little Soul, also from Undertale/Deltarune.
Onto the next column, where I'm dropping very subtle hints that a specific character in this image might like pizza. Or might even be a little obsessed with it. On the left is a list with the contact details of three well known pizza chains, on the very top is Sonic the Hedgehog who just recently became a brand ambassador for Totino's and on the bottom right of this section is a flyer for some kind of pizza sale.
The next window contains my favorite joke of any rip on the entire SiIvaGunner Youtube Channel. "Peepoona 5. Let us shart the pants." Just typing this out is making me die of laughter yet again. (The rip in question is "Our Beginning - Persona 5".) But as you all know, I am very into toilet humor. That's why Aquaman is one of my favorite robot masters. And why I'm such a big fan of Youtube Poop. And why I watch Minion fart gun religiously. But enough of that, you get what I'm trying to say. I love funny poop jokes. That's why this is here.
Oh man. This next one is why I wanted to write this very detailed essay in the first place. A reference so obscure, even I can't find its origin anymore. And believe me, I tried. Thankfully, I took a screenshot of the original comment thread this was based on. A user called "The New Guy" commented on a SiIvaGunner rip, something along the lines about how much they enjoyed this specific rip. At the time, the comment had 920 likes, so I'm guessing it must have been a pretty popular video. (The comment should also be about 4 years old now?) Anyway, under that comment, someone asks them what their profile picture was from. They simply answered "wagon", since that was exactly what their profile picture showed. Someone on the SiIvaGunner team must have found this exchange so funny that they commented "wagon" as well. And that's the origin of this joke. If anyone knows which rip this is from pleeeeaaaase tell me. I need to know.
I don't think I need to explain who the next guy is. Just the love of my life. I specifically drew Woodman in his getup from the Nuclear Winter Festival, since that was the last time he appeared on the channel. He's looking kinda concerned in the general direction of the viewer, for obvious reasons. And right under him is his trademarked >:] emoji.
And last but certainly not least, the final column! Now I finally get to talk about this other scene from the Hobart Hootenanny. It shows Hobart and the Voice having a romantic stroll at a beautiful beach, while the sun is slowly setting in the background, making the water shimmer with its breathtaking colors. Okay, the last thing didn't really happen, since it's a shitty MS Paint drawing, but I like to imagine it did. Maybe I should draw a remake of this image one day. Now I'd like to quote the video in question: "A man and Hobart were walking together on the beach. He looked back and saw that in his times of sadness and need, there was only one set of footprints. He asked Hobart why he would leave him in his time of most need. Hobart simply turned to the man and said, VVVVVRRRRR SRRRRR RRRRGGGHHHH--" (Thank you SiIva Wiki for the transcription.) Now I don't think I need to explain why I drew Hobart in a bikini top and fishnets. The question answers itself.
The next image is actually quite easy to explain. It's mm5charge and smol Maki. In another universe, Chargeman and Maki might have been integral to the SiIvaGunner lore. This specific image is just stolen from my piece of fan art called "Megaman 5 Brainrot (featuring Acidman)", which I posted in 2022. I still head canon that Megaman and Love Live take place in the same universe. Just because I think it's funny. And because I want to see funny robot masters interact with the girlies from Love Live. How do I explain this? It's like…. balancing out the world? The robot masters are almost all male (with a few exceptions) and the characters shown in Love Live are all female. How would Thanos say? "Perfectly balanced, as all things should be." Don't question my cool head canons, okay?
After that we have a poster featuring the Jazz Cats! I really really love the little animations that showed their backstory when KfAD2 first came out. I don't know if it's okay for me to say this, but I also really really enjoy the song "But Not You" written (in universe) by Doge and Naxx. The text is veeeeeeery questionable, but man, does it sound good regardless… And shoutouts to wolfman1405 for the heavenly vocals.
On the right of that is a missing poster for Wade L.D.. Nothing much to explain here I guess.
Left of that is the Voices shopping list, which lists flour, oil, yeast… Wait a minute…. All of these are ingredients for pizza dough! Guys, I'm beginning to think that this guy might like pizza.
On the very bottom of this column is Mario 7 Grand Dad himself, who has his hostile gaze directed at the Voice. I would be pissed off too if someone kept me locked in a glass tube for 7 years.
The last little window just shows the Vineshroom with the words "fecal funny" written under it.
And with that, it is done. The entire background thoroughly explained. (I may have gone a little overboard this time.)
It's been a while since I posted new art, huh? In the meantime, a lot has happened. As I said before, I started a new job, got a tattoo of Woodman on my leg (best idea I've ever had btw) and I also started watching MLP, which explains the Love Live / Idolmaster ponysonas, lol.
And that's all I wanted to say. I hope that the next piece of art isn't that far off. Jenny out. (I think this might have been the longest essay I've ever written here. I'm so sorry. By which I mean, I'm not sorry at all. I'm not forcing anyone to read this.)
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genopaint · 2 months
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Week 13 of the daily dragon challenge! I'm VERY pleased with some of the stuff I drew this week, including some REALLY good fanart. Hope you like it too!
Also, since it's the last week of March, the Most Popular Dragon poll is up right now! Vote for your favorite dragon this month and they'll get new art tomorrow!
As always you can follow me on twitter where they’re posted daily
And read more info on each of them below the cut
Daily Dragon #84 - Kingdra
Thought it'd be fun to do another Dragon Type today! Completely forgot Kingdra was one of them so I thought that'd be a fun one to draw! Don't worry, eventually I'll do some of the dragon looking dragon types too lol
Daily Dragon #85 - Brad
Was really nostalgic for Tech Deck Dudes yesterday, and remembered there's a dragon / kaiju dude so... Of course I just had to
Also, DAMN, Brad has 9 variant color schemes released over the years! So, naturally, I had to make them all. Do you have a favorite? Did you collect Tech Deck Dudes as a kid? And as a bonus bonus, I made my own variant too. Why not?
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Daily Dragon #86 - Connery
Well... y'know... There are MULTIPLE dragons in the Tech Deck Dudes series... And I might as well do a Zood since I did a Dude I won't do all the dragons for this challenge but I wanted to do Connery because I actually had him as a kid! Neat! This little thing influenced how I drew dragons for YEARS when I was a small child lmao I miss tech deck dudes actually
Daily Dragon #87 - Penelope
I figured since I finally saw the Barbie movie, I gotta draw THE Barbie dragon, right? I remember watching Barbie Rapunzel a lot as a kid and yet somehow I've never drawn Penelope before! No time like the present, right?
Daily Dragon #88 - Velocidunce
These dumb dinos are known for their obnoxious laugh you can hear while they're hunting. Because of this seemingly uncontrollable laughter, a lot of smaller prey animals are startled and run away when Velocidunce tries to hunt them
A lot of fanart the last couple days so I figured I should make something new again! Originally this was gonna be a wise dragon but I decided to change the design completely and made it an idiot instead :) anyway, I think I need more non-reptile dragons. Maybe tomorrow!
Daily Dragon #89 - Sketchysaur
Just a random little dinosaur I drew on my phone in a parking lot today! You'll have to bear with me on this one, I'm very tired and busy today and I'm gonna have a tiring busy week ahead of me too
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All my first attempts. I need a phone stylus lol
Daily Dragon #90 - Molluscreep
This might seem just like a clam... And, it is. But it's also a powerful dragon! They store massive amounts of energy in their mouths to blast out, which can sometimes form beautiful crystals in their mouth! The mouth muscle is a famous delicacy!
I really wanted to do a non reptilian dragon today, and for some reason a clam is what kept coming to mind! I think it's pretty neat looking!
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sunbearsophia · 3 months
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it's been so long since I uploaded art to my Tumblr, and since I've made so many pieces for Twitter, figured I would bring them over here, too! Works out better, since I have more space on Tumblr to ramble!
Anyways, I've doodled Eduardo in his later dad years at least twice, maybe even three times on my Twitter, but Laurel, I only ever drew once in her later mum years. So, I decided to draw her yet again to better figure out her design, and since I want to diversify how I draw body types anyways, my mind instantly went to "MOM BOD-"
Anyways, couple of notes of basically my thought process with the whole mum design! ^^
Definitely imagining she's probably in her mid-forties here, with her oldest Emmy probably in college by then and their youngest, Leo, being in middle school.
I definitely think since Laurel carried two kids, she's definitely got more of a pear-shape than she did in her youth, plus a bit of a stomach roll. It probably worried Laurel when she was younger when exercise and dieting didn't change that, but these days, Laurel's gotten past that, with time and self-love, plus an adoring husband who never ceases in telling her how beautiful she is, healing that insecurity and making her proud of her figure. <3
Has plenty of stretch marks, not to mention a leftover C-section scar from when she had Leo. She loves each and every one of them, they remind her of her kids, and she feels like she earned every single one of them.
Age has done nothing to slow Laurel down in terms of energy, however. She doesn't burn out or give up easily, always having time to spend with her husband, kiddos and friends, and still an actress for theatre and film alike. She knows to slow down and appreciate the important things, but she's still got energy to burn and passion to share!
She's perfectly happy with letting her hair grey, not feeling inclined to redye it or changing its color. She loves how it looks, as do the people around her. She does cut her hair, however, preferring the feeling of less hair to deal with, and likes the pixie cut. She just doesn't really need or want long hair for herself! (However, she LOVES Eduardo's middle-aged long hair, it's so pretty and relaxing to brush, especially since he barely brushes it himself lol.)
BODY. MODS. GALORE. I headcanon Laurel absolutely had a ton of piercings in her youth, something that age didn't stop one bit. She also still has matching MLP tattoos with Eduardo, and definitely has more that aren't pictured here. (Might try and design more at a later date!)
Has a million freckles, on her face, neck, arms and torso, and she loves every one of them. Might be a little jealous when she realizes Matt has more than she does, fuckin' MATT lmaooo.
Really loved drawing this piece! I feel like it's great and important to show more realism in body types and diversity in my art, so this was awesome to practice with! Plus, I'm just unbelievably proud of how she turned out! Laurel is such a huge fav of mine, and I definitely plan to make more art of her later years in my hc!
And yeah, def might try drawing Eduardo like this next, since I could use some practice with dad bods, too! Maybe Anna would also be a good choice to continue the mom trend, as well! But yeah, this was a celebration of older, female body types, and it makes me really proud of the final result and just getting to work on it! <3
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lostinthewiind · 25 days
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Miracle Worker
Doc Bryan - Generation Kill
Rating: All ages
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Drawing in a deep breath to keep your hand from shaking, you focused all your attention on the laceration you were treating. The cut wasn't too deep, but it was beside the woman's eye and you had to be careful not to cause any further damage.
When you and Doc Bryan had set up a quick and dirty medical station in the village, civilians had flocked to you within minutes, crying out for medical attention or even things like water and food. It was moments like these that truly made you feel like the marines were actually making a difference.
"Bryan, have you got any steri strips in your bag?" you asked. "I've got to close this wound."
"Let me check." Bryan reached into his medical bag and sifted around before pulling out the strips. "Here."
When the strips appeared over your shoulder, you took them with a thankful nod. Bryan then bent over behind you, head hovering just over your right shoulder as he watched you work; the two of you were always observing each other, eager to learn techniques the other possessed.
"I think if you-" Bryan's soft voice in your ear was cut off when you pressed the strip down right where he was pointing. "Yeah, that should hold until she can get to an actual hospital."
"If she can get to an actual hospital," you corrected.
"Yeah." He sighed. "If."
Once the wound was cleaned and closed up, you sent the mother on her way and decided to take a quick break before sending the next patient in. In the meantime, Bryan had settled back into his seat and a small boy no older than 10 had approached him.
You smiled into the water bottle you were drinking from as Bryan handled the child with care, gently guiding him into the chair across from his and carefully examining the scrapes on his elbows and knees.
"That's it, you're gonna be okay," Bryan whispered words of encouragement despite knowing the child most likely had no idea what he was saying. "I'll just take a quick look, okay?"
When he looked at the kid expectantly, the boy gave an enthusiastic nod and smiled. Bryan smiled back, the corners of his eyes wrinkling with the genuine reaction. It had been a while since you had seen him smile like that.
"Need a hand?" You offered your water to Bryan after he had finished cleansing the scrapes the best he could.
"I think I'll be okay." He took the water from you. "Thanks."
Wanting to get through as many patients as possible before the order eventually came to move out again, you summoned the next citizen in line. After treating a couple of minor cuts, you looked over to see Bryan finally sending the little boy in his way with a couple of bandages around his limbs and a water bottle in his hands.
Some people might consider it a waste of time to spend so much time treating one single patient, but you greatly admired the way Bryan was able to slow down his care and focus on making his patients comfortable—even in the middle of an actual war zone.
As he exhaled slowly, a look of relief spread across Bryan's face. That was when he caught you staring and that wide smile from before returned. "What?" He cocked a brow at you. "Something on my face?"
"No, no." You waved him off and busied yourself with tidying up your workspace. "It's nothing."
"Well, it must have been something." He stood up and began to help you clean. "We've worked together too long now for me not to know when something's on your mind."
You chuckled softly. "I just like watching you work with kids. You have a way with the little ones. That's all."
"You're just as good with kids as I am," he told you. "I would know. I watch you work with them all the time."
"Oh, so you watch me work all the time?" you teased.
Bryan's face flushed. "What, that's not what I-" He laughed. "I'm sorry, who just caught who staring?"
"Guilty as charged." You held your hands up in surrender. "It's okay if you watch me work. I'm very good at my job. Kind of a miracle worker, if you will."
Bryan laughed again; this time a deeper, richer sound erupted from his core. "I will not."
"Shame." You smirked. As you and Bryan finished cleaning and got ready for the next patients, you couldn't help but let your mind wander. "Do you plan on having kids of your own?"
Bryan narrowed his eyes at you. "That's a bit presumptuous, don't you think? At least buy me dinner first before we start discussing children."
"Oh, my God." You shook your head. "You know what? Forget I asked."
You heard Bryan chuckle under his breath as the two of you waved for the next civilians in line to enter the small medical tent. While you treated a young girl for a split lip and missing teeth, Bryan assessed a small boy's possibly broken arm.
"I've always pictured myself as a father," he said out of the blue, deciding to answer your earlier inquiry. "But it's hard to think about settling down and having kids while still in the marines. I couldn't live with myself if I was an absent father."
You hummed. "So quit the marines."
"You know as well as I do that's easier said than done."
"Very true." You sat back in your chair and wiped the sweat from your brow. "Quite the dilemma."
"Yeah" He kept his eyes trained on the boy's arm. "What about you?"
You took a few moments to think about that while you irrigated the girl's mouth. "Maybe someday, if I find the right person. I'm just sort of playing it by ear right now."
"Fair enough. And what does 'the right person' look like to you?"
You smirked as you sent the girl on her way and removed your gloves. "Well, for starters, they'd have to be good with kids."
Bryan nodded. "Obviously."
"They'd have to understand my line of work."
"A must."
"Preferably they'd be in the exact same line of work, actually."
"Oh?" He finally looked up at you, an expecting glint in his eyes.
"And finally ..." you paused, "... they'd have to believe I was a miracle worker."
Bryan's face fell for a split second before that same winning smile returned. "Hate to break it to you, but you might die alone."
"Maybe." You shrugged and shared a knowing look with him. "Or maybe not."
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I love your comic!! What inspired you to share Zekes story?
There's a lot to this answer so buckle up.
I've always been a writer, ever since I was a little kid telling stories has been my entire life's goal. But its been a struggle, and for a long time I've felt kinda lost in trying to survive taking soul sucking desk jobs. It honestly destroyed any desire I had to create.
And then at the beginning of 2022 I got abruptly fired (for what I don't think are honest reasons but that's another story). And then I found myself just not being able to land a new job no matter what I did - I worked in a tech-adjacent industry and know others in similar positions also have had these issues. Weeks turned into months, and my mental health took a nosedive.
That summer I noticed one of my long time close friends kept popping up on steam playing Stardew Valley at odd hours in the morning. I'd heard of the game before, I loved farming sims, and I really needed a distraction. So I finally bought it.
Long story short, several hours into the game this motherfucker hits me up with this line:
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So you can imagine what that did to my psyche. I got so god damn invested in the game. Like I do with any game, I started modding the crap out of it, mostly to add more lines for Shane. And then I found myself imagining my own little story with my farmer.
For a good while this was just a dumb headcanon story I had every time I played Stardew. But then I found myself actually plotting things out, connecting different aspects of SDV that were "unexplained" or "implied" with the story I was developing in my head. And then I realized - I was making a story again. I was feeling the exact same way I used to feel when I would plan out and write a play, or a short story, or one of my many unfinished novels. It was such a good feeling, and I started coming around to the idea that I shouldn't just keep this story in my head.
I dealt with a lot of self doubt over it of course. The last time I wrote anything like fanfiction was when I was 10 and it was a HP fanfic where I misspelled Slytherin in five different ways. Some part of me felt like it would be wasting time because I wouldn't make money off of it. Another part of me worried I'd be mocked for writing an entire self-indulgent story about a borderline self-insert character romancing a grumpy pixel man, when I was nearly 30 living in an apartment with a long term partner and shouldn't be doing such *childish things*.
I lurked around the SDV fandom for a long time before actually posting anything, and seeing other people, often people close to my own age, doing exactly what I was afraid of because fuck it, we're adults and we get to decide what that means, really helped. It also helped to see a positive community praising and supporting creators of all skill levels.
As for the money thing, I ended up "justifying" it to myself that if I made myself draw just about every day working on the comic (since I had decided to make it a comic rather than a fanfic), that would help me bring my art skills up to par with my writing skills. And, well, it would probably help my mental health if I had something productive to work on while I still looked for a job, because there's only so many times you can rotate between various video games.
I honestly didn't expect the comic to get as much attention as it has. But I told myself even if nobody cared about it, I'd make it for the one person who wanted to see this story play out - me.
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justlittleguysims · 5 days
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📩 Simblr question of the day: Choose as many sims/ocs as you'd like for this question,What's something INCREDIBLY obscure and/or out-of-pocket about your sim/oc? Something that nobody (fellow sims and/or your followers and mutuals) knows 👀 (This could be things about their social skills, physicality and/or birth defects, or it could be something they vaguely remember, a dream they had that actually predicted the future, etc etc... whatever you come up with)
@simblr-question-of-the-day more catch up today as I continue to empty out my drafts.
This question could really open a big can of worms for me if I let it, so I'm just going to give a few random facts for five OCs from my WIP project that have really been on my mind a lot lately.
Starting with Derek, my son and main protag.
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He's a huge Paramore fan and he's had an even bigger crush on Hayley Williams pretty much from the first moment he saw her at Warped Tour 2005. He's actually the same age as her and his daughter Angie likes to joke that he still has a chance with her, which is a joke he doesn't really appreciate. Derek put on a lot of muscle since high school, but he still refuses to get rid of any of the Paramore shirts he got from back then, so he cut them all into muscle tanks and now he can still wear them comfortably.
(If any cc creators want to make some DIY looking Paramore muscle tanks for me to put on this man, I would appreciate the hell out of you.)
Next up, Heath Newell, Derek's friend and fellow mobster, (sometimes a forget this project is technically a mob story, lol.)
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It's a well-known fact that he used to be an MMA fighter when he was younger, but something most people don't know is that he's broken his noes so many times that he just decided after a match one day to not fix his last break, which is why his nose is crooked and why he only really likes being photographed from his left side. What even less people know is that he actually met Allen, his husband, the night after making this decision, and that the first time they kissed, Allen accidentally bumped his noes a bit, and apologize so much that Newell laughed his way through the pain. The two of them only really share this story with close friends.  (Also, Newell is my favorite sim. No, I will not elaborate.)
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Morgan, first introduced in Ch.1 of my WIP, was a scout as a kid, which gave her the survival skills to make it out on streets when she was homeless. Before being kicked out of her home, she excelled in the arts at her school, singing alto in her private school choir while honing her skills in portrait drawing, the two skills that would ultimately help her earn enough money to begin her transition and survive on the streets.
These last two are pretty new side characters, but I've been developing a lot of lore for them lately, and these details are still fresh on my mind, so I might as well mention them here.
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Nora and Monti, first introduced HERE, both grew up in mob families, and have been friends all their lives. They began to grow apart as adults after Monti moved out of their side of Chicago for a government office job in Cicero. Nora thought Monti doing his own thing and being away from his family meant that he would be able to get away from the mob for good —just as he always wanted— but if you read the intro linked above, we all know that his plans for escape didn't work out. Now that he's back in town after being kicked out of his old apartment, Nora volunteered to let him stay at her place as he waits under house arrest for his final court date. Since they're pretty much forced to share a space, Nora has started to call Monti 'Momo' again, whenever he annoys her (which is a lot of the time), and Monti isn't doing anything to stop her from doing it because he loves annoying her. It's his second favorite activity behind the other favorite that led to his arrest. *hint hint*
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deadn30n · 3 months
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i haven't abandoned this blog or anything, sorry for the unannounced disappearance!
lately i was struggling to really find the energy to sit down and write, && decided since i couldn't, i'd just throw my attention into other things and take a lil break. so i've been playing video games, hanging out with friends, and focusing writing the smaller, less stressful stuff on discord && it helped a lot.
plus, i picked back up learning Japanese & Chinese, as well i'm learning how to draw like i've always wanted. i'm also putting a lot of energy into my waning health; it finally feels like i'm getting somewhere with it too.
basically i've just been focusing on other stuff, doing things that make me happy and it's slowly brought me out of that weird, creative rut i was in.
i should be back to writing starting next week!
miss u guys ♥ i'm available on discord if you wanna chat / plot!
&& if anyone's curious, i've further upgraded my gamer room and i'm healing my inner child. when i tell you the amount of sheer joy i've had since acquiring all this stuff, and how much happier it's made me....
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got my taxes back yesterday and added the ps2 to my collection. i now have two devices that are backwards compatible w/ playing ps1 games hehe. yes i did buy a bunch of crash bandicoot games bc inner kid me missed those terrible ps2 & ps1 graphics LMAO
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hms-no-fun · 1 year
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i remember a while back you saying in one of these asks that you didnt find classpects that interesting as a writing tool (or something similar, i don’t remember the exact wording) but you seem to be referring to them significantly more since then, both textally in godfeels and when you’ve discussed the work like in these asks - has anything changed in your perspective on them?
astute observation!
so, i don't find classpects particularly interesting as a writing tool. i'm not a big fan of mapping out a character beforehand, engaging in that sort of reverse personality quiz process of defining their wants, their needs, their astrological sign, etc. no hate to anyone who does, but for me it's far more interesting to just let the character decide that stuff for themselves. it's the same process of discovery i apply to the rest of godfeels, which is admittedly a sort of insane way to work and probably shouldn't be taken as an example.
so that's a very specific definition of "writing tool" that maybe isn't what other people are thinking of. i can get didactic about these things because i don't like writing advice or things that seem like writing advice if you squint.
you're right though that classpects are more at the front of my mind than they used to be. part of it is just that classpects are about to be a lot more actively relevant to the narrative (albeit not in the way you would expect), so i've obviously been thinking about them more. which, you know, those thoughts do naturally generate fiction activity which shapes how i intend to write future chapters-- in that sense, are classpects not a useful "writing tool" for me? i dunno.
it's not even that i find them more meaningful structurally. i think giving someone a title and then building their character around it is a great way to come up with wooden characters. in the case of the upsilon kids (who you will be meeting very soon), their classpects emerged through writing a bunch of little test scenes. i'd put them in a room together and give them something to react to. i really want to avoid conventional group dynamics with this crew, so i always pushed them to behave in messy ways. and over time it became apparent that what makes them work is their seeming incompatibility, which i shouldn't say much more about until you've actually got some material to draw your own conclusions from. but the point is, it wasn't until i got a good handle on each kid's vibe that i assigned them their classpects, and i assigned them in a way that was deliberately "underwhelming" or seemingly a bad fit. i did this because i don't like the narratological determinism that can arise when you give a character a title they like too much.
i don't like giving writing advice but i highly encourage young writers out there to not be afraid of writing unusable scenes. it helps to be able to think of the writing in the early planning stages as, in some sense, disposable. because the prose isn't the point-- it's getting to the characters as you understand them. there's so many scenes i've written that will not make it into godfeels proper without significant alteration if at all! and look, i know how it is when you feel like you can barely write, so every word you manage to get on the page is precious and needs to be preserved towards the Final Product. sometimes that's correct! precious things always emerge in this process. but it's nowhere near as many as you think, and the hard lesson is understanding the difference between precious and enjoyable. just because you enjoy the thing doesn't make it right for the story. even pretty trash belongs in the bin eventually.
but again, it isn't wasted work. the words aren't the goal, they're just a happy accident. the real work happens in your head.
uh shit anyway so for instance Dana Straten's classpect is Knight of Mind. i must admit she's an outlier among the upsilons in that i picked her classpect in the gf3 prologue with an understanding of her character that was vastly different from who she would end up becoming. back then all i knew about the upsilons was they'd be Dana, Jade's as-yet unnamed daughter, and two others. for a long time, once Julia came in and really breathed life into Dana, i was convinced that Knight of Mind was just wrong. it was a bad choice for her, it didn't make sense, she should have been something else that had cooler power implications and i should just retcon it to something better before anybody notices. this worry resulted in a lot of conversations with my collaborators, ultimately concluding that it was more fun to just play with the hand i'd unwittingly dealt us. so we took the Dana we felt and asked her what Knight of Mind meant to her, figuratively speaking. wrote some scenes, had more conversations. Julia and i have spent a LOT of time discussing Dana's whole situation.
the thing about this is that i don't think our idea of her changed all that much between when she came into her own in like march/april 2021 and when she properly entered the story in summer 2022 (god it feels like that gap should be a lot longer, but i double checked and it's right). much of what we already implicitly understood about Dana remained true. but through our discussions and test scenes, we were able to define those truths in some really useful ways. it was through this process that we textually solidified Dana as someone who doesn't have cool powers, at least not flashy ones anyway. Dana's weapon is her mind-- the ability to use her razor sharp clarity of perception to act on many different forms of knowledge at once. she's not a mind control person, she's not a seeing all eventualities person, she's just a really smart punch person. Knight of Mind, it turns out, was perfect for her, because she doesn't need it. and that realization was very much why i tried to create a similar dynamic with the rest of the upsilons.
so again we ask, does that not make classpects a useful "writing tool" for me? again i answer, i dunno. i don't really care. it's just the process to me. all of it is just the process.
maybe that points to why i was so free with referring to Rose in short as Seer of Mind in that ask. having reached the endpoint of Rose's role in this story, i finally understand what Seer of Light means for her (in godfeels, at any rate). it's that she saw the truth of how the narrative was changing and accepted that it wasn't for her. as in, she saw the light at the end of the tunnel and chose to walk towards it. it's become a shorthand for Rose, you see? i say "Seer of Light" the way i say the name of a friend who was really more of an acquaintance realistically speaking, like we only hung out a couple times a few years ago, but we hit it off so well every time that i was always like "man, i wish we could hang out all the time, we'd be great friends" but just, for one reason or another, it never quite lined up for that to happen. the name of a beloved missed connection, perhaps...
i guess, basically, to put a bow on this: i try not to think about classpects until the character in question is real enough in my mind that they define it rather than the other way around. once again i have no idea if this makes any kind of sense procedurally or if i'm just making my life harder by being stubborn. but then again, the only writing advice any writer can ever give you is how to write the things they already wrote, so
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