oc lore drop👆📢‼️
text under thee cut
elias (died 19 cur 21)
lives in his middle aged best friend's basement. his job is onlyfans. kills people for fun but not food. id smash
social media star murdered an embraced by his obsessive stalker > his sire was executed by diamila on the prince's orders for turning him without permission. doesn't have any memories of his human life
occasionally acts as a camarilla "enforcer" despite being a chronic masquerade breaker himself. Somehow maxed out his presence powers just weeks after his undeath
diamila (died 26 currently 45) the middle aged best friend. Also canon fledgling > spent the last 20 years playing attack dog for the camarilla and doesn't feel like she has anything to show for it
ventrue, maxed out dominate, very high firearm skills. Has never killed anyone to feed. def did it for other reasons though
Cressida (died 65. currently 65, looks like she's in her 40s because she was a ghoul) clan tremere's newest embrace, she had been picked by her sire 20 years before her death. She was already a ghoul during the events of vtmb, and has known and disliked diamila for over a decade. Ambitious but fiercely loyal to her clan, she ends up butting heads with the equally ambitious but much less trustworthy ventrue
brooklyn (died 21 currently 40) an unpredictable vampire whose allegiances change every couple weeks. kept around because of her frequent (although cryptic) visions and her coming across as relatively saner than the average malkavian. emphasis on coming across.
eden (died 24 current 43) an anarch malk who pretends hes a brujah. has the same sire as brooklyn and they were dating before they were turned. Hackerman. Doesn't experience visions of the future and barely seems to be afflicted by the clan curse. or does he > his curse is his portrait came out kind of bad here
102 notes
·
View notes
Hanahaki Disease.
When Jaskier was young, he was cursed. That’s would he had been told. Any form of unrequited love would cause him to cough up Flower Petal. Not only that, eventually, the curse would be over, and Jaskier would turn into trees and flowers.
So Jaskier had been told not to fall in love. Which was a lot harder said than done. As Jaskier found himself falling in Love with everyone. It was never too bad. Only a few flowers.
Then came Geralt. Jaskier fell in love, and he fell in love fast and hard with the Witcher. Sometimes, it only felt like falling with Geralt.
Of course, Geralt did seem to return his feelings, and so the petals kept coming up. But Jaskier hid them; he could die happy if it were with Geralt.
Geralt left him on the mountain, but the petals didn’t stop.
Sometime Later, Jaskier found himself again with Geralt, this time in Kear Morhen with the Ciri, Yennefer and the rest of Geralt’s family. Now, Jaskier knew he didn’t belong; if he did, the petals would have stopped. But at least Geralt was trying to be nicer to him.
One morning, Jaskier awoke to find bark on his legs, and he knew his end was coming
122 notes
·
View notes
I was joking a while back that the actor they have playing KDJ for the orv movie was too handsome for him and a friend who's read orv was like "KDJ is actually secretly attractive!!" And I just felt my soul leave my body right then
SIGHS...
Okay. Buckle in. I'm gonna finally actually address and explain and theorize about this whole...thing.
I'm not gonna cite any exact chapters cause it's like 11:30 and I've got an 8 hour drive in the morning but I'll at least make an approximate reference to where certain things are mentioned. Also, this post is just my personal interpretation for a good bit of it, but it's an interpretation I feel very solid about, so do with that what you will. Moving on to the meat of things:
There is one (1) instance in the web novel that I know of which describes specific features of Kim Dokja (especially ones other people notice). This takes place when members of KimCom are trying to make Kim Dokja presentable to give his speech at the Industrial Complex (after it's been plopped down on Earth). This is when they start really paying attention and focusing on Kim Dokja's appearance since they're putting makeup on him; I still don't think they can interpret his whole face, but they can accurately pick out and retain more features than usual. If I remember correctly they reference him having long eyelashes, smooth skin, and soft hair. These features can be viewed as (stereotypically) attractive.
Certain parts of the fandom have taken this scene and run with it at a very surface level, without realizing (or without acknowledging at the very least) that this scene is not about how Kim Dokja looks. This is, in part, due to not realizing or acknowledging why Kim Dokja's face is "censored" in the first place, and what that censoring actually means. I think it's also possible that some people are assuming the censorship works like a physical phenomena rather than an altered perception.
I'll address that last point first. The censorship of Kim Dokja's features is not something as simple as a physical phenomena. It's not a bar or scribble or mosaic over his face. If that were true it'd be very obvious to anyone looking at him that his face is hidden. But his face is not hidden to people. They can look at him and see a face. If they concentrate on his eyes, they can see where he's looking. They know when he's frowning or grinning. They see a face loud and clear. But what face are they seeing? Because it's not really his, whatever they're seeing.
No one quite agrees on what he really looks like. And if they try and think about what he looks like, they can't recall. Or if they do, it's vague, or different each time. We notice these little details throughout the series. Basically, Kim Dokja's face is cognitively obscured. Something - likely the Fourth Wall, though I can't recall if this is ever stated outright - is interfering with everyone's ability to perceive him properly. This culminated in him feeling off to others; and since they don't even realize this is happening, they surmise that he is "ugly."
Moving on to the other point about what the censorship means: To be blunt, the censorship of his face is an allegory for his disconnect from the "story" (aka: real life, and the real people at his side). The lifting - however slight - of this censorship represents him becoming more and more a part of the "story" (aka: less disconnected from the life he is living and the people at his side). The censorship's existence and lifting can represent other things - like dissociation or depersonalization or, if you want to get really meta, the fact that he is all of our faces at once - but that's how I'd sum up the main premise of it. (The Fourth Wall is a larger part of the dissociation allegory, but that's for another post).
So you see, them noticing his individual features isn't about the features. It's not about the features! It doesn't matter at all which features got listed. Because they could describe any features whatsoever and it would not change the entire point of the scene. Because the point isn't what he looks like. The point is that they can truly and clearly see these features. For the first time. They are seeing parts of him for the first time. Re-read that sentence multiple times, literally and metaphorically. What does it mean to see someone as they are?
This is an extremely significant turning point dressed up as a dress-up scene.
---
P.S. / Additionally, I'm of the opinion that Kim Dokja is not handsome, and he is not ugly. He is not pretty, and he is not ghastly. Not attractive, nor unattractive. Kim Dokja isn't any of these things. More importantly, Kim Dokja can't be any of these things. The entire point of Kim Dokja is that you cannot pick him out of a crowd; he is the crowd. He's a reader. He's the reader. Why does he need to be handsome? Why must he be pretty? Why is him being attractive necessary or relevant? He doesn't, he doesn't, it's not. He is someone deeply deeply loved and irreplaceable to those around him, and someone who cannot even begin to recognize or accept that unless it's through a love letter masquerading as a story he can read. He is the crowd, a reader, the reader. He's you, he's me. He's every single one of us.
265 notes
·
View notes
Having Jasnah Kholin thoughts
Specifically, like, if the way Trish is reading the implications of her childhood "lunacy" is correct, that her family forcefully institutionalized her as a child, and what impact that had on her
She plays her cards so close to her chest, she doesn't trust easily, yet she loves fiercely
Based on her narration, her takeaway from the trauma (or, more likely, a takeaway from the trauma) was that the people she loved could still hurt her, even withour meaning it
How much of this was Gavilar, and how much was Navani? Did this have reverberations through the family to Renarin, the other neurospicy Kholin who likes to keep secrets?
Trish doesn't know, just... big feelings
42 notes
·
View notes
THAT WOUND. THAT VILE WOUND. it throbs in time with your speeding heart, and the ache it carries through your veins is oppressive, its hot, it tangles around your jaw and through your spine and behind your eyes. there are needles, sprouting from the lacerations like the most heinous ivy, and it strangles your lungs, rips tears from your eyes, lures bile to your throat. it hurts. oh god it hurts. you cant think, you cant breathe, you cant swallow, you cant see. you cant see. you cant see.
you cannot see but you know when your eyes are closed, because there are colors stained upon the backs of your eyelids. they form images of loved ones, of viscera, of bile and blood and blackened mud. its jarring, they make anxiety spike outwards, frantic ferro fluid, frightened from faces too scared, too pained, too dead, too piercing with eyes staring straight at you, straight at you.
actually, you cant tell when your eyes are open.
SAUCE FREE VERSION UNDER THE CUT.
166 notes
·
View notes