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cursingtoji · 7 months

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𓆩𖥟𓆪 𝐒𝐀𝐕𝐈𝐎𝐑 — Geto is a thoughtful leader who uses visual resources to help his followers learn, and tonight you get to play a part. #Cult-tober.

< Part 1 - Contradiction

— cw: religious imagery but no specific religion, exhibitionism, emotional manipulation, god complex, public nudity, fingering, unprotected, oral (f -> m), sex cult behaviour. 3k words.

— note: did my research on cults for this one, also based on this request.

“Come here” you hear his voice after calling your name, the tone gives you chills.

You know better than to fear him, this is not the first time he calls you to the main room of the temple — a place that has become the closest thing you can call a home now. This room in particular is already very known to you, so why the fear? Can’t you remember the familiar feeling of the tatami under your knees? What about against your cheek? Wasn’t worth the pain of having your face rubbing on it while your master roughly thrusted into your behind? You do recall his pitiful smile when he realized what the mat had done to the soft skin of your face, right? He kissed it so tenderly while holding you like you were made of glass, a glass he didn’t mind breaking a few minutes prior to that, but now, glass.

So what’s wrong now?

Except for the dozens of followers sitting on their knees in that same room right now. How come you never saw that many people before? And more importantly, why are you seeing them now?

A few hours ago, he left you two things along with a note with the time and place you had to be. Those things are: a sheer black lace mask, very delicate fabric meant for your eyes, the type of thing you could picture a woman using in a ball in the 1800s, and a yukata, a simple one. You thought it was weird he didn’t leave an obi — the belt to tie up the yukata, so you took one from your own drawer to complete the traditional piece.

The mask is clearly not part of it, but you know better than to question him. Besides, the note is clear, you must wear nothing but those things. Nothing.

The room you thought you knew now seems strange and gloomy, it’s nighttime so there’s only a few candles lightening it up, there’s an essence burning somewhere the smell is weak but it’s there.

Geto in all his glory sits in his altar, his feet are up in the mat, unlike everyone else sitting on their legs. He has the pose of a deity and clearly that is what everyone thinks too.

Your bare feet touch the tatami, slowly approaching the altar and feeling the dozen pairs of eyes upon you, the offsetting lighting doesn't allow you to see their faces, which is probably for the best, yet Geto’s was lit up as if the sun itself rose for him and him only.

“Look at her, when I met her she was sick, this beautiful lady had a disease. I tried to look away, she was too far gone, but what did I do instead, sweet child?”

“You saved my life” you respond without batting an eye, your mind feels cloudy.

“Kneel” you obey taking place beside him.

Maybe he is a deity after all.

Just that day you were having a conversation with the twins. They had so many questions, especially after seeing you hurt by some curse, so many why’s leaving their little mouths.

“It doesn’t matter!” your voice rose for the first time since taking them in your embrace “If Geto-sama says it’s day and the sky is dark, it’s day. If he says it’s night when you can see the sun, you go to bed because you sleep when it’s night, understood?”

Sometimes you barely recognize the voice that leaves your lips. Scolding is something you never saw yourself doing, not to the girls you loved more than anything.

In your situation one would assume this behavior is driven by fear, what would Geto do if he found out your girls were questioning his actions? They cannot possibly care more about this non-sorcerer in front of them. Never.

But those people would be wrong. Fear does make you do what you do. Love does.

Only love makes you stay put in front of him when he unties your yukata, love has you looking him in the eye even while the disapproval for the presence of the obi is evident.

Geto makes you sit facing him, his stunning image much more welcoming than the unlighted audience, he’s big enough for you to understand can still see the quiet crowd behind you. His calloused hands touch your shoulders under the yukata, the soft touch is enough to warm up your entire body as he slowly revells a skin decorated by some few bruises, some caused by curses, some caused by gods, well… one god.

“She’s still not cured, I don’t know if she’ll ever be” he doesn’t have to project his voice too much in the quiet room, the hot breathing fans over your face, “But I’ll keep trying nevertheless” he says more quietly.

Geto’s hand goes between your legs and you have trouble keeping your sounds to yourself. His hand is big, and the space between your closed legs — while you’re still sitting on them — and your core is narrow, Geto has to be a little rough to get where he wants to.

And he always gets what he wants.

Your face is warm, breathing erratically but still… you’re not panicking even given the disturbing setting. It’s all due to him, if it was anyone else you would be screaming right now, fighting your way out of this.

Geto starts to stroke your folds with his fingers while talking about sins, the best thing you can do is shut your little brain from overthinking everything he says and taking it as personal.

However, what is left to do when he keeps going on and on about undeserving ones while teasing your fluttering hole? You can’t even look him in the eye, just keep staring his throat as he speaks. Your gasp interrupts him when he inserts a finger, both your hands to your mouth, you were distracted enough to forget this was obviously the next step.

Geto snaps his eyes back to you, not glad about the interruption, yet he resumes his speech so he can go on with his plans.

Your hands remain on your closed mouth, not wanting to make the same mistake again. Geto adds another finger and starts scissoring you, which worries you slightly, you thought this was merely a play for the followers, an exhibition of power, but the stretching he’s doing indicates he plans to go all the way. That and the erection under his haori, which you should’ve led you to suspect his intentions from the beginning since he’s never presented himself to his followers without all the layers of his traditional clothing.

Geto removes his fingers, straightening his posture as he finishes his sentence, he pats his lap and you find his eyes, they are predatory, from then on you’re dealing with Geto-sama, not Suguru.

You’re already undoing the ropes that tie his haori just like he did to you a few minutes ago. He’s bare under the fabric, dick is tall and hard, the leaking tip shines under the orange glow of the candlelight as you align it with your entrance.

“If you can’t control your urges, they’ll control you” he claims, hands behind your knees, his voice is steady but the grip he has on you tells it’s hard to control himself too.

“No person or thing should control you… except for me” the last part is whispered for your ears only. You bottom out on him, needing a moment to recover, not just from the stretch on your lower half but from his words and by how willing you are to let him control you.

Especially when he puts his hand on your head, pressuring slightly guiding you to his neck. He keeps his hand there, caressing your hair as you relax on his hold, like he’s comforting someone who's just lost a dear relative, not a simple villager he spared and is now balls deep inside dozens of followers.

With a sharp pinch on your thigh Geto signs you to start moving, you arch your back and raise your hips to slide out of his cock till only the tip is left then sitting back. Since the yukata was not fully removed, it stays on you, sleeves pooling on the middle of your arms, the rest serves as a curtain, keeping the audience from viewing the junction of you and your savior.

You busy your mouth by kissing and sucking his neck, he gives your hair a discreet pull, a warning to not mark him, guess it would be bad for his reputation if his beloved sorcerers find out he’s whipped by a good-for-nothing human.

All they know — as far as Geto is concerned —, is that you’re his little pet, kind of a 3 for the price of 2 after he took in the twins, a package deal he simply had to accept.

Whatever, you don’t care about them anyways. As long as they’re treating your girls as one of their own, it doesn’t matter how they treat you. Geto, Mimiko and Nanako are all you need to be content with your life.

Geto should limit himself from touching you, his fingers shouldn’t be tracing the little marks and scratches on your back.

“You are not perfect, mistakes will happen, that’s why you need someone to guide you” he talks to the audience, his chin resting on your shoulders as the tip of his fingers run over each trauma and imperfections on your back. At this point — with his dick reaching such a sweet spot inside your walls —, you are not sure if he’s still indirectly talking to you, but something makes you think he’s talking to himself, about you.

Is it such a delusional thought? That you are the one guiding him and not the other way around? You thighs clench around him, the awkward feeling in your chest start to bring clarity to your pleasure blurred mind and you start to look around reflecting on your situation.

Geto relizes something switched in your dumb little head, you do that sometimes, look around with wide eyes and heavy breathing. Suguru remembers the days in jujutsu tech, when he was confused, consumed by the trauma and unsure about his future. Why did you make him remember that? Your chest is rising rapidly, he doesn’t want you to panic, that’s not supposed to happen under his watch.

You’re taken from his lap.

“You love me, don’t you?” Suguru holds your chin bringing your focus to him, only him. You nod slowly, admiring his sculpted face by the candlelight, “Then what are you afraid of?”

You search your mind for all the reasons to be afraid right now, shouldn’t be hard, all you need is to look around and remember why you’re here.

Yet his hazel eyes don’t allow you to find any of those reasons, somehow your heart doesn’t feel so heavy anymore.

“Don’t you trust me?” he rubs your chin and you nod again, “Show me” you blink confusingly, “Show me how much you love me.”

You’re sitting on your knees as your eyes trail down where his member is still hard, it glistens with your juices and throbs slightly, the sight is too irresistible.

So you bow to your savior, taking him fully into your mouth, the position giving the closest thing to a privacy moment, where you could pretend it’s just you and Suguru like in the late nights in his chamber.

“There you go” he sighs happily patting your head, not putting any pressure, like what you’re doing is not sexual at all.

It’s merely a form of adoration. And Geto deserves being adored.

Naturally, you take him as deep as you possibly can, focusing your best in worshiping every inch of his skin, putting as much love into it as you can, not even minding the emptiness on your lower half or how you’re dripping on the mat.

There’s a buzz in your ear, you know Geto is talking, finishing his speech probably, but you can’t actually hear him, feels like hearing someone talking from a distance.

The last thing you remember is the hot shot on the back of your throat and the member twitching in your mouth. You think you heard Geto moan, which brings a weird feeling in your stomach since, as far as you know, you’re supposed to be the only one to hear that. His thumb goes to your chin, whipping the saliva and cum, pushing you to release him, you do, but you keep kissing his soft length until the smell of him mixed with the candles and something only this room had made you black out.

Phenomenal.

A word that resumes what Geto thinks about your performance tonight. If he gave you a script it wouldn’t have played out so perfectly.

Sometimes Geto underestimates how willing you are to be controlled by him.

When everything is done, he takes you into his arms, after wrapping the Yukata back around your body, he raises to his feet and steps down from his small stage carrying you.

There’s a door behind the stage, passing the curtains, which he usually uses as entrance and exit. Yet that night he feels like walking through the audience, with a pretty little thing unconscious on his mighty arms and a bunch of loyal followers bowing on his feet he experiences being, truly, a god.

#— cult-tober #geto x reader #geto x female reader #geto suguru #suguru x y/n #cult leader!geto #geto smut #jjk x reader #jjk smut #geto x you #jujutsu kaisen x reader #jujutsu kaisen smut

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whatawaitsus · 5 months

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It's your final year at Killian Argent's School for the Supernatural; a prestigious boarding school for supernatural beings. In theory this doesn't mean much. Your future has been set since you were a child: graduate from a prestigious boarding school, get into an equally prestigious college that your parents will pay for, and then get a prestigious well-paying job with your father's connections. It is what is, you're past the point of complaining at this point in your life.

Despite being one of the most expensive schools in the nation, nothing particularly interesting has happened at the school in the nine years you've been here— aside from the occasional accidental possession caused by a ghost or the common room getting flooded after a nixie gets too frustrated over their homework.

That is until students start to go missing.

Oh, and you start having prophetic dreams of your missing brother. But, that's probably better to unpack later, in all honesty.

What Awaits Us is upcoming choicescript interactive fiction project. The game is rated 16+ for violence, manipulation, kidnapping, strong language, drug use, religious imagery and trauma and optional suggestive content.

Choose what kind of witch you are; customize your gender, pronouns, sexuality, physical appearance, personality, magic class, uniform style, dorm decor, familiar, and more.

Balance trying to solve the disappearances of your peers and your performance as a student.

Establish your relationships with your parents and older brother by playing through flashbacks.

Deicide on your class schedule and extracurricular activity that will have the ability to affect your stats.

Choose one out of five romantic options; a moody kitsune, an expressive siren, a bubbly godling, or a quiet godling, or an apathetic arachne.

Solve the mystery of the missing kids and potentially get a lead on your runaway brother.

Unwillingly gain a weird almost mentor figure in the form of one of your teachers.

Rei Nakamura [they/them, kitsune]: C's roommate. Rei has been at this school as long as you, though your interactions are next to none. You always spot their name at the top of all the classes you share. They generally keep to themselves, only interacting with C and the kids they tutor. When they do talk it's usually an insult or a refusal to do something. It's not a surprise that they're generally disliked by most of the school. How they happened to befriend an outgoing siren is beyond you.

Cleo/Cyrus Valtameri [gender selectable, siren]: Rei's roommate. C is.. a lot. They transferred during your ninth term; originally from Drialia, which is clear from their accent. They joined the theater club nearly as soon as they were enrolled and have landed nearly every lead since then. The two of you don't interact much, but when you do happen to cross paths they're always animatedly nice to you; they're like that to everyone except Rei, really. You almost swear you've seen the two of them point at you and laugh.

Lydia Taylor* [she/her, godling]: Lukas's twin sister. You've been partnered up with Lydia a few times for projects and she's always a diligent student. She's in the boxing club, which is honestly kind of intimidating, especially after what happened between her and Stephan Kim in your sixth term. But, she's always been plenty nice to you too, not fake nice like you've realized most of your classmates are. She and her brother are never apart from eachother, either.

Lukas Taylor [he/him, godling]: Lydia's twin brother. Lukas Taylor has been going through an 'emo phase' about as long as you've known him. You vaguely remember the mop of strawberry blond hair that was on his head when he first came here, though you have a suspicion he bribed a mage to wipe it from the yearbooks. Lukas is quiet; the polar opposite of his sister. You don't think he's in any clubs, though he is always carrying around a weathered sketchbook.

Nico/Nadia Ruiz-Estrada [gender selectable, arachne]: Your roommate. N and you have shared a dorm for the past five years, and they're possibly your best friend. Despite constantly skipping all of their classes, barring the ones the two of you share, their grades remain high. Even after knowing them for six years you still don't know if they care about anything besides displeasing their older sister. They started a band in your ninth year; Bite The Bullet. Half of the kids in your term are convinced they were formerly in prison, something that makes N laugh hysterically whenever you bring it up.

Polyamorous routes available with Rei & Cleo/Cyrus and Lukas & Nico/Nadia.

*Lydia is only romancable by female and nonbinary MC's.*

#interactive fiction #interactive novel #interactive game #choicescript #choice of games #cog #choose your own adventure #cyoa #cyoa game #no demo #interact-if #interact if #hosted games #dashingdon #if wip #if game #interaction fiction wip

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chirpsythismorning · 6 days

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Fun fact: In the original pitch for Stranger Things, El had a little brother.

After being rejected by almost 20 studios for the Montauk pilot, the Duffers were finally green-lit by Netflix. It was at this time that they began casting and then writing the first season officially, which included reworking a lot of that first episode.

This led to the removal of the brother reference, and with it, removing any sort of arc El could have had about her apparent brother.

But the thing about this moment, is that it might not have been scrapped entirely...

Going into the final season, no one can explain why or how El recognized Will back in 1x02. And while there are plenty of things on the show that are left unexplained, with a small portion likely left that way with the intention to uncover it later, what sets this moment apart from the rest is that there are very few possibilities here.

Because for starters, the story presents El's ability to see people in the void in s1 as requiring either a picture of that person for reference, or having met that person before.

But when El see's this picture of Will, she's never met him before. Or maybe she has, but we wouldn't know because they never showed us. They could have just not done this scene at all, given that it's clearly a copy/paste/edit of something scrapped from the pitch. Or they could have even still included it, but explained it.

One explanation could be that the lab had shown El a picture of Will before, similar to what they did with the Russian agent they wanted to spy on. But then that begs to question, why would the lab show El a picture of Will? Why would they want to see what he was doing? That alone is incriminating in and of itself, implying that Will is more connected to the lab than we realize.

The only other, and frankly most likely explanation, would be that El stumbled across Will at some point on her journey between escaping the lab and Will going missing. This is actually something that happens in The Other Side comic, which explores all the things Will may have experienced during his time in the Upside Down.

Though it’s worth noting the comics aren’t technically canon, and I highly doubt they would outright spoil everything in relation to Will’s time there, years before it was intended to be revealed. But still, let's humor this for a moment given that I do think Will's time in the UD is going to be very relevant in s5, which means it's highly likely they will finally address how exactly El saw him.

Basically, in the comic, Will see’s El walking through the woods, almost apparition like, glowing as she passes by, while also sporting the Benny’s burgers shirt. This means they would have crossed passed within a short span of time, between when El escaped Benny’s when the agents arrived, but before she was found by the boys.

Though it’s worth noting that we’re seeing this all from Will’s perspective. This means from the UD, Will was capable of seeing El on the other side, despite them being on different sides. And not only that, but she also looks back at him.

What confuses me about this, is that it doesn’t make sense for El to be in the woods, only to randomly decide to pop in to the void for a moment. She was trying to escape the lab and everything that came with it. I doubt she had any desire to lurk back there for some reason, not until someone encouraged her to. Not to mention, it would make no sense for her to go there and see Will if she wasn't even looking for him in the first place. And so this would mean Will and El could see each other, with Will being in the UD, and El being on the other side.

While it does seem pretty far off, given that you would think Will and El wouldn't be able to see each other from different sides, it is true in the story that El not only recognizes Will, but knows that he is in danger. She mentions that he is hiding specifically.

Which means she has likely seen him within the last 24 hours regardless.

This, in combination with Will being able to respond to El in the void at the end of the season in Castle Byers, when no one else outside of Terry and flayed-Billy have been able to, seems to imply that there is indeed something special about Will that makes him capable of communicating with El from the UD. Not only that, but El also seems to have an ability to be in this constant knowing state of how Will is doing, without even checking again to confirm. She's just certain of it. And she seems terrified about it.

Going forward, El never uses a picture of Will to find him. She never did. And more often than not, they don’t show us what she see’s either, not until the very end. And that’s the moment they reveal that he was able to communicate with her.

Again, there was really no reason to have El recognize Will. If anything it complicates things. But the fact that they chose to introduce this concept, with a scene from the original pitch that was related to El’s younger brother, with her pointing at his name cryptically, startling Benny, only to revamp it and have El not say anything at all while pointing at the picture of Will, startling Mike… It just really makes you stop and think.

Which brings me to the other aspect of this that might have people doubting, which is that El’s brother was originally younger than her.

We know Will is not younger than El, so how could this apply to him?

Well, it might be helpful to consider that in the original script, El was actually 10 years old, while the boys were always 12. Meaning that for some reason, they decided to age her up to the age of the boys, aka the same age as Will…

Ever since @erikiara80 shared this brother discovery with me, I have been sort of reeling. It then led to other little discoveries of changes they made between Montauk and Stranger Things.

It’s important to understand that the Montauk bible and the original script precedes what we ended up with in the final product, with it finally changing and evolving months, maybe even a year since that original vision. Even casting occurred before writing started for the first season. We know this because casting announcements were made in June and August of 2015, with writing not starting until August going into early 2016, simultaneously while they were filming.

And believe it or not, what I've discovered is that a lot of the changes they made between their original plans and what we see in the final product, have to do with not only Willel, but also Byler.

If you've read the original script for Montauk, you'll know that Mike's crush on Jennifer Hayes was focused on right from the jump, along with the birthmark on his face being focused on, which was the main cause of the bullying he experienced.

This has actually been talked about recently, and some of the claims people make do fit with what I am genuinely starting to consider here, which is that the initial plan for what makes Mike an outcast shifted.

I think when they completed casting, and started actually deep diving into what they wanted this world to look like, both from a short-term and long-term standpoint, they were presented with some pretty interesting discoveries, arguably already hiding in their initial plans without realizing it.

And this is where it sort of becomes a 'chicken or the egg' situation. Because which one came first? Byler or Willel?

I can't say for certain, because obviously this is all just speculation. But in the case that Willel came first, I think Byler would come very naturally after that.

The Duffers themselves are twins. Then they hire Noah, who is a twin. Then they're thinking and planning for El's past and how her family all fits into this, and they're thinking... wait a damn minute... We could totally Star Wars this bitch!

And then when they think it couldn't get any better, they uncover another layer that they hadn't planned or really considered in their initial plans.

While Will was always going to have sexual identity issues according to the Montauk bible, meaning that the writing process for him likely involved sitting down imagining scenarios that encapsulated this arc for Will from the beginning, they were simultaneously now finding very interesting aspects of Mike's character that made it hard not to at least consider the possiblity that Mike is not exactly straight.

Just think about it. The Byers and Wheelers are basically polar opposites on the spectrum of what a family looks like. While Will's discovery and acceptance of his queerness is interesting to explore because he comes from a low-income, single-mom household, all while having been bullied for years based on his perceived queerness, he also has a mother and brother constantly reinforcing that they will accept him no matter what. They've been sort of hitting us over the head with it for years, and so it wouldn't be very satisfying for his entire arc to merely lead up to something we've known all along. It's pretty much a given at this point.

On the other side of the spectrum, Mike comes from a more upper-middle class family at the end of a cul-de-sac, more aligned with what a nuclear family looks like. Mike's family is also presented as being more conservative, and while Karen does give that very queer-coded speech to Mike in s1 (I'm convinced they only wrote this after deciding to explore queer-coding more heavily with Mike), it also comes with comments from Ted and even still Karen that hint that they are probably not as open-minded and accepting as Will's family is to him. Which means Mike's arc would be a lot more about acceptance around him from his loved ones who we have been led to believe might not be as accepting of his queerness in contrast to Will.

And so as they're putting this story together, and they're being presented with something very interesting. Two similar experiences that play out in different ways because of the characters circumstances.

Will goes missing, and his twin sister with a buzzcut pops up and has the ability to help them find Will.

This leads to several moments where El is being compared to as not only a boy, but Will as well.

Now suddenly, their initial plans to have Mike's arc be about having a girl be interested in him and to hopefully have his first kiss and feel like less of a loser, starts to look a lot like what the experience a queer kid in his position might encounter growing up in the environment that he did.

And if you don't want to take my word for it, just hear the Duffer's themselves hinting at what they initially planned for Mike and the fact that it changed.

The changes don't stop there.

Believe it or not, 'It was a seven', did not exist in the initial pitch. When the boys went outside bickering over Nancy, they leave right after that.

Another thing that changed from the first script, was Scott Clarke's introduction:

And so you might be thinking, who cares? What does that have to do with anything?

Well, it's interesting because the line we end up with on the show is arguably one of the most on the nose Twelvegate proofs to date. Mind you, this is from the first episode:

Why chuck the original version, which was arguably more interesting and fascinating in terms of it hinting at the mysteriousness surrounding this story, only to replace it with him listing off tips about their upcoming test?

Well, I think it's the irony of it all. Here Mr. Clarke is practically telling us where to look to figure stuff out for ourselves what is going on, with all the kids filing out and ignoring him...

I relate to Scott a litttle too much in this shot here, any time I try to drop Willel evidence.

And the changes go on, as they obviously would.

Things like Terry Ives not even being El's mom, but actually a man who more so aligns with the characterization of Murray.

And one very interesting one I almost overlooked was in Hopper's introduction, where instead of a kids drawing done by who we assume to be Sarah, we actually see a picture on the wall of him and his wife and daughter... Interesting that they decided to switch it something that is a lot less definitive in presenting what Hopper's past looked like...

If you've made it this far, congratulations.

If you still think I'm out of my mind, just remember that El was going to have a brother in the original script, but they scrapped the scene and gave a near identical one to introduce her connection to Will instead 😘

#byler #stranger things #willel twins #twelvegate #montauk #as you can see #i am out of my mind #and i'm okay with that #i've spent the last couple months trying to make a video going over all the willel twin evidence #and i can't decide if it's even possible to do without going over an hour #like there is just so much shit that fits too perfectly into this family being ripped apart by mind control and time shenanigans #i hope to have it done soon #trying to make it less than 20 minutes #but it's probably going to end up being closer to an hour #especially with this stuff from the montauk pitch being added to the mix now #anyways #willel and byler are the curtain behind the curtain #if you are open to one of them #you are bound to stumble across the other #and they don't want that to happen #stay tuned for the inevitable twin imagery to continue in s5 related to willel leading up to the big reveal #bc it's arguably the most consistent thing about this damn show #and tbh this all just makes the queer-coding for mike in s1 a lot more concrete to me #them exploring will's queerness through his dad's expectations for him to do more 'manly' things like play baseball #and jonathan saying he shouldn't like things just bc people telll him he's supposed to #how they connect that narratively with the boys being at a baseball field when mike's being pressured about his supposed feelings for el #with the bullies showing up and literally being homophobic seconds later #the fact that jennifer hayes did in fact exist in the original pilot and was the girl mike had a crush on #only for them to scrap that and just make it about her having a crush on will...#never once introducing this idea of mike liking her...

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toaskello · 22 days

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Today seems like a good day to ramble about my favorite bit of imagery in all of Bionicle, and that would be the twin eclipse in Legends of Metru Nui.

To start, let's recap a bit. Our protagonists, the Matoran and friends, live on a tropical island. The deity they worship is the Great Spirit Mata Nui, a vague, godlike figure cast into unending slumber by his jealous brother. We never see this entity, although he is often represented with symbols like the Kanohi Hau or a rock with etched details representing an abstraction of that mask. Similarly, we never see him do anything, as he is sleeping. All we know is that the village elders say he was benevolent and good.

The first major plot twist in Bionicle comes when the Matoran travel underground and find their original home: a large cavernous dome with an island city surrounded by a vast silver sea. Despite being underground, twin suns are visible in the sky, frozen in a partial eclipse.

The next year of Bionicle is a flashback, taking place on this island city while Mata Nui is awake and the suns are shining bright. Mata Nui himself and his actions are still seemingly nowhere to be seen.

Tragedy strikes at the end of the year when Mata Nui's jealous brother infects him with a virus and sends him into his slumber while the twin suns eclipse. With the limited information about the true nature of Mata Nui we had in 2004, this always seemed to be a rather on-the-nose metaphor. The Great Spirit who watches over the Matoran falls asleep and the suns overhead eclipse in a manner that makes them look like closing eyes. He can no longer protect the Matoran from the eternal shadow like he once did.

Fast forward four years and the big reveal that all of Bionicle had been building up to is finally made known. The Great Spirit Mata Nui was a metallic colossus in which the Matoran resided. The island city was his brain, the silver sea his cerebrospinal fluid, the dome his skull. The suns, as it so happens, actually are his eyes. But importantly, the eyes are not looking down on the Matoran - they are looking up, away from them.

Mata Nui, as it so happens, was rather unconcerned with the inner workings of his body. He wasn't malicious, but he cared about his people as much as you and i care about our sesamoid bones. Do you know how many you have and where? Probably not. His major character arc going forward is recognizing this and, after being humbled into a puny (7-foot-tall) humanoid, learning to care and respect other beings, even those he would usually consider beneath him.

The reason I love this shot so much is that it works perfectly for both views of Mata Nui: the Matoran interpretation of an idyllic protector who banishes shadows from his place in the heavens, and the giant robot with people in his brain who is preoccupied with observing space. The perception of this scene changes as our understanding of both the biology and personality of Mata Nui are revealed throughout the story.

Like, they made a movie for a toy with this shot that you would have to go back and watch four years later to fully appreciate. And IDK, I think it's pretty cool.

#bionicle #another skello original

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maxislvt · 11 months

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Thinking about babysitter!reader fucking Wanda in the back of her mini van.

(Also, this is only a fic request if you want it to be! Otherwise, enjoy the imagery😌)

Love your work btw<3

warnings: power bottom!Wanda, service top!r, amab!r, semipublic sex, age gap relationship

thank you for the compliment :) I hope you enjoy this! also shout-out to @wndaswife for inspo. PLEASE GO READ HER POWER BOTTOM WANDA FIC IT'S SOOO GOOD

Though you took pride in being a good role model for all the young children you babysat, you found yourself in a situation that could only be described as scandalous.

Wanda Maximoff, the mother of two wonderful twin boys and a pillar of the community, was pinned beneath you and almost entirely nude in the back of her Honda. The fact it was in the parking lot of an abandoned mall certainly didn't help. It would be a lie to say you didn't see it coming. You and Wanda had truly only been together a few weeks. The increasingly scandalous outfits and jokes at the expense of your virginity were a dead giveaway about how she was feeling. You were shocked it didn't happen sooner.

"Oh, you'd be as red as a tomato if you heard what the other moms around town wanna do to that pretty face of yours."She whispered with the same drawl that got you into this whole mess. It was easier to fall in love with her again than it was to tell her no. The hand stroking down the length of your shaft was relentless. "Especially that little nose of yours." Wanda guided your tip up and down her slit until you were practically shaking. "But you only want your mommy, isn't that right?"

You nodded frantically. "Just you, I promise." Your admission earned you the privilege of burying yourself inside of the warmth of Wanda's cunt, but you hesitated to take advantage of it. "D-don't I need a condom?" You asked foolishly. You were still so careful and nervous about everything. "And isn't it a crime to have sex in public? I'd hate for you to —"

Wanda wrapped one of her legs around your waist and pulled you forward. A low moan fell from her lips as you slid inside of her. "If I wanted you to wear a condom, I would've brought you one." She pulled you in for a kiss just as she started moving her hips against you. "Don't worry about that, okay? Just focus on making me feel good." One of her hands moved down to guide your hips into the pace she wanted. "That's it, nice and slow for mommy."

A low whine escaped your lips. "Mommy, you feel so good." You mumbled out in a daze. Nothing could ever truly compare to the feeling of Wanda's walls sucking you deeper inside of her. The confidence that you had built up weeks in advance meant nothing at that moment. You were nothing more than a pet for your lover to boss around and tease. "You're so warm," You whimpered. An unusual stroke of boldness took over as you began to grope at Wanda's chest. The mound of soft flesh felt heavenly in your hand. You were tempted to lean down and suck on it.

"You can be rough, baby. I want you to hurt me." There was an edge of excitement in her voice. It only grew as you began tugging on her nipples. "Fuck, just like that!" Wanda's moans had become increasingly broke and desperate. "I can feel you twitching baby. Are you gonna cum?" She purposely clenched around you tighter as you shook your head. "Are you sure? Mommy won't be upset if you do."

You clenched your eyes shut and tried focusing on the rhythm. "No Mommy, I can hold it. I promise." You weren't entirely confident in that statement. Your fingers abandoned Wanda's nipples and opted to focus on her clit instead. The bundle of nerves was almost too wet for you to properly stimulate.

Wanda was endeared by your sacrifice and was more than willing to test the stamina she knew you didn't have yet. However, the trunk of her car wasn't the most ideal place to do that. She hooked her ankles together behind your back. Her hips rolled against yours desperate to squeeze every last drop of cum out of you. "I'll tell you when I want you to hold it, but right now mommy wants you to fill her up. Can you do that?"

Of course, you could do that. Rope after rope of your cum painted Wanda's walls until you had nothing to give. Feeling her cunt flutter and gush around your dick was almost too much. You buried your face into Wanda's neck, embarrassed by how much was coming out of you. "I'm sorry, it won't stop," You mumbled weakly. You would've had to pull out at some point, but you started to dread the mess to come actively.

Wanda affectionately rubbed your back and whispered praises in your ear as you shook on top of her. "You did such a good job for Mommy," She coed. Her fingers tangled into your hair and played with it while you slowly caught your breath. "I know it feels good but we still have errands to run, remember?"

The groan you made as you pulled out didn't go unheard, but it was a bit upsetting to have the moment interrupted. You wiped yourself off then got dressed. It wasn't until you finished dressing yourself that you realized Wanda's problem."Are…are you going to the store like that?" Your eyes were immediately drawn to the already ruined panties. "Aren't you worried it'll leak out?"

Wanda shook her head as she climbed out of the van. "If that happens, you'll just have to use that pretty mouth of yours to lick it up."

#panther speaks #anon #panthers drabbles #wanda maximoff #wanda x reader #wanda maximoff x reader #wanda maximoff imagine #wanda maximoff smut #milf!wanda #love her sooo much

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fxtalitygod · 3 months

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Survival. IX

Summary: You were determined to survive longer than anyone, even if you were set to marry him.

Genre: Historical AU, angst, mature, suggestive, arranged-marriage

Warnings: Dark themes, gore, graphic imagery, theme/depictions of horror, body horror, swearing/language, suggestive, mentions of suicide, arguments, mentions of adult murder, Pet name (Little Flower 1-2x) implied Stockholm Syndrome, grief imagery, images/depictions of dead bodies, child death/murder, character death(s), slight misogynistic themes (if you squint)

Word Count: 3.4k

JJK Mlist•Taglist Rules• • Pt.I • Pt. II • Pt. III • Pt. IV • Pt. V • Pt. VI • Pt.VII • Pt. VIII • Pt. IX • Pt. X • Epilogue

You remembered the most content morning you had ever had. It was a relatively beautiful and tranquil day in the garden. The sky was clear, and the sun was beaming brightly, yet the weather was pleasant. It was the most satisfying day you had ever had within the temple.

It was also the day your twins spoke their first word.

You had been spending quality time with your twins, your attendant joining the activities as you both basked in their childish nature. She had grown as close as family and acted like an aunt to your kids, and if you were being honest, she felt like a sister to you in some sense. You truly appreciated her company and assistance throughout the time you had known her— especially when sharing this memorable moment.

It felt like it was out of a dream when the word effortlessly slipped from your daughter’s mouth. Moments ago, she was a child who only knew how to babble, laugh, and cry, but now she was a little girl capable of speaking. And if your daughter hadn’t surprised you enough, your son letting the same word slip next had left you paralyzed with shock.

“Mama.”

Yes, it was a standard word for a child to speak first other than Dada or Papa— a cliché, as most would say, but that was the last thing on your mind. To hear your child acknowledge you for the first time and know they recognize you as their mother was a pleasure that could not compare to the joys of sex, alcohol, or money– it is a pleasantry of its own. You swore you would do anything to hear them call you their "Mama" for as long as possible.

And if anyone took that away from you, they would be damned to hell.

The screams of a woman echoed through the temple. The shrieks were ear-splitting and could cause anybody's ears to bleed upon walking into the hearing radius. You could only listen as the screams continued, the sound muffling out as your ears began to ring again.

Why was she screaming? The woman in question should have been thrilled that your children were deceased– they would have been a threat to her. She was probably trying to win Sukuna's favor in some fucked up way. The bitch had no right to grieve in your presence nor in solitude. You had every want to strangle her soundless; however, something stopped you from that impulse.

Your throat began to burn.

At that moment, you realized the screams of grief and agony were those of your own. Nobody was present in that room, just you and Sukuna, as your cries echoed in the room and nearby halls. You were blinded by your own tears as you stared at the now-blurry image of your twin's hanging corpses, choking on your own sobs as you collapsed to the ground, holding your midriff with the painful thought that the life you had cultivated within you for nine months and raised for six years was now reduced to carcasses hanging from a wall.

Your blessings had been snatched from you, from right under your nose.

You should have known things would have not been so simple. You should have never let your guard down for even a second. This was your punishment for being so blissfully ignorant when you should have analyzed all the possible faults in your plan and anticipated any threats that remained to perform a clean escape.

You stood on weak legs, shuffling to the wall that was covered in blood. In your mind, you always thought that the blankness of those walls would drive you mad– you never anticipated that the splash of color would be the thing that forced you to insanity. The crimson dripping down the wall proved you wrong.

Your hands shook as your fingers hovered over the pins that were holding your children in place, flinching back as you swallowed the bile rising up your throat before reaching for one of the pins again. You made an attempt to hold back your sobs but with little success. Huffs, spittles, and gurgles continued to resonate from you as you held back your cries– you looked pathetic.

Your hands felt weak as you pulled the pin, the audible squelching sound of the flesh rubbing against the item sickening you to the core, yet you persisted. You pulled the lower pins that you could reach from your son and daughter, tears gushing out of your eyes as you did so. No torture was as great as this, especially when you went to reach the higher ones. You stood on your toes, stretching for the pins that were sunk into your twin's hands, but it was futile. Under normal circumstances, you could have reached that high; you would have improvised a way to do it, but your mind was numb, and your body felt weak.

"Help me," you choked as you continued to reach.

The only response you got was silence.

"Please," you weakly whispered, "Please, help me."

Silence lingered again, but before you could plea a second time– your husband spoke.

"Why?"

You paused in your movement, your breath hitching as the simple word echoed in your head.

"Why?" you repeated, bewilderment found in your whisper, "Why?"

Your head slowly turned to look over your shoulder, your eyes gleaming with fury as you looked at Sukuna.

"I'll tell you why," you seethed, "For eight years, I have lived in this temple with you and your sickened whores and bastards– lived in your residence with little to no complaint. I have endured everything bestowed upon me and have managed to keep my spine straight with my head held high– and when in your presence, I have given you nothing but the lowest bows of respect despite the falsities of that action; I sacrificed my pride!" you paused to breathe before continuing, "I bore you children and dealt the blunt trauma of my impossible pregnancy and labor without complaint or ask of favor because you and I both know I would have gladly died in the process. In my life here, I have asked you for ONE SINGULAR FAVOR that would benefit both of us!"

Another pause as you caught your breath.

"The very least you could do," your voice shook with exasperation, "is grant me this one selfish wish."

"Do you understand the line you are crossing, Little Flower," Sukuna threatened as he took a few steps forward.

"Well aware," you answered without hesitation, "but at least if you killed me now, I would reunite with my children and be rid of you," you grinned mockingly at your partner.

You watched as the menacing man raised a hand, keeping eye contact with you as he did so. Normally you would have feared that this was the end of the line, but that was before your worst nightmare had already came true. Some part of you wished that he would hit you, hoping that once he did, he would snap you out of what you hoped what was an illusion of some sort, a night terror, a cursed technique, possibly a hallucination— all three were very much possibilities, but deep down you knew you were in denial, however, you did not want to accept it.

The slap never came.

Instead, your companion reached his arm above you, removing the pins that held your twins hostage against the wall. Sukuna took his time, clearly in no rush, leaving you antsy as you began to wriggle in impatience. You just wanted to hold them and look upon their innocent face. Maybe they were not dead, maybe there was still a breath of life in them, and you could somehow convince your husband to use his curse reversal technique on them due to the terms of your contract.

Maybe, just maybe…

Once the last pins restraining your children were removed, you were quick to cradle your twins, holding them close to your chest as more sobs escaped from your quivering lips. Your fingers lightly touched their skin as you caressed their faces with motherly gentleness. After moments, your cries subsided into a quiet lament as you continued to hold your little boy and girl.

You would have done anything to prevent this fate.

"Mama..." a voice spoke, but excessively strained and quiet.

You jumped up to see your little boy's eyes open no more than a slit. Without hesitation, you rushed to grab his face, babbling words of encouragement for him to stay awake. You were eager as you prepared to attempt to perform reverse cursed technique, but before you could, another strained voice sounded.

"Ma-Mama."

You panicked once more, moving to face your daughter as her condition was nearly the same. You were torn on what to do and had almost turned to Sukuna for his assistance, but it was useless. As quickly as those words were spoken were as fast as they faded back into eternal sleep.

What was this? You had to ask again, but what had you done to deserve this? To be worthy of this torture? Was there not a more deserving candidate for this cruelty you were enduring? Had you just been born to be cursed like this?

Questions raveled your mind, and thoughts ate at you alive– you were beginning to spiral. Your voice, along with many of the other voices from your past, flooded your head, screaming at you all at once as the memories began to invade your consciousness. Your head was starting to hurt from lingering in your mind, far away from reality. If anyone were to look upon your form, you would seem like the hollow husk of a woman based on how you sat there unmoving and totally silent as you stared blankly at the bloody wall– it seemed like you were looking through it like a piece of glass, that is how lost you were, until...

Everything went silent.

The voices in your head had settled, and all you could hear was Sukuna's breathing and your own echoing throughout the room. It was eerily quiet as the two of you remained.

"Their first words were their last."

You spoke without thought; the words had just slipped as you turned back to the father of your children, being met with his expressionless stare. You did not expect a response, but you could tell by the look in his eyes that he was no happier about this situation than you were; however, Sukuna was not grieving like you were. Your reasons for your dour moods were different, but that did not matter– you both were upset about what occurred.

As you held your husband's stare, it was almost as if you had some sort of understanding with one another, communicating without speaking before turning your attention back to your twins. With caution, you gently lifted your children into your arms, slowly standing as you managed to balance their limp bodies in your hold as you walked toward the door.

Your feet moved without command as you walked through the corridor, Sukuna walking at your side as you ventured in silence. The experience was almost that of your arrival at the temple– all eyes were on you; however, there were no whispers of gossip or vial comments and disgusting displays of arousal as you departed. The tension radiating from your aura was too great for such ill manners to be publicly displayed.

You had no clue where you were going and were hardly thinking about it. Your mind was void of consciousness as you reached the grand doors of the temple, stepping out into the cool night air. A part of you wishes you could have enjoyed it, to relish your first time outside the temple walls since your marriage, but the feeling was bitter and dull, especially as you looked upon the lights illuminating from your village.

Trekking through the terrain, you watched the lights grow brighter and more prominent, similar to the unknown feeling festering in your chest. You could hear their voices, their chanting of uprising as you approached the crowd, stopping just at the border of your village. One of the village elders was the first to notice you and Sukuna's approaching figures before ceasing the noise, focusing on your arrival.

"Y/n L/n, you have finally come home. Your family will be happy to know that you have finally returned," pausing to look at Sukuna before bringing his attention back to you, "It was wise of this monster to return you as requested. Come now child, we shall reunite you with your family."

You could hear him speak and understand his meaning and indirect stab at Sukuna's pride, but the words flowed from one ear to the other as your body remained rooted at the barrier.

"Come now, child, you are free!" the elder insisted as he motioned to you, confused and seemingly irritated at your lack of response.

"No."

The word slipped out seamlessly as you blankly stared at the man, watching his expression turn into shock.

"What do you mean, 'No'?"

"It means what I said," you simply responded before continuing, "Why would I come back to a home that sent me away like a lamb to the slaughter. You presented me like a slab of meat to the man you call a monster as if he were some valued patron, but suddenly, I have become worthy of retrieval after how many years? Why is that?"

"You ungrateful woman! We have pursued you for some time due to your parents' request. They paid handsomely to bring you back home, paid enough to fund our cause."

"And what cause was that?!" you retaliated.

"To kill that vile creature who stole you from us, my dear daughter!"

"...Mother," you whispered to yourself as your mom came into view, your father following her as they made their presence known.

"But it seems his influence has already tainted your mind," your mother spoke with a solemn look in her eyes, "But we can fix that if you just come home." the woman persisted as she held her arms out for a welcoming embrace.

Her comfort was tempting, but there was a lingering feeling of hesitance the longer you looked at the picture. This was something you wished for a long time, to be welcomed home with open arms, but the dream seemed stale as you stood there unmoving.

"Then why were harmless children slaughtered in his place?" you questioned.

"Harmless?" your parents uttered, baffled by your statement, "Those children were born to become monsters along with their father! They were far from harmless! That is why we had to cut them out of the picture!" your father yelled.

"...You did it?" you softly asked.

You could see your father's mouth open before closing, moving his gaze from your eyes to the motionless bodies in your arms. The disgusted faces your parents held were replaced with one of bewilderment and fear. They could finally understand your reluctance.

"Y/n..."

"They were harmless..." you started in a mutter, "They were not monsters! They were innocent! And you accused them of crimes they have never committed!"

"With their upbringing, it would have been inevitable! They were their father's children, after all!" the village elder interrupted, disdain laced in his voice.

"They were not guilty of Sukuna's crimes! They were innocent children!" you voiced, outraged with the small-minded thinking.

You looked to your parents for support but were only met by them avoiding your stare. They believed their actions were reasonable and considered them valid. You were not the one who was influenced... they were.

"Damn you all," you muttered, turning your back to the villagers.

"We did this for you to survive, Y/n! And here you are, well and alive. You kept your promise, so please come home!"

"Survived...survived..." Your chest heaved as you began to laugh hysterically. You placed your children down before rising, "Is this what survival is, just staying alive? Well, if that is the case, then yes, I have survived just like I promised, but with the cost of my life! I may have survived, but I will never live...not without them."

"There will be other opportunities to have children, my dear, with a far better suitor," your mother attempted to persuade, her arms still held open.

"Excuse me?"

That had done it.

"The man you practically sold me to was far from my first choice of significant other, but at least he managed to give my life some meaning, something to live for...and you took it from me, the last crowd of people I thought would do such a thing...how naive of me."

"Y/n, if we-"

"If you what?! Tell me, if you had known those children were mine, would you have spared them, given them mercy?"

No response.

"That's what I thought. You know I had hoped to come home with open arms, and shown by tonight, my wish came true; however, that was before I had the twins– the dream expanded to have all three of us welcomed with warmth...how pitifully optimistic of me."

"Y/n, I cannot tell you those events you hoped for would have come to fruition, but I can tell you this: you can start over, have a family you have always dreamed of... pure children."

Silence.

"They. Were. PURE!"

And just like that, the extent of that unusual feeling lingering in your chest had unleashed. The full extent of your furry had combusted in the form of your cursed energy and technique. Within the blink of an eye, what was once a bustling village full of chatter and laughter was now a blazing inferno filled with screams and cries.

You could see the fire, smell the blood, and hear their screams as they begged for mercy. They cried out for their children and loved ones whose bodies were now burning in the roaring flames, reduced to cinders and ashes. Those who threatened to charge were killed before they could make contact, their bodies contorting in ways the human form was incapable of, causing cries of pure agony as they were left to bleed out in their mangled state– they were retired to suffer in their pain as the life slowly drained out of them. If a suffering soul was fortunate, the fire would catch them aflame and kill them faster, or debris would land in a fatal spot or crush them whole to end their misery.

Viewing the demolished structures and flaming bodies, both dead and alive, was a petrifying view– yet you felt nothing. Your breath was methodical, your expression blank, your body unmoving. Pity and remorse were thrown out the window– fear and anguish had long vanished; however, anger and resentment lingered like a tiny flickering flame that continued to grow with each crumble and cry that could be heard.

Although your exterior appearance seemed calm and collected, your heartbeat said otherwise as it accelerated, pounding against your chest so hard you could eventually drown out the hollers of distress with its rapid thumping.

They were now suffering the pain and torture you had suffered for years to its full extent...

Unlike you, it was the kind of punishment they deserved.

You allowed yourself to view the sight for a few seconds longer before picking up your son and daughter, balancing them in your embrace again, and turning your back towards the village. You began to walk toward the temple, knowing better than to run off, but it was not like you had a reason to go anywhere else. There was no life for you. You were to remain by Sukuna's side until you died, and you were content with that.

"Y/n."

With all the heightened emotions and events that occurred only moments ago, you had forgotten Sukuna was there. The curse user had not muttered a word nor made a movement. He idly watched your wrath unfold, watched as you burnt your home to the ground.

You paused for a minute, looking blankly ahead as you thought of the past and reflected on your choices. Out of every action you committed, there was one you regretted most.

"I should have killed myself that morning, the morning after the ceremony. It would have saved me a lot of trouble and heartache."

With that, you walked off into the night, letting that thought of regret linger in your mind.

Taglist:

@littlemochi @mistalli @youngbeansprout @bbylime @bangtan-forever1479 @idktbhloley @izayas-rings @o3o-aya@pyschopotatomeme @persephonehemingway @otomaniac @meforpr3sident @fourcefulcupid @nezuscribe @my-simp-land @zukuphilia @niya729 @spiritofstatic @bbittersw33t @kashasenpai @decaysan @honeybaegle @ygslvr @outrofenty @esposadomd @ali2426 @anmath @yazzzmints @lovingnahida @sincerest-one@rosemaydone321 @j0dios @k-ki3rd @maki-zenin1944 @shadowywizardarcade

#jujutsu kaisen fanfiction #jjk fanfic #jujutsu kaisen x reader #jujutsu kaisen fanfic #ryomen sukuna #sukuna fanfic #sukuna x reader #ryomen sukuna x reader #sukuna #tw stockholm syndrome #tw death mention #tw dead body #tw suggestive #tw child murder #tw sui talk #tw arguing #tw body horror #tw g0re #tw grief

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miquella-everywhere · 2 months

Text

Miquella and Griffith: Why the comparisons make no damn sense

So instead of me screaming to the sky, "Waah Miquella is Griffith theories make me so mad grrrr I hate them so much" I've decided that I'm going to do an analysis between the two characters and dissect why the comparisons and Giffiths influence on Miquella makes absolutely no damn sense.

So first and foremost, warning: I will be talking about and spoiling Berserk, so if you wanna read it for yourself then steer clear of this analysis

So to start off let's discuss Griffith and his character/motivations in Berserks story: Griffiths whole goal from childhood was to establish his own country, his own paradise and to achieve that goal he first established his own mercenary group The Band of the Hawk. Griffith was beautiful and charismatic and the people who were apart of his band all looked up to Griffith and admired him, placing all of their hopes and faith into him and his dream.

But as the story goes on Griffith hits an all time low point, and after essentially being tortured for a year, which makes him emaciated, weak and practically crippled for life, all of Griffiths dreams seem like an utter impossibility as he is left as nothing more than a shadow of his former self.

That is until he decides to cast everything aside to become a God.

And by cast everything aside I mean that he betrays his companions, his Band of the Hawk, and sacrifices their lives to untold evils in what is absolutely the most genuinely horrific and unsettling imagery I have ever seen from a work of fiction in my entire life.

(Going off topic but I cannot stress this enough that if you decide to read Berserk understand that the violence shown pulls no punches with its depictions and involves both heavy gore and sexual violence. Especially the sexual violence)

Anyway, what makes the Band of the Hawks sacrifice so jarring is that these people all loved Griffith. They adored him. Backed him every step of the way and were the ones to go and rescue him as he was being tortured, and they all mourned the pitiful state that he was in when they found him. But regardless they STILL tried to be hopeful for Griffiths sake.

The Band of the Hawk loved Griffith and that is why Griffiths betrayal of them hits so hard and is why Griffith is known as one of the most evil characters in fiction.

And all of these reasons are precisely why Griffith is such a good and compelling character.

From the beginning of Griffiths introduction you could tell that something was... off about him. But at the same time his charisma and big ambitions painted him in a sympathetic light and you rooted for Griffith. But as the story went on you could see how Griffith was going deeper and deeper into the darkness and, quite frankly, his subsequent torture is entirely his own fault because he made several stupid and completely avoidable choices.

And it's all because Griffith at his core is selfish.

And it's for exactly these reasons why it's so baffling to me that so many people believe that Miquella is going to be just as evil, or worse, than Griffith.

Because in truth unlike Griffith, Miquella is not selfish.

The main problem that I have with the Miquella is Griffith comparisons is that all of those theories hinge entirely on the Bewitching Branch item description, and so many people have gone out of their way to spin Miquellas ability to compel affection as definitive proof that he is manipulative and evil, meanwhile conveniently ignoring everything else that Miquella has done in the lore.

So for a single moment, let's pretend that the Bewitching Branch does not exist and take a look at all the other lore that surrounds Miquella:

Miquella has dedicated most of his life to curing Malenia, his twin sister, of her crippling disease, and has even crafted prosthetics for her as well as an entirely new type of God Repellent Metal, which can halt the effects of said disease

He was a Golden Order Fundamentalist but ultimately abandoned it because it could not cure Malenias sickness

He created a Haven for those who are outcasts in the eyes of the most dominating and repressive Order in the Lands Between

He watered said Haven/the Haligtree with his own blood so it could grow into something that could rival the Erdtree

He used his identity as St. Trina to sing to and ease those who have been afflicted by the Frenzied Flame

There are several statues that depict Miquella and Malenia embracing eachother, 1 in Altus in an area dubbed Miquellas Hideaway and several all over the Haligtree. The fact that this statue is the dominant imagery found at the Haligtree really hammers in the fact that the twins love eachother, and that the Haligtree isn't just Miquella's, but Malenias home as well

He also has a clear affection/love for his brother Godwyn as the statue at the Haligtree depicts him embracing his siblings and even created a sword to commemorate Godwyns death and prayed for him to Die a True Death.

The soldiers of the Haligtree came across a bitter revelation as they await Miquella(presumably they feel immense guilt for being unable to protect their Lord) and explode with light, which they hope will guide Miquellas return and no Miquella did not put the light in them to make them explode there is absolutely zero proof of that, looking at you vaati

And now to be fair, lets get into the comparisons that are shared between the Griffith and Miquella:

Both are highly charismatic and beautiful individuals to the point where both Griffith and Miquella are mistaken for being girls.

The Eclispe imagery. For Griffith the Eclipse is what allows him to ascend to Godhood(after sacrificing the people who love him) and for Miquella the Eclipse is presumably how they are trying to resurrect Godwyn (Miquellas plans for the Eclipse are mostly unknown/vague at this point)

The Egg. Griffith and Miquella both go through a type of metamorphosis involving being encased in a cocoon/egg.

And honestly that's kinda it. The straight comparisons between the two are highly lacking and purely thematic in my opinion, especially when you consider everything else going on between their respective characters.

So to summarize, the good things that Miquella has done outweighs the bad and that is why Miquella is, in actuality, the exact opposite of Griffith. Unlike Griffith who is selfish, Elden Ring canon points to Miquella being a compassionate and loving individual, and if anything, he is a complete inversion to Griffiths character.

With the points listed above a majority of the in game text highly suggests that Miquella is kind and altruistic, and with the newest text regarding Miquella in the DLC:

Points to Miquella potentially being selfless and self-sacrificial.

And also, I've seen several people argue that Miquella wants to become a God so he can create his own utopia/Falconia like Griffith did. And I'm like.... Uuuum okay well, there is a big problem with that argument along with an elephant in the room that's being completely ignored, and that is the fact that Miquella has already created his utopia/Falconia with the Haligtree and Elphael.

So as of this moment Miquellas exact goals are completely unknown, what he is doing in the World of Shadow cannot be determined until the DLC arrives. But my point remains that so many people seem to think that Miquella will be evil based off of, in my opinion, evidence that is completely lacking in substance, along with the pervasive belief that since Elden Ring has drawn inspiration from Berserk/Griffith it means that Miquella will end up as a similar type of evil character as Griffith, all while ignoring the things that Miquella has done in canon that sets him apart as his own character.

So I've said my piece and what I believe in, so I'm just going to leave this analysis with this last statement:

The good that Miquella has done and committed himself too in the Lands Between completely outweighs the singular implied evil of the Bewitching Branch.

#uri posts #elden ring #miquella the unalloyed #elden ring theory #shadow of the erdtree #also yes this is griffith slander i think he is a dumbass lol

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the-kr8tor · 4 months

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Imagine the twins grow up a little let’s say 5 years old and they ask the most random questions it would be so funny? Like “why happens if the earth stops spinning?” “Why is the water blue?” “How does snow happen” and obviously “how are babies made?”

Cuteeee!!! Thank you for requesting! 🫶

Pairing: Hobie Brown x fem! Reader/ Spider-Punk x fem! Reader

Tags: No use of Y/N, No specific physical description of the reader, Dad! Hobie AU, Twin AU, Billie and Ramona AU, Mom! Reader. FLUFF

ʕ⁠·⁠ᴥ⁠·��ʔ

The twins have gotten good at sneaking, scarily good. You have no idea how they've gotten this great at sneaking and bypassing Hobie's spidey senses but you have a hunch that they heard your conversation with Hobie during what was supposed to be their nap time. With his head on your lap and your fingers scratching at his scalp he dishes out a complaint to you, well you both thought it was just you.

Hobie was complaining that his spidey senses can't feel when the three of you approach him from behind. Citing that it has probably been ignoring you and the girls because it's used to your presence and dubs you and his girls a non-threat. He has also grumbled that it only activates for you three when there's danger; like the girls almost falling from the playground or you almost burning yourself from a hot stove. He's deeply annoyed because he misses the little tingles that never fail to make him smile whenever you or his girls are near.

You take this new information into consideration, when you enter a room he's in, you always call his name or knock on the wall so he still gets that warm feeling when you're in his presence. Unfortunately for him, the girls have better ideas.

Both girls keep popping up from somewhere when you least expected it, their footfalls silent, guess they've learned from the best. Then suddenly you hear their voices asking about life's greatests mysteries.

Once, while you were preparing their bath, Billie appears behind you, asking why water in the pool and ocean are blue but not in the tub. You almost fell in the water back then.

A few times the girls have materialized in Hobie's workshop, scaring the crap out of their father. Again asking him a barrage of questions that has Hobie answering promptly of course.

The sun is just about setting, the backyard looks gorgeous in the sun's rays. The metal bench is cold underneath you but with Hobie's arms around you, you don't seem to mind the chill.

You and Hobie cuddle outside in the garden, laps covered in the same patchwork blanket you've gifted him all those years ago. The breeze picks up and you snuggle closer to him, he presses sweet kisses on your temple as his hands rub up and down over your arm. The girls are in the living room watching their cartoons, the telly's light shines in the backyard, illuminating the flowers and veggies all four of you planted.

It's quiet, too quiet.

“How does the telly work?” Mona’s sweet voice rings out in the silence making you and Hobie jump in each other's arms.

“Fu–blo–what?!” Hobie saves himself from accidentally swearing right in front of Mona.

She peeks out from the arm rest, too small to fully reach up, her eyes are curious, hair disheveled from lounging on the settee.

“How does the telly work?” She repeats.

“Oh, lovely, you scared us a bit. Come here” you pat the seat in between you and Hobie. He lifts her up, placing her on his lap.

“Curious, eh?” Hobie pokes her side, she giggles, snuggling closer to her dad.

—

“I've finally got them to go down” you flop yourself on the dining chair, eyes growing heavy. “Remind me not to give them ice cream before bed.”

Hobie wipes his hands on a cloth, the last bit of dishes all cleaned and drying on the rack. He flings the towel on his shoulder, knowing what the imagery does to you.

Before he could throw a witty remark, you're already making grabbing hands towards him, lips pouting from impatience. He obliges, crossing the small gap between you.

You grab him by the ribbon of his sweatpants to get him impossibly closer to you. He's situated in-between your legs, knees knocking with yours. He chuckles lowly, hands placed on your jaw to look at you fully, his thumbs rubbing softly at your tired eyes.

“Missed me? I was home the entire day, lovie”

“Shut up and kiss me, Hobart”

Hobie rolls his eyes, already bending at the waist to meet you halfway.

“How are babies made?” Billie and Mona suddenly appear by the kitchen doorway, holding hands in their blue pajamas. They remind you of a horror movie.

Your soul and Hobie's left your bodies for a second.

“Girls–you scared us!” you clutch your non-existent pearls.

Hobie's head is on top of yours, trying to calm his racing heart.

“Sorry,” Mona apologizes, “Annie said they came from storks but Shane says they came from fairies.”

“And Ricky says they come from parents sleeping together. Daddy always sleeps with you mummy, why isn't there a baby yet?” Billie continues.

Oh childhood wonder. Your brain is already trying to find the right combination of words to answer their burning question.

Hobie chokes on air, you slap his arm as a warning. He lifts his head up with a lopsided smile.

“If you sneaky sneaks didn't interrupt there'd be a baby soon enough—”

“Hobie!”

“We don't get it” they simultaneously say.

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