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#and I do get important mail for him which is what I think he’s looking for. I’ve never had anything important go missing
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Hiya! Howdy! Id love to toss my goofy silly mailman tf2 oc in the ring if there were slots left! His names Brodie :> Heres his toyhouse
Meet YOUR 10th Class Merc. The Courier. His name is Brodie 
From New York! Go Yankees!
Around 32-34
6"1
Lets take alook into the past: For a lot of his life he has committed ,,, so much fraud. So much. All of it. Mail fraud tax fraud voter fraud healthcare fraud identity fraud. Even credit card fraud when credit cards came out in 1966.  Frauding it up ever since he was a kid delivering newspapers and snooping in neighbor's mail. 
Eventually his fraudulent lifestyle catches up to him and lands him in prison when he suddenly became the inheritor of a minuscule fraction of Australium. And a certain group of individuals did not take too kindly to some rando getting his hands on the  insanely precious resource.  In order for the Australium to be ‘misplaced’, Brodie had to die. And die he did. Not long after being incarcerated, he was hanged for his many, many crimes. A bit of overkill, really, but it was apparently the only way. Plus a lot of the guards and inmates kept finding themselves in varying degrees of debt so two birds one stone. Miss Pauling herself attends the hanging to make sure Brodie does die and sure enough he is pronounced dead. As dead as it gets. 
Well. Mostly.
As his soul prepares for judgment in hell,  Brodie decides “I am absolutely not ready to be dead yet.” Soo he convinces Satan “hey you guys got the wrong guy. I’m blah blah blah, here’s my ID and credentials n whatnot. Here’s who you’re actually looking for” (a lie obviously) but Satan’s like “Oh shit. Um wow- this, like, never happens. Lemme…fix that real quick.” (This is intentionally left vague and about how much hell tell ya about it with changing details each time)
Back in his body, Brodie sits up, completely nakey, save for the body blanket, and startles Miss Pauling who instinctively has a gun to his face. Quickly thinking, Brodie strikes a deal; “Hey hey! Don't Shoot. Uh, listen.  Technically, I was pronounced dead.  Obviously you can keep whatever I was supposed to inherit, I won't even give it another thought but just lemme go - please?”  Sure enough, Miss P agrees, except now Brodie has to…start over again.  Which isn’t a big *deal*, but it’ll take him a minute to get back on his feet since his last identity is supposed to be cold turkey. 
Though, this gives Miss P an idea.  “Hey, do you want a job?”
So he’s back, babyyy. Brodie is a new man (who legally doesn't exist) and is recruited by Mann Co to be the teams smuggler mailman and a merc when violence is needed!!  Someones gotta deliver the mercs all their niche needs and all that, ya know? Someone who ain't afraid to get their hands dirty or have fingerprints or the same teeth they did before or leave any paper trail!  Someone who isn't afraid to break into the next city over's local zoo and get some baboon uteri and hearts for medic, or do a 24 hr trip to Australia for Saxton hale pain tonic for sniper (so they avoid import fees), wine for spy, copious amounts of Tom Jones merch for scout, crates upon very weighty crates of ammo for Heavy, etc etc. Even just snacks from each mercs country (that Courier def sneaks bites from but dont tell anyone shhhh). Or just the pizza the mercs ordered in town.
Need something delivered? Brodie is your Courier! (He has to as his contract states, lest he break it and is 'super killed'.  No its not explained what that means but Brodie don't intend to find out.)
--
He's a bit of a goofy guy.  Quick witted when it comes to fraud but would ask Alexa what 4 x 12 is. His undying passion is committing petty crimes and scams and changing people's legal last names to something like "Scrotum". He's very *very* nosy and will read the merc's mail before he even gets it to them. He's got gossip to share. He loves snacks and has an awful diet consisting of gas station foods. Caffeinated soda and donuts are go-to's, especially on the road. His fav mode of transportation is on his motorcycle.
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WOOF thats a long one lol Thank you sm for ur consideration !
WELCOME ABOARD!
Seats Taken: 22/24 (TWO LEFT)
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wild-moss-art · 9 months
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Bruhhh I think the guy that used to live at my place is breaking into my mailbox regularly 😭
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unknownmads · 6 months
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CANT STOP THINKING ABOUT INMATE TOJI AND CUTE LITTLE Y/N WHOS SO NAIVE TO BIG BAD TOJI
CW: Slight smut (mentions of his pp🤭)
☆☆☆
thinking about Prison toji who you met when your college has you do a little project in your criminal psychology class. The project was make a penpal get to know them ask why they are in prision, what their lives before was like, do they regret what they did etc. basic questions of course all you had to do was get the most information out of the penpal about their personal lives as you could.
Prison Toji who only signed up for the program because it was part of his latest court order saying he ‘needed more understanding’ so a penpal would give him a friend while they stay safe😭 he ofc hated the idea and thought it was the dumbest shit ever. until he got his first letter, from you (duh).
Prison toji who got mail for the first time and it was a little white envelope with a cute little sticker sealing it. He deadpanned *is my penpal an idiot these letters are for a prison not a daycare* he silently judges examining every detail as he opened the letter. i read the letter taking in every little personal detail you shared with him, your cute little name, how you loved your cat, how you’re new to the city only just moving for school, of course the boring questions for him as well. But at the very end of the letter he noticed an extra little note.
Ps. i left a few photos of myself along with some of my cat! i think it’s only fair since i got to see your photo on the website
Prison toji who grabs the envelope he previously had thrown to the side and pulls out 3 polaroids. One of you and probably your cat you’re dragging it into the photo with a big grin on your face. the second is a photo of your face a soft smile on your lips meant for whoever took the photo but Toji couldn’t help but wonder if that little smile was for him. Until he pulls out the third photo it’s a full view of you, you’re out in the city dressed all out, and Toji couldn’t help but know you chose that photo just for him.
Prison Toji who can’t wait to finally get some alone time so he can truly appreciate your pretty photos. And immediately goes to write you back answering all your cute little questions. Telling you where he lived before, how he ended up there, telling you what he did for work before (Surprise he sold drugs😍), telling you what he does to occupy his time here (he works out he just wanted an excuse to tell you how strong he is), and he asks you some questions.
Prison Toji who has been relentlessly flirting with since you started writing to him, asking if you had a boyfriend, how your school was going, why you moved to the city, how a cute lil thing like you is still single. You had been writing each other for a few weeks now which is a lot less than you think when you know how long mail takes. But your letters to each other are long. answering every little thing each other asks, learning about one another more and more. You had really connected so you finally ask him the big question he read the words as clear as day.
~Do you think i could come pay you a visit? ~
Prison Toji who had to immediately write back answering the most important question first.
~ And doll, you can come visit me anytime id love to finally meet you and see your pretty face in person~
he wanted to be nonchalant.
Prison Toji who was sitting in bed looking at your photos when he was called
“Zenin, you’ve got a visitor. away from the door.”
Prison Toji silently followed standing on the other side of the cell while the guard came in to handcuff him and bring him to the visiting area. Once he was in the room his cuffs connecting him to the table he waited. until he heard the door open again. He felt his cock twitch in his pants as he saw the guard guide you in. You were wide eyed taking in the new environment until they landed on him.
Prison Toji was large, you knew he was tall and muscular thanks to his letters and photo but nothing could have prepared you for the real deal. Eyes widening even more when you fully take him in. seated At the grey metal table his hands on the table as the guard had told him to. his hair poking at his eyes which were staring drinking you in. his lip in a smirk helping you notice the scar on it which you couldn’t really see from the grainy prison photos. His shirt stretched against his muscles showing off a few tattoos hidden along his skin. the view making you squeeze your thighs together to release some of the pressure building.
Prison Toji who took in as much of you as he could as he watched you shuffle into your seat across from him, enjoying how you squirmed slightly within his gaze, his smirk growing into an almost full smile.
“hey doll it’s good to finally meet you.”
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himegureisu · 4 months
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The Gift
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Summary: Out of nowhere, your husband receives a gift from you.
A/N: This came to me last night after thinking of what type of mail people receive. Here's one I hope you enjoy.
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The Owl Postal Service in Hogwarts was, if not, consistent in their delivery time.
This time being, the hour after breakfast started for everyone to ensure that no disruptions, except important missives, were to be received during class hours.
Your tawny barn owl sailed through the Great Hall, over the heads of students and staff, and landed on the High Table in front of its’ intended recipient, your husband, their dark and grumpy Potions Professor, Severus Snape.
It was uncommon for the Potions’ Professor to receive anything but Potions’ ingredients, his usual Potions’ Journal subscription, or official mail either from the Ministry or the Order so the package, a neatly wrapped gift in royal green paper, silver ribbon, and a tag attached, accompanied by a letter in your distinct handwriting was bound to attract attention.
“Is there a special occasion?” the Headmaster’s eyes twinkled upon the sight of the young Potions’ Master quite confused,
“No,” Severus answered, “Not that I know of,”
His thoughts a mile a minute through his brain, slowly, internally panicking. His eyes locked at the present in front of him. Did he forget YOUR birthday? God no, you’d thoroughly celebrated every time the day came around. Did he forget his birthday? Did he forget an anniversary? Did he forget a muggle holiday that you loved to celebrate? No, so what was this doing here?
“It’s wrapped beautifully,” Minerva remarked, from across Dumbledore, “Will you open it?”
He does. First, the letter.
“Sev,” your voice echoed through his brain, “I know you’re probably trying to think of any reason why I would send a gift to you on a normal day.”
You know him far too well.
“Just stop. Do I need a reason to send a gift to the one I love when I feel like it?” a soft smile slowly formed on his lips as he read that line, his colleagues’ interest piqued at the change, “It’s from our holiday and other events, I hope you like it. I know I did. I love you, I’ll see you when I get home,”
Your letter was swiftly tucked in his robes after then taking the package from your owl. Severus proffered a treat for them, and they happily ate before it perched itself on his shoulder. His hands gently tugged on the silver to unwrap the gift.
His initials and yours, on the cover of a leather-bound enchanted photo album.
On the first page of your story, the title page, if the album was a muggle document, was a candid photo from your most recent vacation. Your arms wrapped around his. His figure was behind yours in a hug. Your faces were engulfed in laughter after a guide failed to land a joke against him.
“Oh,” Severus whispered, Your gift was amazing. How did he get so lucky to deserve you?
“That’s a rare sight,” Filius said, by his right, “Severus smiling and speechless,”
“She’s beautiful, Severus,” Albus complimented,
“We look forward to meeting her,” Minerva said,
Their words fell on deaf ears.
Beneath the photo album, in a frame, there was another photo of the both of you from afar. This moment was captured by a charmed camera that you didn’t even know was there until after it happened. In the wilds of Wizarding Britain, on your first date, underneath the stars, he’d kissed the back of your hand, admitted his affections, and asked if he could kiss you. To which you shyly agreed, and received the sweetest kiss you’d ever experienced.
This he could place on his desk. The others were not up for public consumption.
“If you’ll excuse me, Professors, I must send a response,”
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roosterforme · 6 months
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The Two Proposals (Rooster x Reader)
Part of The What If Collection of blurbs for Roo and Baby Girl. My masterlist. Banner by @mak-32
Warnings: language
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When you got home from work on Friday, you were exhausted. You just wanted to relax, but you noticed immediately that Bradley was acting strange. When you walked inside, untucking your uniform shirt as you went, you stopped in your tracks. He was trying to cook dinner.
"What are you doing?" you asked in shock.
He turned to look at you like a confused deer in headlights. "Making dinner?" He stated it as a question which was not a good sign since he shouldn't have been in the kitchen like this unsupervised. 
You walked toward him cautiously, and your eyes went wide. He had your recipe sheet out on the counter, and he'd managed to mangle up the chicken you left in the refrigerator to thaw. It was in a pan with the heat turned up way too high, and the sauce in the pot next to it looked like a very unnatural color. "Are you trying to cook Marry Me Rooster?" you asked, your heart beating a little harder as you became convinced you'd have to throw out your expensive cookware. 
"Maybe?"
"Roo, why don't you let me help you?" you coaxed, reaching for the wooden spoon he was holding, but he pulled it away from your reach.
"No. I can't do that," he said, shaking his head. "I'm trying to make you a nice surprise. It's really important. Now why don't you just relax until it's done?"
You made a distressed little sound and dropped your hand to your side. "Okay," you murmured, retreating to the bedroom. You got changed into his oversized shirt and some yoga pants, and just as soon as you started to remove your makeup, the smoke detector began screeching.
You nearly tripped over Tramp in the hallway as he howled along with the alarm. "What happened?" you asked your boyfriend as you started coughing on the smoke filling the air. "Bradley!"
The sauce was boiling over, the chicken was completely burnt, and Bradley was clutching his hand to his chest. "I'm fine," he groaned, glaring up at the smoke detector. "Just ruined the night is all."
You ran the pot of sauce outside to the back patio before coming back for the pan of chicken. You slammed the sliding glass door closed and whimpered as you pawed at the glass; your overpriced cookware was ruined. 
"Oww, fuck!"
You ducked back into the kitchen where Bradley was running his hand under cold water while the smoke detector screeched away. You couldn't decide which to take care of first, his burned hand or the obnoxious sound. You looked at him first and winced. 
"Roo. I have burn cream, okay? Go sit at the table and let your hand dry."
He frowned at you with such disappointment, you gave him a quick kiss before you grabbed a few pieces of loose mail and climbed up on the counter to wave them at the smoke detector until it stopped. Then you cracked open the kitchen window and ran to get the first aid kit from the bathroom. 
When you returned to the dining room, Bradley had his burned hand resting on the table, and he was laughing. 
"I guess it doesn't hurt too bad?" you asked as you gingerly sat on his lap to take a look at it. 
"It's okay," he replied, and you looked at him over your shoulder as you squeezed some of the cream onto his hand. 
"I love you, Bradley, but I think you should just stay away from the stove." You wrapped his hand up in some gauze and kissed his wrist before shifting on his lap a bit. 
"But Sweetheart, I just had this whole special night planned, and I wanted to make dinner for us since you always do it," he said, shaking his head and smiling at you. 
You shrugged. "It's just Friday. We can get takeout, or I can make something else."
When you went to stand, he pulled you closer. "It's not just Friday."
"It's not?"
He shook his head as his eyes studied your face. "Might as well just do it," he mumbled. "My dad fucked it up, too."
You kissed his cheek and laughed. "What are you talking about, Roo?"
"This," he replied, reaching into his pocket. When he opened his hand, you saw the most beautiful gold and diamond ring and gasped. It was Carole's old ring, the one she stopped wearing. While holding you tight, he slipped down onto the floor with you in his arms, and then he knelt on his right knee with you perched on his left. "I love you. And I think we should get married. You want to?"
You smiled and laughed softly, but his expression was completely serious. You'd known what your answer would be for months should this day arrive. You didn't need to think about it. "Yeah, I want to." The sentence was barely out of your mouth before Bradley was kissing your lips. 
You slipped down onto your knees facing him and let him slide the ring onto your finger before you wrapped your arms around his neck. "It'll be perfect," he promised. "You and me. Just like this. Forever."
"Roo," you gushed unable to stop smiling as he kissed you all over your face as he talked. 
"You know how long I've had my mom's ring for you?"
"How long?"
"Months, Baby Girl. She tried to give it to me before she even met you. She could tell after one phone call that I was serious."
You squealed and pushed him flat on his back, careful not to bump his bad hand as you straddled his waist and leaned down to kiss him. "Well I'm seriously in love a with you." He held you in place with his non bandaged hand on your butt as you nipped at his lips. "Wait. You said your dad fucked it up, too?"
"Oh yeah. Get my mom to tell you about the day he proposed when they come out to visit."
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A few weeks later, you were sitting at your dining room table with Bradley's parents, sharing some wine and celebrating your engagement. This time you cooked the Marry Me Rooster with your new pans, and everything turned out great. 
Carole ended up dabbing at her eyes nearly every time she looked at you. "That ring is perfect on your finger," she whispered for the tenth time.
"Thanks for letting me wear it," you replied, still surprised she'd given it up to Bradley for you. "It's beautiful."
"It's yours," she said before she smiled at her husband. "Goose picked out too pretty of a ring for me to not pass it along."
"Thanks, Dad," Bradley said with a laugh. You and he had already discussed using the money he would have put toward a ring to try to start a family next year. 
You took a bite of your dinner and said, "Bradley made it sound like there was some sort of engagement mishap when you proposed?"
"Oh, sweet girl!" Carole said as she laughed. "Our entire time dating was one big mishap."
"Really?" you asked as Bradley squeezed your hand, and Goose hung his head.
"Did I ever tell you how we met?" Carole asked. When you shook your head, she said, "We met at a bar. In Virginia Beach. It was called Patty's Pier, and it was a bit of a naval hangout."
"This is so embarrassing," Goose muttered, but his wife ignored him and kept going while you tried to contain your smile. 
"I bought Goose a drink. I worked up the nerve to ask the bartender what kind of beer he was having, and I bought him one. He was so handsome, looked just like Bradley, and I was so proud of myself for making such a smooth move, you know?" You nodded, hanging onto every word as she asked, "You want to know what he said when I handed it to him?"
"What?" you asked. 
Goose sighed and said, "I asked her if she wanted me to let Maverick know she was interested in him."
Carole screeched with laughter. "He thought I had my sights set on Pete!"
"All the girls did," Goose said with a grin. "Except this one."
"Oh, I love this!" you gushed as Bradley kissed your temple. "What happened then?"
"I told him I bought it for him!" Carole said, pointing at Goose. "And he looked so stunned, he didn't say a word. He just stared at me. And then I thought he was trying to pawn me off on this Maverick person because he didn't want to talk to me."
"She walked away," Goose added with a smile at his wife. "It took me a full minute to realize she was interested in me. I had to run her down in the parking lot before she could get in her shitty little car and drive off."
"And it's a good thing you did," she told him with a wink. "We got engaged a couple weeks later with your ring there."
"This is even more embarrassing," Goose said as Carole rubbed her hands together. 
"I need to know more," you told them as Bradley kissed your ear and laughed. 
"Goose took me on a ten mile hike. Ten miles. In August. In Virginia. I thought he was trying to kill me," Carole said as she spun her new ring on her finger. "The humidity alone was enough to take me out, but it was also about ninety degrees. And then we get to this scenic overlook, and he gets down on one knee. He pours his heart out, but then there's no ring to be found."
"I left it in the glovebox," he groaned.
"Ten miles away! He was in hysterics, kept telling me he spent a small fortune on the thing and had no idea where he left it. He made me run... run back to his truck. And then when he found the ring, he threw it at me because the metal was hot, and he said, 'Well?'"
You gasped before you erupted into laughter along with your own husband-to-be. "You didn't!" 
"I did," Goose moaned. "I was so relieved the ring was there! But she told me yes and I did get back down on one knee."
Carole kissed his cheek and said, "We got married a few months later. In November. I told him I was pregnant with Bradley when we were on our honeymoon."
You leaned in closer to Bradley. "Wanna get married in November?"
His eyes lit up; you knew he didn't want to wait.
Carole's eyes lit up, too. "You should! It's the perfect month!" Then she gasped. "And if you're pregnant, there's nothing to worry about! Goose and I are very progressive!"
Bradley pulled you a little closer, trying his best to ignore his mom while you laughed. "November might be perfect."
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whoresidentevil · 2 months
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Leon and Your Hair
a/n: I haven't written in years so this is very experimental 💀 I'm open to constructive feedback!
Also, I wrote this with the reader having type 4 hair in mind but I tried to make it as texture-inclusive as possible :)
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General: 
Leon himself takes pride in his hair and appearance in general which is one of many ways you guys relate to each other.
 I imagine your shared bathroom would be full of hair products and tools more than anything else, though most of it is yours.
Leon isn't ignorant, he knew how important hair is to your culture way before you got together. Because of this, he respects how much effort your maintenance requires.
RE2:
This man 100% uses all your stuff every time he comes over. You start wondering if these containers have a hole at the bottom of them or something. Eventually, Leon just starts buying the shampoo/conditioner combo you use for himself at home because it's doing wonders for his hair. Plus the scent reminds him of you, it's a win-win.
Leon had nice hair before, but your presence in his life introduces him to products like deep conditioner, hair oils, etc that just elevate it further.
When you get your hair braided or styled Leon always wants to be the first person to see it! He even goes out of his way to pick you up from the salon so he can shower you with compliments right after. 
If he has time I can see Leon sitting in the salon with you for however many hours it takes the stylists to be done. He sits there flipping through the hair magazines he took from the waiting area, turning the pages over to you every couple of minutes. "Babe, you should try this next time." with the most genuine smile on his face. Even if it was some atrocious 90's editorial style, you smile and nod at every single one.
RE4:
Once Leon starts going on long missions he's unable to be your personal chauffeur 24/7, so he'd definitely want you to text him pictures every time you get your hair done. He always sets them as his phone wallpaper to have an updated photo of you everywhere he goes.
During his training I doubt he'd have the luxury of technology though, instead opting to get a Polaroid of you every now and then in the mail. He always makes sure to compliment you on something in the letters he sends back and keeps the latest Polaroid somewhere in his pockets while the older ones are tacked to his wall. (poor guy misses you so much)
When he's home with you he realizes how much he missed your silk pillowcases and bed sheets. He didn't think they were actually helping his hair and skin until he had to sleep in crazy locations during training/missions and noticed the difference. he silently thanks you for that.
RE6/ID/DI:
After so many years of being together, Leon knows about all your hair preferences, favorite styles, and even things he hasn't seen you in yet. (our boy is educated 👏🏾).
Sometimes you ask him to help pick what you'll do with your hair next which either ends with him saying "You look beautiful no matter what" or showing you very specific photos he found on Google.
It's been years since you've paid for your own hair because Leon insists on taking care of that for you. It doesn't matter how much it costs, he has no problem with it as long as you are happy.
He'd go into the beauty supply store with you and know exactly where to go and what to get, even reminding you not to forget some things along the way.
Leon has a huge soft spot for your natural hair, whatever texture it may be he's whipped for it. Loves being able to touch your hair (with permission) and probably asks to help you on wash days so he has an excuse to do so.
speaking of which, I can see wash days becoming an intimate thing for you two as you get older. He'd help you shampoo in the shower as a form of affection, or you're sitting in his lap while he helps you detangle when your arms get tired.
If you have locs I can see Leon looking up a tutorial on how to do retwists to help you out. Even if you tell him time and time again that you'd rather have your loctician do it he insists you give him a chance. Turns out he's not half bad at it and you let him do it a few times a year.
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fleet-of-fiction · 4 months
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Jake Kiszka // Female Reader
Summary: Jake's time off is driving you crazy. You still have to work from home and he's demanding your attention. During an important phone call, he decides to take matters into his own hands. And mouth.
A/N: Enjoy this smutty little blurb I've been rolling around in my mouth for a few weeks. It's slightly self indulgent. But certainly a little something I felt needed to be shared.
Warnings: Oral sex f. Fingering. Edging. Dirty talk. Deprivation.
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He was bored. Lingering in the space where you'd tried to close the door and he'd caught it, a look of boyish indignation on his face that let you know he wasn't about to let you get any work done.
"If the shoe was on the other foot..." You sighed. "And I disturbed you like this in the studio, you'd be furious."
There wasn't any desire to reject his playful insistence that you pay him some attention. There was nothing more that you wanted than to close your inbox and switch your phone off. To go downstairs with him and get settled on the couch with a glass of wine and let him delicately work his way up your body as you tried to watch a movie.
But deadlines were sat there, making your heart sink and your patience wear ever increasingly more thin. Never more so than when your love was home. His guitar case closed, the need to satisfy weeks of salacious messages exchanged from the tour bus and hotel rooms.
"Furiously turned on." He replied, flashing you a grin that sent flutters down from your stomach into the ebb of your aching core.
"Jake." You moaned, "Go and find something else to do."
You knew he wouldn't. You knew he would continue to watch you type out irrelevant e-mails and feel the mounting arousal in his gaze as you simmered under a barely there thong and t-shirt. Inappropriate to wear in an office, but a sight for sore eyes as you sat at the little desk in the corner of the house.
"There's nothing else I want to do in this house, than you." He complained, adorning the most rage inducing pout you'd ever seen.
You considered setting aside your tasks. To let him fawn over you a little while. Let him have a taste of everything he had missed, just enough to slake his need. To make him less deprived. There was mischief in his eyes and you could never squander the opportunity to see what his boredom could conjure.
"Give me five minutes." You gave in, rolling your eyes playfully but knowing his triumph would bring you to a valiant end.
He tilted his chin. Let the corners of his mouth turn upward. Smug. Like you'd put up a genuine fight. Basking in the glory of his defeat of your intention to continue working. And you would have let him have it, were it not for the tiny little name flashing up on your screen moments later.
Your boss. A name which never usually invoked much of a reaction, but as your attention began to wander it felt as if you could have slipped your phone underneath the pile of paperwork you were yet to complete and simply ignore it.
Jake watched closely to see what you would do. Shaking his head slowly as you swiped your thumb across the screen and mouthed a pathetic 'sorry' as you took the call.
That was your first mistake. To think that he would simply honour your decision to derail his mounting desire. The second was to think that he wouldn't continue in his quest to pull you away from your work load.
"I'm looking at that file right now." You said, spinning your chair around to face the computer, Jake's reflection sitting behind the ceaseless words and numbers you needed to make sense of. "No, there doesn't appear to be any anomalies. But I can double check the numbers for you and get them back to you in the next hour."
No sooner had you made that promise, you felt your chair being spun back around. Jake, on his knees, a serious expression etched on his face as he silently pleaded with you to let him have his way.
"Yes, of course." You continued, holding the phone to your ear whilst widening your eyes. "If all the files need checking I can oversee that for you."
You let your boss speak about numbers and figures. Checking and double checking files. The monotonous drone of their voice fading away as you felt the lace edge of your thong slide down your thighs. Jake, without any regard for what your boss might hear, spread your legs and licked his lips at the sight of it.
"Yes, I'm still here." You tried to focus, almost audibly moaning at the sensation of his hands moving your thighs apart. "Sorry, can you repeat that?"
He was evil for this. The daring glint in his eye as he looked up at you. The sensation of his hair as it brushed against your inner thigh. All the ways in which he brought you back to him, even as you tried to keep your focus elsewhere. He knew the battle for your attention was one that he would always win, but he enjoyed the fight. And you were powerless to stop him. Resolve dissolving as you gripped the phone a little tighter.
You let him lean you back into the arms of the office chair. Raising your knees, letting them fall open as he sank into the gravitational pull of your throbbing pussy.
"Mmmm'hmmm." You hummed, perhaps in agreeance with something your boss said, but mostly at the brush of Jake's tongue as it swept across your outer lips.
The fragility of your voice was going to be the thing which gave you away. The gentle laps of his mouth as it licked the length of your slit, causing you to arch your spine where you sat, would be your undoing.
"Of course." You carried on, trying to keep your voice steady. "I think those were the files I sent over to you last week... Yes, in the blue...folder."
You caught a look of pure unadulterated satisfaction in the way he almost made you unravel. Using two calloused finger tips to open you up even wider. Holding your pussy lips apart, he set his mouth against your swollen clit. Padding the flat of his tongue against it, causing the nerves to awaken and send a flood of arousal to every muscle and sinew in your body. All your joints became loose, and you almost dropped the phone.
"I'll have to draft up some templates." You felt ridiculous, speaking of such ordinary things whilst you were being subjected to a depraved act of sexual rebellion.
He was practically drinking from you as he pressed his nose up against your mound. Letting his mouth take all of you in. Sucking in your lips so that his tongue could reach your entrance. Feeling the sudden rush of blood to your head as his tongue ventured inside.
Your head fell back as he probed you with it. The all consuming need to take a fist of his hair and moan at the way he took you there like that had you tempted to hang up.
"No, I can get that done for you by Friday." You assured, inwardly begging and pleading for the conversation to end.
When he came up to catch his breath, you were smothered across the lower half of his face. Mouth and chin saturated in pussy juice as he ran a palm over the whisks of facial hair that glistened. He stared at you with half closed lids, like he was lost to his arousal and didn't see the phone in your hand anymore.
"Keep talking, baby." He whispered, gathering your t-shirt in a closed fist, pulling you towards his sticky mouth.
There was no doubt in your mind that the kiss would travel down the airwaves. The sound your throat made as his mouth made contact. The uncontrollable whimper that was breathy and almost silent, but not quite. The sound of his tongue as it travelled against yours, the taste of what he'd swallowed now in your mouth as you tried to hold yourself steady against the ramblings going on at the other end of the receiver.
And then the inevitable question came. Is everything alright over there? As if you could tear yourself away from his sweet breath. You kept your tongue in his mouth far longer than you'd anticipated. And when the response came, it was almost met with suspicion.
"Yes." You replied swiftly, feeling foolish for being so reckless. "Everything's fine. My apologies, what was it you were saying about the new deadline?"
He almost fell to laughter. Seeing the crimson in your cheeks and the heavy flush in the flesh at your throat. Positively wrecked by his assault. And nowhere near to being done with it.
The blurred lines between decency were ruined. All you could do was submit. Your chest heaving in shallow breaths as he lingered at your mouth with his parted slightly. Not kissing, but savouring the way your lips were a little swollen from the pressure of his mouth against them.
"Mute them." He instructed, "They don't want to hear this."
You swallowed thickly. Swiping over the little mic icon until it was crossed out. Your boss carried on talking, little musings that required no response but information you no doubt needed in order to get the next lot of projects done.
"Whatever it is you're planning on doing, do it quickly." You urged, letting him slide the phone out of your hand and place it screen down on the pile of unfinished paperwork.
"Hold on tight." He said, causing you to grip the arms of the chair in trepidation.
Pushing the hem of your t-shirt up, he exposed your breasts and rose on his knees to meet them. His body pressed up against you, warm and tender. He wasted no time in taking what he wanted. Sucking your nipple violently into his mouth as he penetrated you with two of the most delicious fingers.
And then you knew why he'd wanted that conversation muted. The sound of your wetness pounding against his knuckles was utterly pornographic. Teeth bore down into your flesh as you threw your head back and you began panting wildly at the way he punched into you. Flecks of pussy juice flicked onto your thighs, spreading up his forearm as he fucked into you with his hand.
Your entire body was shaking with the onslaught. The chair practically ready to fall back as he curled his fingers inside you and applied the most delicious pressure on those places he loved to tease the most. You couldn't breathe. Your legs felt entirely weak. Your senses heightened.
"Taking phone calls when you've promised to fuck me." He admonished, bringing his mouth to your ear as your breasts bounced against his chest. "I'm gonna teach you never to make promises like that, baby."
You loved how he made you a sloppy mess. Looking into your eyes as he vigorously forced his fingers inside you as far as they would go. Watching your brow furrow and your jaw go slack, nose wrinkled in a look of absolute hedonistic pleasure. If this was a punishment, it didn't feel much like one.
"I'm gonna lose my job, baby..." You whimpered, letting him slow to a steady pace, his fingers sliding in and out as your pussy lips pulled against saturated knuckles. "I really....fuck...I have to get back to this call..."
You could see how worked up he was. A little edge of disappointment as you picked your phone back up, your boss still prattling on as if you'd been listening the entire time. You kept eye contact with him, listening to the way your pussy sounded now that he'd ruined it.
"That all sounds fine." You interjected, "I should probably go and get a head start on all of this."
Jakes thumb was rolling around your clit. Pulling back the hood, pressing down on it like it was a big red button that shouldn't be pressed. Begging to be detonated. Your breath still lingering on errant moans you didn't dare express.
"Yes..." You could feel his intention rise. "Yes, that all sounds do-able."
You needed to let go. To feel the fissures of your orgasm that was building more clearly. He'd call it legendary, the way he'd made you let him play with you while on this seemingly important interaction. He'd talk about it again and again when he wanted to remind you that you were his.
You were about to speak when his mouth returned to you. Sucking on your tongue as if to rob you of all the words you were meant to say. You could hear your boss on the other end of the phone, waiting for your response, one that you simply couldn't make whilst letting Jake wrap his lips around you. All you could do was gently murmur until he had his fill.
"Anything you need." You said breathlessly, to your boss...to Jake. "I'm gonna go ahead and make a start on those files for you, ok?"
He slapped your pussy with the back of his hand as you came off the call. Causing you to squeal, a high pitched whine of delight.
"Oh, no..." He shook his head. "You think just because you hung up that you get to cum now, is that it?"
You would have begged. But it would have been futile.
"Stand up." He ordered, bringing you to your feet. "Palms on the desk."
The torturous beat of his ministrations continued. Thighs parted as you leaned against the array of work left undone. He fell to his knees again and licked endless stripes up from your pussy into the valley of your ass. Pressing his mouth into the moisture there. Making your begs come out in painful moans. Not in words, but in restrained little moans that did nothing to help your cause.
"You ready for my cock?" He asked, sliding a solitary fingertip down the path of where his tongue had been.
The way your head moved up and down, humming your need as the word yes spilled out... you felt the incomparable rage of your phone vibrating again.
.
.
.
@caprisunsister @thewritingbeforesunrise @takenbythemadness @katuschka @its-interesting-van-kleep @lvnterninthenight @writingcold @jakekiszkasbuttsweat @edgingthedarkness @velveteencatch @lyndz2names @nina-23-45 @itsafullmoon y @char289 @dancingcarbon @gvfpal @violetstarcatcher @wetkleenex-gvf @jazzyfigz @gvfmarge @ignite-my-fire
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phthalomushroom · 4 months
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The Family (2)
last next
pairings: modern!mafia!aemondxreader
summary: You had left Kings Landing and the Targaryen family four years ago. Now back and living with your old roommate you realize that the life you had thought you escaped had seemingly been waiting for you. But will the family really let you go? Will the people you left behind forgive you? Can you forget the past and look to the future?
warnings: language, mentions of trauma, mentions of shooting, alys rivers, Italians
word count: 1.7k
notes: thank you for all the love on the first part, and sorry I wasn't able to respond I've been really busy this week. I changed the name and I think this fits a bit better. I hope you enjoy this chapter the next one will be a bit more drama filled - there's plenty more to come. <333
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Six Years Ago….
No one ever got a table at Federicos. No matter how early someone called to ask for a reservation they would tell you they were booked out weeks in advance. If you did get a table they would cancel the reservation on you, apologizing for the important event they had to host. Everyone in town knew this challenge, but that didn’t stop anyone from trying to get inside. 
Well, at least that was how it was for everyone besides the Targaryen family. The Targaryens owned all kinds of shops and restaurants across King’s Landing that were fronts for their other dealings. But Federicos was special because it was just a gathering spot meant for celebrations and get-togethers, the family friend who owned it always had the private room of the restaurant ready for use in case the family had a need for it. 
Aemond didn’t tell you much about the family business, you only knew bits and pieces from overhearing conversations or from the gossip of those in the city. He always said that he never liked the idea of you being caught up in the craziness of it all. 
You’ve known Aemond since grade school, basically grew up together. You’d always catch him staring in Science and English. It was only in highschool when his locker was next to yours did he finally start talking to you. Those brief conversations quickly turned into study sessions during study hall, which turned into after school plans, which turned into him asking you out. 
But tonight, the first big homecoming dance of your senior year, Aemond had booked the private room of Fredericos to celebrate with all your friends. You would say that everyone was going their own way but everyone who grows up in King’s Landing usually stays, either opting to start work right away or going to Citadel University.
Unbeknownst to everyone, not that it was their business anyway, you had applied out of the city, far away places.You had gotten into all of them but were still waiting to hear back from your top school at North College of Winterfell. 
Your phone pinged with a text from Aemond telling you he was waiting outside. 
You finished getting ready, though, Federicos was a formal place you never went over the top. You opted cute and semi-formal, since you were heading to the dance right after. You quickly stuffed your purse with the essentials before bounding down the stairs. 
You walked past your passed out father, the typical beer cans surrounding him, and headed for the door when you noticed today's mail had slipped through the door’s mail slot. You would have stepped over it all when you noticed a big thick envelope at the bottom of the pile.
Bending down you grabbed the letter, flipping it over to see it was addressed to your from Winterfell. You quickly opened it, heart hammering in your chest when you read the words you didn’t know you were hoping to see.
Congratulations.
********
There were people who you never wanted to see again from King’s Landing and there were people who you couldn’t wait to see.
Vincent Federico was someone who you could not wait to see.
The small Italian man was as heartwarming as his meatballs and was always willing to do what he needed to help. When he first heard of your moving out after your blow out with your father, he offered you a job as a waitress to help keep you off the streets. When he found out that you were leaving for Winterfell he didn’t say a word to Aemond about it, keeping it a secret until the very day of your departure. 
Of course he would say he knew nothing about it, but you knew he had overheard your conversation with Baela that night. 
Now walking into Federicos the nerves hit you all at once. Vincent smiled as he saw you come in from where he sat at the bar, getting up from the stool to envelope you in a big bear hug.
“Long time no see, kid.” The man grinned in a way that his gold tooth where his left canine should be shimmered in the light.
“I know, I tried to visit but I didn’t want to ruin business.”
He waved you off. “You're outta your mind.”
“No hug for me Vinnie?” Baela piped up from next to you.
Vinnie grinned wrapping his arms around her, lifting her up off the ground before setting her back on her feet. “I saw you last week, you miss me that much?”
“Of course.”
“Careful, Jace might get jealous.”
“Jace knows that our relationship is one of pure garlic bread, he knows better than to interfere.”
Vinnie chuckled, waving his hand as he turned toward the tables. “Follow me, I got your favorite table all prepared.” 
He seated us at the corner booth that overlooked the restaurant. Vinnie had already set out a plate of his famous garlic bread, knowing it was your favorite, as well as having already poured your favorite wine. Since Baela and you have been coming here for years, you already knew what you were getting and put your orders in. 
Baela and you started catching up on the things that you weren’t able to share over the phone. Baela caught you up on the latest gossip of the city, of the schoolmates you left behind. Unsurprising, a majority of your graduating class  still lived in King’s Landing. 
Which meant you were bound to run into someone eventually.
“So,” you started taking a sip of your wine. “What’s the plans looking like for you and Jace?”
By now your meals had arrived, in between mouthfuls of spaghetti Baela asked. “What do you mean?”
“I’m just trying to get an idea of who’s gonna get the apartment in our divorce.”
“Why? Sick of me already?”
You chuckled. “No, I just mean with how serious Jace is I’m surprised you two haven’t made bigger moves for the future.”
“We’re still young, marriage now is like being a child bride.”
You grinned, understanding the feeling. “Oh, I know. But have you two talked about moving in? I mean you’ve been together since middle school, you know everything about each other.”
“We knew everything about each other.” 
“What do you mean?”
“Ever since he officially became part of the family, he doesn’t tell me as much. He keeps secrets from me, tells me it's for the best and that he’s protecting me. I don’t know, this probably sounds cliche.”
“It does,” you admit, but you remembered a similar feeling when you dated Aemond. “But that is who he is now.”
“Can I ask you something?”
You leaned closer. “Anything.”
“If the shooting never happened, would you have ranaway?”
You played with the rim of your glass, causing a slight high pitch noise. “I think I would have left eventually.”
“Would you have left with Aemond?”
You looked up meeting Baela’s eyes. “I think if everything didn’t go down as it did I would have stayed here and I would have regretted it like my mother did.”
“Is it really so bad?” She asked. “Being here, being with us?”
I shook my head, about to respond when a hand slapped down on the table, nearly spilling the wine. Alys Rivers leaned down smiling sweetly at you.
“Look who's back in town.”
Her green eyes were like daggers as she looked you up and down. You returned the gesture noting her skintight red dress, her too tall heels. 
You smiled. “I see you haven’t changed since highschool Alys.” 
She whipped her dark hair over a shoulder, threading her fingers through the strands. “Well, I hope you’d see some change in me (Y/N), I certainly see you have changed.”
You remained composed, taking a sip of wine. Even though she was three years older than you she still found it in her to act like the child she did in highschool. Aemond always told you it was because her dad didn’t give her enough attention but you knew she hated you because you didn’t come from a well off family. You didn’t back down then and you certainly weren’t going to back down now.
“So what have you been up to?” You asked, faking nice.
“Oh, I’ve joined the family business.” She made note to move her left hand to the side of her lips, bringing attention to the ring on her finger.
Your ring. The same oval diamond ring you saw four years ago. 
Which meant…
You let your eyes widen for a second before composing yourself. “Wow, congratulations! I’m happy for you.”
“Aren’t you going to ask who the lucky man is?”
She would not win, you wouldn’t let her. You can spiral later, but not in front of her.
You shot a look at Baela to find her frowning at her plate, she knew and she didn’t tell you. Now you were in the midst of a battle of wills and she was trying to sit it out. 
Hell no.
You kicked Baela under the table, gaining her attention. If she was going to keep something like this from you, the least she could do is help.
Baela cleared her throat. “Who is the lucky guy Alys?”
 “Well, you should already know who it is,” she waved Baela off. “It’s Aemond of course. We’ve been going out for the past three and half years, now. The proposal was long overdue.”
“Of course, you aren’t getting any younger are you?”
Alys sucked her teeth. “What a joy it is to have you back in the city, (Y/N). You’ve really been missed. I just hope that the Targaryen are as welcoming as I am.”
“She doesn’t have any involvement with the Targaryens anymore, Alys.” Baela sat up straighter at the mention of the family.
Her family now.
“Of course she does. Aemond told me everything about your relationship you know,” she leaned closer. “I just hope they don’t find out the real reason you left.” 
Your heart sank but you kept your composure. You finished your wine. “I have no idea what your talking about.”
Alys grinned, clearly satisfied. “Well, it was nice running into you. Send my regards to Jace, Baela.”
She went to leave but before you were relieved of her presence she reached into her black hermes bag and pulled out an envelope, setting it on the table.
“Aemond and I would love to have you at our celebration dinner.” With that she blew you a kiss and joined her friends in the private room.
You didn’t look at the invitation as you grabbed it off the table and shoved it in your bag. “What the fuck just happened?”
Tag List: @dixie-elocin @liannafae @toodlesxcuddles @watercolorskyy
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lov3rmir · 1 year
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★ ° * . ` red lipstick smudge `
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★ ° ` summary ` after buying a new brand of lipstick, you couldn't decide which you liked best. so you asked for assistance.. ★ ° .
★ * ` mail ` a little ooc alhaithem but not too much, got lazy at the end but i love this <3
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AL-HAITHAM—
The acting grand sage was drowning in his work. The pile of paper seemingly never ending, it didn't help he haven't seen you in a while. al haitham missed your scent, the calming yet fresh scent you always wore. The more he thought of you, the more his desire to see you grows. Alas, his duties calls yet again.
You however, had a much more troublesome duty. You had bought two lipsticks, one of which nilou recommended you and another which you had waited for its restock. Now that you had saved up and could afford both, you didn't know what to wear first. It was a dilemma of utmost importance, but you had no one to help you with.
Nilou was busy with the rehearsals, candace was too far to just ask about a lipstick and dehya was off somewhere. You couldn't find the traveler either, nor kaveh. So you decided on your trust worthy lover, The Acting Grand Sage.
Saying hello to the guards, you showed them the permission slips alhaithem gave you if you wanted to visit. This was much easier than to have to go through a whole line. Knocking softly on the doors, his voice invited you in.
“ come in. ” here he was, buried in a pile of paperwork, you almost missed him if his strand of hair wasn't stickin out from his grave. “ busy aren't you? ”
You voice made him look up, for a moment he thought he thought he was imagining it. Maybe all those numbers and words formed his desire and there you stood. But he knew better, that blinding smile can never be mistaken for fake.
He smiled at you, “ what brings you here? ” he asks. You walk over to him showing him the two items who made your hair turn grey. “ I'm having trouble deciding. Can you help, oh Grand Sage? ”
“ Acting Grand Sage. There's a difference. ” he frowned, this made you chuckle, ” yes, yes. Can you help me? Acting Grand Sage? ” he huffed, nodding to you.
You sat where there was space on his desk, smiling and showing him the two different lipstick. “ I'm having second thoughts on which i should use first. Do you think you can help me? ” you tilted your head. Al-haitham stared at you becore taking one of the two you held. He kept staring at it for a good while, you started sweating.
“ turn around. ” you blinked. “ what? ”
“ i said turn around. I have an idea. ” you knew he didn't like repeating himself, so you did as told. “ i dont get why i need to turn around. ” he stayed silent. It wasn't until a moment later you taped you on the shoulder.
Turning around you were about to question him when you felt his lips on yours. They lstayed there for a while, al-haitham had your eyes covered by his hand. And you knew, he definitely felt the redness on his hands. You could feel the smirk he had.
Before long, he stood back. A smile on his face. “ this one suits you best. ” you didn't understand what he meant until he wiped some smudge off his lip. Realization struck you. He wore your lipstick. And he—
Your face heated up. Words failing to form a sentence, you nodded and toke the lipstick. Walking away in a daze. Al-haitham watched you stumble a few time before reaching the door. He called out “ Leave your schedule open tomorrow, I'll have a reservation ready. Wear the lipstick too. Unless you want me to hel— ”
“ NO! Thank you! See you tomorrow! ” you left in a hurry, your face now hotter than ever. Everyone gave you look but ignored you. This isn't the first time you came out of the Acting Grand Sage all flustered.
Al-haitham however, was in his desk. A new found determination to finish all his work before your date. The lipstick still present on his lips.
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©— lov3rmir. 2023.
★— @elychee * @eenie-teenieweenie * @simplyxsinned ...★
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thatsmybook · 3 months
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A few times, I've heard Lisa and Rojda talk about how Young Royals is about the class system and a queer Prince, but also, it's relatable because not only do the cast look like teenagers, they act like teenagers in today's world. So it's also a show about teenagers. With that in mind, I'd like to talk about Simon Eriksson, working class, immigrant, and mixed race student at Hillerska, falling in love with the Prince.
Simon, in S1, deliberately kept any problems about Sara and his life at Hillerska hidden from his mum because he did not want to burden her. He lied to reassure her when she'd get worried about Sara and equally made decisions to help Sara's wellbeing at school. It seemed that he was taking care of his mum and sister when his dad left and after the abusive relationship that seemed to have really affected the whole family. This is why he doesn't share anything bad that he's going through with his mum. He's trying to protect her. He always has.
As to the comments he is getting. I think he is reading them because often they concern his family and are from the people in their town. That, along with the phone calls at night and hate-mail mentioned by Linda at the court hearing in S3 ep1, this means that he's on hyper-vigilance about threats to him and his family. So, my theory is that he is monitoring his comments and engaging to try to defuse things. But just like in all 3 seasons, his actions often lead to more problems.
This is a 16 year old kid, the youngest in his family, doing things an adult should be doing. This is very relatable for many working-class single parent families. Something to add about first-generation kids of immigrant families, having an extra layer of working to help the family navigate the country and society they're in.
Also, as to the comments, there have been many real life incidents, unfortunately , of teenagers getting hate comments online from their peers and bullied to the point of taking their own lives. Simply telling them not to read the comments may not have worked for them. (Yet so many reactors to this season think it's that simple).
Simon is getting a volumous amount of hate comments, which started right after the sex video was released in S1. At that point, the comments were in the print media.
He needs actual support, less obliviousness from the adults in his life about what is happening to him (that includes the Royal Court), and understanding about the actual effect of comments on his mental health from everyone around him. He is a victim of actual hate, and when I hear about any child going through that kind of regular abuse, my heart goes out to them.
Seeing how supportive Simon's dad could be in this 3rd season in his conversations with Sara, we can see how much Simon actually misses his dad. Because had he had a relationship with him, without the baggage of Sara's need for distance, he would have probably noticed that Simme needed help and been quite good at it, when he could manage it.
However, we as the audience seem to be blinded by Wille's more important problems, partly because the show is largely from his POV, but also because his pressures seem bigger. As a result, I've seen fans come down on Simon for not putting his life's woes in perspective to support Wille more. We start to see big cracks in their relationship and start to feel that they just won't work out.
But, they're also just kids in their first relationship. Miscommunication is completely normal at that age. They've only just been spending actual time with each other this season and getting to know each other. Yet they are dealing with adult problems, and so many of us fans are shouting at the screen - talk to each other! I feel like, if I were one of them, there is so much weight on me that I'd be too scared to open the floodgates and actually tell my boyfriend what's happening because I don't want to scare him. And no wonder they spend most of their time making out. It's the easiest part of their relationship and what gives them actual joy at the moment.
So I give grace to these characters and kudos to the creators of the show, for showing ACTUAL teenagers dealing with real life problems, amplified for drama because of the dichotomy of being a Prince and a commoner. But, I don't judge ANY of the characters when I apply the same analysis I've given here to Simon to all the other four characters. What this show requires of us adults is empathy for their plight and maybe a closer look at the teenagers in our lives. What it does for the teen audience is show them that they're not alone when they mess up or are dealing with life pressures. We as a society won't judge them. We will work to understand them and share their burdens.
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callsign-rogueone · 4 months
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harvest day - l.m.
secret admirer!Liam x Luceran!reader. part of my Valentine’s Day celly! 💕 words: 932 🏷: reader is feminine and has longish hair (can be tied), but no pronouns used. I am once again making random stuff up about Navarrian cultures. featuring my farm-boy Sawyer headcanon lmao (Luceras doesn’t have one major city on the map in the book. It’s all farmland, and you cannot convince me otherwise.)
You nearly crush it under your boot in your hurry to get to class, stepping back at the last second to pick it up.
A tiny dragon carved from wood -- your dragon, complete with his horns and a tiny spiked tail. You run your fingers over the wood — it’s been sanded, perfectly smooth against your skin. The level of detail is incredible. This must have taken hours.
“You’re going to be late, humble one.”
Right. You tuck it into the pocket of your jacket, locking your door behind you and jogging down the hall. 
You make it just in time, apologizing your way down the row, stepping around people’s feet carefully until you’ve made it to your friends. You settle between Rhiannon and Sawyer, thanking them for saving you a seat. “Overslept,” you explain, digging in your bag for your notebook, which you had nearly forgotten to pack.
You remove your flight jacket, taking the tiny dragon from your pocket and setting it on the desk beside your pen.
“Whoa, sick! Who made that?” Sawyer asks.
“I don’t know. I just found it outside my door. It looks just like him, though. Even got the horns right.”
“It is a very good representation of me,” Cruith appraises. “Though I have never once been that small.”
“That's awesome. Maybe they’re like, a wood-wielder or something,” Ridoc suggests, leaning over to examine it.
“I’m pretty sure that signet doesn’t exist,” Rhiannon says dryly.
“If he can do all that with metal, then it's entirely possible someone could do it with wood,” Ridoc defends.
“That’s what she said,” Sawyer says quietly, trying not to laugh.
Ridoc grins. “I’m rubbing off on you, man.”
You snort. “Now that's what she said.”
“Focus,” Rhiannon scolds lightly, ever the responsible squad leader, her eyes not having left the chalkboard this whole time.
“Yes, mom,” the three of you chorus softly, turning your attention back to the professor. 
Violet looks like she has something to say, but she remains quiet.
---------------------------------------------------
“Mail call,” Rhiannon announces, distributing opened letters to each of you.
Your heart drops as soon as you start to read yours.
“You okay?”
“Yeah, I just didn’t realize the date. It’s Harvest Day on Wednesday. Last year I was just too busy trying to stay alive to think about it, but…”
Sawyer winces, understanding. “I wish I could be there too. I swear when I graduate, I’m gonna use all my leave every year to help them.”
“I’m so lost,” Ridoc says, looking between you.
You laugh, explaining. “Everyone spends the day — the week, really — helping their neighbors harvest their crops, and there’s always a feast at the end with what we’ve grown.”
“Gods, the food. My family doesn’t come from much, but that was always the one day a year I felt like we were rich,” Sawyer admits.
You sigh in agreement. “It’s gonna be so weird wearing black all day instead of fall colors.” 
“That is the most Luceran thing I’ve ever heard,” Ridoc says. “Sometimes I forget you guys are all farmers.”
“It’s only our single most important holiday,” you laugh. “And we’re not all farmers. Two of us are dragon riders.” 
Sawyer grins at you, putting a hand up for a high five. “Damn right we are.”
---------------------------------------------------
Everyone’s eyes widen at the silky orange ribbon tying your hair back. You beam, turning your head to show it off. “Courtesy of the wood-wielder. I have no idea where they got it.”
Your joy is short-lived.
“Precisely what is that, cadet?” Dain asks sharply, and your face falls. There’s only one thing he can be taking issue with, the only spot of color in the sea of black making up your formation.
“It’s a Luceran tradition,” someone says for you — but not Sawyer or any of your friends. “Today is Harvest Day.”
You turn toward the voice, seeing Liam behind you, his eyes locked with Dain’s as if he’s daring the wingleader to argue with him. How does he know about the holiday? Had he overheard your conversation with your squad earlier?
“I expect it to be gone tomorrow,” Dain concedes. “You’re all dismissed.”
You breathe a sigh of relief as everyone files out of the hall.
“Liam?” You ask softly, and he stops, turning toward you. “Thank you.”
Then you see the small block of wood in his hand, the rough shape of another dragon etched into it. “It was you,” you whisper, stunned.
He laughs. “What?”
You reach into your pocket, producing the carving of Cruith. “You made this, right? Were you the one who wrote those physics notes for me when I was in the infirmary, too?” 
He smiles. “Yeah. That was all me.”
Your heart flutters with hope. “Why?”
“Because I was too nervous to say it, but I really like you.”
You blink. Liam, the one who isn’t scared of anything, was nervous to talk to you? And he has a crush on you? You’ve always found him attractive, but you had never thought this a possibility.
“Say something,” Cruith prods, sounding amused.
You finally form words. “Do you want to go into town with me this weekend?”
He blushes, scratching the back of his neck. “I would really like that.”
“Hey, lovebirds, are you coming to breakfast, or what?” Ridoc calls. “Some of us are starving over here!”
You laugh, a sound Liam will never tire of. “Just a minute!” You yell back.
You touch your fingertips to the soft silk, looking up at him. “Thank you, Liam. It really means a lot to me.”
He smiles. “Of course, sweetheart.”
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zorosbeau33 · 2 months
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Working~ Sting Eucliffe Headcanon/Drabble
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❖ Fairy Tail, Sting x genderless reader
❖ Headcanon, Drabble, Fluff, Romance, established relationship au
❖ No warnings for this one~
❖ wc: 843
❖ @tojiseviltwin @kimnamshiks ❖ Masterlist ❖
. ⋅˚̣- : ✧ : – ⭒ ⊹ ⭒ – : ✧ : -˚̣⋅ ⋅˚̣- : ✧ : – ⭒ ⊹ ⭒ – : ✧ : -˚̣⋅ .
This ended up nearly becoming a imagine by accident oops? So uh headcanon/drabble. Might do nsfw headcanon if anyone is interested sometime
. ⋅˚̣- : ✧ : – ⭒ ⊹ ⭒ – : ✧ : -˚̣⋅ ⋅˚̣- : ✧ : – ⭒ ⊹ ⭒ – : ✧ : -˚̣⋅ .
Being guildmaster is something he takes great pride in, although he knows he is only so good at it because he has the support of people like Rogue and Minerva
He already finds it very hard to concentrate on paperwork when there are so many cool things out there and his guild is having fun partying or relaxing in their new pool
Which is how he would end up holed up in his office desperately trying to get himself to concentrate on the task at hand.
Digging himself out of all the backed-up paperwork that hadn’t been deemed important enough to be a same day issue.
Funny that those projects and paperwork which wasn’t really needing to be dealt with for another two-three weeks suddenly were all due at once
Rogue had been tasked (by Minerva) with letting the guild members know he was not to be disturbed for anything, even the guild burning down (Rogue could handle that without Sting's help). 
The members were on their best behavior too! Trying so hard not to disturb but to also be helpful, like delivering the finished mail for him, or leaving snacks at the door with a tiny knock. (I think they forget about his sharpened senses because yes Orga he sees and smells you hiding behind that thin ass pillar at the other end of the hall) 
Sting feels even more determined with all of them being so kind and helpful to him, especially you
Your willingness to sit beside him and carefully help sort the paperwork, file it away or arrange it to be sent out in the mail was making this process so much faster. He could tell you had teamed up with Minerva to find out exactly what she as financial and aid needed from him because before she could do it you were already guiding Sting to the next document she needed him to address
Thus after three days with late nights and early mornings the end was nearly in sight
The budget for the festival was making his eyes swim as he tried to allot the right amounts where, and Minerva herself had stepped out to take care of a time sensitive task for him when your “help” suddenly became “hindering”
“I am working babe” He would whine and pout a bit trying to ignore you sitting on his desk and moving in closer to him, a tactic that normally had him jumping into your arms or pulling you into his lap with a laugh
Sting was such a good boyfriend he always put your needs first whenever he could, and that included entertainment or cuddles…yet another reason he may have fallen a bit behind because even after your needs were met he overindulged himself in spoiling you
Your pout and little cooes and pleas for just a few minutes made him whine louder looking distraught
How could you do this to him? Puppy pout when he was trying his best to be good and do everything so he could in fact indulge himself all he wanted in your magnificent presence? 
Did you wear his clothes too knowing how that made him melt even more for you? This had to be a plot, you waited until Minerva and Rogue had stepped away to pull this.
“Please?” He would whimper and beg, eyeing you desperately wanting nothing more than to tackle you for cuddles and a nap, or some kisses “I just have a bit more, I need to…just a bit longer…” 
It was his downfall, the minute his eyes glanced at your lips he knew it was over
Crashing your lips together in an exhausted but needy kiss Sting was quickly falling into your trap
Looping his arms around your waist, hugging you as he leaned up out of his seat to reach your lips for the kisses he’d been longing for. 
Sting's exhaustion would hit him all at once and despite kissing you like a man who would drown without air, his body went slack leaning against you to stay up. Sunken eyes closing as he surrendered to the bliss of your taste
Minerva would be fuming when she came back but right now he just needed to lean into you as you sat on his desk before him and steal as many kisses as he could before falling asleep
Her anger would melt though when she saw only a few small things left, and the soft way you were stroking his hair as he used your lap as a pillow
Maybe a small nap couldn’t hurt, she could also maybe use one
Sure enough, Sting did still finish his paperwork that night
Lastly, he made sure to pay you back for interrupting and distracting him like that too ;)
From that day on Sting however, would request your kisses as a reward and a “rejuvenating spell” whenever he needed to do paperwork
Though skeptical of the method Minerva and Rogue were both relieved that paperwork never truly piled up anymore they guess they could say it’s “working”
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Return to sender - Kaz Brekker x Reader
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[graphic descriptions of violence/injury]
SUMMARY: Someone from your past keeps sending you unambiguously romantic letters. While you think of them as nothing beyond an inconvenience, Kaz has a different opinion.
WORDCOUNT: ~ 2.9k
A/N: I'm going through the first editorial correction for my novel and as it turns out, I can't speak my own mother tongue lmao
Kaz has an eye for details. Whether it’s a pattern or an overlooked design, he always notices. That set of skills, either he learned them or was born with them, made it painfully obvious to him that your foul mood coincided with correspondence he never saw you actually read. The letter usually ends up in the nearest fireplace, its secrets never uncovered and you maunder around the club looking for a fight or a strong drink. A much bigger problem, however, was the fact that if you were in a sour mood, Kaz would become exceptionally chippy without an apparent cause. ‘Care for my investment’ he calls it, which makes a rather amusing euphemism.
In any event, he knows that the letter should arrive today. Exactly seven weeks had passed since the last time some mysterious correspondence pissed you off and the sender, as far as Kaz has noticed, is like clockwork. Strangely enough, he can’t recall a day when the letter should arrive that you’d come to the club already annoyed as though he has become privy to a rather obvious pattern that you remain oblivious to. If so, he has even more advantage - he can solve this inconvenience behind your back, in case you’d try to dismiss him. He wouldn’t listen anyway, of course. Not when it comes to you.
Knowing very well that you have a habit of arriving shortly after Inej, he’s quick to find the thief before you even get a chance of catching wind of his scheme. She’s fixing her clothes when she spots him hastily limping towards her with his face turned nearly into a snarl. A hand brushes through his hair. He’s agitated. But Inej knows better than to make the first move against the unmovable mountain. Kaz sought her out, after all, and if he means business, he won’t waste time.
And he does just as she thought. Speaking in a low tone, Kaz makes her part of his conspiracy: “Inej, I need you to do something but no one else can know. Someone will deliver a letter today. Follow them and find out as much as you can,” his voice is stern, not accepting refusal. The matter appears urgent, of utter importance.
Her keen gaze studies his face for a moment, looking for any way even the slightest tick of muscles could reveal a further piece of the mystery she isn’t yet privy to. “Is this about the new job we’re doing?” She elegantly manoeuvres around the subject.
Kaz knows what she’s trying to do. He clenches his jaw and gives her a blank, although somewhat impatient, look before slowly answering: “It’s rather loosely related.”
This is enough to put her curiosity on hold - for now, at least. The unmovable mountain remains, well, unmovable. Inej nods. “I’m on it.”
The moment she ends her sentence, the door to the club opens with a creek echoing through the otherwise empty venue, immediately earning the undivided attention of Kaz and Inej. The sound of heels against the wooden floor is unmistakable as is the fitting, rather short, coat. Inej smiles, stifling laughter as she notices Kaz immediately straightening his back when he sees you.
There’s a certain spring to your step, one that Kaz has learned to associate with complacency. Although this joyous aura is making his mind turn into quicksand swallowing anything coherent, he’s got enough grip on his thoughts to render his theory proved - you really do not have any idea that the letters come regularly. 
With a triumphant grin, you wave a scroll in his face. “I had a hunch and did some browsing at the city archives. You’re going to love it.”
Inej is gone and the only thing Kaz can do at the moment is wait along with trying his best not to think about this mail fiasco. But considering you’ll spend the entire day a mere inch or two away from him, he’s hardly going to do much thinking anyway. 
“Let’s see it then,” Kaz interposes before turning around and walking back to his office. 
Making his way to Brekker’s office, Jesper examined the expensive stationery from every side and angle. No matter the perspective, the cursive letters on the front still spell out your name. Truthfully, he does that every time you receive mail, mainly because of how little you talk about the possible sender. There’s always a huff, an eye-roll and the envelope ends up turned into ashes, without any further explanation. You become short-tempered for the rest of the day and go ballistic on anyone trying to inquire about the mysterious correspondence. As much entertainment as it usually brings Jesper, he’s smart enough to know when to stop poking the bear.
Jesper knocks on the door but opens them right after - announcing his arrival rather than asking for permission to enter. 
“...smuggling through the sewers.” He hears you finishing your sentence.
Both you and Kaz simultaneously tear away your gaze from the maps scattered on the table and bore your eyes into Jesper with anticipation. He lifts the letter, wriggling his wrist slightly, and immediately your expression falls. You clench your fist. A contemptuous grimace creeps onto your face.
“Letter for you,” he announces.
“By the Saints, not this again,” you whisper and roll your eyes.
“What do you mean again?” Jesper asks casually, half expecting you to break his hand and half hoping for an answer. Today, as it turns out, is his lucky day.
“A friend once convinced me to go to some socialite high tea with her. I met someone there, we wrote to each other a few times and then he started to be obnoxious, the whole ‘woe is me’ lark.” The memory must still be vivid to you as you let out an annoyed sigh. “He claimed he can’t live without me while never spelling my name correctly. But since I value myself a little too much to waste my time on pity parties, I simply stopped replying. The last letter I sent him, I don’t know, three years ago? And he just keeps coming back.” You clench your jaw, clearly stopping yourself from a string of profanities considered obscene even in this company.
Jesper puts on a playful grin. “You know, you never struck me as someone who’d have a secret admirer.”
Your irritated gaze makes him equally amused and nervous. “He’s not exactly secret, is he? More of a returning cockroach infestation. Worry not, boys, I’ll just burn this one like the rest and we can all forget about this little perplexity.”
“Come on, you’re not even a little bit curious about what’s inside?” Jesper coaxes as he hands you the letter.
“Believe me when I tell you that I don’t give a rat’s bald ass about this man and his pathetic wax poetic.” You snatch the envelope, all the while looking at your friend with squinted, piercing eyes. Considering who you are, a complete lack of curiosity whatsoever might as well be a symptom of a lethal disease.
In that short moment, when the stationery goes from Jesper’s hand into yours, Kaz watches the letter as closely as he can. Smooth paper, probably expensive. Careful lettering, written with patience and thoughtfulness. An aroma of mint and tobacco lingers on the parchment. The stamp has the current date on it and the postal code is only a few numbers away from the club’s - whoever sent it is in Ketterdam and quite close by.
Kaz makes those little observations just in time because you throw the letter into the fireplace behind him, without even glancing at the paper. The flames grow for a few seconds, devouring the dry stationery. Soon, there’s no evidence that any mail has been delivered to you on this day.
“Now, where were we?” You clap your hands. “Ah, sewers.” Jesper takes the change of subject as his cue to leave but you stop him right when he pushes down the door handle. “Oh, and Jesper? If you tell Inej, I’m ripping your arm off and beating you to death with it.”
He looks at you over his shoulder, a newfound sense of anxiety turning his vivid amusement into somewhat tame courtesy, leaving his smile unfaltering but tearing away the genuine joy behind it. “I will keep this enlightening piece of advice in mind, thank you.”
The door clicks as Jesper closes it behind himself. Returning to your previous engagement, you stumble upon Brekker’s stern gaze of disapproval. 
“Do not maim my investments.” Although it’s supposed to be a scolding or a threat, it comes out with a certain note of disinterest.
“Don’t try playing all nice, Kaz. You and I both know you’d watch for like ten minutes before stepping in.”
His gloved finger taps the map. “Sewers.” 
You mumble something along the lines of ‘yes, sir’ and pick up the single-handed divider again. Kaz examines your face out of the corner of his eye. Judging by your casual demeanour, the palm’s length between your heads is of no bother to you. Maybe you’re just too busy counting the segments with the divider. When you’re done, you reach for the other side of the desk, for a moment leaving broody Kaz to the, surprisingly cold, lukewarm air filling the room.
This day just can’t seem to end for Burr Lowther. First, he had to take his regular trip into the filth of the Barrel, he shudders at the memory, only to then spend another ten hours at the sewing workshop. Being a foreman pays exceptionally well and perhaps this is the only reason he’s still putting up with those lazy needlewomen. 
Putting his well-kept coat on the hanger by the front door, Burr lets out a sigh of relief - compared to the factory, his house is a quiet oasis. He remembers to take out a pouch and a box of expensive cigars from his coat. Without much thinking, he opens the small bag and puts another leaf of mint between his teeth. What started first as an addition to his personal hygiene, has quickly become a habit impossible to kill. Now used to the strong, chilly sensation on his tongue, he’s grown to like it. 
The house is drowning in darkness. Dim, yellow light from the streetlamps crawling in through the windows is barely enough to let him make his way around the furniture. Foreman Lowther is yet to start the fire in his living room but he needs to be quick - if he stalls too long his joints will begin to hurt. Even with laudanum, the ache is bound to keep him up for hours and that’s something he can’t afford. But first, he needs some light to be able to get the necessary things.
Chewing on the herb, Burr walks to the table across the room from the fireplace. He puts the new box of cigars down and begins looking for something to light the oil lamp. Once he blindly finds a box of matches, his muscle memory does most of the job - he’s lit up the lamp far too many times to think about the actions. In swift, mechanical motions, Burr takes off the chimney, lights the wick and puts the glass part back on. The fire brightens the rest of the table, reminding the foreman that he forgot to put away the made-to-order McKinnon & Co. stationery. He pushes the paper farther away from the lamp, just in case.
Burr’s knees make a cracking noise when he crouches in front of the fireplace. Carefully, he lights a match and puts it between logs and old newspapers. The fire smoulders for a moment, balancing between starting and being put out, before a bigger flame begins gnawing at the dry wood and paper. 
Foreman Lowther is about to stand up when something hits the side of his head, making his face clash with the seat of a nearby armchair. Scurrying and turning around, he sees an outline of a man, looking more like a feverish mare of the night than a real human. He’s thin and tall, dressed rather elegantly. The model crow on his cane glistens in the newly started fire.
“Who are you?” Burr’s voice cracks, giving away his panic.
“A scorned businessman, Burr Lowther,” Kaz explains slowly.
The foreman climbs backwards into the armchair. It’s difficult to look imposing while sitting beside a fireplace but his fear is far too severe to let the man stand on his own two feet.
“I’ve no business with you!” he yells. A few droplets of spit fly out of his mouth. “Get out!” Burr’s shaky hand points vaguely in the direction of the front door but Kaz, as it seems, is not going anywhere just yet.
In slow steps, Kaz gets closer to Burr, the difference in height painting him even more menacing. Lowther’s hand falls limp on a small table meant for trays with food.
“Perhaps you don’t. But I have plenty with you.”
Before foreman Lowther can ask another question, Brekker drives a sharp blade through the man’s palm, pinning it to the wooden counter. A howl of pain cuts through the night, scaring away the birds sitting outside the windows. Thick, crimson blood spills from the wound, falling to the floor in long drops. The fireplace’s flame glistens in the growing puddle, the reflection dances in morbid anticipation.
Kaz walks over to the table with the oil lamp. The first thing that catches his eye is the ivory paper. Somehow, he stifles the visceral reaction it elicits from him. Grabbing the wad of stationery, he folds it a few times and puts it in the inner pocket of his coat. Then his gaze trails towards the wooden box of cigars. The name of the company, Starling, is burned in cursive lettering on the front. In a swift movement, Kaz slides the package open, knowing exactly what he’s going to find inside - a cigar cutter. For people who can afford Starling tobacco products, it definitely doesn’t befit to chew off the end.
Firelight cascades off the metal cutter when Kaz turns back towards Burr. The man’s eyes widen in panic, recognizing the sharp device put against him.
“No, sir,” Burr begs with a frantic shake of his head. “Oh, Saints, please, no! Don’t! I’m begging you, sir! Please, please! No, please!”
Brekker’s face doesn’t change its indifferent expression. The pleading is not putting him off, never faltering his already-made decision. Perhaps, if it isn’t too morbid to consider, he’s enjoying having someone at his mercy. The cigar cutter clicks quietly as Kaz closes it a few times to check the state of the mechanism.
Kaz makes his way back to the foreman. Casually, he puts his cane against the table but away from the nailed palm, careful not to get it dirty. Then, he snatches Burr’s other hand, the swiftness diminishing all doubts that he’s inexperienced in bringing suffering.
“You have laid your hands on something that isn’t yours, Lowther,” Brekker explains as he forces one of the man’s fingers through the cutter’s opening. “Now you must pay for it.”
A muscle in his face ticks as he presses the cigar cutter. Burr howls in agony, tears streaming down his face. The finger falls to the floor with a wet slap as blood begins to pour. The white tip of the bone sticks out from the pulsating flesh, glistening in the warm, dim light of the burning fireplace.
In a feverish delirium, Lowther mumbles something under his nose, the string of incomprehensible words sometimes interrupted by sobs. Kaz can understand only two things from the ramblings of a madman: ‘wench’ and ‘reply’. Scarce information but he hardly needs more.
“Wench?” he repeats in a low voice.
With a snap of his wrist, Kaz twists the knife still residing in the man’s hand. A bone cracks. But there’s no scream this time - not an ounce of strength left in the victim. Lonely tears stream down his grey face, mixing with cold sweat as he blankly stares ahead. A gloved hand yanks his head back by the hair, forcing delirious Burr to look into Brekker’s eyes. They look darker than they should, clouded with something far too horrible to be considered human.
“Not only did you lay your filthy hands on something of mine,” Kaz’s voice is low enough to resemble a growl as though something carnal inside him has finally woken from its slumber, “but you also dare insult her.”
Burr makes a strange guttural noise, something between a gag reflex and a murmur, as another one of his fingers is cut off. Considering his vacant expression, it’s hard to say whether his consciousness even registered the loss.
Kaz tosses away the cigar cutter. It clutters and clicks falling in the largely unknown corner of the room. Reaching inside his coat, he pulls out the folded stationery. Pressing tightly on Burr’s cheeks, he forces the man’s mouth open.
“I don’t think you will be needing this anymore.”
Even if foreman Lowther was in his right mind at the moment, there wouldn’t be much he could do to prevent Kaz from shoving the dry paper down his throat. A match, a spark, a smoulder - the ivory stationery is burning inside Burr’s mouth.
Leaving Burr Lowther to his own devices, Kaz Brekker leaves the house, joining the otherwise grey and indifferent citizens of Ketterdam. The sunrise is just a few hours away. He’s making his way back to the club, uninterrupted and unbothered, to enjoy another day of your hardly divided attention.
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chaos0pikachu · 5 months
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Cinematography?? In MY BL??? Not as likely as you think.
TLDR: it's a joke!!! but also legit sometimes I see "cinematography in bl" and it's just some basic pictures with mid-tone lighting and blue t-shirts. Let's talk film terms like: aperture, panning, tilting, and movement in film so we can see what goes into cinematography (with sources!). Also if I name a show you like as "boring cinematography" don't send me hate mail I'll laugh
(examples used: Our Skyy2 vs kinnporsche, 2gether vs semantic error, 1000 Stars vs The Sign)
If I name a show you like in this post as "bad cinematography" be chill about it, like, I ain't saying you can't like it, I'm just talking about techniques here not personal likability or overall show quality. I like badly filmed shit too say hello to my collection of Friday the 13th Blue Rays we're just here to talk techniques and like, educational stuff okay?
So the straight (heh) textbook definition of "cinematography" is: the art of making motion pictures. Which, frankly, tells you nothing. Like it's not wrong~~ but it's not informative either. Cinematography covers a lot of what we, the audience, visually see on screen:
"Cinematography is the art of photography and visual storytelling in a motion picture or television show. Cinematography comprises all on-screen visual elements, including lighting, framing, composition, camera motion, camera angles, film selection, lens choices, depth of field, zoom, focus, color, exposure, and filtration." (source)
So let's talk movement in film.
So when I talk about movement, what do I mean? I mean the way the camera, the characters, and the environment moves within a frame.
This video on Akira Kurosawa's usage of movement in a scene is brilliant:
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Something as simple as having rain or fire in the background of a shot can enhance the emotions of a scene vastly. it gives the scene depth - literal depth, not narrative depth - that would otherwise be missing.
The way the camera moves and transitions leading the viewers eye back and forth makes what you're watching more engaging. You aren't consuming these scenes, you are engaging with them. They are apart of the story itself, giving the environment life and texture so the characters within them matter more.
And, look, I get busting out Thee Akira Kurosawa might be unfair, but if we're gonna talk cinematography we can't not talk the importance of movement on film.
To understand good cinematography you have to understand what makes it good and as such what makes bad or mediocre cinematography.
In connection with movement we gotta talk about camera techniques like panning and tilting:
youtube
"Camera movements are a fundamental part of video production. They can be a powerful storytelling device, heightening tension, evoking emotions, and bringing the viewer into the action. Without saying a word, camera movements can transform a scene’s entire narrative, and direct audiences’ attention where you want it." (source)
So we have movement of environment, of characters, and we also have movement of the camera itself.
Ok so like, where does the BL come in Pikachu??
I'm getting to that, I'm going to start with a more general example: Our Skyy 2 (Bad Buddy meets 1000 Stars edition) vs Kinnporsche.
youtube
Starting at 5:17 we have Pran stranded or whatever, and this shot is like, it's fine. It's boring as hell, but fine. Why is it boring as hell? Well it's flat, it lacks movement, it lacks depth.
When the driver drove off the camera could have panned to follow his movement and then panned back to Pran at a different angle to showcase his isolation. Honestly since the scene starts with a mid close up of Pran, I would have had the camera behind Pran as the driver drove away, and had the camera pan around Pran 360 so we get shots of his environment, and him, while also emphasizing holy shit he's like, fucking stuck in the wilderness. 
In general, there's a big lack of movement in the scene. The camera remains almost entirely static, there's no attempt at zooming in or out, following Pran's movement, or showcasing his environment in any meaningful way. Even when Pran begins walking towards the camera the angle of the framing is still centered, rather than tilted downward or upwards to give us more dimension (non-BL comparison, the Book of Eli starring Denzel Washington does the "walking towards the camera" shots really well).
We get a cut of a medium close up of Pran, with a deeper focus so his environment is blurred out.
I understand the thought process of this shot, we want the audience to focus on Pran, but if the point of the scene is to emphasize he's alone, confused, maybe even a bit anxious at his new circumstances it could've been done better. Take a wider shot from this angle, open up the lens to allow for that background environment to come through and show him isolated. Maybe do a pan above him or tilt the camera up going from his feet up as he nervously ruffles his hair. There's options here.
This just adds more walking to the scene, which we already had. It doesn't enhance or emphasize anything about Pran's emotions as a character.
Anyway the camera continues to follow him and then we get another cut. And it's from the same angle as before, only this time we see a truck coming. The camera remains static, it completely stops moving, and we just wait for the truck to drive into the frame.
This whole sequence of events ends at 5:57 and while not a long sequence I find it frustrating because it's boring. The only way the audience knows that Pran is anxious is via Nanon’s acting, there’s nothing in the filmmaking that enhances or contributes to that feeling.
He’s alone, until he’s not, and that’s all the scene tells us. It leaves the scene lacking any tension as well, because we’re not getting a sense of isolation - how large is this space? How alone is Pran right now? What is the entirety of the environment? 
Contrast this with a similar scene in kinnporsche ep06 where Kinn and Porsche are alone in the mountains. I don't have a video of this specific scene so I have to link the trailer, starting at 1:48 to 1:52, but see how we start mid-close up of Kinn and Porsche, then pan out from above them? This is a better showcasing of just how vast the environment around Kinn and Porsche are.
They're still center frame throughout all of this, the depth of the scene is in mid-focus so nothing is blurred out and you can see the sharpness of the environment.
It also places the audience in the same space as Kinn, who is looking up at the sky while the audience looks down at him. It makes the audience a more active participant in the shot, emphasizes the state of the characters, gives the audience a sense of space & environment, and relies a sense of emotion.
The additional fast zoom out also adds to the scene by adding movement and making it more dynamic.
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(my man pran looking like this 🧍)
Both these scenes are pretty short, but they're relaying similar information and one is way more dynamic and effective than the other. Both Pran and Kinn/Porsche are alone in the wildness, but in the latter there's a lack of space, a lack of movement, and a lack dimension. This is mainly a framing issue, so let's talk more about camera movement (panning, & tilting).
Here's a scene from 2gether vs a scene from Semantic Error.
youtube
(saw someone say 2gether had a high production value and chepie where??)
This entire scene with Sarawat and Tine is flatly shot. There is nothing in their background so no outward movement is happening, the lighting is even as are the colors, everything is at the same depth, and there's little to no motion in the camera.
The scene with Sarawat pushing Tine into frame. Why doesn't the camera follow Tine's motion of movement so the scene has more momentum? It just stops and the char falls out of frame before walking back into it. Then we get a series of cuts back and forth of close ups on Sarawat and Tine's faces. Back and forth, back and forth.
The editing leaves a ton to be deserved because if the back and forth did a quick pan back and forth with each beat we could build up tension, give the scene some texture, heighten the intensity of the argument. If we're going for something softer we could place them in on better set, or make the characters move themselves - have Sarawat walk away from the argument up those stairs, have the camera follow his movement as Tine chases him continuing the argument - or play with the lighting a bit, pan the camera down or tilt it something!
When Tine kisses Sarawat why doesn't the camera move with him in a more notable way? Why did we have a cut to a close up? And then we're back in a mid close up and more cuts and this editor is killing me!
This scene is 4mins long and the only engaging bit of filmmaking here is when the camera follows Tine when he steps closer to Sarawat putting the latter in the frame at 3:15, the entire scene is 4 minutes long.
I want to compare this scene to this scene in Semantic Error which is also all dialogue and also obviously filmed on a shoestring budget.
youtube
So right away the camera work here is smart, it starts off in an establishing shot, evenly lit, of Sang Woo and Jae Young both in the frame. Then we get a mid close up of JY looking down, then a tight close up of JY looking up.
The change in camera angle emphasizes his surprise at seeing SW here as he looks up at SW. The lighting has also changed, it's much brighter now. The camera also begins to move, where it was static before it begins to tilt and shift.
We get a cut to SW, the first one of this scene. JY is seeing SW in a new light for the first time, and as such so is the audience. By starting the scene off in an outward shot with both chars in the frame, they are placed on the same level and the audience doesn't see their expressions up close. So when we're hit with JY's close up of surprise and then SW's close up of his wet hair it holds way more impact. It enhances the feelings of JY's character for the audience.
The lighting behind SW has also changed, it's much brighter, and warmer compared to the cooler tones of light behind JY. The camera also slows, and continues to to tilt and shift. JY's world has literally been shifted on his axis.
We get another cut, this time medium on SW and notice, the camera stops moving for that moment and the light around him dims. It's not as saturated. We're moved out of JY's pov here and back into "regular" framing.
SW tries to make JY leave, we get a close up cut of the cut on JY's arm - hey editing used to display important and new information! - then the camera cuts to SW getting medicine and here's a small but important thing, when he tosses at JY the camera follows his movement. And instead of cutting away, when JY gets up thinking SW is hurt, the camera follows JY's movement back towards SW.
It would have been easy to make a cut there back and forth - like in the 2gether scene did over and over - but following the movement of the characters makes the scene way more interesting visually to watch.
Changing the angles of the camera from a lower angle (where JY is looking up) to a downward angle (where SW is looking down) makes the scene more interesting visually as well and enhances the storybeat of JY looking up at SW in a new light memorized. This contributes to the story as well, as it's JY who catches feelings for SW first so their are literally, on uneven ground until they're not later in the story. The camera is panning, tilting, moving with the characters even given the limited space. The lighting adds to the effectiveness, as do the minimal cuts.
On a technical level, the scene in Semantic Error is just better filmed. In my own opinion, the scene is far more engaging b/c the filmmaking is better, where in 2gether the reliance is almost completely on the actors to sell the scene with little help. And I'm not saying nothing about Bright and Win cause their stans wildin'.
Next, I wanna talk about aperture.
I saw a post that used this word and I didn't understand the context in which they were using it because aperture isn't a style of filmmaking its a camera setting or lens adjustment - it's the rate at which the camera opens and closes letting in light and focus.
"Aperture is the opening of the lens through which light passes. When you hit the shutter release button to take the picture, the camera aperture opens to the predetermined width, letting a specific amount of light through. A large aperture lets more light in, and vice versa. Aperture is calibrated in f/stops, written in numbers like 1.4, 2, 2.8, 4, 5.6, 8, 11 and 16. The larger the number, the narrower the aperture." (source) <- really recommend this article if you want to learn about aperture in film.
A great non-BL example of aperture used for style is One Piece Live Action where cinematographers Nicole Hirsch Whitaker, and Michael Wood love using deep focus aperture in a lot of scenes.
But let's compare The Sign vs 1000 Stars.
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So when the scene starts, we're in mid-focus/aperture, everything is of similar sharpness and depth. Nothing is especially blurred out we're getting the full spectrum of Phaya and Tharn's environment.
When the camera switches to close ups of Phaya and Tharn however, we get a deep focus aperture. That's why everything behind them is so blurred out. In a close up of Phaya, even Tharn's face is blurred. The director wants the audience to focus specifically on these characters individually, so we can understand the weight of their dialogue. But when the camera wants us to see the characters as a unit, it cuts, pulls back out of that deep focus and everything is back in mid-focus again.
Here's another thing, it's subtle but it's important.
This scene also combines what we already discussed about movement. At :08 of the scene, in that first mid-shot the camera is actually zooming in closer on Phaya and Tharn. Not dramatically, subtly, but it is there. This is important, because at 3:23 we get another mid-shot of them, pulled out of that deep focus, and the camera begins to zoom out.
The camera also follows the movement of Phaya grabbing Tharn's hands, then pans back up to Phaya's face once again before panning higher into the frame and panning back to their faces and zooming in.
When we move back out of that deep focus, into a mid-shot the camera continues to zoom out on the two characters as they kiss.
I saw someone say that this scene wasn't "filmed like BL kisses" and, eh? Like it isn't filmed in that static style of filmmaking which has dominated BL filmmaking probably due to budgetary reasons. But
The Sign follows a similar filmmaking style as Kinnporsche and Domundi shows do. But also just like, basic filmmaking techniques you'd see in shows of the non-CW/soap variety.
The thing fans are seeing here is film technique (probably partially due to a larger budget). Movement, lens adjustment, panning and titling, lighting and color are all playing a role in this specific scene.
Cinematography baby.
(sidenote the VFX of The Sign is dope as fuck too)
Okay so let's talk Our Skyy 1000 Stars
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So this opening scene follows a similar structure to the scene in The Sign: mid focus shot of the two chars, into separate deep focus close ups. It's also a dialogue heavy scene like the one with Phaya and Tharn.
So why does their scene work better on a technical level than this one in Our Skyy 2?
The scene in The Sign combines techniques of aperture, movement, lighting, color and framing to give everything more impact.
In this scene with Phupha and Tian we get a similar editing style as the scene in 2gether: lots of back and forth cuts, very tight close ups, static camera movement. Where as the camera zooms in and out during mid-shots, the camera doesn't move in Our Skyy 2. It remains motionless even though a zoom in as the two characters lay in bed would add a lot to the scene itself.
In the close ups the camera continues to remain static, only changing angles when there's a cut. At 1:22 Phupha moves his arm to wrap around Tian, the camera could have taken a closer shot at his arm, and then followed his movement as he wraps it around Tian. Like how the camera followed Phaya's movement when he holds Tharn's hand.
Instead it's just a flat shot, we see his arm wrap around in a mid-focus above shot. The camera does move to follow Tian a couple times - at 1:50 for example. But overall, the scene is stiff - who sleeps like this frfr - in framing, in movement, in depth.
I want to say that I don't think this scene is bad - like I do the 2gether scene or the earlier scene with Pran - I think it's just, okay~~
And no, for none of these examples did I pick "the worst" shots or whatever. I'm not out to get any specific show, but tried to find comparable scenes and compare and contrast the filmmaking techniques used in both and how effectively they were used.
I want to leave off with this.
There's a lot that goes into cinematography, yes this singular shot of Furiosa is amazing, but what makes the scene amazing?
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Pay attention to how the camera moves (panning and tilting), when the camera moves (zooms in and out), the movement of the scene (the hair and sand moving), the lighting (Furiosa from behind is in darkness, her side profile more lit), the depth of the scene itself changing (as she walks away from the group the focus/aperture gets deeper on her, then when she walks out of the frame it grows larger to focus on the characters left behind).
All these little things make up what is "cinematography". The more you learn about the techniques used the more you can notice about film and what makes a scene powerful.
As BL gets more budget we're seeing shows expand their filmmaking catalogue more and more. Which is exciting! If fandom is gonna talk cinematography I think it's helpful to have the vocab to do so, and it's cool to watch a scene and be like "oh I see what they're doing here and why and how".
I mentioned other things that go into cinematography like framing, lighting, color, and there's also editing (which is separate). Idk if I'll make a post about those things cause I'm lazy and this shit takes forever to research and write but who knows~~
Check out other posts in the series:
Film Making? In My BL? - The Sign ep01 Edition | Aspect Ratio in Love for Love's Sake | Cinematography in My BL - Our Skyy2 vs kinnporsche, 2gether vs semantic error, 1000 Stars vs The Sign | How The Sign Uses CGI | Is BL Being Overly Influenced by Modern Western Romance Tropes?
[like these posts? drop me a couple pennies on ko-fi]
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ven0moir · 1 year
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Byler Analysis: Mike’s phone calls.
This analysis is going over why Mike’s phone calls were, without a doubt, for Will. Bylers have been talking about this for months now, but I’ve compiled all the evidence I could find. 
So, to start us off... 
Hawkin’s Lab is owned by the ‘Department of Energy’, which according to Mike, Ted has said is Government/The Military. 
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In S1, the main antagonists in regard to Hawkins Lab were Connie Frazier and Dr. Brenner. However, by the season finale, Connie was killed by Eleven and Dr. Brenner’s status was unknown.
With the two of them out of the way, we are introduced to Dr. Sam Owens in S2. 
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Now, whether or not Owens is truly trustworthy or not is a whole other can of worms, but for the sake of this analysis, we will follow his introduction as an ally to the Byers-Hoppers. He was the primary doctor looking after Will and investigating what was going on with him when he was possessed by the Mindflayer. S2 concludes by letting us know that Owens has pulled some strings to give Eleven a new identity and thus a new life: that of JANE HOPPER. 
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Owens recommends to Hopper that Eleven should lay low for about a year before living freely, as a PRECAUTION (since, like he said before, ‘those people’ aka the bad ones, are gone), but overall, things are safe enough that Owens even approves of Hopper letting Eleven go to the Snow Ball. 
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S3 starts in June 1985, about six months after S2, which means Eleven’s year of laying low isn’t done yet. But since Owens is in charge of the lab, Eleven and Mike can call on the phone. We also see them using walkie-talkies, so I’m assuming that they don’t call that often as a precaution as well, but they can do it as long as it’s not too frequent. 
It is important to note that the lab was not the main antagonist in neither S2 nor S3 (It was the Mindflayer & Russians respectively). 
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Eleven can even afford to go out a couple of times to the mall with Max without consequence at all. It isn’t until things get bad enough with the ‘flesh flayer’ that the military immediately steps in to cover it all up (and despite their best efforts, the town is still suspicious). 
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Owens is FIRED at the end of S3 as a consequence of the mall “fire”. This is significant because it means that he no longer holds the power to protect Eleven. Still, he managed to use his contacts (which include allies like Ellen, Wallace, and Hamon) to relocate Eleven + the Byers to Lenora and look after them very discretely. 
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Because of this plan, Eleven is safe in Lenora enough to go out and have a life as Jane Hopper. However, that plan does NOT include calling Hawkins as that would be FAR TOO RISKY. 
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She cannot call or be called from Hawkins as it is no longer just a precaution, like when Owens recommended Eleven to lay low for a year, just in case. Now, her staying away from Hawkins (which includes calling there since the phone-lines are tapped) is a NECESSITY for her long-term survival since the cover story is that ‘Eleven is dead’.
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Powell’s call about Chrissy’s murder is enough to immediately summon Sullivan to investigate and pin the murders on Eleven. He even tells Owens that there are rumors of her being alive and receiving help from the ‘inside’ aka Owens. WHICH IS TRUE. So, they’re onto Owens and ALL OF THEM require to be extra careful with calling to Hawkins. 
Mike was likely not able to talk about Eleven/Jane much during his calls with Will either.
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THIS is likely why we see a walkie-talkie on Eleven’s Mike box and why Mike spoke about stealing Cerebro from Dustin at the end of S3. 
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HOWEVER, because the mail system isn’t under surveillance like phone lines are, LETTERS were established as Mike and El’s primary method of communication. 
Whether or not Mike truly did steal Cerebro from Dustin to call El a few times, we see Cerebro at the top of Dustin’s house in what seems to be a very permanent set-up. I personally think this implies Cerebro hasn’t been moved, and their communication happened solely through letters. 
But even if, say, Mike went to visit Dustin to use Cerebro (which wasn’t established, but is within the realm of possibilities) it doesn’t change the fact that phone calls were off the table, and thus, those were for Will and Will alone. 
So, as Will himself explained, the letters were for Eleven, and phone calls were for HIM.
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Which means ... this was all about Mike being unable to reach WILL. 
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Byler is endgame
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pomegranate · 22 days
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I rewatched “Hanky Panky”, an episode I don’t revisit very often - in my opinion, it’s not a very good exploration of BJ and his faithfulness, and the concept kind of falls flat for me. The lovely @captainhunnicutt explains it perfectly in this post.
What it does do, however, is provide a fascinating depiction of Hawkeye reacting to his best friend being unfaithful. This turned out way longer than I wanted it to, so:
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We see Hawkeye go through several phases, re: BJ and cheating. First, he teases him about it and the viewer is reminded (clumsily, see Shan’s post) that BJ is the ultimate family man - directly contrasting the charmingly lecherous Hawkeye.
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Then we see the scene in the mess tent where they all get mail (BJ gets three letters! what a family man). BJ notices Carrie getting upset and leaving the tent, and he follows her, while Hawkeye silently observes BJ getting up from the table and leaving.
We don’t see Hawkeye again until the mess tent the next morning, where BJ shows up and Hawkeye plays up the worried parent angle before saying this. Note his posture during this scene; he crosses his arms when BJ shows up and when he says the line below, he shifts ever so slightly closer to BJ.
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When BJ says he was sitting up with a sick friend, Hawkeye gleefully says “tell me all about it”, still enjoying getting a rise out of BJ. And then Carrie shows up and it’s obvious to everyone that something happened between her and BJ.
I know other people have talked about this scene so I’ll try to be brief, but Hawkeye is suddenly more awkward than we normally see him.
Hawkeye: “Donovan, you look like a new woman! Not that there was anythingwrong with the old one.” Carrie: “Thanks, I feel better.” Hawkeye: “Well, why shouldn’t we all feel good? Our work is so rewarding. Always lending a helping hand. Doing unto others.” BJ: “Hawk, your mouth runneth over.” Hawkeye: “I'm just teasing. I mean, do I know what I'm saying? Whatever it is, I don't mean it. Should I go?” BJ: “Just stop talking.” Hawkeye: “I will as soon as I get my foot out of my mouth. I think I'll put it someplace else. Ah, I'm being paged at the pool! Well, you two carry on. [laughs nervously] Strike that. This is me leaving. Here I go. Bye. So long.”
Hawkeye flees the mess tent and we don’t see him again until the Swamp, where BJ is writing a letter to Peg about what happened. He shows up and makes himself a martini before sitting down to be the comforting friend that BJ needs him to be.
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(btw: in trying to goad BJ into opening up, Hawkeye says, “Pour your heart out. I'm a doctor, I can fix it.” Which is a line that makes me go nuts but anyway.)
So BJ opens up to Hawkeye and vents about how he doesn’t want to be unfaithful to Peg! He loves his family and is lucky to have what he has! Hawkeye is, of course, soft and sympathetic.
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He realizes BJ was busy when he came in and asks him about it, and is immediately outraged when BJ explains that he’s confessing to Peg.
Hawkeye then makes BJ take a vow: “I promise to be a good and faithful husband, to write nice, cheerful letters home, to think of Peg often, and to keep my fat hands off Nurse Donovan.”
and then makes a vow of his own: “I, Hawkeye Pierce, vow that some day, I will take a vow just like his.”
Then we come to another awkward Hawkeye moment, where he finishes making his little vow and throws on a scarf, saying he’s “a little late for a very important date”.
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Idk but Hawkeye didn’t seem like he had any plans when he entered earlier, and I know the obvious Doylist answer is “well they didn’t really think this scene through and we are simply meant to assume Hawkeye is going on a date”. But to me, it comes across as though he’s once again uncomfortable about the whole situation and has to flee BJ’s presence again.
It’s interesting to see how Hawkeye was very much having fun teasing BJ with the theoretical idea of him being unfaithful at first, but when he realizes that it’s actually happened - that BJ is not infallible and can & will have sex outside of his marriage if he lets himself - Hawkeye becomes incredibly nervous.
To go full Beejhawk in my interpretation of this episode, it feels like Hawkeye has been harmlessly flirting with BJ and enjoying having an unattainable crush on his best friend, knowing nothing could ever happen. And when he realizes that BJ can be pushed to be unfaithful, it rattles him. He has BJ make that vow and then vows to make his own version of the vow BJ made (not even touching that) and that’s that. What's the point of this post? I don't know tbh but I had to dump these thoughts somewhere and I've already done enough shouting at my pals on Discord. TL;DR: Hanky Panky is a weak episode in terms of exploring BJ's brush with infidelity but it's so interesting to look at with Beejhawk goggles on.
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