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#also this post was inspired by
thatdamnokie · 1 year
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“you ship xyz? aren’t you het”
look other straight people not having taste or media comprehension isn’t my problem
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itsbrucey · 4 months
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Big fan of sun motifs in characters not necessarily being about positivity and happiness and how they're so " bright and warm" but instead being about fucking brutal they are.
Radiant. A FORCE of nature that will turn you to ash. That warmth that burns so hot it feels like ice. Piercing yellow and red and white. A character being a Sun because you cannot challenge a Sun without burning alive or taking everything down with them if victorious.
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daigah · 6 months
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"Nice characters are boring" to YOU. I love characters who no matter what, will always have genuine love for humanity in their heart. Characters who dance and laugh and sing with sincerity. Characters who believe in others, and are willing to extend a helping hand to people when no one gave them the same luxury. Characters who have gone through so much but believe, no matter what, that humanity and life is something beautiful and worth protecting
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renthony · 1 year
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Your personal triggers and squicks do not get to determine what kind of art other people make.
People make shit. It's what we do. We make shit to explore, to inspire, to explain, to understand, but also to cope, to process, to educate, to warn, to go, "hey, wouldn't that be fucked up? Wild, right?"
Yes, sure, there are things that should be handled with care if they are used at all. But plenty more things are subjective. Some things are just not going to be to your tastes. So go find something that is to your tastes and stop worrying so much about what other people are doing and trying to dictate universal moral precepts about art based on your personal triggers and squicks.
I find possession stories super fucking triggering if I encounter them without warning, especially if they function as a sexual abuse metaphor. I'm not over here campaigning for every horror artist to stop writing possession stories because they make me feel shaky and dissociated. I just check Does The Dog Die before watching certain genres, and I have my husband or roommate preview anything I think might upset me so they can give me more detail. And if I genuinely don't think I can't handle it, I don't watch it. It's that simple.
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mini-minish · 2 months
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have you heard of that new hot spot in ba sing se 🍵
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divorcedwife · 13 days
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chess inspired fashion
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felixcosm · 2 months
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I think it's mean how some people talk about fics on AO3.
'Oh you gotta wade through literal trash to find the good stuff'.
Were you not a beginner once? Did you not write crack fic or self indulgent things for your own entertainment?
Maybe don't speak that way about your fellow fic writers? Just because some fics aren't as polished as others, or involve fetishes and tropes you don't enjoy, or are not the style you want your fics to be doesn't mean they're trash.
It's a horrible thing to say and beginners are going to be discouraged from writing knowing that their fics might be considered trash because they're just starting out.
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qvincvnx · 3 months
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i was just talking about this after being wrecked by the discovery that the little elf-goblin fellows my parents/family used to tell me warnings and stories about as a little kid are regionally specific, and that you can trace people's geographic origins by what word they use for "little spirit-fellows who live in your house". no matter what you call them (domovoi, kobolde, brownies, so on); for purposes of this post henceforth "little guys"
i think one of the things that i find frustrating about like, idk, modern animist revivalist movements is that very few of them ime spend a lot of time romanticising and spiritualizing human habitation. obviously, we as a culture need to think more about protecting and defending nature/the earth/so on, but like.
if you don't have room in your heart for making up a little guy who lives in the water heater, or who squats under your stove and makes it run 15 degrees off the programmed temperature, and thinking of him with the same kind of respect/affection as you do for the spirits (or whatever) of the wildlife you interact with like.
genuinely: what are you even doing. you are removing a source of richness and fun and whimsy from your life! like, pip @creekfiend made up the concept of "little guys who live in an airport (and are the reason it's so shitty to be in an airport)" and i already like airports like 30% more just knowing it's the little airport inconvenience guys doing that.
more importantly, like. genuinely: interrogate what parts of the world seem ~rich with spiritual meaning~ to you. what parts of the world are "wild"? what does that make the rest of the world - a chore? a burden? who has to carry that burden?
we're never going to like, "return to nature", because that's nothing and the concept of untouched nature is also nothing; we're always going to have some sort of human habitation and interaction and cultivation with nature. if you can't extend grace and whimsy and genuine and sincere meaning to human habitation, including its inconveniences and annoyances, you are making your own lived experience duller!
notably, most of these kinds of little-guy-spirits historically exist in the parts of human habitation that are partially abandoned, partially removed: haylofts, inside the walls, under the house, in the bathhouse, behind the furnace... i've been thinking a lot about urban wildlife lately, and the animals who make space for themselves in and around human habitation. the "natural" and the "wild" persist inside and around the edges of the "tame" and always, always have. if you have a crawlspace, there's a little spirit who lives there and he's the reason the dryer always eats your socks.
LIVE WHIMSICALLY.
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soranker · 3 months
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DEEP💥SPACE💥PLANET💥FUTURE💥GUN💥ACTION❗️
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slushy-sash · 4 months
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The Kiss
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tofixtheshadows · 21 hours
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I've been thinking a lot lately about how Kabru deprives himself.
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Kabru as a character is intertwined with the idea that sometimes we have to sacrifice the needs of the few for the good of the many. He ultimately subverts this first by sabotaging the Canaries and then by letting Laios go, but in practice he's already been living a life of self-sacrifice.
Saving people, and learning the secrets of the dungeons to seal them, are what's important. Not his own comforts. Not his own desires. He forces them down until he doesn't know they're there, until one of them has to come spilling out during the confession in chapter 76.
Specifically, I think it's very significant, in a story about food and all that it entails, that Kabru is rarely shown eating. He's the deuteragonist of Dungeon Meshi, the cooking manga, but while meals are the anchoring points of Laios's journey, given loving focus, for Kabru, they're ... not.
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I'm sure he eats during dungeon expeditions, in the routine way that adventurers must when they sit down to camp. But on the surface, you get the idea that Kabru spends most of his time doing his self-assigned dungeon-related tasks: meeting with people, studying them, putting together that evidence board, researching the dungeon, god knows what else. Feeding himself is secondary.
He's introduced during a meal, eating at a restaurant, just to set up the contrast between his party and Laios's. And it's the last normal meal we see him eating until the communal ending feast (if you consider Falin's dragon parts normal).
First, we get this:
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Kabru's response here is such a non-answer, it strongly implies to me that he wasn't thinking about it until Rin brought it up. That he might not even be feeling the hunger signals that he logically knew he should.
They sit down to eat, but Kabru is never drawn reaching for food or eating it like the rest of his party. He only drinks.
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It's possible this means nothing, that we can just assume he's putting food in his mouth off-panel, but again, this entire manga is about food. Cooking it, eating it, appreciating it, taking pleasure in it, grounding yourself in the necessary routine of it and affirming your right to live by consuming it. It's given such a huge focus.
We don't see him eat again until the harpy egg.
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What a significant question for the protagonist to ask his foil in this story about eating! Aren't you hungry? Aren't you, Kabru?
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He was revived only minutes ago after a violent encounter. And then he chokes down food that causes him further harm by triggering him, all because he's so determined to stay in Laios's good graces.
In his flashback, we see Milsiril trying to spoon-feed young Kabru cake that we know he doesn't like. He doesn't want to eat: he wants to be training.
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Then with Mithrun, we see him eating the least-monstery monster food he can get his hands on, for the sake of survival- walking mushroom, barometz, an egg. The barometz is his first chance to make something like an a real meal, and he actually seems excited about it because he wants to replicate a lamb dish his mother used to make him!
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...but he doesn't get to enjoy it like he wanted to.
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Then, when all the Canaries are eating field rations ... Kabru still isn't shown eating. He's only shown giving food to Mithrun.
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And of course the next time he eats is the bavarois, which for his sake is at least plant based ... but he still has to use a coping mechanism to get through it.
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I don't think Kabru does this all on purpose. I think Kui does this all on purpose. Kabru's Post Traumatic Stress Disorder should be understood as informing his character just as much as Laios's autism informs his. It's another way that Kabru and Laios act as foils: where Laios takes pleasure in meals and approaches food with the excitement of discovery, Kabru's experiences with eating are tainted by his trauma. Laios indulges; Kabru denies himself. Laios is shown enjoying food, Kabru is shown struggling with it.
And I can very easily imagine a reason why Kabru might have a subconscious aversion towards eating.
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Meals are the privilege of the living.
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ishipgenfics · 8 months
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Outsider POV on Somewhere Else Jonathan Sims must be just. so much.
Like imagine. You're part of a support group, and a new guy decides to join. You ask him his name and he says, "Jonathan," and then after a long pause, "Blackwood. Jonathan Blackwood. But call me Jon."
He doesn't like tape recorders. You only know this because the person who hosts the support group is into retro things, and tries to keep a couple around. She turned one on once when someone asked about it, and you noticed Jon clutching his nails into his hands so tight he's nearly breaking the skin. You lean over and whisper, "Do you want me to ask her to stop?" He says, "It's fine," and you nod, but you still try and change the subject whenever people bring up tape recorders from that point on.
He full-body flinches one day when someone says Hello, Jon. Nearly slams into a wall and everything. He tries to play it off, but after that people say Hi Jon, or Nice to see you, or things like that. Anything but Hello.
He says he used to work at a 'non-profit for studying the supernatural'. Someone asks where it was and he says London. You tell your wife about it, and two days later she emails you an article. Magnus Institute Burns Down In 1999. It was in Manchester. You tell her not to bring it up again.
The guy is snarky and blunt and downright rude at times, but when a woman comes in and tells them about being trapped in a empty warehouse for a week, he comforts her in a way none of the rest of them know how. "I believe you," he says, repeats it like a mantra, like a prayer. "I believe you." He says 'I'm sorry' less like he's sorry this happened to her, and more like he's taking the blame onto himself.
He talks about Martin, sometimes. His reason, he calls him. Normally you'd point out that while it's of course good to love your partner, you should have other reasons to live, but you stay quiet. This guy needs all the happiness he can get.
You leave a little late that day, and when you do you hear him on the phone talking to someone. "She'd been touched by the Lonely, Martin!" he says. "Which is bad, of course, but--" he seems to choke up, "Martin, I didn't feel any compulsion for a Statement. A-at all. I think it's really gone."
You just walk by.
You don't know what's going on with Jon, but it really isn't any of your business. You're an anxious queer lesbian and he's a traumatized ace guy, and you aren't going to make his life any harder than you have to.
Just. Jonathan Sims in a support group.
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gorgynei · 9 months
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weird state of self
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jakeperalta · 1 year
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soosoosoup · 9 days
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snowzone
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poorly-drawn-mdzs · 3 months
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Lan Wangji Goes To Lotus Pier AU: Part 3: Enveloping Feelings.
(Part 1, Part 2, Part 4 (soon))
#poorly drawn mdzs#mdzs#lan wangji#Yungmeng Jiang training arc AU#I wanted to try out a different paneling style for this one - sorry I'm a day late! (there will still be a post tomorrow to keep on track)#The original 3 panel comic idea was fine but the point of this new schedule was to take time to push myself a bit more.#I was taking a look back through some comic artists I felt inspired by#and I really loved how Lynda Barry fills her gutters with patterns and doodles!#Obviously I'm not going as absolutely wild with it as she does but it was a great exercise!#I truly think the gutters are the most important and most overlooked part of any comic. There's lots going on in that space.#It's the same with timeskips. The implied movement between moments that we don't see changes depending on how wide that gap is#You're here for the funny tags so here's some that ties this time talk together:#I think LWJ was thinking about that second note from day 2 but it took him 7 days of hazing to commit it to paper.#I think he sends it a day later and immediately regrets it. Chasing down the messenger and everything.#You know if something actually happened to his brother he would never ever forgive himself for putting the bad vibes out there.#Third time skip was the hardest because there was so many possible flavours of jokes here. Day 8/9 was a personal favourite.#day 14 was also funny (week by week). I think the debate on 'how long does lwj take to catch feelings' is more or less:#'how long does it take for him to arrive at a particular stage of grief and yearning (and awareness of it all)#This is a symphony. There is an act by act structure. Every day he is fighting to keep his old sensibilities. He is losing so badly.#(I'll be returning to the main comic soon but there is more of this AU to come!)
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