#also she is in the same category as another creator i like too

[a-sad-machine]

The Truth (part two)

uhhhh, kinda late as I did lotsa procrastinating, but better late than never ig? ^^”

since I did Mondstadt first, I’m just gonna continue chronologically, and I think I’ll keep the categories of people that I did in part one, since it makes structuring and all that a lot easier!

Liyue

alright, starting off, the ones who would notice that you’re the real creator: Ninguan, Yelan, Zhongli, (Bonus: Madame Ping)

for Zhongli I think it’d be the same as with Venti, meaning he instantly notices that you aren’t quite what you seem to be (or rather try to be). But even still with the knowledge of that, he’d take quite a long time to figure out who you actually are. Before stepping down as archon, he was the god of contracts and by extension law, so he tends to somewhat look at the world in black and white, which means that since there already is a celebrated divine creator, you couldn’t possibly be another (or that the current one is the fake). After stepping down he just tries to not be involved with anything too related to the gods, so while he doesn’t stop worshipping the divine creator, he just has less to do with it in a more general sense

Ninguan and Yelan are very involved with the laws and government of Liyue, so they immediately suspect something when you bring them the ‘free travel pass’ you got from Impostor-chan. Along with that they’re both really observant and probably kept an eye on you, which leads to them eventually finding out.

Bonus: Madam Ping (bc i like her) She would definetly know the truth the moment she saw you. How? No idea, she just does. While she is a bit kinder to you, she still treats you like a normal human being, probably gave you a Serenitea Pot for safer housing whilke you travel. I also think she would find it extremely funny to watch Zhongli stumble around the truth, especially since he’d be one of the later ones to realise.

next up, the ones who would think something is suspicious, but don’t realise the exact truth or just don’t have enough evidence: Hu Tao, Shenhe, Yanfei, Xinqiu

Hu Tao and Shenhe are a bit hard to decide which category they go into, since they’d know something is up but they don’t really care too much for different reasons. Hu Tao mostly notices that there are constantly happy spirits floating around you, but as long as they’re not causing trouble she lets it go. Shenhe meanwhile just isn’t around civilisation and humans too often, so even if you’re somewhat strange it doesn’t faze her

Yanfei seems like she kinda knows what’s up, but is in denial. She believes in law and honesty, so there is no way the divine creator would lie to them! And if she was worshipping a ‘false god’ all this time, that would mean she broke so many laws, which just can’t be the truth!

Xinqiu would probably also be borderline too devoted, but at the same time he’s smart, so he probably questions anything suspicous about you. He’s read so many books about you and your myths, that he can easily see the similarities, though unfortunately (for him) he doesn’t have anything too concrete. If only he could get actual proof instead of just constant theories and ‘coincidences’, maybe then he could worship the ‘real you’

the ones who are too devoted to question the ‘divine ruler’ would be: Chongyun, Ganyu, Keqing, Xiao

Both Keqing and Xiao are already pretty obvious with their worship of Morax in canon. Now multiply that by a lot, and you have two people who would do and believe anything their ‘creator’ wants them to. They might either harbour a bit of jealousy that the divine creator chose you over their devoted acolytes, or they will kind of worship you by association. Maybe a bit of both depending on the day

Chongyun is somewhat similar to Barbara. His family is very spiritual and gives off a pretty religious vibe, so it’s basically impossible for him to question the legitimacy of Impostor-chan. Him being completely oblivious to you also makes for a fun dynamic with Xinqiu, who constantly tries to nudge him towards the truth but keeps on failing

Ganyu, while not as devoted at Keqing and Xiao or Chongyun, is just devoted enough to not notices anything off. That, and she is constantly busy, so there is not much time to think too much about you

and lastly, the ones who either don’t care or don’t really seem religious are: Beidou, Qiqi, Xianling, Xinyan, Yun Jin

Beidou and Xinyan are very free-spirited, and tend to go against social norms. They don’t really care if you’re kinda weird sometimes, whether they have suspicions on the actual truth or not, because they see you more as just another person who enjoys freedom and expression of self

Xianling and Yun Jin are both very friendly and passionate people. Similar to Beidou and Xinyan they mostly think of you as a new friend with whomst they can share their passions with! Especially since you travel a lot, Xianling will ask you about exotic food while Yun Jin wants to know about the dance and music traditions you’ve encountered

Qiqi is kinda obvious I think. Maybe back when she was human she worshipped the divine creator, but since her ressurection she often forgets a lot of things. Even so, she is happy that each time you meet her, she can somehow remember you! You always try to help her remember what she’s supposed to be doing at the moment as well, which for some reason is so much easier when you’re around

(oh wow, I kinda wrote a lot more than I thought I would. Can you tell that Liyue is my favourite reagion xd? I think I might do another special part for the vaious non-playable characters that are cool, like Osial, Azdaha or the Cloud Retainer. Anyways, hope y’all liked this part, and I’ll try to keep writing as best as I can!)

  (also, special thanks to the anon who wrote that Albedo drabble! it kinda gave me the motivation to finally continue with this au :D)

#genshin #genshin impact #genshin x reader #genshin impact x reader #sagau genshin #friendly impostor sagau #liyue x reader #genshin liyue

[dextixer]

Performative Slacktivism - Or how CRWBY and the FNDM want brownie points without putting effort into actual representation

(Also, how the FNDM keep using Montys name for petty arguments like the ghoulish fucks they are)

I know that we all are waiting for tomorrows episode and the moderation team is already gearing up for a possible shitshow depending on what the episode decides to do. But today i have noticed a bit of an old discussion rearing up again that i really wanted to adress.

I think i will not be out of line to say that RT is a shit corporation. But that alone does not bother me too much, shit corporations are common in our day and age. What always got to me is how RT kept pretending to be progressive, how they put on a show of being pro LGBT+, pro people of colour and the like, and yet their products have for the most part been devoid of actually showing that.

Sure, the creators will SAY that they are LGBT+, and then take FIVE and TEN years to confirm a single lesbian relationship (Of one which is for side-characters). And they will include a trans character after SEVEN years of production (Only to later be revealed that the person who voice acted that character experienced shitty behaviour at work in regards to their identity).

They will SAY that they are pro people of colour, only for the four main characters of the show be so white they glow in the dark and most dark-skinned characters either being relegated to background characters, antagonists/villains and/or being stereotypes until 4 years after the start of RWBY, Oscar was created? Or should i mention the piss poor writing of their racism allegory and the WF, which is very much created based on the Civil Rights era in the US? Writing so shit that it somehow manages to spread alt-right messages without intending to?

What im trying to say is that RT are and always have been fake ass progressives. They arent even rainbow capitalists, even rainbow capitalists (like Disney) do more than RT. RT does not even bother to put even THAT much effort.

RT wants brownie points for being progressive while being ANYTHING but. That would be bad enough, but the rabid Fandom that RT has cultivated seems to be intent on doing EXACTLY the same.

This is the first tweet that i saw on the topic. Yang is Chinese? Since fucking when? Shes whiter than the fucking white bread i make sandwitches with. She is whiter than the fucking snow! Instead of "using ones brains" maybe you will use your eyes?

This lead me to more brainrot than i could ever post here, so i will only post a few of the comments that i saved before i felt my brain leaking out of my fucking ears.

It seems that most of the "arguments" around Yang being Chinese center around her name (Which, by the way is written in the OPPOSITE way than it should be). Which in my opinion is quite a stupid fucking argument considering that my last name from my mothers side is part Polish and part German (Not gonna post it for obvious reasons), but im pretty fucking sure i aint Polish OR German.

The other argument is that both Yang AND Ruby have Chinese culture in their designs? Let me remind you that Ruby wears a gothic Lolita outfit, wields a Scythe and if i am not misremembering had a fucking cross around her neck. What about THAT is chinese? The ONLY argument there would be that Ruby has Japanese inspirations due to the gothic Lolita outfit. Scythe is associated with European conception of death (And as a farming implement) and the Cross is in the same category. Not to mention that Ruby is based on an European Fairy tale of the Red Riding Hood!

Yang on the other hand is based off Goldylocks (Another European fairy Tale) and has associations with Beauty and the Beast (Yet ANOTHER European fairy Tale). Nothing of what she wears has any distinguishable style. In fact Yang is so generic you can put her anywhere in the world and it would most likely fit.

Also, "Her name references a martial artists" thing really reeks of fucking whiteness. Yes? It does? How is that relevant? If i am named after a martial artist im suddenly Chinese now???

There is also another very unsubtle sinophobia, when talking about the Branwens being Japanese to prove that Yang is Chinese... I know that to Americans regions very much become blurred but holy shit, the LACK of thought that China and Japan are not the same just because they share a race is...... Its fucking insane...

The only partially valid argument i have seen is that people of White colour can also be Chinese/Japanese or come from any part of the world. Which is fair. IN THE REAL WORLD. This aint the fucking real world! This world of Remnant is created! They dont even have our countries! Mistral has a mix of Japan/China/Greek aesthetics.

JUST LOOK AT THEM! The supposedly "German" Weiss somehow has MORE colour than the "Chinese" sisters! Blake is the only one that has actual colour in her cheeks (And is STILL white). Ruby and Yang look like they would glow in the dark if i turned off the light! They would make a fucking shut-in blush with how pale they are! They are whiter than the milk in my fucking Cereal!

And you know what makes me mad? Because the show COULD have made these people actually have features of people of colour. Blakes Parents live on a TROPICAL ISLAND! Why the fuck is Blakes skin not olive or even darker? It COULD have been! But it isnt! IF Yang and Ruby are Chinese, where the hell are there ANY identifying features of them being Chinese?

The reason is simple. RT DOESNT CARE ABOUT REPRESENTATION! IT does not give a single solitary shit on a sunny summer afternoon about progressivism. The main 4 characters of the show are 4 glow in the dark white girls voiced by.... White women! (Yknow, its funny how they say that Yang is chinese and then full on not even acknowledge the good old chestnut of "Minority roles should be given to minorities")

I hate these fake progressive fuckers from the bottom of my heart. These people are more interested at licking the boots of a shitty corporation than actual representation! There is no argument, no LOW these fanatics will not sink to as long as they can worship a capitalist corporation, and im sick and tired of them pretending to be progressive. Because they fucking aint.

Also...

I hope that the fandom who weaponizes Monty. Burns to the ground. Previously, i did not care about V10 being greelit. I would not mind if it got greenlit or not. But when i see shit like this, all i wish is for V10 to never be greenlit. So that ghoulish corpsedigging necromatic fucks would fuck off.

Imagine using Monty as a cudgel for petty internet arguments. The fandom is a shithole, and they can PRETEND to be nice all they wish. But everyone can see these fuckers act like this.

#rwby #rwde #FAKE PROGRESSIVE

[aspiring-holistic-otaku]

Season 3 Ramble#2 - “romance" lol ver.3

This month’s episode is all about romance, the third time around now and somehow I find myself with yet another tweak in format. Guess that just goes to show that love comes in many forms. In any case this month’s format isn’t that different from last time. I’ve still split my reads into 3 categories, the main difference is that the categories themselves have changed. Last time it was cute stuff, fucked up stuff and lewd stuff, this time I still have the cute category but I've switched out the other two based on this month’s reads, which I'll explain as we get to them.

So basically how this episode is gonna go is I'm gonna give my top reads this month in ascending order for each of those categories and then my top 1 reads before this month for the same.

Getting right into it the first category up is

Awww {basically v cute v innocent stuff}

#3) The Ice Guy and His Cool Female Colleague (ongoing w 57 chapters, story & art by Miyuki Tonogaya)

This is an extremely simple but extremely cute story. The title pretty much summarizes it actually, the main character is the descendant of an ice demon, which is apparently not too strange in this world since he works a normal office job,,, and he has a crush on his cool, stoic, almost expressionless female colleague.

It's a pretty neat take on slow burns because one it's pointedly ice related, and secondly the ice guy’s emotions affect his environment, like if he gets too excited there'll be a blizzard or tiny snowmen will appear.. If you've ever had a crush on someone you know it's already hard enough to act natural or “be cool" so this guy has a pretty rough go of it.

The art is pretty nice but the characters, especially the wider cast leaves more than a bit to be desired. It actually almost kinda feels like the creator really just wanted to focus on the main two but the editor was like,, that's not how the real world works, especially not in an office... I do appreciate though that some of the wider cast includes different types of demons and it’s fun to see the different ways their emotions leak out, the different pairings, and so on.

As I said it’s an extremely simple story, almost feels like a 4 panel tbh, nothing I'd push too hard but it’s undeniably cute and makes for a super easy binge read or just something to pick up from time to time to escape the harshness of reality and indulge in the very cute but very absurd fantasy of a successful workplace romance… I think more than a few ppl have that one coworker you would if you could… but no… just no… leave it alone… leave it in fiction land my friend…

#2) Skip and Loafer (ongoing w 58 chapters, story & art by Misaki Takamatsu)

The story here follows our main heroine, a real go getter, who moved from the countryside to big city Tokyo for highschool, all so she could follow her dreams of being a politician and help out in rural areas around the country. Anyways she’s characterized as not being great at much else but studying, and in that spirit, gets lost on the way to her entrance ceremony. Here enters our main hero who’s also late but for the opposite reason, he’s super laid back, slept late and was considering just skipping but he felt sorry for this obviously lost but obviously trying girl so he decides to help her out and the story takes off from there.

Just wanna get out of the way that I love all the characters and their interactions with each other and especially within themselves. If anything, that's this manga’s strongest point. It makes the characters ooze real feelings that really feels in place for each where they are. Like not too dramatic where you wonder if they’re really highschool kids or even in school for that matter, and not too fantasy like where everything is perfect and it’s almost like characters are machines just filling a roll.

It kicks off pretty early on with engaging character interactions and the way they change and develop as the main cast gets to know each other is really endearing. I especially really really love the main heroine because she’s that innocent character type but it’s not done in that way that makes her this pure cinnamon roll that’s too good for this world, where nothing gets her down or she chooses peace and love every time. Her thing is that she’s basically socially inept and so she doesn’t really get when people are mean or even when they're being nice sometimes, but she’s all by herself in this new place so she’s trying and though she doesn’t always get it, it’s a real pleasure to see her grow.

It’s ongoing, only 58 chapters but there’s been a ton of realness and real growth in a bunch of ways for most of the cast packed in so far. Really can’t wait to see where it goes from here.

Anyways, cool art, great cast, love the interactions and would definitely highly recommend this one.

#1) Horimiya (complete w 152 chapters, story by HERO & art by Daisuke Hagiwara)

The story here is that the main hero/heroine pair each have a hidden side to them that nobody else knows. At school, the heroine is always super put together but when she’s at home she’s too busy taking care of her little brother for all that and takes on a more homely caretaker persona (the art is shoujo leaning so she and most of the main cast pretty much always looks pretty). But anyways, at school, the hero is seen as a gloomy glasses wearing loner but when he leaves school he looks like he came out of a rock magazine. Tattoos and piercings everywhere. Anyways, this and that happens, the convenient plot is convenient and they end up becoming friends who hold each other’s secrets.

As much as the story kinda feels like shoujo perfect world fantasy stuff, and as much as it came out as top 1 largely because it’s complete, I think a small part of it might have been that a tiny part of me still wants to believe in, and might even still want that kind of “perfect” love. From the innocent buildup to the accumulation of every day special normals and beyond… but in any case, I did honestly like the theme of more and more of your true self coming to the surface and being able to show that true self to someone.

Overall, besides the main pairing, the cast was kinda weak, not bad, just pretty one dimensional But that one dimension was very cute and fluffy and this being a romance manga, it worked. What I will say though is that it took a while for the wider cast to come into play and even more for them to make me care, like not until late 50s heading into 70s did i care about anyone but the main pairing. Meanwhile skip and loafer only has about 50 chapters total and I was fully invested in the entire cast well before then.

But as I said, when the full horimiya cast rolls in it’s all very cute and I liked that they even made the platonic same sex relations pretty cute like yh guys just having fun and it’s not weirdly pervy in any direction, just another form of love yk.. v cool… Again it did have me yearning a bit like wow imagine having a life with both platonic AND romantic relationships being healthy and fulfilling.

Anywho,, pretty neat art, the story kinda just goes on ig but having in mind that it was a romance and it goes on in an increasingly cute way and all, i’d recommend it.

hm:

Even the Introverted Gals Wanna Get Out There! - pretty funny, maybe more funny than cute, also it’s girl on girl, think dead dead demon’s destruction but the main heroines actually get to live life and breath air, literally just vibing out in the club room after school (ongoing w about 6 chaps)

Train Man - Net Development, the Love Story of a Local Train: based on a true story apparently, basically a dude saves some people on a train and becomes friends with one of them and stuff take off from there (complete w 27 chapters)

ftr everything in the main list has an anime but i can’t speak on their status or quality

also ftr I'd definitely rate skip and loafer higher than horimiya overall but because this is the cuteness category, + horimiya is a complete story which I tend to favour for higher places in lists and stuff

next category up is

Dense & Denser

{this is basically when one or more of the characters are just oblivious to any love flags thrown their way}

#2) How to Raise a Boring Girlfriend (complete w 42 chapters, story & art by Takeshi Moriki, original LN story by Fumiaki Maruto)

Had never heard of this one before but the title pulled me in like how and why would one raise a boring girlfriend anyways?

The story here is that on the way to school the mc has an encounter with a mystery girl and it’s love at first sight, even though he didn’t see her face…. The mc is an anime/manga otaku much like myself, and this encounter inspires him to make a dating sim game, but after he happens to actually meet the mystery girl face to face, he finds that she’s actually kind of plain,, albeit in a cute sort of way. In any case the feeling of their first mystery meeting lives on so he pushes through with his idea, intending to transform this girl into his ideal heroine. The main story, relations and problems arise around him trying to get the dev team together for this game, and of course this being romance they’re all girls.

It’s all very funny in a very meta way, with commentary on anime/manga culture in most chapters, and the so called main heroine, being outside that culture, usually playing a very good straight man. It’s also meta in how the mc goes about getting his dev team together, as i said they’re all girls so it’s almost like his life becomes a dating sim in trying to woo them into his harem… i mean game dev team…

In any case I’m not even actually sure the mc really counts as romantically dense or if he was just so committed to the bit of being a single weeb undeserving of love that he just pretended not to notice all the pretty loud romantic undertones,,, but maybe that's a type of density in itself… a younger me can def relate… being committed to the bit is a lifestyle… bed is bae… anyways it’s kind of ecchi but still surprisingly good in both the romance and meta aspects. Pretty good art, they made a decision to keep the cast compact and it worked out very nicely. It wraps up in just under 50 chapters but I will say each chapter is pretty dense and can be a bit word heavy. Would recommend.

#1) Monthly Girls’ Nozaki (ongoing w 148 chapters, story & art by Izumi Tsubaki)

This story follows our main heroine as she tries to get the attention of her crush, who is our mc. In approaching him she finds out he’s actually her favourite romance manga creator and through this and that ends up working on it with him as an assistant to try and get closer to him.

Right off the bat I think everyone in this cast is pretty dense but man is the main hero just the most dense mf in the universe. I feel sorry for the main heroine cause she knows but she’s just so down bad for him she kinda becomes dense to how down bad she is. In any case every chapter takes the form of a series of connected 4 panel stories and it’s pretty funny throughout.

The wider cast is pretty neat, nothing too crazy but as i said they’re all pretty dense in their own weird ways so the interactions are usually funny. The art is solid, cast is okay, pretty funny, would recommend for sure.

ftr both have an anime not sure of status or quality

and again ftr i’d rank boring girlfriend over monthly girls’ in general, especially as it’s complete it’s just that this is the dense & denser category and monthly girls’ nozaki is definitely dense central, like black hole event horizon density my friends…

and the last category

That’s Rough Buddy

{a direct reference to avatar when sokka told prince zuko his girlfriend turned into the moon and his response was “that’s rough buddy”, this category is different from the that’s fucked up category I used in very.2 in that these focus more on emotional turmoil and have no physical violence and so on}

#3) Kowloon Generic Romance (ongoing w 61 chapters, story & art by Jun Mayuzuki)

This is kind of eh tbh, cool art, and it’s kind of a mystery as to what’s goin on, so much so that I don’t think I can describe it without spoiling so i’ll lean on the anilist/yen press summary a bit here which is as follows:

“Welcome to Kowloon Walled City: a dystopian townscape where the people are brimming with nostalgia, and where the past, present, and future converge. Amid the hidden emotions and extraordinary daily lives of the men and women working in its confines, a tale of romance begins to unfold for real estate agent Reiko Kujirai—one that feels as familiar as Kowloon itself…”

I doubt that told you anything but I hope it sparks some intrigue, I will say it has a good number of dope one liners, and if i’m being honest the main characters smoke a lot which is an aesthetic I love for some reason so sue me…

Not much else to say tbh, nice art as I said, it’s pretty cool, okay cast, the story is pulling a bit but the bait isn’t that strong, though the aesthetics of it all has definitely caught my eye so I will be keeping up with it after this month… i wouldn’t push it as a recommendation that hard but there’s only 61 chapters rn so no real loss if you do decide to check it out

#2) How Do We Relationship? (ongoing w 115 chapters, story & art by tamifull)

The story here is that the main heroines are gay and in reality no matter how much the media and conservatives want ppl to believe that homosexuality and homosexuals are accepted and normalized in society, in fact that anything but being heterosexual and cisgender passing is accepted & normalized, that’s simply not the case in real life. I live in jamaica and man, not that I really care, but I could get shunned just for reading stuff with gays in it… In any case that’s the sort of reality the main heroines live in which was cool for its realness as they were/are hiding the fact that they're gay, but in any case plot plot plot they end up going out….

This is the “that’s rough buddy” category so I think it’s okay to spoil that it doesn’t go smoothly though I won’t go into further detail. I will mention a really cool thing the author said in an afterword where they say that a lot of romance stories tend to build towards and end at the start of the main characters getting into a relationship, but life isn’t like that. There’s life after that and that’s sort of what they wanted to illustrate. The life after a relationship…. Sounds like a spoiler but remember there’s more than just our heroines in the story. there’s a whole wider cast and they’re all pretty great. each having their own relationship troubles or lack thereof, ideas and philosophies on love and etc.

Pretty solid art, in fact it really reminds me of yokohama shopping log, so much so that i’m convinced it’s a fanfiction created just to make the characters from that series actually full on gay. Pretty solid cast, a story that gets more and more engaging as it goes on though it’s pretty solid from the start. would definitely highly recommend though it can be a bit tumultuous like damn you guys just never gonna be stable huh??

#1) Chobits (complete w 88 chapters, story & art by CLAMP an all woman manga group formed in the mid 1980s made of Nanase Ohkawa, Mokona, Tsubaki Nekoi and Satsuki lgarashi)

I’d always seen this around and always as the profile picture for some more than suspicious internet accounts… the vibe it gave off in my periphery view was just horrendous tbh but i took the dive and it was worth it, obviously, coming in at #1.

The story here is that in the future, the world is inhabited by humans who live alongside their extremely powerful computers called persocoms, that are shaped to look and act almost human. numerous stories have taken this angle so I think you can imagine the effects that would have on society, but in any case the story follows our mc who recently moved from the countryside to the city and ends up finding one in the trash that he takes in and starts to take care of. The thing is their memory is corrupted so he has to teach them everything, but soon enough the mystery of the discarded persocom comes to light and their abilities could change the world.

All that pompous stuff aside the theme of discerning the shape of love and who deserves it was pretty cool, the mc was bleh and so was most of the cast but the last few chapters and the questions they posed were enough, especially the origin story of the persocom like damn… that’s rough as fuck buddy,, def kinda weird but my condolences all the same…. Art was okay… and yh i’d recommend it..

hm:

Rascal Does Not Dream of Bunny Girl Senpai

Top Combo

Video Girl Ai (complete w 131 chapters, story & art by Masakazu Katsura)

This was probably my fav read this month, somewhere between this, boring girlfriend and skip & loafer but this definitely has the best combinations of the different categories I was working with this month.

Again this is something I'd seen floating around for the longest and associated with more than sus accounts but it was pretty good.

The lazy story is that the mc is a lame with no game and his crush ends up confessing to his best friend in front of him. obviously distraught he ends up renting what he thinks is a porn tape.. which I guess it technically is but it's supernatural in that the girl comes out of the TV and tries to mend the viewers’ heart.

Things get super complicated and it turns into the weirdest love polygon I've ever seen, lots of back and forth and dilly dallying but I enjoyed it. The art was great, had a great classic feel, there's more than a bit of ecchi but it's not entirely distasteful or weirdly out of context, the characters and their interactions were a bit exasperating with the back and forth, loves me loves me not stuff but that had its own entertainment value, and in any case I'd recommend it

now moving onto stuff from before this month, which I won't get into details for as I've spoken on them in previous versions which I'm encouraging you to go listen to or read the transcripts for,,

Oldies

Awww

Our Precious Conversations (top 1 oldie ver.1)

Dense & Denser

That's Rough Buddy

Hi Score Girl (top 1 ver. 2)

Boy's Abyss (top2 wtf ver. 1)

That's it for this part, got a little off cuff rambling in the rest of the ramble of you wanna listen in, thanks for checking this out as usual, hope you can find something here or elsewhere that you'll love and I hope you have a good one until next time 🍻

#just another day #mm..manga #writeup #the ice guy and his cool female colleague #skip and loafer #horimiya #how to raise a boring girlfriend #monthly girls' nozaki kun #kowloon generic romance #how do we relationship? #chobits #Spotify

[hestiacrow]

Commissions!

Howdy everyone! Welcome to my main writing page, where I post all things relating to my writing, including commissions! However, it won't just be my commissions that I'll be promoting here, but also those of my partners, Alexis and Raven, too.

Let's start with Raven's, shall we? She makes bracelets, specifically crystal ones, with designs ranging from a single kind of crystal to being inspired by fictional characters, and has so many options. Literally, at the last count, she had 125 different types of crystals to use in her bracelets. To add to this, she is also thinking of experimenting and branching out into using the same crystals to make DnD dice! Raven has three different categories for her crystal beads: regular, manmade, and VIP (these are slightly higher quality than the other two, but there are fewer options). Here's the link to her Ko-Fi:

ko-fi.com/corvuslunacreations

I'll put the full list of her options in another post to save space here, but here's some pictures of some of them.

Onto Alexis. He is an artist currently studying illustration, and he does both traditional and digital art! He even drew my profile pic! His Ko-Fi is here:

ko-fi.com/alexisthomas0418

Here's some of his stuff to give you a taster:

As for me? My commissions are all written. I do character letters, DnD backstories, short one-shots, and I'm thinking of maybe expanding into making DnD maps once I'm a little more confident. Here is my link:

Here's some letter examples. I'll post some examples of my other work here too, but here's some to start you off:

So if you feel like you'd like any of this stuff, feel free to give us a look!

#commission #crystals #bracelets #dice #art #digital illustration #writing #creative writing #letters #dnd stuff #backstory #maps

[dyrewrites]

Happy WBW!

If your world has a main culture or religion, tell me about the people who DON'T believe in the same gods or culture. What groups are the minorities?

Ooh, such a fun question!

I haven't been able to write today, so I may end up rambling a bit.

I'm a fan of living Gods who either interact with their believers or are very clearly right there for everyone to see. Also less organized religion and more cultural beliefs and practice. So, whenever there's someone who doesn't believe, it's less a lack of belief and more ignorance of the Gods in general or a difference of opinion on whose God is better.

Weald and Wen touches on the beliefs prevalent throughout the Shell, and how different cultures express them, but there's no argument that the Lady isn't real. She is in the Heart/Sun, they can see Her shadow, feel Her light and hear Her Breath and witness the effects of Her shifting moods on the lands they walk. They know that She is their Creator. There's differing opinions on that in a later book in the series, but I'm not there yet and so don't have enough to really talk about the people involved.

So we'll go with Pale Blood, as all of its is self-contained and doesn't really continue beyond the first book.

In Pale Blood there are Witches, who worship/and are linked to the Goddesses of the Wylds. The Goddesses are in turn linked to the Moons of Morne and the wyrm they belonged to (now fallen). They are both known and unknown to those not born to worship them (most know they're in the Wylds, and that they're Gods of a type, but they don't know their names...and can't). Wolves also fall into the category of "worshipers of the Goddesses" but they only worship a specific one and she is the most particular about who knows her name. All fae-born have a chosen Goddess they are tied to as well, but there's no worship involved (and many would rather not be tied to them).

There are also Somites, who worship the Suns and the great wyrm Som whose eyes those Suns are. Their worship is more in line with what one might expect of the word, and the only who do so in an organized manner. They believe in the Moons, and the great wyrm Vi whose eyes they are, but detest the Goddesses who claim to draw power from them. To them, the Goddesses, their witches and their vile Wylds, are heretics who rot the holy bright of Som and the majestic gloom of his sister Vi with their foul magic. It is because of Somites that the barriers were enacted, and because of them that there are so few witches left in Dolor. Theirs is the prevailing religion as well, there are grand cathedrals to Som in Upper Dolor - and a few in the slums (though these are abandoned and have been converted into clubs).

Then you have the minority, the nonbelievers of literally anything magical. These are humans, exclusively, as it's kinda hard not to believe in magic when it's burning through your veins (though there are some fae who insist the suns and moons are not wyrms but ancient faeries playing tricks).

The average Joe who doesn't have a lick of magic in his blood. There used to be more of them (something's been spilling magic into everyone lately), and they don't believe in Som or Vi. Sure, it would be weird that the suns sat beside one another, with the moons doing the same on the opposite side in the sky, occasionally blinked and didn't so much set as close up, but it's all they'd ever known so it was normal. Watching the moons jitter and leak glittering rains before closing and falling with a sound that literally cracked the world was odd...but it doesn't mean they were the eyes of some space wyrm.

The Goddesses too, complete nonsense. The Wylds are nothing more than woods grown too big in the constant storms outside the barrier, those Goddesses are probably just really big trees so gnarled they only look like they have faces and hands (or very large animals in the case of some of them). Fae creatures, vampires, werewolves, even the mermaids and sirens that regularly put on concerts are all genetic anomalies, splicers playing with their DNA, and "kids with more creds than brains" playing with high-tech toys.

These are the people that wouldn't believe in magic even if it were used directly in front of them. They'll claim it's holograms or nanomachines, a trick of light and sound, anything they can to avoid dealing with the realities of their world.

Which is a perfectly reasonable way to live, really, so long as they don't test their skepticism by saying the wrong thing to the wrong witch, or walking into the Wylds to prove that Gods aren't real.

#asks #wbw asks #world building wednesday #I went overboard again #and I don't even know if I answered the question

[master-k0hga]

/ Placeholder

| M O I |

[ Category: Misc OCs ]

| Loveable, friendly and very welcoming robo girl who's original purpose was an OC I created for an awesome group back on DeviantART and the admin was like the nicest person I've ever met online.. Sadly was only short-lived due to the said admin no longer in the world of the living that I don't wanna get into personal detail about..

Loved them to death but unfortunately along with their passing, the community slowly fell apart, so then I've decided to be respectful and have Moi be her own thing while also trying to keep the original meaning of said OC alive... Hence why she's an actual wonderful character and very much holds a special place in my heart along with a few others of mine..

..

I just want those times back.. I want him back, I just fucking want him back I don't care if he really did or not I don't care about the "controversy" surrounding it I just need him back...

☆ ☆ ☆ ☆ ☆ ☆ ☆ ☆ ☆

INFO

Name: Moi Species: Love-Bot General Personality: Adorable, friendly, supportive, caring, shy, helpful, loveable Height: 5ft Relationship Status: Single

Extra Info:

Despite being very social, loving and talkative, she's actually the very nervous type

She comforts those who are dealing with bad times, whether it's a temporary struggle or long term; She will always be there for anyone in need

Her creator had been lost to her for a very long time that she is slowly wasting away due to no one able to keep maintaining her systems, her battery keeping her going slowly waning

Even though she's a robot, she feels very much real to everyone who she's helped.. Although even she can feel herself getting more and more tired

Loves arts and crafts of all kinds, also loves playing in parks and gets along well with the kids; Has been a babysitter on most occasions and loves it every single time

Contributes to a lot of places and services that either deal with mental health and wellbeing or even just in nursing homes in general. Always bringing many smiles to others

Has had a couple moments in her time where she would encounter aggressive or horribly behaved individuals, almost got busted and destroyed even though she was just doing what she was built to do

She can fix herself when it comes to minor damages or issues with her systems, but anything more than is completely damaging or anything or internal she would need external assistance for

Loves animals, especially dogs and birds, will literally gives scritches and hugs to every single animal or pet she comes across if she could

+ + + + + + + + + + + + + + + + + + + + + +

That's it really, it's mainly just me re-introducing all the OCs with the refs and overall trying to further adapt and develop them as much as I can.. It's not really easy when motivation doesn't hit you the same way as it used to, I find myself not being able to get passed the designing, somewhat naming and getting the basic information about an OC before I either lose the motivation to do more or lose the will to develop the OCs any further...

It's not because I have loads, in fact that's fine and I just want to entirely re-design them, improve them and develop them so far ahead than what they originally were.. But I think it's cuz I'm getting older, I'm dealing with more stresses of life in general and am just getting to the point where I'm like...

"What's the point"...? ... It's not gonna do much for me in the long run, I'm not gonna get anywhere with this and all these other things.. It's just to give me something to do, I'm not socially active, I don't have the energy to spare after work and over all I'm too tired to do anything.... But oh well, that doesn't matter now does it..

.. Anyway, another one down... Several more to go..

. Moi, Art © Me . DON’T RE-POST .

#MASTER-K0HGA #Ary / Kohga Chronicles #Ary / Kohga OCs and Works #Moi #OC #Fandomless #Original Character #Misc OCs #Female #Love-Bot #My Art #My Character #My OC #Re-post #My art re-posted #I have so many older OCs that I haven't touched in an awful long time and they are in NEED to heavy updating/re-doing so.. #Yeah this is taking so fucking long honestly.. #.... #I love her very much..

[sweettsubaki]

Was looking through the first few chapters to see when it started being hinted that Tanuma was left handed (first hint seems to be in the volume 1 explanations, the pic with Misuzu) and ended up using the opportunity to make a list of the kind of appearances the recurring human characters have (mentioned, background, present or important) for each chapter. I was also tempted for the Yokai but it was becoming a bit too much. Mb another time. Same for Reiko who deserves different categories due to her status as creator of the McGuffin+Ancestor of the protag.

Anayway, Rereading all the Natori and Matoba clan related chapters is fascinating. I might make a meta on them. I also always found Nanase's relationship with Natori interesting but rereading them after a complete read through make them even more so. Is her interest in him because of his quality as an exorcist? Because she finds him interesting in general ? Because Matoba is interested in him ? Or, as is most likely, all of those at the same time. Either way she seems to like messing with him (like her boss).

#Natsume Yuujinchou #Tanuma Kaname #Natori Shuuichi #Matoba Seiji #Nanase #Taki Tooru #Kitamoto Atsushi #Nishimura Satoru #Fujiwara Touko #Fujiwara Shigeru #Fun fact but SHigeru's first appearance is in volume 4 chap 19

[factorialsfandoms]

I liked this update (but then again, I like all the updates). Hyrule was so cute! And Warriors was being very strong (but will we get to see him break down and be comforted?)

I think the next episode could go a couple ways:

Wild and Four talk. (I’m just waiting for the moment Four admits to splitting into four people and Wild’s just like “wait… that was real?!”)

We hear from the other Sky, Legend, and Wind. (Can you just imagine Sky and Legend comforting Wind as they tuck him into bed? That would be so adorable!)

Twilight gets corrupted. I figure he might wake up and attack whoever is sitting with him, probably Time and Hyrule, then escape out the window.

Twilight in a dreamscape. Maybe we’ll get Twilight in a dream fighting back against the darkness in his blood. Presumably this would end up with Twilight winning.

I very much don’t think Twi will die. Jojo likes him too much. It seems like it would be too easy though if Twilight magically got healed overnight (unless there’s a dreamscape sequence where he's fighting it). But having have a corruption arc is a big commitment. If he did, it could easily be another year or two (for us) before Twilight was back healthy and on the side of the light. I don’t have any problem with that (I’m a writer, I understand how stories work), but I know a lot of folks are getting tired of Twi being near death for like a year (I hope they realize that this could be only the beginning).

~ 🌲

I don't know if we'll get to, but yes! He should get a chance to have a break too. One way or the other. Break down, holiday-break, who knows!

All of your ideas make sense.

Please take the following as a criticism of my brain and not of Jojo or LU or any other artistic work, and you are correct in how stories work, etc etc etc. But I can't really talk about opinions on the update more (and why I'll cling to basically anything that isn't the ongoing plot with Twilight) without trying to explain my brain a bit.

I'll be honest I just don't really... enjoy things with ongoing plot as much? Just generally. Its still fun, but I forget things, I get tired or bored, and sunset in general just has not been nearly as enjoyable for me as short self-contained comics. This is absolutely a personal preference thing and not a problem with the story at all! And you mustn't and can't rush people. But its the same thing with fic - ongoing fic I really struggle, though long complete fic is fine. I can watch an entire TV series through, but waiting for episodes I just... Reach a point where I forget? It's been the same since I was a small kid, and its absolutely no fault of Jojo's that she's taking time with a very significant plot point (no matter what happens next things will shift a /lot/).

Also while I think corruption isn't unlikely I just don't like corruption stories as a matter of taste and so am pretending I don't read that option when I see it xD

In the nicest way possible I literally could not care about ongoing LU plot and never have, I just… like the comics where the boys are just… hanging out, for want of better terminology?

And I absolutely am still enjoying this and it 200% is literally just my personal preferences and tastes, and everyone has different ways in which they enjoy media and types they like. It is not a criticism of Jojo or any ongoing work creator or anyone who likes or makes corruption arcs, they just... aren't my preferred flavour? I've never had much patience in my media. Books I love I've never read the sequels to simply because they weren't released when I read it and in one case 3 weeks was too long to wait. This is absolutely a my brain problem, but you can imagine what a year of the same plot is doing to me. ^^; Its very good content! I'm just in the category of people fed up with it (but then I've been fed up with it since I got here, always going "it must be over soon right this is so many more parts than any previous single title", and I'm still here, and I'm still finding ways to have fun).

Honestly I have the same problem writing anything longer than a single-sitting oneshot. As soon as I've looked away from a thing, its incredibly hard for me to look back. Even if it was just I went to have dinner - hyperfocus is a tricky master. That I can go months, see an LU update, and enjoy it is actually extremely unusual and a testament to it being good.

However before I finish I want to offer you a tasty idea I have been stewing over in my brain a bit - Twilight dream sequence. He succeeds in saving his own life and fighting back to not be destroyed, but fails at the last hurdle to not be possessed (or whatever). That, or he develops a long term every night he has to fight /again/ (and one day he will slip up, just there'll be a bit where he appears to have recovered bar understandable "nightmares" in between before he does).

I'll be honest I sway towards dream sequence because the last page or so /looks/ like the start of a dream sequence.

2 would however be adorable. 1... I do expect we'll see 1, but not for a /long/ time. I tend towards thinking that the "core" problem of Twilight needs resolving before that gets tackled.

... And now you got me rambling.

#evergreen anon #ask and answer #factorial bitches about factorials brain being a mean asshole #and not letting him enjoy ongoing projects in 99% of cases #like at all #i probably have (unmedicated) adhd wrecking my ability to get on with ongoing things #however #the meds for it would all fuck up my other health conditions more than they are #in “could very well kill me” sorts of ways #so I guess I'm just stuck with this #I tried the memory clinic and the neurologist and they both said not their problem

[ennythekillerbunny]

Weird things that happened when making characters #2.

I haven’t mentioned the order in which the clones were made (aside from the numbers in their names) but let me list the EXACT order in which the new clones came to mind (This will mention clones that I haven’t shown yet btw).

Clone-001 (Shinzo clone), and the whole time I depicted him with a metal tail/spine (idk why, it was so f-ckin random but it stuck with me. Also in the early days he was going to be the ONLY clone).

Clone-003, Clone-004, and Clone-005 (Deku, Bakugo, and Todoroki clones) were made after that (and back when I first made them 3 was able to talk but I switched it for idk what reason. Also 3 still had both his hands and 4 still had both his feet in the early days).

Clone-002 (Ochaco Clone), yes the clone named 2 was thought of after 3, 4, and 5 (And back when I first made her she was possessed by an evil entity, and their creator killed her rather than the same guy that ripped 3’s neck apart).

Clone-006, and Clone-007/Shinarazugo (Shiggy clone and Fusion clone of all the past dude clones). (They were supposed to be the last clones to exist, but obviously my brain was like “nah let’s make more”).

Clone-008, and Clone-009 (Rody clone and Hatsume clone). Ngl I thought of a Rody clone after seeing that MF (idk why but now it’s superglued to the idea).

Clone-011 (Katsuma clone). Tbh he was a random addition (again yes, the clone named 11 was thought about before 10. And originally he was just Katsume but then I decided to give him Hagakure’s quirk.)

Clone-010 (Fusion clone that I’m not gonna say too much about) was another random thought bubble that stuck for a while (Originally this clone was going to be a guy because they are a mix of all dudes, but I randomly thought “Hey let’s switch it around and make this one a girl without changing the appearance at all”… you get the picture).

Clone-000 (Another Fusion clone not gonna say his name yet), again more to throw into the confusing pile (because who tf makes 0 WAY AFTER the first 11. Also just a few weeks after making him I decided he should be deaf).

Clone-012 (another fusion clone whose name I’m not saying yet), who was what I was planning to be the last.

Shad0w and Starb0y, bodyguard-like characters that are always with 12 (the aren’t technically clones but they do fall under this category. And yes Shadow as in Shadow the hedgehog but in a human-like form. Star boy on the other hand is based off the scrapped version of the star from wish….. I’m not kidding).

Lastly, Clone-006.5 (another Shiggy clone). I wish that name was a joke (He is the most recent clone that I made and I only got inspired to make him after a Lucifer and Alastor edit for idk what reason. I know it’s stupid but it’s true, also he’s a complete d!ck compared to Clone-006).

That’s it now…….

Why are you still here??…

I’m done now please leave….

#mha au #mha clones au #random shit

[kyran-bareer]

Chapter 2: The Dinner of Dread

Alright, I'm back with chapter two. I hope whoever finds this story enjoys this chapter.

Alex had successfully dunked another win in Smash Bros. He puts down his controller and strolls downstairs where his mother was working on dinner. “Alex? Can you keep an eye on the door? Food’s almost ready but I don’t want it to burn.” He flops down onto the couch. “I have assumed the door-watching position!” He shouts. He scrolls through his social medias for a bit. Alex gets up and stretches until he finally hears a knock on the door. He walks over and pulls the door open. “Hello Alex!” Jun greets. He smiles and stands aside letting the two into the house. “My mom’s in the kitchen if you’d like to meet her, the food’s almost done!” Alex chimes. Jun nods and walks to the kitchen, leaving Alex and Rio by themselves. The two teens sit down and just kinda awkwardly sit for a second. Should I say something? Is she gonna say something, cause if she is I don’t want to interrupt her. Alex thinks. 

“So-,”

“So-,”

The two blush. “Uh sorry, you first,” Alex says. Rio shakes her head. “No, please.” Alex nods. “You go to Carmichael High, right?” Rio nods. Alex nods. “Cool, cool. That’s uhh neat.”

Alex taps his foot.

Rio fixes her hair. 

The living room was silent except for the occasional laughter from the kitchen of the two mothers making conversation. Alex hums briefly. “What kind of music do you like?” Alex asks. “Umm, I like Phoebe Bridgers. I listen to a lot of sad music.” Does Midwest emo fall into the sad music category? Alex thinks. “What about you?” Rio throws the question back at Alex. He clears his throat. “I’m really into Midwest emo, me and my buddy Grant got into the stuff in Junior high and it’s been one of my favorite genres ever since.” Rio nods. “Huh, didn’t have you pegged as a Midwest emo guy.” Alex cocks his head to the side. “What kind of music did you think I listened to?” Rio shrugs. “Like a Kanye West rap kind of guy.” Alex nods. “I mean I listen to Tyler the Creator and some other artists in that vein, not super interested in getting into Ye right now though.” Rio chuckles. “Fair, fair.” The two continue to sit in silence, but the silence felt less awkward than it was.

“Hey kids! Dinner’s all ready.” Molly shouts. The two rush to the dining room and sit down.

Rio and Alex sat across from each other. “So Alex, your mom tells me you play the drums?” Alex nods. “Yeah, I’ve been playing for a while. I’m in the school's jazz band.” Rio and Jun nod. Molly clears her throat. “He also auditioned for some upper-level ensembles. He didn’t get in this year, but we’re both thinking he’ll make it next year.” Alex nods. “They say that seniority doesn’t matter, but it’s almost impossible for anyone who isn’t a junior or senior to get in.” He explains. Rio looks at her mother, silently begging her not to bring up a certain little factoid. “Well, Rio actually plays the bass guitar! Alex you’ll have to make sure she joins up with the jazz band!” Rio slightly hangs her head. It’s not gonna be the same as back home Mom. Rio could appreciate what her mother was trying to do, but it wouldn’t work. Alex looks at Rio and smiles. “I’ll make it my mission Mrs. Gonzalez,” The four continue eating. 

Sometime later… “Okay, have a safe walk home and a good night!” Molly says to Rio and Jun. She shuts the door and goes back into the kitchen where Alex was washing some dishes. “Did you enjoy the dinner?” Molly asks. Alex nods, still scrubbing a plate. “Your cooking is always great, mom.” Molly rolls her eyes. “Not quite what I meant. Rio seems like an interesting girl. Her mother is really nice too!” Alex shrugs. “I tried talking to Rio before dinner but she seems kinda shy or something.” Molly pats her son on the back. “I’m sure that you’ll break her shell soon, you’ve got a talent for making friends kiddo.” Molly kisses Alex on the cheek. “Are you good to finish up here?” She asks. “Yup, go get some rest captain,” Alex says, saluting his mother. “Good night Alex!” I do hope I can be friends with her. It’d be nice to have someone other than Grant to talk to about things. Getting a second opinion on certain things would certainly help. Alex puts the final plate down. He heads up to his bedroom. He takes off his shirt, puts on a clean pair of shorts, and lies down in bed. He grabs his phone and puts in his earbuds. He lets the sounds of American Football carry him to sleep.

#writing #original work #YA #Cheesy #Romance? #creativity #summer project

[kayleigh-83]

My Top Posts in 2021

#5

Swimwear for the Little Ladies

A few cute summer swimwear options for toddler girls and toddler children! The toddler ones are categorized as both everyday and swim because the swimwear category isn’t visible in Body Shop (but it is in CAS or closet mode). The child ones are categorized as only swim.

Fakepeeps meshes included with thanks, if you haven’t checked out their stuff for younger Sims hurry your ass up because it’s amazing and you’re missing out. (went ahead and included their meshes in my files despite the TOU since they have been inactive for over 5 years, but by now chances are good most people have a lot of FP stuff already anyways) (and yes these are the same models I just aged up and down for the photos lol)

Download Toddler (SFS) | (MF)

Download Child (SFS) | (MF)

445 notes • Posted 2021-06-09 00:22:03 GMT

#4

4t2 Toddler’s Ruffled Hem Top & Leggings

Another collaboration with the amazing @megamassikalove! She was good enough to convert these adorable meshes from TS4 upon my request into one adorable full body outfit for our TS2 toddlers to enjoy.

Just like last time, I contributed a few recolours as well to give you even more options. After you grab my three recolours, be sure to go over to @megamassikalove‘s page to grab her six!

Credits and thanks to original creators for the TS4 meshes and base textures: @beelovedsims for the top, @casteru for the leggings (shoes are a base game mesh).

Download (SFS) | Download (MF)

452 notes • Posted 2021-07-24 17:01:18 GMT

#3

See the full post

467 notes • Posted 2021-09-09 22:51:29 GMT

#2

Simple Tops with Jeans for Toddler Boys

(Feb 20 - Post is fixed now, sorry if it wasn’t working when you saw it! I noticed this morning Tumblr just randomly broke all the formatting in this post including all the links!)

Possibly my most creative name yet.

This is definitely a project that qualifies as unfinished business! I made the two toned tops ages ago and Oliver Crosby even wore one when he was a toddler, but for some reason I never released them. I also just found the bear outfit in my projects folder last night, all ready to go from… quite a long time ago. I forgot I even made it, but I guess the last time I had a toddler boy in my game was *checks notes* four rotations ago!

So I finished up the bear, and put together the lion and the trucks outfits as well! Part of the impetus for this was having an epiphany about a way easier way for me to work on new clothing textures using a different graphics program than I normally do - it made the process so much quicker and easier for me. So I doooo have a few more items in the works, hopefully it won’t take me three years to finish and release those lololol

These are all on my favourite toddler mesh which is a 4t2 conversion by @webluepeace. I’ve included the mesh in the file but definitely go here and get the original stuff too if you haven’t already.

Download (MF) | Download (SFS) Credits: @webluepeace for the mesh, H&M for some textures.

579 notes • Posted 2021-02-15 19:35:06 GMT

#1

4t2 Toddler Boys Outfits - Collaboration with Megamassikalove

@megamassikalove was good enough to convert these wonderful shorts and shirts from TS4 upon my request, and suggested we collaborate by each releasing our own set of recolours on these meshes! So after you download these be sure to click over to her Tumblr to get her super cute combos too!

Original TS4 meshes and textures for the shirts are from here, shorts are by EA. Shoe textures are from here. Some slight texture edits by myself on shorts and shoe colours for the conversions. 4t2 conversion of the meshes by @megamassikalove!

Download (SFS) | Download (MF)

651 notes • Posted 2021-06-05 17:00:48 GMT

Get your Tumblr 2021 Year in Review →

#my 2021 tumblr year in review #your tumblr year in review

[equalseleventhirds]

@femmedionysus mentioned needing lighter, fluffier, less-ultimately-tragic podcasts than the magnus archives, and do u kno what? i think a lot of ppl can benefit from this. and i can help! a little! maybe!! generally these have at least some emotionally difficult moments, but they are lighter and appear to be heading towards a not-too-tragic ending.

(sorted into categories and lists, bcos who am i without categories and lists?)

podcasts i am fully up to date on and can vouch for up until their current end point, altho most of them are not quite done yet (there's like, potential for them to turn super sad, but in general the direction they're going in is Not That Tragic):

unseen (a series of one-character episodes all taking place in the same universe, a magical world hidden behind ours. a couple of eps are linked character-wise, but a lot of them are unrelated, individual stories. fairly gentle, tendency to end eps on a high note, cohesive & interesting worldbuilding.)

wooden overcoats (a funeral home sitcom. no, really! the funn siblings run the only funeral home in their village, until charismatic golden-boy chapman shows up with his own, better funeral home. lots of morbid humor but usually humor, altho a few episodes ARE sad and hit hard. those sad arcs do resolve with eventual happiness and found family stuff tho.)

victoriocity (features one of the actors from wooden overcoats! an alternate steampunk reality where queen victoria, um, never dies. ever. and london gets some seriously weird tech! follows an inspector and a reporter trying to solve Mysteries. there's like murders & death & stuff but the main characters do wind up safe & more or less content, even tho fleet's grumpy. kind of like, Extremely British, with the colonialist issues that 1800s london implies, but like, they try to address it sorta? it's not a major plot point)

welcome to night vale (i know i KNOW everybody knows this one....... but Things Are Generally Fine, u kno. i mean there's the occasional upsetting part. but things are fine. do skip 'a story of love and horror' to avoid what imo was one of the MOST upsettingly tragic things tho.) (confession: i have two episodes of this to catch up on, but i'm not actually THAT far behind, so i'm comfortable with its place here)

midnight radio (this one's all done actually! there is a ghost on the radio, and she starts receiving letters from a living woman. and yes ok it STARTS with a dead woman with a tragic past. HOWEVER it ends hopefully so like!!!) (in good conscience: not fluffy or funny at all. gets very serious at times. but goes towards a genuinely hopeful ending, which was why it's on here.)

the strange case of starship iris (found family revolutionaries in space!!!! shit gets heavy but they! get! through it!! i like when they get through it.) (to be super clear, it does get VERY serious, but they do get through it and judging by the narrative vibes and how the creators discuss it, they’re gonna be okay by the end. and they are mostly okay now.)

khôra (based on greek mythology, but In Space! the witch medea is... recruited by the hero atalanta to find the golden fleece, which her dead husband jason hid. once again we start with tragic pasts, but it is heading so fast for found family, and given that the premise of the show is giving women from greek mythology better than what they had in myth..... I Think It Will End Happy)

kaleidotrope (college radio hosts talk about love on their possibly-slightly-magical campus. god it's so. it's so fluffy. full of fluff. like, legit i think the least serious audio drama i've ever listened to, it's simply just. soft. very romantic. occasionally embarrassing. FILLED with fluff.)

time: bombs (a three-episode podcast made by long story short productions after w359 as like.... an experiment? i think? about the shenanigans of a bomb squad, who are remarkably funny for... a bomb squad. there's literally bombs & stuff and some injuries, but nobody dies, nobody is tragic, one guy does not get to beat a record he rly wants to beat but he learns stuff abt Being A Better Person or w/e so that's nice.)

podcasts i am NOT fully up to date on but what i have listened to is not too horribly tragic:

inn between (fantasy found family! you know how d&d podcasts are? well, between adventures, d&d characters rest and recuperate; this is those between adventure moments, taking place in a lovely little inn.)

sir rodney the root (once again fantasy! once again found family!! funny & sometimes kinda weird podcast about some folks on a Quest that goes off the rails, god i need to catch up on it...)

interference (oh hey another d&d-inspired fantasy podcast....... huh. but! one side of the podcast happens in a reality not unlike our own! that and a d&d-ish world are colliding, and we hear two women talking to each other as their worlds connect...)

the amelia project (there's an agency that will fake your death, for a price.... no, not money, they want an interesting story! and oh boy do these clients deliver. last time i was listening there was some hubbub about secret government agencies spying on the amelia project itself...... hm.)

alba salix (okay yes another fantasy podcast......... it's a comedy, with occasional drama, abt the physician for a magical kingdom and the shenanigans of her and her two unruly assistants, and also the royal family, and also....... i was actually v fond of the mini-series between seasons, abt an orc who runs a pub, more than the main story? altho i am not caught up on either so it's possible this could reverse.)

there's also a few from the podcast marathon which, if ur not aware, was me running through the first episodes of a bunch of podcasts to see what sounded good (i will get back to that eventually....), but this means i cannot vouch for them past the first episode. nevertheless, from general tone they seem to be Not Very Tragic, so.

saffron and peri

the godshead incidental

the one stars

solutions to problems

the rest is electric

the prickwillow papers

and 195

sidequesting

come on in, the water's fine

#algie's podcast marathon #algie recs podcasts #pls note that these are not necessarily my FAVORITE podcasts #but they are more CHILL podcasts. so. #hmu for specific content warnings abt some of them if u need to #or to outline how sad they may be before the hopeful ending #a couple of them DO start sad and then build towards a hopeful end so like #they are Eventual Hope podcasts #which was what max was after specifically! so that's what i did!! #...........tbh mabel and dbd aren't even on here even tho i THINK they are going to end all right #bcos both of them actually their most recent season ended on a low note cliffhanger #when they start back up again we'll see tho

[chicoriii]

Season 4, Episode 17 - Larme Ultime (Rocketear)

So this is a DjiWifi episode from which comes a screenshot I've seen over a month ago (I think). It's good they got it, before season 4 started I really wanted it to happen and to see a kiss between Nino and Alya in it (but that didn't happen and I don't get why, only the main pairing is allowed to kiss in this show or what?), but now I could not be excited about it anymore, because I'm sick of Alya and I'm not able to hide it. Yes, I'm biased, but I'm just a normal viewer and I have right to dislike her favouritism.

My the biggest thought after watching this is that it looks like since Optigami, Alya is not only a deuteragonist, like I said in my post about Sentibubbler, she's actually more like a co-protagonist now. That was an extremely Alya-centric episode (even more than Lie was was about Adrien, as it was mostly Ladybug who saved the world like almost always, also because Chat sacrificed himself again), while in Optigami and this one she has screentime comparable to Marinette. I'm still trying to avoid spoilers (so please, don't tell what's going to happen in the next episodes, I don't want to know), but I'm sure that either 15 or 16 is also highly about her, because we've seen the new Rena's suit in this episode and it looked like it wasn't the first episode with it. But really, I won't be surprised if Alya has lots of screentime in both episodes and all others to the end of the show as well. I don't think Adrien is ever going to get as much special treatment like Alya. :/ The creators have never been as nice to him.

Didn't the writes have enough ideas for another story arcs? And thanks to it they were able to save money, because then creators could just reuse old models of villains more than before. Have anyone noticed that S4 has even fewer number of completely new characters than previous seasons? The scientist seen at the start of the episode has detailed model, so she had to be akumatised in any of the previous unreleased episodes (or one of the next ones). And why she looks a lot like Alya, is she her relative? If yes, you know what that means? Another excuse to make an episode full of the fox wielder, because, you know, it’s not like she already got enough occasions to shine in S4. 

Speaking of Rena Rouge's new suit. What a waste, it would be great for a potential chameleon Miraculous, so it seems it won't be ever created for canon. So bad, I think it's one of the coolest animal, so a Miraculous based on it would be awesome. It could one from an African Miracle Box which should appear, since they are planning making an African special. The suit is good and all, but I still feel disappointed that it's not the superpower of a chameleon Miraculous. :(

Why is Nino acting over the top out of nowhere? I like film noir atmosphere, fedoras and especially jazz music full of saxophones (my favourite music genre and instrument), but it looks totally ridiculous when he's like that. I thought it's Marinette's speciality, and he beat her in that category. I'm not trying to say it's a a bad thing, it just feels weird seeing Nino like that. And since I love jazz, I would like to listen to that film noir-esque music more once I got 5.1 audio, since it was hardly heard in the episode. It didn't sound much interesting, but it's too early to judge it seriously.

Too bad they had written the main conflict in the episode using one of the biggest romantic cliche - misunderstanding in which one character see and\or hear something, but not the whole thing, so said character interprets it wrong. Motifs like that are rather annoying, so it's good something similar haven't happened in the Love Square's arc (yet at least). Though I have a big issue with how they write it this season and I'm going to make a post about it (is anyone interested?).

The akuma is one the ugliest and has one of the most laziest power ever. Really? He shoots using tear bullets and does nothing more? I know many people hate Bubbler's design, but no matter how silly it looks, it was much more creative than this.

And of course the whole thing with Alya remembering the whole conversation with Chat Noir was extremely far-fetched. The could think about something more believable, but I'm not surprised it happened, since I think this season is generally more lazy written than previous ones.

On the other hand, I'm surprised that Marinette is actually aware that Shadow Moth should not know that Alya is still Rena Rouge. It seems that the whole episode 15 (or 16) is about they trying to figure out what to do with that problem.  I won't be surprised if Alya would do it all by herself like it happened with protecting charms in Mr Pigeon 72, because it's completely normal that a random person who has never met Fu is better at decrypting the grimoire than someone who has been trained to be a guardian to some extend :/ Still I think they should not be sure that camouflage mode would solve the problem completely. From what I understand the new suit doesn’t make her completely invisible to others. Rena could be seen by anyone who takes a photo of her and then post in on the internet (it won't be believable that she's the only one crazy about superheroes in Paris). But at least they tried to do something and Marinette sees the danger to some extend. It’s something new.

It's not like Alya is careful, she's completely reckless (and they think she's a good reporter material? Don't make me laugh) and she still thinks more about her own fun in being the superheroine than safety of herself or the world. But of course, it's not gonna happen, because plot armor is very strong in this show. I really had a feeling that she acted like a little child in the first minutes of the episode. She's unable to see that her situation is not a joke. She should be all happy that Marinette still lets her to keep the fox Miraculous. She really lacks humility and I see it clearly since Optigami at least. Besides, Marinette ignores another red flags, that Alya is taking pictures of herself in the new suit no one is supposed to see and thinking about posting them on Ladyblog (was Bunnix right that Alya is able to reveal Miraculous secrets on her blog because of her overenthusiasm and lack of ability of seeing consequences of her actions?).

By the way, now I think, if Alya can't keep in secret that she's still Rena Rouge from Nino (which happens because it's needed for the plot), so how could she be all fine with keeping in secret other facts like that Ladybug gave her the fox permanently and she knows her identity (which isn't happening because the plot doesn't require it)? She still has to lie on Nino because of these secrets.

They are making Marinette a big hypocrite this season. Since she revealed herself to Alya, it's been shown that secret identities rule was bullshit from the start, but Marinette is still saying that heroes can't reveal their identities to anyone. What? What has she done before like not revealing herself to someone, so how she dares keep saying about how crucial is keeping secrets from everyone? Sorry writers, I can't take that rule seriously anymore since Alya knows and no one should. Because Marinette told Alya, she could tell it to other persons she trust as well. What's the difference between her best friend and the rest of the people in the world? Is Alya the only person she trusts? In fact, revealing herself to Sabine, for example, would be much better choice. She's actually wise and mature unlike Alya and her secrets would be much more safe with her mother.

I've seen Chat Blanc again on TV recently and I remembered one thing Ladybug told to Bunnix there: "The best-kept secrets are the ones you never share." (Google Translate says that the line is exactly the same in the French original). Some episodes later, she isn't thinking twice if she should tell all the guardian secrets to Alya. Okay, she revealed her identity because of being too emotional in that exact moment, but then when she calmed down, she should be able to think if telling all the Miraculous secrets is a good idea. The other hypocritical thing is telling Chloé "you can't be Queen Bee anymore, because Hawk Moth knows your identity" but still calling the other heroes whose identities have been exposed.

So I can't even blame Alya for telling Nino the truth if the guardian herself is not following her own rules. Not to mention, Marinette doesn't address wrong things Alya is doing at all, so no wonder she feels she could do anything, she won't get punished, no matter what. After all, it's not the first moment in which she does something her best friend forbid her.

And we can say the show has been confirmed that Nino is even worse at keeping secrets, especially in crisis situations, so why people wanted to see Adrien revealing himself to Nino? It's obvious that he would tell Adrien's secret to Alya and maybe some other people as well.

I thought that since S3 finale Adrien is supposed to know identities of every backup hero from seasons 2 and 3 and I was ready to be salty about that as well. But yes, actually after purification of Miracle Queen's akuma, brainwashed heroes didn't detransform. They were forgotten completely and we don't even know what happened with them exactly. I suppose Ladybug took their Miraculous when Chat Noir wasn't there anymore.

Adrien has every right to be angry at Ladybug, she treats him so badly, since Alya knows her own secrets and she doesn't even have the guts to admit that. But I'm going to say about my the biggest issue in the Chat Noir and Ladybug's situation in another post, I hope I would write before the next episode airs.

#miraculous ladybug #ml rocketear #ml season 4 #ml spoilers #ml spoiler #ml season 4 spoilers #chicoriii about S4 episodes #chicoriii #original post

[insanehobbit]

a twenty-five thousand word post about a twenty-three year old “debate”

As time goes on, I’m baffled that it remains a commonly held opinion that:

The LTD remains unresolved

SE is deliberately playing coy, and are (or have been) afraid to resolve it.

To me, the answer is as clear as day, and yet seeing so many people acting as if it’s a question that remains unanswered makes me wonder if I’m the crazy one.

So I am going to try to articulate my thought process here, not because I expect to change any hearts and minds, but more to get these thoughts out of my head and onto a page so I can finally read a book and/or watch reruns of Shark Tank in peace.

To start off, there are two categories of argument (that are among, if not the most widely used lines of argument) that I will try NOT to engage with:

1) Quotes from Ultimania or developer interviews - while they’re great for easter eggs and behind-the-scenes info, if a guidebook is required to understand key plot points, you have fundamentally failed as a storyteller. Now the question of which character wants to bone whom is often something that can be relegated to a guidebook, but in the case of FF7, you would be watching two very different stories play out depending on who Cloud ends up with.

Of course, the Ultimanias do spell this out clearly, but luckily for us, SE are competent enough storytellers that we can find the answer by looking at the text alone.

2) Arguments about character actions/motivations — specifically, I’m talking about stuff like “Cloud made this face in this scene, which means be must be [insert whatever here].”

Especially when it comes to the LTD, these tend to focus on individual actions, decontextualizing them from their role in the narrative as a whole. LTDers often try to put themselves in the character’s shoes to suss out what they may be thinking and feeling in those moments. These arguments will be colored by personal experiences, which will inevitably vary.

Let’s take for example Cloud’s behavior in Advent Children. One may argue that it makes total sense given that he’s dying and fears failing the ones he loves. Another may argue that there’s no way that he would run unless he was deeply unhappy and pining after a lost love. Well, you’ll probably just be talking over each other until the cows come home. Such is the problem with trying to play armchair therapist with a fictional character. It’s not like we can ask Cloud himself why he did what he did (and even if we could, he’s not the exactly the most reliable narrator in the world). Instead, in trying to understand his motivations, we are left with no choice but to draw comparisons with our own personal experiences, those of our friends, or other works of media we’ve consumed. Any interpretation would be inherently subjective and honestly, a futile subject for debate.

There’s nothing wrong with drawing personal connections with fictional characters of course. That is the purpose of art after all. They are vessels of empathy. But when we’re talking about what is canon, it doesn’t matter what we take away. What matters is the creators’ intent.

Cloud, Tifa and Aerith are not your friends Bob, Alice and Maude. They are characters created by Square Enix. Real people can behave in a variety of different ways if they found themselves in the situations faced by our dear trio; however, FF7 characters are not sentient creatures. Everything they do or say is dictated by the developers to serve the story they are trying to tell.

So what do we have left then? Am I asking you, dear reader, to just trust me, anonymous stranger on the Internet, when I tell you #clotiiscanon. Well, in a sense, yes, but more seriously, I’m going to try to suss out what the creator’s intent is based on what is, and more importantly, what isn’t, on screen.

Instead of putting ourselves in the shoes of the characters, let’s try putting ourselves in the shoes of the creators. So the question would then be, if the intent is X, then what purpose does character Y or scene Z serve?

The story of FF7 isn’t the immutable word of God etched in a stone tablet. For every scene that made it into the final game, there are dozens of alternatives that were tossed aside. Let us also not forget the crude economics of popular storytelling. Spending resources on one particular aspect of the game may mean something entirely unrelated will have to be cut for time. Thus, the absence of a particular character/scenario is an alternative in itself. So with all these options at their disposal, why is the scene we see before us the one that made it into the final cut? — Before we dive in, I also want to define two broad categories of narrative: messy and clean.

Messy narratives are ones I would define as stories that try to illuminate something about the human condition, but may not leave the audience feeling very good by the end of it. The protagonists, while not always anti-heroes, don’t always exhibit the kind of growth we’d like, don’t always learn their lessons, probably aren’t the best role models. The endings are often ambivalent, ambiguous, and leaves room for the audience to take away from it what they will. This is the category I would put art films and prestige cable dramas.

Clean narratives are where I would categorize most popular forms of entertainment. Not that these characters necessarily lack nuance, but whatever flaws are portrayed are something to be overcome by the end of story. The protagonists are characters you’re supposed to want to root for

Final Fantasy as a series would fall under the ‘clean’ category. Sure, many of the protagonists start out as jerks, but they grow through these flaws and become true heroes by the end of their journey. Hell, a lot of the time even the villains are redeemed. They want you to like the characters you’re spending a 40+ hr journey with. Their depictions can still be realistic, but they will become the most idealized versions of themselves by the end of their journeys.

This is important to establish, because we can then assume that it is not SE’s intent to make any of their main characters come off pathetic losers or unrepentant assholes. Now whether or not they succeed in that endeavor is another question entirely.

FF7 OG or The dumbest thought experiment in the world

With that one thousand word preamble out of the way, let’s finally take a look at the text. In lieu of going through the OG’s story beat by beat, let’s try this thought experiment:

Imagine it’s 1996, and you’re a development executive at what was then Squaresoft. The plucky, young development team has the first draft of what will become the game we know as Final Fantasy VII. Like the preceding entries in the series, it’s a world-spanning action adventure RPG, with a key subplot being the epic tragic romance between its hero and heroine, Cloud and Aerith.

They ask you for your notes.

(For the sake of your sanity and mine, let’s limit our hypothetical notes to the romantic subplot)

Disc 1 - everything seems to be on the right track. Nice meet-cute, lots of moments developing the relationship between our pair. Creating a love triangle with this Tifa character is an interesting choice, but she’s a comparatively minor character so she probably won’t be a real threat and will find her happiness elsewhere by the end of the game. You may note that they’re leaning a bit too much into Tifa and Cloud’s past. Especially the childhood promise flashback early in the game — cute scene, but a distraction from main story and main pairing — fodder for the chopping block. You may also bump on the fact that Aerith is initially attracted to Cloud because he reminds her of an ex, but this is supposed to be a more mature FF. That can be an obstacle they overcome as Aerith gets to know the real Cloud.

Aerith dies, but it is supposed to be a tragic romance after all. Death doesn’t have to be the end for this relationship, especially since Aerith is an Ancient after all.

It’s when Disc 2 starts that things go off the rails. First off, it feels like an awfully short time for Cloud to be grieving the love of his life, though it’s somewhat understandable. This story is not just a romance. There are other concerns after all, Cloud’s identity crisis for one. Though said identity crisis involves spending a lot of time developing his relationship with another woman. It’s one thing for Cloud and Tifa to be from the same hometown, but does she really need to play such an outsized role in his internal conflict? This might give the player the wrong impression.

You get to the Northern Crater, and it just feels all wrong. Cloud is more or less fine after the love of his life is murdered in front of his eyes but has a complete mental breakdown to the point that he’s temporarily removed as a playable character because Tifa loses faith in him??? Shouldn’t it be the other way around?

Oh, but it only gets worse from here. With Cloud gone, the POV switches to Tifa and her feelings for him and her desire to find him. The opening of the game is also recontextualized when you learn the only reason that Cloud was part of the first Reactor mission that starts the game is because Tifa found him and wanted to keep an eye on him.

Then you get to Mideel and the alarm bells are going off. Tifa drops everything, removing her from the party as well, to take care of Cloud while he’s a catatonic vegetable? Not good. Very not good. This level of selfless devotion is going to make Cloud look like a total asshole when he rejects her in favor of Aerith. Speaking of Aerith, she uh…hasn’t been mentioned for some time. In fact, her relationship with Cloud has remained completely static after Disc 1, practically nonexistent, while his with Tifa has been building and building. Developing a rival relationship that then needs to be dismantled rather than developing the endgame relationship doesn’t feel like a particularly valuable use of time and resources.

By the time you get to the Lifestream scene, you’re about ready to toss the script out of the window. Here’s the emotional climax of the entire game, where Cloud’s internal conflict is finally resolved, and it almost entirely revolves around Tifa? Rather than revisiting the many moments of mental anguish we experienced during the game itself — featuring other characters, including let’s say, Aerith — it’s about a hereto unknown past that only Tifa has access to? Not only that, but we learn that the reason Cloud wanted to join SOLDIER was to impress Tifa, and the reason he adopted his false persona was because he was so ashamed that he couldn’t live up to the person he thought Tifa wanted him to be? Here, we finally get a look into the inner life of one half of our epic couple and…it entirely revolves around another woman??

Cloud is finally his real self, and hey, it looks like he finally remembers Aerith, that’s at least a step in the right direction. Though still not great. With his emotional arc already resolved, any further romantic developments is going to feel extraneous and anticlimactic. It just doesn’t feel like there’s enough time to establish that:

Cloud’s romantic feelings for Tifa (which were strong enough to launch his hero’s journey) have transformed into something entirely platonic in the past few days/weeks

Cloud’s feelings for Aerith that he developed while he was pretending to be someone else (and not just any someone, but Aerith’s ex of all people) are real.

This isn’t a romantic melodrama after all. There’s still a villain to kill and a world to save.

Cloud does speak of Aerith wistfully, and even quite personally at times, yet every time he talks about her, he’s surrounded by the other party members. A scene or two where he can grapple with his feelings for her on his own would help. Her ghost appearing in the Sector 5 Church feels like a great opportunity for this to happen, but he doesn’t interact with it at all. What gives? Missed opportunity after missed opportunity.

The night before the final battle, Cloud asks the entire party to find what they’re fighting for. This feels like a great (and perhaps the last) opportunity to establish that for Cloud, it’s in Aerith’s memory and out of his love for her. He could spend those hours alone in any number of locations associated with her — the Church, the Temple of the Ancients, the Forgotten City.

Instead — none of those happens. Instead, once again, it’s Cloud and Tifa in another scene where they’re the only two characters in the scene. You’re really going to have Cloud spend what could very well be the last night of his life with another woman? With a fade to black that strongly implies they slept together? In one fell swoop, you’re portraying Cloud as a guy who not only betrays the memory of his lost love, but is also incredibly callous towards the feelings of another woman by taking advantage of her vulnerability. Why are we rooting for him to succeed again?

Cloud and the gang finally defeat Sephiroth, and Aerith guides him back into the real world. Is he finally explicitly stating that he’s searching for her (though they’ve really waited until the last minute to do so), but again, why is Tifa in this scene? Shouldn’t it just be Cloud and Aerith alone? Why have Tifa be there at all? Why have her and her alone of all the party members be the one waiting for Cloud? Do you need to have Tifa there to be rejected while Cloud professes his unending love for Aerith? It just feels needlessly cruel and distracts from what should be the sole focus of the scene, the love between Cloud and Aerith.

What a mess.

You finish reading, and since it is probably too late in the development process to just fire everyone, you offer a few suggestions that will clarify the intended romance while the retaining the other plot points/general themes of the game.

Here they are, ordered by scale of change, from minor to drastic:

Option 1 would be to keep most of the story in tact, but rearrange the sequence of events so that the Lifestream sequence happens before Aerith’s death. That way, Cloud is his true self and fully aware of his feelings for both women before Aerith’s death. That way, his past with Tifa isn’t some ticking bomb waiting to go off in the second half of the game. That development will cease at the Lifestream scene. Cloud will realize the affection he held for her as a child is no longer the case. He is grateful for the past they shared, but his future is with Aerith. He makes a clear choice before that future is taken away from him with her death. The rest of the game will go on more or less the same (with the Highwind scene being eliminated, of course) making it clear, that avenging the death of his beloved is one of, if not the, primary motivation for him wanting to defeat Sephiroth.

The problem with this “fix” is that a big part of the reason that Aerith gets killed is because of Cloud’s identity crisis. If said crisis is resolved, the impact of her death will be diminished, because it would feel arbitrary rather than something that stems from the consequences of Cloud’s actions. More of the story will need to be reconceived so that this moment holds the same emotional weight.

Another problem is why the Lifestream scene needs to exist at all. Why spend all that time developing the backstory for a relationship that will be moot by the end of the game? It makes Tifa feel like less of a character and more of a plot device, who becomes irrelevant after she services the protagonist’s character development and then has none of her own. That’s no way to treat one of the main characters of your game.

Option 2 would be to re-imagine Tifa’s character entirely. You can keep some of her history with Cloud in tact, but expand her backstory so she is able to have a satisfactory character arc outside of her relationship with Cloud. You could explore the five years in her life since the Nibelheim incident. Maybe she wasn’t in Midgar the whole time. Maybe, like Barret, she has her own Corel, and maybe reconciling with her past there is the climax of her emotional arc as opposed to her past with Cloud. For Cloud too, her importance needs to be diminished. She can be one of the people who help him find his true self in the Lifestream, but not the only person. There’s no reason the other people he’s met on his journey can’t be there. Thus their relationship remains somewhat important, but their journeys are not so entwined that it distracts from Cloud and Aerith’s romance.

Option 3 would be to really lean into the doomed romance element of Cloud and Aerith’s relationship. Have her death be the cause of his mental breakdown, and have Aerith be the one in the Lifestream who is able to put his mind back together and bring him back to the realm of consciousness. After he emerges, he has the dual goal of defeating Sephiroth and trying to reunite with Aerith. In the end, in order to do the former, he has to relinquish the latter. He makes selfless choice. He makes the choice that resonates the overall theme of the game. It’s a bittersweet but satisfying ending. Cloud chooses to honor her memory and her purpose over the chance to physically bring her back. In this version of the game, the love triangle serves no purpose. There’s no role for Tifa at all.

Okay, we can be done with this strained counterfactual. What I’ve hopefully illustrated is that while developers had countless opportunities to solidify Cloud/Aerith as the canon couple in Discs 2 and 3 of the game, they instead chose a different route each and every time. What should also be clear is that the biggest obstacle standing in their way is not Aerith’s death, but the fact that Tifa exists.

At least in the form she takes in the final game, as a playable character and at the very least, the 3rd most important character in game’s story. She is not just another recurring NPC or an antagonist. Her love for Cloud is not going to be treated like a mere trifle or obstacle. If Cloud/Aerith was supposed to be the endgame ship, there would be no need for a love triangle and no need to include Tifa in the game at all. Death is a big enough obstacle, developing Cloud’s relationship with Tifa would only distract from and diminish his romance with Aerith.

I think this is something the dead enders understand intuitively, even more so than many Cloti shippers. Which is why some of them try to dismiss Tifa’s importance in the story so that she becomes a minor supporting character at best, or denigrate her character to the point that she becomes an actual villain. The Seifer to a Squall, the Seymour to a Tidus, hell even a Quistis to a Rinoa, they know how to deal with, but a Tifa Lockhart? As she is actually depicted in Final Fantasy VII? They have no playbook for that, and thus they desperately try to squeeze her into one of these other roles.

Let’s try another thought experiment, and see what would to other FF romances if we inserted a Tifa Lockhart-esque character in the middle of them.

FFXV is a perfect example because it features the sort of tragic love beyond death romance that certain shippers want Cloud and Aerith to be. Now, did I think FFXV was a good game? No. Did I think Noctis/Luna was a particularly well-developed romance? Also no. Did I have any question in my mind whatsoever that they were the canon relationship? Absolutely not.

Is this because they kiss at the end? Well sure, that helps, but also it’s because the game doesn’t spend the chapters after Luna’s death developing Noctis’ relationship with another woman. If Noctis/Luna had the same sort of development as Cloud/Aerith, then after Luna dies, Iris would suddenly pop in and play a much more prominent role. The game would flashback to her past and her relationship with Noctis. And it would be through his relationship with Iris that Noctis understands his duty to become king or a crystal or whatever the fuck that game was about. Iris is by Noctis’ side through the final battle, and when he ascends the throne in that dreamworld or whatever. There, Luna finally shows up again. Iris is still in the frame when Noctis tells her something like ‘Oh sorry, girl, I’ve been in love with Luna all along,” before he kisses Luna and the game ends.

(a very real scene from a very good game)

Come on. It would be utterly ludicrous and an utter disservice to every character involved, yet that is essentially the argument Cloud/Aerith shippers are making. SE may have made some pretty questionable storytelling decisions in the past, but they aren’t that bad at this.

Or in FFVIII, it would be like reordering the sequence of events so that Squall remembers that he grew up in an orphanage with all the other kids after Rinoa falls into a coma. And while Rinoa is out of commission, instead of Quistis gracefully bowing out after realizing she had mistaken her feelings of sisterly affection for love, it becomes Quistis’ childhood relationship with Squall that allows him to remember his past and re-contextualizes the game we’ve played thus far, so that the player realizes that it was actually Quistis who was his motivation all along. Then after this brief emotional detour, his romance with Rinoa would continue as usual. Absolutely absurd.

The Final Fantasy games certainly have their fair share of plot holes, but they’ve never whiffed on a romance this badly.

A somewhat more serious character analysis of the OG

What then is Tifa’s actual role in the story of FFVII? Her character is intricately connected to Cloud’s. In fact, they practically have the same arc, though Tifa’s is rather understated compared to his. She doesn’t adopt a false persona after all. For both of them, the flaw that they must learn to overcome over the course of the game is their fear of confronting the truth of their past. Or to put it more crudely, if they’re not lying, they’re at the very least omitting the truth. Cloud does so to protect himself from his fear of being exposed as a failure. Tifa does so at the expense of herself, because she fears the truth will do more harm than good. They’re two sides of the same coin. Nonetheless, their lying has serious ramifications.

The past they’re both afraid to confront is of course the Nibelheim Incident from five years ago. Thus, the key points in their emotional journeys coincide with the three conflicting Nibelheim flashbacks depicted in the game: Cloud’s false memory in Kalm, Sephiroth’s false vision in the Northern Crater, and the truth in the Lifestream.

Before they enter the Lifestream, both Cloud and Tifa are at the lowest of their lows. Cloud has had a complete mental breakdown and is functionally a vegetable. Tifa has given up everything to take care of Cloud as she feels responsible for his condition. If he doesn’t recover, she may never find peace.

With nothing left to lose, they both try to face the past head on. For Cloud, it’s a bit harder. At the heart of all this confusion, is of course, the Nibelheim Incident. How does Cloud know all these things he shouldn’t if Tifa doesn’t remember seeing him there? The emotional climax for both Cloud and Tifa, and arguably the game as a whole, is the moment the Shinra grunt removes his helmet to reveal that Cloud was there all along.

Tifa is the only character who can play this role for Cloud. It’s not like she a found a videotape in the Lifestream labeled ‘Nibelheim Incident - REAL’ and voila, Cloud is fixed. No, she is the only one who can help him because she is the only person who lived through that moment. No one else could make Cloud believe it. You could have Aerith or anyone else trying to tell him what actually happened, but why would he believe it anymore than the story Sephiroth told him at the Northern Crater?

With Tifa, it’s different. Not only was she physically there, but she’s putting as much at risk in what the truth may reveal. She’s not just a plot device to facilitate Cloud’s character development. The Lifestream sequence is as much the culmination of her own character arc. If it goes the wrong way, “Cloud” may find out that he’s just a fake after all, and Tifa may learn that boy she thought she’d been on this journey with had died years ago. That there’s no one left from her past, that it was all in her head, that she’s all alone. Avoiding this truth is a comfort, but in this moment, they’re both putting themselves on the line. Being completely vulnerable in front of the person they’re most terrified of being vulnerable with.

The developers have structured Cloud and Tifa’s character arcs so that the crux is a moment where the other is literally the only person who could provide the answer they need. Without each other, as far as the story is concerned, Cloud and Tifa would remain incomplete.

Aerith’s character arc is a different beast entirely. She is the closest we have to the traditional Campbellian Hero. She is the Chosen One, the literal last of her kind, who has been resisting the call to adventure until she can no longer. The touchstones of her character arc are the moments she learns more about her Cetra past and comes to terms with her role in protecting the planet - namely Cosmo Canyon, the Temple of the Ancients and the Forgotten City.

How do hers and Cloud’s arcs intersect? When it comes to the Nibelheim incident, she is a merely a spectator (at least during the Kalm flashback, as for the other two, she is uh…deceased). Cloud attacking her at the Temple of the Ancients, which results in her running to the Forgotten City alone and getting killed by Sephiroth, certainly exacerbates his mental deterioration, but it is by no means a turning point in his arc the way the Northern Crater is.

As for Cloud’s role in Aerith’s arc, their meeting is quite important in that it sets forth the series of events that leads her to getting captured by Shinra and thus meeting “Sephiroth” and wanting to learn more about the Cetra. It’s the inciting incident if we’re going to be really pedantic about it, yet Aerith’s actual character development is not dependent on her relationship with Cloud. It is about her communion with her Cetra Ancestry and the planet.

To put it in other terms, all else being the same, Aerith could still have a satisfying character arc had Cloud not crashed down into her Church. Sure, the game would look pretty different, but there are other ways for her to transform from a flirty, at times frivolous girl to an almost Christ-like figure who accepts the burden of protecting the planet.

Such is not the case for Cloud and Tifa. Their character arcs are built around their shared past and their relationship with one another. Without Tifa, you would have to rewrite Cloud’s character entirely. What was his motivation for joining SOLDIER? How did he get on that AVALANCHE mission in the first place? Who can possibly know him well enough to put his mind back together after it falls apart? If the answer to all these questions is the same person, then congratulations, you’ve just reverse engineered Tifa Lockhart.

Tifa fares a little better. Without Cloud, she would be a sad, sweet character who never gets the opportunity to reconcile with the trauma of her past. Superficially, a lot would be the same, but she would ultimately be quite static and all the less interesting for it.

Let’s also take a brief gander at Tifa’s role after the Lifestream sequence. At this point in the game, both Tifa and Cloud’s emotional arcs are essentially complete. They are now the most idealized versions of themselves, characters the players are meant to admire and aspire to. However they are depicted going forward, it would not be the creator’s intent for their actions to be perceived in a negative light.

A few key moments standout, ones that would not be included if the game was intended to end with any other romantic pairing or with Cloud’s romantic interest left ambiguous:

The Highwind scene, which I’ve gone over above. It doesn’t matter if you get the Low Affection or High Affection version. It would not reflect well on either Cloud or Tifa if he chose to spend what could be his last night alive with a woman whose feelings he did not reciprocate.

Before the final battle with Sephiroth, the party members scream out the reasons they’re fighting. Barret specifically calls out AVALANCHE, Marlene and Dyne, Red XIII specifically calls out his Grandpa, and Tifa specifically calls out Cloud. You are not going to make one of Tifa’s last moments in the game be her pining after a guy who has no interest in her. Not when you could easily have her mention something like her past, her hometown or hell even AVALANCHE and Marlene like Barret. If Tifa’s feelings for Cloud are meant to be unrequited, then it would be a character flaw that would be dealt with long before the final battle (see: Quistis in FF8 or Eowyn in the Lord of the Rings). They would not still be on display at moment like this.

Tifa being the only one there when Cloud jumps into the Lifestream to fight Sephiroth for the last time, and Tifa being the only one there when he emerges. She is very much playing the traditional partner/spouse role here, when you could easily have the entire party present or no one there at all. There is clearly something special about her relationship with Cloud that sets her apart from the other party members.

Once again, let’s look at the “I think I can meet her there moment.” And let’s put side the translation (the Japanese is certainly more ambiguous, and it’s not like the game had any trouble having Cloud call Aerith by her name before this). If Cloud was really expressing his desire to reunite with Aerith, and thus his rejection of Tifa, then the penultimate scene of this game is one that involves the complete utter and humiliation of one of its main characters since Tifa’s reply would indicate she’s inviting herself to a romantic reunion she has no part in. Not only that, but to anyone who is not Cl*rith shipper, the protagonist of the game is going to come off as a callous asshole. That cannot possibly be the creator’s intention. They are competent enough to depict an act of love without drawing attention to the party hurt by that love.

What then could possibly be the meaning? Could it possibly be Cloud trying to comfort Tifa by trying to find a silver lining in what appears to be their impending death? That this means they may get to see their departed loved ones again, including their mutual friend, Aerith? (I will note that Tifa talks about Aerith as much, if not even more than Cloud, after her death). Seems pretty reasonable to me, this being an interpretation of the scene that aligns with the overall themes of the game, and casts every character in positive light during this bittersweet moment.

Luckily enough, we have an entire fucking Compilation to find out which is right.

But before we get there, I’m sure some of you (lol @ me thinking anyone is still reading this) are asking, if Cloti is canon, then why is there a love triangle at all? Why even hint at the possibility of a romance between Cloud and Aerith? Wouldn’t that also be a waste of time and resources if they weren’t meant to be canon?

Well, there are two very important reasons that have nothing to do with romance and everything to do with two of the game’s biggest twists:

Aerith initially being attracted to Cloud’s similarities to Zack/commenting on the uncanniness of said similarities is an organic way to introduce the man Cloud’s pretending to be. Without it, the reveal in the Lifestream would fall a bit flat. The man he’s been emulating all along would just be some sort of generic hero rather than a person whose history and deeds already encountered during the course of the game. Notably for this to work, the game only has to establish Aerith’s attraction to Cloud.

To build the player’s attachment to Aerith before her death/obscure the fact that she’s going to die. With the technological limitations of the day, the only way to get the player to interact with Aerith is through the player character (AKA Cloud), and adding an element of choice (AKA the Gold Saucer Date mechanic) makes the player even more invested. This then elevates Aerith’s relationship with Cloud over hers with any other character. At the same time, because her time in the game is limited, Cloud ends up interacting with Aerith more than any of the other characters, at least in Disc 1. The choice to make many of these interactions flirty/romantic also toys with player expectations. One does not expect the hero’s love interest to die halfway through the game. The game itself also spends a bit of time teasing the romance, albeit, largely in superficial ways like other characters commenting on their relationship or Cait Sith reading their love fortune at the Temple of the Ancients. Yet, despite the quantity of their personal interactions, Cloud and Aerith never display any moments of deep love or devotion that one associates with a Final Fantasy romance. They never have the time. What the game establishes then is the potential of a romance rather than the romance itself. Aerith’s death hurts because of all that lost potential. There so many things she wanted to do, so many places she wanted to see that will never happen because her life is cut short. Part of what is lost, of course, is the potential of her romance with Cloud.

This creative choice is a lot more controversial since it elevates subverting audience expectations over character, and understandably leads to some player confusion. What’s the point of all this set up if there’s not going to be a pay off? Well, that is kind of the point. Death is frustrating because of all the unknowns and what-ifs. But, I suppose some people just can’t accept that fact in a game like this.

One last note on the OG before we move on: Even though this from an Ultimania, since we’re talking about story development and creator intent, I thought it was relevant to include: the fact that Aerith was the sole heroine in early drafts of the game is not the LTD trump card so people think it is. Stories undergo radical changes through the development process. More often than not, there are too many characters, and characters are often combined or removed if their presence feels redundant or confusing.

In this case, the opposite happened. Tifa was added later in the development process as a second heroine. Let’s say that Aerith was the Last Ancient and the protagonist’s sole love interest in this early draft of Final Fantasy VII. In the game that was actually released, that role was split between two characters (and last I checked, Tifa is not the last of a dying race), and Aerith dies halfway through the game, so what does that suggest about how Aerith’s role may have changed in the final product? Again, if Aerith was intended to be Cloud’s love interest, Tifa simply would not exist.

A begrudging analysis of our favorite straight-to-DVD sequel

Let’s move onto the Compilation. And in doing so, completely forget about the word vomit that’s been written above. While it’s quite clear to me now that there’s no way in hell the developers would have intended the last scene in the game to be both a confirmation of Cloud’s love for Aerith and his rejection of Tifa, in my younger and more vulnerable years, I wasn’t so sure. In fact, this was the prevailing interpretation back in the pre-Compilation Dark Ages. Probably because of a dubious English translation of the game and a couple of ambiguous cameos in Final Fantasy Tactics and Kingdom Hearts were all we  had to go on.

How then did the official sequel to Final Fantasy VII change those priors?

Two years after the events of the game, Cloud is living as a family with Tifa and two kids rather than scouring the planet for a way to be reunited with Aerith. Shouldn’t the debate be well and over with that? Obviously not, and it’s not just because people were being obstinate. Part of the confusion stems from Advent Children itself, but I would argue that did not come from an intent to play coy/keep Cloud’s romantic desires ambiguous, but rather a failure of execution of his character arc.

Now I wasn’t the biggest fan of the film when I first watched a bootlegged copy I downloaded off LimeWire in 2005, and I like it even less now, but I better understand its failures, given its unique position as a sequel to a beloved game and the cornerstone of launching the Compilation.

The original game didn’t have such constraints on its storytelling. Outside of including a few elements that make it recognizable as a Final Fantasy (Moogles, Chocobos, Summons, etc.) and being a good enough game to be a financial success, the developers pretty much had free rein in terms of what story they wanted to tell, what characters they would use to tell it, and how long it took for them to tell said story.

With Advent Children, telling a good story was not the sole or even primary goal. Instead, it had to:

Do some fanservice: The core audience is going to be the OG fanbase, who would be expecting to see modern, high-def depictions of all the memorable and beloved characters from the game, no matter if the natural end point of their stories is long over.

Set up the rest of the Compilation - Advent Children is the draw with the big stars, but also a way to showcase the lesser known characters from from the Compilation who are going to be leading their own spinoffs.  It’s part feature film/part advertisement for the rest of the Compilation. Thus, the Turks, Vincent and Zack get larger roles in the film than one might expect to attract interest to the spinoffs they lead.

Show off its technical prowess: SE probably has enough self awareness to realize that what’s going to set it apart from other animated feature films is not its novel storytelling, but its graphical capabilities. Thus, to really show off those graphics, the film is going to be packed to the brim with big, complicated action scenes with lots of moving parts, as opposed to quieter character driven moments.

These considerations are not unique to Advent Children, but important to note nonetheless:

As a sequel, the stakes have to be just as high if not higher than those in the original work. Since the threat in the OG was the literal end of the world, in Advent Children, the world’s gotta end again

The OG was around 30-40 hours long. An average feature-length film is roughly two hours. Video games and films are two very different mediums. As many TV writers who have tried to make the transition to film (and vice-versa) can tell you, success in one medium does not translate to success in another. 

With so much to do in so little time, is it any wonder then that it is again Sephiroth who is the villain trying to destroy the world and Aerith in the Lifestream the deus ex machina who saves the day?

All of this is just a long-winded way to say, certain choices in the Advent Children that may seem to exist only to perpetuate the LTD were made with many other storytelling considerations in mind.

When trying to understand the intended character arcs and relationship dynamics, you cannot treat the film as a collection of scenes devoid of context. You can’t just say - “well here’s a scene where Cloud seems to miss Aerith, and here’s another scene where Cloud and Tifa fight. Obviously, Cloud loves Aerith.” You have to look at what purpose these scenes serve in the grander narrative.

And what is this grander narrative? To put it in simplistic terms, Aerith is the obstacle, and Tifa is goal. Cloud must get over his guilt over Aerith’s death so that he can return to living with Tifa and the children in peace.

The scenes following the prologue are setting up the emotional stakes of film - the problem that will be resolved by the film’s end. The problem being depicted here is not Aerith’s absence from Cloud’s life, but Cloud’s absence from his family. We see Tifa walking through Seventh Heaven saying “he’s not here anymore,” we see Denzel in his sickbed asking for Cloud, we see a framed photo of the four of them on Cloud’s desk. We see Cloud letting Tifa’s call go to voicemail.

What we do not see is Aerith, who does not appear until almost halfway through the film.

Cloud spends the first of the film avoiding confrontation with the Remnants/dealing with the return of Sephiroth. It’s only when Tifa is injured, and Denzel and Marlene get kidnapped that he goes to face his problems head on.

Before the final battle, when Cloud has exorcised his emotional demons and is about to face his physical demons, what do we see? We see Cloud telling Marlene that it’s his turn to take care of her, Denzel and Tifa the way they’ve taken care of him. We see Cloud telling Tifa that he ‘feels lighter’ and tacitly confirming that she was correct when she called him out earlier in the film. We see Cloud confirming to Denzel that he’s going home after this is all over.

What we do not see is Cloud telepathically communicating with Aerith to say, “Hey boo, can’t wait to beat Sephiroth so I can finally reunite with you in the Promised Land. Xoxoxo.” Aerith doesn’t factor in at all. Returning to his family is his goal, and his fight with Bahamut/the Remnants/Sephiroth/whatever the fuck is the final obstacle he has to face before reaching this goal.

This is reiterated again when Cloud is shot by Yazoo and seemingly perishes in an explosion. What is at stake with his “death”? We see Tifa calling his name while looking out the airship. We see Denzel and Marlene waiting for him at Seventh Heaven. We do not see Aerith watching over him in the Lifestream.

Now, Aerith does play an important role in Cloud’s arc when she shows up at about the midpoint of the film. You could fairly argue that it’s the turning point in Cloud’s emotional journey, the moment when he finally decides to confront his problems. But even if it’s only Cloud and Aerith in the scene, it’s not really about their relationship at all.

Let’s consider the context before this scene happens. Denzel and Marlene have been kidnapped by the Remnants; Tifa was nearly killed in a fight with another. This is Cloud at his lowest point. It’s his worst fears come to pass. His guilt over Aerith’s death is directly addressed at this moment in the film because it is not so much about his feelings for Aerith as it is about how Cloud fears the failures of his past (one of the biggest being her death) would continue into the present. If it was just about Aerith, we could have seen Cloud asking for her forgiveness at any other time in the film. It occurs when it does because this when his guilt over Aerith’s death intersects with his actual conflict, his fear that he’ll fail the the ones he loves. She appears when he’s at the Forgotten City where he goes to save the children. The same location where he had failed two year before.

This connection is made explicit when Cloud has flashes of Zack and Aerith’s deaths before he saves Denzel and Tifa from Bahamut. Again, Cloud’s dwelling on the past is directly related to his fears of being unable to protect his present.

Aerith is a feminine figure who is associated with flowers. That combined with the players’ memory of her and her relationship with Cloud in the OG, I can see how their scenes can be construed as romantic, but I really do not think that it is the creators’ intent to portray any romantic longing on Cloud’s part.

If they wanted to suggest that Cloud was still in love with Aerith or even leave his romantic interest ambiguous, there is no way in hell they would have had Cloud living with Tifa and two kids prior to the film’s events. To say nothing of opening the film by showing the pain his absence brings.

A romantic reading of Cloud’s guilt over Aerith’s death would suggest that he entered into a relationship with Tifa and started raising two children with her while still holding a torch for Aerith and hoping for a way to be reunited with her. The implication would be that Tifa is his second choice, and he is settling. Now, is this a dynamic that occurs in real life? Absolutely. Is this something that is often depicted in some films and television? Sure - in fact this very premise is at the core of one my favorite films of the last decade - 45 Years — and spoiler alert — the guy does not come off well in this situation. But once again, Cloud is not a real person, and Final Fantasy VII: Advent Children is not a John Cassavettes film or an Ingmar Bergman chamber drama. It is a 2-hour long straight to DVD sequel for a video game made for teens. This kind of messy, if realistic, relationship dynamic is not what this particular work is trying to explore.

(one of these is a good film!)

By the end of Advent Children, Cloud is once again the idealized version of himself. A hero that the audience is supposed to like and admire. We are supposed to think that his actions in the first half of the movie (wallowing in his guilt and abandoning his family) were bad. These are the flaws that he must overcome through the course of the film, and by the end he does. If he really had been settling and treating his Seventh Heaven family as a second choice prior to the events of the film, that too would obviously be a character flaw that needs to be addressed before the end of the film. It isn’t because this is a dynamic that only exists in certain people’s imaginations.

If the creators wanted to leave the Cloud & Aerith relationship open to a romantic interpretation, they didn’t have to write themselves into such a corner. They wouldn’t have to change the final film much at all, merely adjust the chronology a bit. Instead of Cloud already living as a family with Tifa, Marlene and Denzel prior to the beginning of the film, you would show them on the precipice of becoming a family, but with Cloud being unable to take the final step without getting over his feelings for Aerith first. This would leave space for him to love both women without coming off as an opportunistic jerk.

This is essentially the dynamic with Locke/Rachel/Celes in FFVI. Locke is unable to move on with Celes or anyone else until he finally finds closure with Rachel. It’s a lovely scene that does not diminish his relationships with either woman. He loved Rachel. He will love Celes. What the game does not have him do is enter into a relationship into Celes first and then when the party arrives at the Phoenix Cave, have him suddenly remember ‘Oh shit, I’ve gotta deal with my baggage with Rachel before I can really move on.’ That would not paint him in a particularly positive light.

Speaking of other Final Fantasies, let’s take a look another sequel in the series set two years after the events of the original work, one that is clearly the story of its protagonist searching for their lost love. And guess what? Final Fantasy X-2 does not begin with Yuna shacked up and raising two kids with another dude. And it certainly doesn’t begin with his perspective of the whole situation when Yuna decides to search for Tidus.

Square Enix knows how to write these kind of stories when they want to, and it’s clearly not their intent for Cloud and Aerith. Again, the biggest obstacle in the way of a Cloud/Aerith endgame isn’t space and time or death, it’s the existence of Tifa Lockhart.

A reasonable question to ask would be, if SE is not trying to ignite debate over the love triangle, why make Cloud’s relationship with Aerith a part of Advent Children at all? Why invite that sort of confusion? Well, the answer here, like the answer in the OG, is that Aerith’s role in the sequel is much more than her relationship with Cloud.

In the OG, it wasn’t Cloud and the gang who managed to stop Sephiroth and Meteor in the end, it was Aerith from the Lifestream. In a two-hour long film, you do not have the time to set up a completely new villain who can believably end the world, and since you pretty much have to include Sephiroth, the main antagonist can really only be him. No one else in the party has been established to have any magical Cetra powers, and again, since that’s not something that can be effectively established in a two-hour long film, and since Aerith needs to appear somehow, it again needs to be her who will save the day.

Given the time constraints, this external conflict has to be connected with Cloud’s internal conflict. In the OG, Cloud’s emotional arc is in resolved in the Lifestream, and then we spend a few more hours hunting down the Huge Materia/remembering what Holy is before resolving the external conflict of stopping Meteor. In Advent Children, we do not have that luxury of time. These turning points have to be one and same. It is only after Aerith is “introduced” in the film when Cloud asks her for forgiveness that she is able to help in the fight against the Remnants. Thus the turning point for Cloud’s character arc and the external conflict are the same. It’s understandably economical storytelling, though I wouldn’t call it particularly good storytelling.

As much as Cloud feels guilt over both Zack and Aerith’s deaths, it’s only Aerith who can play this dual role in the film. Zack can appear to help resolve Cloud’s emotional arc, but since he has no special Cetra powers or anything, there’s little he can do to help in Cloud’s fight against the Remnants. More time would need to be spent contriving a reason why Cloud is able to defeat the Remnants now when he wasn’t before or explaining why Aerith can suddenly help from the Lifestream when she had been absent before. (I still don’t think the film does a particularly good job of explaining this part, but that is a conversation for another time).

Another reason why Zack could not play this role is because at the time of AC’s original release, all we knew of Cloud and Zack’s relationship was contained in an optional flashback at the Shinra mansion after Cloud returns from the Lifestream. If it was Zack who suddenly showed up at Cloud’s lowest point, most viewers, even many who played the original game, would probably have been confused, and the moment would have fallen flat. On the other hand, even the most casual fan would have been aware of Aerith and her connection to Cloud, with her death scene being among the most well-known gaming moments of all time. Moreover, Aerith’s death is directly connected to Sephiroth, who is once again the threat in AC, whereas Zack was killed by Shinra goons. Aerith serves multiple purposes in a way that Zack just cannot.

Despite all this, though Aerith is more important to the film as a whole, many efforts are made to suggest that Zack and Aerith are equally important to Cloud. One of the first scenes in the film is Cloud moping around Zack’s grave (And unlike the scene with Aerith in the Forgotten City, it isn’t directly connected with Cloud’s present storyline in any way). We have the aforementioned scene where Cloud has flashes of both Aerith’s and Zack’s deaths when he saves Tifa and Denzel. Cloud has a scene where he’s standing back to back with Zack, mirroring his scene with in the Forgotten City with Aerith, before the climax of his fight with Sephiroth. In the Lifestream, after Cloud “dies,” it’s both Aerith and Zack who are there to send him back. Before the film ends, Cloud sees both Aerith and Zack leaving the church.

Now, were all these Zack appearances a way to promote the upcoming spin-off game that he’s going to lead? Of course. But the creators surely would have known that having Zack play such a similar role in Cloud’s arc would make Cloud’s relationship with Aerith feel less special and thus complicating a romantic interpretation of said relationship. If they wanted to encourage a romantic reading of Cloud’s lingering feelings for Aerith, they would have given Zack his own distinct role in the film. Or rather, they wouldn’t have put Zack in the film at all, and they certainly wouldn’t have him lead his own game, but we’ll get to the Zack of it all later.

The funny thing is, in a way, Zack is portrayed as being more special to Cloud. Zack only exists in the film to interact with Cloud and encourage him. Meanwhile. Aerith also has brief interactions with Kadaj, the Geostigma children and even Tifa before the film’s end. Aerith is there to save the whole world. Zack is there just for Cloud. If it’s Cloud’s relationship with Aerith that’s meant to be romantic, shouldn’t it be the other way around?

Let’s take a look at Tifa Lockhart. What role did she have to play in the FF7 sequel film? If, like some, you believed FF7 to be the Cloud/Aerith/Sephiroth show, then Tifa could have easily had a Barret-sized cameo in Advent Children. And honestly, she’s just a great martial artist. She has no special powers that would make her indispensable in a fight against Sephiroth. You certainly would not expect her to be the 2nd billed character in the film. Though of course, if you actually played through the Original Game with your eyes open, you would realize that Tifa Lockhart is instrumental to any story about Cloud Strife.

Unlike Aerith’s appearances, almost none of the suggestive scenes and dynamics between Cloud and Tifa had to be included in the film. As in, they serve no other plot related purpose and could have easily been cut from the final film if the creators weren’t trying to encourage a romantic interpretation of their relationship.

It feels inevitable now, but no one was expecting Cloud and Tifa to be living together and raising two kids. In the general consciousness, FF7 is Cloud and Sephiroth and their big swords and Aerith’s death. At the time, in the eyes of most fans and casual observers, Cloud and Tifa being together wasn’t a necessary part of the FF7 equation the way say, an epic fight between Cloud and Sephiroth would be. In fact, I don’t think even the biggest Cloti fans at the time would have imagined Cloud and Tifa living together would be their canon outcome in the sequel film.

Now can two platonic friends live together and raise two children together? Absolutely, but again Cloud and Tifa are not real people. They are fictional characters. A reasonable person (let’s use the legal definition of the term) who does not have brainworms from arguing over one of the dumbest debates on the Internet for 23 years would probably assume that two characters who were shown to be attracted to each other in the OG and who are now living together and raising two kids are in a romantic relationship. This is a reasonable assumption to make, and if SE wanted to leave Cloud’s romantic inclinations ambiguous, they simply would not be depicting Cloud and Tifa’s relationship in this manner. Cloud’s disrupted peace could have been a number of different things. He could have been a wandering mercenary, he could have been searching for a way to be reunited with Aerith. It didn’t have to be the family he formed with Tifa, but, then again, if you were actually paying attention to the story the OG was trying to tell, of course he would be living with Tifa.

Let’s also look at the scene where Cloud finds Tifa in the church after her fight with Loz. All the plot related information (who attacked her, Marlene being taken) is conveyed in the brief conversation they have before Cloud falls unconscious from Geostigma. What purpose do all the lingering shots of Cloud and Tifa in the flower bed in a Yin-Yang/non-sexual 69ing position serve if not to be suggestive of the type of relationship they have? It’s beautifully rendered but ultimately irrelevant to both the external and internal conflicts of the film.

Likewise, there is no reason why Cloud and Tifa needed to wake up in their children’s bedroom. No reason to show Cloud waking up with Tifa next to him in a way that almost makes you think they were in the same bed. And there is absolutely no reason whatsoever for a close-up of Tifa’s hand with the Wolf Ring on her ring finger while she is admonishing Cloud during what sounds like a domestic argument (This ring again comes into focus when Tifa leads Denzel to Cloud at the church at the end - there are dozens of ways this scene could have been rendered, but this is the one that was chosen.) If it wasn’t SE’s intent to emphasize the family dynamic and the intimate nature of Cloud and Tifa’s relationship, these scenes would not exist.

Let’s also take a look at Denzel, the only new character in the AC (give or take the Remnants). Again, given the film’s brief runtime, the fact that they’re not only adding a new character but giving him more screen time than almost every other AVALANCHE member must mean that he’s pretty important. While Denzel does have an arc of his own, especially in ACC, he is intricately connected to Cloud and Tifa and solidifies the family unit that they’ve been forming in Edge. Marlene still has Barret, but with the addition of Denzel, the family becomes something more real albeit even more tenuous given his Geostigma diagnosis. Without Denzel in the picture, it’s a bit easier to interpret Cloud’s distance from Tifa as romantic pining for another woman, but now it just seems absurd. The stakes are so much higher. Cloud and Tifa are at a completely different stage in their lives from the versions of these characters we met early on in the OG who were entangled in a frivolous love triangle. And yet some people are still stuck trying to fit these characters into a childish dynamic that died at the end of disc one along with a certain someone.

All this is there in the film, at least the director’s cut, if you really squint. But since SE preferred to spend its time on countless action sequences that have aged as well as whole milk in lieu of spending a few minutes showing Cloud’s family life before he got Geostigma to establish the emotional stakes, or a beat or two more on his reconciliation with Tifa and the kids, people may be understandably confused about Cloud’s arc. Has Cloud just been a moping around in misery for the two years post-OG? The answer is no, though that can only really be found in the accompanying novellas, specifically Case of Tifa.

Concerning the novellas, which we apparently must read to understand said DVD sequel

I really don’t know how you can read through CoT and still think there is anything ambiguous about the nature of Cloud and Tifa’s relationship. The “Because I have you this time,” Cloud telling Tifa he’ll remind her how to be strong when they’re alone, Cloud confidently agreeing when Marlene adds him to their family. Not to mention Barret and Cid’s brief conversation about Cloud and Tifa’s relationship in Case of Barret, after which Cid comments that “women wear the pants,” which Barret then follows by asking Cid about Shera. Again, a reasonable person would assume the couple in question are in a romantic relationship, and if this wasn’t the intent, these lines would not be present. Especially not in a novella about someone else.

Some try to argue that CoT just shows how incompatible Cloud and Tifa are because it features a few low points in their relationship. I don’t think that’s Nojima’s intent. Even if it was, it certainly wouldn’t be to prove that Cloud loves Aerith. This isn’t how you tell that story. Why waste all that time disproving a negative rather than proving a positive? We didn’t spend hours in FF8 watching Rinoa’s relationship with Seifer fall apart to understand how much better off she is with Squall. If Cloud and Aerith is meant to be a love story, then tell their love story. Why tell the story of how Cloud is incompatible with someone else?

Part of the confusion may be because CoT doesn’t tell a complete story in and of itself. The first half of the story (before Cloud has to deliver flowers to the Forgotten City) acts as a sort of epilogue to the OG, while the second half of the story is something of a prologue to Advent Children (or honestly its missing Act One). And to state the obvious, conflict is inherent to any story worth telling. It can’t just be all fluff, that’s what the fanfiction is for.

Tifa’s conflict is her fear that the fragile little family they’ve built in Edge is going to fall apart. Thus we see her fret about Cloud’s distance, the way this affects Marlene, and Denzel’s sickness. There are certainly some low moments here --- Tifa telling Cloud to drink in his room, asking if he loves her -- all ways for the threat to seem more real, the outcome more uncertain, yet there’s only one way this conflict can be resolved. One direction to which their relationship can move.

Again, by the end of this story, both characters are supposed to be the best versions of themselves, to find their “happy” endings so to speak. Tifa could certainly find happiness outside of a relationship with Cloud. She could decide that they’ve given it a shot, but they’re better off as friends. She’s grateful for this experience and she’s learned from this, but now she’s ready to make a life for herself on her own. It would be a fine character arc, though not something the Final Fantasy series has been wont to do. However, that’s obviously not the case here as there’s no indication whatsoever that Tifa considers this as an option for herself. Nojima hasn’t written this off ramp into her journey. For Tifa, they’ll either become a real family or they won’t. Since this is a story that is going to have a happy ending, so of course they will, even if there are a lot of bumps along the way.

Unfortunately, with the Compilation being the unwieldy beast that this is, this whole arc has to be pieced together across a number of different works:

Tifa asking herself if they’re a real family in CoT

Her greatest fear seemingly come to life when Cloud leaves at the end of CoT/beginning of AC

Tifa explicitly asking Cloud if the reason they can’t help each other is because they’re not a real family during their argument in AC. Notably, even though Cloud is at his lowest point, he doesn’t confirm her fear. Instead he says he that he can’t help anyone, not even his family. Instead, he indirectly confirms that yes he does think they’re a family, even if is a frustrating moment still in that he’s too scared to try to save it.

The ending of AC where we see a new photo of Cloud smiling surrounded by Tifa and the kids and the rest of the AVALANCHE, next to the earlier photo we had seen of the four of them where he was wearing a more dour expression.

The ending of The Kids Are All Right, where Cloud, Tifa, Denzel and Marlene meet with Evan, Kyrie and Vits - and Cloud offers, unsolicited, that even if they’re not related by blood, they’re a family.

The ending of DVD extra ‘Reminiscence of FFVII’ where Cloud takes the day off and asks Tifa to close the bar so they can spend time together as a family as Tifa had wanted to do early in CoT

Cloud fears he’ll fail his family. Tifa fears it’ll fall apart. Cloud retreats into himself, pushing others away. Tifa neglects herself, not being able to say what she needs to say. In Advent Children, Tifa finally voices her frustrations. It’s then that Cloud finally confronts his fears. Like in the OG, Cloud and Tifa’s conflicts and character arcs are two sides of the same coin, and it’s only by communicating with each other are they able to resolve it. Though with the Compilation being an inferior work, it’s much less satisfying this time around. Such is the problem when you’re writing towards a preordained outcome (Cloud and Sephiroth duking it once again) rather than letting the story develop organically.

Some may ask, why mention Aerith so much (Cloud growing distant after delivering flowers to the Forgotten City, Cloud finding Denzel at Aerith’s church) if they weren’t trying to perpetuate the LTD? Well, as explained above, Aerith had to be in Advent Children, and since CoT is the only place where we get any insight into Cloud’s psyche, it’s here where Nojima expands on that guilt.

Again, this is a story that requires conflict, and what better conflict than the specter of a love rival? Notably, despite us having access to Tifa’s thoughts and fears, she never explicitly associates Cloud’s behavior with him pining after Aerith. Though it’s fair to say this fear is implied, if unwarranted.

If Cloud had actually been pining after Aerith this whole time, we would not be seeing it all unfold through Tifa’s perspective. You can depict a romance without drawing attention to the injured third party. We’re seeing all of this from Tifa’s POV, because it’s about Tifa’s insecurities, not the great tragic romance between Cloud and Aerith. Honestly, another reason we see this from Tifa’s perspective is because it’s dramatically more interesting. Because she’s insecure, she (and we the reader) wonder if there’s something else going on. Meanwhile, from Cloud’s perspective it would be straightforward and redundant, given what we see in AC. He’s guilty over Aerith’s death and thinks he doesn’t deserve to be happy.

Not to mention, the first time we encounter Aerith in CoT, Tifa is the one breaking down at her grave while Cloud is the one comforting her. Are we supposed to believe that he just forgot he was in love with Aerith until he had to deliver flowers to the Forgotten City?

And Aerith doesn’t just serve as a romantic obstacle. She’s also a symbol of guilt and redemption for both Cloud and Tifa. Neither think they have the right to be happy after all that’s happened (Aerith’s death being a big part of this), and through Denzel, who Cloud finds at Aerith’s church, they both see a chance to atone.

I do want to address Case of Lifestream: White because it’s only time in the entire Compilation where I’ve asked myself — what are they trying to achieve here? Now, I’d rather drink bleach than start debating the translation of ‘koibito’ again, but I did think it was a strange choice to specify the romantic nature of Aerith’s love for Cloud. I suppose it could be a reference her obvious attraction to Cloud in the OG, though calling it love feels like a stretch.

But nothing else in CoLW really gives me pause. It might be a bit jarring to see how much of it is Aerith’s thoughts of Cloud, but it makes sense when you consider the context in which it’s meant to be consumed. Unlike Case of Tifa or Case of Denzel, CoLW isn’t meant to be read on its own. It’s a few scant paragraphs in direct conversation with Case of Lifestream: Black. In CoLB, Sephiroth talks about his plan to return and end the world or whatever, and how Cloud is instrumental to his plan. Each segment of CoLW mirrors the corresponding segment of CoLB. Thus, CoLW has to be about Aerith’s plan to stop Sephiroth and the role Cloud must play in that. In both of these stories, Cloud is the only named character. It doesn’t mean that thoughts of Cloud consume all of Aerith’s afterlife. Case of Lifestream is only a tiny sliver of the story, a halfassed way to explain why in Advent Children the world is ending again and why Cloud has to be at the center of it all.

Notably, there is absolutely nothing in CoLW about Cloud’s feelings for Aerith. Even if it’s just speculation on her part as we see Sephiroth speculate about Cloud’s reactions in CoLB. Aerith can see what’s going on in the real world, but she says nothing about Cloud’s actions. If Cloud is really pining after her, trying to find a way to be reunited with her, wouldn’t this be the ideal story to show such devotion?

But it’s not there, because not only does it not happen, but because this story is not about Aerith’s relationship with Cloud. It is about how Aerith needs to see and warn Cloud in order to stop Sephiroth. By the end of Advent Children, that goal is fulfilled. Cloud gets his forgiveness. Aerith gets to see him again and helps him stop Sephiroth. There’s no suggestion that either party wants more. We finally have the closure that the OG lacked, and at no point does it confirm that Cloud reciprocated Aerith’s romantic feelings, even though there were plenty of opportunities to do so.

I don’t really know what else people were expecting. Advent Children isn’t a romantic drama. There’s not going to be a moment where Cloud explicitly tells Tifa, ‘I’ve never loved Aerith. It’s only been you all along.” This is just simply not the kind of story it is.

Though one late scene practically serves this function. When Cloud “dies” and Aerith finds him in the Lifestream, if there were any lingering romantic feelings between the two of them, this would be a beautiful bittersweet reunion. Maybe something about how as much as they want to be together, it’s not his time yet. Instead, it’s almost played off as a joke. Cloud calls her ‘Mother’, and Zack is at Aerith’s side, joking about how Cloud has no place there. This would be the perfect opportunity to address the romantic connection between Cloud and Aerith, but instead, the film elides this completely. Instead, it’s a cute afterlife moment between Aerith and Zack, and functionally allows Cloud to go back to where he belongs, to Tifa and the kids. Whatever Cloud’s feelings for Aerith were before, it’s transformed into something else.

Crisis Core -- or how Aerith finally gets her love story

The other relevant part of the Compilation is Crisis Core, which I will now touch on briefly (or at least brief for me). In the OG, Zack Fair was more plot device than character. We knew he was important to Cloud — enough that Cloud would mistake Zack’s memories for his own -- we knew he was important to Aerith — enough that she is initially drawn to Cloud due to his similarities to Zack — yet the nature of these relationships is more ambiguous. Especially his relationship with Aerith. From the little we learn of their relationship, it could have been completely one-sided on her part, and Zack a total cad. At least that’s the implication she leaves us with in Gongaga. We get the sense that she might not be the most reliable narrator on this point (why bring up an ex so often, unsolicited, if it wasn’t anything serious?) but the OG never confirms this either way.

Crisis Core clears this up completely. Not only is Zack portrayed as the Capital H Hero of his own game, but his relationships with Cloud and Aerith are two of the most important in the game. In fact, they are the basis for his heroic sacrifice at the game’s end: he dies trying to save Cloud’s life; he dies trying to return to Aerith.

Zack’s relationship with Aerith is a major subplot of the game. Not only that, but the details of said relationship completely recontextualizes what we know about the Aerith we see in the OG. Many of Aerith’s most iconic traits (wearing pink, selling flowers) are a direct product of this relationship, and more importantly, so many of the hallmarks of her early relationship with Cloud (him falling through her church, one date as a reward, a conversation in the playground) are a direct echo of her relationship with Zack.

A casual fling this was not. Aerith’s relationship with Zack made a deep impact on the character we see in the OG and clearly colored her interactions with Cloud throughout.

Crisis Core is telling Zack’s story, and Tifa is a fairly minor supporting character, yet it still finds the time to expand upon Cloud and Tifa’s relationship. Through their interactions with Zack, we learn just how much they were on each others’ minds during this time, and how they were both too shy to own up to these feelings. We also get a brief expansion on the moment Cloud finds Tifa injured in the reactor.

Meanwhile, given the point we are in the story’s chronology, Cloud and Aerith are completely oblivious of each other’s existence.

One may try to argue that none of this matters since all of this is in the past. While this argument might hold water if we arguing about real lives in the real world, FF7 is a work of fiction. Its creators decided that these would be events we would see, and that Zack would be the lens through which we’d see them. Crisis Core is not the totality of these characters’ lives prior to the event of the OG. Rather, it consists of moments that enhance and expand upon our understanding of the original work. We learn the full extent of Hojo’s experimentation and the Jenova project; we learn that Sephiroth was actually a fairly normal guy before he was driven insane when he uncovers the circumstances of his birth. We learn that Aerith was a completely different person before she met Zack, and their relationship had a profound impact on her character.

A prequel is not made to contradict the original work, but what it can do is recontexualize the story we already know and add a layer of nuance that may have not been obvious before. Thus, Sephiroth is transformed from a scary villain into a tragic figure who could have been a hero were it not for Hojo’s experiments. Aerith’s behavior too invites reinterpretation. What once seemed flirty and perhaps overtly forward now looks like the tragic attempts of a woman trying to recapture a lost love.

If Cloud and Aerith were meant to be the official couple of the Compilation of FF7, you absolutely would not be spending so much time depicting two relationships that will be moot by the time we get to the original work. You especially would not depict Zack and Aerith’s relationship in a way that makes Aerith’s relationship with Cloud look like a copy of the moments she had with her ex.

Additionally, with Zack’s relationship with Angeal, we can see, that within the universe of FF7, a protagonist being devastated over the death of a beloved comrade isn’t something that’s inherently romantic. Neither is it romantic for said dead comrade to lend a helping hand from the beyond.

SE would also expect some people to play Crisis Core before the OG. If Cloud and Aerith are the intended endgame couple, then SE would be asking the player to root for a guy to pursue the girlfriend of the man who gave his life for him. The same man who died trying to reunite with her. This is to say nothing of Cloud’s treatment of Tifa in this scenario. How could this possibly be the intent  for their most popular protagonist in the most popular entry of their most popular franchise?

What Crisis Core instead offers is something for fans of Aerith who may be disappointed that she was robbed of a great romance by her death. Well, she now gets that epic, tragic romance. Only it’s with Zack, not Cloud.

If SE intended for Cloud and Aerith to be the official couple of FF7, neither Zack nor Tifa would exist. They would not spend so much time developing Zack and Tifa into the multi-dimensional characters they are, only to be treated as nothing more than collateral damage in the wake of Cloud and Aerith’s great love. No, this is a Final Fantasy. SE want their main characters to have something of a happy ending after all of the tribulations they face. Cloud and Tifa find theirs in life. Zack and Aerith, as the ending of AC suggests, find theirs in death.

Cloud and Aerith’s relationship isn’t a threat to the Zack/Aerith and Cloud/Tifa endgame, nor is it a mere obstacle. Rather, it’s a relationship that actually deepens and strengthens the other two. Aerith is explicitly searching for her first love in Cloud, revealing just how deep her feelings for Zack ran. Cloud gets to live out his heroic SOLDIER fantasy with Aerith, a fantasy he created just to impress Tifa.

There are moments between Cloud and Aerith that may seem romantic when taken on its own, but viewed within the context of the whole narrative, ultimately reveal that they aren’t quite right for each other, and in each other, they’re actually searching for someone else.

This quadrangular dynamic reminds me a bit of one of my favorite classic films, The Philadelphia Story. (Spoilers for a film that came out in 1940 ahead) — The single most romantic scene in the film is between Jimmy Stewart’s and Katherine Hepburn’s characters, yet they’re not the ones who end up together. Even as their passions run, as the music swells, and we want them to end up together, we realize that they’re not quite right for each other. We know that it won’t work out.

More relevantly, we know this is true due to the existence of Cary Grant’s and Ruth Hussey’s characters, who are shown to carry a torch for Hepburn and Stewart, respectively. Grant and Hussey are well-developed and sympathetic characters. With the film being the top grossing film of the year, and made during the Code era, it’s about as “clean” of a narrative as you can get. There’s no way Grant and Hussey would be given such prominent roles just to be left heartbroken and in the cold by the film’s end.

Hepburn’s character (Tracy) pretty much sums it herself after some hijinks lead to a last minute proposal from Stewart’s character (Mike):

Mike: Will you marry me, Tracy?                      

Tracy: No, Mike. Thanks, but hmm-mm. Nope.

Mike: l've never asked a girl to marry me. l've avoided it. But you've got me all confused now. Why not?

Tracy: Because l don't think Liz [Hussey’s character] would like it...and l'm not sure you would...and l'm even a little doubtful about myself. But l am beholden to you, Mike. l'm most beholden.

Despite the fact that the film spends more time developing Hepburn and Stewart’s relationship than theirs with their endgame partners, it’s still such a satisfying ending. That’s because, even at the peak of their romance, we can see how Stewart needs someone like Hussey to ground his passionate impulses, and how Hepburn needs Grant, someone who won’t put her on a pedestal like everyone else. Hepburn and Stewart’s is a relationship that might feel right in the moment, but doesn’t quite work in the light of day.

I don’t think Cloud and Aerith share a moment that is nearly as romantic in FF7, but the same principle applies. What may seem romantic in the moment actually reveals how they’re right for someone else.

Even if Aerith lives and Cloud decides to pursue a relationship with her, it’s not going to be all puppies and roses ahead for them. Aerith would need to disentangle her feelings for Zack from her attraction to Cloud, and Cloud would still need to confront his feelings for Tifa, which were his main motivator for nearly half his life, before they can even start to build something real. This is messy work, good fodder for a prestige cable drama or an Oscar-baity indie film, but it has no place in a Final Fantasy. There simply isn’t the time. Not when the question on most players’ minds isn’t ‘Cloud does love?’ but ‘How the hell are they going to stop that madman and his Meteor that’s about to destroy the world?’

With Zerith’s depiction in Crisis Core, there’s a sort of bittersweet poetry in how the two relationships rhyme but can’t actually coexist. It is only because Zack is trying to return to Midgar to see Aerith that Cloud is able to reunite with Tifa, and the OG begins in earnest. In another world, Zack and Aerith would be the hero and heroine who saved the world and lived to tell the tale. They are much more the traditional archetypes - Zack the super-powered warrior who wants to be a Capital-H Hero, and Aerith, the last of her kind who reluctantly accepts her fate. Compared to these two, Cloud and Tifa aren’t nearly so special, nor their goals so lofty and noble. Cloud, after all, was too weak to even get into SOLDIER, and only wanted to be one, not for some greater good, but to impress the girl he liked. Tifa has no special abilities, merely learning martial arts when she grew wise enough to not wait around for a hero. On the surface, Cloud and Tifa are made of frailer stuff, and yet by luck or by fate, they’re the ones who cheat death time and time again, and manage to save the world, whereas the ones who should have the role, are prematurely struck down before they can finish the job. Cloud and Tifa fulfill the roles that they never asked for, that they may not be particularly suited for, in Zack and Aerith’s stead. There’s a burden and a beauty to it. Cloud and Tifa can live because Zack and Aerith did not.

All of this nuance is lost if you think Cloud and Aerith are meant to be the endgame couple. Instead, you have a pair succumbing to their basest desires, regardless of the selfless sacrifices their other potential paramours made for their sake. Zack and Tifa, and their respective relationships with Aerith and Cloud, are flattened into mere romantic obstacles. The heart wants what it wants, some may argue. While that may be true in real life, that is not necessarily the case in a work of fiction, especially not a Final Fantasy. The other canon Final Fantasy couples could certainly have had previous romantic relationships, but unless they have direct relevance to the their character arcs (e.g., Rachel to Locke), the games do not draw attention to them because they would be a distraction from the romance they are trying to tell. They’ve certainly never spent the amount of real estate FF7 spends in depicting Cloud/Tifa and Zack/Aerith’s relationships.

At last…the Remake, and somehow this essay isn’t even close to being over

Finally, we come to the Remake. With the technological advancements made in the last 23 years and the sheer amount of hours they’re devoting to just the Midgar section this time around, you can almost look at the OG as an outline and the Remake as the final draft. With the OG being overly reliant on text to  do its storytelling, and the Remake having subtle facial expressions and a slew of cinematic techniques at its disposal, you might almost consider it an adaptation from a literary medium to a visual one. Our discussions are no longer limited to just what the characters are saying, but what they are doing, and even more importantly, how the game presents those actions. When does the game want us to pay attention? And what does it want us to pay attention to?

Unlike most outlines, which are read by a small handful of execs, SE has 23 years worth of reactions from the general public to gauge what works and what doesn’t work, what caused confusion, and what could be clarified. While FF7 is not a romance, the LTD remains a hot topic among a small but vocal part of the fanbase. It certainly is an area that could do with some clarifying in the Remake.

Since the Remake is not telling a new story, but rather retelling an existing story that has been in the public consciousness for over two decades, certain aspects that were treated as “twists” in the OG no longer have that same element of surprise, and would need to approached differently. For example, in the Midgar section of the OG, Shinra is treated as the main antagonist throughout. It’s only when we get to the top of the Shinra tower that Sephiroth is revealed as the real villain. Anyone with even a passing of knowledge of FF7 would be aware of Sephiroth so trying to play it off like a surprise in the Remake would be terribly anticlimactic. Thus, Sephiroth appears as early as Ch. 2 to haunt Cloud and the player throughout.

Likewise, many players who’ve never even touched the OG are probably aware that Aerith dies, thus her death can no longer be played for shock. While SE would still want the player to grow attached to Aerith so that her death has an emotional impact, there are diminishing returns to misdirecting the player about her fate, at least not in the same way it was done in the OG.

How do these considerations affect the how the LTD is depicted in the Remake? For the two of the biggest twists in the OG to land in the Remake — Aerith’s death and Cloud’s true identity in the Lifestream — the game needs to establish:

Aerith’s attraction to Cloud, specifically due to his similarities to Zack. This never needs to go past an initial attraction for the player to understand that the man whose memory Cloud was “borrowing” is Zack. Aerith’s feelings for Cloud can evolve into something platonic or even maternal by her end without the reveal in the Lifestream losing any impact.

Cloud’s love for Tifa. For the Lifestream sequence to land with an “Ooooh!” rather than a “Huh!?!?”, the Remake will need to establish that Cloud’s feelings for Tifa were strong enough to 1) motivate him to try to join SOLDIER in the first place 2) incentivize him to adopt a false persona because he fears that he isn’t the man she wants him to be 3) call him back to consciousness from Make poisoning twice 4) help him put his mind back together and find his true self. That’s a lot of story riding on one guy’s feelings!

The player’s love for Aerith so that her death will hurt. This can be done by making them invested in Aerith as a character by her own right, but also extends to the relationships she has with the other characters (not only Cloud).

What is not necessary is establishing Cloud’s romantic feelings for Aerith. Now, would their doomed romance make her death hurt even more? Sure, but it could work just as well if Cloud if is losing a dear friend and ally, not a lover. Not to mention, her death also cuts short her relationships with Tifa, Barret, Red XII, etc. Bulking those relationships up prior to her death, would also make her loss more palpable. If anything, establishing Cloud’s romantic feelings for Aerith would actually undermine the game’s other big twist. The game needs you to believe that Cloud’s feelings for Tifa were strong enough to drive his entire hero’s journey. If Cloud is shown falling in love with another woman in the span of weeks if not mere days, then the Lifestream scene would be much harder to swallow.

Cloud wavering between the two women made sense in the OG because the main way for the player to get to know Aerith was through her interactions with Cloud. That is no longer the case in the Remake. Cloud is still the protagonist, and the player character for the vast majority of the game, but there are natural ways for the player to get to know Aerith outside of her dialogue exchanges with Cloud. Unless SE considers the LTD an integral part of FF7’s DNA, then for the sake of story clarity, the LTD doesn’t need to exist.

How then does the Remake clarify things?

I’m not going go through every single change in the Remake — there are far too many of them, and they’ve been documented elsewhere. Most of the changes are expansions or adaptations (what might make sense for super-deformed chibis would look silly for realistic characters, e.g., Cloud rolling barrels in the Church has now become him climbing across the roof support). What is expanded and how it’s adapted can be telling, but what is more interesting are the additions and removals. Not just for what takes place in the scenes themselves, but how their addition or removal changes our understanding of the narrative as a whole vis-a-vis the story we know from the OG.

Notably, one of the features that is not expanded upon, but rather diminished, is player choice. In the OG, the player had a slew of dialogue options to choose from, especially during the Midgar portion of the game. Not only did it determine which character would go on a date with Cloud at the Gold Saucer, but it also made the player identify with Cloud since they’re largely determining his personality during this stage. Despite the technological advances that have made this level of optionality the norm in AAA games, the Remake gives the player far fewer non-gameplay related choices, and only really the illusion of choice as a nod to the OG, but they don’t affect the story of the game in any meaningful way. You get a slightly different conversation depending on the choice, but you have to buy the Flower, Tifa has to make you a drink.

So much of what fueled the LTD in the OG came from this mechanic, which is now largely absent in the Remake. Almost every instance where there was a dialogue branch in the OG has become a single, canon scenario in the Remake that favors Tifa (e.g., having the choice of giving the flower to Tifa or Marlene in the OG, to Cloud giving the flower to Tifa in the Remake). Similarly, for the only meaningful choice you make in the Remake — picking Tifa or Aerith in the sewers — Cloud is now equidistant to both girls, whereas in the OG, his starting point was much closer to Aerith. In the OG, player choice allowed you to largely determine Cloud’s personality, and the girl he favored — and seemingly encouraged you to choose Aerith in many instances. In the Remake, Cloud is now his own character, not who the player wants him to be. And this Cloud, well, he sure seems to have a thing for Tifa.

In fact, one of the first changes in the Remake is the addition of Jessie asking Cloud about his relationship with Tifa, and Cloud’s brief flashback to their childhood together. In the OG, Tifa isn’t mentioned at all during the first reactor mission, and we don’t see her until we get to Sector 7.

Not only does this scene reveal Tifa’s importance to Cloud much earlier on than in the OG, but it sets up a sort of frame of reference that colors Cloud’s subsequent interactions. Even as Jessie kind of flirts with him throughout the reactor mission, even with his chance meeting Aerith in Sector 8, in the back of your mind, you might be thinking — wait what about his relationship with this Tifa character? What if he’s already spoken for?

Think about how this plays out in the OG. Jessie is pretty much a non-entity, and Cloud has his meet-cute with the flower girl before we’re even aware that Tifa exists. It’s hard to get too invested in his interactions with Tifa, when you know he has to meet the flower girl again, and you’re waiting for that moment, because that’s when the game will start in earnest.

After chapter 1 of the Remake, a new player may be asking — who is this Tifa person, and, echoing Jessie’s question, what kind of relationship does she have with Cloud? It’s a question that’s repeated when Barret mentions her before they set the bomb, and again when Barret specifies Seventh Heaven is where Tifa works — and the game zooms in on Cloud’s face — when they arrive in Sector 7.

It’s when we finally meet her at Seventh Heaven in Ch. 3 that we feel, ah now, this game has finally begun.

It’s also interesting how inorganically this question is introduced in the Remake. Up until that moment, the dialogue and Cloud are all business. Then, as they’re waiting for the gate to open, Jessie asks about Tifa completely out of the blue, and Cloud, all of a sudden, is at a lost for words, and has the first of many flashbacks. That this moment is a bit incongruous shows the effort SE made to establish Tifa’s importance to the game and to Cloud early on.

One of the biggest changes in the Remake is the addition of the events in Ch. 3 and 4. Unlike what happens in Ch. 18, Ch. 3 and 4 feel like such a natural extension of the OG’s story that many players may not even realize that SE has added an whole day’s and night’s worth of events to the OG’s story. While not a drastic change, it does reshape our understanding of subsequent events in the story, namely Cloud’s time spent alone with Aerith.

In the OG, we rush from one reactor mission to the next, with no real time to explore Cloud’s character or his relationships with any of the other characters in between. When he crashes through the church, he gets a bit of a breather. We see a different side of him with Aerith. Since we have nothing else to compare it to, many might assume that his relationship with Aerith is special. That she brings something out of him that no one else can.

That is no longer the case in the Remake. While Cloud’s time in Sector 5 with Aerith remains largely unchanged though greatly expanded, it no longer feels  “special.” So many of the beats that seemed exclusive to his relationship with Aerith in the OG, we’ve now already seen play out with both Tifa and the other members of AVALANCHE long before he meets Aerith.

Cloud tells the flowers to listen to Aerith; he’s told Tifa he’s listening if she wants to talk; told Bigg’s he wants to hear the story of Jessie’s dad. Cloud offers to walk Aerith back home; he offered the same to Wedge. Cloud smiles at Aerith; he’s already smiled at Tifa and AVALANCHE a number of times.

Now, I’m under no illusion that SE added these chapters solely to diminish Aerith’s importance to Cloud (other than the obvious goal of making the game longer, I imagine they wanted the player to spend more time in Sector 7 and more time with the other AVALANCHE members so that the collapse of the Pillar and their deaths have more weight), but they certainly must have realized that this would be one effect. If pushing Cloud/Aerith’s romance had been a goal with the Remake, this would be a scenario they would try to avoid. Notably, the other place where time has been added - the night in the Underground Shinra Lab, and the day helping other people out around the slums — are also periods of time when Aerith is absent.

Home Sweet Slums vs. Budding Bodyguard

Since most of the events in Ch. 3 were invented for the Remake, and thus we have nothing in the OG to compare it to (except to say that something is probably better than nothing), I thought it would be more interesting to compare it to Ch. 8. Structurally, they are nearly identical — Cloud doing sidequests around the Sectors with one of the girls as his guide. Extra bits of dialogue the more sidequests you complete, with an optional story event if you do them all. Do Cloud’s relationships with each girl progress the same way in both chapters? Is the Remake just Final Waifu Simulator 2020 or are they distinct, reflecting their respective roles in the story as a whole?

A lot of what the player takes away from these chapters is going to be pretty subjective (Is he annoyed with her or is he playing hard to get), yet the vibes of the two chapters are quite different. This is because in Ch. 3, the player is getting to know Tifa through her relationship with Cloud; in Ch. 8; the player is getting to know Aerith as a character on her own.

What do I mean by this? Let’s take Cloud’s initial introduction into each Sector. In Ch. 3, it’s a straight shot from Seventh Heaven to Stargazer Heights punctuated by a brief conversation where Tifa asks Cloud about the mission he was just on. We don’t learn anything new about Tifa’s character here. Instead we hear Cloud recount the mission we already saw play out in detail in Ch. 1 But it’s through this conversation that we get a glimpse of Cloud and Tifa’s relationship — unlike the reticent jerk he was with Avalanche, this Cloud is much more responsive and even tries to reassure her in his own stilted way. We also know that they have enough of a past together that Tifa can categorize him as “not a people person” — an assessment to which Cloud agrees. Slowly, we’re getting an answer to the question Jessie posed in Ch. 1 — just what kind of relationship does Cloud have with Tifa?

In Ch. 8, Aerith leads Cloud on a roundabout way through Sector 5, and stops, unprompted, to talk about her experiences helping at the restaurant, helping out the doctor, and helping with the orphans at the Leaf House. It’s not so much a conversation as a monologue. Cloud isn’t the one who inquires about these relationships, and more jarringly, he doesn’t respond until Aerith directly asks him a question (interestingly enough, it’s about the flower she gave him…which he then gave to Tifa). Here, the game is allowing the player to learn more about the kind of person Aerith is. Cloud is also learning about Aerith at the same time, but with his non-reaction, either the game itself is indifferent to Cloud’s feelings towards Aerith or it is deliberately trying to portray Cloud’s indifference to Aerith.

The optional story event you can see in each chapter after completing all the side quests is also telling. In Ch. 3, “Alone at Last” is almost explicitly about Cloud and Tifa’s relationship. It’s bookended by two brief scenes between Marle and Cloud — the first in which she lectures him about how he should treat Tifa almost like an overprotective in-law, the second after they return downstairs and Marle awards Cloud with an accessory “imbued with the fervent desire to be by one’s side for eternity” after he makes Tifa smile. In between, Cloud and Tifa chat alone in her room. Tifa finally gets a chance to ask Cloud about his past and they plan a little date to celebrate their reunion. There is also at least the suggestion that Cloud was expecting something else when Tifa asked him to her room.

In Ch. 8’s “The Language of Flowers,” Cloud and Aerith’s relationship is certainly part of the story — unlike earlier in the chapter, Cloud actually asks Aerith about what she’s doing and even supports her by talking to the flowers too, but the other main objective of this much briefer scene is to show Aerith’s relationship with the flowers and of her mysterious Cetra powers (though we don’t know about her ancestry just yet). Like a lot of Aerith’s dialogue, there’s a lot of foreshadowing and foreboding in her words. If anything, it’s almost as if Cloud is playing the Marle role to the flowers, as an audience surrogate to ask Aerith about her relationship with the flowers so that she can explain. Also, there’s no in-game reward that suggests what the scene was really about.

If there’s any confusion about what’s going on here, just compare their titles “Alone At Last” vs. “The Language of Flowers.”

I’ll try not to bring my personal feelings into this, but there’s just something so much more satisfying about the construction of Ch. 3. This is some real storytelling 101 shit, but I think a lot of it due to just how much set up and payoff there is, and how almost all of said payoff deepens our understanding of Cloud and Tifa’s relationship:

Marle: Cloud meets Tifa’s overprotective landlady towards the beginning of the chapter. She is dubious of his character and his relationship with TIfa. This impression does not change the second time they meet even though Tifa herself is there to mediate. It’s only towards the end of the chapter, after all the sidequests are complete, that this tension is resolved. Marle gives Cloud a lecture about how he should be treating Tifa, which he seems to take to heart. And Cloud finally earns Marle’s begrudging approval after he emerges from their rooms with a chipper-looking Tifa in tow.

Their past: For their first in-game interaction, Cloud casually brings up that fact that it’s been “Five years” since they’ve last, which seem to throw Tifa off a bit. As they’re replacing filters, Cloud asks Tifa what she’s been up to in the time since they’ve been apart, and Tifa quickly changes the subject. Tifa tries to ask Cloud about his life “after he left the village,” at the Neighborhood Watch HQ, and this time he’s the one who seems to be avoiding the subject. It’s only after all the Ch. 3 sidequests are complete, and they're alone in her room that Tifa finally gets the chance to ask her question. A question which Cloud still doesn’t entirely answer. This question remains unresolved, and anyone’s played the OG will know that it will remain unresolved for some time yet, as it is THE question of Cloud’s story as a whole.

The lessons: Tifa starts spouting off some lessons for life in the slums as she brings Cloud around the town, though it’s unclear if Cloud is paying attention or taking them to heart. After completing the first sidequest, Cloud repeats one of these sayings back to her, confirming that he’s been listening all along. By the end of the chapter, Cloud is repeating these lessons to himself, even when Tifa isn’t around. These lessons extend beyond this chapter, with Cloud being a real teacher’s pet, asking Tifa “Is this a lesson” in Ch. 10 once they reunite.

The drink: When Cloud first arrives at Seventh Heaven, Tifa plays hostess and asks him if he wants anything, but it seems he’s only interested in his money. After exploring the sector a bit, Tifa again tries to play the role of cheery bartender, offering to make him a cocktail at the bar, but Cloud sees through this facade, and they carry on. Finally, after the day’s work is done, to tide Cloud over while she’s meeting with AVALANCHE, Tifa finally gets the chance to make him a drink. No matter, which dialogue option the player chooses, Tifa and Cloud fall into the roles of flirty bartender and patron quite easily. Who would have thought this was possible from the guy we met in Ch. 1?

This dynamic is largely absent in Ch. 8, except perhaps exploring Aerith’s relationship with the flowers, which “pays off” in the “Language of Flowers” event, but again, that scene is primarily about Aerith’s character rather than her relationship with Cloud. The orphans and the Leaf House are a throughline of the chapter, but they are merely present. There’s no clear progression here as was the case with in Ch. 3. Sure, the kids admire Cloud quite a bit after he saves them, but it’s not like they were dubious of his presence before. They barely paid attention to him. In terms of the impact the kids have on Cloud’s relationship with Aerith, there isn’t much at all. Certainly nothing like the role Marle plays in developing his relationship with Tifa.

The thing is, there are plenty of moments that could have been set ups, only there’s no real follow through. Aerith introduces Cloud around town as her bodyguard, and some people like the Doctor express dubiousness of his ability to do the job, but even after we spend a whole day fighting off monsters, and defeating Rude, there’s no payoff. Not even a throwaway “Wow, great job bodyguarding” comment. Same with the whole “one date” reward. Other than a quick reference on the way to Sector 5, and Aerith threatening to reveal the deal to cajole Cloud into helping her gather flowers, it’s never brought up again, in this chapter, or the rest of the game.

Aerith also makes a big stink about Cloud taking the time to enjoy Elmyra’s cooking. This is after Cloud is excluded from AVALANCHE’s celebration in Seventh Heaven and after he misses out on Jessie’s mom’s “Midgar Special” with Biggs and Wedge. So this could have been have been the set up to Cloud finally getting to experience a nice, domestic moment where he feels like he’s part of a family. And this dinner does happen! Only…the Remake skips over it entirely. Which is quite a strange choice considering that almost every other waking moment of Cloud’s time in Midgar has been depicted in excruciating detail. SE has decided that either whatever happened in this dinner between these three characters is irrelevant to the story they’re trying to tell, or they’ve deliberately excluded this scene from the game so that the player wouldn’t get any wrong ideas from it (e.g., that Cloud is starting to feel at home with Aerith).

Speaking of home, the Odd Jobs in Ch. 3 feel a bit more meaningful outside of just the gameplay-related rewards because they’re a way for Cloud to improve his reputation as he considers building a life for himself in Sector 7. This intent is implicit as Tifa imparts upon him the life lessons for surviving the slums, and then explicit, when Tifa asks him if he’s going to “stick around a little longer” outside of Seventh Heaven and he answers maybe. (It is later confirmed when Cloud and Tifa converse in his room in Ch. 4 after he remembers their promise).

Despite Aerith’s endeavors to extend their time together, there’s no indication that Cloud is planning to put down roots in Sector 5, or even return. Not even after doing all the Odd Jobs. If anything, it’s just the opposite — after 3 Odd Jobs, Aerith, kind of jokingly tells Cloud “don’t think you can rely on me forever.” This is a line that has a deeper meaning for anyone who knows Aerith’s fate in the OG, but Cloud seems totally fine with the outcome. Similarly, at the end of the Chapter 8, Elmyra asks Cloud to leave and never speak to Aerith again — a request to which he readily agrees.

Adding to the different vibes of the Chapters are the musical themes that play in the background. In Ch. 3, it’s the “Main Theme of VII”, followed by “On Our Way” — two tracks that instantly recall the OG. While the Main Theme is a bit melancholy, it's also familiar. It feels like home. In Ch. 8, we have an instrumental version of ‘Hollow’ - the new theme written for the Remake. While, it’s a lovely piece, it’s unfamiliar and honestly as a bit anxiety inducing (as is the intent).

(A quick aside to address the argument that this proves ‘Hollow’ is about Cloud’s feelings for Aerith:

Which of course doesn’t make any damn sense because he hasn’t even lost Aerith at this point the story. Even if you want to argue that there is so timey-wimey stuff going on and the whole purpose of the Remake is to rewrite the timeline so that Cloud doesn’t lose Aerith around — shouldn’t there be evidence of this desire outside of just the background music? Perhaps, in Cloud’s actions during the Chapter which the song plays — shouldn’t he dread being parted from her, shouldn’t he be the one trying to extend their time together? Instead, he’s willing to let her go quite easily.

The more likely explanation as to why “Hollow” plays in Ch. 8 is that since the “Main Theme of FFVII”  already plays in Ch. 3, the other “main theme” written for the Remake is going to play in the other chapter with a pseudo-open world vibe. If you’re going to say “Hollow” is about Cloud’s feelings for Aerith then you’d have to accept that the Main Theme of the entire series is about Cloud’s feelings for Tifa, which would actually make a bit more sense given that is practically Cloud’s entire character arc.)

Both chapters contain a scripted battle that must be completed before the chapter can end. They both contain a shot where Cloud fights side by side with each of the girls.

Here, Cloud and Tifa are both in focus during the entirety of this shot.

Here, the focus pulls away from Cloud the moment Aerith enters the frame.

I doubt the developers expected most players to notice this particular technique, but it reflects the subtle differences in the way these two relationships are portrayed. By the end of Ch. 3, Cloud and Tifa are acting as one unit. By the end of Ch. 8, even when they’re together, Cloud and Aerith are still apart.

A brief (lol) overview of some meaningful changes from the OG

One of the most significant changes in the Sector 7 chapters is how The Promise flashback is depicted. In the OG, Tifa is the one who has to remind Cloud of the Promise, in a rather pushy way, and whether Cloud chooses to join the next mission to fulfill his promise to her or because Barret is giving him a raise feels a bit more ambiguous.

In the Remake, the Promise has it’s own little mini-arc. It’s first brought up at the end of Ch. 3 when Cloud talks to Tifa about her anxieties about the upcoming mission. Tifa subtly references the Promise by mentioning that she’s “in a pitch” — a reference that goes over Cloud’s head. It’s only in Ch. 4, in the middle of a mission with Biggs and Wedge, where Tifa is no where in sight, that a random building fan reminds him of the Nibelheim water tower and the Promise he made to Tifa there. There’s also another brief flashback to that earlier moment in the bar when Tifa mentions she’s in a “pinch.” Again, the placement of this particular flashback at this particular moment feels almost jarring. And the flashback to the scene in the bar — a flashback to a scene we’ve already seen play out in-game — is the only one of its kind in the Remake. SE went out of the way to show that this particular moment is very important to Cloud and the game as whole. It’s when Cloud returns to his room, and Tifa asks him if he’s planning to stay in Midgar, that this mini-arc is finally complete. He brings up the Promise on his own, and makes it explicit that the reason he’s staying is for her. It’s to fulfill his Promise to her, not for money or for AVALANCHE — at this point, he’s not even supposed to be going on the next mission.

The Reactor 5 chapters are greatly expanded, but there aren’t really any substantive changes other than the addition of the rather intimate train roll scene between and Cloud and Tifa, which adds nothing to the story except to establish how horny they are for each other. We know this is the case, of course, because if you go out of your way to make Cloud look like an incompetent idiot and let the timer run out, you can avoid this scene altogether. But even in that alternate scene, Cloud’s concern for Tifa is crystal clear.

Ch. 8 also plays out quite similarly to the OG for the most part, though Cloud’s banter with Aerith on the rooftops doesn’t feel all that special since we’ve already seen him do the same with Tifa, Barret and the rest of AVALANCHE. The rooftops is the first place Cloud laughs in the OG. In the Remake, while Cloud might not have straight out laughed before, he’s certainly smiled quite a bit in the preceding chapters. Also, with the addition of voice acting and realistic facial expressions, that “laughter” in the Remake comes off much more sarcastic than genuine.

It’s also notable that in the Remake, Cloud vocally protests almost every time Aerith tries to extend their time together. In the OG, Cloud says nothing in these moments, which the player could reasonably interpret as assent.

One major change in the Remake is how Aerith learns of Tifa’s existence. In the OG, Cloud mentions that he wants to go back to Tifa’s bar, prompting Aerith to ask him about his relationship with her. In the Remake, Cloud calls Tifa’s name after having a random flashback of Child Tifa as he’s walking along with some kids. Again the insertion of said flashback is a bit jarring, prompting Aerith to understandably ask Cloud about just who this Tifa is. In the OG, this exchange served to show Aerith’s jealousy and her interest in Cloud. In the Remake, it’s all about Cloud’s feelings for Tifa and his inability to articulate them. As for Aerith, I suppose you can still read her reaction as jealous, though simple curiosity is a perfectly reasonable way to read it too. It plays out quite similarly to Aerith asking Cloud about who he gave the flower to. Her follow ups seem indicate that she’s merely curious about who this recipient might be rather than showing that she’s upset/jealous of the fact that said person exists.

For the collapsed tunnel segment, the Remake adds the recurring bit of Aerith and Cloud trying to successfully complete a high-five. While this is certainly a way to show them getting closer, it’s about least intimate way that SE could have done so. Just think about the alternatives — you could have Cloud and Aerith sharing brief tidbits of their lives after each mechanical arm, you could have them trying to reach for each other’s hand. Instead, SE chose an action that is we’ve seen performed between a number of different platonic buddies, and an action that Aerith immediately performs with Tifa upon meeting her. Not to mention, even while they are technically getting closer, Cloud still rejects (or at least tries to) Aerith’s invitations to extend their time together twice — at the fire and at the playground.

One aspect from these two Chapters that does has plenty of set up and a satisfying payoff is Aerith’s interest in Cloud’s SOLDIER background. You have the weirdness of Aerith already knowing that Cloud was in SOLDIER without him mentioning it first, followed by Elmyra’s antipathy towards SOLDIERs in general, not to mention Aerith actively fishing for information about Cloud’s time in SOLDIER. (For players who’ve played Crisis Core, the reason for her behavior is even more obvious, with her “one date” gesture mirroring Zack’s, and her line to Cloud in front of the tunnel a near duplicate of what she says to Zack — at least in the original Japanese).

Finally, at the playground, it’s revealed that the reason for all this weirdness is because Aerith’s first love was also a SOLDIER who was the same rank as Cloud. Unlike in the OG, Cloud does not exhibit any potential jealousy by asking about the nature of her relationship, and Aerith doesn’t try to play it off by dismissing the seriousness. In fact, with the emotional nuance we can now see on her face, we can understand the depth of her feelings even if she cannot articulate them.

This is the first scene in the Remake where Cloud and Aerith have a genuine conversation. Thus, finally, Cloud expresses some hesitation before he leaves her — and as far as he knows, this could be the last time they see each other. You can interpret this hesitation as romantic longing or it could just as easily be Cloud being a bit sad to part from a new friend. Regardless, it’s notable that scene is preceded by one where Aerith is talking about her first love who she clearly isn’t over, and followed by a scene where Cloud sprints across the screen, without a backwards glance at Aerith, after seeing a glimpse of Tifa through a tiny window in a Chocobo cart that’s about a hundred yards away.

The Wall Market segment in the Remake is quite explicitly about Cloud’s desire to save Tifa. In the OG, Aerith has no trouble getting into Corneo’s mansion on her own, so I can see how someone could misinterpret Cloud going through all the effort to dress as a woman to protect Aerith from the Don’s wiles (though of course, you would need to ask, why they trying to infiltrate the mansion in the first place?). In the Remake, Cloud has to go through herculean efforts to even get Aerith in front of the Don. Everyone who is aware of Cloud’s cause, from Sam to Leslie to Johnny to Andrea to Aerith herself, comments on how hard he’s working to save Tifa and how important she must be to him for him to do so. In case there’s any confusion, the Remake also includes a scene where Cloud is prepared to bust into the mansion on his own, leaving Aerith to fend for herself, after Johnny comes with news that Tifa is in trouble.

Both Cloud and Aerith get big dress reveals in the Remake. If you get Aerith’s best dress, Cloud’s reaction can certainly be read as one of attraction, but since the game continues on the same regardless of which dress you get, it’s not meant to mark a shift in Cloud and Aerith’s relationship. Rather, it’s a reward for the player for completing however many side quests in Ch. 8, especially since the Remake incentives the player to get every dress and thus see all of Cloud’s reactions by making it a Trophy and including it in the play log.

A significant and very welcome change from the OG to the Remake is Tifa and Aerith’s relationship dynamic. In the OG, the girls’ first meeting in Corneo’s mansion starts with them fighting over Cloud (by pretending not to fight over Cloud). In the Remake, the sequence of events is reversed so that it starts off with Cloud’s reunion with Tifa (again emphasizing that the whole purpose of the infiltration is because Cloud wants to save Tifa). Then when Aerith wakes, she’s absolutely thrilled to make Tifa’s acquaintance, hardly acknowledging Cloud at all. Tifa is understandably more wary at first, but once they start working together, they become fast friends.

Also interesting is that from the moment Aerith and Tifa meet, almost every instance where Cloud could be shown worrying about Aerith or trying to comfort Aerith is given to Tifa instead. In the OG, it’s Cloud who frets about Aerith getting involved in the plot to question the Don, and regrets getting her mixed up in everything once they land in the sewers. In the Remake, those very same reservations are expressed by Tifa instead. Tifa is the one who saves Aerith when the platform collapses in the sewer. Tifa is the one who emotionally comforts Aerith after they’re separated in the train graveyard. (Cloud might be the one who physically saves her, but he doesn’t even so much give her a second glance to check on her well-being before he runs off to face Eligor. He leaves that job for Tifa). It almost feels like the Remake is going out of its way to avoid any moments between Cloud and Aerith that could be interpreted as romantic. In fact, after Corneo’s mansion, unless you get Aerith’s resolution, there are almost no one-on-one interactions at all between Cloud and Aerith. Such is not the case with Cloud and Tifa. In fact, right after defeating Abzu in the sewers, Cloud runs after Tifa, and asks her if what she’s saying is one of those slum lessons — continuing right where they left off.

Ch. 11 feels like a wink-wink nudge-nudge way to acknowledge the LTD. You have the infamous shot of the two girls on each of Cloud’s arms, and two scenes where Cloud appears as if he’s unable to choose between them when he asks them if they’re okay. Of course, in this same Chapter, you have a scene during the boss fight with the Phantom where Cloud actually pulls Tifa away from Aerith, leaving Aerith to defend herself, for an extended sequence where he tries to keep Tifa safe. This is not something SE would include if their intention is to keep Cloud’s romantic interest ambiguous or if Aerith is meant to be the one he loves. Of course, Ch. 11 is not the first we see of this trio’s dynamic. We start with Ch. 10, which is all about Aerith and Tifa’s friendship. Ch. 11 is a nod to the LTD dynamic in the OG, but it’s just that, a nod, not an indication the Remake is following the same path. Halfway through Ch. 11, the dynamic completely disappears.

Ch. 12 changes things up a bit from the OG. Instead of Cloud and Tifa ascending the pillar together, Cloud goes up first. Seemingly just so that we can have the dramatic slow-mo handgrab scene between the two of them when Tifa decides to run after Cloud — right after Aerith tells her to follow her heart.

The Remake also shows us what happens when Aerith goes to find Marlene at Seventh Heaven — including the moment when Aerith sees the flower she gave Cloud by the bar register, and Aerith is finally able to connect the dots. After seeing Cloud be so cagey about who he gave the flower to, and weird about his relationship with Tifa, and after seeing how Cloud and Tifa act around each other. It finally makes sense. She’s figured it out before they have. It’s a beautiful payoff to all that set up. Any other interpretation of Aerith’s reaction doesn’t make a lick of sense, because if it’s to indict she’s jealous of Tifa, where is all the set up for that? Why did the Remake eliminate all the moments from the OG where she had been noticeably jealous before? Without this, that interpretation makes about as much sense as someone arguing Aerith is smiling because she’s thinking about a great sandwich she had the night before. In case anyone is confused, the scene is preceded by a moment where Aerith tells Tifa to follow her heart before she goes after Cloud, and followed by the moment where Cloud catches Tifa via slow-motion handgrab.

On the pillar itself, there are so many added moments of Cloud showing his concern for Tifa’s physical and emotional well-being. Even when they find Jessie, as sad as Cloud is over Jessie’s death, the game actually spends more time showing us Cloud’s reaction to Tifa crying over Jessie’s death, and Cloud’s inability to comfort her. Since so much of this is physical rather than verbal, this couldn’t have effectively been shown in the OG with its technological limitations.

After the pillar collapses, we start off with a couple of other moments showing Cloud’s concern over Tifa — watching over her as she wakes, his dramatic fist clench while he watches Barret comfort Tifa in a way he cannot. There is also a subtle but important change in the dialogue. In the OG, Tifa is the one who tells Barret that Marlene is safe because she was with Aerith. Cloud is also on his way to Sector 5, but it’s for the explicit purpose of trying to save Aerith, which we know because Tifa asks. In the Remake, Tifa is too emotionally devastated to comfort Barret about Marlene. Cloud, trying to help in the only way he can, is now the one to tell Barret about Marlene. Leading them to Sector 5 is no longer about him trying to help Aerith, but about him reuniting Barret with his daughter. Again, another moment where Cloud shows concern about Aerith in the OG is eliminated from the Remake.

Rather than going straight from Aerith’s house to trying to figure out a way into the Shinra building to find Aerith, the group takes a detour to check out the ruins of Sector 7 and rescue Wedge from Shinra’s underground lab. It’s only upon seeing the evidence of Shinra’s inhumane experimentation firsthand that Cloud articulates to Elmyra the need to rescue Aerith. In the OG, they never sought out Elmyra’s permission, and Tifa explicitly asks to join Cloud on his quest. Rescuing Aerith is framed as primarily Cloud’s goal, Tifa and Barret are just along for the ride.

In the Remake, all three wait until Elymra gives them her blessing, and it’s framed (quite literally) as the group’s collective goal as opposed to just Cloud’s.

In the aptly named Ch. 14 resolutions, each marks the culmination of the character’s arc for the Part 1 of Remake. While their arcs are by no means complete, they do offer a nice preview of what their ultimate resolutions will be.

With the exception of Tifa’s, these resolutions are primarily about the character themselves. Their relationships with Cloud are secondary. Each resolution marks a change in the character themselves, but not necessarily a change in Cloud’s relationship with said character. Barret recommits to AVALANCHE’s mission and his role as a leader despite the deep personal costs. Aerith’s is full of foreshadowing as she accept her fate and impending death and decides to make the most of the time she has left. After trying to put aside her own feelings for the sake of others the whole time, Tifa finally allows herself to feel the full devastation of losing her home for the second time. Like her ultimate resolution in the Lifestream that we’ll see in about 25 years, Cloud is the only person she can share this sentiment with because he was the only person who was there.

Barret does not grow closer to Cloud through his resolution. Cloud has already proved himself to him by helping out on the pillar and reuniting him with Marlene. Barret resolution merely reveals that Barret is now comfortable enough with Cloud to share his past.

Similarly, Cloud starts off Aerith’s resolution with an intent to go rescue her, and ends with that intent still intact. Aerith is more open about her feelings here than before, it being a dream and all, but these feelings aren’t something that developed during this scene.

The only difference is during Tifa’s resolution. Cloud has been unable to emotionally comfort Tifa up until this point. It’s only when Tifa starts crying and rests her head upon his shoulder that he is able to make a change, to make a choice and hug her. Halfway through Tifa’s resolution, the scene shifts its focus to Cloud, his inaction and eventual action. Notably, the only time we have a close-up of any character during all three resolutions (I’ll define close-up here as a shot where a character’s face takes up half or more of the shot), are three shots of Cloud when he’s hugging/trying to hug Tifa. Tifa’s resolution is the only one where Cloud arcs.

What of the whole “You can’t fall in love with me” line in Aerith’s resolution? Why would SE include that if not to foreshadow Cloud falling in love with Aerith? Or indicate that he has already? Well, you can’t just take the dialogue on its own, you how to look at how these lines are framed. Notably, when she says “you can’t fall in love with me,” Aerith is framed at the center of the shot, and almost looks like she’s directly addressing the player. It’s as much a warning for the player as it is for Cloud, which makes sense if you know her fate in the OG.

This is followed directly by her saying “Even if you think you have…it’s not real.” In this shot, it’s back to a standard shot/reverse shot where she is the left third of the frame. She is addressing Cloud here, which, again if you’ve played the OG, is another bit of heavy foreshadowing. The reason Clould would think he might be in love with Aerith is because he’s falsely assuming of the memories of a man who did love Aerith — Zack.

For Cloud’s response (”Do I get a say in all this?”/ “That’s very one-sided” depending on the translation), rather than showing a shot of his face, the Remake shows him with his back turned.

Whatever Cloud’s feelings may be for Aerith, the game seems rather indifferent to them.

What is more telling is the choice to include a bit with Cloud getting jealous over a guy trying to give Tifa flowers in Barret’s resolution. Barret also mentions both Jessie and Aerith in their conversation, but nothing else gets such a reaction from Cloud.

It also should go without saying that if Aerith’s resolution is meant to establish Cloud and Aerith’s romance, there should have been plenty of set-up beforehand and plenty of follow-through afterward. That obviously is not the case, because again, the Remake has gone out of its way to avoid moments where Cloud’s actions towards Aerith could be interpreted romantically.

Case in point, at around this time in the OG, Marlene tells Cloud that she thinks Aerith likes him and the player has the option to have Cloud express his hope that she does. This scene is completely eliminated from the Remake and replaced with a much more appropriate scene of father-daughter affection between Marlene and Barret while Tifa and Cloud are standing together outside.

The method by which they get up the plate is completely different in the Remake. Leslie is the one who helps them this time around, and though his quest to reunite with his fiance directly parallels with the trio’s desire to save Aerith, Leslie himself draws a comparison to earlier when Cloud was trying to rescue Tifa. Finally, when Abzu is defeated again, it is Barret who draws the parallel of their search for Aerith to Leslie’s search for his fiance, making it crystal clear that saving Aerith is a group effort rather than only Cloud’s.

Speaking of Barret, in the OG, he seems to reassess his opinion of Cloud in the Shinra HQ stairs when he sees Cloud working so hard to save Aerith and realizes he might actually care about other people. In the Remake, that reevaluation occurs after you complete all the Ch. 14 sidequests and help a bunch of NPCs. Arguably, this moment occurs even earlier in the Remake for Barret, after the Airbuster, when he realizes that Cloud is more concerned for his and Tifa’s safety than his own.

Overall, the entire Aerith rescue feels so anticlimactic in the Remake. In the OG, Cloud gets his big hero moment in the Shinra Building. He’s the one who runs up to Aerith when the glass shatters and they finally reunite. In the Remake, it’s unclear what the emotional stakes are for Cloud here. At their big reunion, all we get from him is a “Yep.” In fact, when you look at how this scene plays out, Aerith is positioned equally between Cloud and Tifa at the moment of her rescue. Cloud’s answer is again with his back turned to the camera. It’s Tifa who gets her own shot with her response.

Another instance of the Remake being completely indifferent to Cloud’s feelings for Aerith, and actually priotizing Tifa’s relationship with Aerith instead.

It is also Tifa who runs to reunite with Aerith after the group of enemies is defeated. Another moment that could have easily been Cloud’s that the Remake gives to Tifa.

Also completely eliminated in the Remake, is the “I’m your bodyguard. / The deal was for one date” exchange in the jail cells. In the Remake, after Ch. 8, the date isn’t brought up again at all; “the bodyguard” reference only comes up briefly in Ch. 11 and then never again.

In the Remake, the jail scene is replaced by the scene in Aerith’s childhood room. Despite the fact that this is Aerith’s room, it is Tifa’s face that Cloud first sees when he wakes. What purpose does this moment serve other than to showcase Cloud and Tifa’s intimacy and the other characters’ tacit acknowledgment of said intimacy?

(This is the second time where Cloud wakes up and Tifa is the first thing he sees. The other was at Corneo’s mansion. He comes to three times in the Remake, but in Ch. 8, even though Aerith is right in front of him, we start off with a few seconds of Cloud gazing around the church before settling on the person in front of him. Again, while not something that most players would notice, this feels like a deliberate choice.)

Especially since this scene itself is all about Aerith. She begins a sad story about her past, and Cloud, rather than trying to comfort her in any way, asks her to give us some exposition about the Ancients. When the Whispers surround her, even though Cloud is literally right there, it's Tifa who pulls her out of it and comforts her. Another moment that could have been Cloud that was given to Tifa, and honestly, this one feels almost bizarre.

Throughout the entire Shinra HQ episode, Cloud and Aerith haven’t had a single moment alone to themselves. The Drums scenario is completely invented for the Remake. The devs could have contrived a way for Cloud and Aerith to have some one-on-one time here and work through the feelings they expressed during Aerith’s resolution if they wanted. Instead, with the mandatory party configurations during this stage - Cloud & Barret on one side; Tifa & Aerith on the others, with Cloud & Tifa being the respective team leaders communicating over PHS, the Remake minimizes the amount of interaction Cloud and Aerith have with each other in this chapter.

On the rooftop, before Cloud’s solo fight with Rufus, even though Cloud is ostensibly doing all this so that they can bring Aerith to safety, the Remake doesn’t include a single shot that focuses on Aerith’s face and her reaction to his actions. The game has decided, whatever Aerith’s feelings are in this moment, they’re irrelevant to the story they’re trying to tell. Instead we get shots focusing solely on Barret and Tifa. While the Remake couldn’t find any time to develop Cloud and Aerith’s relationship at the Shinra Tower (even though the OG certainly did), it did find time to add a new scene where Tifa saves Cloud from certain death, while referencing their Promise.

A lot of weird shit happens after this, but it’s pretty much all plot and no character. We do get one more moment where Cloud saves Tifa (and Tifa alone) from the Red Whisper even though Aerith is literally right next to her. The Remake isn’t playing coy at all about where Cloud’s preferences lie.

The party order for the Sephiroth battle varies depending on how you fought the Whispers. All the other character entrances (whoever the 3rd party member is, then the 4th and Red) are essentially the exact same shots, with the characters replaced. It’s the first character entrance (which can only be Aerith or  Tifa) that you have two distinct options.

If Aerith is first, the camera pans from Cloud over to Aerith. It then cuts back to Cloud’s reaction, in a separate shot, as Aerith walks to join him (offscreen). It’s only when the player regains control of the characters that Cloud and Aerith ever share the frame.

On the other hand, if Tifa is first, we see Tifa land from Cloud’s POV. Cloud then walks over to join Tifa and they immediately share a frame, facing Sephiroth together.

Again, this is not something SE would expect the player to notice the first or even second time around. Honestly, I doubt anyone would notice at all unless they watched all these variations back to back. That is telling in itself, that SE would go through all this effort (making these scenes unique rather than copy and pasting certainly takes more time and effort) to ensure that the depictions of Cloud’s relationships with these two women are distinct despite the fact that hardly anyone would notice. Even in the very last chapter of the game, they want us to see Cloud and Tifa as a pair and Cloud and Aerith as individuals.

Which isn’t to say that Aerith is being neglected in the Remake. Quite the opposite, in fact, when she has essentially become the main protagonist and the group’s spirtual leader in Ch. 18. Rather, her relationship with Cloud is no longer an essential part of her character. Not to mention, one of the very last shots of the Remake is about Aerith sensing Zack’s presence. Again, not the kind of thing you want to bring up if the game is supposed to show her being in love with Cloud.

What does it all mean????

Phew — now let’s step back and look and how the totality of these changes have reshaped our understanding of the story as a whole. Looking solely at the Midgar section of the OG, and ignoring everything that comes after it, it seems to tell a pretty straightforward story: Cloud is a cold-hearted jerk who doesn’t care about anyone else until he meets Aerith. It is through his relationship with Aerith that he begins to soften up and starts giving a damn about something other than himself. This culminates when he risks it all to rescue Aerith from the clutches of the game’s Big Bad itself, The Shinra Electric Company.

This was honestly the reason why I was dreading the Remake when I learned that it would only cover the Midgar segment. A game that’s merely an expansion of the Midgar section of the OG is probably going to leave a lot of people believing that Cloud & Aerith were the intended couple, and I didn’t want to wait years and perhaps decades for vindication after the Remake’s Lifestream Scene.

I imagine this very scenario is what motivated SE to make so many of these changes. In the OG, they could get away with misdirecting the audience for the first few hours of the game since the rest of the story and the reveals were already completed. The player merely had to pop in the next disc to get the real story. Such is not the case with the Remake. Had the the Remake followed the OG’s beats more closely, many players, including some who’ve never played the OG, would finish the Remake thinking that Cloud and Aerith were the intended couple. It would be years until they got the rest of the story, and at that point, the truth would feel much more like a betrayal. Like they’ve been cruelly strung along.

While they’ve gone out of their way to adapt most elements from the OG into the Remake, they’ve straight up eliminated many scenes that could be interpreted as Cloud’s romantic interest in Aerith. Instead, he seems much more interested in her knowledge as an Ancient than in her romantic affections. This is the path the Remake could be taking. Instead of Cloud being under the illusion of falling in love with Aerith, he’s under the illusion that the answer to his identity dilemma lies in Aerith’s Cetra heritage, when, of course, the answer was with Tifa all along.

Hiding Sephiroth’s existence during the Midgar arc isn’t necessary to telling the story of FF7, thus it’s been eliminated in the Remake. Similarly, pretending that Cloud and Aerith are going to end up together also isn’t necessary and would only confuse the player. Thus the LTD is no longer a part of the Remake.

If Aerith’s impact on Cloud has been diminished, what then is his arc in the Remake? Is it essentially just the same without the catalyst of Aerith? A cold guy at the start who eventually learns to care about others through the course of the game? Kind of, though arguably, this is who Remake!Cloud is all along, not just Cloud at the end of the Remake. Cloud is a guy who pretends to be a selfish jerk, but he deep down he really does care. He just doesn’t show this side of himself around people he’s unfamiliar with. So part of his arc in the Remake is opening up to the others, Barret, AVALANCHE and Aerith included, but these all span a chapter or two at most. They don’t straddle the entire game.

What is the throughline then? What is an area in which he exhibits continuous growth?

It’s Tifa. It’s his desire to fulfill his Promise to Tifa. Not just to protect her physically, but to be there for her emotionally, something that’s much harder to do. There’s the big moments like when he remembers the Promise in Ch. 4., his dramatic fist clench when he can’t stop Tifa from crying in Ch. 12, and in Ch. 13 when he watches Barret comfort Tifa. It’s all the flashbacks he has of her and the times he’s felt like he failed her. It’s the smaller moments where he can sense her nervousness and unease but the only thing he knows how to do is call her name. It’s all those times during battle, where Tifa can probably take care of herself, but Cloud has to save her because he can’t fail her again. All of this culminates in Tifa’s Resolution, where Tifa is in desperate need of comfort, and is specifically seeking Cloud’s comfort, and Cloud has no idea what to do. He hesitates because he’s clueless, because he doesn’t want to fuck it up, but finally, he makes the choice, he takes the risk, and he hugs her….and he kind of fucks it up. He hugs her too hard. Which is a great thing, because this arc isn’t anywhere close to being over. There’s still so much more to come. So many places this relationship will go.

We get a little preview of this when Tifa saves Cloud on the roof. Everything we thought we knew about their relationship has been flipped on its head. Tifa is the one saving Cloud here, near the end of this part of the Remake. Just as she will save Cloud in the Lifestream just before the end of the FF7 story as a whole. What does Tifa mean to Cloud? It’s one of the first questions posed in the Remake, and by the end, it remains unanswered.

Cloud’s character arc throughout the entire FF7 story is about his reconciling with his identity issues. This continues to develop through the Shinra Tower Chapters, but it certainly isn’t going to be resolved in Part 1 of the Remake. His character arc in the Remake — caring more about others/finding a way to finally comfort Tifa — is resolved in Ch. 14, well before rescuing Aerith, which is what makes her rescue feel so anticlimactic. The resolution of this external conflict isn’t tied to the protagonist’s emotional arc. This was not the case in the OG. I’m certainly not complaining about the change, but the Remake probably would have felt more satisfying as a whole if they hewed to the structure of the OG. Instead, it seems that SE has prioritized the clarity of the Remake series as a whole (leaving no doubt about where Cloud’s affections lie) over the effectiveness of the “climax” in the first entry of the Remake.

This is all clear if you only focus on the “story” of the Remake -- i.e., what the characters are saying and doing. If you extend your lens to the presentation of said story, and here I’m talking about who the game chooses to focus on during the scenes, how long they hold on these shots, which characters share the frame, which do not, etc --- it really could not be more obvious.

Does the camera need to linger for over 5 seconds on Cloud staring at the door after wishing Tifa goodnight? Does it need to find Cloud almost every time Tifa says or does anything so that we’re always aware of his watchfulness and the nature of his care? The answer is no until you realize this dynamic is integral to telling the story of Final Fantasy VII.

I don’t see how anyone who compares the Remake to the OG could come away from it thinking that the Remake series is going to reverse all of the work done in the OG and Compilation by having Cloud end up with Aerith.

Just because the ending seems to indicate that the events of the OG might not be set in stone, it doesn’t mean that the Remake will end with Aerith surviving and living happily ever after with Cloud. Even if Aerith does live (which again seems unlikely given the heavy foreshadowing of her death in the Remake), how do you come away from the Remake thinking that Cloud is going to choose Aerith over Tifa when SE has gone out of its way to remove scenes between Cloud and Aerith that could be interpreted as romantic? And gone out of its way to shove Cloud’s feelings for Tifa in the player’s face? The sequels would have to spend an obscene amount of time not only building Cloud and Aerith’s relationship from scratch, but also dismantling Cloud’s relationship with Tifa. It would be an absolute waste of time and resources, and there’s really no way to do so without making the characters look like assholes in the process.

Now could this happen? Sure, in the sense that literally anything could happen in the future. But in terms of outcomes that would make sense based on what’s come before, this particular scenario is about as plausible as Cloud deciding to relinquish his quest to find Sephiroth so that he can pursue his real dream of becoming at sandwich artist at Panera Bread.

It’s over! I promise!

Like you, I too cannot believe the number of words I’ve wasted on this subject. What is there left to say? The LTD doesn’t exist outside of the first disc of the OG. You'll only find evidence of SE perpetuating the LTD if you go into these stories with the assumption that 1) The LTD exists 2) it remains unanswered. But it’s not. We know that Cloud ends up with Tifa.

What the LTD has become is dissecting individual scenes and lines of dialogue, without considering the context of said things, and pretending as if the outcome is unknown and unknowable. If you took this tact to other aspects of FF7’s story, then it would be someone arguing that because there a number of scenes in the OG that seem to suggest that Meteor will successfully destroy the planet, this means that the question of whether or not our heroes save the world in the end is left ambiguous. No one does that because that would be utterly absurd. Individual moments in a story may suggest alternate outcomes to build tension, to keep us on our toes, but that doesn’t change the ending from being the ending. Our heroes stop Meteor. Cloud loves Tifa. Arguments against either should be treated with the same level of credulity (i.e., none).

It’s frustrating that the LTD, and insecurities about whether or not Cloud really loves Tifa, takes up so much oxygen in any discussion about these characters. And it’s a damn shame, because Cloud and Tifa’s relationship is so rich and expansive, and the so-called “LTD” is such a tiny sliver of that relationship, and one of the least interesting aspects. They’re wonderful because they’re just so damn normal. Unlike other Final Fantasy couples, what keeps them apart is not space and time and death, but the most human and painfully relatable emotion of all, fear. Fear that they can’t live up to the other’s expectations; fear that they might say the wrong thing. The fear that keeps them from admitting their feelings at the Water Tower, they’re finally able to overcome 7 years later in the Lifestream. They’re childhood friends but in a way they’re also strangers. Like other FF couples, we’re able to watch their entire relationship grow and unfold before our eyes. But they have such a history too, a history that we unravel with them at the same time. Every moment of their lives that SE has found worth depicting, they’ve been there for each other, even if they didn’t know it at the time. Theirs is a story that begins and ends with each other. Their is the story that makes Final Fantasy VII what it is.

If you’ve made it this far, many thanks for reading. I truly have no idea how to use this platform, so please direct any and all hatemail to my DMs at TLS, which I will then direct to the trash. (In all seriousness, I’d be happy to answer any specific questions you may have, but I feel like I’ve more than said my piece here.)

If there’s one thing you take away from this, I hope it’s to learn to ignore all the ridiculous arguments out there, and just enjoy the story that’s actually being told. It’s a good one.

#cloti

[sharkinlovewithadolphin]

Iwatobi Moon Cave (2312 words), by sharkinlovewithadolphin

Rin and Haru are merfolk from different areas, who wind up meeting in a cave on an island. Cue years of secret cave meetings and developed feelings. Romantic, right? For day 1 of RH week 2021. Theme: Water, Red prompt: Feelings, AU: Merfolk. Infinite gratitude to my beloved proofreader, @illbebuyingallofthoseflowers! Please keep her in your thoughts, she fought a brave battle and saved you all for my abuse of the word "suddenly". I hope you enjoy - this is my first ever published piece of work, so any feedback is highly appreciated! :D Chapters: 1/2 Fandom: Free! Rating: General Audiences Warnings: Creator Chose Not To Use Archive Warnings Category: M/M Relationships: Matsuoka Rin/Nanase Haruka Characters: Matsuoka Rin, Nanase Haruka, Nanase Haruka's Grandmother, Tachibana Makoto, Hazuki Nagisa, Ryuugazaki Rei Additional Tags: merman au, Alternate Universe - Fantasy, rinharuweek, Fluff, merfolk, RinHaru Week 2021, Rinharu Week            

Read on: AO3, Movellas or under the cut!

Iwatobi Moon Cave

Haru wasn’t more than 8 years old when he started to grow bored. Bored of the same old tasks and sights every single night. Tired of the same night repeating itself over and over. It all started the same, school was the same; even when teachers would talk about new things, his pastime activities were all the same. His nights even ended the same way. Makoto would come and wake him every night, right when the sun had just set. His parents were often away and Haru had trouble awakening with the moon. Perhaps both his body and mind were just too bored with real life to bother waking him up for another night of it. It was integrated in most merfolk DNA by now, to be nocturnal, after centuries of increased human sea activity making it necessary. Maybe his body just longed for the thrill of seeing something new. Even a monster like a human would be a fun change to his night, if he was being honest. 

“Do you ever get bored?” Haru asked Makoto one night. It was dark, their eyes illuminating as their night vision kicked in. They were swimming towards school. As always, of course. 

“Huh? Why?” Makoto asked, confused and curious. 

Haru shrugged without saying anything.

“Rarely, but it does happen. Why? Are you bored?”

“I guess.”

“Do I bore you?” Makoto asked panickingly. 

“No. I don’t think so.” Haru answered.

“If you’re bored, we can always find another path to take to school? We can swim through the reef instead? With the others?”

“No, it's too much trouble.” Haru dismissed. What he meant was that there were too many others going that way. Merfolk and other fish. At least this way was more quiet. 

“Maybe we can find another path? Switch between this and that?” Makoto offered. 

“Hmm… maybe. Perhaps that would do it.” Haru replied. He knew it wouldn’t, though. 

“We can also go play after school? That would be fun!” 

“Yeah.” Haru said, but his feigned excitement didn’t quite shine through. 

A week later, he went home after school. He was getting better and better at trying to hide his boredom around Makoto. It was probably only easier because Nagisa would steal his attention by showing him funny and cute looking fishes all night.That night it had been a turtle.

He helped his grandma pluck algae, an almost nightly ritual after school by now. At least it kept him occupied. 

“Haruka, my darling, can I ask you something?”

“Yes?” 

“Is something bothering you?”

“No, I’m just a bit bored lately.” Haru replied honestly.

“I need a specific plant for a potion. Would you like to go find it?” 

Haru looked over at her. “Where?” He asked with a sudden sense of curiosity. 

“It’s by the island.”

“The island?” Haru asked, shocked. He had never seen it, only heard of it. “But that’s outside of the zone?”

“Yes, dear. You don’t have to do it! It was only something that might be fun for you.”

“I… I can do it, yes.”

“Are you sure? I don’t mind doing it myself.”

“Yes. I’m sure.” 

“Okay, darling, just be careful okay? It’s going to get bright soon, so do get back here at the first sign of light!” 

“What plant is it?” Haru asked. 

“Just a handful of Acropora coral. The purple coral.”

“I know that one. We talked about it in school once.” Haru said, determined now. 

“If you’re unsure which one it is, that’s okay, then just come back. Do you think a friend might go with you?”

“No,” Haru lied. “But that’s okay! I’ll find it, I promise!” 

His grandma chuckled, and off Haru went. He quickly swam through the kelp forest that surrounded the zone, and after a while, he got to the end of it. To the edge of the zone. He stopped. He’d only ever been outside of the zone once in his life, and that was on a fieldtrip to study plants as a security thing, so that they would be prepared if they ever got lost. Some of the adults go out everyday to hunt or observe. But not Haru. He slowly swam outside of the kelp forest and away from the invisible border of the zone. It was strange. And it was open - very open. He suddenly felt very exposed, but not scared. He kept on swimming. 

He wasn’t swimming fast to try to get there in time before it got bright. In fact, it seemed as if he kept slowing further and further down. He touched a fish that swam alongside him. It was yellow and black. A Moorish Idol. Under him in a coral garden, a frogfish was swimming around with the other fishes, trying to blend in and hide. 

So far everything he was seeing was present at the zone as well, but something about it was just intriguing to Haru anyway. Maybe everything outside of the zone just automatically turned better. Haru stopped and looked around. No other merfolk around. Only him. He didn’t know why, but he looked up, and his body started to move on its own. He didn’t seem to realize what he was doing until his head was centimeters away from the surface, and it was as if his common sense woke up. He froze. All the adults warned about this: never, ever, go up to the surface. It’s dangerous. 

At least it’s dark. Humans are diurnal. Daylighters. He thought to himself. Then he felt something nagging inside of him, a curiosity, a dare, and he breached the surface. Slowly. He was prepared to be met with pain, from all the awful dangers he’s heard about. Instead, his hair stuck to his face in an uncomfortable manner he had never felt before. It covered his eyes. His face turned cold. He almost dug back down again. Instead he removed the hair from his face and froze again.

“Wow,” he let out, taking in the sight of the moon and the stars, so much more visible now than ever before. No longer dancing in the waves or obscured by the surface. 

After a while of just staring, he looked ahead. He saw something odd, far ahead of him. Something he’d only heard described in stories, never seen before. It must be how the island looks from above, judging from its location. He dug back under the surface again and swam towards it, now with speed. He was there shortly after. 100 meters away he dug up from the surface again. He looked with care, trying to notice any movements. There weren’t any, except for the weird looking algae swaying back and forth, as if the surface had waves too. 

Haru carefully swam closer, only his eyes still above water. Watching. He dug down again to see where he was swimming; to keep track of where he was, even though he had never been there before. Then he saw it. It looked like a hole into the island. Curiosity got the better of him still, and he swam closer. No dangers yet, but he felt like he was on full alert, as much as he could be, with so much curiosity going through him. He stopped outside the hole, considered for a moment, then swam through it. He touched the walls as he slowly swam along them. It felt like stone, but he wasn’t sure. 

The hole was deep, and he had a feeling like he should probably stop and head back, but he didn’t. He ventured further until it started to get brighter and led into a round shape. The water had become more and more shallow, and he very slowly and carefully lifted his head up again. The feeling of hair sticking to his face was gross, but he pushed it away and tried to ignore it. Once his hair was pushed back, he looked around. He saw the moon high above him, in another hole at the end of tall walls going around in a circle shape. The moon must be the source of the light, Haru figured. 

There was a small area of dry land beside him, with dry sand. Another hole in the wall, this one to the side, leading somewhere Haru couldn’t explore, being tied to the water of the little ocean pool he currently found himself in. It might lead into the dry lands of the island, Haru thought. 

He looked down and noticed that some big stones were laid out on top of another in a strange formation leading up to the dry land. He didn’t know what it was, it looked like a bad attempt at a chair, but it wasn’t. He sat down on the third stone from the bottom of its beginning, allowing just his small head to stay out of the water while the rest of his body stayed in. There was another type of quietness to this room that he hadn’t known existed. He could hear the movements of the water, much louder than ever before. Bubbles didn’t come out whenever he blew air hard out of his nose, trying to check if they did. His ears and face felt very bare, very exposed. Heavy and light at the same time. His hair definitely felt very heavy on his head. He smiled peacefully, leaning back against the stone above the one he sat on. 

The moon was starting to move away from the hole in the tall ceiling, and he couldn’t stop staring, until he suddenly heard a noise. Instinctively, he wanted to hide, when realization hit him: he couldn’t. He couldn’t go on dryland, and he couldn’t swim back, because that’s where the noise came from. 

He quickly looked around and found some small, dry stones on top of the dry sand. He kept his position, sitting on top of the stone. He felt like he might have an advantage and maybe be able to hit whatever might turn up with his tail. 

A head appeared. Red hair. A humming noise. Then a face looked up from the bottom and up at his tail with wide eyes. 

Haru wanted to hit him with his tail, but he couldn’t. He was frozen yet again, and he stared into those red eyes that decorated the face of what appeared to be another young merling like himself. The face emerged from the water, and that’s when Haru noticed it - a tail. Phew. A long, red tail followed the red-eyed young, and Haru no longer felt fear, but a strange type of annoyance. He’d been disturbed. Discovered. But he also felt curiosity coming up. He didn’t know there existed other merfolk outside of the zone. Definitely not red ones. 

The two stared at each other.

“Woah you’re really beautiful! Who are you?” The voice was full of wonder and excitement. He had sharp teeth in his mouth, and Haru felt a mixture of curiosity and slight fear.

“I- um…”

“Um? That’s a strange name. Oh- sorry! I didn’t mean that! Hi Um! My name is Rin!” He - Rin - gave Haru a bright smile, exposing his sharp teeth further, and reached out his hand to him. “What are you doing here? I thought I was the only one who knew about this place,” 

“My name is not Um.” Haru said, annoyed. “It’s Haru.” 

“Oh haha! Sorry! Haru.” Rin corrected himself, looking Haru over as if he was a fish or plant to study. Haru didn’t say anything. “So… Why are you here?”

“I found the hole.” Haru put the stones he had been holding onto down beside him on the stone, under water, lifted his hand out of the water again, and pointed to the entrance that Rin just came out of.

“Ah, yeah… It’s not exactly hidden, no… You’re welcome to stay though! I will give you full permission to be in my cave!”

“Cave?”

“Yes?” 

“What’s that?”

“You’re sitting in one, dummie.” Rin chuckled. “This is a cave.” 

“Oh.”

“You’re not from here if you’ve never seen a cave.” Rin pointed out, then with a curious tone continued: “Where are you from?”

“The zone?” Haru said, as if it was obvious. 

“The zone? What zone?” 

“That’s where I’m from.” 

“The zone?”

“Yes.”

“Hm. Okay. Where is it though?”

“In the ocean?” 

Rin laughed. 

“You’re funny! I’m from Samezuka. It’s a small village by another island close to this one.” 

Haru didn’t respond. 

“You don’t talk much, huh?” Rin asked. 

“That’s okay! Then I will talk for us both,” Rin added when Haru didn’t reply. He smiled. “How old are you? I’m 8.” 

“I’m also 8.” Haru answered. 

“Woah what a coincidence!” 

“Your tail looks red,” Haru pointed out. 

“It’s maroon! That’s what my mom calls it. Maroon.” Rin informed, still excited.

“Are you toxic?” Haru asked, bluntly. 

Rin looked at him, completely dumbfounded. “Am I what?” 

“Toxic.”

“I… I don’t know?” Rin stammered, confused. 

“Red stuff is often toxic… that’s what I learned in school.” 

Rin laughs again. Then he looked as if he was thinking about it, though still chuckling. “No, I don’t think I’m toxic? Why? Do you plan on eating me?” 

“You have sharp teeth though. Like a shark. Or piranhas.” Haru pointed out. 

“You like them?” Rin asked proudly, smiling wide to show them off. 

“Piranhas are mean.” Haru stated.

“But I’m not mean!” Rin objected. “I’m very nice! I even let you stay in my cave!”

“I’ve never seen anyone with a red tail before.” Haru said. “Or eyes.”

“Everyone in my family has them! Except my grandpa. He was purple! But I’ve never seen anyone as bright blue like you before, either.” Rin smiled. “You’re really pretty!” 

“T- thank you?” 

“You’re welcome!” Rin said. “Hey, do you want to be my friend?”

Haru looked at him for a moment, then found himself nodding. 

#free! #rinharuweek #rinharu #harurin #sharkbait #mer au #mer!haru #mer!rin #my writing #my posts #my edits #fic: iwatobi moon cave #moodboard #shark writes

[bopbopstyles]

Residue

RATING: R/smut (cw: emotional and mild physical abuse mentioned) 

WORD COUNT: 8.5k eek

CATEGORIES: friends to lovers, camping!harry (?), sleeping in the same bed

NOTE: this is for the Sex Bucket List Fic Challenge from @berrynarrybanana​ - prompt was in a tent while camping with friends....and then I just kind of created this mess. check out the other fics and the amazing creators!!!!

I ENDED UP WRITING A PT.2! Read Endlessly here.

pls reblog and share with your friends 💕

“When are you going to tell Y/N?”

Harry looked down at his feet. His boots were scuffed from walking through the rocky terrain to the lake earlier when they’d gone swimming. The image of you in her bikini flashed through his mind, and he restrained from groaning--he’d known you for years, swam with you for years, and yet seeing you in that bikini still did things to him, no matter how much he tried to tell himself you didn’t feel the same way about him. “She doesn’t feel the same way.”

Mitch let out a heavy sigh and stood up. “You can be so fucking daft sometimes, you know.”

“Y/N tells me all the time.”

“Well, she’s right,” he replied. “Tell her how you feel, Harry. She feels the same way.”

Harry looked up and met his friend’s eyes. “How do you know?”

“I can see it in how she looks at you. You’re blind if you don’t see it too.”

Harry paused. “How…”

“It’s the same way you look at her.”

or 

Harry and Y/N go camping with their friends and the fact that they’ve been in love with each other comes out

The drive out to the country was peaceful. Harry put on a podcast about music on the way and you listened as they analyzed Beyoncé’s Lemonade, pausing it occasionally to ask Harry questions about the technical parts. With the sunshine and Harry’s commentary once the podcast episode ended, the drive to the campgrounds in West Sussex passed quickly. 

Harry had booked your camp site last weekend, their trip a last-minute decision. You, Mitch, Sarah, and Nick had all been at Harry’s for a cookout and he’d mentioned wanting to get out in nature before the tour started, and Mitch threw out going camping. Nick took some convincing, but eventually he agreed. You and Nick had managed to get the time off from work, although Nick had to head back a day earlier, and it was settled. You had all left the particulars to Harry and when he texted a link to the campground in their group chat, you had fallen in love. Wooded, no power, cooking over an open fire--it reminded you of camping with your family when you were young. 

“Excited?” You asked Harry when you pulled into the parking lot at the front office. You threw the car in park and turned off the ignition, looking over at your best friend. 

He grinned back at you, eyes gleaming. You knew he’d been looking forward to this ever since you had first talked about it--he’d been calling you every day to go over the plans and picking out their meals for the weekend. “Psyched.”

You both climbed out of your car, stretching from the drive, and you inhaled the sweet smell of English oak trees, the sound of birds chirping making you smile as widely as Harry. Nick, Sarah, and Mitch were waiting by their cars, and Nick seemed to be animatedly telling a story about who knows what. 

“Is Nick being annoying?” You asked, throwing your arm around Nick’s shoulders and ruffling his hair. 

“He’s telling the story about the Brits. Again,” Sarah said, reaching out to hug you. “Save us, please.”

“Oi, you’re being mean.” Nick said and Sarah just laughed and shook her head. 

Mitch gave you a quick hug and you smiled at him--they’d all been working a lot lately in preparation for the tour. You had barely seen him, Sarah, and Harry, and you missed their presences more than you had realized. “Let’s go see what Harry got us,” you said.

“Spoiled you lot rotten,” Harry said, sliding a pair of sunglasses onto his nose. 

“I’d hoped so,” you replied, and Harry chuckled softly before leading the group inside the office. 

“Reservation for Y/N,” Harry said to the receptionist and you looked at him in confusion. “Didn’t want anyone finding us,” he explained and you nodded immediately in understanding. After years of friendship, you were used to it, though it always tugged on your heart. You wanted, more than anything, for him to be able to be normal at some point. You knew he craved it too--anonymity. 

The receptionist clicked some buttons on her computer before pulling some folders out of a drawer and turning back to you all. “I’ve got three yurts reserved for you all--is that correct?”

Harry’s eyebrows crinkled in confusion. “I had requested four over the phone.”

The receptionist--Martha, according to her badge, frowned. “Oh, I’m so sorry about that. Unfortunately, though, we’re all booked up this weekend. Is there any way three could be made to work?”

That meant someone was going to have to share. Harry looked at you, and then at Nick. “Nick, you good to bunk, mate?”

Nick groaned and you rolled your eyes at him. “Fine, but if you kick me in your sleep I’ll lock you out.”

“I don’t think they have doors, Nick,” you told him.

He looked at you and grimaced. “Zip him out then.”

“How threatening,” Harry said, before looking back to the receptionist. “That’ll be fine.” She nodded and explained the rest of the check-in and check-out policies and the amenities on the site. It seemed perfect--a pub not too far from the grounds, camp fires you was most definitely going to take advantage of, and actual showers. He truly was spoiling you all. 

You walked back to the car with Harry to drive to their yurts, swinging your keys around your finger in thought. “H,” you said when you sat down in the driver’s seat.

“Yeah?”

“Thanks for bunking with Nick. I know you like your own space, so I appreciate it.”

He gave you a wide smile and you couldn’t help it--it warmed every part of you. It was moments like these you struggled to remember that Harry was just your friend. Nothing more. You’d dated people, he’d dated people, and you two were just friends. But then he’d look at you like this and you wanted more. “‘Course, love.” He reached across the console and gave your hand a quick squeeze, and your heart flopped in your chest. 

You were starved for touch--it’d been months since you broke up with your asshole of an ex and you were desperate to be touched, even if it was someone holding your hand. Usually you could count on Harry for some cuddles and tight hugs, but he’d been so busy practicing for tour that you hadn’t seen him much. Just FaceTime and the occasional meet-up at the café by your office on your lunch break and it seemed to be showing. 

You started the engine and prayed to the Gods that they would help you get through this weekend in one piece. 

The yurts were in a quiet part of the campground, secluded and in a thicket of trees. All you could hear was the sound of wind whistling through the leaves and the chirping of birds. After living in London for the past two years and barely leaving, it was a relief to be able to hear nothing but nature. 

Nick let out a whoop when he opened the door to his car. “God, this is gorgeous, isn’t it?” Sarah and Mitch pulled up a second later and you all wandered around the campground, deciding where you would put your chairs (around the campfire, obviously) and what you wanted to eat for dinner. Then, you started to unpack. You claimed the tent closer to the woods, wanting not to be awoken in the middle of the night if cars drove by and to get away from the group if you went to bed early, something that you had a tendency towards when Nick and Harry were together. 

The sound of the yurt being zipped open caused you to look up from where you were checking to see if there were bed bugs. After getting them when you were 13 on a family trip, you always checked. “This going to be okay for you?” Harry stood hunched over, his head poking into your yurt. His shirt was unbuttoned, the beige linen flowing in the soft breeze, and his hair flopped into his face. His green eyes were gleaming, a look he only got on break or on holiday, and it was your favorite look on him. He looked just unperturbed and blissfully happy. 

“Come in, silly,” you said, turning around and flopping down onto the bed. “It’s perfect, H.”

Harry grinned and dropped down next to you. “Comfy, eh?”

“Very.”

“I should plan every holiday at this rate.”

You whacked him with the pillow. The last holiday you had planned and the hotel had ended up being bad and their reservation for their yacht trip fully did not exist when they showed up. It was a disaster and Harry had yet to let you live it down. “Now you’re just fishing for compliments.”

“What? I like planning!”

“And you like being complimented.”

Harry huffed and you just smiled at him. After knowing one another for years, not only did you know everything important about Harry, you also knew how to push his buttons. Calling him out for what you had longed believed to be some kind of praise kink (you’d asked him about if while drunk and he’d looked so confused and embarrassed you dropped it) was the number one way to get him riled up. 

“How’s your tent with Grimmy?”

“He’s already asleep.”

“It’s noon.”

“Apparently he didn’t sleep last night.”

You laughed because it was classic Nick. It happened on almost every holiday you went on together, of which there had been a few. He’d get to wherever you were staying and immediately fall asleep for usually the rest of the day. You all usually just left him where he was and went about your business, but he also usually had his own room. “Were you able to put your stuff down at least?”

Harry shrugged. “Just dropped my suitcase on the ground and left him. I’ll wake him up eventually.” He turned his head and looked at you, his head so close that if you turned your head up ever so slightly, you could probably kiss him. 

“Fancy a swim?” You asked him, sitting up suddenly and trying to push the thought away. 

“Fuck yes,” he replied. “Let me change into my suit.”

The sun was out in full force when you jumped into the lake, your towels and clothes abandoned on the edge of the water. You were lying on your back, eyes closed, basking in the feeling of sun on your skin. Mitch and Sarah were swimming around--you could hear them chattering about how Sarah wanted a dog and Mitch wasn’t into the idea--but you didn’t know where Harry was. You couldn’t hear him. Maybe he’d swam a little further away?

You pushed the thoughts from your mind and focused on not thinking about anything, which somehow took a significant amount of effort. Work kept trying to drift into your head--had the office finished the pitch that you had left for them on Thursday? It was a big account and you had put your all into it, but you hadn’t finished the final touches on Thursday before you had to leave the office, so you left it for your coworkers to wrap up on your behalf. Hopefully they didn’t half-ass it. 

Suddenly, fingers wrapped around your waist and you were being flipped onto your stomach, water immediately filling your nose and mouth. You snapped up, water flicking from the ends of your hair, and blinked the droplets away so you could see who had done it. 

Harry. 

“You bastard!” You screeched, shoving him. His skin was slick from the sunscreen and water, and you tried not to focus on the feeling of his arm muscles under your palms. “I could’ve drowned!”

“You were a competitive swimmer, Y/N,” he reminded you, chuckling. “You weren’t going to drown.”

You sputtered, slicking your hair back, and then gave him a death stare. “Still. You’re an ass.”

“That’s not news,” Sarah piped up from where she and Mitch were treading water and laughing at what had just happened. 

“This is true.” You gave Harry another look before shoving a wave of water in his direction, splashing water into his face. 

Harry gasped, wiping water from his face, his hair, which had grown longer in the past few weeks while he’d been on break, sticking to his forehead. He looked like a little kid, despite how muscular he’d become in the past year or so. You tried to not linger on it, but when he was in front of you without a shirt on, sun-kissed skin just begging to be looked it, it was quite difficult. “This is war.”

He shoved water at you, and suddenly you were splashing one another like children, both of you screeching as water got into your eyes. Your feet collided underwater, arms hitting each other as you twirled around each other in the water, trying to surprise one another. 

It was all fun and games until Harry’s hand reached out and accidentally hit you right in the boob.

“Harry!” You called out, swatting him. “You just hit me in the boob.”

“Fuck, sorry,” he said. “You okay?”

“Just sore,” you said, swimming a bit farther away from him. “Meanie.”

Harry gave you his puppy dog eyes, lashes blinking at you, plump lips sticking out ever so slightly. You hated when he did this because you always fell for it. Years of friendship and you still couldn’t hold anything against him when he did this because he just looked so goddamn gorgeous. You hated it. “Sorry?”

“Fine,” you said, “but you’re carrying me the whole way back to the campsite.”

You all ended up grilling burgers over the fire, Harry surprising you with some hidden skills over the open fire, and together the four of you drank beers as the fire glowed between them. Nick had never surfaced and Harry didn’t have it in him to wake him, so he let him be. Harry, Sarah, and Mitch had started playing music after dinner and you kept yourself entertained by requesting old One Direction songs, which made Harry stare daggers at you but amused you, Sarah, and Mitch to no end.

It was a chilly summer night and you were cuddled up in a sweatshirt of Harry’s, having forgotten yours at home, and a pair of leggings. You could feel your eyes drooping, your entire concept of time gone without the ability to check your phone. It could’ve been 9pm for all you knew. After a rendition of Landslide, you yawned and stretched your arms above your head, and decided to call it a night. 

“I’m going to turn in,” you said, standing up from the chair you’d been in for the past few hours. “Which way’s the bathrooms?” 

Sarah pointed to the right, and you nodded. You had to brush your teeth and pee before you could go to sleep, and you had no desire to traipse through the woods at night to pee in the brush, so you started off in the direction of the bathrooms, your toiletries bag tucked under your arm.

“Wait!” You turned to see Harry walking after you, his own bag tucked under his arm. “Didn’t want you to walk alone.”

You gave him a sweet smile and waited for him to catch up with you. “You ready for sleep too?”

He shrugged. “Probably be up for a little while longer, if that’s not too disruptive? Mitch and I thought we’d work on a song I’ve been thinking about. Thought I’d go ahead and brush my teeth, though.”

“I like listening to you play as I go to bed,” you said, the words leaving your mouth before you thought about them. 

Harry’s eyebrows knit together and he studied you. “Never told me that before.”

Probably because it’s embarrassing, you thought to yourself. You loved listening to his music before you went to bed, especially the voice memos he’d sent you over the years of bits of songs he was working on before they were fully mastered. They were more raw, less produced, the stripped down Harry that you loved. “You never asked.”

He filed that information away for later and you climbed the steps to the bathrooms, both heading into the same free stall. You’d stopped caring about peeing in front of one another a long time ago. You went first, listening to Harry prattle on about a book he was reading that he thought you’d like as he washed his face. When you finished up, you switched places and you started brushing your teeth, stealing his toothpaste because it tasted nicer. 

“You should just buy some for yourself,” he commented.

“But I can use yours for free.”

He didn’t reply, just let you be, and you brushed your teeth next to one another, Harry knocking his hip against yours to make you smile. 

“Glad you came,” he told you when you exited the bathrooms. 

“Me too. Needed this, I think.”

“Same. Missed you, too.” 

You studied his face, barely visible in the moonlight. His stubble was growing in, but he had a peaceful expression you rarely saw in him. You saw it in moments on tour, sometimes--when you were cuddled up on his sofa watching a film after a show, or after a morning run on a day off. But here, this was the purest form and one you wished you saw more often. You didn’t tell him, though. You’d had that conversation before--how you were worried he was overworking himself, believing that he was able to work so much after years in 1D, working with barely any breaks. You wanted his solo career to be different, but Harry had a tendency to find work even when he wasn’t touring or recording. He loved it so much that it was all he wanted to do. “Missed you too,” you replied simply, and leaned into him when he wrapped an arm around your shoulders. 

Mitch set down his guitar and looked at Harry across the fire from him.

“What?”

“When are you going to tell Y/N?”

Harry looked down at his feet. His boots were scuffed from walking through the rocky terrain to the lake earlier when they’d gone swimming. The image of you in her bikini flashed through his mind, and he restrained from groaning--he’d known you for years, swam with you for years, and yet seeing you in that bikini still did things to him, no matter how much he tried to tell himself you didn’t feel the same way about him. “She doesn’t feel the same way.”

Mitch let out a heavy sigh and stood up. “You can be so fucking daft sometimes, you know.”

“Y/N tells me all the time.”

“Well, she’s right,” he replied. “Tell her how you feel, Harry. She feels the same way.”

Harry looked up and met his friend’s eyes. “How do you know?”

“I can see it in how she looks at you. You’re blind if you don’t see it too.”

Harry paused. “How…”

“It’s the same way you look at her.”

With that, Mitch turned and went to where Sarah waited for him in their yurt, leaving Harry alone with his thoughts. It was quiet, aside from the crinkle of the fire. Harry couldn’t remember when he fell in love with Y/N--there wasn’t some specific moment like they say in the books. It just...happened. The more time he spent with you, the closer you got, the more Harry hated leaving you. And when you dated other guys, it made his stomach turn to be around them. He tried to pretend like it didn’t, he tried to be nice and polite as you were to the girls he tried to date, but he knew he never was. He hated the way you would look at him when he’d make some snide remark, and he could feel the disappointment radiating from your stare. And yet, he couldn’t bring himself to let you go.

He’d tried to bury himself in work, in touring, in women. He’d lived in LA for months to try and get over you, he’d even dated Kendall fucking Jenner to try and get over you. Nothing helped. Camille had been the closest he’d gotten, but there had always been something holding him back. When he’d found out she cheated on him, it was a relief more than heartbreak--he didn’t have to be the one to break up with her this time. And he always went back to you, pretending to be more broken hearted than he was just to get you to spend days on end by his side, eating ice cream and watching films that you thought helped him. In actuality, it was you who helped him. It was being by your side, it was laughing with you, going on walks, even fucking gardening with you at his house in Hampstead. Anything with you healed him. 

And he knew it wasn’t fair, using you like he did. But he couldn’t help himself--it was the time when he could almost pretend you were his. It was when you ignored everything else and focused on only him and that attention is what he craved. You, together, no distractions. It’s what he wanted this weekend to be, but then you suggested inviting friends, and how could he say no to you? How could he tell you he just wanted to be with you for the whole weekend, the rest of the world forgotten?

Mitch’s words, though, were a stab in his heart. He’d always convinced himself that there was no way you could feel the same. You had fallen in love, you’d told him. With Tom. Bloody Tom. You’d met at some networking dinner and he’d asked you out, and from then on it was Tom, Tom, Tom. You had dated for a little over a year and Harry despised every second of it. Tom treated you like dirt--belittling you in front of your friends, in front of Harry, even, controlled your time and your friends. Boxed you in like you were some animal just there to please him, no life to speak of. It had happened while Harry was on tour and then in LA, so he hadn’t been there in person for most of it, and when he had been around you two together--whe he came home for the holidays and saw you, you had played it off. Said it was nothing, just a joke. 

But then her college roommate Jordan had called Harry, worried out of her mind about you. Told him how Tom treated you, all the things he’d done, how he’d manipulated you--hit you one time. Jordan was in New York City and work wouldn’t let her leave, but she knew Harry could go. She told him it was getting bad and he had to get you out. And so he did. He took the next flight out, barely packed a suitcase, and went. He went to your apartment and told you that Jordan had told him what happened, and you two had a massive fight over it, you defending Tom, Harry trying to convince you he had manipulated your thoughts, your emotions, your feelings, and you both ended up in tears before you finally let him take you to his house to stay for a few weeks. And together, you’d pieced his fierce Y/N back together. 

And all that time, he had never thought...He never thought you’d loved him. Not as he did, at least. You’d told him so many times that you loved him, but it was just as a friend. You’d made that clear in the ways you touched him and introduced him to people. He was your Harry, but just your friend. Your best friend, but friend all the same. It broke him, as much as he tried not to let it show. But for you to feel the same way? All this time?

And what did Mitch expect him to do? Bust into your tent and admit his undying love for you, you to admit you felt the same way, and for you to ride off into the night together? This wasn’t some romance novel (which Harrry knew Mitch read, even though he tried to hide them). This was reality, and in reality, it was just Harry, writing songs about you that you’d never understand the true meaning of, and a yurt shared with Grimmy. 

He stood up, his guitar held tightly in his hand, and put out the fire before heading into the yurt. Nick was spread eagle on the bed, still somehow asleep--Harry had never understood his ability to sleep literally all day--and snoring. Loudly. Harry sighed and went over to his suitcase, tugging off his jeans and sweatshirt and folding them neatly into the case. He pulled a henley and pajama pants on, knowing if Nick woke up to a half naked Harry in his bed he’d most definitely not let him hear the end of it, and walked over to the bed. He tried to shove Nick over and make space for himself, but the man was most definitely stronger than Harry had realized. 

Had he been working out lately?

Harry gave his arm another shove, but Nick didn’t even flinch. “Fuck you, Nick,” Harry said. “Do you have to seriously sleep like the dead?”

He looked around the room, trying to see if there was anything he could fashion a makeshift bed with. But there wasn’t even a spare fucking blanket. 

Maybe Sarah and Mitch would have one? Then he pictured walking into the couple’s yurt and immediately decided against that idea. That left you. You’d slept in the same bed before, albeit usually while drunk--maybe you’d let him sleep with you? Just for the night? 

Harry slipped on his flip flops, grabbed his flashlight and made his way over to your yurt. It was quiet except for the sound of your soft breathing and he immediately felt at peace, despite what his mind told him. He unzipped the front of your yurt and stuck his head in. It was dark and he could barely make out your figure, curled up tightly under the covers, hair strewn across the pillow. 

“Y/N?”

After a beat, he saw your body shift and your head stick up from the pillow. “Harry?”

“Can I sleep with you? Nick’s taking up the whole bed and snoring like a train.”

You giggled--and Harry’s heart started racing--and then said, “Of course. C’mere.” You lifted the edge of the blanket and Harry toed off his flip flops before walking over to the bed. “What time is it?”

He laid down next to you carefully, not wanting to brush up against you and make you uncomfortable. “Dunno. Late.”

You reached out for him, fingers brushing against his henley right over his stomach, and Harry’s heart seized. Did you know what you were doing to him right now? “Why are you lying there straight as a rod? I don’t bite, you know.” Probably not, he realized. You had no idea what the mere touch of your skin did to his heart. 

“Don’t want to make you uncomfortable,” he said, his voice quiet in the silence of the yurt. 

“You don’t, silly. Now c’mere.” 

He moved closer to you and you turned onto your side so that your back rested against his chest, and he wound his arm around your stomach loosely, holding you to him. You’d laid like this before, after your birthday earlier in the year when you’d gotten quite drunk and he’d brought you home so you didn’t choke in your own vomit. You’d snuggled into him then, just like you did now, and he tried to think of anything to get his dick to stop from plumping up under his pants. 

“H?”

“Yeah?”

“What was your song about?”

His breath caught in his throat. Had you heard it? It was so obviously about you, so unabashedly telling you how he felt. God, every song was about you. Even when he tried to make them less specific, when he tried to remove the details that would make it about you, you still left a residue. 

“Harry?” Your voice broke his thoughts, so sweet in his ears. He opened his eyes, which had closed while he thought, and looked into your hair. He could smell the remnants of your perfume mixed with the fresh smell of oak from the woods and the essence of smoke from the fire. He wanted to bury himself in your smell, in you. 

He should tell you. He knew he should. It was the perfect time--you were giving him the prompting. But he didn’t have the courage. “Did we wake you up?”

You rolled over and suddenly your face was mere inches from his. He could see your eyes in the dark, bright blue in the night. The ones that were painted in his dreams, echoes of you that never let him go. “Thought I heard something in the woods. Heard you instead.”

How much had you heard, he wondered. Had you heard his conversation with Mitch? You had been asleep when he had come into the yurt, so you had to have fallen back asleep. “What’d you think of it?”

You stared at him, your gaze searing through the protections he tried and struggled to keep up. “It was sad,” you said simply. 

“Hmm?” He mumbled, not really knowing what else to say to that. Of course it was sad, he was in love with his best friend and he didn’t have the balls to tell her. 

“The opening lines,” you whispered. “Put a price on emotion/I'm looking for something to buy/You've got my devotion/But man, I can hate you sometimes,” you sang it, perfectly in tune, hitting every note as he had around the campfire with Mitch. Your voice singing his words broke him in two, for some reason. They were the most honest ones of the whole song, he thought to himself, and the ones he was least likely to change. “Who is it about?”

Her question had changed. When you asked the first time, it was what. Now it was who. He studied you in the dark, searching himself. Could he muster the courage?

“Camille?”

“No,” he said, his words immediate. “No, not Camille.”

There was a rustle of the trees, but your eyes didn’t leave his. “Are you seeing someone new?”

“No.”

“Then who?”

He took a deep breath, and then, he pulled the words from the depths of his heart. “It’s about you.”

It was silent in the yurt. He couldn’t even tell if you were breathing. But your eyes didn’t leave his. He watched as your brain processed his words, pieced them together, matched them up with the song. 

“Test of my patience/There's things that we'll never know/You sunshine, you temptress/My hand's at risk, I fold.” You said the words, no song to them, just words, flowing from your lips as poetry, not lyrics. “You...Me. Things we’ll never know--that’s us?” 

He nodded, resisting the urge to reach out and brush a strand of hair behind your ear that had come loose. 

“You've got my devotion,” you whispered, the opening lines coming back around. “That’s about me?”

“Yes,” he said, the word simple, soft, quiet in the dark. But it took every ounce of his courage. It was worse than when he’d decided to go solo, it was worse than going out on stage alone for the first time, worse than stepping on the X-Factor stage. The hardest words he’d had to say. “Y/N,” he whispered, summoning the last of his courage, “the songs are all about you.”

That made you go quiet for longer. You stared at him, taking inventory of every part of his face. He could feel your eyes and he didn’t even squirm--it felt different than it did when you usually looked at him. It felt like you were seeing him for the first time. Like a veil had been lifted between them. 

And yet, you said nothing.

“Do you want me to go?” He asked, the words breaking him. “I--I can go.”

But you pressed your fingers to his chin, instead. “Don’t go,” you whispered and this time it was him who stared at you. “I--I’m scared.”

“I know.” Your eyes blinked at him, eye level, so close he could see nothing but the rim of the blue, your long eyelashes he’d always admired. “I just...I can’t pretend anymore, love.” The nickname, long used between them, suddenly took on a new meaning in this moment. He could feel the shift in the air, the way the word landed between them. It slipped from his lips without him thinking about it, but he meant it in every which way. 

You ran your forefinger along the edge of his jaw and Harry’s breath caught in his chest. “Me either.”

And then, you pulled his lips down to meet yours and it was like Harry’s world bottomed out. Your lips were soft, just like he’d imagined them, and you tasted like sugar and the watermelons they’d had for a snack after dinner. The hint of toothpaste lingered and it made him smile, remembering how you’d spoken in the bathroom. His fingers wound their way into your hair and you let out a soft moan that set Harry’s skin on fire. 

Your teeth tugged on his bottom lip and Harry rolled you onto you back with a groan, begging for more, for anything you would give him. The kiss was deep, passionate, without end. You barely pulled away to breathe, wanting to never stop touching him. Your fingers crawled up his arms, across his collarbones, fire left in their wake. 

Harry balanced above you on his forearms, head dipping to meet your lips over and over again, his fingers curled into your hair that was spread out on the pillow. Your legs tugged apart, letting him slot himself between them, leaning into you. It was like a dream he didn’t want to wake up from. 

“Y/N,” he said, pulling back from your lips just an inch so he could speak. “I--I don’t want to do anything if you don’t--”

“I want you,” you said, your hands drifting from his shoulders to cup his face between them. He leaned into your touch and you smoothed your fingers across his cheekbones. “I’ve always wanted you. H, you’re everything to me.”

His lips found yours again without a second beat, and you pulled every ounce of his heart from his chest with your lips. The sheets rustled under their bodies as they moved, begging to get more and more of each other. Your hands wound under his shirt, tugging as he leaned back, pulling it off, the chilly night air nipping at his skin. You sat up, Harry balanced precariously on your lap, and pressed kisses to his skin, licking over his swallows. 

Harry let out a moan, not being able to hold it in, but didn’t stop her as you made your way across his skin, claiming it as your own. He couldn’t hear anything but you--it was consuming, the feeling of being this close to you. Your teeth bit into the skin on his collarbones, sucking a bruise he knew would be there tomorrow, and he couldn’t find it in himself to care. He wanted the world to know he was yours, that he loved you with every fiber of his being, unashamedly. 

“I’m yours,” he said, his voice edging on a moan as you licked across his nipples. “Yours, Y/N, I’m yours.”

“And I’m yours,” you replied, and leaned back, tugging off his sweatshirt, which you’d worn to bed. You were bare underneath, and you could feel Harry’s eyes on your skin, learning you. Usually, you felt studied under the gaze of a man, but now, with Harry, you felt admired, adored, loved. His hands kneaded circles into your breasts and you arched into him, moans leaving your mouth in breaths. 

You felt his tongue on your nipples, just as you had done to him, and your fingers gripped into the curls of his hair. “Fuck, H.”

“You’re so beautiful,” he whispered, pressing kisses to your sternum. “So, utterly beautiful.”

You leaned back onto your hands, chest rising and falling as he made his way down your body, inching farther and farther back on the bed until he was on his stomach, lips hovering above the waistband of your sleep shorts. His eyes met yours in question, and you nodded, words failing you.

“Need to hear your words, love,” he said, kissing your bare skin just centimeters above the bow on her shorts. “Want to make sure that you’re sure.”

“Take them off,” you said, struggling to speak as he licked your skin. “Touch me, H, please.”

And he did. He tugged your shorts down your legs, underwear coming with them, and pressed kisses to the inside of your thighs, nipping love bites into the skin there. “You know, I dreamed of you last week,” he said against your skin. 

“What?” You squealed as he sucked on the sensitive skin at the crease of your thighs. 

“Of you, like this.” Then, he licked a stripe up her clit and you buried your hands in his hair, holding him there. “But in the dream, I couldn’t smell you.” He sucked on your clit, and you struggled not to scream his name. Your friends would hear and the last thing you wanted was to deal with that in the morning. “I couldn’t hear you,” he said, licking you again, and your head flailed to the side. “And I woke up before I could do this.”

And then, he dove his tongue inside of you, and you pressed a hand to your mouth, holding in the moans that begged to fly free. It was heaven, his tongue. Delving into her like it was made for you, curling inside of you and rubbing the front of your walls delicately. 

“Harry,” you said, trying to keep your voice quiet, “more, please.”

He wasted no time pressing his finger to your clit and rubbing you in circles, causing your chest to arch from the pleasure. You could feel a knot building in your belly, begging and begging for more. 

“Please, H,” you let out in a moan, and that’s when you felt his own moan against your skin, the vibration of the stubble on your skin causing you to shake against him. But his free hand anchored your hips to his lips, and he continued his work, licking in and out of you, then up and down your folds, drawing soft moans from your mouth over and over again. 

“Wanna hear you,” he said softly against your skin, “please, love, wanna hear you.”

“Don’t want to wake them,” you replied, struggling to look down at him. But when you did, the sight of his head between your thighs, hair a mess, eyes gleaming up at you in the dark, it ripped a moan from your chest that you couldn’t contain. 

“That’s it,” he said. “Don’t give a fuck about them. S’just us, yeah?” He kneaded circles into her skin with his hands and sucked harshly on her clit, your hips bucking in response, but he didn’t let go. “What d’ya want, love?”

His words were rough, broken from pleasure. You loved the way he sounded, having never had the opportunity to have him this way. “Fingers,” you said. “I’m close.”

“Yeah?” His one hand left her hips and circled your entrance, drawing your wetness around his fingers. “Fuck, love, you’re so wet.”

“H,” you breathed out, “please.”

That’s all he needed. He dipped his forefinger inside of you, your tight walls gripping him like a vice. But to him, you were virtue--you were everything to him, everything good in the world wrapped up in a single person. He curled his finger, brushing against a spot that made you squeak and he smiled before adding a second finger. “Come for me, love,” he said, sucking on your clit. “Wanna taste you.”

And that’s all it took. Your orgasm washed over you like a wave, your hands gripped in his hair, keeping his face there as he licked your clit softly, drawing shock waves from your body over and over again. You struggled to keep your eyes open, wanting to watch him as you came, and he held your eye contact as you did. When he pulled his fingers from you and sucked on them, you just stared at him, wondering if this was real. If he was real. 

“Taste sweet,” he said, crawling up your body, pushing you down onto the bed with the weight of him. You loved it, the feeling of his skin on yours, of his body on yours. “With an edge of sourness.” He pressed his lips to yours, and you licked into his mouth, tasting yourself on his tongue. You hadn’t been this turned on...ever, you realized. “Tastes good,” he said against your lips. 

You smiled, running your fingers through his hair. “Felt good too.”

“Yeah?”

“Yeah. You’re good at that, you know.” 

He chuckled at you and pressed a kiss to your cheeks. “Can’t wait to do it again.”

You captured his lips again, arms winding around his chest, pulling him into you, closer and closer until you couldn’t find the space between you. And then, you rolled, taking him with her, leaving him on his back and you flush to his chest. “Some other time,” you said softly, drawing back. “I want you.”

“Fuck,” he let out, gaze travelling up your body as you sat back on his hips, bare center brushing over his pajama pants. “Want you too, baby.”

You smirked at him. “Baby?”

He blushed. “Sorry, it just--”

“Shh.” You pressed a finger to his lips. “I like it.”

“Yeah?”

“Mhmm.” You rolled your hips over his erection and he bucked up into you, not being able to stop himself, drawing groans from both of them. “Wanna hear you, H,” you whispered, tossing his words back at him. “Hmm?”

“Take ‘em off.” He bucked his hips again, and you smiled down at him. Your fingers curled around his pants and his underwear, and crawled back, pulling them off together in one motion, just as he had done to you. 

You held him in your hand, brushing your thumb over his tip, the pre-cum slick against your skin. Your tongue licked a stripe up the underside of him, drawing a moan from his chest as you laved circles around the tip of his length. 

“Y/N,” he breathed, “Not gonna last if you keep doing that,” he said. “Need--”

“I know,” you replied. You pressed another kiss to him and clamored back up his body. “Wouldn’t have happened to bring condoms, would you?”

“Fuck,” he said, “no, wasn’t exactly planning this.”

You pressed a kiss to his chest, trying to calm the panicked look in his eyes. His hands ran up and down your thighs, his touch consuming you. “I’ve got the implant,” you said, “if that’s ok with you.”

“I’ll pull out,” he said, leaning up on his elbows. “Promise.” Then your lips found each other’s and you rocked your hips against him, the slick of you dripping down onto his length. He swallowed your moans and you did the same, the dark of the night wrapping around you, encasing you in a world that was just the two of you. 

You reached down and ran your fingertips along his length, brushing his tip against your slit, the feeling sending tingles down her spine.

“Please,” he begged beneath you, fingers digging into your hips to where there would probably be marks tomorrow, “please, Y/N.”

When you slid down his length, your eyes shut from the sensation of him stretching you. You didn’t stop until he had bottomed out, you hips flush against one another. You could feel his eyes watching as you adjusted to his size, to the burn of him inside of you. It was surreal to have him like this, to have him so close to that you couldn’t find where you ended and he began. To have his lips find yours as you began to rock back and forth on him, open mouths meeting like old friends, begging for more and more and more. It was heaven, you decided, this was heaven on earth, this feeling. Your head snapped back when he bucked up into you, hitting a deep spot that made your arms shake. And then he ran his tongue down your exposed neck, nipping and biting into your skin, whispers of your name like an echo around them. 

You wanted all of him. Every single part of him, you wanted to have his laughter and his smile and his words and his thoughts and his love. You wanted his body in the morning and the night and across the distance. You wanted him to hold you in his arms always, to care always. To you, he was hope, he was a bright spot in a sea of darkness. He was the antithesis of your exes, of Tom, of the men who had used you up and left you in a bed of nails. Harry built you up, stoking your fire with actions that showed you how much he cared, never wavering from your side, always running back when you called. No matter how far he went, the residue of him never left your mind, body, or soul. 

Harry’s arms caged you in and suddenly you were on your back and he was above you and inside of you and everywhere. His fingers danced across you skin as his hips snapped into you, moans drying in your throat because you could barely think from the pleasure zipping through your body. 

“Fuck, Y/N,” he said, words darting through the fog, “I love you.” He was holding you so tightly in his arms that you wondered if he thought you would run. As if you wanted to be anywhere else but here, beneath him, close to him, breathing him in and out. 

“I love you too.” The words left you without hesitation and you pressed your lips back to his as you chased your highs together, his hips never stopping. He pulled one of your legs high on his hip, reaching a new depth inside of you, and you scrabbled at his back with your fingers, leaving marks in your wake. “Right there,” you whispered against his shoulder, biting softly into the skin there. 

He pistoned his hips in and out, hitting the spot over and over again. “Yeah? Right there, baby?” 

You had always joked he had a praise kink, but now that you had him, you knew you were right and good lord did you feed right into it. “So good,” you mumbled, “so good Harry, please don’t stop.”

“Wouldn’t dream of it,” he replied, tongue darting to the spot under your ear when you turned hyourer head, choking on a moan when he thumbed your clit. “You’re so beautiful, Y/N. Gonna tell you every day. Never going to stop now that I have you. Finally.”

You dug into his ass with your heels, keeping him deep inside of you. Hands grabbed skin, and you basked in the heat that surrounded you, the sweat that stuck their skin together. It was perfect--he was perfect, he felt perfect, it was as if you were made for one another. Somehow, every movement he made was better, he navigated your body like he had the only compass and it was carved into his heart. 

Every part of you ached, ached for him and for release. You could feel it rising inside of you, taught like a string, begging. “Oh my god,” you whined, spasming around him. Your hand gripped the back of his neck and dragged his head back to you, fingers digging into his warm skin. Your lips met as he pumped into you over and over, drawing moans from them both that never stopped. You loved that he made noise in bed, that he told you how good you felt, that he made sure you knew how incredible it was. Every kiss pressed to your clammy skin was a reminder of how much he loved you.

“Fuck.” A guttural moan escaped him when you clamped down on his length, your orgasm threatening to rip through you. “Not going to last, baby.” His forehead rested against yours as he dug into the sheets with his fingers and toes, using every ounce of his energy to bring you both to the brink. Your fingers scratched against his shoulder blades, gripping him close as you arched into him. 

“I’m close,” you said, words ragged, “so close.”

“Come,” he breathed out, “please, Y/N.”

You pressed a kiss to his brow, the salt of his sweat against your lips. “Come inside me,” you whispered to his skin. “Want to feel you.”

His head turned, eyes meeting yours. “Sure?”

You dug your heels into his ass in response, gripping him like a vice to you. A moan ripped through him as he dug deep inside of you, pulling every piece of your love from her chest, just as you did to him. Then, he kissed you again, your name a mantra against your lips, and with that, your orgasm ripped through your body. 

He chased it with every brush of his hips, running after you as you soared and fell. You held him close as you came down, struggling to find your breath. But you didn’t want him to move. You wanted to feel him, to see him, to hear him finish. And when he did, it was the most beautiful sight you’d ever seen. His eyes bore into yours, teeth dug into his bottom lip so deep it probably drew blood, fingers curling tightly into the sheets on either side of your shoulders. Slowly, his hips came to a halt and you could feel his cum inside of you. The air was silent except for your breathing as he rested his body against you, not pulling out. 

You two laid there together, your arms wound around his waist, running your fingers up and down his back, his fingers threading through your hair. It was as if you were waiting for the words, because neither of you had them. What do you say after that? 

Harry moved to pull out of you, but you held him fast. “Please,” you whispered, “just…”

He shushed you, knowing what you meant. You wanted him close. After denying your feelings for so long it was like they were consuming every inch of you, overwhelming your brain and your heart. Having him close helped tether you to the ground and you couldn’t let go. Not yet. 

“Love you,” he said softly into your hair. “Love you so much, Y/N.”

You pressed a kiss to his shoulder. “Love you too.”

“Think they heard?”

You giggled against his skin and you could feel his smile. “Probably. Don’t care that much, though.”

“Me either.”

You were quiet for a second before mustering the courage to ask the question swirling through your brain. “You’re not going to leave in the morning, right?”

He lifted his head and looked at you. “Never.” Then, he pressed a soft kiss against your lips and tucked his head into the space between your shoulder and your neck, his breath even against your skin. 

And you both laid there, adjusting to what it felt like to finally have the one person you’d always wanted, praying that when the sun rose nothing would change.

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