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#also a bit of blood
dav1thy · 3 months
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Otome dissection cosplay
NSFWbruary day 3!!
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ruporas · 2 months
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dragon meat, you, and me
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tobisaw · 4 months
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art dump It’s mostly tommy sorry
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ourobororos · 5 months
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ds9 dump 3.... (falls over)
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the-meme-monarch · 5 months
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been rewatching hlvrai and drawing along :]
edit i fixed the last one (drew his gun on the wrong arm and it Ate At Me (yes i just flipped the drawing what are you a cop))
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wwapich · 4 months
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op redraws and doodles
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raepliica · 1 year
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(content warning: blood)
Sewed Up Heart
[ID: A Trigun comic done in grayscale with red accents. First, an anatomical heart gushes blood, forming a puddle which shifts into Vash's coat. Vash's gloved hands can be seen sewing up a tear at the hem.
Vash raises his hands, which are now bare and covered in blood. He looks sweaty and distressed, and he raises his coat to his face and cries into it. His clenched hands rip the sewed portion apart, and the red thread leads to a heart whose own stitches are tearing apart. The background gets darker and darker, and the red looks brighter and starker against it.
Then the background returns to white, and brown-skinned hands using embroidery scissors snip a red thread. Wolfwood holds up Vash's repaired coat, grinning proudly, and does a happy thumbs-up in Vash's direction. Vash lifts his head, seeming distant.
Wolfwood holds out the coat. As Vash puts out his hand to take it, the cloth is replaced so Wolfwood is dropping a sewed-up heart in Vash's hand. Vash rubs the coat against his face with a teary smile. End ID] ID CREDITS
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poorly-drawn-mdzs · 10 days
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Heartfelt Reunion.
[First] Prev <–-> Next
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hellspawnmotel · 7 months
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dogblogging
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♫ I do what I want/Crying in the bleachers and I said it was fun/I don't need anything from anyone ♫
(ID in Alt) you guys ever think about your own posts and get upset?? Anyway Damian Wayne I love you I'm so sorry your life is like that
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swampjawn · 2 months
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God I love animation. I love it for the way it can bring anything to life beyond the constraints of boring ol' reality, but also the ways that it's inextricably linked to, and draws on the conventions of live-action film-making.
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So fuck it, let's look at how Hayao Miyazaki straight up copies some camera framing techniques from his predecessor and the other most influential Japanese filmmaker of all time, Akira Kurosawa! (Kurosawa really was the master of framing scenes around his characters, so he's a great source of inspiration)
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(btw, this is a screenshot from this TV special where the two met for the first time just after the release of Kurosawa's final film. It's pretty interesting, and also very cute how nervous Miyazaki seems to be to meet one of his idols.)
Specifically, how the two each choose to break the 180 degree rule (well, not technically 'break' in the case of Kurosawa) to show their protagonists' changing destiny in "Throne of Blood" and "Princess Mononoke".
For anyone who doesn't know, the 180 degree rule is a basic film-making rule of thumb which states that in any scene where two characters interact, you should draw an imaginary line between them and the camera should always stay on one side of that line.
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("In the Mood for Love" - Wong Kar-wai)
This way, one character is always looking to the right of the camera, the other is always looking to the left, and the audience doesn't get confused by the geography of the scene. Crossing this line can be disorienting, but when done intentionally, it can convey a paradigm shift of some kind in the scene.
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In this scene from "Throne of Blood," (a feudal Japanese retelling of Macbeth) Washizu's wife Asaji discusses tactics with him and tries to convince him to aspire to the throne and to assassinate his lord Tsuzuki while he sleeps.
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As two servants appear to notify them that Washizu's sleeping quarters are prepared, the camera dollies left and around the characters' backs. This camera movement is motivated by the motion of the servants' torches outside the room, but it also signifies a change in Washizu's outlook.
Washizu is completely silent for most of this scene, contemplating his wife's advice. But as the camera slides behind his back and across the line of action, the scene is now re-framed, illustrating his change in perspective.
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He's been convinced and the trajectory of his life is about to change - and now, facing away from the camera, is the time for action.
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Because the camera slides smoothly across the line, Kurosawa isn't technically breaking the 180 degree rule. Miyazaki on the other hand, takes it a little further.
The complimentary scene in Princess Mononoke comes near the start when the wise woman of the village reads Prince Ashitaka's fortune after he's cursed by the wild boar spirit. She tells him that it is his fate to leave the village and travel to the west, where he may be able to lift the curse on his arm. The trajectory of Ashitaka's life changes in this moment too. As he accepts his fate, the change is symbolized by him cutting off his hair, but also by the camera jumping the line.
Throughout this dialogue scene and even as he cuts his hair, the simulated camera sits just slightly to the side of Ashitaka's left shoulder.
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But once it's done, for the final shot, the scene is reframed and we jump to the other side, where Ashitaka is now looking to the right of the camera instead of the left.
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Making the camera dolly across a scene like Kurosawa's version in 2D animation is no simple task, so this transition with a simple cut is in a way subtler, in another way a bit more jarring, but it conveys the same meaning.
This is the moment when our protagonists make the choice to embark on a new destiny and re-frame their lives.
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This has been an excerpt from a short video essay I made a while back, which not many people watched. I think this is at least in part due to my failure to package it well, and it seems you tumblheads like this animation/cinematography analysis stuff, so this is an experiment to see if, with the help of y'all, and a new title and thumbnail, it's at all possible to give this video a second wind in the eyes of the Youtube Gods!
So if you found this interesting, I'd appreciate if you checked it out! Thanks for reading!
youtube
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underwaterwasteland · 4 months
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“There’s my sword,” Gideon said. “Pick it up—pick it up and stop looking at me, dick. Don’t. Don’t you dare look at me.”
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snoozefm · 4 months
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artharakka · 4 months
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Beautiful, But Broken
#bg3#tiefling#tw blood#c: Viivi#so I redid my bg3 character because I wasn't feeling durge that much. So now my sibling does durge and I regular tav Viivi#(changed her to tiefling for funs)#at least I meant to do regular tav but uhhhhh things have gone very unfortunately very fast#anyway. Viivi is an artist; she does painting sculpting poetry and some prose. Experimenting with this and that#unfortunately she is deaf which made making connections a bit hard in the fine arts world#fortunately she has a patreon with one very generous patron (she's fey warlock)✨ who has bestowed some gifts of charms for her#which have opened doors of many art galleries#She's not a fighter so although she is confident in her own lane she is also very aware of her mortality#so she avoided any fights she could#which might have saved her but also got her into the mess of her lifetime#you see she couldn't fight the entire goblin camp and their leaders. She would've just not survived that. So she convinced them#that she is a True Soul. She is good at convincing people. It worked. They thought she is on their side. Good#Halsin also though Viivi was on their side. Halsin attacked Viivi's party. Now Halsin is dead.#So Viivi and her group were still alone deep within enemy fort. Viivi made new plans. She frees the prisoner who says he will warn the grov#Good thinks Viivi now they know to flee. I will go to Minthara and tell we got the information from prisoner of the grove location#she will trust us and we walk off#when we get back to grove they have not fled and Minthara is at the gates#Minthara wants Viivi to sound the horn. Zevlor wants Viivi to sound the horn. Viivi asks Zevlor to please tell this plan in detail.#Zevlor says just blow the horn already. Viivi does that. Minthara thanks Viivi for leaving the gate open as planned#Zevlor does not thank Viivi for that. Viivi is confused as she did not leave the gate open. (for real the damn gate was left open)#So I did a Massacre.#now Karlach is gone Wyll is dead. Lae'zel is also dead#but apparently Minthara is ready to be very loving and sincere with Viivi. The most helpful person she has met in very long time.#Viivi might love her#so that is how she's doing.
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zuzu-draws · 2 months
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[The Cursed, Unwanted Child: Ostracised by the Village]
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transyashiro · 2 months
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