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“In the war film, a soldier can hold his buddy—as long as his buddy is dying on the battlefield. In the western, Butch Cassidy can wash the Sundance Kid’s naked flesh—as long as it is wounded. In the boxing film, a trainer can rub the well-developed torso and sinewy back of his protege—as long as it is bruised. In the crime film, a mob lieutenant can embrace his boss like a lover—as long as he is riddled with bullets. 
Violence makes the homo-eroticism of many “male” genres invisible; it is a structural mechanism of plausible deniability.”
–Tarantino’s Incarnational Theology: Reservoir Dogs, Crucifixions, and Spectacular Violence. Kent L. Brintnall.
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dclovesdanny · 3 months
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Teen dad Danny Fenton moving into Crime Alley and getting a reputation for helping. Street kids willing to babysit Ellie and Dan while he’s job hunting can spend the night, have a meal, get cash, whichever they choose. Sec workers who do Ellie’s hair/nails/babysit some nights also get the same benefits. He will treat anyone with injuries for the low price of showing Ellie and Dan their guns/taking them to the observatory/getting him job opportunities.
All of the people in Crime Alley know the single meta dad with two kids, who has helped half the alley at least. Everyone is also aware of how Ellie calls her other parent ‘The Bastard’, and how bad their nightmares are, the ones they have to call Danny for(A few of his repeat guests have seen the scars and burns on his arms. Some of the older street kids recognize that hunted look he gets when people touch him when he doesn’t know they are there. Some of the sec workers notice how protective he is of his kids, and the younger workers. No matter who they are, they all notice how Dan gets quiet and angry when asked about his ‘other dad’. They all have sworn never to let those kids go back to the other dad, Danny included. They are a part of Crime Alley now, and they protect their own)
Danny doesn’t realize how far his reputation goes/how much everyone trusts him until two of his regulars bring in an injured Red Hood, promising him whatever he wants in exchange for him helping their boss.
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puppetmaster13u · 4 months
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Prompt 191
So. Apparently immortality does in fact exist. And is apparently very easily accidentally achieved, if the fact an entire city has it now. 
The GIW will be waiting a very long time to be able to drop that ghost shield, because the city doesn’t seem to be dying out anytime soon. Or at all actually. It’s been several generations now. 
They might need to request assistance. Maybe before others start to investigate now that vigilantes are becoming a semi-common thing.
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dalishious · 8 months
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I think it's entirely fair to compare Baldur's Gate 3's rise in success to the Dragon Age franchise's downward spiral. Same goes for all other big name RPGs, for that matter.
What BG3 has just proven is that people do still love single-player, character driven roleplaying games. What BG3 has just proven is that studios do not need to fill their games with trash like micro-transactions, loot boxes, etc. What BG3 has just proven is that player-engagement can be used for the betterment of your product, and that people care more about feeling valued than potentially “spoiling” something.
But to circle back to specifically comparing BG3 to DAI…
BG3 has consequences to your actions. If you want to be evil, you can be really, really evil, and part of that experience is having the characters and world actually react to your wrongdoings! It’s so fucking refreshing to experience an RPG that has completely gone off the railroad track, unlike DAI which only offers what feels like the illusion of choice in comparison.
The way the player interacts with the all BG3 characters actually affects the course of their journey, as they all potentially change as people. I can only say the same for like, less than half of the DAI characters.
I think the biggest difference though, to me at least, is that BG3 has themes that anyone can relate to. DAI relies so heavily on the single theme of faith, without much else to offer, that it excludes anyone who doesn’t subscribe to that. But BG3’s multiple themes of trust, autonomy, power and corruption, etc. means that it’s far more likely for the player to feel personally invested in the story.
So, yeah. Baldur’s Gate 3 is everything Dragon Age used to be, and maybe that’s why it’s my new favourite game.
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superemeralds · 10 months
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something i can’t stop obsessing about is how shadow criticizes and belittles sonic for treating everything like a game, for not taking things seriously, for acting without thinking, or for thinking all the wrong things and acting accordingly.
BUT.
shadow is a player just like sonic. all the fighting they did, shadow got a lot of amusement out of it. it‘s the most expressive we see him EVER and it’s because he knows he’s winning. he loves winning.
im just. ough. they are just such mirrors. such. two sides of the same coin.
sonic plays because it’s fun to play. he loves the unknown, he loves not knowing what comes next and he loves being surprised and the challenge of having to adapt. he plays to experience the game.
shadow plays because he wants to win. he loves being superior, he loves knowing what comes next and most of all if what comes next is his victory and/or his opponents failure(s). he plays to win, and to win only. if there’s no way to win, to be crowned superior, then he’s not interested in the game. however, the game also needs to be challenging, which is why he loves fighting sonic. sonic is a challenge to be overcome and he gets a kick out of the slight uncertainty if he might not be able to win, but at the same time, wining against sonic is such a great accomplishment he relishes the challenge in their fights.
that is why hes smiling and smirking and posing and doing stupid jokes at sonic. he’s mocking him and flaunting his superiority. he could’ve been done with him faster, maybe, but it’s fun to play; and to rub his superiority into the fakers face (literally. he used sonic as a fucking surfboard on the ground. face down.).
because if he doesn’t do that, then what is he? the average life form? the normal hedgehog?
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brainwormcity · 4 months
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I've seen people remark on how awkward the 1967 scene is and that is so frustrating because, for me, it is one of the most emotionally resonant flashbacks in the entire series. It is so multifaceted and ripe with implication and that assertion is baffling. As though just because this conversation appears to be hard for them, it must mean that there has to be some sense of weirdness or awkwardness between them?
This scene feeds heavily into my theory that 1941 ended in some sort of aborted romantic moment between the two, most likely initiated by Crowley. Aziraphale can barely stand to look at Crowley because the very first moment he looks him in the face, he can't stop himself from giving him this hooded eyes, barely contained look of longing.
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The next thing we see is Aziraphale immediately launching into a statement about his fear for Crowley's existence that is as brutally sincere as it is heartrending. His eyes are wide, his voice is heavy with emotion, and it's clear that he is terrified beyond belief to lose Crowley. Even as he acquiesces and gives him the holy water, you can see that he wants to take it back and deny him it all over again.
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Then, of course, Crowley asks if he can give him a lift, which is definitely something that they both know is a totally different question than what lies on the surface, given that they're mere feet from the bookshop and at first Crowley frowns so deeply that it's almost cartoonish but a moment after Aziraphale turns him down you get this glimpse of very real sadness:
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Aziraphale sees it for what it is and in an attempt to comfort him, without being able to do what currently seems impossible to him, shares a fanciful but resigned fantasy about spending time together unbothered and unrestrained, all to the tune of these tight little, loving smiles:
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When he asks again, you can just see Crowley's desperation for Aziraphale not to go. It's hard to say how long they'd been apart, but it's safe to say that for them, that previous interaction likely is very fresh in their minds.
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Aziraphale has always been more fearful than Crowley when it comes to their feelings for each other. You could even potentially look at the holy water as a metaphor for their relationship. In his expressions of concern about The Arrangement, Aziraphale has always been remarking on how Crowley could be destroyed, similarly to his words here. So when he's telling him, "You go too fast for me, Crowley," what he's really saying is, "I'm terribly afraid and I'm not ready to take that step if it means that I could lose you." And it's plain to see by the wistful look on his face that it pains him greatly to say it:
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The scene so quickly cuts to Crowley looking intensely at the holy water after Aziraphale has left the car (as if trying to convince you that that was the real point of the scene) that it's easy to miss this devastated expression on Crowley's face:
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There's no look of perceived rejection on his face. Just a somber look of resignation. There are so many barriers in front of them, and I think that Crowley was willing to risk it but understood that Aziraphale wasn't ready to.
This is the most honest and laid bare we ever see these two be when it comes to their emotions. There's so much being said without being said and even their actual words (i.e. Crowley remembering exactly the amount of time when the 'fraternizing' conversation happened) are so full of emotion that it might even be a bit hard for some people to watch.
It's not awkward. It's just that the scene is just so incredibly earnest and heavy with coded language that it's easy to be swept up by the fact that the two aren't engaged in their typical banter and bickering. What we truly have here is an incredibly difficult and loving conversation between two people who are stuck in a seemingly impossible situation.
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canarybell · 5 months
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A little touch of Miles in the night
Do you think about this Michael Sheen post as often as I do?
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Cause...you can see what he meant here, right? Comparing Aziraphale (especially this Aziraphale, with this boa) to Miles Maitland. Comparing two Sheens with twenty years between them.
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And it's not just a boa. They are so...them. Gayer than a treeful of monkeys on nitrous oxide. Dramatic. Flamboyant. You can see this similarity in their energy in these particular moments.
And yet...is it all? Or there is something else?
Spoilers for "Bright Young Things" under the cut. tw:homophobia, just in case.
You remember what happened to Miles in the end of his storyline? To sweet, frivolous, charming Miles?
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The police got Miles' letters to his ex-lover. It was 1930s, and one piece of paper with love confessions inside could lead you to prison. So he had to leave for France to avoid arrest, without even really packing his things. And it's happened just before WW2, so his further fate in soon-to-be occupied France was...unclear, let's say that.
And you know what's happening to our angel here?
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He's so silly and happy. He's spending the night with a demon he just recently realized to be madly in love with. Crowley trusts him - as he showed in another round of their peculiar roleplay. He was able to be a terrible magician for one evening. This is a perfect evening, right? He's happy and is ready to share this happiness with the whole world.
There is knock in the door. In this second Aziraphale is beaming and shouts "Enter!".
The next second the door will be opened. Hell is gonna come into the dressing room. Hell that has evidence of an impossible, criminal connection. Hell, ready to trample not only over this second joy, not just this evening - but all past and possible future evenings too. Ready to destroy all of Crowley, and with him, all of Aziraphale.
All thanks to one piece of paper.
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……. It was good that Aziraphale knew that trick with the photograph, wasn't it? After all, he and Crowley have nowhere to run to within the confines of Earth - the jurisdiction of Heaven and Hell is somewhat wider than that of an English court.
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possamble · 2 months
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Marcille must have been an insanely popular teaching assistant at the academy
Like sure she's strict
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But she's also not at all hesitant to praise you when you DO get it right. Can you imagine being a gay preteen at the All Girls Magical Academy and getting blasted with this smile???
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She probably had half the school crushing on her. If they have an in-universe equivalent to valentine's day, her desk would just be piled high like a fucking mountain
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anneapocalypse · 1 year
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If Dragon Age II is about being doomed by the narrative, Dragon Age: Inquisition is about being devoured by the narrative. From the very beginning the Inquisitor is slowly being devoured by their mark. Being devoured by this organization they did not ask to join and are not allowed to leave. Begin devoured by the titles they can't reject and the story that swells around them, out of their control. Uncovering the tragic story of the first Inquisitor who tried to appease the same monster, and was devoured by it anyway--his nation, his culture, his very name and identity. And then watching the Inquisition, grown too large to be safe, begin to devour itself while Orlais watches it hungrily and Ferelden (remembering what it means to be devoured) asks how to put down the beast before it eats them all. The Inquisitor now fighting physically not to be devoured, trying to free themselves from the monster's teeth without losing more than an arm. Do they succeed?
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ulgapodatkowa · 7 months
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you know what I find interesting about stede's fight with zheng in the bar? it mirrors the fight stede had with izzy in the first season. in the way that stede is standing in izzy's place, he harbours the same feelings.
before the fight we see izzy approach stede and try to console him. he's saying that he understands how stede feels after ed left again, he says that he knows that ed is a complicated man. they sure as hell cope with their 'ed situations' differently but on the fundamental level it's the same type of being brokenhearted.
and then zheng does the same thing that stede did to izzy: she takes his crew, family. and stede reacts in the same way, he challenges her to a duel.
during the fight we see that the camera pans to izzy a few times and we see his thoughts. that it's a bad idea, that it's futile. but we are also left with a notion that this is what has to happen - stede has to lose in order to realize where he's been wrong and accept it later on. izzy knows that and despite the fact that he could step in he doesn't. but he stays at stede's side when the crew sides with zheng. he fucking stays.
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kyoukamybeloved · 7 months
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”In other words, the suicidal maniac wants to live. Is that it?”
“I’ve come to think it’s worth trying.”
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"You used Corruption, believing in me? How beautiful."
skk webweaves: 1, 2, 3, 4, 5
//strange gods - Roxane Gay// the portrait of a lady - Henry James// art from @/_mwk19_ on Twitter// say yes to heaven - Lana del Rey// the grudge - Olivia Rodrigo// litany in which certain things are crossed out - Richard Siken// art from @/suya1414 on Twitter// Kyoto - Phoebe Bridgers// we’re in love - boygenius// writings prompts for the broken-hearted - Eden Robinson// anyway - Richard Siken// art from @/AB0to on Twitter// things I never give myself permission to say - Chelsea Dingman// art from @/ssmi_0215 on Twitter// the whetting of teeth - Jamaal May// no light, no light - Florence + the machine// cosmic love - Florence + the machine// letters to Felice - Franz Kafka// art from @/rokkyun1 on Twitter// the sorrow festival - Erin Slaughter// norman fucking rockwell - lana del rey// remember my name - mitski// art by @bananana2217// townie - mitski// misheard lyrics - car seat headrest// you couldn’t just leave - Trista Mateer// art from @/T__rate on Twitter// your love finds it’s way back - Sierra DeMulder// a pearl - mitski// humpty - mitski// art by @yuyonyu// abandon me - Melissa Febos// where did you go - Hishaam Siddiqi// I should hate you - Gracie Abrams// art from @/qmthtdy on Twitter// killer - Phoebe Bridgers// a poem for Haruko 10/29 - June Jordan// crush - Richard Siken// pandemonium - Lauren Oliver// art from @/1110yu_ku_si on Twitter// catalog of unabashed gratitude - Ross Gay// steamboat - Adrianne Lenker//
hey remember when I said last part would be the final one? yeah uh about that, turns out I still have some inspiration yippee. hope you liked it :)
tags:
@dinosaur-mayonnaise @philzokman @amagami-hime @nnavia @homuncvlus @vinylbiohazard @bunglegaydogs @zamxii @ghostsinacoat @slug-behaviour @vivid-vices @atsuwushi @gorotic @pendragonstar @ricelover888 @oatmilkbasic @thou-shalt-cha-cha-real-smooth @the-gayest-sky-kid @lotus-reblogs @whiteapplesandblackblood @dazaiyuri @evermorehypewoman
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marshmallord · 5 months
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The show really hits you with the fact that Annabeth is the head counselor for the Athena cabin. Like, obviously she’s been there for a long time, but none of her older siblings are more fit for the job? How many others who are more experienced and older have already ventured off on deadly quests, never to return? Just how much death and tragedy has this girl witnessed at camp?
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laurelsofhighever · 4 months
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A list of potential cures for the Calling, that we know about, that BioWare has apparently forgotten
Andraste's grace: it's not specified whether the flower the kennelmaster has you pick in the Korcari Wilds is Andraste's grace or if the game just needed a one-off asset and decided to reuse one they already had. However, in the dark future in DAI, Leliana is found to have unusual tolerance for the taint, and in DAO she talks about her mother pressing her laundry with dried Andraste's grace flowers, so it makes you wonder. Anyway, the flower stops Barkspawn becoming a ghoul and seems to make them immune to the taint from that point on.
Maric's longsword: he finds it in the Deep Roads and is suprised it isn't covered in the same Blight-rot as everything else - until, that is, he touches the sword to a patch of it and sees it wither away. Whether it's the dragonbone the sword is made of or the runes on the blade is difficult to say, though if it was just the dragonbone then it would make sense for that to be a more well-known property of the material (and would have been an interesting reason for why dragons were hunted to extinction). If Alistair carries it with him, doesit slow the progession of the taint through his body? Does he know its effects, and give it to the HoF to help keep them safer on their journey to find a permanent cure?
That obsidian dagger Duncan finds in The Calling: the dagger belonged to First Enchanter Remille - who also gave the expedition members brooches that accelerated the spread of the taint. iirc the both the dagger and the brooches are made by the Architect with Blight magic, which means the darkspawn magisters have more knowledge of how the Blight works than the Chantry attributes to them.
Whatever the fuck is going on with Avernus: he hasn't managed to cure himself yet, but he's managed to make it to 200 and the Warden can let him continue his experiments if they don't kill him - and he'd be a really useful resource if the Warden later wanted to send him other potential cures for testing.
Dragons: they have an ability to isolate the Blight in their bodies by forming crystaline cysts around the initial infection to stop it spreading. Useful if it can be more widely applied. Also, it's implied that Maric's reaver blood, which Calenhad gained by mixing his blood with a dragon's, is what somehow cured Fiona of the taint, kinda like a reverse STI, BUT in the Deep Roads they went through an area where the walls were coated in a pale, chalky substance suspiciously devoid of Blight-rot and she touched it, so I'm a bit suspicious of that.
Blood magic: makes sense since the taint is a problem that starts with infected blood. There are two major instances in DA canon where blood magic has been used to purge the taint from an object or being (both by elves btw). The first is Isseya using it to draw the taint out of a clutch of unhatched griffon eggs, which she says is only possible because the taint hasn't yet taken over the hatchlings' bodies to the same extent that it had with the adult griffons. The second instance is Merrill purging the Blighted eluvian in DA2. It's insane that Anders - who is a reluctant Warden and who possibly knows the HoF seeks a cure - isn't more excited about this. She literally removed the Blight from a fully tainted object. Since Isseya proved the same can be done with living tissue, it's probably the closest we've come to an actual cure, but since it also took years there's no telling if it could be a practicaly solution for all Wardens
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miraculan-draws · 11 months
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Dwarves in inquisition having a 25 percent magic resistance is retroactively so fun. Like Hawke knows he can graze Varric with a fireball and he'll be fine. Oghren, actively on fire but can't see it past his helmet like "Anybody else warm? It's toasty in here." Sigrun laughs when she gets shocked. She will actively hold onto a charged lightning surface and laugh.
Also though, I bet this makes it really hard to heal them, it'd probably take more than one mage to do it.
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dalishious · 3 months
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Alistair vs. Cullen
It really annoys me when people act like Alistair and Cullen are the same character, when they are very different.
Alistair grew up with child neglect. When visiting Denerim, Eamon kept him in the kennels. At Redcliffe, he slept in the stables on a pile of hay. Alistair also recounts a time when he was locked in the dungeons for a day before someone came to get him out. And of course he also talks about how Isolde despised him, and “made sure the castle wasn't a home.” But is still convinced that Eamon is a good person and he deserved all that. Cullen had a very fortunate upbringing with a loving family who supported him and what he wanted in life.
Alistair never wanted to be a Templar; he was forced into joining the Order by Eamon. He is vocal about how much he despised this, and considers Duncan recruiting him for the Wardens as “saving” him from them. The only thing he says he enjoyed about Templar training was the educational component, which he did not receive previously. Alistair was a poor recruit because he frankly did not want to be there, and therefore did not take it very seriously. He saw practices like the Harrowing as horrifying, and deepened his dislike of being a Templar further. And as time goes on, he becomes even less of a supporter of the Order; he outright says Meredith is the biggest threat to Kirkwall in Dragon Age II, if made king of Ferelden. It was always Cullen’s dream to be a Templar, and would even force his younger sister to “play the apostate” for his “training” before being recruited. Cullen was an enthusiastic recruit who considered Templar training “all that he had imagined”, and “did not hesitate” in taking his vows. Even the Harrowing did not waver his devotion to the Order, which by Dragon Age II becomes downright fanatical and tyrannical, practically worshipping Meredith. (Though this was later attempted to be retconned in Dragon Age: Inquisition… just as poorly as all the other retcons in that game, taking the path of “just pretend he never said and did all those things!”)
There is a lot of dialogue from Alistair about how much he dislikes the Chantry. Cullen, on the other hand, is extremely faithful and the only criticism he ever has about the Chantry is that they don’t treat the Templars well enough.
Alistair has a good sense of humour—in fact, it’s one of his biggest coping mechanisms. Cullen wouldn’t know a joke if it hit him in the face.
The player can disagree with Alistair on every turn. He is presented as sometimes being right, and sometimes being wrong, like most people. (Side note: more than that, you can be downright verbally, emotionally, and physically abusive to Alistair. Holy shit, I didn’t even realize how bad it can get until reading through the dialogue in the toolset, because I’ve never picked those options in game. I was honest to god flabbergasted and very uncomfortable through much of it.) The player rarely has the chance to even mildly disagree with Cullen. On the rare occasion you do, the dialogue is painted as if the player is being an unreasonable asshole, and he never even addresses what they say. (Example.)
The only reason I think people are capable of mistaking them for another is because fandom likes to donate Alistair’s personality onto Cullen. That and the the ever-frequent whitewashing of Alistair doesn’t help matters. But I’m not even a Cullen fan and I think it’s a disservice to both of them to act like they’re just Alistair and Alistair 2.0, honestly.
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poorly-drawn-mdzs · 15 days
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Siffrin plays Disco Elysium AU: Featuring backseat gamer Loop.
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