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moonastro · 5 days

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Juno persona chart

jupiter in the houses

what is a juno persona chart? looking into juno persona chart gives more detailed insight of how the relationship and marriage overall of you and your spouse will be like. it also describes them in a sense as well. The Greek Goddess Juno is described to rule over love and marriage and hence why the asteroid is looked into for that theme.

jupiter represents luck, it expands anything it touches and gives prosperity in that area. in the juno persona chart, jupiter signifies the luck the couple has within the marriage, what possible expansions marriage life of the couple receives and what possibly wisdom the couple takes.

reminder: this is my interpretation from observations and first hand experiences, so don't take this to heart.

**reminder no.2 that this can be used for signs as well, so for example if jupiter is in aries in 6th house, make sure to check out jupiter in 1st house also as it may resonate.

jupiter in 1st house: marriage may be full of quick decisions, not waiting around brings luck to the couple. acting right away is the way to go for this placement. the couple may find luck in cars, perhaps you always have access to transport, have access to cars, may even own lots of cars or some sort of quick transport. marriage may bring growth to developing how to cope with anger or short temper, this placement may bring expansion to have healthy coping mechanisms when it comes to short temper or raising voice. marriage may bless the individual with courage to show the real them for example showing off their real style, personality, likes and interests etc. these individuals may have a very nice and luxurious (a grand) home after marriage, exterior of home may look big and expensive so this may be an indication of having a big house after marriage. jupiter here may brings lots of movement to the individual after marriage, their life may liven up a bit and there may be lots of movement during marriage. life can be full of life, full of passion, desire and motivation so a sense of fulfilment may occur and make the individual feel alive.

spouse may have natal jupiter in aries, 1st house, fire sign or fire house.

jupiter in 2nd house: marriage may bring luck to resources, money, materialistic things and ones value. the couple may receive lots of gifts from other people, not cheap also, this placement just attracts gifts and luxury. also expect people offering you to go out for dinner or lunch after marriage, this brings expansion in areas of socialising and allowing oneself to destress and rewind. marriage can be full of relaxation, after marriage the native can have luck in having s stress free mind or a less one. jupiter here may bring growth to having patience with one another, adapting to foreign environments and finding comfort in anywhere one may go. marriage may bring luck in artistic fields related to the voice, the arts, dancing, cooking, food related and beauty related. this placement may have luck in those themes and may have a business or open up a store related to these themes.

spouse may have natal jupiter in taurus, 2nd house, earth sign or earth house.

jupiter in 3rd house: marriage may bring luck in communication, writing, expression of oneself and getting to the point. this placement bring expansion to speaking so couple much talk things out even if they are the tiniest of little misconceptions they should be sorted out rough communication. i feel like this placement also gives luck in education, so this placement go back to school, college or university after marriage or they decide to study something they have been interested in after marriage. marriage may bring this placement extreme motivation and inspiration from their partner so they may want to complete everything at once as ideas keep coming and coming. this placement may find lessons to do with trust and talking behind each others backs, also learning how to stay within each others energy levels and keeping up with each other ideas and supporting each other in that sense.

spouse may have natal jupiter in gemini, 3rd house, air sign or air house.

jupiter in 4th house: marriage may bring luck in family relations. perhaps getting closer to family through marriage, visiting family more often after marriage, spending more time with the mother especially after marriage. this is also an indication of having luck in having a family of your own, so having kids may bring more luck in that field. having a comfortable home of your own will expand your luck, being comfortable in your own home is very important for example, having every detail of the house according to the way that makes you feel warm and cosy can make a different in your growth as a person. this placement is spiritually gifted with their intuition and learning to believe in themselves. Jupiter here has a lesson to never diss oneself and always believe in your abilities after marriage. through marriage connecting with ones ancestors may bring great fortune also.

spouse may have natal jupiter in cancer, 4th house, water sign or water house.

jupiter in 5th house: the couple may have luck in children. this placement really enhances the amount of children the couple may have, so most likely people with this placement have lots of children. also the couple may find happiness and expansion with children, perhaps it helps with their mental health, their spiritual journey, their mindset and their luck in general. also this placement may find growth in their confidence may grow in confidence and have their own way. also this placement most likely will be quite well known whether its within the community, neighbouring, worldwide etc. This placement finds growth in their ego, so usually after marriage their views of life and their mindset may drrastically change for the better especially after having kids.

spouse may have natal jupiter in leo, 5th house, fire sign or fire house.

jupiter in 6th house: marriage may bring luck to health and fitness. this placement may have fortune in their health for example getting more fitter by going to gym, eating more healthy, changing unhealthy life style, changing up their routine for the better after marriage. the couple may find expansion in the field of taking care of something, perhaps taking care of each other, taking care of pets, taking care of friends, taking care of grand-parents and so forth, however, that will bring luck. jupiter here may bring lessons it terms of criticality, judgement, lack of mentality and perfectionism after marriage. jupiter here brings luck in routine, their day-to-day life may be lucky for example someone with this placement may just get opportunities when going to the store or finding a valuable item while walking a dog and so forth.

spouse may have natal jupiter in virgo, 6th house, earth sign or earth house.

jupiter in 7th house: marriage may be favourable in having good relations to each others grandparents. this placement may experience lots of luck in law situations such as legal matters related to the government and documents. the couple may never be involved in problems related to the law or always have luck in that field. marriage may bring luck to connections and relations in general, you may have more ease connecting with other people, you may get on with people more easily. this may work to this placements favour as it can expand the amount of opportunities one can receive, getting more compliments, being liked by people you thought disliked you and so forth.

spouse may have natal jupiter in libra, 7th house, air sign or air house.

jupiter in 8th house: couple may have luck in keeping secrets, what i mean by that is they keep things private very well so that comes to an advantage to them because it shocks the people around them and question things like 'since when??' or 'whatt?' that sort of vibe. this placement keeps people wondering, guessing and interested in your marriage and this placement never gives them the satisfaction. this protects the couples privacy and protects their energy also. this protects the couple from negative energy which protects their luck. this is a very powerful placement to have since this expands the spiritual bond between he couple also. strategizing goals and researching and just planning in general may bring luck to this placement for example, planning outings, shopping, researching contracts and the background of the contract before signing, researching what holiday you'll be travelling to and so forth.

spouse may have natal jupiter in scorpio, 8th house, water sign or water house.

jupiter in 9th house: this placement brings luck to those who travel abroad, living outside of the environment that they grew up in will bring growth and extreme luck. another thing is that the couple may find luck in being enthusiastic and charismatic, also making jokes and taking things with a grain of salt, not over exaggerating stuff will be favourable for this placement. also marriage may be full of discovery, always learning, always exploring. being in a good relationship with parent-in-law brings luck to the marriage so being in good terms with spouses parents may be very favourable for this placement and may bring lots of opportunities related to travel, fulfilment, study and spiritual growth. another thing with this placement is that jupiter being in its home house, this is very expanding and broadening in terms of their conscious mind, jupiter can guide the couple in marriage and incline their mental and astral growth. basically, marriage is spiritually guided by the higher energies, marriage was meant to happen in order for this placement to achieve and complete their mission of this physical realm.

spouse may have natal jupiter in sagittarius, 9th house, fire sign or fire house.

jupiter in 10th house: marriage may bring luck in image of this placement. the couple may find luck in their career, may get promotions, upgrades, bonuses, movement to higher position etc etc. jupiter here gives luck in other peoples view about you, the vast majority of people may have a different perception of you in a good way after marriage. also marriage may bring reputation to your image that expands your opportunities and respect from other people. also people may find you more serious after marriage. an honourable thing to keep in mind with this placement is that over a certain period of time, jupiter brings severe luck through hard work and determination for this placement during marriage, marriage may strengthen and jupiter offers its full expansion later in life in this marriage. this is also an indication of a very long lasting marriage, even a marriage that last until old age.

spouse may have natal jupiter in capricorn, 10th house, earth sign or earth house.

jupiter in 11th house: marriage may find luck in social gatherings, groups and outings. couple may face extreme luck on social media and technology, for example may have a successful social media platform or have extreme luck with technology, long-lasting, fast running and so forth. marriage may expand social groups also, this placement may find more accepting and understanding friends after marriage especially. may also find their true friend group after marriage. this placement may also experience growth in expressing themselves the way its most authentically true to themselves and being comfortable about it after marriage. this is also a placement that brings unplanned events and turns it into the most luckiest thing ever, this placement may find the most luck through spontaneous events, events that happen through spite for example getting calls from an old friend to go to a café the next day, that day turns out to be one of the best, or another example may be getting invited to an important event having only a short period of time of notice, when arriving at event you see people that are well known and receiving offers from them and so on.

spouse may have natal jupiter in aquarius, 11th house, air sign or air house.

jupiter in 12th house: this placement may have luck in spirituality, the couple may be spiritually guided by the universe and have luck overseas. for example when travelling pay just have the best luck ever and may feel complete when travelling long distances in general. this placement often brings luck when it comes to sleeping, for example you may be guided when in bed with your partner if that makes ant sense, like you may feel better you may sleep better and you may even dream better. marriage may bring luck in artistic areas of life for example having luck in being an artist, singer, model, teacher, poet, also tarot reader. this placement may get oversea recognition in these artistic areas. marriage may expand the mind to prioritise mindfulness in order to not fall into dangerous addiction tendencies so it is very important to find peace and a healthy coping mechanism through spirituality.

spouse may have natal jupiter in pisces, in 12th house, water sign or water house.

thanks so much for reading, have a nice day ahead!🌛⭐🌼

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velnna · 1 month

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I'm curious to know how you mastered anatomy? I mean, look at the subtle shadows around Roy's shoulder or the details along Staeve's arms or even the ups and creases on Astarion's face, I am truly amazed and see it and it makes your art style so good but I can't understand how you do that...

I know I lack that specific little details in my own art style but idk how to comprehend it, so did you actually study anatomy? Or did you like, vibe around? Or try to feel and visualize while drawing what the body feels like?

Amazing amazing artist you are mate, love you for sharing this with us!

It's honestly just been a matter of actively trying/learning to recognise muscle groups and joints over the years (plus a lot of my biggest artstyle inspirations are HEAVY on anatomical lines and accuracy). Also, as I've mentioned a bunch of times, I've always been involved or interested in high performance sports, acrobatics in particular, which made me pay a lot of attention to people's bodies from very early on (in a purely artistic way lmao)

These days a lot of it comes intuitively, but if I'm ever struggling or need a fullbody/more dynamic pose my first step is to outline the muscles in the sketch to see if anything's out of place. To aid me in this I sometimes have écorché (skinless) references either as pictures or in 3D. This sort of thing:

There's a lot of online resources for this as well! I personally love this one

In my head things get converted to a puzzle of sorts, kinda like what these study notes look like (not mine, artist handle in the pictures):

And then it's a matter of weighing in how thick a character's skin is (indicator of a bunch of things including age) and what the fat-muscle ratio looks like, to decide which structural lines stay and which ones go or become less prominent.

And yes this also explains why I have so many fit/lean characters. I get a kick out of drawing muscle groups lmao

All that being said! I'm still very far from my anatomy goals haha it's a work in process for all of us. Hope this helps!

#tutorial #q&a

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yawnderu · 4 months

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hi, i've only discovered your writing recently but i can't even explain how much i love it 😭 it's like that one anon who i think said that it feels very real, like you're getting 4k ultra hd 8d view of the scene lol 🩷

i really like your bimbo reader posts but i also sort of enjoy seeing them from this point of view that's like.... "this is not his gfs """"constant"""" style but he just lets her be in this kind of persona sometimes because it's relaxing to let him do all the work and thinking for her from time to time".

i hope this makes sense 😭 thank you for writing something that's this cute and wholesome i just love it

Thank you so much sweetheart, this is really lovely!! 😭😭😭<3

Yeah!! I totally get where you're coming from!! She's not exactly dumb, it's actually quite the opposite. I'd like to hc her as a girl who managed to get into a very good university and is studying astrophysics simply because she liked watching stars as a child. She's not dumb— just a girl who grew up extremely sheltered and hasn't seen the world through the eyes of someone who has had a difficult life, like Simon.

There's certain naivety that while it can be dangerous, she's been learning more and more about with Simon's help about stranger danger and trusting her instinct, but the girl is always surrounded by people who enjoy seeing her thrive and always teach her the things that her parents didn't.

I'd say in general she has a very good life, and now paired with Simon, someone whose entire soul wants to see her thrive?? She gets to turn off her brain and simply let him take control— he sometimes picks her clothes for her, dressing her up to the best of his capacity even when he's not a fashion guy.

This man has studied all her Instagram pictures because she's mesmerizing and he loves her that much, yet it also gives him the chance to more or less know what combinations she likes to wear. He still remembers the time she looked at him like he grew a second head for trying to make her wear dots and lines— but he never made that same mistake again.

They work surprisingly well together despite basically being on complete opposite sides of a spectrum, and at the end of the day, they work this well because they're both equally in love with the other.

Simon is level-headed and that gives her the chance to simply be herself without worrying about anything, he gives her a sense of security that she's never gotten with anyone else, while bimbo!reader gives Simon the love and affection he never even dared to think about. The main thing is that she looks and treats him like he's worth something how good of a soldier he is. Hell, she doesn't even know he's a soldier, she simply found the most brooding and intimidating guy and fell in love with him before she even knew it.

They both spoil each other a lot. Simon buys her things, treats her with patience and love, and generally treats her like the princess that she is, while she takes care of Simon like no other. She does face masks with him, gives him massages, does his manicure (trimming and cleaning his nails, putting lotion on his calloused hands), and is overall as patient as they come.

They're a pretty wholesome pair and quite honestly I enjoy writing about them a lot, the love they have for each other is fully pure and it makes me happy. :')

Sorry for going off here HJBEFJBHKFEHBKJEFHBJK I wrote too much but God, I love this pair SO fucking much

Bimbo!Reader Masterlist

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andhumanslovedstories · 5 months

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I’m genuinely surprised how much I love nursing. Every shift, I get to meet and help so many people. I’m float pool so I go to the whole hospital, but I’ve also been floating for a while so everywhere is familiar. Sometimes it’s hard for me to walk through the hospital because I know so many people I pass, and we keep stopping to chat. I float to seventeen different units. That’s crazy! I know so much about the hospital! Every night I’m somewhere else, working with a different team and a different group of patients. The constant novelty and familiarity of floating is delicious.

And I love my patients! I know this all sounds so goody two shoes, but I love that I get to help so many people in so many ways. I only get them for one night, so I try to give them my best. I love tucking people in with warm blankets, I love explaining what I’m assessing to a patient with a new diagnosis, I love having heart to hearts with patients at three am when they can’t sleep, I love making people hurt less and stop throwing up. And you can be a real scamp about it. I love stealing snacks from other floors. I love when a patient is like “god I’d love some chocolate” and I get to be like “sir I know the location of every candy drawer in the hospital, I can get you some chocolate.” Or like figuring out like a cheat code for alleviating symptoms. When someone’s like “wow this heating pack rules” and then falls asleep instantly? It feels good and it’s fun. I have a lot of fun figuring out how to cheer up my patients in minor little stupid ways.

I never have to wonder if my job contributes value to the world. When I go home at the end of my shift, I can always think of something I did that makes me feel proud. That rules! It’s so fun to be proud of yourself! It’s so fun to know that what you do matters and that you are doing it well. And if I don’t feel proud, I have a drive home to think about why and I get a chance to do better next shift. And that’s good too. There are nights where I can feel the way I let someone down, and I have to sit with that, and I have to learn from it.

(And I don’t want to sound like I’m crushing it always super-nurse style, like I’m completely immune to ableism and the other -isms, or that I’m never lazy or callous or checked out. I’m new and I’m learning and I’m human and I’m tired and I’m not always living up to the person I hope to be. But I do get a lot of opportunities to make up for it and try again. That feels good.)

And I love teaching new nurses! I love having to constantly keep studying so I can be in a position to teach anyone anything. I love watching people get better at stuff. And I love that as I’ve gotten more confident as a nurse and a person who trains new nurses that I’ve started coaching more and more on the soft skills of nurses. Those are really hard! We should get as much practice with therapeutic communication as we do with Foley catheters!

Also where I work pays good, and I’ve got great job security, dude, I can buy so many stupid little trinkets. I was so nervous when I decided to go to nursing school that I was fucking up my life and other people’s plans for a job I wouldn’t even end up liking. I’d literally never worked something remotely close to healthcare when I decided to go to nursing school. I’d been in a hospital like once. I feel like this big life change shouldn’t have worked out nearly as well as it has, but hey it’s really fuckin cool it did

#nursing tag #augh I am being so earnest #I’m frankly the most earnest person I know and I’m still always a little embarrassed by it #lemme put a stupid joke down here in the tags #uhhhhhhhhhhhhhhhhhhhhhhh fuck I got nothing #just pure earnestness

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japhers · 5 months

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Hey there! Long time lover of your art, and my curiosity got the better of me. I've checked your FAQ but I'm dying to know if you have any tips/tricks for how to render gold. No matter which style you draw it in, whether more painterly or simplified (like for Étienne & Benoît), your gold accents always feel like they have the crucial elements of both warmth and the like. reflectiveness?? ITS THE GOOD STUFF either way

OGH THIS IS GONNA BE A BIT HARD TO EXPLAIN BECAUSE it's a lot of accumulated studies but I'll try ;u;

FIRST OFF: I feel like I have to say that these are all just shortcuts- I've learned just enough about gold to be able to convey the illusion of gold on what I draw, in the fastest way I could do it, for quickly putting the ideas in my head on paper, but this is by no means a comprehensive guide!

If you really want to study the physics of it all, the way it would work with different materials and styles, then I highly suggest doing a lot of self-studies!

Even when painting smth new- if it's really something I want to work hard on, I tend to have gold references open on the side so I can look at them and figure out how they work!

Ok, so moving on:

I like to look for references because the type of gold/material is going to affect the reflectivity and the way I'd shade it, but by default I love doing the more chrome-y type of material on my stuff bc it reads the best as gold, yanno? Unless of course the thing I'm doing calls for more matte/textured types...

Then depending on the colors surrounding the gold item, as well as the colors on the gold item, I can figure out the colors I want to use!

By default though I like using a sort of yellow or yellow-orange with deep browns for the gold itself, light cream/white for the highlights and light blue for the bounce light (which is actually the simulation of an effect where the blue sky's color bounces off the ground and up onto your item!)

I feel like the 'warmth' that you are seeing is the interaction between the reds and yellows of the gold, contrasted and made much warmer with the blue bounce light!

It's hard to see on the next one, but I airbrushed the Highlight color on an Overlay (sometimes an Addition) layer, which helps add a glow!

For the Genshin style mockups I had to do some research because the specific way of shading gold that the MHY artists utilize usually go for less saturated, lighter yellows and browns, and not everything is shaded chrome-like!

You can see my attempts to mimic the flatter shading on these parts of Etienne's outfit:

and then return to my more usual shading methods on these next parts, which were more in line with the shading on the red box in the examples above!

it's a bit long, but I hope you find what you were looking for in here somewhere! ;u;

#gold #walkthrough #artz #japhtalks #japhref

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melodrangea · 6 months

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halloween never really ends for me so could i request maka, soul, and dtk with a vampire s/o? thank you :>

absolutely my dear, all reign halloween!

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Soul Eater Characters with a Vampire S/O

Soul "Eater" Evans

-would think it's mad cool, only adding to his 'cool persona'

-I mean a cool guy like him should have a cool S/O too

-only thing that would worry him is the whole "drinking blood" thing

-but once you explain that you usually only get blood from vendors (like Sarah in My Babysitter's a Vampire) or from bad people you fight (technically kishin souls still have human blood I think)

-Soul absolutely love your sharper vampire teeth, he has pretty sharp teeth too so he thinks it's fun that you two match

(plus he thinks it's hot to leave bite marks on him and the same for you)

-wouldn't let you drink his blood if you needed too out of fear for his lack blood spreading but he will either find someone else to help you or figure something else out

-do not walk on the ceiling around this man, he will scream and cry

-only thing he isn't a fan of is the whole 'never sleeping' part, like Soul needs sleepy cuddles to function, so you're being dragged whether it's you staring at the ceiling at night or not

-overall 8/10; isn't really bothered but it's not like he absolutely adores for the sake of being a vampire, he just likes you for you

Maka Albarn

-oh ho ho she thinks you're hot

-if you have the stereotypical "vamp goth" fashion style, she will do anything you ever ask of her

-she will be staring at you with red tinted heart glasses

-(and don't even get me started on when you bit her lip with your vamp teeth while making out)

-does find you being a vampire very interesting and will often ask you a lot of questions about what it's like

-it has crossed her mind more than once that you will outlive her by a long while but you always just kiss her until she forgets; deciding to save that issue for a later time

-she doesn't mind a lot of the you being a vampire quirks

-like you'll be climbing the wall and she'll just hand you a duster

"can you get that spot in the corner for me babe?"

-would probably be the only one on the list to let you drink her blood if you needed to

-but would also offer you other options and solutions first(let's be honest she has you on a schedule so you know when you need to feed so situations like that don't happen)

-Maka often stays up fairly late studying so she likes that you don't really sleep so you can keep her company

-overall: 11/10; Maka loves you so much and would do anythgin for you, please just cuddle this poor thing

Death the Kid

-probably the most apprehensive about you being a vampire out of the three

-once you get into a relationship he will actually learn to appreciate it

-I headcannon that as a grim reaper Kid doesn't really sleep much either, maybe a few hours but he doesn't need more than that

-so you both will be able to spend time with each other during the night when most are asleep <3

-will not under any circumstance let you drink his blood, as much as he wants to help you, there is no way to make the bite marks even on both sides of his neck or both wrists etc...

-but he will personally purchase blood from a blood bank or pay someone to regularly donate for you (rich boy privileges)

-another one to have a calendar or schedule to make sure you get the blood you need but will be less obvious about it then Maka though, would probably just make a light handed comment

"it's been a few days do you think you will need blood soon?"

-Kid will also be so happy that you're a vampire for the same reason Maka is worried, you will live a lot longer than a normal human being

-when Kid takes over as Lord death he will be semi immortal so he's so thankful that you will live just about as long as he will

-the rest of you being a vampire...not so much unfortunately

-like you will terrify him to his soul if you walk onn a wall

-and heavens forbid if your fangs aren't symmetrical

-but just love on him until he forgets about whatever he's rambling about and you're fine

-would be another to appreciate goth fashion, he would get you two matching outfits as your styles are similar <3

overall 9/10; I cannot think of a better part for Kid than an immortal being like himself, you guys will get to spend the better part of a thousand years with each other <3

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that's all my loves!

hope you enjoyed anon

-Melodrangea <3

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mostlysignssomeportents · 9 months

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The art of Daniel Danger

[Image ID: Daniel Danger's art print, 'To all who home to this happy place,' depicting a ruined Disneyland castle in a post-apocalyptic landscape with a statue of Walt and Mickey in the rubble.]

There’s this behavioral economics study that completely changed the way i thought about art, teaching, and critique: it’s a 1993 study called “Introspecting about Reasons can Reduce Post-Choice Satisfaction” by Timothy D Wilson, Douglas J Lisle, Jonathan Schooler, Sara Hodges, Kristen Klaaren and Suzanne LaFleur:

https://www.researchgate.net/publication/240281868_Introspecting_about_Reasons_can_Reduce_Post-Choice_Satisfaction

The experimenters asked subjects to preference-rank some art posters; half the posters were cute cartoony posters, and the other half were fine art posters. One group of subjects assigned a simple numeric rank to the posters, and the other had to rank them and explain their ranking. Once they were done, they got to keep their posters.

There was a stark difference in the two groups’ preferences: the group that had to explain their choices picked the cartoony images, while the group that basically got to point at their favorite and say, “Ooh, I like that!” chose the fine art posters.

Then, months later, the experimenters followed up and asked the subjects what they’d done with the poster they got to take home. The ones who’d had to explain their choices and had brought home cartoony images had thrown those posters away. The ones who didn’t have to explain what they liked about their choice, who’d chosen fine art, had hung them up at home and kept them there.

The implication is that it’s hard to explain what makes art good, and the better art is, the harder it is to put your finger on what makes it so good. More: the obvious, easy-to-articulate virtues of art are the less important virtues. Art’s virtues are easy to spot and hard to explain.

The reason this stuck with me is that I learned to be a writer through writing workshops where we would go around in a circle and explain what we liked and didn’t like about someone’s story, and suggest ways to make it better. I started as a teenager in workshops organized by Judith Merril in Toronto, then through my high-school workshop (which Judy had actually founded a decade-plus earlier through a writer in the schools grant), and then at the Clarion workshop in 1992. I went on to teach many of these workshops: Clarion, Clarion West and Viable Paradise.

So I’ve spent a lot of time trying to explain what was and wasn’t good about other peoples’ art (and my own!), and how to make it better. There’s a kind of checklist to help with this: when a story is falling short in some way, writers roll out these “rules” for what makes for good and bad prose. There are a bunch of these rulesets (think of Strunk & White’s Elements of Style), including some genre-specific ones like the Turkey City Lexicon:

https://www.sfwa.org/2009/06/18/turkey-city-lexicon-a-primer-for-sf-workshops/

A few years ago, I was teaching on the Writing Excuses cruise and a student said something like, “Hey, I know all these rules for writing good stories, but I keep reading these stories I really like and they break the rules. When can I break the rules?”

There’s a stock answer a writing teacher is supposed to give here: “Well, first you have to master the rules, then you can break them. You can’t improvise a jazz solo without first learning your scales.”

But in that moment, I thought back to the study with the posters and I had a revelation. These weren’t “rules” at all — they were just things that are hard and therefore easy to screw up. No one really knows why a story isn’t working, but they absolutely know when it doesn’t, and so, like the experimental subject called upon to explain their preferences, they reach for simple answers: “there’s too much exposition,” or “you don’t foreshadow the ending enough.”

There are lots of amazing stories that are full of exposition (readers of mine will not be shocked to learn I hold this view). There are lots of twist endings that are incredible — and not despite coming out of left field, but because of it.

The thing is, if you can’t say what’s wrong, but you know something is wrong, it’s perfectly reasonable to say, “Well, why don’t you try to replace or polish the things that are hardest to do right. Whatever it is that isn’t working here, chances are it’s the thing that’s hardest to make work”:

https://locusmag.com/2020/05/cory-doctorow-rules-for-writers/

But if I could change one thing about how we talk about writing and its “rules,” it would be to draw this distinction, characterizing certain literary feats as easier to screw up than others, having the humility to admit that we just don’t know what’s wrong with a story, and then helping the writer create probabilistically ranked lists of the things they could tinker with to try and improve their execution.

Which is all a very, very long-winded way to explain why I bought a giant, gorgeous art-print at Comic-Con this weekend, even though I have nowhere to hang it and had sworn I would absolutely not buy any art at the con.

I was walking the floor, peeking into booths, when I happened on Daniel Danger’s booth (#5034, if you’re at the con today), and I was just fuckin’ poleaxed by his work.

http://www.tinymediaempire.com/

[Image ID: Daniel Danger’s ‘It stopped being about the panic,’ depicting a ruined mansion interwoven with the skeletal branches of a tree, with a weeping statue and two human figures]

Now, see above. I can’t tell you why I loved this work so much (and that’s OK!), but boy oh boy did it speak to me. I just kind of stood there with my mouth open, slowly moving from print to print, admiring works like “It stopped being about the panic.”

https://tinymediaempire.myshopify.com/products/2022-sdcc-it-stopped-being-about-the-panic-v4

[Image ID: Daniel Danger’s ‘headlight in the path of,’ depicting a ruined mall with a pair of stags standing at the top of the escalator.]

On the surface, this is moody, post-apocalyptic stuff, heavily influenced by classic monster/haunter tropes, but it’s shot through with hope and renewal and the sense of something beautiful growing out of the ashes of something that has toppled. There’s real “(Nothing But) Flowers” energy in “Headlight in the path of”:

https://tinymediaempire.myshopify.com/products/sdcc2023-headlight-in-the-path-of-v2

[Image ID: Daniel Danger’s ‘We are no longer able to protect you,’ depicting a ruined factory with a coming-apart sign reading ‘We can no longer protect you forever,’ and a statue of a sword-bearing angel.]

Danger isn’t just a

very

talented artist, he’s also an

extremely

talented craftsman. As a recovering pre-press geek, I was (nearly) as impressed by the wild use of spot color and foils as I was by the art, like in “We are no longer able to protect you”:

https://tinymediaempire.myshopify.com/products/sdcc-2022-we-can-no-longer-protect-you-forever-v3

[Image ID: Daniel Danger’s ‘made of smoke and chains,’ depicting a ruined landscape with a pair of derelict subway trains at the foot of a hill on whose peak is a rotting mansion. A pair of human figures, holding hands, are approaching the mansion.]

Danger himself calls this work “weird sad hyper-detailed artwork of dreamy buildings of ghosts and trees,” which is a very apt description of this work, as you can see in “Made of smoke and chains”:

https://tinymediaempire.myshopify.com/products/made-of-smoke-and-chains-mist-preorder

So I looked at this stuff and sternly reminded myself that there was no way I was going to buy any art at the con. Then I walked away. I got about two aisles over when I realized I had to go back and ask permission to take some pictures so I could put a little link to Danger in my blog’s linkdump, which he graciously permitted:

https://www.flickr.com/search/?sort=interestingness-desc&safe_search=1&tags=danieldanger&min_taken_date=1687478400&max_taken_date=1690156799&view_all=1

[Image ID: Daniel Danger’s art print, ‘To all who home to this happy place,’ depicting a ruined Disneyland castle in a post-apocalyptic landscape with a statue of Walt and Mickey in the rubble.]

But then I got all the way ass over to the other ass end of the convention center and I realized I had to go back and buy one of these prints. Which I did, “To all who come to this happy place,” because fuckin’ wow:

https://tinymediaempire.myshopify.com/products/sdcc2023-this-happy-place-v6-foil

This was unequivocally the best thing I saw at this year’s SDCC, but I also got some very good news while there, namely, that Emil Ferris’s long, long-awaited My Favorite Thing Is Monsters Vol 2 is finally on the schedule from Fantagraphics:

https://www.fantagraphics.com/collections/emil-ferris/products/my-favorite-thing-is-monsters-book-two

It’s coming out in April, which gives you plenty of time to read volume one, which I called, “a haunting diary of a young girl as a dazzling graphic novel”:

https://memex.craphound.com/2017/06/20/my-favorite-thing-is-monsters-a-haunting-diary-of-a-young-girl-as-a-dazzling-graphic-novel/

If you are or were a monster kid or a haunter, this is your goddamned must-read of the summer. It’s a fully queered, stunning memoir for anyone whose erotic imagination intersected with Famous Monsters of Filmland.

(Also, if you’re that kind of person and you’re in the region, you should know about Midsummer Scream, a giant haunter show in Long Beach; I’ll be there on Sunday, July 30, for a panel about the Ghost Post, the legendary Haunted Mansion puzzle-boxes I helped make:

https://midsummerscream.org/

Now Favorite Thing book two was the best news, but the best experience was watching Felicia Day get her Inkpot Award and give a moving speech:

https://en.wikipedia.org/wiki/Inkpot_Award

And then learning that Raina Telgemeier also got an Inkpot; I love Raina’s work so much:

https://memex.craphound.com/2016/10/04/ghosts-raina-telgemeiers-upbeat-tale-of-death-assimilation-and-cystic-fibrosis/

[Image ID: A photo of me with Chuck Tingle, who wears a pink bag over his head on which he has written ‘Love is Real.’]

To cap yesterday off, I also ran into @ChuckTingle, which is as fine a capstone to a successful con as anyone could ask for:

https://www.flickr.com/photos/doctorow/53065500076/in/dateposted/

If you’d like an essay-formatted version of this post to read or share, here’s a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/07/23/but-i-know-what-i-like/#daniel-danger

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spilledkaleidoscope · 3 months

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I really like your DE portraits artstyle! Do you have any tips on how to replicate it?

I THINK I've written about it before, but since I am too lazy to look for it...

There is some variation between how the portraits are done - I tend to refer to the Smoker, Glen, Titus and Trant in terms of style.

I think the most characteristic things about these is

Sketchy lines with bold shadows (think nose, neck, eyes). I usually have a brush that responds to pressure (size of brush) and velocity (faster: more transparent; combined with texture this allows me to add a bit of "crunch" if I want to)

noticable difference in detail between face and the rest of the figure

more painterly, often geometric background

color variation! Make your primary painting brush a flat one that has color jitter enabled. I change the settings around as I draw for more variety. It helps if you have a setup where you can make the tip of the brush rotate with your pen (I've had this since december and its very nice).

This also goes for your palette in general. The DE Portraits tend to use lots of different colors even in things that read as grey or white. For example, if you look at the Hanged Man Portrait, his grey skin is actually desaturated purple, yellow, green and blue. There is little to no mixing going on here, so what I do is make a little mixing palette and then just eyedropper colors from there. ALSO don't be afraid of saturated colors and color contrasts! Liz' portrait is done a bit differently than a bunch of others, but the green highlights are notable.

Finish up by coloring some of your lineart or painting over it in places to make it more lively. I feel like the less put together a character is, the more abstract the portrait becomes (I'm thinking of Idiot Doom Spiral or Cuno's Father) (Harry is the exception I guess) (Unless you are like me and refused to look into the mirror LOL)

Hope this is helpful! I learned this by doing some studies, including the Disco Sapphic portraits that are rather slight variations of existing portraits.

buuuut I feel like my "freehand" portraits have become competent too:

#askbox #art asks

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trungles · 1 month

Text

Processing Process, and More Processing

I made this post free and publicly readable on Patreon, but I'm reposting the whole thing right here too because, well, it's a free post, and I don't want to make you click away from your dashboard if you don't need to. But also if you want to support my work, here's the link to the post.

It's a little bit about cartooning, a little bit about drawing, and then it turns into a eulogy for a chicken.

I wrote “process” more than once, and now the word looks funny and is beginning to lose its meaning to me.

This post is about a few things, and it’s a little bit on the sad end of things. Nothing dire! No worries. There’s just a little mention of death, just as a heads up.

Before we get to that, though, I’ve been doing some work and had some thoughts.

I’m often asked about how I draw the noodle hair on my characters, and the answer is typically that I draw each and every line with my hand. But there are considerations of movement and volume that go into it beyond its texturally decorative purposes. I love being able to convey shape and motion with it. It’s less evident, I think, in my illustration work, but I think it’s much more obvious when I do sequential work. In the above image, you can see me working out a sequence of Angelica having a series of thoughts. Her head sort of moves, and her eyes follow. You can see I’d planned out the general shape of the hair and how I’d like it to move.

I wound up moving the drawings a little bit so that the readers eyes will actually follow the character’s eyes as it moves gently rightward on the page. The hair is there to accentuate the movement, like so:

It’s a consideration I employ in all my drawings, but especially when I’m drawing hair and fabric. I don’t use a lot of action lines, so this becomes an important way to give the reader the information that someone is moving through a space. Resistance, gravity, and motion are all things I have to keep in the back of my head when I’m doing these little drawings. I think the planning actually takes more time than the inking, which can happen pretty quickly once I map it all out.

In other news, I’m starting to take my extracurricular artistic development a little more seriously in the silliest way possible.

You wouldn’t know it, but I studied painting college—a medium I switched to after the printmaking professor and head of the Art Department at the time told me I probably shouldn’t be an artist (he gave me a hard candy for my trouble). I recently bought a bunch of little dolls, dressed them up, and am returning to my painting roots. It feels really nice to work in big blobs of color instead of lines. It’s an exercise I came up with in response to a common lament from art students.

One of the more aggravating generational tensions described to me by art school students is when professors describe a student’s portfolio as “too anime” without much explanation. I know what the professor means. They’re trying to get at how referencing your favorite anime or cartoons means that your style becomes a simulacrum, an imperfect copy of a copy, and you never learn to develop your own sense of judgment about where a line or a shape needs to go. And we can tell. It’s a way of working that is perfectly fine for cartooning because cartooning is closer to hand-writing than it is to drawing. I always turn to Charles Schulz’s work for an example. Those figures aren’t literally depicting children—with their little chessboard-pawn proportions and bread-loaf feet—but we read them as endearing children because we’ve come to a consensus between us, the readers, and Charles Schulz, the author, that those shapes mean those things. There are no whiskers or paws in the shape of the word “CAT” but you look at those three letters together, and you know the thing to which it refers. That’s an aspect of cartooning, too. Of course, what elevates it from mere writing is, in part, due to the fact that those little figures do not lose their meaning the more you depict them.

To really draw well, though, you have to do those fundamentals. You have to draw from life. There’s no way around it. It helps you develop a stronger sense of where you like to lay down your lines and shapes, no matter how stylized you like to work. It grows your judgment, and every artist’s best tool is their own well-honed sense of artistic discernment about their own work.

But that doesn’t mean you have to surrender the stuff you like or the things that inspire you to make art! I tell students that if they want to hold fast to their anime style AND hone their fundamentals to develop their eye as an artist, they should buy little figurines and toys of their favorite characters, prop those up against a light source, and draw them as still life objects. Like, yes, do the vases and the figure drawings and all those, I still think those are important. But if this is what you need to keep you interested in drawing from life, having some toys around is a great way to do it! Also, bless those sculptors and toy designers. They’re the best.

I think there’s something to be said about remembering to imagine the physicality of the things we draw, in all its dimensions and in the way it catches the light or casts a shadow. It helps sentimentalize things, too. Makes them feel more real, even emotionally.

Edwina died on Tuesday night, after a few final snuggles, surrounded by her favorite treats. She was about five years old, which is old for a chicken, and she had a very comfortable life. We buried her this morning. She was a good hen, J’s personal favorite.

It really feels like the end of an era. She was the last surviving member of our very first flock. After the other hens died, she really seemed to prefer the company of people over other hens. She is survived by Snooki and Nelly, our two other young birds who get along quite well together, actually.

A baby chick costs between three and five American dollars, typically. An egg-laying hen could be between twenty and fifty bucks, depending on the breed. There are roughly 26 billion chickens living in the world today, about 518 million of them here in the United States. They come pretty cheap. And a part of me was moved to cynicism, entertaining the thought that it might be strange to feel sadly over a little animal that, at most, might be roughly equivalent to the price of a fancy lunch and a coffee.

I watched the 1974 musical version of The Little Prince recently, and I remember it mostly because Bob Fosse was in it and scared the crap out of me as a kid—he played the snake that would take the Little Prince back into the sky when his body gets too heavy to take with him. Gene Wilder plays the Fox whom the Little Prince befriends and tames among a garden of roses. The Fox explains that he is like any other fox in the world, but he is changed—made special and particular to the Little Prince—with time, effort, and patience. So, too, is the Prince’s little flower special to him. Out of all the flowers in the universe, she was the one he watered and protected under a little glass jar. And that’s enough.

I knew my little hen would not live that long. It could be very easy to take a broad view of the life expectancy of a hen and distance myself from it by virtue of its mortality and its commonness. People who raise livestock do it all the time. But I also think it’s wonderful that we should all be capable of loving very small, very brief little things. Edwina is not, to my mind, the rough equivalent of a fancy lunch and a coffee. She was our little hen. For her whole life, she was ours. And I’m so happy she was here.

#cartooning #drawing #patreon #cw death #cw pet death #comics #trungles #artists on tumblr

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istudythestars · 9 months

Text

tips for stem majors in math and science courses (spoonie + neurodivergent friendly)

hi y’all! my nameis lila and i’m a 28 year old physics and anthropology major who’s about 2 years through college (in the US)! as we’re coming up on the start of the fall ‘23 college semester, i thought i might share some really solid hacks for fellow STEM students taking science and/or math courses that i’ve basically built my college academic career on. and! these study tips are spoonie and adhd friendly! as a matter of fact, a lot of these are tips/methods that specifically work for me as a neurodivergent spoonie (i have pretty severe adhd, as well as POTS and ME/CFS), but that i think non-disabled/non-spoonie and/or neurotypical students could also benefit from using! so with out any further ado, here are my 7 tried and true study hacks for college math and science classes…

1) discover your learning style and tailor your studying towards leveraging it.

you’ve probably heard of visual, audio, and kinesthetic learning styles, but did you now there’s actually way more learning styles than just those three? i’m personally a “social learner,” meaning i learn best through discussion and socialization with 1+ other people to interact with. this could look like teaching other classmates concepts and methods that we’ve learned or discussing ideas with classmates and/or professors until i fully understand the concepts at play and how they connect and can reflect them in performing analysis and application, etc. honestly, figuring out my learning style was hands down one of the most helpful things i’ve done in college. it has allowed me to choose professors who i will mesh better with in terms of how they teach, as well as to adapt materials and methods to my style of learning in order to master them quicker and more effectively.

2) rewrite your notes after lecture, for the love of god.

this tip actually comes from my high school IB Math HL teacher, who told me to do this when i originally left high school for college. even if you think you’ve mastered the basics of the topic covered during the lecture, rewriting those notes after lecture helps really hammer in the knowledge that you’ve already established and also helps to get the wheels turning on pieces of information you might have less of a grasp on. try tp set aside at least 30 - 40 minutes after class to just rewrite your notes and try to really digest the information.

3) body doubling is one of the most beneficial things ever to be invented even if you’re not adhd, and i WILL die on that hill, thank you very much.

“body doubling” or “having an accountabilibuddy” are interchangeable terms in the adhd community that mean you have one or more consistent study buddy/buddies who you do all the homework and/or studying with in person on a regular basis, even if you’re just working next to each other in total silence. this does a couple of things. first off, it forces homework/assignments/studying to become a concrete social obligation you need to regularly show up for, rather than a nebulous obligation based on an invisible deadline. second off, it gives you 1+ partners to work out your problems concerning course topics with. third off, it allows you to build a network of peers where you feel comfortable helping each other with course material (this is especially great because it’s likely you and your classmates have different strengths regarding course content). tbh, body doubling is the other method that i, personally, have found most useful in college and i highly recommend trying it, even if you don’t have adhd.

4) teach others/your classmates the analysis and application methods you’ve learned, even if those methods aren’t 100% solidified for you (trust me on this).

the goal of stem courses is never memorization, but rather being able to understand a topic well enough to analyze a similar situation and apply the what you’ve learned creatively. this is where teaching others comes in. in order to teach others a concept and its related analysis and application well, you have to have at least a fraction of a decent understanding of these things yourself, and, further, often time in teaching these things you also learn to grasp the concepts/aanalysis/applications even better than you did before with each new teaching session. basically: teaching others is a creative way of also teaching yourself. you get the benefits of repetition, of thinking about a concept/technique/analysis and application in a new way, and of getting to apply the concept/technique/analysis and applicatioin to a new scenario each time. plus, you’ll typically make friends quickly in the process! there’s really no downside to this tip imo ;-)

5) utilize your college’s tutoring center/program(s), even when you don’t think you need to.

usually colleges have either set up a general “tutoring center,” on campus where you can find tutors for all different kinds of topics and courses available during regular hours for walk-in sessions and/or appointments free of charge or departments will hold regular weekly (or twice weekly) free on-campus tutoring sessions for specific courses. regardless of which of these options your college has, i highly recommend attending at least one tutoring session/appointment (ideally with the same tutor if/when you eventually find one you click with) every single week, even when you don’t feel like you’re struggling with the topic(s) covered in that week’s lecture. this will help you review topics and techniques covered in lecture, deepen your understanding of them, and, if nothing else, it’s an excuse to get homework out of the way while having someone else there who can help you if/when you get stuck. attending at least one session weekly also helps you get into a habit and routine of keeping up with your assignments, so you’re not left scrambling at the last minute before they’re due.

6) if you have accommodations, request access to record lectures. if you do not have accommodations, ask your professor if you are allowed to record lectures. IF YOU RECORD LECTURES, DO NOT FORGET TO REVIEW THEM!

okay, so first up for my fellow spoonies and neurodivergent peeps: when you apply for/renew your accommodations, make sure that “recordinng lectures” is on your MOA (memorandum of accommodations), because so long as it is, your professors legally cannot deny you permission to record lectures without risk of themself and the college being sued for an ADA violation. also, make friends with a classmate and ask them to record lectures and send them to you if/when you are absent (let the professor know that you’ve asked this classmate to record and send you the lecture if you are absent)

now, if you aren’t disabled, a spoonie, and/or neurodivergent, you aren’t guaranteed permission to record lectures. however. ask the professor if you can have their permission to audio record lectures (be sure to also let them know that such a recording would be for personal use only and that you don’t plan on distributing the recordings). i’ve found that many professors don’t mind you having an audio recording.

even if you aren’t an audible learner it can be really useful to have these recordings to review at a later point. oftentimes reviewing lecture recordings can be useful if you glazed over and missed a section of the lecture and/or if you can’t remember what a professor taught during a section of a lecture.

7) last but not least, on a related note, if you have accommodations, also request access to your professor’s lecture notes. if you don’t have accommodations, check if your professor posts their lecture notes for students to use.

having your professor’s notes can be extremely useful for review purposes, but they can also help you understand where your professor is going with course content and what they want to stress as important.

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qqueenofhades · 4 months

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as a starting history major i wanna ask how do you read/evaluate academic history papers/books? i'm trying to avoid just blindly agreeing with whatever the author is writing because it seems correct. how can you tell what is good scholarship and what is more shaky?

This is a great question for you as a freshman history major to ask (many of my toiling colleagues and I can attest that we wish more of you would!) and shows that you're already taking initiative and investment in your studies and want to be the best prepared you can. So truly -- thank you! Us on the faculty/staff/administrative end of academia can feel as if we are pouring into an empty bucket at times, and it's always gratifying to hear otherwise. We really appreciate it.

As a college freshman and/or underclassman (or so I'm assuming) your first job is learning how to collect basic information from the things you read, collate and cite them accurately, and make them converse intelligently with each other in an entry-level piece of academic writing (such as an essay responding to an assigned prompt). So before you have to worry about understanding complex nuance and granular-level fact-checking, the first step is just getting comfortable with academic forms, styles, and conventions. There's an occasional anti-intellectual strand of thinking that pops up on Tumblr, basically insisting that everyone everywhere should be able to understand everything in fifth-grade words and if not then it's Elitist Gatekeeping, but this is a symptom of TikTok brainrot where people's brains have been literally rewired to only process spoon-fed chunks of incredibly simplistic (and uh, often wrong) information, and literally can't parse anything longer, even if it's written in accessible language. Yes, many academics are not necessarily great writers, but you also have to let go of the mindset that you can speed-read once and understand everything. You will need to slow down, take your time, and make a note of concepts that are confusing or that you want to double-check, words you need to look up, and things that make you say "hmm I should look into that more," whether because you're interested or they seem questionable. I always read academic texts or papers (I prefer hard copy, because I am Fucking Old) with a pen in hand, because if I don't, I often feel like I didn't read it at all.

Basically, this is an interactive process between you and the text, and requires you to develop a different kind of reading mentality than just buzzing through a novel or fanfic for pleasure. You have to expect that it will take time and that if you regularly skive off the readings, you won't be prepared for class, your professors will be annoyed, and you won't be able to write good essays, because you haven't engaged with the material. In your case, it sounds like that will be less of a problem, because you are eager to know how to do it right, but I can tell you from my experience that nothing frustrates us more than students who just won't do the reading (and you know, use ChatGPT to write their essays) because then what are you even DOING here? What do you want to get out of this? Why are you wasting your precious tuition money like this? Yes, you probably have to fill a requirement, but STILL. It's disrespectful to your teacher, who has invested a lot of effort in being here to help you with this and doesn't want you to just quit because it looks hard, and your peers, and to you. So anyway, /Captain Holt voice/ apparently that's a trigger for me. Basically, if you learn nothing else from this ask: please do the reading. Even if it's only to admit you need more help or want to talk about this concept in class or otherwise take advantage of all the structures that are in fact there to help you understand it! Thankee.

Likewise, because you're an underclassman, you have an advantage in that your teacher will select the class readings for you ahead of time. That means you will be receiving things that a professional has already checked, decided are useful and trustworthy, and you don't have to do independent research and vetting yourself (that will come if you decide for some godforsaken reason to pursue graduate and/or doctoral study). So you don't need to spend tons of extra time and effort deciding if the sources given to you in class are reliable on a basic and functional level; your professor has already done the work for you to make sure that they are. Your job is now to read those sources, keep a record of what they say (hence the aforementioned pen or other way to make quick notes) and figure out how to put them together in an essay. For example, if Author A cites Factor A as, say, the main cause of the fall of the Western Roman Empire, and Author B insists that Factor B was in fact more critical, what is your best approach to reconciling that information? You would search in the rest of those texts to see what else they say in support of their position, and you would probably end up with a qualified statement to the effect of, "While Author A argues A, Author B thinks B, representing the lack of consensus and the difficulty in attributing one single cause to an event as complicated as the fall of Rome." (And then because you're smart, you would go on to mention Byzantium and the Eastern Roman Empire and show that you are aware of the further context.) All of which is true! Historians do that all the time! You don't need to select THE RIGHT ANSWER and vigorously discredit all other theories, ever, and we tend to look suspiciously on people who do (cough cough Philippa Langley).

In other words, we are certainly not expecting you as a freshman, and even as a more advanced student, to be able to pick out ONE ANSWER from the material. We just want to see evidence that you have in fact read it, are able to evaluate and place theories side by side and possibly make a judgment as to which one you find more compelling, and also to properly cite where you got that information. We've seen a lot recently about plagiarism and that being the pretext on which Harvard president Claudine Gay was forced to resign (which is a whole other can of worms, but never mind). A lot of professors think that saying "Don't Do Plagiarism" is enough, but then don't explain what it is and the different forms it can take. It's not just a matter of copying verbatim chunks of someone else's work (or you know, ALL OF IT, like certain recently discredited YouTube scumbags) and acting like it's your own. If you are relying substantially on someone else's work, whether in their wording, arguments, conclusions, structure, or anything else, even if you've changed some of the words (yep, still plagiarism!), that needs to be cited appropriately according to the relevant style guide. Direct quotes from anyone need to go in quotation marks or indented blocks and have the author cited immediately afterward. History usually uses Chicago, MLA, or MHRA, and you can find cheat sheets for how to do that online. It's a pretty simple and straightforward style, and your professor will be extra impressed.

If you're expected to do an independent project or a senior research thesis, as some undergraduate history students do, then it will come when you have already had three years of experience in reading, evaluating, and writing historical scholarship, you will probably have a faculty member assigned to you for one-on-one mentoring and personalized feedback sessions, and they will be able to provide suggestions and support for useful sources. So even then, you still don't have to do it entirely on your own. They'll probably also be MORE than happy to debate with you which ones are good and which ones are suspect, because it's all a part of developing your ability to flex that muscle for yourself. (And as noted, faculty members Will Have Strong Opinions.) That likewise doesn't mean you just have to copy whatever they say (at least if you have a good teacher who wants you to think for yourself and not just be a mini-clone of their pet theories), but it means that by the time you reach that stage, you will have been prepared enough to feel confident in taking more steps on your own. I think not enough people realize that studying history (or anything, really) isn't just throwing you out there and being like "tough luck sucker, do it all yourself."

That's why academia is so collaborative, why plenty of historians with doctorates and tenure will still have to say "I don't know, let me get back to you" when someone asks them a question at a conference, and you don't have to fear that if you don't have The One Right Answer, you will be immediately exposed as a fraud and thrown out. History as a discipline is also moving away from the 19th-century German approach that attempted to systematize it as a singular social science with One Right Answer, and to focus more on multiple perspectives and incomplete answers. That's why the goal is not necessarily to know everything (which alas, is impossible), but to make better sense of what we can know and search for ways in which the existing record is flawed and needs to be revised, expanded, or reworked with new perspectives (which have existed all this time, but haven't been privileged by the white male western academy for the obvious reasons). And that work is fun and important! I don't want you to be scared of getting to that point, because someone will be there to support you the whole way and by the time you do, it will make sense to you in a way it probably doesn't right now, just because it's a new skill and like any new skill, it takes a long time to learn and to be able to apply confidently, consistently, and at a high level. And plenty of us who do it as a career still often have to say "I don't know, let me ask Dr. So-and-so who specializes in this," so yeah. It's a process of becoming comfortable with both learning how to answer what we can, and to ask others for help with that, and it never really ends. Which is the fun part. There's so much more to do.

Good luck!

#anonymous #ask #history #school stuff #academia: not even once

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hlficlibrary · 8 months

Text

HL Fic Library 😎🤓 Popular Louis/Nerd Harry Fics

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😎 This Offer Stands Forever by Tomlinsontoes / @pianolouis {M, 78k}

Harry is who high school kids would define as a nerd, he loved going to class and studying, he was just good at school work and saw nothing wrong with liking it. He signs up to tutor students at the middle school down the road where he ends up helping Lottie Tomlinson, younger sister to the ever popular and gorgeous Louis Tomlinson who is also a senior and in a few classes of Harry's. Harry might have a crush on him and not so sure how to act around Louis but hopes he can get close to the other boy and learn everything about him.

🤓 Want You More Than A by TheCellarDoor / @donotdialnine {M, 77k}

Falling in love with your step-brother’s best friend is a disaster enough. When he happens to be the boy everyone loves and you’re a nerd who wears sweater vests and cries during rom-coms, it takes it to a whole new level.

😎 I hear you calling in the dead of night by Thelonelycoast {M, 72k}

No one really notices Marcel Styles. In fact, Marcel’s so invisible that if his teachers don’t call on him in lessons - and they rarely do - Marcel can go whole days without speaking to anyone other than his mum, his sister, Gemma, his cat, Dusty and the school librarian, Alma. And if he just so happens to have a tiny, miniscule crush on the footie captain, Louis Tomlinson, well, that’s no one’s business but his own. Until Louis notices him back...

🤓 Webs of lies by Hazzaslittle28 {E, 35k}

"Truth or Dare?" The question was delivered with a nasty smirk from Drake's side,

"Who do you think I am? Of course Dare." Louis scoffs before leaning back and adjusting his skirt,

"Very well than. Your dare is to play Styles for two months until the dance." Louis frowns at the odd dare,

"Why would you- you know what? Okay I accept it. Louis Tomlinson never looses a dare." He smirks sultrily before plucking the cigarette from Drake's mouth and taking a drag out of it.

"Let's see then."

Or The au in which The popular is given a dare to date the nerd, hearts will be broken, words will loose their meaning and tears would be shed.

😎 The Library Universe (series) by @allwaswell16 {E, 33k}

Harry Styles has a great life. He’s a children’s librarian at the New York Public Library, he’s got wonderful friends, and he loves cooking, green tea, yoga, and his collection of bow ties. He doesn’t mind that his life seems a little structured, maybe even a little boring. But when Louis Tomlinson joins the library staff as the new Installation Coordinator, things become a lot less predictable. Louis gets under his skin right from the start, bossing Harry around, making noise during story time, and eating the last cupcake in the staff lounge. Louis may be almost offensively attractive, but Harry will not be succumbing to Louis Tomlinson’s charms, even if the rest of the library staff have.

🤓 Supposed to Be by kikikryslee / @flamboyantommo {M, 26k}

“I’m making a movie for a film competition, and I want you to be in it,” Harry told Louis. “I think you would be a great leading actor in it.” “Why?” “Because it’s you. I mean, who wouldn’t want to know all about the amazing Louis Tomlinson? It would be a great movie.” “You don’t have some weird crush or, like, secret obsession with me, do you?” Louis asked. Harry bit his tongue so he didn’t say “Ew, I have standards.” He didn’t think that would go over well. Of course, that was assuming Louis understood what that meant.

Or, the Geek Charming AU where Harry's a film geek, Louis' a popular jock, and they both need each other to get what they want.

😎 He Was a Different League (When I Was Nothing Much) by @afangirlfantasy {NR, 21k}

Sick of being alone, Marcel is forced (by Niall) to join an online dating app. The idea is well and all, except for the inconvenient fact that he hasn’t moved on from his childhood sweetheart - Louis. If only Marcel could learn to let go, he might actually be able to love again.

Or, an AU where finding that 'someone new' actually leads to finding that 'someone old,' and Marcel is painfully oblivious.

🤓 taken by lust’s strange inhumanity by CuckooTrooke / @larrydoinglaundry {E, 20k}

One of the reasons Harry said 'yes' in the first place was because he believed Louis Tomlinson, the campus’ most notorious “bad boy”, would be here.

And much to Harry's triumph and dismay, Louis is here but the last time Harry got a glimpse of him, he had a pretty omega wrapped around him, clinging onto the flaps of his leather jacket while nosing his scent glands.

Maybe that’s just the story of Harry's life; always infatuated with the wrong people.

OR The one with all the jealous snarling, awkward first kisses and one unforgettable night.

😎 Won't Keep You My (Dirty Little) Secret by @lovelykits {E, 16k}

“I got asked out today,” Louis comments. “Okay,” Harry shifts. “Did you hear me? I said I got asked out.” "You always get asked out.” “Yeah well this time they didn’t believe I had a boyfriend!”

Or Louis and Harry have been together since the end of last year and somehow no one knows about it.

🤓 Kings by dolce_piccante / @haydolce {T, 13k}

Marcel receives an invitation to his ten year high school reunion, which brings up some painful memories of his youth. His lifelong best friend and roommate, Louis, is as supportive and kind as ever, but Marcel still has hesitations. Louis was Prom King. Marcel...was not.

Will Marcel make the reunion a night to remember with his former classmate, Zayn, who is newly wealthy, handsome, and reveals his childhood crush on Marcel? Or will Louis finally realize what everyone else has known all along?

😎 blinded me with sweater vests by veterization {T, 13k}

Marcel really is the geekiest person Louis has ever seen with that gelled hair and that horrendous sweater vest, so it sucks that Louis really, really wants to get to know him.

🤓 A Real Work of Art by @lululawrence {NR, 11k}

“I don’t understand,” Liam said for probably the fiftieth time in ten minutes. “You have to explain again how this is a bad thing.”

“Leeeeyummm,” Harry whined into the phone as he leaned his head onto his desk. “I felt like this year was my year for getting his attention, you know? That senior year I would finally get Logan Thompson to realize I exist! But he’s in almost every single one of my classes, Li. How am I supposed to survive that?”

“Easily,” Liam answered, with the same matter of fact tone his voice always took when Harry was in one of his fits. “He doesn’t know you exist, so it shouldn’t be a problem. Right?”

Or the one where Harry calls on an old friend, the super popular Louis Tomlinson, to help him change his look to capture the heart of Logan. Things only mostly go as planned.

😎 your heart is glowing (and i'm crashing into you) by orphan_account {T, 11k}

If this were a fairytale, maybe even a Young Adult novel or a chick flick, this would be the moment where Louis would stare right into his soul and whisper, “You. It’s you, Harry,” before pulling him in for a kiss right there and then in the middle of the sidewalk. They’d confess their never-ending love for each other then hold hands for the rest of the walk home, and then they’d go to uni together and become the ultimate power couple of their campus. They’d start a family together a few years after they graduate, find a large house somewhere nice and preferably warm, get two pet dogs and five cats, and then adopt enough children to start a football team. If only men could get pregnant as well, Harry thinks wistfully. He’d love to carry Louis’ babies given the chance.

But. This isn’t a fairytale, nor is it a movie based off the latest YA bestseller. This is real life.

(harry is in love with love, volunteers to hand out valentine gifts for a week, and somehow becomes the football captain's secret admirer.)

🤓 I could give you what you deserve. by larryaresoulmates {E, 8k}

Louis is popular, Harry is his super nerdy tutor. Louis is the only one who's actually nice to Harry despite his nerdiness. Harry has a giant crush on Louis, but Louis has a boyfriend, who bullies Harry behind Louis' back.

😎 Convalescent Boy (with a Heart of Gold) by LadyLondonderry / @londonfoginacup {T, 7k}

Just as the professor beginning to mess with his powerpoint, the door at the back of the balcony creaks open and Marcel looks back to notice Louis Tomlinson, The Louis Tomlinson, slip in and take a seat in the very back.

Marcel is starting to feel like his life is a comedy. Only yesterday was Louis Tomlinson on his floor at the library. Now he’s in his seminar. What is happening?

“Hey Mars,” Nick says, not particularly quietly as he leans over. “Isn’t that your crush?”

Marcel smacks him.

Or, the one where Marcel is a nerd who loves to learn but loves to go to theatre productions even more, and may or may not have a long time crush on the lead in most of the plays, Louis Tomlinson. The same Louis Tomlinson who seems to be appearing wherever Marcel is. Funny, that.

🤓 Seems You Cannot Be Replaced by QuickedWeen / @becomeawendybird {M, 5k}

Harry and the popular boy in school, Louis Tomlinson, share a tension-filled night together when they're young. Fifteen years later they see each other again.

😎 it's kinda hot in here by ballsdeepinjesus {E, 3k}

“Is that a moth on your stomach?”

or nerdy harry is hiding some stuff under his dorky clothes and louis fucks him in a locker room

🤓 Lucky by @friendofhayley {E, 4k}

When Harry had moved from London to New Jersey he had been prepared for bad spray tans and Regina George. He hadn't been prepared to meet the best thing to ever happen to him.

If only he hadn't worn an ugly brown vest covered in cat pee when he met him.

😎 No Matter What They Say by ivorydreams {M, 3k}

It's not that Harry and Louis are hiding the fact that they're in a relationship. It's not them being ashamed of each other.

People just never noticed.

Or the one where no one knows Harry Styles, the 'nerd', and Louis Tomlinson, 'mr. popular football captain', are in a romantic relationship.

🤓 ❤ For Effort by @fallinglikethis {G, 2k}

When Harry Styles lets his team down during gym class, resulting everyone having to run laps, he expects the worst. But the backlash never comes.

Harry's crush, Louis Tomlinson, may or may not have something to do with that.

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