Tumgik
#Still Falling For You
thecassadilla · 4 months
Text
Tumblr media
He wanted to remember this moment forever; her taste, the curve of her waist against his hands, the tenderness of her touch. Everything about her was pulling him in further, deeper, dragging him down and drowning him in a flurry of fervor and affection that could only be described as intoxicating.
Still Falling For You mood board ♡
21 notes · View notes
versaillion · 7 months
Text
Tumblr media
Still falling for you • Commission for @/macavalon on instagram!
12 notes · View notes
boomboxfic · 1 year
Text
youtube
This song came up on my playlist and I’ve always loved it for Mike and Ben. ☺️
It took us a while
With every breath a new day
With love on the line
We've had our share of mistakes
But all your flaws and scars are mine
Still falling for you
@tinkerbelldetective
@loganstonegibbskinney
@mikelogan
@adventurouswallflower
6 notes · View notes
queerpeopleareholy · 2 years
Photo
Tumblr media
no one can lift me, catch me the way that u do i’m still falling for u
28 notes · View notes
Still Falling For You by Ellie Goulding
Fire and ice This love is like fire and ice This love is like rain and blue skies This love is like sun on the rise This love got me rolling the dice Don't let me lose Still falling for you Still falling for you Beautiful mind Your heart got a story with mine Your heart got me hurting at times Your heart gave me new kind of highs Your heart got me feeling so fine So what to do Still falling for you Still falling for you It took us a while With every breath a new day With love on the line We've had our share of mistakes But all your flaws and scars are mine Still falling for you Still falling for you And just like that All I breathe All I feel You are all for me I'm in And just like that All I breathe All I feel You are all for me No one can lift me, catch me the way that you do I'm still falling for you Brighter than gold This love shining brighter than gold This love is like letters in bold This love is like out of control This love's never growing old You make it new Still falling for you Still falling for you It took us a while 'Cause we were young and unsure With love on the line What if we both would need more But all your flaws and scars are mine Still falling for you Still falling for you Still falling for you And just like that All I breathe All I feel You are all for me I'm in And just like that All I breathe All I feel You are all for me No one can lift me, catch me the way that you do I'm still falling for you Falling, crash into my arms Love you like this Like a first kiss Never let go Falling, crash into my arms Never breaking what we got Still falling for you Still falling for... And just like that All I breathe All I feel You are all for me I'm in And just like that All I breathe All I feel You are all for me All for me And just like that All I need is you All I feel is you You are all for me I'm still falling... And just like that All I need is you All I feel is you You are all for me No one can lift me, catch me the way that you do I'm still falling for you
https://www.azlyrics.com/lyrics/elliegoulding/stillfallingforyou.html
2 notes · View notes
irlpretear · 3 months
Text
100 trans/genderqueer musicians
Bands
Against Me! (rock, folk punk) (x)
The Oozes (punk) (x)
The Hirs Collective (metal, grindcore) (x)
GEL (hardcore punk) (x)
Urn (hardcore punk) (x)
The Black Dresses (noise pop, hardcore hyperpop) (x)
Party Ghost (rock) (x)
Lagrimas (hardcore punk, scream punk) (x)
Doll Skin (rock) (x)
Dazey and the Scouts (rock, indie) (x)
G.L.O.S.S. (hardcore punk) (x)
Dog Park Dissidents (punk rock) (x)
She/Her/hers (rock) (x)
Deli Girls (hardcore electronic) (x)
Dream Nails (punk rock) (x)
Sarah and the Safe Word (rock, dark cabaret) (x)
Pinkie Promise (punk rock) (x)
B. Fraser (emo) (x)
Newgrounds Death Rugby (emo) (x)
Scowl (hardcore punk) (x)
Feminazgul (black metal) (x)
Sports Bra (dream pop, light rock) (x)
Club Sofa (indie pop) (x)
The Cost ov Living (grindcore, harsh noise) (x)
Kuromy (punk) (x)
The Sonder Bombs (indie, pop) (x)
Lidocaine (rock) (x)
I'm letting unseen forces take the wheel (cybergrind) (x)
Gum Disease (punk) (x)
Cam Girl (rock, trash rock) (x)
Gully Boys (grunge pop) (x)
Arcadia Grey (sparkle punk) (x)
Schmekel (folk punk) (x)
Destructo Disk (punk rock) (x)
User Unauthorized (hardcore punk) (x)
The Spook School (indie pop) (x)
Pinkshift (emo) (x)
Glass Beach (emo) (x)
Butch Baby (light rock) (x)
VIAL (indie punk) (x)
Sister Wife Sex Strike (folk punk) (x)
homewrecker. (metal, hardcore punk) (x)
Mega Mango (indie rock) (x)
Keep For Cheap (prarie rock) (x)
Steam Powered Giraffe (cabaret, steampunk) (x)
Thotcrime (grindcore, cybergrind) (x)
Whirlybird (indie pop) (x)
Kampsport (hardcore punk) (x)
Um Jennifer? (alt-rock, punk) (x)
Scarlet Demore (alt-rock) (x)
HappyHappy (folk, folk-punk) (x)
Queen Zee (punk) (x)
Grumpy Plum (slop pop) (x)
Cheap Perfume (punk) (x)
Pollyanna (power-pop, rock) (x)
Ballista (metalcore) (x)
Faetooth (fairy doom, metal) (x)
Lacerated (death metal) (x)
Fortuna Malvada (hardcore punk) (x)
Peach Rings (bedroom power-pop) (x)
Solo Artists
Laura Jane Grace (rock, folk punk) (x)
Left at London (pop) (x)
ZAND (pop, ugly pop) (x)
Ada Rook (hardcore electronic) (x)
Ms. White (pop) (x)
Rett Madison (indie, folk) (x)
Murder Person for Hire (folk) (x)
Backxwash (rap, industrial hip hop) (x)
LustSickPuppy (electronic, rap) (x)
Babylungs (electronic, rap) (x)
Human Kitten (folk punk) (x)
Harley Poe (folk punk) (x)
Ewy (emo, folk punk) (x)
Averstaskta (instrumental) (x)
Andie Schoen (indie) (x)
Elliot Lee (dark pop, electronic rock) (x)
Urias (hip hop, ballroom) (x)
Twink Obliterator* (cybergrind) (x)
Rio Romeo (cabaret punk, indie) (x)
Knife Girl (art pop, indie) (x)
Alexander James Adams (folk) (x)
Starmaxx (pop) (x)
Sofya Wang (pop, alt-R&B) (x)
Boy Jr (indie/alt pop) (x)
Medusa (revenge pop, hip-hop) (x)
Mal Blum (singer-songwriter, folk) (x)
Gina Young (riot grrrl) (x)
Petra Fiyd (indie pop) (x)
awfultune (bedroom pop) (x)
Quinn Hills (alternative pop) (x)
Femtanyl (electronic) (x)
Vivivivivi (electronic, glitchcore) (x)
Lilac Boy (glitchcore) (x)
Rosie Tucker (indie rock) (x)
Ryan Cassata (singer-songwriter) (x)
Pain Chain (noise, synth) (x)
In Love With A Ghost (electronic, lo-fi) (x)
Alice Longyu Gao (hyperpop) (x)
Prophetic Nightmares (ambient synthwave) (x)
Saint Wellesley (indie folk) (x)
17K notes · View notes
stil-lindigo · 9 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
scorched earth.
a comic about a princess who died in a fire.
(this is a sequel to bite of winter, a comic about Snow and what became of her after her death.)
--
creative notes:
Tumblr media Tumblr media Tumblr media Tumblr media
--
all my other comics
store
10K notes · View notes
uncanny-tranny · 9 months
Text
Amatonormativity has destroyed so many people's understanding and acceptance of themselves, and it's heartbreaking.
Yes, it is normal to be in your 20s, 30s, or older and not have lost your virginity, had a first kiss, or a partner. It is normal to say that you aren't ready for those things, too! It is normal if your life doesn't follow the "college graduate -> engagement -> buying a home -> 2.5 kids and a dog" trajectory that so many people have idealized.
So many people associate maturity with losing your virginity, or having a first kiss, or a serious relationship, and I think that's a dangerous association. Maturity isn't gained through those things, and you don't have to have those experiences to be considered "mature" or "grown." It is not a bad thing to go at your pace. Nobody else can live your life but you. If you end up having those experiences, that's great! But it should be done because you want to experience them, not because you feel "broken" and "immature" without them.
7K notes · View notes
napping-sapphic · 8 months
Text
tbh if a girl fell asleep on me she’s getting the full cat experience like i’d die before disturbing you “oh just wake me up” like stfu no i will sit there with my locked up joints for hours making this face at you🥺
6K notes · View notes
pinacoladamatata · 7 months
Text
Tumblr media
I realize now I've never really had anyone. not really. nothing that compares to you.
4K notes · View notes
thecassadilla · 4 months
Text
Still Falling For You - Chapter 24
Pairing: Kristanna
Word Count: 4,493
Summary: In early 20th century England, Anna, the daughter of an Earl, and Kristoff, a footman employed at her family’s estate, find love in a society where class differences are determined to keep them apart.
February, 1919
Anna stared listlessly out of her bedroom window and into the snowy abyss that was the current state of the English countryside, her skin covered in a sea of goosebumps and her lips pressed into a thin line. Her eyelids were heavy with exhaustion, and the way the morning light reflected off of the blanket of snow covering the front yard only served to make her eyes sting even more intensely than the lack of sleep did. Though she’d endured many sleepless, restless nights as a result of the war, none had been quite as bad - or good - as the previous one had been. 
Read Chapter 24 on AO3
10 notes · View notes
vinylattes · 9 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media
You defile beautiful things.
GOOD OMENS (2019-) // OUR FLAG MEANS DEATH (2022-)
5K notes · View notes
australet789 · 2 months
Text
"Alastor is a villain because he chained poor Husk 🥺"
I think you all forget THIS is the Husk that made the deal with Alastor:
Tumblr media
The Husk that was so careless and selfish that was gambling SOULS, to the point he gambled his own soul away to save his powers.
2K notes · View notes
originalartblog · 2 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
@bsdfanweek's skk Valentine's week day 2: Camellias and Floral Troubles
Dazai's love life is so hard. This is in reference to my recent skk post!
Tumblr media
3K notes · View notes
cuddlytogas · 2 months
Text
So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.
See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.
But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...
What is the difference between this and this?
Tumblr media Tumblr media
Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.
But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.
Tumblr media Tumblr media
And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.
But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.
See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!
As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:
Tumblr media Tumblr media
So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?
Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.
In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.
Tumblr media Tumblr media
In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.
Tumblr media
This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).
Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.
Tumblr media
More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.
This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.
A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.
But also. At least it fucking says something with its leather.
1K notes · View notes
thedisablednaturalist · 5 months
Text
I think when people think of mental illness and what helps, especially with things like anxiety and depression, the treatment involves pushing yourself. Pushing yourself to get out of bed, to exercise, to take a shower, to go out in public, to order your own food from the cashier, etc.
And because the mental health movement has grown so much, people think that's the default of ALL illnesses. That the only way someone will get better is if they push themselves. That practice makes perfect. That you'll become more comfortable or strong over time the more you do something.
But what people need to realize is, with physical disabilities and chronic illnesses, pushing yourself in most cases is DETRIMENTAL. Pushing yourself past your limits can lead to flare ups or further injury. That's why it's important to know your limits, how certain activities may affect your condition, and learn how to either adapt or get help to complete the activity in question.
Also, most of us are already pushing ourselves. Most of us don't have access to the help or equipment we need. Most of us live in places where we frequently encounter inaccessible obstacles. Most of us NEED to rest.
So please don't try to be our physical therapists or doctors. There are people specifically trained to help us navigate our own conditions and limitations. There are people trained to help us strengthen our body's resilience without causing flare-ups or injury. Do not tell us "it'll be good for you" or "you need the exercise" when we say something is too heavy or too far or when we say we need our mobility aid(s). Your friend with depression may need to be encouraged to get out of bed, but your friend with chronic illness definitely doesn't.
Respect our rest.
2K notes · View notes