As a fellow Dovewing lover, it's frustrating how the fandom watered her down into a whiny brat who never cared about Ivypool. I mean, seriously? Not only did Dovewing care about her sister (reacting in horror when Lionblaze, her own mentor and Jayfeather are willing to potentially sacrifice Ivypool's safety by employing her as her spy instead of trying to get her out of the Dark Forest's clutches, hiding a thorn in her nest to cover for her scarring from her training).
Heck, even the scene where she tries to feed Ivypool her catch during a hunting patrol was demonized because 'she was trying to make Ivypool break the code like SHE does, as if it doesn't matter' and because she got upset when Ivypool started arguing with her! But you guys said she didn't care, right? Plus, people act like being forced into a prophecy is something you should be grateful for, as if it didn't irreparably change her close relationship with her sister? As if Lionblaze and Jayfeather didn't still keep her out of the loop (and for all the fussing they made about keeping it a secret, Lionblaze confesses his power to Cinderheart and Jayfeather doesn't even care).
Meanwhile Nightheart is angry he isn't orange and hates his mom for being exiled and the whole world has to stop for him. 🤪 And Bramblestar is simply so tortured by having an evil father, the only choice is to train with him and his evil half-brother and hide this from his wife! (But remember, it's bad when that witch Squirrelflight hides the parentage of the three from him, even when Blackstar and Leopardstar were still around after being complicit in the torture and killing of halfclan cats.) Why are these male characters sympathized with, even when they actively harm people (Nightheart forcing himself into Sunbeam's life by lying to everyone about being her mate without even asking her if she would be fine with that beforehand), Bramblestar (we all know what he does), but when Dovewing or any other female character is upset, people freak out and call them whiny brats or abusive for (checks notes) asking her partner if he loves her anymore after they argued multiple times in a book. Really makes you think! (Sorry this is so long, you just have based opinions!)
dovewing being characterized as this flighty airheaded vain popular girl stereotype in fanon is like. one of those biggest "we didnt actually read the books" things in the fandom. like theres so much fanart where shes grinning and giggling over the prophecy and shes besties with the trio and shes got preferential treatment, and then in the actual books shes basically the autistic kid no one actually likes. people really, REALLY overexaggerate that one scene where she snaps at ivypaw and brags. (and i dont wanna shit on amvs but i am forever side eying how the animation community handled dove back in the day. more than one person animated her getting murdered. normal.)
i do think its gotten better recently at least. but wow does it feel like at least one person on the writing team has a bone to pick
(also awww thank you <3 no need to be sorry i love getting stuff in my inbox)
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Do you ever think about The Island of Dr Moreau? Do you ever think about the fact that Prendick never fully recovered from what happened to him? Do you ever think about how he gained a dislike for people, religion, and everything he used to know? Do you ever think about the way he withdrew from society and never fully reentered it due to the trauma of what happened? Do you ever think about the fact that he didn't just go back to normal or do some 'real men don't experience emotion' thing? Do you ever think about the fact that talking through what happened and how it affected him with someone else helped him feel better and recover a little, even if things could never be the same?
Yeah, me neither. I am also normal and definitely don't think about this all the time.
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first chemo day (!!!!!) means actually using tumblr as a blogging platform like god never in his wildest dreams intended
using this as a benchmark for december when i’m hopefully better
joel miller did nothing wrong. see ya
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Thinking about grief as a wild bird caged in my chest. The first few hours weeks months years she beats her wings until they bleed and molted feathers fill my gut. She tires herself, cold and pathetic and small as she accepts captivity. She learns to swallow cut fruit instead of leaving it to rot and she learns to gnaw on the wooden toys instead of the bars. But she remembers. She was wild. And you never know what sight, what sound or scent carried on the breeze will remind her. She will fight for a freedom I cannot give her without carving my heart out of my chest. She tires herself. The cycle continues, increasingly infrequent but never gone, never forgotten, an undomesticated pet unsuitable for release.
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it always hits me so hard when I remember lotr is about more than just war and death and hope. ultimately to me it’s about endings.
tolkien set this story in a world that is nearing its end; all the kings and warriors of old have passed on, and the golden ages are over. middle-earth, even after the victory over Sauron, is an old and gray world. its best days are in the past, and the thread of the future runs thin.
which is why I think the sense of loss is so great, even with a fairly happy ending. everything goes right, evil is destroyed, most of our friends get to go home…but the world is still dying. they’ve still lost loved ones. they have wounds and scars that will never heal. they can never go back to before.
one aspect of this that’s really getting to me right now is how bilbo, at the beginning of tfotr, intends to leave because of his time as the ring-bearer, and he’s giving everything to frodo. not just because he loves his nephew, but because he’s confident frodo will live a long and happy life in the shire and the baggins family will live on.
except, it doesn’t. even though frodo comes home and tries to live the life he used to want — might even still want — he can’t. and until he realizes he can’t, there’s no way for anyone to know that he is the last baggins who will ever live in bag end. frodo, once the single, shining hope of his family name, will be the last one.
it’s the end of an age. the end of a great and terrible story. and the end of a once-happy, once-innocent, once-many things family. just that one tiny ending makes it all a tragedy to me.
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genuinely shocked at just how good escape from valo is as a MG book—I tend to be a bit more apprehensive about getting into these, but it was on hoopla and I'm trying to catch up on thr phase 3 before temptation of the force—but overall, this book has had really good pacing, tight character work, and age-appropriate action. I'd recommend this to any star wars young readers (or anyone, really).
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