Why is courting not still a thing??
A friend said to me that we, as humans, have lost the magic of being adored and going through all the steps of wooing and being wooed. That women no longer understand what it is like to be pursued and men no longer know what it is to be so captivated and work for her attention and time.. That society has made us all disposable and commodities, instead of appreciating how magical we each are… and he’s right. We are magic, and we have forgotten it for instant gratification.
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honestly, in terms of harry potter games, i desperately want one that’s just… going around the school and learning magic, yknow?
like, the only one ive played a bit is hogwarts mystery (on mobile) but ive looked at the other options and they all focused on more on the story than the classes. which like, makes sense, if youre making a game you want it to be a game, but also i just want to do magic school and learn how everything works.
i am such a sucker for magic theory and every day life as a wizard in general, i know there’s stuff like hogwartsishere online that has versions of lessons but that’s not a game. its better than nothing but i am still dying of want to just guide a lil guy around a magic castle learning magic and holing up in a library.
i dont want plot i want school
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I, uh, I'm too in love with the concept of long game slow burn Imogen/Laudna to even enjoy Dusk asking Laudna out tonight.
I don't know if it's purely because I just hate love triangles, or if I'm against it because we know that Dusk has a hidden agenda and their niceness is just a front.
As a multishipper, I'm leaning towards it mostly being the second one. I know it's partially Erika having some fun, which I'm not really against. But idk...
I'm glad Laudna left. Not only cause it was directly choosing Imogen (because Imogen is all she really cares about), but also like... I already wasn't liking the whole notion of Laudna potentially being interested in something romantic with Dusk only to inevitably find out that they've had an agenda this whole time. Dusk's inevitable betrayal was already enough for me to place a Do Not Ship this label on the relationship, but then you've got Laudna saying she's never been asked out before...
...and all my protective instincts just took over. I absolutely do not want Laudna being taken advantage of. And that's what Dusk would be doing at this point.
Listen, as a storyteller, I absolutely understand how this sort of betrayal could bring about a whole bunch of interesting narrative paths. And I'm sure it was more of a throwaway line for Laudna/Marisha, and again I know it's all a bit of fun for Erika and potentially a genuine (somewhat fun times) interest for Dusk. But given the context of what we've been given wrt Dusk, and now Laudna... it's coming really close to the first time CR has ever made me feel uncomfortable/unsafe in terms of storytelling. I've come to cr knowing I could trust that certain things just won't happen in game...
...but boy howdy Dusk taking advantage of an innocent and inexperienced Laudna is absolutely not a thing I want to have happen / watch.
((again, I know it was mostly just having fun and throwing chaos into the mix, and that Erika probably wasn't really thinking in terms of anything THAT nefarious. but wow. That got so uncomfortable and unfun super fast for me.))
I sorta wish we got to have that sort of a moment between them PRIOR to learning that Dusk is not a friend. Because seeing the kinda adorable, and innocent seeming, Dusk asking Laudna out probably would've been really cute and fun to enjoy. But context is everything.
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this was a comment on one of my post from a recent live event. it was photos of joyful queer buckaroos celebrating together and proving love is real through creation, community, and a trot of love. most important I AM LITERALLY IN PHOTO AS A REAL FLESH AND BLOOD HUMAN
it got me thinking about how DEEP AND VICIOUS the irony poisoning of these early internet communities goes. the way buds like this cannot fathom someone just being a sincere person unrelated to their OWN old days of cynical posting. it is fascinating, and i will admit, sad too
despite a DECADE of work, countless live events, 350 tinglers written well before large language models were a thing, there are still people who cannot imagine someone like me could exist. it is a strange place to be. not just part of me, but my entire EXISTENCE is often gatekept
it is easy to say ‘well chuck your art IS strange’ but honestly i think it is more than that. magical realism is common. there are stories about dinosaurs and bigfeet and unicorns. this scoundrel reaction is about two unspoken things: my art is neurodivergent, and my art is queer
heres the thing: I WILL BE FINE. what concerns me is not an issue of MYSELF, it is a concern for the other young outsider buckaroos who see comments like this one and think ‘is that what they will say if i express MY unique way? will i be dehumanized like this at every turn?'
i will be honest, i cannot say that WONT happen, but i CAN say this: for as deep as this irony poisoning goes, it is slowly dying. the way i was treated at the start of my career is LIGHTYEARS DIFFERENT from the way i am treated now. there is a massive shift towards sincerity
BUT MORE IMPORTANTLY. to young artists trotting up, the things that i am harassed over and doubted for and made fun of for are NOT tangental to what has made me successful, THEY ARE LITERALLY THE SAME THINGS THAT HAVE MADE ME SUCCESSFUL. YES I AM STRANGE, WHAT OF IT?
the things that you tuck away for fear of a review that says ‘there is a PROBLEM with this art because it has always been done another way’ THOSE ARE YOUR SUPERPOWERS. the gatekeepers want you to tuck those parts of yourself away because THEY TUCKED AWAY THOSE PART OF THEMSELVES
never forget that your unique way is PURE UNFILTERED 100 PERCENT ROCKET FUEL. it will stick out (maybe, if you are lucky, scoundrels will even say that someone like you could never actually be real), but sticking out isnt so bad when you are waving the flag of love.
in fact, when youre waving the flag of love, sticking out is pretty dang cool. what are flags for, after all? LOVE IS REAL BUCKAROOS. thank you for reading, and if you enjoyed this long post then please consider preordering BURY YOUR GAYS.
LETS TROT
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Needlessly close reading and long commentary on chapter 57 and how the audience actually has an extremely limited view on what Marcille has been like over the course of her life.
I am once again thinking about how pre-dungeon Marcille is so quiet and stoic that she seems like a completely different person. How jarring chapter 57 is for the audience. Like you have Marcille, who has been just the most blindingly expressive person with resting baby face
And then the chapter drops a title page of Marcille hearing from Falin for the first time in four years and it's like.
Who is that. Genuinely. Would you even realize that's Marcille without the context clues?
And then the chapter just keeps coming in with the sucker punches.
We have SEEN Marcille meet strangers. It was never with this understated of a smile.
literally who the hell is this. the few times the audience gets to see some Signature Marcille Faces that they're used to is when she finally gets to see Falin again
when she's testing out her new spells
(and when Laios and Falin are fantasizing about her being their damsel in distress, funnily enough)
And then finally. Finally you get to a fully recognizable Marcille when she fucking DIES and comes back to life to geek out about necromancy.
We know she loves magic. We know she loves Falin. So it's not so surprising that she wouldn't be able to keep a mask up when thinking or talking about the things she loves. But why the mask in the first place? Where does it come from? It's tempting to think that, maybe, Falin's departure just hurt her so much that it turned her into a quiet person.
But that's only half true. If you go back, the first instance you see of this incredibly mild personality is actually introduced much earlier, in chapter 17.
What if she was always like that. What if her default after her father died was to hold people at arm's length, to never really emote past being polite and friendly. What if Falin was the first person who was able to bring her out of her shell, and when she left, Marcille just went back to how she was.
And when comparing her detached demeanour with someone else...
It's not exact, but wouldn't you say there's a resemblance? Wouldn't you think she might be trying her best to imitate what she saw of her own mother working as an accomplished mage?
It would certainly explain why she's hiding behind her portrait in her nightmare, at least.
We aren't told that Marcille has been distancing herself from everyone around her using a mature and dignified personality she modelled off her mother. But we sure as hell are shown it, I think.
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