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juuuulez · 15 days

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🎧 | playlist roulette, 500+ follower celebration!

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🎰 -> lip gallagher, carmen berzatto, richie jerimovich, mikey berzatto, sydney adamu, carl grimes, negan smith.

📚 -> smut, angst, fluff etc…

just inbox a character + song and i’ll write a short fic/blurb about it! songs marked 🔥 are exclusively NSFW due to, well… the nature of the song. otherwise, feel free to suggest a genre you’d prefer, or none at all, and i’ll go with the whatever suits it best. i’ve gone with songs that give a good mix of different vibes and ideas for some variety.

artists are in alphabetical order and are from my personal playlists, you’ll find: childish gambino, doja cat, faye webster, kendrick lamar, lana del rey, nicki minaj, paramore, phoebe bridgers, tyler the creator, taylor swift…

☆ childish gambino, heartbeat: ✅

⟡ richie jerimovich.

so we're done? this the real shit? / we used to hold hands like field trips / i'm a jerk, but your dude is a real dick / i read his posts on your wall, and i feel sick.

☆ childish gambino, me and your mama:

⟡ negan smith.

i’m in love when we are smoking that la-la-la-la-la / i’m in love when we are smoking that la-la-la-la-la.

☆ 🔥 doja cat, agora hills: ✅

⟡ carmen berzatto.

somethin' different about you / love it when he hit and smack too / baby, lemme lick on your tattoos / that’s true that i like PDA / take it to a seedy place / suck a little dick in the bathroom.

☆ 🔥 doja cat, cyber sex: ✅

⟡ lip gallagher.

when he off work, he calling me on skype (yeah!) / trust me when i meet him, i’m fucking him on sight (yeah) / lemme see you can beat it, i’m feelin' just like mike (okay, okay).

☆ faye webster, kingston:

⟡ richie jerimovich.

he said, "baby, " that's what he called me, "i love you" / every single word you say makes me feel some type of way / it’s the thought of you that slightly scares me / but it takes my breath away, forget what i was gonna say.

☆ kendrick lamar, father time:

⟡ carmen berzatto.

oh, this the part where mental stability meets talent / oh, this the part, he breaks my humility just for practice / tactics we learned together, sore losers forever, daddy issues.

☆ lana del rey, margaret:

⟡ lip gallagher.

alright, let's waltz this out, 'cause / 'cause when you know, you know / and when you're old, you're old / like Hollywood and me, that diamond on your ring.

☆ nicki minaj, anaconda:

i-i-i’m high as hell, i only took a half a pill / i’m on some dumb shit / by-by-by-by-by-by the way, what he say? / he can tell I ain't missing no meals.

☆ nicki minaj, pink friday girls:

lookin' for my lipgloss and my liner (liner) / lookin' for me, told him meet me at the diner (diner) / got him smilin' 'cause he know i outshine her ('shine her) / had to pop her just to remind her.

☆ paramore, thick skull:

i am a magnet for broken pieces / i am attracted to broken people / i pick 'em up and now my fingers are bleeding / and it looks like my fault / and it looks like i’m caught red-handed.

☆ phoebe bridgers, saviour complex:

baby, you're a vampire / you want blood and i promised / i’m a bad liar / with a savior complex.

☆ phoebe bridgers, waiting room:

⟡ sydney adamu.

and i can wish all that i want, but it won't bring us together / plus, i know whatever happens to me, i know it's for the better.

☆ taylor swift, love story:

⟡ lip gallagher.

that you were romeo, you were throwin' pebbles / and my daddy said, "stay away from juliet" / and I was cryin' on the staircase / beggin' you, "please don't go.”

☆ taylor swift, paper rings:

⟡ lip gallagher.

i like shiny things, but i’d marry you with paper rings / uh huh, that's right / darling, you're the one i want, and / i hate accidents except when we went from friends to this.

☆ tyler the creator, are we still friends?: ✅

⟡ mikey berzatto.

don’t get green skin (green skin), keep contact (keep contact) / don’t say, "goodbye, smell you later" (bye, later) / nah, i can't / i don't want to end this season on a bad episode.

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and on a more serious note: thank you for all the support on my works!! this blog has been my little safespace for indulging in all my silly little thoughts, and it makes me so happy that others can appreciate what i make too.

i’m excited to explore more tv shows and movies and let my blog and writing grow along with my interests, so i hope you’ll all stick around for the ride!

nervous about finally posting this, i’ve been thinking about doing it for a long time….i wanna write every song on here, so i’m really excited about it!!! feel free to send in multiple if you want ;P

#carmen berzatto x you #carmen berzatto x reader #richie jerimovich x you #richie jerimovich x reader #lip gallagher x reader #lip gallagher x you #sydney adamu x reader #sydney adamu x you #carl grimes x reader #carl grimes x you #negan smith x reader #negan smith x you #mikey berzatto x reader #mikey berzatto x you

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imliterallyjustablackgirl · 4 months

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- Carmen and his kitchen, the one he avoids, yet brings his girl who is a friend there. - The System

*Richie voice* The system, Carmy, you are fucking w the system First, Carmy- Boy. - Why bring Claire to the restaurant. Was it an attempt to impress her. What would have told her, do you even know how far they've gotten with you hanging out with Claire? Will you have pointed at a piece of woods and told her to be careful because you also didn't know it would be there? I'm sorry I know that it's like a supposed cute date-vibe because it's his passion but he didn't seem so passionate about his work before. I truly think it's his way to show his title on a shining little name tag. I'm biterrr, we were robbed! Because : Like cooking with Syd, did that. Remember how he straighten himself when she told him that he was the best CDC , our lil pea cock. How defeated he was when she calculated her words, she weighted them, done over with her man ; You are an excellent chef (...) it helped him lead a way towards liking his craft again or at least a part of it he clearly lost. The part he thought was buried with Mickey whom he didn't even get to say goodbye to, buried at a funeral he wasn't at.So, there's something wicked with the fact that Carmy kind of flaunts his newfound love of his job, mind you when I say that it's more from my perceptive, the likeness of his title; Chef Carmy, hum...and I wonder who helped him found this title again, the best CDC of the U.S.A. Like, Syd has helped so much around the restaurant and is perceptive of others concerning not only Carmy but the restaurant, its vision of it, the future of it, and what it could be. Carmy was struggling at blossom what he was seeing because it truthfully never was a one-man job, that's why he needed Richie on his side, Tina, Sug, the crew, and Syd, cooking is a whole team. It's literally a system. The kitchen is literally part of the system, Carmy is fucking with the system, someone gets Richie. Next post:

Claire and Syd's first encounter.

*nicki minaj voice in Only : Yeah, that was a set up*

#sydcarmy #carmy x sydney

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djscuffs · 8 months

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New Mix! Live at Cabana Pool Bar, Summer 2023. 2 hours of Dance, Pop, House, Baile Funk, Jersey Club, and more mixed by DJ SCUFFS. Featuring music from Doja Cat, Rihanna, Avicii, Jengi, Central Cee, and more!

Playlist

Barbatuques – Baianá – DJ Larry-T Remix Diplo, Charli Xcx, Herve Pagez – Spicy Jamelia – Superstar – Stavros Martina & Kevin D Remix Nelly – Hot In Herre – Da Phonk vs Lules & Naken Remix Doja Cat – Woman Doja Cat – Woman ft. Ariana Grande, Nicki Minaj, Dua Lipa, Missy Elliott (Remix) Timbaland ft. Keri Hilson & D.O.E. – The Way I Are – Stavros Martina & Kevin D Remix Bell Biv DeVoe – Poison – Bastian Bell Remix Timbaland ft. Justin Timberlake & Nelly Furtado – Give It To Me – Le Boeuf Remix ACRAZE – Do It To It FT Cherish Dillon Francis – Goodies Kanye West – Mercy – FOMO Remix Bruno Mars vs. Timmy Trumpet & Kastra – Uptown Funk (HMC 2019 Bootleg) Rihanna – Rude Boy (AANSE Remix) Jain – Makeba – Jerry Wallis Remix Shenseea & Megan Thee Stallion – Lick – Anthem Kingz Finer Things Edit Crystal Waters – Gypsy Woman (She’s Homeless) – Anthem Kingz Don’t Stop Moving Edit Jorja Smith – Little Things x Gypsy Woman (L BEATS MASHUP) David Guetta/Kid Cudi – Memories (feat. Kid Cudi) – 2021 Remix Avicii – Levels – RICHIE ROZEX Remix Daft Punk – One More Time – Lambue, Guztav & Siëma Remix Tag Team – Whoomp! There It Is – DJ Serg Remix LMFAO – Party Rock Anthem – Tony B & Vocalteknix Remix Eve ft. Gwen Stefani – Let Me Blow Ya Mind – Anthem Kingz Work My Body Edit Central Cee – Doja – Vunzige Deuntjes SoundSystem Remix LMFAO – Sexy And I Know It – Richastic Remix Barbatuques – Baianá – Rogerson Remix Jengi – Bel Mercy Rihanna – Rude Boy (Klean Remix) Nina Sky x CHAMOS – Move Ya Body Shenseea & Megan Thee Stallion – Lick – ETX Coolie Dance Riddim Edit Bob Sinclar ft. Big Ali – Rock This Party (Everybody Dance Now) – MIKIS & ZING Remix Richastic – The Roof Is On Fire – Tall Boys Clap Intro Don Omar ft. Lucenzo – Danza Kuduro – Kevin D & Sven & Rolf Remix Farruko – Pepas (Smoothies Baile Funk Remix) Pitbull – Give Me Everything (BeatBreaker ‘Barranquilla’ Banger) Mark Ronson – Uptown Funk FT BRUNO MARS (Club Breakerz x Medy Landia Mambo Edit) DJ Katch – Banga Black Eyed Peas – My Humps – Stavros Martina & Kevin D Remix Robin Thicke ft. Pharrell – Blurred Lines – Stavros Martina & Kevin D Remix Rihanna ft. Calvin Harris – We Found Love – DSM League Remix Delirious & Alex K ft. Max-A-Million – Sexual Healing – Anthem Kingz Closer Edit Koffee – Toast (262 Remix) James Hype/Miggy Dela Rosa/Oliver Heldens – Ferrari – Oliver Heldens Remix Axwell Λ Ingrosso – More Than You Know (Extended Mix) Avicii – Levels – DJ Serg Remix Technotronic – Pump Up The Jam – Sico Vox Remix Tag Team – Whoomp! There It Is – Lincoln Baio Money Edit Salt-N-Pepa x Megan Thee Stallion – Push It Flamin Hottie (Jonney Miles Segue) City Girls – Twerkulator – MarkCutz Remix Megan Thee Stallion – Thot Shit – DJ Serg Sniper Move Shake Drop Edit Rihanna – Only Girl (In The World) – Stavros Martina & Kevin D Remix Rihanna – Don’t Stop The Music – Trayze Carnival Remix Taio Cruz – Dynamite – ZIGGY & Replay M Remix Flo Rida ft. Sesman – Low – Richastic Remix DJ Crell/Silez – Do it To it – Baile Funk Remix J Balvin & Skrillex – In Da Getto Barbatuques – Baianà – Jack Back Remix Steve Aoki Daddy Yankee Play-N-Skillz and Elvis Crespo – Azukita (CloudNine Intro Edit) Deorro – Bailar (Afro Bros Bootleg) Steve Aoki & Willy William ft. Sean Paul, El Alfa – Mambo Jengi – Bel Mercy – Richtanner Remix Wiley & Sean Paul & Stefflon Don feat. Idris Elba – Wale – Boasty (Grandtheft x Wuki Dub) Rihanna – Don’t Stop The Music – Richastic Remix

#mix #cabana pool bar #toronto #dj scuffs #baile funk #house #dance #music #dj #rihanna #central cee #doja cat #SoundCloud

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messytoybox · 1 year

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Grim reaper music headcanons (either vibes of music they listen to, instruments, and artist)

Grelle

-Absolutely keeps up the top 40 hits.

-Currently I’m so hot by Chrissy Chlapeka is her hyper fixation.

-Not now I’m in my villain era (plays Natalia Kills)

-Knows every Nicki Minaj lyric

-Dancing along to music videos

-Top Artist are: Lady Gaga, Madonna, Blondie,Lizzo and Kim Petras

William

-Music taste is still stuck in 1984

-Cassette tape hoarder

-Low key male manipulator music

-Crying while listening to Blasphemous Rumors by Depeche Mode (definitely not me projecting lol)

-Does own a synth

-Top Artist: Joy Division, The Cure, Depeche Mode,Dead on a Sunday, She wants Revenge

Ronald

-2010 scene core

-Ke$ah stan

-If a song is not 130 bpm he ain’t listening

-We came here to fuckin party jamz

-White boy that thinks he can rap

-Top Artist: LFMAO, Ke$ah, 3 oh! 3, Bestie Boys, Cobra Starship

Othello

-HATSUNE MIKU?!

-Don’t give this man the aux will play 100 gecs and destroy your speakers

-Or will play really weird 1980s new wave

-Likes the happier The Cure songs

-New Order is better then Joy Division sorry boss

-Owns multiple otamatones

-Top Artist: Oingo Boingo, 100 gecs, The Cure, New Order,Graveyardguy

Alan

-I listened to them before it was cool

-I need room for my twirly hippie music

- It’s for the aesthetic Eric

-Vinyl collector

-Drunkenly screaming Kate Bush lyrics

-Did have a ukelele cover phase

-Dolly Parton can do no wrong

-Did introduce everyone to Mother Mother but now thinks they’re too mainstream

-Top Artist: Kate Bush, Fleetwood Mac, Fun,Dolly Parton,Metric

Eric

-The cheesites and sappiest love songs known to man

-Or classic rock

-“What do you mean we can’t play careless whisper at our wedding Al?”

-Likes older Sam Smith

-Top Artist: Lionel Richie, Wham!, Sam Smith, Amy Whinehouse, Queen

Ludger

-Classic Punk or Grunge

-Is the guy that will questions you if you wear a Nirvana shirt

-Plays the drums

-Angst angst angst

-Top Artist: Nirvana, Soundgarden, The Ramones, Dead Kennedys, Alice In Chains

Sascha

-The token metal head

-Or 2000s emo

-Can absolutely do the scream

-Will absolutely introduce you to new bands

-Ludger and then sing bring me to life on kareoke night

-Top Artist: Metallica, Paramore,BabyMetal, Evanescence, My Chemical Romance

#william t spears #black butler #kuroshitsuji othello #black butler headcanons #alan humphries #eric slingby #ronald knox #black butler grell #kuroshitsuji grelle #black butler reapers #black butler sascha #black butler ludger

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deadcactuswalking · 4 months

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REVIEWING THE CHARTS: 06/01/2024 (Sabrina Carpenter, Saltburn)

Content warning: Discussion of the Astroworld Festival crowd crush and brief sex references

It’s that time of year again, where all the Christmas songs flush out - no, I’m not going to list all of them as dropouts - and we get a rush of songs gaining or returning with extraordinarily high peaks at extraordinarily high rates because hey, that’s just how the chart is on the first week of January. It’s usually one of my most work-heavy episodes, but also because of the incredibly low barrier for entry on a first-week-of-January chart, it ends up pretty fun and kind of goofy sometimes, so this is actually a pretty exciting week for me, even if this episode will be lengthy to write. Regardless, Noah Kahan gets his first ever week at #1 with “Stick Season”, and welcome back to 2024’s REVIEWING THE CHARTS!

Rundown

Now, it would be really easy - and also really tedious of me - to just list all of the songs in the UK Top 75, which is what I cover, and you know, I considered doing that, but I think I’m going to be quite subjective and selective here, especially given there are less debuts this week than I expected. Just know that the vast majority of Christmas songs are no longer charting and have been replaced with, for the most part, songs that were charting in the last couple weeks. I will not be listing every return, but I will list songs that have returned to new peaks or songs that I just think are interesting or strange, including songs that haven’t charted in a while or have fascinating stories, or are just goofy little novelties of the January week, and we actually start dead-on at #75 with those.

“Take on Me” by a-ha is back. The Swedish band peaked at #2 with this track, blocked off the top by “The Power of Love” by Jennifer Rush, in 1985, and a largely inferior boy band cover by A1 spent a week at #1 in 2000 because the world isn’t fair. We actually see another #2-peaking classic pop song return to the charts this week… at #8. So - spoiler alert, even though I haven’t seen it either - the film Saltburn which was widely released a few weeks ago ends with “Murder on the Dancefloor” by Sophie Ellis-Bextor, and naturally TikTokers have Kate Bushed it to streaming success. Now you may be interested in how this song debuted at #2 in 2001 and spent two weeks there behind “Gotta Get Thru This” by Daniel Bedingfield (hot take: better song), or that this is Ellis-Bextor’s first time charting since 2014 - “Young Blood” peaked at #34 - but I’m personally more inclined to welcome the return of the man, the myth, the legend Gregg Alexander, who co-wrote and produced the song, to the top 10. Welcome back, king. Also, “Baby Shark” is at #47.

Then we just have the re-entries that reached new peaks, which is a few: “Evergreen” by Richy Mitch & the Coal Miners at #50, “FTCU” and “Pink Friday Girls” by Nicki Minaj at #41 and #30, as well as “Everybody” featuring Lil Uzi Vert at #26, “Body Moving” by Eliza Rose and Calvin Harris at #38 - still really disappointed by that one, “Surround Sound” by JID featuring 21 Savage and Baby Tate at #35, “Runaway” by Ye featuring Pusha T at #23, “One of the Girls” by The Weeknd, JENNIE and Lily-Rose Depp at #21, and of course, the GOAT, Paul Russell back at #20 with “Lil Boo Thang”, then “I Remember Everything” by Zach Bryan featuring Kacey Musgraves at #16, “On My Love” by Zara Larsson and David Guetta at #15 and “Lose Control” by Teddy Swims at #14.

As for our gains, I’m also just going to list the new peaks, as we have “Entrapreneur” by Central Cee at #36, “leavemalone” by Fred again.. and Baby Keem at #11, “Rich Baby Daddy” by Drake featuring SZA and Sexyy Red at #10 (Sexyy’s first top 10… maybe I should just call her Red), and, to my pleasant surprise, “DNA (Loving You)” by Billy Gillies featuirng Hannah Boleyn at #9. When you factor in that “Water” and “Houdini” are also here, this latter half of the top 10 is fantastic.

Then finally, in our top five, which isn’t nearly as good, we have almost a status quo ante bellum, with “Cruel Summer” by Taylor Swift at #5, “greedy” by Tate McRae at #4, “Prada” by casso, RAYE and D-Block Europe at #3, “Lovin’ on Me” by Jack Harlow at #2 and of course, “Stick Season” at #1. Now we have a smaller than expected but still… curious batch of new entries, so let’s run through whatever we have here.

New Arrivals

#71 - “MY EYES” - Travis Scott

Produced by Travis Scott, Wheezy, WondaGurl, Vegyn, Buddy Ross and Justin Vernon

I’m gently surprised UTOPIA has had this much longevity, especially considering that the album didn’t really have bonafide “hits” on it, and especially not this one: two very different ideas spliced together with possibly Travis’ most introspective bars on the record… all of those being in the second half, because in the first, he wastes our time with such inward-looking gems as “Rollie-Pollie on my wrist” and “I need no beef, no cheese, even when I eat, they cheat”. These are elementary bars. Yeah, I hated this song on release and I hate it still now. The first half is a slog, filtering a perfectly fine The Japanese House sample to compressed nothingness, as Justin Venron of Bon Iver croons incoherently with no leading melody or really any lyrics worth caring about. It perfectly embodies uncertainty, which could perhaps be intriguing if Travis hadn’t confused being abstract for being interesting so you have these arbitrary vocal effects attempting to make up for lack of substance over this drone for as long as he can stall before Sampha comes in for nine seconds more soulful than the other four minutes and change combined… seriously, what a terrible use of your Sampha. It’s not like the flashy synthscape eschewing anything memorable for “vibes” and a stagnant trap skitter after the beat switch … and amidst all the meaningless flexing, comical controlling of women, it gets kind of ugly.

Travis throws out possibly his one explicit line about the Astroworld festival disaster on the album: “I replay them nights and right by my side, all I see is a city of people that ride with me… if they just knew what Scotty would do to jump off a stage and save him a child”… and yeah, I don’t want to start this year off on such a negative note but - go to Hell. The explicitly self-centred nature of these lines and those surrounding it show a complete misunderstanding of the festival’s failures to keep people safe, with Travis wanting to be seen as the “hero”, complete his rags-to-riches story, swoop in and “save him a child” as if he’s Superman, whilst pointing fingers at the unknown “they”, which if it refers to critics is sad and if it refers to those who were at that crowd crush, is utterly despicable. Just after disgracing his critics for not looking at themselves in the mirror, he brags about how he stands on the stage and he gives them “the rage” and there’s “no turning it down”, you “can’t tame it”. But it’s not like it matters to the main character of our story, Travis Scott, because his life is just a movie, and if you lived it, you can’t blink because everything just goes crazy fast. I mean, life would go pretty fast and easy without consequences, wouldn’t it? If we’re looking forward to 2024 in popular music this week, I’m pretty confident that I want to leave this mess, and honestly, Travis Scott as a whole, far in the past.

#65 - “You’re Gonna Go Far” - Noah Kahan

Produced by Noah Kahan and Gabe Simon

Sadly not an Offspring cover, but anyway, I promise the rest of this episode won’t be as… controversial. At least Noah Kahan won’t be, right? Another track from his deluxe reissue of Stick Season, Kahan sings about knowing that letting this person leave is for the best, and they’ll go far without him and his sticks tying them down. It’s pretty self-loathing in its acoustic frolick, so I completely understand why this would turn people off... but I’m starting to grow fond of Kahan’s voice, and even through his somewhat bitter chorus and seemingly non-sequitur observations in the verses, I still quite like this. What can I say? I’m a human, I find this reassuring, especially with Kahan digging into his falsetto range surprisingly well, including on that mantra of a post-chorus. It’s almost weird how little I have to say for a song nearing five minutes, but it does feel pretty self-explanatory and the folk-rock stammer of the instrumental feels genuinely home-grown, fitting with how the narrative is strung and the connotations of them moving far away from Kahan’s more hapless rural area. At its heart, it’s a “life goes on” song, but one knowledgeable of his own fate that he sets out for himself here, one that by the outro, he seems weary of, or at least convincing himself maybe he should do the same as this person. Though left seemingly vague in terms of what the exact relation is, given some of the verses I can imagine this is about a sibling or, looking into the future, a child leaving the house for education, and it would definitely work out with the context we’re given, but I’m sure there are many interpretations of this. Mine is that the song is great regardless of them. Man, this guy is really uneven, isn’t he?

#63 - “Never Lose Me” - Flo Milli

Produced by gerreaux

So it’s about damn time Flo Milli charted. Even if I’m not a big fan of all of what the Alabama rapper puts out, she’s got a particularly vibrant personality that becomes increasingly obvious when her overdue breakout hit is essentially a remix of Babyface Ray’s “Ron Artest” with 42 Dugg which is still a pretty good song given the incessant yet timeless-sounding vintage soul loop under a trap groove sounding like it splits time between 2000s Dirty South classics and modern plugg bangers. It’s just that when you hear Babyface Ray go on for one exceedingly long verse followed by an… oddly solemn and badly-mixed 42 Dugg performance, you kind of wish Flo Milli was on the beat instead. So she just is, and it works out brilliantly. Sure, Milli isn’t saying much of interest and you could definitely see that chorus as tedious, but she’s just so much more dynamic with her flows and encompasses the mix much more effortlessly than those it was first made for. It’s mostly just about being in love with this street guy, and honestly, I’m probably overrating it when I look at it outside of its context… but man, there’s just something hypnotic about this beat. Now there are two separate remixes that helped this chart, for a little remixception, those being from Bryson Tiller, who I couldn’t imagine on this at all, but delivers very explicit sex bars with a verse that slides much more effectively than I expected… and Lil Yachty, who is such a perfect fit for this beat that I swear I see him on the original intro anyway. In fact, the Lil Yachty version was released on the same day as the original. He says “I’ma snack on your booty like Scooby”, so I think we’ve found a definitive version of “Ron Artest”.

#46 - “Toxic” - Songer

Produced by Songer (supposedly)

When I typed this into Spotify and saw the Britney Spears song of the same name, I had a sinking feeling… and sure enough, my suspicions were proved correct the moment I pressed play on the song and swiftly paused it in disappointment. This is a white guy rapping over the “Toxic” instrumental with flows and bars that sound like a pastiche of drill freestyles, as if he spent a couple weeks researching them and thinks he can do it better. The original “Toxic” spent one week at #1 in 2004 and I am not giving this dignified character-actor any time of day. Let’s just hope this doesn’t get any higher.

#40 - “Perfect (Exceeder)” - Mason and Princess Superstar

Produced by Mason

Ah, it’s been a while since I’ve been able to say this: who the Hell are these people? And in addition, why does this song have enough versions on Spotify to reach nearly 52 minutes? Also, why is this song from 2007 charting and once again, who the Hell are these people? Okay, so one at a time: this song from 2007 is charting because it was in Saltburn. Also, it technically already charted but we’ll get to that. Secondly, it’s an electro house song, of course it has that many versions. Thirdly, and this will take the longest, Mason is a Dutch DJ active since the 90s who released an instrumental jam “Exceeder” in 2006 and yes, suddenly I know this song all too well, just never by name - I always heard it as background music in ads or on the radio, but never actively listened to it. It’s fun, growling, fidgety fun with a lot of slick edges and refrains, from before electro house got too festival-ready, so it’s still a little dirty. Now here’s where it gets weird - according to the Official Charts Company’s website’s archive, this is the version that charted, peaking at #3 in 2007, behind MIKA’s “Grace Kelly” at #1 - “Starz in Their Eyes” was at #2 by the way, that’s a… trio and a half. Despite this, the article OCC wrote about the song says that this is a re-entry of “Perfect (Exceeder)”, which makes more sense to me since that version was released on Ministry of Sound and is the cover art for the song on the OCC archives, so this probably isn’t a new entry at all. If this song’s story wasn’t so weird, I’d chalk this up as an error and briefly touch upon it in the rundown, but technically, this isn’t a remix, it’s a mashup, and one from 2007, far before I started reviewing, and it was only the 44th biggest song of the UK in 2007 so it’s not like it would have returned naturally so either way you slice it, it FEELS like a new song - stretching the definition of new here - is charting here.

So who’s Princess Superstar? Well, she’s “Pennsylvania’s top female Jewish rapper”. O…kay, so her song “Perfect” from 2005 failed to chart, and it also may be one of the worst songs I’ve ever heard but hey maybe we wouldn’t have… Kreayshawn without this, so maybe I should be grateful. To be fair, she did chart in Australia, so Iggy Azalea can probably attest to being influenced by this. Therefore, I’m not grateful whatsoever. She had a minor chart hit with “Bad Babysitter” in 2002, which is somehow even worse, but someone somewhere decided to mash her failed single “Perfect” with the club jam “Exceeder” and create the malformed “Perfect (Exceeder)”, which is… a song I’ve never heard before. I have only ever heard this instrumental version, and the addition of the Princess Superstar just makes the song genuinely insufferable, at least there was a goofy novelty to the original “Perfect”, this feels like it’s taking itself half-seriously… when nobody should be taking Princess Superstar all too seriously. I don’t know, if this was the original “Exceeder”, I’d probably give it Best of the Week in all honesty, but this weird remix oddity… yeah, keep it in 2007, guys, it even has the gymnastics in the video like “Call on Me”. I don’t think we need to start with a 2024 revival of… whatever this is.

#24 - “Feather” - Sabrina Carpenter

Produced by John Ryan

Well, we started with controversy and we may end with controversy as the scandal surrounding the music video erupted… I’m going to stop pretending like I care. Madonna’s “Like a Prayer” did all this and then some decades ago, let’s just talk about the music which is… utterly serviceable. It’s a good kind of serviceable, it’s not slop, just a Dua Lipa rip-off that doesn’t like filling up space in the mix, or at least isn’t very good at it, and it leads me to like it, bizarrely enough. Despite how breezy she is, she’s desperate to fill up space with riffs and stray melodies filtered with reverb and echo over this vague funk-pop that doesn’t even have the guts to go full disco. I may have more to say about this song as the year goes on? I don’t know, I’m kind of fascinated by how I just… feel sorry for this pathetic little dance-pop song. Weird note to end on, but I mean, she’s hitting all kinds of weird notes so…

Conclusion

Strange week, as is to be expected, with a lot of interesting stories, for the better and for the worse. Okay, mostly for the worse, and Travis Scott nabs Worst of the Week pretty easily for “MY EYES” - sorry, Sampha - and that Songer doofus can get the Dishonourable Mention for his “Toxic” freestyle, I guess, but let’s just ignore that exists. As for the best, it is actually pretty difficult but I think Noah Kahan eases it out here for “You’re Gonna Go Far”, with Flo Milli - and realistically, Lil Yachty - pretty close behind with the Honourable Mention. As for what’s on the horizon… God knows. Welcome to 2024 in pop music, I’m pretty sure anything can happen. Thank you for reading and I’ll see you next week!

#uk singles chart #pop music #song review #sabrina carpenter #saltburn #sophie ellis bextor #mason #princess superstar #songer #flo milli #lil yachty #bryson tiller #noah kahan #travis scott #bon iver #sampha

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2015 Sing-Off tour

The first Sing-Off national tour in 2014 was a rousing success. So, even though the show's fifth "season" was reduced to a one-night holiday special, the second tour was expanded. The schedule was nearly twice as long, packing in 56 cities over the course of 9 weeks.

Rehearsals

The singers didn't document their rehearsals for the second tour the way they did the year before. Why? Because the VoicePlay guys lost most of the first of their two allotted practice days to weather related flight troubles. Once they finally made it to upstate New York, it was crunch time on the group numbers with their new compatriots to be ready for opening night.

Performances

Not only did the second tour visit more cities, for one night it was also livestreamed through Live Nation. Thanks to the forethought of an Exchange fan, the full Louisville concert from March 25th — including season 5 winners the Vanderbilt Melodores — has been archived in one convenient place.

(But because more is better, I've also provided links to audience recordings of individual songs from other stops on the tour.)

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[0:00:25] Overture — Sing-Off opening theme & judges' comments compilation

[0:01:15] Group opener — "Under Pressure" by Queen & David Bowie ** additional performance — Red Bank, NJ show (20 February)

[0:04:40] Introductions — Geoff Castellucci & Adam Chance

Vanderbilt Melodores set

[0:06:20] "Trumpets" by Jason Derulo ** additional performance — Wilmington, DE show (28 February)

[0:09:18] "Take Me to Church" by Hozier ** additional performance — Wilmington, DE show (28 February)

[0:13:40] "Lay Me Down" by Sam Smith ** additional performance — Wilmington, DE show (28 February)

[0:19:30] "Wiggle" by Jason Derulo, feat. Snoop Dogg ** additional performance — Nashville, TN show (15 March)

[0:22:30] Transition banter — Adam Chance

The Exchange set

[0:23:20] "Runaway Baby" by Bruno Mars ** additional performance — Minneapolis, MN show (29 March)

[0:26:30] "Sing" by Ed Sheeran ** additional performance — Red Bank, NJ show (20 February)

[0:29:25] introductions

[0:31:40] "Love Runs Out" by OneRepublic ** additional performance — Verona, NY show (17 February)

[0:33:55] "Radioactive" by Imagine Dragons ** additional performance — Red Bank, NJ show (17 February)

[0:37:30] history of The Exchange

[0:39:20] "Georgia On My Mind" by Ray Charles (off mic) ** additional performance — Los Angeles, CA show (12 April)

[0:41:45] banter, merch shilling, & contest promo

[0:43:35] "Wavin' Flag" by K'naan

[0:49:35] Vocal percussion showcase — Mark McLemore, Jonathan Lister, Layne Stein, Richie Steighner, Kurt Zimmerman, & Tony Huerta ** additional performance — Santa Rosa, CA show — part 1, part 2 (9 April)

[0:56:08] Transition banter — Mark McLemore

VoicePlay set

[0:57:15] "Don't Stop Me Now" by Queen ** additional performance — Red Bank, NJ show (20 February)

[1:00:10] intro banter

[1:00:55] "Wow! Vol. 1" medley — "Beauty and the Beat" by Justin Bieber; "Bang Bang" by Jessie J, Ariana Grande & Nicki Minaj; "Animals" by Maroon 5; "Birthday" by Katy Perry; "Steal My Girl" by One Direction; "Drunk On a Plane" by Dierks Bentley; "Anaconda" by Nicki Minaj; "Let It Go" from Frozen ** additional performance — Minneapolis, MN show (29 March)

[1:06:10] introductions

[1:07:55] "Aca Top 10 — Broadway" countdown — "Everyone's A Little Bit Racist" from Avenue Q; "Sherry" from Jersey Boys; "Belle" from Beauty & the Beast; "Seasons of Love" from Rent; "Master of the House" from Les Miserables; "All That Jazz" from Chicago; "He Lives In You" from The Lion King; "Popular" from Wicked; gentle mockery of Spider-Man: Turn Off the Dark; "Phantom of the Opera" from Phantom of the Opera; "Hello!" from The Book of Mormon ** additional performance — Red Bank, NJ show (20 February)

[1:12:00] audience time

[1:13:45] Auditions, featuring Brian ** additional performance — Huntsville, AL show (17 March)

[1:20:40] banter & merch shilling

[1:22:05] "Elvira" by The Oak Ridge Boys ** additional performance — Huntsville, AL show (17 March)

[1:27:45] Transition banter — Geoff Castellucci

Street Corner Symphony set

[1:28:30] "Down on the Corner" by Creedence Clearwater Revival ** additional performance — Red Bank, NJ show (20 February) — first two songs

[1:31:12] "Hard to Handle" by The Black Crowes

[1:33:50] "Voodoo" by Street Corner Symphony ** additional performance — Red Bank, NJ show (20 February)

[1:38:33] banter

[1:39:38] "Johnny B Goode" by Chuck Berry ** additional performance — Red Bank, NJ show (20 February)

[1:42:35] introductions

[1:44:10] "Creep" by Radiohead ** additional performance — Red Bank, NJ show (20 February)

[1:47:30] audience thanks

[1:48:25] "Uptown Funk" by Mark Ronson ** additional performance — Minneapolis, MN show (29 March)

[1:52:20] Transition banter — Adam Chance

[1:53:10] Group closer — "Still Haven't Found What I'm Looking For" by U2 ** additional performance — Red Bank, NJ show (20 February)

[1:57:00] Encore — "Fix You" by Coldpay (off mic) ** additional performance — Buffalo, NY show (24 February)

Addenda

Award-winning barbershop quartet Forefront weren't included in the streamed video, but they did a great job warming up the crowd at the Louisville show.

Although they didn't perform it for the streamed concert, VoicePlay and Street Corner Symphony's cover of "Don't" by Ed Sheeran that had served as the tour announcement was included in at least some of the shows during the tour. There is a video of it from Red Bank, NJ.

Because they'd used most of their songs from the competition during the previous tour, VoicePlay's set was comprised of numbers from their established stage rotation, a recent addition to their "Aca Top 10" series, and one medley exclusive to the tour that featured video clips from some of their season 4 compatriots.

At the Seattle show, The Exchange slipped a version of "Can't Hold Us" by local boy Macklemore into their set.

The eldest Lister brother, Richie, was on the tour with Street Corner Symphony for the first few weeks, then handed his microphone off to Kaleb Jones for the rest of the run.

While Layne was away for one weekend to be in his sister's wedding, first Richie Steighner from The Exchange, and then VoicePlay's hometown pal Antonio Fernandez stepped in to cover percussion.

Shenanigans & reunions

When you put 16 creative guys in close quarters for two months straight, they're going to get up to some nonsense eventually. During this tour, it manifested most notably in the form of a Nerf war that then escalated to water guns and Super Soakers.

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A post shared by Geoff Castellucci (@geophr3y)

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Of course, sometimes their friendly combat happened in the form of many colorful pixels.

Video games are a great way to pass the time on the road and make friends.

And sometimes they just enjoyed each other's talents.

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A post shared by Geoff Castellucci (@geophr3y)

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VoicePlay tossing Twinkies into the crowd every night meant that sometimes they needed to resupply, which Hostess apparently helped out with.

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A post shared by VoicePlay (@thevoiceplay)

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And sometimes they had extras to distribute at the end of the night.

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A post shared by VoicePlay (@thevoiceplay)

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Surprisingly, one of their victims auditioners early in the tour turned out to be a Paul Simon fan.

♫ "Why am I soft in the middle, now? Why am I soft in the middle? The rest of my life is so hard." ♫

Swinging through Florida meant that VoicePlay's family and friends could attend one (or more) of the shows.

Guess which of their significant others hadn't worked in entertainment. Hint: It's the one who heard the photographer call for a "kiss pic" and went in for a full snog.

And their buddies in The Edge Effect joined them as the opening act for two of those three dates.

Having a day off at home also allowed Tony to pick up everyone's favorite member of the backstage crew.

Fletcher is a good boy, and friend to all.

Emoni Wilkins, VoicePlay's partner in crime for the first Sing-Off Tour, popped in to visit during their shows in Nashville and Louisville.

One of their rare days off in Minneapolis coincided with a break in Home Free's touring schedule, so Tim Foust came to hang out with his Sing-Off colleagues.

The Filharmonic from The Sing-Off season 4 and the first tour were the openers for all three southern California stops. Jeremy Lewis from the AcoUstiKats also came to visit at the Los Angeles show.

Jazz a cappella group m-pact opened for the Riverside, CA show, which reunited VoicePlay with their pal Jarrett Johnson, who had helped with their 2012 album, "Once Upon An Ever After".

The boys got to see DeeDee Yancey again when Ten opened for the final two nights in Dallas and Houston.

Side trips & meal times

There wasn't much time in the schedule for tourist activities, but some of the guys did manage to see a few sights.

And there were many snacks and meals along the way.

Press coverage

There were several nice write-ups about the show in various outlets, both before and during its run, as well as a few television appearances.

A pre-tour interview with Geoff covered the a cappella scene in general and gave hints of the tour to come. The resulting article by Alan Sculley appeared in both The Sun Chronicle (Attleboro, MA) and the Detroit Free Press.

A very nice recap of the Providence, RI show by Jathan Fink was published on the website for the New Bedford, MA talk radio station and on his personal blog.

When the tour passed back through NYC, VoicePlay stopped in to visit with Nick Lachey at his new gig on VH1's Big Morning Buzz. The guys also got to meet actress Jane Lynch and social media darling ToastMeetsWorld while they were there. The video doesn't seem to be available anywhere anymore, but there are still a few pictures.

Alix Jansma of Boston University's Daily Free Press had nothing but praise for music director Deke Sharon — an alumnus of both Tufts University and Berklee College of Music — and the tour itself, particularly VoicePlay's set.

Local outlets in Florida were, of course, proud to have VoicePlay bringing the show back to their home state. The Broward Palm Beach New Times had a nice preview interview with Geoff by Natalya Jones for the Coral Springs stop, and Boca Raton Magazine published a lovely recap.

Crew member Jacklyn Krol provided a backstage peek on the Stage Right Secrets blog.

The VoicePlay boys had an early morning appearance on the local NBC affiliate in Kansas City to promote the tour, show off their talents, and give the hosts an impromptu a cappella lesson:

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If you've made it all the way to the end of yet another very long post, I hope you enjoyed yourself, and maybe found something interesting.

#VoicePlay #Street Corner Symphony #The Exchange vocal band #2015 Sing-Off tour #live performance #a cappella #music #video #behind the scenes #includes Twinkies #long post #link-o-rama

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