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#RT Discourse
currantlee · 1 month
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A few comments on a recent post about RWBY I made got me thinking about something. Basically, I think that Rooster Teeth – and possibly by extension its parent companies – have artificially inflated RWBY as a media project and franchise rather than letting it grow organically. Therefore, it became a bubble that was bound to burst at some point. RWBY might never have been a profitable IP, which might be very relevant for its future.
This is not a problem that arose after Monty Oum‘s passing, I feel like this was already coming before that. Shane Newville‘s open letter (which absolutely comes from an emotional, mentally unwell state of mind, but has had many of its contents confirmed over the years, even beyond being one of the first descriptions of the toxic work environment at Rooster Teeth) makes a few points that support this impression. Whether you agree with the letter or not, you cannot deny that the first two volumes of RWBY, while they also had merch accompanying them and stuff, were not produced following industry standards – starting with the 3D software used, Poser Pro (Monty Oum‘s preferred tool for animation). This led to some really creative animation work that, while not always high-quality by industry-standards, was certainly pushing boundaries. It was creative and it worked for what RWBY was: a passion project created by someone who saw animation as his strongest suit – as his preferred medium to tell a story. I‘ve seen a lot of people claim that Monty Oum wasn‘t a writer, and while that‘s true, I feel like the implication of that statement is always that he couldn‘t tell stories on his own. I don‘t think that‘s true. I think Monty Oum was a great storyteller when it came to expressing certain things through animated action scenes. It‘s just that he wanted to tell a story that included more than just that and a few lines of dialogue – which is where Miles Luna and Kerry Shawcross come in, two at the time very inexperienced writers (who possibly had a fallout with Monty Oum over creative differences later), as well as some talented folks – people like Shane Newville. They were chosen to work on this because Monty Oum acknowledged their potential and liked to work with them, and I feel like that created an environment where they were really allowed to flourish. Volumes 1 and 2 are certainly not flawless, but I feel like I can tell the people making it had fun.
To Rooster Teeth however? I think RWBY (and by extension, Monty Oum as a creator) might have been little more than assets to them. RWBY was first created around a time when RT first tried to be more like, well, an actual company. At least from 2014 onward, but possibly even earlier than that, this included an effort to conform to industry standards more, mostly in order to be able to hire more people – very visibly so in RWBY in the form of the switch to Maya (my opinion about that is, the way they did it didn’t do RWBY any favors at all). I think they saw RWBY and Monty Oum as an opportunity to appear… More important, bigger, than they ever really were.
So what did they do? Again, I kind of have the feeling that they “upscaled” RWBY to a size where it appears like this big thing, but it became far too much to handle. Essentially, they created a mock giant, or a metaphorical quasi-star: something that can appear big from afar, but is actually very small / unstable (and if we go with the quasi-star metaphor, disturbs all of its surroundings). This is what I mean when I say that RWBY was a bubble bound to burst, because no star lives forever – and quasi-stars can only exist under very specific, very unstable conditions (I linked a Kurzgesagt-video in case you’re interested what exactly a quasi-star / black hole star is / was, cosmology is so fascinating IMO). Once these conditions exist no longer, they both fall apart and collapse into the black hole that is their core at the same time.
My main argument for this is that RWBY was essentially a huge money sink for RT (Source: Barbara Dunkelman’s unprofessionalism). They pumped so much money into this… Perhaps even more than they ever made from it. While this isn’t 100% confirmed, it is very much possible (and IMO not exactly unlikely) that RWBY was never profitable — which it might have been if RT hadn’t been so hellbent on creating the illusion of a multi-million-dollar franchise.
This is purely speculative, but this might also be why Volume 10 was never greenlit. We know that Volume 9 was to a significant part funded by Crunchyroll and in fact would not have been possible without them (probably because RT was already out of money at this point). They might have bought into this mock giant, then realized they had pretty much been scammed once Volume 9 aired. This might have led to Crunchyroll’s unwillingness to fund another season for something they knew now was effectively a money sink. Since RT at this point lacked the funds to produce Volume 10 alone and therefore was dependent on investors like Crunchyroll and Warner Brothers… Volume 10 was never greenlit, no matter how hard they attempted to get their fans’ hopes up and start a hashtag campaign on social media (as far as I remember, that was started by Rooster Teeth, not the fans. I don’t have my Twitter account anymore though, so I can’t check). Again though, this is speculation.
The worst part? This refusal of RT to just… Downscale RWBY again, this determination that it had to be this huge franchise… Was all put on the backs of the creatives working on it. We know at this point, from multiple sources, that RWBY and other RT productions have had an incredible amount of crunchtime, working overtime, employee abuse, … going on behind the scenes, which seems to only have gotten worse after Monty Oum’s passing. At the end of the day, all RT does and has ever done is blame others for their incompetence. Like, no shit, I’ve seen fans claim that it’s the FNDM’s job to “keep the show alive” (particularly in the light of #GreenlightVolume10), which… No, that’s not the fans’ job. It’s the job of the company who has been entrusted with this beloved IP, and said company has proven to be utterly incompetent on multiple occasions, which is unfortunate, but a sad reality for all those who love RWBY. And while Rooster Teeth has never directly said such a thing, they have certainly implied it and taken advantage of the existing sentiment within their fanbase, as well as their parasocial relationship with it (again, see #GreenlightVolume10 for reference).
To clarify, I’m not saying none of this would have happened if RT didn’t insist on making RWBY this big franchise (and biting off far more than they could chew in the process) – again, RT was far too notoriously incompetent at everything a company should manage – but I do think it might have played a role. It also isn’t an excuse for all the employee abuse. Again, what they should have done is downsizing the project, not inflating it further and further.
If I’m not somehow completely in the wrong (because IMO this just makes way too much sense to not be at least partially true – but let’s face it, a lot of this is just me connecting dots, and there is always a chance I’m connecting them wrong, even though I don‘t think so), then it kinda blows my mind that there are still people who believe in this scam. Though I will say, emotional attachment can do that to anyone. If anything, I’m honestly sorry that those folks lose something that means so much to them, and that false promises were made to them.
At the end of the day, the story of RWBY (the “franchise”) is twofold. It’s a story about an incredibly talented creator who passed away far too early, who was given the incredible opportunity to make his dream come true. It’s a story of people he trusted taking up his torch, and maybe getting lost in the dark along the way. It’s an inspiring story regardless, and I hope to see it continued at a downsized scale so it can grow organically, preferably in the hands of an indie animation studio like Dillon Goo (🤞)
But it is also a cautionary tale to both creatives and companies who employ them, a tale about false promises, abuse of both employees and fans, as well as how to not run a project. Don’t blow your thing out of proportion too early, don’t create a mock giant / metaphorical quasi-star. Let your ideas and projects grow and flourish organically and sincerely.
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tendergore · 2 months
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wow rip to Rooster Teeth 🫠 life is so strange. i saw trevor collins post that he's in search of work now, i wonder what's gonna happen next for everyone. the article said that the podcast network aspect will remain intact for now but i wonder what-all that encompasses since so many of their live shows are also podcasts.
i've been listening to burnie's new pod and this morning's guest was barbara, kind of unfortunate timing. crazy as hell. end of an era </3
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ingravinoveritas · 2 months
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Not Radio Times writing an entire article focused on Michael and David kissing and adding things like this. I see you, Radio Times...
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yangsbandana · 5 months
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the new bumbleby jacket is giving me fond memories of the #bumblebyjacketdisaster2k20,,, never forget,,,,,
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nevzatboyraz44 · 1 year
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pencil used to be opened like this ✏️
قلم رصاص يفتح مثل هذا ✏️
eskiden kurşun kalem ✏️ bu şekilde açılırmış🙂
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tumblezwei · 1 year
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I don't usually check the comment section for Rwby for obvious reasons but man the one in cr for show is relatively positive for the most part. There's a couple of the typical "months vision" or "this show is just a empty shell of itself" naysayers here and there but the other people in the comments actually call them out and drive away their negativity instead of other before a negativity echo chamber
It's important to know that people do actually like this show. I heavily advise anyone that feels like they're alone in that feeling to just stop engaging in discourse and spend more time enjoying yourself.
There is absolutely nothing wrong with seeing negativity and just closing the tab to do something else. Fandom discourse means next to nothing in the grand scheme of things, don't let it consume you.
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coldgoldlazarus · 1 year
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I feel like there's a lot of warranted RWBY criticism that winds up getting lost in the obnoxiously polarized discourse between the hatedom and fandom, and at this point I've learned to try to do better than that, shrugging off the bad takes, and actually listening to the good ones even when they're a bit overly harsh in their critique.
But there is one single post that does the rounds constantly that is my sole exception; seeing it always raises my blood pressure, and I have legit unfollowed a couple otherwise-innoffensive blogs over it; that fucking post of the gifs from Food Fight, captioned as "RWBY (2013-ongoing)"
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Well thank goodness they addressed it:
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RT’s official response to the many grievances of both former and present employees:
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My thoughts under the cut (hopefully tumblr doesn’t fuck this up)
I’ve never really been a huge fan of RT outside of RWBY and a few other shows, so I can’t say I’m devastated or anything like that. However, it is incredibly disheartening to learn just how much shit everyone who works there has dealt with. Tbh, since its roots are in gamer culture, I expected it to be bad, but not THIS bad.
I’ve never really been a huge fan of RT outside of RWBY and a few other shows, so I can’t say I’m devastated or anything like that. However, it is incredibly disheartening to learn just how much shit everyone who works there has dealt with. Tbh, since its roots are in gamer culture, I expected it to be bad, but not THIS bad.
It’s fucking Texas, I expected there was discrimination, just not to this extent. Like, my expectations were low but holy fuck. The constant harassment of any minority within the company is disgusting. And please don’t take my words out of context—it’s one thing to be treated like shit but make a decent wage, but to also be severely underpaid or NOT EVEN PAID AT ALL??? Jesus Christ.
They weaselled their way out of EVERYTHING. And they continue to do so in their pathetic response, which is just 8 paragraphs of shirking any and all accountability. It doesn’t address SHIT. it’s a half-assed plea to keep giving them money. Between RT and WB just being complete fucking disgraces it’s exhausting and my heart goes out to anyone whose been mistreated by them.
The only silver lining I can possibly think of is that CRWBY (to my knowledge) is just as fed up/sick of RT’s refusal to treat workers with dignity. I know Michael and Gavin have both privately and publicly reached out to Kdin and have apologized for past dumbfuckery, and Kdin is an angel that deserves way better.
The company has a handful of genuinely honest, kind, and good individuals that seem to have their hands tied. But it still fucking blows because how the hell do I support CRWBY without RT? I’ve had this blog since 2016 and yeah I’ve been going through some burnout shit for a few years but I still and likely always will love RWBY.
I guess with no volume 9 yet we can try and put our heads together to figure that out. I don’t see a solution but goddamnit if there is one let me know. This was largely incoherent I’m sure, but I just wanted to say SOMETHING. Rant over.
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19-bellwether · 2 years
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Yeah... At this point I'd rather have no RWBY than Rooster Teeth's RWBY. My heart pangs for the writers, animators, and voice actors that have been put through this corporate hellscape. I hope they some day get the chance tell this story on their own terms.
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url-is-url · 2 years
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My high school nerd friends who got me into RWBY grew up to be incels.
With that in mind, this becomes less surprising.
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unrestrainedbalderdash · 11 months
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The problem with discourse is that you can never tell if it's moral OCD or if you're genuinely a shitty person
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tendergore · 1 year
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Lolol at people’s rude ass comments on my reddit post in the RT subreddit where i just asked if anyone had a list of theater mode episodes without r*an h*ywood in it. 🤧 i’m so sad for y’all! karma’s coming for ya 😄
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fratboykate · 1 year
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im gonna need y'all to go watch this trailer and...have a good laugh
https://www.rottentomatoes.com/m/ill_be_watching_2023
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tinkkles · 2 years
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I can't keep up with the RT drama anymore I miss when the hottest gossip was that gavin actually won wool
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mortysmith · 1 year
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i have got to stop posting on twitter like seriously
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