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#No it would be London and yet not even the real London like a stereotypical London that could serve as a party political for government
the-busy-ghost · 2 years
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Thank GOD, we really dodged a bullet there, can you imagine if the UK had to host Eurovision in this day and age
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siryouarebeingmocked · 4 months
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Someone recently claimed that the new Davies era of doctor who has no more wokism* than the show used to.
Now, maybe I've just changed in the past few decades, but from what I've heard of the 60th anniversary specials it does seem a tad more concentrated. Cherry-picking SPOILERS, sweeties.
- Donna got married offscreen. To what I can only assume is the last black cab driver in London.
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- Her kid is trans. Specifically, non-binary, female presenting, says the wiki.** - In the next episode, we learn the Doctor is gay/bi when he thinks Sir Isaac Newton is hot. I'd smugly say this bit has no real relevance, but...the actual scene does carry the episode theme of accidentally changing reality. It's just the queer bit that seems tacked on. Though it does carry forward themes from 10s era. - Sir Zack himself is played by a half-Indian actor. It's not exactly hard to tell. I'm assuming they're running on Bridgerton logic. https://twitter.com/frozenaesthetic/status/1731332492282429950 - This episode is basically just Donna and the Doc exploring a weird location, and running into monsters, who happen to look like them. It would be a bottle episode, except for the large vfx budget. And yet ol' Rusty somehow managed to awkwardly wedge in an  progressive issue. - In the next episode, the villain explains how he's just exploiting the divisions that already exist in human society, including cancel culture. - no wait he's got a point. Jpg - This is ironic, given that Davies and/or his broadcasting house masters are pretty blatantly on the team that a) coined the word,  b) cancels people the most often, and c) defends the idea of Internet lynch mobs*** (***as long as they're left wing. If not, they're *ist "trolls", even if they're just complaining about the latest sacred cow.) Maybe the Davies was criticizing his own team. * Because the Toymaker was kind of racist back in the day (white dude dressed like a stereotypical Chinese dude), Davies made the new version a bit racist "as a callback to his original, problematic depiction back in 1966." - TVtropes, ref. DW Unleashed. On the other hand, the Toymaker also mocks and dresses as several other cultural archetypes. All the ones I've seen were white European ones. He just does this to everyone, apparently. - Toymaker also weaponizes the Spice Girls hit "Spice Up Your Life". No, I will not explain. Though I will note that a line about the "Yellow man in Timbuktu" was apparently drowned out in the episode. Probably for being a tad spicy. - One new UNIT character is a lady in a wheelchair. When the new Tardis - no, I will not explain - has a wheelchair ramp, she happily points it out. Which makes me wonder why the blue box would be so limited, considering it often deals with alien species. - Also, the same actress played a disabled Companion in the Big Finish audio dramas. I'm not sure why it was considered essential to do so in an entirely audio format, but there have been controversies over this sort of thing before (EG Artie on Glee, various racial voice acting controversies). - At this point, casting Ncuti Gatwa as 15 doesn't even register. Not really a blip on my radar. Black Doc? Whatevs. His sonic screwdriver has Rwandan words on it? So? I go to church with lots of Africans. Heck, I'm a black immigrant to ol' Blighty myself, just from the other side of the pond. Ncuti is, chronologically speaking, more British than I am. - Though given that he's Rwandan-Scottish, there may be some debate on the "British" part. - Wikipedia says the actor is pretty left-wing, but the actor seems good so far, so I'm willing to give him a sha-
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Oh, come ON!
Maybe the original person speaking was comparing it to the Chibnall “history has always been a whitewash” era, which had a character who was a paper thin Trump satire. A tad ironic, when the whole point of bringing Davies, Tennant, and Tate back is to play on nostalgia.
*Tangent: that word was apparently voted  the most annoying words in English. Which is kind of hilarious if you know that it was originally created to self-describe certain progressives. And the "you can't even define that word!" meme was almost certainly ripped off from the right wing "what is a woman?" Meme. ** This is apparently because she's part Time Lord, through Donna. It seems a tad interesting to me that a few works featuring non binary characters happen to make them enby due to some sort of supernatural (Omniscient Reader) or sci-fi (SW Squadrons) influence which the vast majority of IRL enbies don't have. ...As far as I know.
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writeradamanteve · 1 year
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Lucy Carlyle & Holly Munro
I want to talk about this dynamic as it’s truly one of the most polarizing relationships in the book, for various reasons, and yet it’s really one of the best written ones, also for many reasons.
So, sit down and grab a cup of tea. This will take a while, and Reader, I don’t plan on holding back.
Race and Diversity
Let’s talk about diversity for a moment. For those of you who’ve read the books, you know that until Holly made an appearance in the series, the Lockwood & Co. books were lily white. It was so white. There wasn’t a whisper of there being any people of color.
I cannot claim to know Jonathan Stroud’s values, but having watched the show before reading the books, it was clear to me that Stroud, at least, wasn’t consciously or maliciously being racist when he first wrote these books, and that he did, in fact, acknowledge the lack of diversity by Doing Better, first by introducing Holly in The Hollow Boy, and then ultimately, while collaborating on the TV series, readily allowing for a wealth of diversity, even going so far as giving one of the lead roles, which was canonically white, to a man of Iranian ethnicity.
So whatever prompted Stroud to introduce a person of color in the Lockwood & Co. book series, he clearly wanted to do it right. He didn’t retcon existing characters like other writers I know (looking at She Who Must Not Be Named “He’s Actually Totally Gay! Even If It’s Not In The Books!” ~ugh~), nor did he tokenize them like Ms. Voldemort over there (“All The People Of Color in My Books Are Sidelined and If They Have a Speaking Part, Either Stereotyped or Tends to Be Mostly Unbearable.” ~what a cunt-). Holly was a real, fully fleshed out character, who had a positive, and/or complicated, impact in the story.
Now, if I didn’t read the books and just went by all the posts about Holly’s relationship with Lucy in my Tumblr stream, it would seem like a simple case of opposite personalities clashing, at best--jealousy at it worst, but this relationship is not simple like that. I don't want to call it complicated, either. What it is, is nuanced. There is a lot of nuance to Holly & Lucy.
"Welcome, Holly!" Said Lucy, Never
With Lockwood & Co. all narrated from Lucy’s POV, we are introduced to Holly with Lucy’s reactions, perceptions, and biases.
It is clear, then, that Holly’s sudden appearance in what Lucy considered her Safe Space was jarring and intrusive. Lucy was neither consulted on this nor forewarned, but in a world of landlines, archives, and dewey decimal shelving, there is no way to contact a person in transit, there is no instant messaging, and I don't even know if there are answering machines. In this case, Lucy was traveling to her rural hometown which was hours away, for a couple of days, for the obligatory visit to the family she had left behind.
Consider for a moment: Lucy’s trip home was not a leisure vacation by any means. In fact, it only cemented Lucy’s resolve that she belonged in London, and that she missed being in 35 Portland Row, her found family (a.k.a. Lockwood and George), and her independence—all of which Lucy fought HARD to attain and preserve. None of these things came easy for her, but she did earn it, and she was assured enough in her accomplishments to pay a visit to her hometown voluntarily. We all know how it is--when we're not in a good spot in life, we generally don't feel like reconnecting with people like former classmates or family we left behind. It's too humiliating to tell them that we aren't doing so well, but if we've been successful in our pursuits, those class and family reunions are So Welcome, like--"Sure! I'd love to see you all!" In Lucy's case, she wasn't terribly enthused to see her family again, but she felt strong enough to weather the doldrums of it, knowing full-well that she could tell her mother to Shove It.
So given all that background, Lucy is understandably pissed that Holly comes sashaying into Lockwood & Co., highly recommended, with Lockwood hastily making space for her and keeping her comfortable. Not to mention George instantly liking her.
Holly seemed to have effortlessly settled into Lockwood & Co. without the trials and tribulations Lucy had to endure. It probably didn’t help that by all appearances, Holly’s had it easy most of her life.
Holly was beautiful, refined, classy, and educated. We don’t know much about Holly at this point, but it is implied she is possessed of a pedigree equal to Lockwood, except that she wasn’t orphaned at a young age and that her parents were there to nurture her talents.
It absolutely did not help either that Lucy, as a person, has zero social skills. She, with her Blue Collar upbringing, was not raised to make nice or be diplomatic. We hear her thoughts because she is the narrator, and we think her thoughts judgmental, but thoughts, by their nature, are unguarded. If we’re being completely honest, we all make snap judgements about the people we meet. Some of us may be snarkier about it than others, but a lot of our thoughts are not always positive. I wouldn’t call non-positive thoughts negative, just stripped of the diplomacy and niceties we were taught worked best in social settings.
So Lucy does tend to sound a bit nasty sometimes, but is she, really? Or is it just that we see into her mind without the filter of social norms. The show portrayed it perfectly--Lucy is an observer, and some of those snap judgments make their appearance in her words and actions, but is it more extraordinary than some of ours?
So Lucy, for her part in the introduction of Holly, did pretty well, and her thoughts were quite straightforward: She was pissed about the whole situation with Holly, hired without a proper heads-up to her, without the hoops that Lucy had to jump through, and both Lockwood and George appeared to like Holly better than they ever did Lucy. That was Lucy’s knee-jerk reaction.
In the coming weeks, we see how Lucy fully acknowledges how beautiful and fashionable Holly was, and how efficient, doing exactly what she was hired to do with breezy, confident ease. She cleaned their disaster house, organized their schedule, fielded nuisance inquiries, and booked them profitable, resume-padding jobs. Oh, she can be a field agent, too, but she was a bit rusty, so it was the least of her talents.
Lucy clung to that last bit as her security blanket—something she had over Holly, who otherwise seemed so aggravatingly perfect. So when Lockwood, like the good boss he was, was very much willing to reignite Holly’s skills on the field with gentle support and enthusiasm, this again, made Lucy simmer in resentment.
Keep in mind that while all this was happening, Lucy was trying her best to make it work. She hated that Holly was trotting around like a responsible adult, cleaning and trying to make everyone eat healthy. But Lucy was mostly civil.
The tension between Lucy and Holly was palpable, but you can tell that Holly wasn’t trying to annoy her. They were both trying to make it work, and that Holly was sensitive to Lucy’s triggers.
Lockwood & George
Most of Lucy’s resentment stemmed from how much better Lockwood and George treated Holly than they did Lucy—at least from Lucy’s perception.
So I examined that. Is that true? Did they treat her so much better?
The immediate thought is that yes, they do treat Holly with a level of reverence and care that wasn’t exactly there with Lucy, but if Lucy thinks it’s because they liked Holly better, that would be an oversimplification of how Lockwood and George regards Lucy.
First of all, Lucy and George butted heads immediately. Lucy’s lack of social skills and George’s lack of filter was just an inevitably tumultos brew. They did eventually grow to appreciate one another, deeply and sincerely, but that's because they both saved each other's lives. That's what it took. They love one another now, but they had to go through a lot to get to that point. Also, they never stopped being snarky to each other, so there's that.
Lockwood, however, treated Lucy with respect. He was confident of her abilities and he made space for her, too. He offered her his room, for God's sake, and he didn't think twice about her missing 4th levels. He trusted in her skills well enough to bring her along for jobs, immediately. He was impressed by her Listening talent, and was even excited by how, with her, the agency would thrive.
So it wasn't that Holly was treated better; she was treated differently. Lucy is an field agent. By all appearances--her short brown, low-maintenance hair, her practical clothes, and the rapier at her hip, she was ready for action. She did not sweat details. She did not bother with the tidiness of her room. She certainly wasn't the type to pick up after the boys. Why the hell would she? She wasn't their mother. And she gave as good as she got. She didn't appear shocked or stymied by course language or behavior. She was not a delicate flower, so George and Lockwood treated her like the tough cookie that she was.
Lockwood and George respected Lucy this way, just as they respected Holly that way.
So while we understand Lucy's resentment, we have to keep things in perspective here.
Lucy vs. Holly
Lucy felt that Holly was patronizing, that she looked down on Lucy, and that Holly could do no wrong. It did not help that Lockwood was not acknowledging Lucy's feelings.
To Lockwood's mind, Holly was a godsend (she was), and that Lucy can try a little harder (she couldn't--that was truly the best she could do), and he seriously had very little time to make Lucy feel better about the entire thing. His patience was wearing thin.
Was it all Lucy's fault? No. Was it Holly's? No, but while Lockwood was making all the right moves for the agency as its founder and CEO, Lucy was not only doing her best to make her relationship with Holly work, but she was also grappling with her growing Talent and the use of it. Lockwood did not approve of what Lucy was trying to achieve with her Listening talents. It was dangerous to both Lucy and the rest of them--so much so that he threatened to fire her if she didn't stop.
We all know that Lockwood's threats of termination were empty, because in The Creeping Shadow, we were told that Lockwood did not want Lucy to leave and that he did everything to get her back. This threat was more a desperate attempt to curb Lucy. He is perfectly aware that Lucy cannot be stopped by normal means, but he needed her to stop, because what she was doing was risking her safety, and he would not have her killed because of it. Lockwood believed that by withholding his warmth, Lucy would realize how serious he was and come to her senses.
Because of all this, Lockwood grew distant and Lucy felt that keenly. That Lucy was turning to Skull as her confidante showed how lonely she grew in the midst of it all.
As we come back to Holly and Lucy's relationship, we begin to see that whatever Lucy's feelings for Holly were, they were being processed amidst all this upheaval, so Lucy was not having an easy time of it.
When we truly look at Lucy's and Holly's interactions, both of them were really doing their best, and they carried on well enough, but there was an inevitable breaking point.
Things would eventually come to a head at Aickmere's, brought there by the Chelsea Outbreak. Lucy and Holly would have it out, stirring the poltergeist.
From their argument, we find out that Holly was just as insecure about Lucy's gifts as Lucy was of Holly's. They both thought the other was being patronizing, and that neither of them actually looked down on the other. They picked a bad time to have this discussion, but it was had, and while it stirred the haunting to disastrous levels, it DID give Lucy and Holly a better understanding of one another. It was Growth at a Time of Poltergeist.
In Lucy and Holly's brief time working together to stay alive, we saw exactly how they would get along, how intuitive they were of each other's strengths and weaknesses, and how amidst the arguing, it was totally conceivable that they could come to like one another.
At the end of The Hollow Boy, when Lucy comes to the decision to leave Lockwood & Co., we know for sure it isn't because of Holly, even if everyone thinks it is.
Holly & Lucy
I am still absolutely tickled by the fact that Holly actually tells Lucy in The Creeping Shadow that she misses her, and that Holly wished Lucy had stuck around so that she would have someone to talk to. I did briefly, actually think that Holly might have had a crush on Lucy, because Lucy gives out bi-vibes (or maybe that's just me, Idon'tknow), but as I thought about it more, that would be a pretty annoying trope, where everyone falls in love with the heroine, so no. I think Holly was actually setting her sights on someone else, though Holly absolutely did miss Lucy, and she genuinely wanted to be besties with Lucy, especially because Holly thought Lockwood and George were so hard to crack (and by the way, this is so telling. Again, more proof of how differently George and Lockwood treats Lucy and Holly--not better, but differently. They are at their best behavior with Holly and as a result, they aren't vulnerable with her. The boys, however, treat Lucy like one of them, so she knows them the way Holly couldn't).
Holly's contributions to the narrative of The Hollow Boy were significant, in the same way that Kipps's contributions were significant in The Creeping Shadow. The Empty Grave treated us to the dynamic of having Kipps and Holly round out Lockwood & Co., fully entrenched into its maverick ways and the secret of the Whispering Skull.
Lucy and Holly's relationship found an easy cadence, and I especially loved how Lucy and Holly banded together instinctively to comandeer the two-bed room at the inn, leaving the boys to grapple with the second bedroom arrangements.
I cannot stress enough how well Holly and Lucy's relationship turned out, and how I will marvel at its development. I will always think of this relationship as well-earned. It was a journey, human and interesting. Stroud did a marvelous job forming it.
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evansbby · 7 months
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I was there too with my older brothers and cousins, it warmed my heart seeing so many people in support of Palestine. I also saw a lot of Jews there and I think people forget that there’s a difference between a zionist and a Jew. As a Palestinian muslim woman myself I spoke to a few of them and they explained that they do not support the actions of Israel and that it’s against their religion. When I was younger I was always mad at the ‘jews’ for taking over my country and that I got called a terrorist and they didn’t when they clearly killed many innocent lives. I also tried to talk to Israeli people but when I told them everything Israel did to Palestine and how it was wrong they would call me antisemitic and get mad. I was like 16/17 when I finally realized that I should leave the faith of Palestine in Allahs hands and not get kind of mad when people tell me they’re jewish, because I always thought that automatically meant that they were zionists😭 I always felt this survivors guilt, I was born in Palestine but my parents moved us to London when I was 2, but I still have some family there and it’s awful for them. Like why do I get to live in a safe environment when they can’t? I’m 20 years old now and my cousin had it way harder growing up than I did, thankfully she also made it out, but I just feel bad when she talks about her childhood knowing that I didn’t have to worry if there would be Israeli soldiers outside on my streets. I’ve seen pictures of our neighborhood before it got destroyed and it was so beautiful, my grandma would tell me stories about how she and my grandpa would walk to the markets and now it’s all gone. Alhamdulillah they’re safe now.
I’m honestly so happy to see many people support Palestine, thank you to all who protested and constantly donate to help the people in Gaza🇵🇸🩷
Also so real for that Rishi Sunak comment because who told him to open his mouth😭😭😭 Every time I see him I get so mad omg💀
Thank you so much for sharing your story with me 🥺🙏🏼🇵🇸
Sooo many people from different religions are conditioned to hate other religions. I know so many people who were raised to hate Muslims, who were raised to hate Jewish people etc etc. It’s just up to us, as we grow up, to combat these views and stereotypes, speak to more people, understand situations and see that there is good and bad in every religion.
I can’t even begin to imagine how you feel, with Palestine being your homeland and yet you moved away so you are safe from the war and yet your people are suffering so much 🥺🥺🥺 It’s heartbreaking and I can’t even imagine, the fact you have family there as well, going through such atrocities.
I just watched a video on tiktok of a man from Palestine who said that a dog in Europe lives a better life than a Palestinian human being in Palestine. Because at his camp, they are waiting for water. A dog on Europe has access to water and the Palestinians do not because Israel cut access bc of course “they have the right to defend themselves!1!1” How a nuclear state cutting water and electricity access from innocent people is helping Israel defend itself, I won’t understand lmfao.
Honestly, this is at the end of the day not a war based on religion at all. No one cares what religion the Zionist alt right government of Israel are… we only care about the 28282992 war crimes they are committing as we speak.
But it’s still great to see Jewish people supporting the Palestinian cause—and the fact there is so many of them! ALSO a lot of Israeli people supporting Palestine shows that there is hope.
I hate Rishi Sunak. This man went to Israel and said “I hope you win” and “the uk stands with Israel” meanwhile there are protests pro Palestine protests here every other day.
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ausetkmt · 4 months
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I first saw Bamboozled as a 15-year-old, in April 2001, at the Ritzy Cinema in Brixton, south-west London, and it threw me for a loop. Written and directed by Spike Lee, the film is an intense satire about a frustrated African American TV executive, Pierre Delacroix (Damon Wayans), who creates a contemporary version of a minstrel show in order to purposefully get himself fired, and expose the commissioning network as a racist and retrograde outfit. However, the show, which features its black stars wearing blackface, becomes a huge hit, prompting Delacroix’s mental collapse, and an explosion of catastrophic violence, the effects of which are felt far and wide.
In a fraught contemporary climate where the mediation of the black image in American society is at a crucial juncture, Bamboozled’s trenchant commentary on the importance, complexity and lasting effects of media representation could hardly feel more urgent. Each time an unarmed black person is killed, then hurriedly repositioned in death as a thug, a brute, or a layabout by mainstream media outlets – as has happened recently to Trayvon Martin, Michael Brown, Eric Garner, Samuel DuBose and countless others – we are seeing the perpetuation of old anti-black stereotypes, forged in the crucible of mass American art, reconfigured for our time.
Lee’s film traces a grim continuum between stereotypes old and new, connected by knotty skeins of institutional racism. Many critics at the time of the film’s release suggested that Lee had needlessly reopened old wounds; that the dark days of minstrelsy were comfortably behind us, and that we should move on. Yet Lee’s vision was not only necessary, it proved remarkably prescient. During the course of writing this book, I rewatched episodes of garish reality TV shows like Flavor of Love (2006-8), starring the clock-wearing rapper-cum-jester Flavor Flav, and The Real Housewives of Atlanta (2008-). I had to concede that Bamboozled’s nightmarish New Millennium Minstrel Show didn’t look so far-fetched after all. I sat gape-mouthed in front of Lee Daniels and Danny Strong’s musical soap opera Empire (2014-) – a wildly entertaining but exceedingly dubious carnival of black pathologies – and couldn’t help but wonder if it was the type of show that would get Bamboozled’s master-wigger network boss Dunwitty (Michael Rapaport) hot under the collar at proposal stage.
When, in October 2014, I saw footage of freshly signed rapper Bobby Shmurda literally dancing on a table in front of a group of executives, exactly like performer Manray (Savion Glover) does in Bamboozled, I began to wonder whether Lee was in fact a secret soothsayer. Not even he, however, could have predicted the transcendentally weird tale of Rachel Dolezal, the NAACP leader in Spokane, Washington, who was revealed to have been white, and posing as African American all along. At the time of the incident, many wags on social media suggested that Lee would be the ideal man to direct Bamboozled 2: The Rachel Dolezal Story.
Bamboozled’s shrewd commentary on the lack of behind-the-scenes diversity in mainstream entertainment is also especially relevant today. The presence of figures like Robin Thede – head writer on The Nightly Show With Larry Wilmore, and the first black woman to hold that position on a late-night network comedy show – and Shonda Rhimes, the powerful showrunner behind Grey’s Anatomy, Scandal and How To Get Away With Murder, is heartening. Yet a report released in March 2015 by the Writer’s Guild of America West revealed that minority writers accounted for just 13.7% of employment: a dismal statistic. Moreover, Rhimes’s success didn’t insulate her from being disrespectfully branded as an “Angry Black Woman” – that most pernicious of stereotypes – in a rancid, supposedly flattering article by Alessandra Stanley in the New York Times
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While most of us can cheer the incrementally increasing diversity on our film and television screens, Bamboozled forces us to question the quality and progressiveness of these roles. Ostensibly it’s great that talented actors such as Mo’Nique (Precious, 2009), Octavia Spencer (The Help, 2011) and Lupita Nyong’o (12 Years a Slave, 2013) are winning Oscars, but isn’t the shine taken off somewhat by the fact they were rewarded by the establishment for playing, respectively, a psychotic “welfare queen”, a neo-Mammy in a white savior period picture, and a chronically abused slave? Why don’t black women win Oscars for playing complex heroines or crotchety geniuses like their white male counterparts? Because old stereotypes die hard within an industry that prefers stasis over change. Perhaps even more disturbingly, there’s something inherently soothing about such stereotypes for mass audiences – a point particularly relevant to the wild popularity of Bamboozled’s own minstrel show.
And how far have we come, really? Ridley Scott cast a host of white actors (including a fake tan-enhanced Christian Bale and Joel Edgerton) in his Middle Eastern epic/flop Exodus: Gods and Kings (2014), but his response to complaints was both flippant, and distressingly matter-of-fact: “I can’t mount a film of this budget, where I have to rely on tax rebates in Spain, and say that my lead actor is Mohammad so-and-so from such-and-such. I’m just not going to get it financed. So the question doesn’t even come up.” The best riposte to Scott and his film came from independent black film-maker Terence Nance, who wrote that “[l]ike The Birth of a Nation before it, [Exodus] traffics in absurd cultural appropriation and brown-faced minstrel casting/makeup techniques to rewrite African history as European history, and in so doing propagates the idea that European cultural centrality is more important than historical fact and the ever-evolving self-image of African-descended people as it is influenced by popular representations of people of color in Western media distributed worldwide.”
Nance, however, is just one talented black film-maker among many (Dee Rees, Tina Mabry, Haile Gerima, Julie Dash, Barry Jenkins et al) who have struggled to attract funding to tell artistic and personal stories outside of the monolithic, corporate world of mainstream entertainment which Bamboozled so acidly depicts (even if it is set in the world of TV rather than film.) Lee has long been vocal about the struggles he’s faced in raising funds to tell black-focused stories, and even he had to go cap in hand to fans on Kickstarter to crowd-fund his idiosyncratic, low-budget vampire movie Da Sweet Blood of Jesus (2014). Da Sweet Blood is his most excessive, least easily readable work since Bamboozled, but it can’t match his earlier film for sheer visceral impact.
Bamboozled, then, is a genuine one-off, but I can detect traces of its relentless, irritable, questioning approach in a variety of contemporary art. I see it in Justin Simien’s excellent college-set satire Dear White People (2014), which was inspired by horrific, real-life blackface parties at universities across America. I see it in the antic situational comedy of Key & Peele, whose best sketch, musical spoof “Negrotown”, compresses the madness, pathos and insight of Lee’s film into four-and-a-half harrowingly hilarious minutes. I see it in Branden Jacobs-Jenkins thrillingly audacious play An Octoroon (2013), which reconfigures blackface tropes in daring ways. Most of all I see it coursing through the veins of Paul Beatty’s scabrous satirical novel The Sellout (2015), about a shiftless young black Angeleno who hatches a plot to reintroduce racial segregation, and takes an elderly slave – a disturbed former “pickaninny” star of Little Rascals films – while he’s at it. Like Lee’s film, it plays as a shotgun blast to the face of formal convention, it’s stubbornly resistant to a single concrete interpretation, and it has a lot of very painful things to say about America today.
ABC’s enjoyably gentle sitcom Black-ish (2014-), meanwhile, simultaneously echoes Delacroix’s crisis – with its premise of a middle-class black ad executive (Anthony Anderson) jockeying for position in a white corporate space – and feels like the kind of show Delacroix, free of Dunwitty’s pressure, might have concocted himself.
Lastly, I couldn’t help but think of Bamboozled while poring over Ta-Nehisi Coates’s epic essay in the Atlantic, The Case for Reparations, which uncovers, in forensic detail, the institutional plunder of black Americans from slavery to redlining to mass incarceration and its destructive impact on families. Coates’s fury is more controlled than Lee’s, but it’s equally sincere, and his essay shares with Bamboozled the central imperative to look directly into the heart of past racial sins in order to plot a productive way forward.
It is time, then, to take a close look at Bamboozled, which deserves to be respected as much more than a mid-career oddity in Lee’s filmography. It is a vital work that’s equal parts crystal ball and cannonball: glittering and prophetic, heavy and dangerous.
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anxiouspotatorants · 2 years
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Omg the Colin thing in season 6 is the most irresponsible thing his and Logan's friend group did, and they actually jumped off of a cliff with no proper support or safety precautions! Maybe it's because I'm from another country so I know how disorienting a new place can be even with knowing the language in it but the fact that a) NONE of the guys in the group were like "uh guys maybe we need to leave the girl be in her own country", b) none of them thought of what they would possibly do with her once she was in a foreign country to her that's the size of half a continent, and c) they were all annoyed and inconsiderate of her when it was clear that she didn't speak the language and didn't even know how to navigate in such a big place, just tells me everything I need to know for how they really behave. Like people can go on and on about how fun the LDB is but the show gives us numerous examples (even within the revival) that they truly would put another person's safety or even their own in jeopardy if it meant "having a good time" in the rich people's sense. Even the club scene in AYITL is so obnoxious because it's just a bunch of grown men annoying other attendees in the dance place and then being all "I'm buying the place so that you people can't get a piece of it!", like genuinely what an asshole
No but seriously when you are or have been a foreigner what Colin did goes from being a dark joke to downright horrifying. Not only did he drag her over to a country where she doesn't know the language, he flew her across the globe. It's not like he took her over to London, where she could always grab a one-hour-ish flight or even a train (because yes you can do that in Europe), he took her across the Atlantic Ocean to a country with some serious border control (no Schengen in the US) and then expected her to what? Hang out? Apparently this girl is a milkmaid who only speaks Dutch (which btw stereotype much) so I'm guessing she doesn't have the resources to book a flight back home or the ability to get a translator who can help her do it. Call me dramatic, but in a much much darker show this could have been a trafficking storyline.
The whole situation just really points out how Colin and the LDB not only don't care about anyone but themselves but genuinely view other people as sources of entertainment that they can push around however they want until they get bored and just ignore them. Like, did Colin think to maybe arrange for her to get home safely? Did the thought of telling him to, or to not let him take her to the US in the first place, even occur to Logan and Finn?
And these are the same people who hold a public party celebrating Rory's felony. The same people who apparently steal boats themselves all the time, and so much more. The same people who claim that a meticulously organized bungee-jumping event in ball gowns is somehow closer to real life than anything in Rory's life. The problem isn't them being rich people who have fun. It's that their idea of fun is doing literal harm to other people through theft and manipulation and almost kidnapping, all the while ignoring the incredibly expensive and important degree they got into Yale to actually work on and waiting for their parents to bail them out of jails and pay their university to keep them on for yet another year and spit in the face of higher education again.
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femsolid · 2 years
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“Some third wave commentary and theory does set up a caricatured portrayal of second wave feminism, which it can then use as some sort of ‘straw feminist’ to knock down and define itself clearly against. This defining process depends on presenting second wave feminism and radical feminism in particular as man-hating, humourless, ‘antisex’, prudish, racist, homophobic and transphobic; these common refrains continue and are so embedded in the public consciousness around feminism and feminists we hardly even need to spell them out. Such stereotypes enjoy huge popularity, despite the archives full of evidence which arguably exposes them as false, in an attempt to render ridiculous, fictional and laughable the valid and very real politics of separatism, the sexuality of lesbianism, and the principle of autonomous women-only organising, for example. 
What is arguably occurring, with some articulations of third wave feminism, therefore, is a rejection of the previous wave, rather than a replacement following a death by natural causes.
Many of the radical feminists I met in my research, and who I also work alongside every day, are younger feminists, or a new generation of feminists, they are often aged in their twenties and thirties, yet they reject the ‘new and improved’ version of feminism that they see attached to the term third wave, and instead position themselves very strongly with second wave feminism. For these women, their feminism is nothing to do with their age, and everything to do with their politics. 
Liberal feminism was seen by the activists I met as a weak and depoliticised version of feminism which asserts that power for women lies in their capacity to make choices, regardless of what those choices are, what influences may lie behind them, what environment they are made in or what consequences they may have. The activists I spoke to complained that practices they viewed as anti-feminist could be defended in the current climate as a woman’s choice, thus silencing any critique. This choice feminism does nothing to undermine a patriarchal status quo in which women, and younger women in particular, are called upon to define themselves as empowered neoliberal subjects through their consumer practices, or ‘choices’, in every sphere of life. These consumer practices too often, perhaps inevitably, maintain hegemonic heterosexualised femininity, even when they are practised by those identifying with alternative spaces and subcultures, such as those of third wave feminism. 
Mary, a 44-year-old charity director in London and an activist for over 20 years, articulated this suspicion, emphasising that choices are made in certain circumstances and should not be off the debating table for challenge or critique: 
Far be it for me to talk about such old fashioned ideas as false consciousness, but if you find that your choices are what the patriarchy would like you to say and do anyway, then surely that is up for debate. I’m not saying you shouldn’t do it, I’m just saying, surely, it’s up for challenge.
The influence of neoliberalism, plus the ramifications of an ongoing backlash against the gains of the Women Liberation Movement were also seen to have contributed to the development of this current version of feminism.”
-  Political Not Generational: getting real about the second wave by Finn Mackay
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oftimeslostlongago · 9 months
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welcome to london, WRITER BARBIE! did anyone ever tell you that you look just like ALEXANDRA SHIPP? well, no matter, we hear that you are UNKNOWN / LOOKS 32 and working as a WRITER/AUTHOR. we also hear that you currently HAVE your memories from BARBIE and have a tendency to be OPTIMISTIC as well as NAIVE. 
SPOILERS FOR BATBIE MOVIE UNDER THE CUT
Far away in Barbieland is where Barbie had always lived. She'd never known anything else and she was happy. She had her friends, she had her dream house, and she was a celebrated, award winning author, there was little else she could want. And then stereotypical Barbie got flat feet. She left for the real world to fix it, and Writer Barbie believed it would all be that simple. They didn't know Ken had gone too.
Ken returned, and with him came the patriarchy. Suddenly the Kens were in charge, and none of the Barbie's even realised what was happening. Weird Barbie had managed to get Writer Barbie into her house, but no matter what they tried, they couldn't break the brainwashing. That was until she heard Gloria speak about what being a woman was like, and she snapped out of it. They managed to get the other Barbie's united against them. Soon everything went back to the way it was, with a few improvements.
And then she woke up in the real world. She hasn't yet figured out why Barbie would ever want to stay here, but she is trying to be optimistic about it.
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princeoftheroses · 2 years
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16 17 18 19
16) how many books have you read this year?
so much 8, which is pretty low for me at this time of year. last year at least point i had already ready over twenty books haha... i'm not any more busy than i was last year (in fact i am less busy than i was less year) but i've just been more depressed/having more trouble starting books.
THAT SAID i am reading less books but i will say i have been reading a lot more good books. last year i feel like a lot of the books i had were bad or lackluster. and while not every book i have read this year is good, most of them are!!!
17) top 5 children's books?
hmmmmmmmmmmmmm
the chronicles of prydain series by lloyd alexander (i know this is 5 books but i'm counting it as one), ella enchanted by gail carson levine, and saffy's angel casson family by are pretty good. saffy's angel also has some sequels because it's a part of the casson family series, but i have mixed feelings on some of them so i'll just leave it at the first one. p.s. longer letter later & its sequel snail mail no more is also pretty good (epistolary novel my love). and OF COURSE. my ULTIMATE favorite children's novel.... anne of green gables by l.m. montgomery .... my childhood comfort book, one of my favorites... just a cute little autistic girl in late 19th century canada finding a family for the first time..........
also i know i already mentioned 5 novels but the giver quartet by lois lowry is pretty solid. well. the first two books in the quartet are, the third is all build up and no good pay-off and the finale is literally one of the worst novels i've ever read, but the first two are solid !!!!!
18) do you like historical books? which time period?
yeah sure i like historical books. i don't have any specific time period i like, i would read anything set in any time period and country as long as it's good. i'm kind of sick of victorian england, tho, but if a book was really good i would forgive it for it.
19) most disliked popular books.
oh god, where do i begin?
recently i read the seven husbands of evelyn hugo by taylor reid and it was literally so disappointing. everybody kept saying how good it was but it really was not. it was so obvious that the author was white. while it was a page-turner, the plot was pretty bad and none of the characters felt real, they were all so badly written. i thought the main love interest was such a horrible, insecure, obnoxious person, but the narrator KEPT fucking tell me how good she was when she really was not. i also thought it played into a lot of stereotypes of bisexual and lesbian people, whether evelyn "refuted" it or not.
everybody who knows me knows how much i hated the shades of magic trilogy by v.e. schwab when i read it. granted, i read it back in 11th grade, but it really made an impression on me. the plot/pacing was so, SO atrocious, wasting so much time on nonsense yet rushing the important bits. a waste of potential on all interesting concepts and characters (heck, the whole main plot concept of multiple londons was a wasted potential that never got to do anything) and the main protagonist lila was so so annoying. i don't usually the terms "mary sue" and "not like other girls" bc i feel like they're overused terms and there are more productive criticisms you can make, but "mary sue" and "not like other girls" is literally ALL lila is and she is so, SO, SOOOOOO fucking annoying and also so white!!! the "diversity" felt like the white author wanted to get points for being so woke or whatever. i think there are more books in this series now but i am still sick of it.
simon vs. the homo sapiens agenda by becky albertalli (the book love simon was based off of) was also really bad. the narrator is such a white asshole. i do understand and feel bad for his struggles as being closed and being forced out of the closet when he wasn't ready for it, but he is just so obnoxious white. he acts like nobody in the world can be more oppressed than him. and even when people go out of their way to support and help him, he still treats them like shit. he treated almost everybody in his life awfully, from his best friend leah to his sister. he is also causally biphobic at a point in the book. his best friend leah was also a fujoshi i believe - or at least, she said she really likes yaoi multiples times and that was really uncomfortable. the ending tries to make it like "wow we shouldn't assume everybody is white" when i'm like "idk i didn't assume everybody was white simon, that was all you, you're kind of assuming the whole audience is white" and it made him even more unlikable.
honorable mentions for bad popular books - the gilded wolves by roshani chokshi, the bone witch by rin chupeco, artistotle and dante discover the secrets of the universe by benjamin alire saenz
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violet-knox · 3 years
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1 I would love to request a story for you if it´s still fine to do it, my request is a smut story with a quiet virgin female reader who is popular with opposite gender mostly because of her attractive physical appareance and for that when she confess that she have a romantic interested in him. He thinks is a lie or a joke to hurt him somehow but when she insist that her feelings are honest and she is willing to do anything.
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Beauty’s Curse
Pairing: Young!Snape x Half-Veela!Reader
Summary: As Valentine’s day quickly approaches, you find yourself surrounded by more and more people asking to be yours, but you have your eye on someone else.
Warnings: (SPOILERS) Spiked drink, manipulation
Word Count: 6679
A/N: To be honest, I was a bit hesitant with this request because I knew it would be a rather big challenge. I didn’t want to write anything superficial or cliche, but I thought this would be a great opportunity to break the stereotype of “that pretty mean girl” and show that no one should be judged on their looks, even those who are considered attractive. 
I took inspiration from a situation I found myself in more or less recently, so please do read the warnings before reading this even though they are crossed out unless you really don’t want spoilers. 
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Nearly six years had passed and the comments from your peers had never once eased. Valentine’s day had become your least favourite holiday from the never-ending line of people asking you to be their Valentine, each year worse than the last as your popularity increased. You knew it wasn’t their fault, not entirely. You were half Veela after all, something you never dare tell a soul. Rumours went around in your fourth year when you hit puberty, an invisible glow seeming to surround you as you walked down the hall, heads turning as they ogled you in amazement. ‘It was a gift’ your mother would always tell you, but you could never see it that way, especially after you’d agreed to go out with that boy a few years above you last year, finding out his charm only extended so far until his true colours showed. Since then, you’d done everything you could to contain your influence over those who yearned for you, knowing you’d never know true love if the man you ended up with only did so from his inability to resist you. 
You wanted to know what love really felt like, real love not the admiration the Slytherin boys chatting you up now were showing. It irked you how they’d suddenly surrounded you like this, three of them, all taller than you, all of whom were doing their best to impress you. One spoke of his father’s status at the Ministry of Magic, offering to take you anywhere you liked on Valentine’s day. Another tried to persuade you with the offer of visiting his mother’s shop in Westminster; the most luxurious dress shop in all of London he claimed, anything you wanted his mother could have you fitted for. The last boy had the nerve to try and hand over a necklace with the most amount of diamonds you’d ever seen, saying he���d offer you anything you liked if you agreed to be his Valentine. You had to hold yourself back from rolling your eyes, the necklace barely managing to snap your attention back to them as your eyes instead wandered to the end of the hall where you saw another Slytherin sitting on the ledge of a window with his nose in a book. 
You could still remember back when that was you sitting alone somewhere in the castle in your first year, everyone passing you by like you didn’t exist, your own nose shoved in the tenth book you’d been reading that week. Of course, that part never changed, you were a proud bookworm, one who’d much rather spend the evening diving into the pages of a good book than surrounded by people gawking at you. The only difference now was it was much harder to find a place where you’d be uninterrupted, but you always found a way, a small corner in this giant castle to call your own and escape the real world if not for a short moment. 
“Sorry, but I can’t be any of your Valentines.” You spewed a quick apology to the Slytherin’s and pushed passed them, only to watch the boy you’d been intrigued by slam his book shut and dramatically swift away down the stairs. 
He’d seen enough, the necklace turning his stomach into knots as he thought about the stupid bet they made before walking over to you, how they each thought they could buy you over with some luxury he could never afford to have. They didn’t even acknowledge his presence as they spoke, didn’t even bother to notice he’d hung back, that he stood by to watch them get rejected by the person who’d been known to reject everyone since first year. You seemed so kind and of course, it probably helped that you were a Hufflepuff, helped your ruse of being everyone’s friend, but he saw through you. He was the only one that did just as he was the only one to see through Potter. Everyone who was popular with the entire school had a dark side, he knew it, even if he hadn’t seen yours. 
“Severus!” He turned around in surprise as he heard his name called out, unable to recognize the voice. His expression immediately turned sour when he realized it was you who’d run after him, calling his name to get his attention. He turned around and began walking away, one hand holding his books tightly as the other formed a tight fist. “Severus, wait!”
You were almost surprised to see someone so bluntly ignore you, shun you like you were nothing and you knew it was an act of dislike towards you, the way he looked at you making it very clear he did not want to speak with you. Yet you couldn’t help but yearn over him all the more. The only person in the entire school that seemed to see you as just another student, the only person who didn’t look at you like you’d blessed the very ground you walked on and he wouldn’t even give you a moment to speak.
“Severus,” you tried again, finally catching up to him as you placed your hand over his shoulder, Severus nearly twisting your wrist as he spun around, acting like your hand had burned the spot where you’d touched him. “I was just wondering, if you’d perhaps like to go out sometime?”
“What?” Severus rose his brow, wondering if he’d heard you correctly. It almost sounded as if you were asking him out, you, the person everyone in his life compared to perfection, the beauty of an angel, kindness comparable to no one else’s. You who’d chatted with the entire school, made friends with everyone, enemies with no one, would choose him?
“It-it doesn’t have to be a date if you don’t want it to be. But I just thought, well I thought it would be nice to have a chat with you some time,” you said, feeling the heat rise to your face as you tried to ease the tension. Severus' expression only darkened with annoyance as his suspicion of you grew. 
“Did Avery put you up to this? Nott? Or Potter?” he blurted out. He couldn’t believe you thought he’d fall for such an obvious ruse. That he’d be desperate enough to accept your deceptive invitation, and when he found out who it was that plotted this interaction, he was going to make sure they never tried something like this again.
“N-no! Why would you say that?” You looked at him with shock, your heart sinking as you felt yourself nearly knock yourself over as you hit that defensive wall he had built around himself. You knew he wasn’t exactly liked by the other students, that he had a much tougher time than he deserved, but you’d never imagined him reacting like this when you finally built up the courage to ask him out. 
“I’m not falling for this,” Severus shook his head as he dismissed your advancements. He turned around and resumed walking down the stairs, leaving you to your own failure though he wasn’t surprised to see you running after him.
“Severus wait!”
“Tell whoever sent you to piss off!” He brushed you off without stopping. Reaching the ground floor, he continued to walk towards the Entrance Hall without so much as glancing your way.
“Severus no one sent me, I swear,” you tried to make him see reason, to show him you were being genuine, but as he spun back around, his hair turning dramatically with him as his strands quickly settled back into place, framing the annoyed look on his face, you could tell he wasn’t willing to let his guard down for even a moment and consider your intentions to be pure. 
“Really? Then why?” His words came out more as demands rather than a question, but you wouldn’t let it scare you away. You didn’t want to give up the one chance you had at a genuine relationship with someone who saw you as more than just a pretty face. 
“Why what?”
“Why in Merlin’s name would you ask me out when you already have the entire school ready to put their heads on the chopping block just for a moment with you?” His tone made you wonder if he was asking the question out of curiosity for your answer or if he’d already made up his mind, that no matter what you said he wouldn’t believe you anyways. You had half a mind to walk away, telling yourself you deserved better, but this was what you wanted wasn’t it? Not to be run after, try to be bought over in some way? You wanted someone to go out with you and love you for who you were, to resist the natural attraction of your Veela DNA.
“Because you’re brilliant and love to read. Because you aren’t like everyone else. Because you make me feel normal.” You poured your heart out to Severus only to have him scoff in your face, rolling his eyes, clearly finding your words less than truthful. You’d never admit it of course, but you did, in a way, lie. You’d admired him for so long now. All you saw was his good sides, but you couldn’t bring yourself to admit such a thing. “Please, Severus, give me a chance.”
Severus stared at you a moment, surprising himself as he actually debated your plea. He wanted nothing more than to believe you, to believe someone would be interested in him in the way you claimed. But it was you. How could he believe the most wanted person in the entire school would choose the most hated? He wanted to get the truth out of you, to embarrass you when you admitted to your real intentions and perhaps that’s exactly what he should do. Perhaps he could get you to blurt out the name of the imbecile that would soon regret trying to mess with him like this.
“Fine. There’s a Hogsmeade trip this weekend. I suppose I can spare a few hours with you.” He agreed to your invitation as he made plans of his own, immediately setting off to the dungeons when you smiled and nodded. You looked almost relieved that he’d finally accepted, almost like you had some other agenda and of course, he’d find out one way or the other. He was tired of the harassment, the humiliation from everyone in this school, tainting it with their insolence and stupidity. This was his home, the one place in the entire world where he could belong, and he wouldn’t let anyone push him around any longer. 
This was the last straw. He was going to make an example out of you and whoever it was pulling your strings. He’d make the entire school regret making him out as a punishing bag, a joke for everyone to laugh at. What more could he lose? His best friend had already abandoned him, his Slytherin peers eager to do the same, only ever defending him out of obligation for their own house. He had no one, nothing to care for except his own reputation. He’d come to Hogwarts wanting to make something of himself, to build himself a future better suited for a Prince than a Snape and that’s what he was going to do one way or the other. 
He made his way to his dorm first, retrieving the stash of potion ingredients he hid under his bed and cross referenced what he needed from the notes he’d taken in the back of his Advanced Potion Making textbook. He had nearly everything he needed, but he knew he could get the rest from the potion’s cupboard before Potion’s class today. It would take some time to brew and he’d probably have to stay up tonight, but he knew he could finish it just in time for his ‘date’ with you. 
 You’d spent all week excited for the weekend. Every day you woke up with a smile until finally the day of the Hogsmeade trip arrived. You were the first to wake, preparing for the day as your nerves grew, your friends questioning why you seemed so happy all of a sudden, but you brushed them all off. You didn’t want anything to ruin this day, knowing they’d laugh if you told them you were going out with Severus. You just wanted to enjoy your date, to be left alone and show Severus there was someone in this school who would love nothing more than to spend every second of the day with him. 
Naturally you’d show up early and of course you were prepared. You sat at a nearby bench with your nose in a book as you usually were when you were alone and despite the crowd that grew with every second that past, Severus had no trouble finding you, rather surprised you weren’t surrounded by people all laughing, waiting to see what would come of your plan to humiliate him today. You were reading Magical Theory, one of the most boring books he’d found in all of Hogwarts’ library, yet there you were, enticed by every word, flipping the pages like you couldn’t go another second without reading. 
“H-hello,” he said, startling you as you shot your attention up from your book to him. He felt his heart racing, his nerves escalating like this was a real date. But it wasn’t, it couldn’t be. He was here for one reason and one reason only; the truth. He shouldn’t be feeling guilty for something he had yet to do, but he did. A sliver of him didn’t want to hurt you, instead hoping that this was real, that you were here because you were genuinely interested in him, but he knew better. How could someone as popular, as liked and as beautiful as you be interested in him?
“Severus, I’m glad you showed.” You gave him the widest smile he’d ever seen anyone give him as you closed your book and stood up.
“I said I would didn’t I?” Severus rose a brow at you, taken back by the enthusiasm in your tone. 
“Yes, but you seemed reluctant the other day.” Truth be told, you half expected to spend the day alone in absolute despair trying to distract yourself in that book as you pretended like you weren’t hurt from being stood up. But he came and he seemed much less defensive than before. 
“Shall we?” He gestured to the group of students making their way down to Hogsmeade. You nodded your head and happily joined him as you walked side by side amongst the crowd. Severus was already suspicious of you and your intentions knowing if he was alone, he would have been called ‘Snivellus’ at least once by now. He felt shielded around you, like no one could touch him and for a moment, he was relieved to feel normal for once. 
“I loved your presentation in Defense last week,” you commented, hoping some light conversation would help ease the mood before you found a place to settle for the day. Severus glared at you in surprise, wondering if you were trying to butter him up or if you had actually paid attention during class unlike the rest of his useless classmates.
“Really? What did you like about it?” Severus questioned your honesty, wondering if he could catch you in a lie before your ‘date’ even started.
“I love how in-depth your research was on cursed objects and your theory of their origin was intriguing,” you said with a smile, holding back your enthusiasm in fear of scaring him away. But you couldn’t help it, you admired Severus and how brilliant he was. You felt the heat rise to your face as you thought about the first time you saw him with his nose in a book, the first time you’d ever found yourself pulled away from your own book. “I noticed you like to hang around the Defense section of the library, is it your favourite subject?”
“You’ve been spying on me?” Your question had the opposite effect that you wanted as you saw his wall rebuild itself around him thicker than before. But you’d never give up knocking and asking him to let you in, to give you a chance and show him he could trust you. 
“N-no, I like to hide in the library at times and I just noticed you were a regular as well,” you said, but you could tell Severus wasn’t convinced. He could almost see the crack in your claims, trying to cover them with some made up weak lie. 
“Why have I never seen you in the library?” The interrogation continued, Severus seeing his victory in his line of sight. He had you cornered and was ready to end the day now when you admitted your true intentions. A smirk began to grow on his face as he thought of the victory at the end of his fingertips. He could almost see the horrific look on the face of whoever is to blame for this day. 
“Pince lets me sit on the second floor overlooking the library, it’s only meant for staff, but she noticed my inability to have a moment to myself and rescued me one day from another mob of people looking to make conversation with me.” 
“That’s kind of her,” he said, gritting his teeth as you slipped away from him, freeing yourself from his near grasp. His lips stretched into a frown as his revenge faded away. The longer he spoke with you the more his hope that this was real grew. You surprised him with your lack of self-absorbent qualities and your interest in what the Hogwarts library had to offer. He never imagined having so much in common with someone with your popularity, always assuming you’d be a lot more like Potter than himself. 
He looked over at you as you nodded, your smile enriching the twinkle in your eye as you gleamed at him with joy. You were so happy to speak with him, to have a casual and light conversation, to share things with him you’d never shared with anyone before. It felt good to open up a bit, to show that other side of you that stayed hidden away when you spoke to your friends or classmates. It was almost freeing, and you only hoped with time, Severus could feel the same with you.
“So, where should we go?” You asked, unsure of what his favourite places at Hogsmeade was. He didn’t seem the type to enjoy a trip to Honeydukes and you knew he didn’t have enough money for the bookstore. 
“We could grab a table at The Three Broomsticks?” Severus suggested as he gestured towards the pub. You nodded your head and made your way over, opening the door and began to make your way to the first empty table you saw. You smiled when Severus pulled on your arm and pointed to the booth in the back instead. He was always such a loner, though you couldn’t help but wonder if he preferred the seclusion now because he didn’t want to be seen with you. You wouldn’t blame him for being skeptical and you were thankful he was giving you a chance, but trust was so important in a relationship and you didn’t want to start it off with an inability to trust one another. 
“Go ahead, I’ll grab us some drinks.” You nodded and made your way to the booth, making yourself comfortable as Severus walked over to the bar. As you slide to the middle of the booth, you began to appreciate Severus' choice in seating, realizing how well hidden you were from everyone, not wanting your day interrupted by someone who thought Severus had kidnapped you and forced you into a date because they thought someone like you shouldn’t be out with someone like him. 
Severus didn’t take long to bring you your drinks, setting them down before shuffling into the booth beside you, grabbing his drink and taking a few gulps. His nerves had finally settled in and he almost wished he’d ordered something stronger for himself. The moment of truth had nearly come and at any moment now he’d get what he came here for, but he was afraid. He feared what the truth may bring him, that if by some small chance you were being honest before, he was about to ruin a love that could have been.
“Thank you,” you said as you reached for your own drink and took a sip. “Not just for the drink, but for giving me a chance as well.”
Severus gulped down the guilt that grew in his chest. There was no going back now. He had to find out the truth, even if you seemed genuine with your feelings towards him. “I was curious to know why you’d want to go out with me.”
He dipped his toes in the water as you both continued to enjoy your drinks and as he hoped, you began to open up to him, though perhaps not in the way he would have thought. “I’ve admired you for quite some time and have been trying to build up the courage to talk to you for a while.”
You put your drink down in shock by your sudden outburst of words. You hadn’t meant to say all that, even if it was on the tip of your tongue. Furrowing your brows, you pressed your lips together, unsure of how you’d lost control so suddenly. You felt like someone was pulling your strings, like they had slapped you on the back so hard, the words just flew out of your mouth. “I’m sorry, I didn’t mean to say all that.”
Severus narrowed his eyes at you, doubting his own abilities and wondered how this could possibly be. He was so sure this was a trick, that you were being deceitful, put up by someone else to embarrass him, but your truth was far from what he was expecting. You were real, you were interested in him, and he’d made a terrible mistake. “S-so no one put you up to asking me out?”
“No of course not. You’re the only person I’ve ever met I felt like I could truly fall in lo-” You clapped your hands over your mouth before you could say anymore. Your eyes widened as you bit down on your tongue, muffling the words you could not believe were about to be heard by him. You looked at him in fear, feeling completely helpless. Your freewill had been stripped away from you and you found yourself unable to control what came out of your mouth. “W-what’s going on?!”
“I-I’m so sorry (Y/N). This was not how I imagined things would go,” he said, his sympathetic tone making it harder for you to stay calm as your heart pounded angrily against your chest. Every fiber in your body told you something was wrong, that you should run, but you couldn’t, you didn’t want to. You’d waited so long to be here, to be in this moment alone with Severus, you didn’t want it ruined.
“What are you talking about?” You let yourself speak just enough to ask for clarification, to give Severus the chance to explain himself, to give you the explanation you needed to stay here with him. 
“I-I slipped Veritaserum into your drink. I thought I could get you to admit this was a trick. I didn’t expect this. I’m so sorry.” You looked at him with absolute horror, your heart breaking into a million pieces as his betrayal sunk in. He’d manipulated you, used you like a puppet when you’d done nothing but open yourself up to him. You’d trusted him like you’d done with no one before, and he tossed that away like it meant nothing. Your eyes swelled with tears, unable to look at him any longer. Your legs immediately swept you from your seat as you glued your mouth shut, trying to escape the prison Severus had trapped you in
“(Y/N) wait!” Severus cried after you in desperation, unable to believe how he’d messed up something he could only dream of having. You were an angel that anyone would have felt lucky to be with and he was the demon you’d chose instead. The demon who’d scared you away from love, from happiness, from a good and honest relationship. He tried to grab your wrist, but his hand failed to hold onto you as your skin, your oh so perfect skin grazed his fingertips. You ran out the door with tears dripping down your face and a hand over your mouth, leaving him deserted. His eyes followed you until you were no longer within his line of sight, running to get as far away from the monster who’d broken your trust, your faith in him. 
Slumping back in his seat, he stared blankly at his hands, the hands that had spent all week brewing a potion that was meant to bring him peace, a sense of power and control over his own life, yet it brought him nothing but an empty heart and crushed aspirations. Your words rang in his ears, the kind tone you took with him, the loving look you gave him all sinking in much differently now that he knew for certain they were real. He looked up at the drink that had ruined his second chance, the chance at a happy life, a life where he no longer had to be alone and swung his arm at it in anger.
The pub fell silent as glass shattered, the drink spilling all over the floor as Severus pushed himself up and began storming out the door, ignoring the calls of the angry bartender who stood over the mess he’d made. Severus ran in the same direction he’d seen you head, but found no sight of you. He had no idea what he’d say or why he so suddenly ran after you without thinking. He just knew he had to find you. He couldn’t give up on the miracle he’d been asking for all his life, someone who truly cared for him, who liked him for who he was and could look past his flaws.  
He looked around and found himself in a lost haze, unsure of what to do next. You were gone, vanished like a figment of his imagination and he was left here to wonder how he’d managed to get so lucky to have the one person the entire school was after fall for him. He looked back at the road back to Hogwarts before he found his legs suddenly jolting him forward as if his body knew exactly where to go. He couldn’t understand what was happening, how he felt like he had no control over himself. His mind was cycling as it tried to comprehend what was happening, how he could be driven on nothing but emotions, his feelings for you pushing him to run as fast as he could back to the castle and up those flights of stairs. 
By the time he got to his destination, his hair was sticking to the sides of his face, his lungs gasping for air as he felt his entire body heat up. His heart pounded angrily against his chest, shouting at him to keep going, that he wasn’t done until he’d found you, but he’d never run so much in his life, never felt so unable to breath, even after the massive panic attrack he had the night after the Whomping Willow incident. 
Looking around the library, he found his way to the door he knew only staff were allowed to open. His hand bolted for the doorknob, tugging on it to find it locked. Pulling out his wand, he tried to unlock it with no luck. His fists pounded on the door in frustration, he needed to get in there, he knew you were in there, he could feel it. You’d trusted him enough to tell him about this place and as much as he was aware you didn’t want to see him, he needed to see you. “(Y/N)! (Y/N)! Please open the door! I’m sorry! I didn’t mean for this to happen. I didn’t think- I didn’t know!”
Severus hung his head low as he pressed himself to the door. This was as close to you as he knew he’d ever get again. He’d ruined any chance of a relationship with you and you were right to hide away from him. He was destructive, ruining anything he touched, anyone who spoke with him or dare come near him and perhaps that was why Potter felt the need to hex and curse him every time they saw one another. He couldn’t let it go on, he had to try and mend things, if not to at least make up for what he’d done.
“Please, at least let me undo what I’ve done. I can cure you and if you don’t want to hear what I have to say then I’ll leave. But please let me fix this.” Severus shut his eyes, tears threatening to fall as his forehead met the door. He stood there in silence, wondering if he’d hurt you so bad you’d abandoned the one place you felt safe in this school, if he’d done to you what Potter had to him. He’d become what he hated and was about ready to retreat to his dorm when he heard the doorknob turning, the door slowly opening as he took a step back, his eyes wide as he wiped away the tears that rolled down his cheeks. 
Your eyes met his and you felt your disappointment melt into anger. Your jaw hardened as you locked your teeth together, doing everything you could to keep from speaking another word to Severus. You watched him snap out of your gaze and begin to fumble with his robes, pulling out a small stone and presenting it to you. You stared down at it confused, wondering what kind of apology this was meant to be. 
“It’s a bezoar. I know it’s not the most comfortable solution, but it’s all I have,” Severus offered it to you, hoping you’d take it, that he could try and regain your trust once again. He held out hope as he watched your posture relax the slightest bit, your hand hesitantly reaching for the stone. He wouldn’t dare speak a word or move a muscle until you indicated what it was you wished of him next. From this moment forward, he would do nothing you didn’t ask for, say nothing you didn’t demand. 
Tossing the stone into your mouth, you swallowed hard and groaned at the feeling of its rough texture travelling down your throat. You heaved for air, but for the first time since you ran out of The Three Broomsticks, you found yourself able to relax your jaw, your fear of spilling your guts disappearing. Straightening your back, you looked at Severus who seemed unable to move or breath, waiting for your command to do so as his wide eyes stared desperately into yours. You’d never felt so conflicted, your feelings for him clouding your instinct to slap him for what he’d done to you. You never felt so humiliated, so used in your life. Severus had gone from the person who’d treated you like a normal human being to the one person in your life who’d hurt you worse than you ever thought you could be hurt. But you still couldn’t find it in you to shove him away and lock him out of your life. So instead, you closed the door behind you and stood your ground with your arms crossed, waiting for Severus to explain himself. 
“I-I’m so sorry.” He nearly choked on his words as they came out when he saw the look on your face, the frown you wore. No word would ever be large enough to truly depict how he felt right now and as much as he wanted to say more, all he could do was apologize.
“You already said that,” you mumbled in a whisper, speaking against your own trauma from the truth serum that Severus had given you. He looked so sincere, so desperate for your forgiveness. You’d never seen him like this before, clawing at someone else for something only they could give. He’d always been such a strong person even if others would disagree. He wasn’t presumptuous as he was proud of himself and his achievements, but the person who stood before you now had no pride left to show. He had nothing but regret and torment in his eyes.
“And I can never say it enough. I should never have put that potion in your drink and I wish I could take it back. I didn’t think you were being genuine. I was so sure you were lying to me.” He spoke honestly, hoping you’d have faith he was being truthful with every word he spoke, that you could at least put the trust in him he failed to put in you. 
“Why?” You couldn’t let go of the sheer stupidity of what he’d done. His reasoning didn’t make the slightest bit of sense to you, and if you could understand why he did it, maybe you could begin to forgive him.
“Why? Because you’re you and I’m me and why would I ever believe you of all people would be interested in me?” Severus went on as if the question was an absurd one to ask, the answer so obvious, even a house elf could see it. He wondered how you couldn’t see his hesitation, why you’d ever think he’d simply accept the fact you were interested in him.
“Because I said that I did!” you said bluntly, rather offended he questioned your intentions at all. Never had anyone second guessed you to this extreme before and you didn’t appreciate it in the slightest.
“I know, I just-”
“Didn’t trust my word?” You looked completely heart broken, more so then when you realized he’d slipped truth serum into your drink. He could see trust was something you cherished between those you let close to you and he’d completely ruined his chance at gaining it from you.
“No, I didn’t. I couldn’t. Not after the way the school decided to brand me all those years ago.” Severus had no hope of convincing you what he did was justifiable because even he knew it wasn’t. All he could hope for was for you to understand his hesitation, to understand why he had to do something when you approached him to see if you were genuine in your intentions.
“I’ve never treated you that way,” you retorted.
“I know. I’m sorry and I’ll understand if you’ll never want to speak with me again.” He put the ball in your court, completely at your mercy. Whatever it was you decided to do, he would respect it, but every inch of him begged you to give him another chance, to let him have a proper opportunity to have someone in his life that would care for him, to have a happy ending. But as Severus stared into your blank eyes, he could tell he hadn’t swayed you in any way. It was his fault and as he had nothing more to say, all he could do was turn around to walk away from everything that could have been.
“That’s it?” Severus stopped as you called after him, turning around in surprise as he stared at you blankly. 
“What do you mean?”
“I mean, you’re just going to walk away? You’re not going to try and fight? For-for this?” You gestured between yourselves with a sliver of hope in your eyes. You knew you shouldn’t have expected much from him, but a part of you hoped he’d be a little more resilient to giving up on you, especially after all that time you’d spent admiring him from afar. 
“I-I didn’t think there was anything to fight for,” he said truthfully, looking at you with wide eyes as he walked back to you. He stared at you intently, trying to read you, to figure you out with all these mysteries surrounding you. How could someone so beautiful fall for him, want to be with him enough you’d be willing to give him a chance at redemption when his own best friend wouldn’t give him such a thing?
You took a step forward, wanting so badly to have all those talks with him you’d dreamed of having, to enjoy spending time with him if not to simply read together and find comfort in each other's company. You wanted to go back and give him a chance to redo the evening, to have it end much differently than yours and if it were anyone else, you would never have given him the chance to explain himself. But it wasn’t someone else, it was him. It was the one person in this whole world who you thought could break your curse, who seemed immune to it.
“Severus, why don’t you treat me like everyone else in this school?”
Severus stood in silence a moment as he thought back to how easily everyone worshipped the ground you walked on, how you always seemed to have a trail of people behind you, admiring you for no reason other than your looks. His thoughts wandered to Lily and how Potter seemed just as enchanted with her as the rest of the school did to you, how he’d only become intrigued with Lily after finding out she was a kind witch who lived in Cokeworth.
“I just-I suppose I just never thought of you in that way because I didn’t know you, and I never thought you’d be interested in knowing me.” Severus tried to be as honest as he could, watching you with hope. He held onto the fact you hadn’t run away, that you’d given him the chance to speak, to hear him and understand him. You were so kind, nothing like he would have ever imagined and he knew if he was ever so lucky as to get a second chance with you, he would never take it for granted again.
“Well, I am,” you said with a smile. You’d always been rather talented at reading people after the absurdity you’d seen from others, and Severus had truly wanted to make amends. You prayed your faith in him wasn’t misplaced, that he meant every word he said and that he saw what you saw. “If you are.”
“I am.” The words flew out of his mouth faster than he could process. He jumped at the chance you offered, beyond excited for the happy life he saw ahead of him. “Would you perhaps like to try again?” 
You nodded your head eagerly, excited for your do-over date. You almost wanted to forget what had happened today, to approach things with him from a fresh perspective. “Valentine’s day is coming up. Would you care to share a cup of tea with me at Madam Puddifoot’s tea shop?”
“Really?” Severus couldn’t believe how kind hearted you were, how willing you were to see the good in others and how tremendously lucky he was to have found you, or more accurately, have you find him. 
“So long as I’m buying this time,” you nodded with a laugh, eliciting a smile from Severus as you began making your way out of the library. You smiled as you finally got to see the real him, the person you grew infatuated with, the boy who you saw hope for love with. For the first time in your life, you felt content, excited for the spark you felt growing inside your heart. You could experience love for the first time in your life, real, pure love and you couldn’t wait to see what more it had in store for you.
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The Magical Word of JKR
In this post, I want to point out all the inconsistencies of the world that JKR has created. Some of us had been worshiping her for so long. But JKR made mistakes, not only outside her world, but inside.
Owls for muggleborns. Sending a letter through an owl seems to be something common in The Wizarding World. But why do children with a muggle background need to go back in time and use them when they could use a phone? Why can't students use any muggle technology? I know wizards are anti muggle and magic does not allow these devices to function at Hogwarts, but why not?
Drunk portraits. How could portraits get drunk? Did artists paint vessels and digestive systems for them too? How can they bleed? They are portraits with voices and personality based on real people yeah. But they are not alive. They don’t bleed or get drunk.
The trace. Wizards under 17 aren’t supposed to do magic outside Hogwarts. But The Ministry doesn’t seem to control this by which wand did it. But by location. Since Dobby did magic in the Chamber of Secrets, and they blamed Harry for it. So, what happens with pureblood kids? They are allowed to use magic outside school because their families are supposed to, so they wouldn’t trace them. So it seems unfair for muggleborns not to be able to practice magic. Since they are the only members of their family that would do it.
Hogwarts being the only school. There is only one school in all Britain for magical people. Yet there seems to be very few students when there should be a lot. And it doesn’t make sense that Hogwarts is the only choice. Or Hogwarts, or homeschooling.
I don’t understand the population of Magical Folks. It seems little because most of the wizarding families are known. There are only 28 pureblood famous families. They even practise inbreeding, they are all related. But why is that, if the wizard gene is dominant? There are more half bloods and muggleborns than squibs. So the magical population should be as large as the muggle one, even more.
Hogwarts Houses are cool. But the way kids are sorted doesn’t make sense. They get sorted when they are eleven. Seems pretty young to me to form traits and criteria that might change as they grow. Also, let’s say 100 kids enter Hogwarts one year. They won’t be sorted equally 25/25/25/25. Because according to personalities and traits, there could be 60 Gryffindors and 10 Ravenclaws, and 4 Slyhterins, and 25 Hufflepuffs. What if one year, there are no Slytherins for example?
Also, sharing a dorm, common room and classes with people from your same house (same personality and traits) seems boring and unhealthy. Having friends with different personalities, traits and beliefs should help you grow and mature. Sometimes friendships are built between two opposite people. And separating houses, forces students to just hang out with people from their houses, not others.
Love potions. These are the wizarding equivalent of drugs. Think about it. Forcing someone to show love for you is very much like drugging someone and forcing them to do stuff against their will. Love potions can permit things like raping. Something that happened to Tom Sr. by Merope. It is horrible. Yet the wizarding world permits their selling and consumption without a problem. And what’s worse, they teach how to brew it in school to children! A potion like that shouldn’t be allowed or taught.
Azkaban being the only punishment. It seems whether you are a dangerous criminal like a mass murderer or just someone that stole something once, you get the same punishment. Azkaban. An inhumane place where dementors live, and make prisoners go insane, live their worst nightmares or suck their soul. Even characters who were under the imperius curse like Stanley Shunpike. Or even The Marauders would’ve gone to Azkaban if their animagus secret was discovered. No matter what your crime is, always the worst punishment: Azkaban.
Wizards hiding from muggles. The Statue of Secrecy in the Wizarding World seems to be important. But I may ask, how can wizards hide from muggles if they don’t know anything about them? Pureblood Wizards don’t have a clue how muggles live, behave, dress, talk. Not even Arthur Weasley who works in that Department. Yet they want to be unnoticed by muggles? For example, each time a wizard dresses like a muggle they do it wrong, using colorful clothes. Wouldn’t it be suspicious? Like even Vernon sees people in cloaks in book 1, celebrating. Also, if there are a lot of muggleborns, shouldn’t more muggles know about wizards?
It is totally inhumane to just obliviate muggles each time they see something. That spell should have some consequences in their brains. Like for example, Hermione’s parents must’ve had mayhem after their minds were modified.
Memories in pensieves are not supposed to be accurate. Memories are from our point of view. From the perspective of people who lived that memory. When Harry sees Snape’s memories or Bob Ogden’s memories, they seem to be clear. Harry can see Bob and Snape in those memories when they should be seen through their eyes, they are their memories. How could Snape remember himself, see himself. You get my point? Also, memories are subjective, not objective. We remember what impacted us the most, we forget about details we don’t care about. There are feelings involved.
Not having another education after Hogwarts. You graduate from Hogwarts at eighteen. Eighteen! And you're supposed to have figured out what you want to do for the rest of your life. Why aren’t there Wizard Universities? Wizards only have 7 years of education and that’s all. Nothing before, nothing after (unless you’re muggleborn). Seems that the wizard community doesn’t care about education that much. With only seven years of education, are you suddenly prepared for the rest of your life? I don’t think so.
Adding to the last point, wizards only teach about magic. What about math, wouldn’t they need it to count their money, or take care of their finances? What about English, spelling, grammar? Not every kid had the privilege to be homeschooled by their parents before. What about Sex Ed? I think it is important for teens that age to be careful with their sex lives.
Quidditch being the only sport in the wizarding world. Quidditch is cool, I get it. But it is not for everyone. Seems that if you want to be a sports person in the wizarding world, you only have that option. Either you like Quidditch or nothing.Shouldn’t there be other sports? In the muggle world we have tons: football, basquet, tennis, swimming, running, etc.
Love protection is not common. Lily sacrificed herself for Harry. She died for him and that love protection saved his life. Why is Harry the only one to experience it? Is it because of the prophecy? I mean Lily is not the only one who has sacrificed herself for love. Not in the story, not in History. Then why aren’t there more people with lighting scars walking around?
Why don’t wizards cure things with magic like eyesight? They have a potion that grows bones back. But they cannot cure Harry’s eyesight? And don’t say that it is because eyes are connected to the soul, that’s a lame excuse. In the muggle world, eyesight can be cured with surgery.
Hogwarts Express. Yeah, we all wanted to ride the train to Hogwarts. It is part of the experience right? But what if you live in Scotland already? Why bother traveling to London to King Cross Station to take a train if you already live there? It seems like a waste of time. Is there a provided transport for kids who live in Scotland? What about those who don't live in London? What if Scotland is nearer to them than King Cross?
Ghosts. They shouldn’t exist. It is not very well explained how you become a ghost. But it doesn’t make sense that they exist and yet many characters died and didn’t become one.
Discrimination against magical creatures. We know how magical creatures are seen in the Wizarding World. Discrimination exists. But the problem is that Jkr never does anything to fix this.Not with werewolves, not with half giants, surely not with house-elves. The only issue that the war solved was the discrimination against muggleborns.
And house-elves liking their slavery is problematic. It is saying that slavery is right as long as the victim accepts it. She created S.P.E.W and never properly addressed the issue.
The Forbidden Forest is dangerous, yet students have detention there. Dumbledore says at the beginning of each year that the Forest is out of bounds. So why would you send students to detention there, Dumbles? Also, building a school near a forest full of dangerous beasts: werewolves, acromantulas, centaurs, seems kind of risky for children. Not every child obeys the rules. Look at the Marauders spending every full moon there.
How did Hagrid come to be? Hagrid is half giant. Meaning that his father is human, his mother is a giant… Ehemm… Excuse me, but how do you have sex with a giant? That’s physically impossible. How does Hagrid exist?
Male veelas? We are only introduced to female veelas in the Wizarding World. Veelas are these beautiful women that men feel attracted to, they seem in trance by their beauty, and they are not responsible for their actions. It seems to me that JKR is saying that men should not be accountable for their actions when they see a pretty girl, because it is her fault? Pretty feminist, JKR. Also, veelas are dangerous creatures. How do humans procreate with them and have half veelas or a quarter of a veela? Are there male veelas too?
Teachers not having spouses or kids. It is a stupid stereotype that teachers are sad non social people, who are only teaching because they don’t have a choice. Like they are allowed to have social lives, date, get married and have children, right? Name one Hogwarts teacher who is married with kids. They all seem pretty single. And I get it, being single is not a bad thing. But all of them being single just because they are teachers in a boarding school? Just because it was convenient to the author? Only McGonagall married once, but her husband died a few years after.
Abusive teachers. Speaking of teachers, why would Hogwarts allow incompetent teachers that are abusive (Snape), and or are dangerous for kids. None DADA teacher had teaching experience before. And since there is no further education than Hogwarts, how do teachers get prepared for the job? Teaching is not about knowing a lot of stuff about the subject, but knowing how to treat children.
Muggle vs Wizard music. What is the difference between muggle and wizard music? I never understood that. Is it the fact that wizards play music with magic? If so, why would instruments exist? Why would they play instruments? If anyone can make a spell to produce music, then anyone can be a musician. The only difference that I find is that wizard music has wizard related lyrics. Which is a stupid difference. Wizards could write songs about muggles. Muggles could write songs about wizards.
Secret Keeper. The Fidelius Charm should be a spell to hide yourself from others if you are in danger. Period. There shouldn’t be such a thing as a secret keeper. Why? Why would someone else need to know the place you are hiding? James and Lily shouldn’t have trusted anyone with their location. Not even Sirius. Not even someone they trusted, because Sirius or anyone could’ve died and passed the secret to the others. Like, it doesn’t make any sense. And also, how could Bill and Arthur be their own secret keepers but not James and Lily?
Magical therapists. Healers seem to cure physical maladies or illness pretty fine, but what about mental health? And I am not talking about mental problems because of magic. Like Frank, Alice, Lockheart whose minds were affected by spells. I’m talking about mental illnesses such as depression, anxiety, bipolar disorder, adhd, ptsd, trauma etc. Don’t tell me wizards don’t suffer that. What about Remus, Sirius, Harry? Who treats these things in the wizarding world?
Time Turner. Only exists for the plot. Otherwise it is useless, stupid and confusing. Time traveling confuses the mind. Also, we don’t exactly know how it works. Is it a domino effect? Do the things you do back in time affect the present? They should. Or does it create different timelines, like it is said in Cursed Child? Also, why not use time turners for important situations? For example, save important people from dying, go back to check events of a crime and see if they are true.
Veritaserum. Wizards have a truth potion and they won’t use it. They should use it on trials to take the truth out of criminals, to see if the accusants are innocent or not. They should’ve used it on each member of the Order to find out who the spy was. They should’ve used it to discover who was the Slytherin heir when the Chamber was opened. They should’ve used it on Harry when he came back from the Graveyard to prove Voldemort was back. Why would that shit exist anyway?
Incest families. Pureblood families, or at least some of them are supposed to practise inbreeding. But if you look at the Black Family Tree, the only Black-Black marriage is between Orion and Walburga. Just one. And even if this was the case, shouldn’t this inbreeding have consequences? I don’t know if it’s the magical gene or what but The Blacks and Malfoys seem pretty fine.
If you know more and you want to add them, feel free to do so. This is a critique to improve this word and fandom ourselves. Even JKR's world is cool and wonderful, it is full of flaws that we need to speak about.
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Avatar: Cultural Appreciation or Appropriation?
I love Avatar: the Last Airbender. Obviously I do, because I run a fan blog on it. But make no mistake: it is a show built upon cultural appropriation. And you know what? For the longest time, as an Asian-American kid, I never saw it that way.
There are plenty of reasons why I never realized this as a kid, but I’ve narrowed it down to a few reasons. One is that I was desperate to watch a show with characters that looked like me in it that wasn’t anime (nothing wrong with anime, it’s just not my thing). Another is that I am East Asian (I have Taiwanese and Korean ancestry) and in general, despite being the outward “bad guys”, the East Asian cultural aspects of Avatar are respected far more than South Asian, Middle Eastern, and other influences. A third is that it’s easy to dismiss the negative parts of a show you really like, so I kind of ignored the issue for a while. I’m going to explain my own perspective on these reasons, and why I think we need to have a nuanced discussion about it. This is pretty long, so if you want to keep reading, it’s under the cut.
Obviously, the leadership behind ATLA was mostly white. We all know the co-creators Bryan Konietzko and Michael Dante DiMartino (colloquially known as Bryke) are white. So were most of the other episodic directors and writers, like Aaron Ehasz, Lauren Montgomery, and Joaquim Dos Santos. This does not mean they were unable to treat Asian cultures with respect, and I honestly do believe that they tried their best! But it does mean they have certain blinders, certain perceptions of what is interesting and enjoyable to watch. Avatar was applauded in its time for being based mostly on Asian and Native American cultures, but one has to wonder: how much of that choice was based on actual respect for these people, and how much was based on what they considered to be “interesting”, “quirky”, or “exotic”?
The aesthetic of the show, with its bending styles based on various martial arts forms, written language all in Chinese text, and characters all decked out in the latest Han dynasty fashions, is obviously directly derivative of Asian cultures. Fine. That’s great! They hired real martial artists to copy the bending styles accurately, had an actual Chinese calligrapher do all the lettering, and clearly did their research on what clothing, hair, and makeup looked like. The animation studios were in South Korea, so Korean animators were the ones who did the work. Overall, this is looking more like appreciation for a beautiful culture, and that’s exactly what we want in a rapidly diversifying world of media.
But there’s always going to be some cherry-picking, because it’s inevitable. What’s easy to animate, what appeals to modern American audiences, and what is practical for the world all come to mind as reasons. It’s just that… they kinda lump cultures together weirdly. Song from Book 2 (that girl whose ostrich-horse Zuko steals) wears a hanbok, a traditionally Korean outfit. It’s immediately recognizable as a hanbok, and these dresses are exclusive to Korea. Are we meant to assume that this little corner of the mostly Chinese Earth Kingdom is Korea? Because otherwise, it’s just treated as another little corner of the Earth Kingdom. Korea isn’t part of China. It’s its own country with its own culture, history, and language. Other aspects of Korean culture are ignored, possibly because there wasn’t time for it, but also probably because the creators thought the hanbok was cute and therefore they could just stick it in somewhere. But this is a pretty minor issue in the grand scheme of things (super minor, compared to some other things which I will discuss later on).
It’s not the lack of research that’s the issue. It’s not even the lack of consideration. But any Asian-American can tell you: it’s all too easy for the Asian kids to get lumped together, to become pan-Asian. To become the equivalent of the Earth Kingdom, a mass of Asians without specific borders or national identities. It’s just sort of uncomfortable for someone with that experience to watch a show that does that and then gets praised for being so sensitive about it. I don’t want you to think I’m from China or Vietnam or Japan; not because there’s anything wrong with them, but because I’m not! How would a French person like to be called British? It would really piss them off. Yet this happens all the time to Asian-Americans and we are expected to go along with it. And… we kind of do, because we’ve been taught to.
1. Growing Up Asian-American
I grew up in the early to mid-2000s, the era of High School Musical and Hannah Montana and iCarly, the era of Spongebob and The Amazing World of Gumball and Fairly Odd Parents. So I didn’t really see a ton of Asian characters onscreen in popular shows (not anime) that I could talk about with my white friends at school. One exception I recall was London from Suite Life, who was hardly a role model and was mostly played up for laughs more than actual nuance. Shows for adults weren’t exactly up to par back then either, with characters like the painfully stereotypical Raj from Big Bang Theory being one of the era that comes to mind.
So I was so grateful, so happy, to see characters that looked like me in Avatar when I first watched it. Look! I could dress up as Azula for Halloween and not Mulan for the third time! Nice! I didn’t question it. These were Asian characters who actually looked Asian and did cool stuff like shoot fireballs and throw knives and were allowed to have depth and character development. This was the first reason why I never questioned this cultural appropriation. I was simply happy to get any representation at all. This is not the same for others, though.
2. My Own Biases
Obviously, one can only truly speak for what they experience in their own life. I am East Asian and that is arguably the only culture that is treated with great depth in Avatar.
I don’t speak for South Asians, but I’ve certainly seen many people criticize Guru Pathik, the only character who is explicitly South Asian (and rightly so. He’s a stereotype played up for laughs and the whole thing with chakras is in my opinion one of the biggest plotholes in the show). They’ve also discussed how Avatar: The Last Airbender lifts heavily from Hinduism (with chakras, the word Avatar itself, and the Eye of Shiva used by Combustion Man to blow things up). Others have expressed how they feel the sandbenders, who are portrayed as immoral thieves who deviously kidnap Appa for money, are a direct insult to Middle Eastern and North African cultures. People have noted that it makes no sense that a culture based on Inuit and other Native groups like the Water Tribe would become industrialized as they did in the North & South comics, since these are people that historically (and in modern day!) opposed extreme industrialization. The Air Nomads, based on the Tibetan people, are weirdly homogeneous in their Buddhist-inspired orange robes and hyperspiritual lifestyle. So too have Southeast Asians commented on the Foggy Swamp characters, whose lifestyles are made fun of as being dirty and somehow inferior. The list goes on.
These things, unlike the elaborate and highly researched elements of East Asian culture, were not treated with respect and are therefore cultural appropriation. As a kid, I had the privilege of not noticing these things. Now I do.
White privilege is real, but every person has privileges of some kind, and in this case, I was in the wrong for not realizing that. Yes, I was a kid; but it took a long time for me to see that not everyone’s culture was respected the way mine was. They weren’t considered *aesthetic* enough, and therefore weren’t worth researching and accurately portraying to the creators. It’s easy for a lot of East Asians to argue, “No! I’ve experienced racism! I’m not privileged!” News flash: I’ve experienced racism too. But I’ve also experienced privilege. If white people can take their privilege for granted, so too can other races. Shocking, I know. And I know now how my privilege blinded me to the fact that not everybody felt the same euphoria I did seeing characters that looked like them onscreen. Not if they were a narrow and offensive portrayal of their race. There are enough good-guy Asian characters that Fire Lord Ozai is allowed to be evil; but can you imagine if he was the only one?
3. What It Does Right
This is sounding really down on Avatar, which I don’t want to do. It’s a great show with a lot of fantastic themes that don’t show up a lot in kids’ media. It isn’t superficial or sugarcoating in its portrayal of the impacts of war, imperialism, colonialism, disability, and sexism, just to name a few. There are characters like Katara, a brown girl allowed to get angry but is not defined by it. There are characters like Aang, who is the complete opposite of toxic masculinity. There are characters like Toph, who is widely known as a great example of how to write a disabled character.
But all of these good things sort of masked the issues with the show. It’s easy to sweep an issue under the rug when there’s so many great things to stack on top and keep it down. Alternatively, one little problem in a show seems to make-or-break media for some people. Cancel culture is the most obvious example of this gone too far. Celebrity says one ignorant thing? Boom, cancelled. But… kind of not really, and also, they’re now terrified of saying anything at all because their apologies are mocked and their future decisions are scrutinized. It encourages a closed system of creators writing only what they know for fear of straying too far out of their lane. Avatar does do a lot of great things, and I think it would be silly and immature to say that its cultural appropriation invalidates all of these things. At the same time, this issue is an issue that should be addressed. Criticizing one part of the show doesn’t mean that the other parts of it aren’t good, or that you shouldn’t be a fan.
If Avatar’s cultural appropriation does make you uncomfortable enough to stop watching, go for it. Stop watching. No single show appeals to every single person. At the same time, if you’re a massive fan, take a sec (honestly, if you’ve made it this far, you’ve taken many secs) to check your own privilege, and think about how the blurred line between cultural appreciation (of East Asia) and appropriation (basically everybody else) formed. Is it because we as viewers were also captivated by the aesthetic and overall story, and so forgive the more problematic aspects? Is it because we’ve been conditioned so fully into never expecting rep that when we get it, we cling to it?
I’m no media critic or expert on race, cultural appropriation, or anything of the sort. I’m just an Asian-American teenager who hopes that her own opinion can be put out there into the world, and maybe resonate with someone else. I hope that it’s given you new insight into why Avatar: The Last Airbender is a show with both cultural appropriation and appreciation, and why these things coexist. Thank you for reading!
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atruththatyoudeny · 3 years
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Happy 28th! Here are all the 14 fics I read and enjoyed this month. As always, all the love for all the amazing authors in this fandom! ♥
In The Still Of The Night | jacaranda_bloom | Dirty Dancing AU - a/b/o - prejudice - gender stereotyping - class divide - angst - pining - smut - 69k In a society where omegas are expected to follow a predetermined path, Louis strives for more; for his voice to be heard, for recognition, for true love. In a world where your past defines your future, Harry fights against the system; for equality, for a different life, for acceptance. When their two worlds collide, will they be beaten down by conformity or will they rise up and forge a new path together? OR the Dirty Dancing AU where Louis is a feisty omega who wants to change the world, Harry is an alpha from the wrong side of the tracks, and nobody puts Louis in a corner.
Plant New Seeds in the Melody | 28sunflowers | enemies to friends to lovers - miscommunication - misunderstandings - emotional hurt/comfort - Original Character Death - grief/mourning - slow build - smut - 58k After losing his husband in a tragic car accident, the last thing Louis needs is to keep running into popstar Harry Styles, who David was quite fond of. Obviously, that’s exactly what keeps happening. But as their unlikely friendship blossoms, Louis realizes that, maybe, having Harry in his life was the only good thing that came out of his adverse circumstances. Harry could be just the right person to help Louis find trust and intimacy in someone new.
take my hand, wreck my plans | amomentoflove | Cinderella AU - a/b/o - royalty - Minor Character Death - emotional abuse - magic - 38k Louis meets the man in the center of the room, feeling every eye on him. “Mr. H,” he whispers. The man smiles brightly and laughs as if he can’t believe his eyes. “It’s you,” he says breathlessly. “I didn’t think I would see you again.” “Nor I you, especially under these circumstances.” “Even so,” Mr H says, his eyes bouncing from Louis’ eyes to his lips. “Will you do me a great honor and join me in leading the first … um…” “Dance?” Mr. H laughs and nods. “Yes, that’s the one.” Louis bites his lips and doesn’t hesitate before whispering, “Yes.” Mr. H beams and reaches for Louis’ hand. Sparks fly at the touch and a zing of excitement shoots through Louis’ body. His face heats up as he’s afraid his scent would give away his feelings towards the other man.
One More Taste of Your Lips | Canadianlarrie & MsHydeStylinson | canon compliant - reunion tour - angst - internalized homophobia/biphobia - cheating - smut - Coming Out - 80k It had been eight years since the hiatus began, and Louis had spent that time writing and recording music, touring and making it safely through the pandemic. When the opportunity arose to go back on tour with One Direction, Louis knew he'd be a fool not to take it. Sure, life on the road would be different after all this time apart, but he was looking forward to experiencing that comradery again. What he hadn't realised was that living the better part of nine months in each other's pockets was bound to dredge up issues from his past. And when one of the pockets belonged to Harry, who he'd had a rather unconventional friendship with that drifted apart during their last tour, life on the road again would upend both their lives in irrevocable ways. * Harry wasn’t that sixteen year old boy anymore. Nor was he the young man in his late teens who was on the cusp of conquering the entire world. But some traits seemed to remain the same; his vibrant green eyes, the dimples set deeply in his cheeks whenever he laughed earnestly, or his curls that were the same shade of cocoa that Louis remembered fondly. And yet, Louis had absolutely no idea who this man that stood a mere twenty paces away was today.
Old Photographs & Times I'll Remember | jaerie | time travel - Eroda - period-typical homophobia - anxiety - depression - discussion about suicide - self-discovery - post-break up - 54k Carefully he set that negative down and lifted the paper to see there was another beneath. This one again was a young man, this time posed against an antique car. He lifted a few more negatives out one by one, each a portrait of the same man with various backdrops. The man in a meadow, in an office, leaning against a doorframe — even one in his underwear grinning at the camera. On the edge of each negative printed in slanted, handwritten characters were the initials and date. H.S. 1924. He quickly but carefully packed them back into the box and buzzed with excitement. He couldn’t wait to develop them to see exactly what had been captured in the images. It was a find that felt like a puzzle to piece together. H.S. was likely the man in the photographs as well as the owner of the suitcase. Who was he? Why had his suitcase found its way into Niall’s attic? Was he still alive and well somewhere in the world? A camera, a suitcase, and a relationship forged through time.
Know a Trick or Two | SadaVeniren | Harry Potter setting - mpreg - magic - kid fic - - genderfluid character - smut - intersex - 44k The night before Louis is scheduled for a Portkey to begin training with the Vratsa Vultures in Bulgaria he heads into Muggle London for one last night of fun. A few months later he finds out he’s having a child. Eleven years ago Harry had a one night stand and now there’s a strange man on his doorstep telling him his daughter is something called a wizard and she’s got a place at the British wizarding school Hogwarts. Aka the one where Muggle Harry and Wizard Louis have a one night stand and get more than they bargained out of it.
come away with me | suspendrs | Minor Character Death - friends to lovers - sexuality crisis - emotional hurt/comfort - anxiety - smut - 80k Louis had such big plans. He wanted so much out of life, and so did Amy. Now Bridget is going to grow up without a mother, and she’s always going to wonder what it would be like if this hadn’t happened. He wonders if she’ll blame him for her mother’s death as she gets older, or if she’ll understand that this is just as painful for Louis as it is for her. Louis doesn’t know how he’s going to raise her on his own, because he’s a fantastic father, yes, but he’s always been the fun parent, and Amy was in charge of the rules. He doesn’t know how to make sure Bridget has everything she needs all the time, doesn’t know how to make her favorite meal or how to do that one braid she loves to have in her hair or how to teach her to be the best person she can be. He doesn’t know how to live without Amy, he doesn’t know what he’s going to do. Or, Louis has to pick up the pieces of his and his daughter's life after his wife dies, and Harry is a beautiful stranger that just wants to help.
we made our promises (we said our vows) | millsx | Military AU - established relationship - kid fic - angst - hurt/comfort - mentions of PTSD - mentions of depressions - mentions of anxiety - injury - long-distance relationship - 21k Fairy tales always end with the Happily Ever After; the princess escapes her evil stepmother and gets married to the knight in shining armor. It turns out real life doesn’t care about Happily Ever Afters and sometimes problems appear when you don’t expect them to. Harry sure didn’t, not after years of being married.
Love, Ever After | jacaranda_bloom | a/b/o - farmers markets - soulmates - pining - miscommunication - fluff - banter - smut - 21k One would assume that the charismatic omega in charge of the local matchmaking service would have found a mate and settled down ages ago. His clients, in fact, are always a bit surprised when they come to learn that Louis is still single. But Louis doesn’t mind, not really. His standards are just high; he is happy holding out for his alpha, his soulmate, and chooses to not waste his time with anyone else, despite what his friends might think. That is, until his best mate from uni drags him out of bed far too early on a Saturday morning after a night of drinking to go to a farmers market, of all places. It’s there that he proceeds to make an utter fool of himself in front of the hottest alpha he has ever laid eyes on. There’s truly no coming back from that, is there? OR The one where omega Louis makes love matches, alpha Harry makes cheese, and meddling friends might finally make their dreams of finding their soulmate come true.
Hometown | allwaswell16 | High School - College/university - driving - heartbreak - memories - friendship - happy ending - angst - 2k On the day Harry gets his driver’s licence, he drives through the suburbs, heartbroken that he can’t drive home to Louis.
fever dream high | wildestdreams | friends to lovers - childhood friends - a/b/o - fluff - angst - smut - mutual pining - High School - 30k "Excuse me, what?" Harry licked his lips, carefully looking him in the eyes. "I will spend your heat with you so you're ready by Monday to play your game." "Harry," Louis began, suddenly at a loss for words. "I couldn't ask you to do that." "Why not? You just said you trust me." "You're my best friend. There's no one I trust more than you." "Then what's the problem?" "Well, friends don't usually help you through your heats or ruts, so excuse me for being a little skeptical." or A High School ABO AU where Harry and Louis are best friends and nothing more until things start getting a little complicated and they're faced with feelings they never wanted to confront.
We are the same, you run in my veins | 28sunflowers | a/b/o - non-traditional a/b/o- soulmates - wolves -pack dynamics - 4k When the time for Louis to become the Alpha leader of his pack comes, he can’t rise to the occasion for not being yet bonded. A series of trips to neighbouring packs in search of his soulmate is fruitless until he meets one of the other packs’ Alpha heir. Harry. The world seems to stop turning for a second and then it shifts, clicking into its axis. All the distress and wrongness he felt until that very moment suddenly disappears. Louis is finally whole. But two Alpha leaders from different tribes soulbonding is something unheard of before.
Divinely Blessed | thinlines | a/b/o - non-traditional a/b/o - established relationship - PWP - 17k “I heard you, Ni. But what do you mean?” “What do you mean what I mean?” Harry rolled his eyes as he shoved his alpha friend down onto a seat. “Did you mean you lick someone out or…?” “Nah, mate! It was me! I got licked out!” Harry could only stare at Niall in horror. Alpha Harry prides himself on having the bravest and most caring omega who might or might not just fulfill his sudden curiosity.
This chemistry like candy to me | CuckooTrooke | a/b/o - kink discovery - mpreg - male lactation - smut - 8k "It's just... Are you aware, that, uh... You're- You're kind of leaking." Harry feels his blood run cold. The heart that was thudding so loud and fast drops to his stomach, and his shoulders hunch in embarrassment. "Excuse me?" Harry asks once he manages to gather himself and recover from the shock. He automatically steps back but since he's already squeezed in the corner, it doesn't do much to put any distance between them, "Who the fuck do you think you are?" "Wha- No. Oh my god, I wouldn't- No," The man says as he realizes the misunderstanding, and wildly gestures to his chest, "I mean your- Your chest. Is leaking." OR Harry is 8 months pregnant with a poor balance and traitorous nipples. Unfortunately for him, that is precisely when he meets a beautiful alpha in a packed London Tube. Fortunately for him, the said alpha might just be the best thing he has ever come across.
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ingek73 · 3 years
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Stifling, Toxic and Racist—Duchess Meghan Never Had a Chance at The Palace
Royal editor-at-large Omid Scobie sounds off on the outdated practices and attitudes within the royal family that left the Duke and Duchess of Sussex forced to make a change.
BY OMID SCOBIE
MAR 10 2021, 3:20 PM EST
I remember the feeling of frustration well. My work on an extensive biography of the Duke and Duchess of Sussex, Finding Freedom, was coming to an end. After hearing countless stories from multiple people close to the couple about how they felt unsupported and unprotected by the institution of the monarchy, it was time to address the matter with the palace side. A chance for them to respond.
“This is nonsense. … We did absolutely everything [for Meghan],” the senior aide told me over the phone. I asked for examples. “Everybody welcomed her, and she was given all the support she needed,” they continued. I asked again. “They forget how accommodating we were when it came to navigating the duchess through her first steps [as a working royal],” the aide added, somewhat curtly. I had several conversations like this over the weeks that followed—each party, be they from Clarence House, Buckingham Palace, or Kensington Palace, for the most part seemingly baffled by the Sussexes’ grievances. Finally, I took what I had and moved on.
Well over a year has passed since these calls, and the full severity of Harry and Meghan’s situation has finally been laid bare. Sitting in front of Oprah Winfrey, the duchess tearfully opened up about her darkest days as a working member of the royal family. Unprotected, undefended, and left to face a near-daily barrage of hateful commentary and negative stories, Meghan revealed how her circumstances had, at times, seen her virtually stuck indoors for weeks on end. Lunch with friends could have momentarily lifted her spirits, but social outings were dismissed by royal family members and aides who said it would be better to lie low. Her image was “everywhere right now,” they told her. Her isolated existence stood out in particular to her worried mother, Doria Ragland, who during a summer 2019 visit to Frogmore Cottage was surprised to discover that neither she nor her daughter was able to go out into Windsor town to pick up coffees. “You’re stuck in here,” Doria told Meghan at the time, according to a source.
The Oprah interview was the world’s first time hearing Meghan describe the true toll of the palace’s “no comment” policy when it came to dealing with inaccurate press coverage. One report that caused Meghan particular upset was the November 2018 allegation that she’d made the Duchess of Cambridge cry during a children’s bridesmaid dress fitting for her Windsor Castle wedding. Though the palace knew the claims were untrue (and that it was, in fact, Kate who made Meghan cry), Meghan was repeatedly told that it would not be possible to set the record straight, despite it being a story that fed into a stereotype-laden narrative. Other royal family members were often afforded more sympathetic support when it came to dealing with inaccurate press (officials even issued a statement to deny Kate’s use of Botox in July 2019), but both Harry and Meghan felt they did not have access to this same privilege.
The couple’s exasperation came to a head in January 2020, when Kensington Palace urgently requested that Prince Harry cosign a statement against an “offensive” newspaper report stating Prince William “constantly bullied” the Sussexes before their decision to step away. “Well, if we’re just throwing any statement out there now, then perhaps KP can finally set the record straight about me [not making Kate cry],” Meghan emailed an aide, asking why side of the story public image was never considered important to anyone. But, as with many requests made by the couple, her suggestion was ignored. The Duchess of Cambridge, she was told, should never be dragged into idle gossip.
Meghan’s state of well-being deteriorated as the institution refused to defend or protect her during her toughest moments. Talking to Oprah, Meghan revealed that her mental health was so fragile during her pregnancy that she “didn’t want to be alive anymore.” She turned to senior staff—including the palace’s own HR department—but her plea for help in January 2019 was repeatedly shut down. It’s not a good look for the family, she was told. Even friends who wanted to help her or speak up in her defense were regularly reminded by palace aides to keep quiet. As the cruel commentary, racist attacks, death threats, and negative tabloid stories piled up—and the institution continued to ignore the problem—Meghan later likened the experience to a friend as “death by a thousand cuts.” Her reference to an ancient Chinese execution method was no coincidence.
For the millions around the world who watched Meghan share her story, some of the experiences shared were perhaps all too familiar. Princess Diana revealed in several interviews that she considered suicide during her marriage to Prince Charles and spoke candidly about her battles with bulimia and mental distress, both of which were ignored by the institution of the monarchy. Sarah, Duchess of York, was also open about how the pressures and loneliness that came with palace life led to her own struggle with eating disorders.
When Kate quickly found public adoration as the Duchess of Cambridge, the palace would proudly tell members of the press that lessons from the past had been learned. “There has been a concerted effort to ensure that history never repeats itself,” one senior staff member working for the Cambridges told me in 2014. Yet, here we are in 2021, with a very real image of Britain’s oldest and most revered establishment once again engaged in neglect and gaslighting, and dismissing mental health.
When Kate quickly found public adoration as the Duchess of Cambridge, the palace would proudly tell members of the press that lessons from the past had been learned. “There has been a concerted effort to ensure that history never repeats itself,” one senior staff member working for the Cambridges told me in 2014. Yet, here we are in 2021, with a very real image of Britain’s oldest and most revered establishment once again engaged in neglect and gaslighting, and dismissing mental health.
This time, however, race—or more specifically, racism—plays a major role. Harry and Meghan’s revelation that a member of the royal family (not the queen or Prince Philip) had expressed “concern” over how dark the skin of the queen’s great-grandson might be, left many, including Oprah herself, openmouthed. But for those familiar with the institution—which on Sunday celebrated the diversity of the Commonwealth realm’s population of 2.4 billion—it comes as less of a surprise. This is an establishment that only last week briefed The Times of London that Meghan wanted to be royal “the Beyoncé way,” and that the help offered to her included establishing the queen’s Black equerry (a senior attendant, if you will) as a “mentor.” Princess Michael of Kent’s ignorance regarding wearing a blackamoor brooch during her first encounter with Meghan is a reminder that even racial sensitivity can be lacking within the family. An establishment that, as Meghan herself explained, has yet to learn the difference between rude and racist press coverage. The stiff upper lip, no matter how painful the attacks, was expected to remain impossibly rigid at all times.
The palace has continually proven itself to be unable to empathize with any person who crumbles under the pressures of its outdated and unreasonable expectations.
But when does forced silence turn into abuse? Ignoring gossip and drama may fall under the royal family’s famed (but questionable) “never complain, never explain” mantra, but expecting the victim of racism to remain voiceless while sections of the press call her “ghetto,” “straight outta Compton,” and “un-royal” borders on complicit with the attacks. As does refusing to learn how to identify the existence of the very racism that fuels them.
If it’s not considered appropriate to acknowledge racism or racial ignorance when aimed at a mixed-raced senior royal, then how should the 54 countries of the Commonwealth and its predominantly Black, Brown, and mixed population feel about the realm’s figurehead belonging to an institution that claims to celebrate “diversity” but in practice appears to uphold white supremacy? And if the lack of awareness Harry described to Oprah is true, then were race-related public duties, including Prince William recently calling out racism in British soccer and Prince Charles speaking out about racism in architecture in 2000, simply performative? It’s hard to forget that across the full lineup of working royals, all failed to acknowledge last year’s Black Lives Matter movement, which saw just as much protesting across the United Kingdom as the United States.
A brief, 61-word statement shared on behalf of the queen by the palace on March 9 revealed that the family is “saddened” by how challenging recent years have been for the Sussexes. But with the note also admitting that the family are somehow only just learning of the “full extent” of the couple’s experiences, isn’t it all a bit late? With yet another “commoner” leaving the House of Windsor emotionally battered and bruised, the palace has continually proven itself to be unable to empathize with any person who crumbles under the pressures of its outdated and unreasonable expectations. A glass-half-full view is that recent events could perhaps serve as a catalyst for change (and I hope they are). But given Harry’s own admission that his family is trapped within a “system” so fearful of the British press and public that they’re often unable to live up to their own ideals, is it actually time for us to just finally set them free?
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mediaevalmusereads · 2 years
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My Fake Rake. By Eva Leigh. Avon, 2019.
Rating: 4.5/5 stars
Genre: historical romance
Part of a Series? Yes, Union of the Rakes #1
Summary:  Lady Grace Wyatt is content as a wallflower, focusing on scientific pursuits rather than the complications of society matches. But when a handsome, celebrated naturalist returns from abroad, Grace wishes, for once, to be noticed. Her solution: to "build" the perfect man, who will court her publicly and help her catch his eye. Grace's colleague, anthropologist Sebastian Holloway, is just the blank slate she requires. In exchange for funding his passage on an expedition leaving London in a few months, Sebastian allows Grace to transform him from a bespectacled, bookish academic into a dashing—albeit fake—rake. Between secret lessons on how to be a rogue and exaggerated public flirtations, Grace's feelings for Sebastian grow from friendship into undeniable, inconvenient, real attraction. If only she hadn't hired him to help her marry someone else... Sebastian is in love with brilliant, beautiful Grace, but their bargain is complete, and she desires another. Yet when he's faced with losing her forever, Sebastian will do whatever it takes to tell her the truth, even if it means risking his own future—and his heart.
***Full review under the cut.***
Content Warnings: graphic sexual content
Overview: I found this book way more delightful than I thought it would be. I can’t remember how I heard of it, but I decided to give it a go because someone had mentioned it featured a hero with anxiety and I was intrigued. Overall, I found this book to be very well-executed and a joy to read. My complaints are minor, and whether or not you enjoy this book or not will probably depend on how fluffy you like your romance and how much you like friends-to-lovers. As for me, I’m not usually a fan of either of those things, but Leigh wove such a fun adventure that I’m awarding this book 4.5 stars.
Writing: Leigh’s prose flows fairly well and balances showing and telling in a way that is appropriate for the genre. Each scene also moves along at an appropriate pace, and the dialogue is charming and fun without feeling forced. There are some moments when I felt some second hand embarrassment for some of the characters, but I think that was the point, so I can’t complain too much.
Plot: The non-romance plot (if there is one) of this book follows Lady Grace Wyatt, an amateur naturalist with an interest in reptiles as she tries to find a husband to please her ailing father. Grace has her sights set on her colleague, Mason Fredericks, who sees her as a fellow scientist and nothing more. To make herself seem like “marriage material,” she asks her longtime friend, Sebastian (Seb) Holloway, to pose as a rake and pretend to “court” her, thereby making Grace desirable. Trouble is... Sebastian has been in love with her almost since they’ve met.
I really liked the fluffiness of this plot. There was just enough of a mix of social commentary (women being desirable only when other men wanted them, weird social customs based on wealth and class) and tame shenanigans (learning how to waltz and how to dress) to be thoroughly entertaining without being heavy. If I have anything to complain about, I do think some of the “rake lessons” could have built on one another more or revealed more about Grace and Seb’s relationship, and the ending was a little too based on miscommunication for my taste, but neither of those things prevented me from having a lovely time.
Characters: Grace, our heroine, is bookish and STEM-oriented without feeling like a complete stereotype. I liked that she had an interest in reptiles, and that her love made her more compassionate towards people. She didn’t feel socially stunted; though she was socially awkward at times, it wasn’t exaggerated or chalked up to her being a recluse. Instead, I got the impression that Grace wanted her interests to be liked by people around her, and though she was hurt in the past by people who judged her, she never let that destroy her enthusiasm.
Sebastian, our hero, is a poor anthropologist who has social anxiety. I really liked the way Leigh handled Seb’s anxiety; it was portrayed as partially debilitating without resorting to the kind of misery or trauma porn that tends to populate some romances. I also really liked how Seb truly seemed to value the people in his life and put their feelings and emotions first (rather than his own desires). It felt fairly refreshing, and though Seb is described as physically very masculine, he didn’t exude that toxic masculine energy that puts me off.
Mason, Grace’s initial love interest, was surprisingly likeable. He wasn’t mean, nor did he mistreat Grace in any way; instead, all of his flaws were very human and the hurt he caused was largely unintentional. I appreciated that the competition that was set up between Mason and Seb wasn’t rooted in hurting one another or tearing the other down. It felt rather fair and considerate, which was a surprise.
Other characters were likewise easy to like. Grace’s parents, despite having benignly neglected her as a child, seemed to be genuinely concerned for her well-being and Grace seemed to want to have a good relationship with them. Grace also has a female friend who likes astronomy, and though this friend didn’t play a huge role, I liked that she was there to give voice to emotions that Grace couldn’t recognize.
Romance: Grace and Seb’s romance was rather sweet. It’s a friends-to-lovers romance, which means that it relies on miscommunication and hesitation at times, but overall, I thought it was well done. Leigh does a good job of showing the attraction between Grace and Seb before he’s hot stuff; she writes small things here and there like touches that spark attraction or conversations that are emotionally intimate, and all these things make clear that the two have felt something for each other before Seb’s transformation. I liked that because it means that Grace didn’t suddenly realize she likes Seb after he becomes attractive (by society’s standards). Rather, she realizes she wants one kind of relationship (one that is built on mutual respect, love, and understanding) over another (one based on what society says she should want or one based on superficial similarities between the two partners).
I also really liked that their relationship was built on caring for one another and knowing one another’s passions, thoughts, etc. There is some physical attraction, but the bulk of their relationship is built on mutual understanding and feeling at ease with each other. I liked that the two could have conversations about reptiles or anthropology, and it wasn’t the subject matter that drew them to one another, but the passion shown towards learning and advancing knowledge. I also liked that Seb put Grace’s feelings and goals ahead of his own desires, which made me further think he was in love with her (and not just infatuated), and though he was jealous, he wasn’t possessive, which was refreshing.
TL;DR: My Fake Rake is a charming friends-to-lovers romance with likeable protagonists and a relationship built on mutual respect and understanding. Though there are moments when I thought the plot could have relied less on repetitive “lessons” or miscommunication towards the end, I thought this was a lovely, light, escapist romance, and I look forward to reading more of Leigh in the future.
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jane-d-ankh-veos · 3 years
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What I’m also immensely thankful for in the Railway and Ambitions is that the Calendar Council has been finally given some credit. "Lost in Reflections", "The Calendar Code" and Sunless Skies are comforting exceptions (which made me fall in love with them more and more), but mostly they were awfully written in the past. Destinies: the most WTF example is killing December in "...use it wisely". First of all, you’re near the Mountain of Light that gives immortality to that part of the Elder Continent (where, for example, even ordinary people of Grandinia were simply unable to die). Second, December is someone clearly supernatural, and in no way would be so easy to assassinate. Third, they’re a mastermind who conspires against gods themselves, and would have figured out your true plans in advance, or at least wouldn’t attack right away. So essentially it’s "how to ruin a character in three steps", and I hate it, especially in contrast with how I like the other option of this Destiny and how I admire December in Skies. And the Destiny with the Liberation of Night is a failure altogether because it doesn’t even mention what the Liberation is and why revolutionaries want it (which leads to 90% of the hatred it receives, since people who don’t bother with lore or haven’t played Skies have nothing more to associate it with but destruction). Sunless Sea: I’m still mad at that quest of the Empire of Hands where you may choose to deliver the secret information to February, and... Something Very Bad Happens. Why? Well, probably Because They’re Very Bad. What exactly? You will never know, she just burns London down for some reason. It’s definitely not the case when dangerous characters are complex and vague writing is intriguingly mysterious; it’s just obviously lazy. "A Little Pandemonium": the same problem as with the Destiny. November and her Liberationists are portrayed as people who simply bring chaos, with no insight into their true motivations or any hints why light is no less cruel than what they resort to. "Cut with Moonlight": yes, it’s confirmed now that September prioritizes opposing the Empire over Masters and Judgements, and that’s fine. It could have been his cameo alone. But why December? And why September is called September before the Fall? And if so, what the hell is the Council (or their followers) doing on the Surface? When July went there in another ES, it still was for matters of the Bazaar. And December is usually aiming higher than even that. If a city isn’t Fallen and isn’t going to, there are no reason for them to focus on some particular one so much, because the Surface has all kinds of its own revolutionaries who can deal with it, and the Council’s whole thing is that they’re an esoteric society of revs of the Neath, Parabola and High Wilderness, doing what others can’t (or even don’t know about). So it looks like yet another instance of "we need an antagonist, these evil anarchists will do". Hallowmas: and then there’s the Haunted Doctor’s confession about March, with no ground for the assassination other than "his religion conflicted with his politics". Which explains absolutely nothing. Conflicted in what ways? How did March himself justify/deny/balance it? Why didn’t he just leave the Council (like Bourdain or the Curt Relicker)? Why was he allowed to join it in the first place then? Was it the whole Council who voted for it, or several members, or just one (who may have had personal reasons, and it would maintain the desired "they have internal disagreements" effect just as much)? Nope, it’s Because They’re Bad all over again, which is not only lazy but also at odds with how thoughtful and well-intentioned (despite what they have to do and sacrifice for the future, which is a much deeper and better drama... that is completely ignored here, yes) they are in other stories and individually. ...Maybe I’m too harsh to writers of a free game made by an indie studio. But not only because I see that their writing can be amazing (and in most of it, truly is), or because of my favourite characters. I’m also incredibly tired of dealing with the very same "the opposition is bad because it’s bad" and "the opposition only wants to destroy everything" in real life. Portraying fictional rebels against status quo as cartoon villains is a part of feeding these stereotypes – the ones why I constantly have to explain not-so-obvious-to-others things (that giving women rights won’t ruin society, that queer people don’t want to destroy families and eliminate morality, that protesters wouldn’t break the law if they had other ways to express their silenced opinion, etc.) to be allowed to be myself and live in peace. So when FL/SS takes inspiring characters who lead a similar fight (against the Chain for freedom of being who you want to be, against powerful censors and murderers such as the Judgements and the Bazaar...) and turns them into the above examples, it hurts way more.
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