#Might go nuts and order more Soul King

[cinnbar-bun]

GUYS!! THEY CAME!!!

These amazing Robin and Brook prints are from the wonderful and talented @wigglesdtuff , please check out her stuff (especially to all my Brook lovers out there 💖).

#one piece #Brook #nico robin #rambles #omg yall… I cannot wait to decorate my wall with them #I think Brook would look amazing next to this EAP wall decoration I have #this art is so beautiful I wanna eat it #Might go nuts and order more Soul King #anyways please support the artist they’re wonderful and their art gives me life!!! #especially to all my Robin and Brook fans #sorry to everyone else stumbling upon this I am a rabid Brook stan alongside my fellow Brook-wives (GN).

[warrioreowynofrohan]

Aredhel, Reborn

This is a fragment that I started putting together a long time ago, and it stops in the middle, but my writing isn’t cooperating right now so I’m posting it as-is for @tolkiengenweek . It’s a sequel to my two previous Aredhel pieces (but not my Aredhel and Eöl one, which isn’t in continuity with it). Hopefully I’ll manage to follow up on it.

********************

Aredhel leaves the Halls, permitted to return to life for no reason that she can comprehend. She has not sought mercy for herself, though she has asked it a thousand times for her son and been met with a deafening silence. She chooses to return because Fingon is doing so, and he might not be able to bring himself to go if he left behind both of his siblings as well as his dearest friend. Turgon should have returned - would have been permitted to return, yeni ago, not tainted by kinslaying as his siblings are - but he is being stubborn, out of some mix of reluctance to face the survivors of Gondolin and reluctance to face the Lord of the Waters.

They reenter life to be almost immediately caught in their father’s embrace. Through all that follows - returning to Tirion, reunion with their mother and cousins, an apology to the Lady Eärwen that clearly terrifies Fingon more than any battle he’s ever fought in - the world seems faded and distant to Aredhel, as though some part of her fëa had never left the Halls. She cannot stay in Tirion, she cannot seem to hold the thread of a conversation with anyone, even her parents and brother. She knows, distantly, that she loves them, but it all seems so far away.

Her aimless feet take her to Valmar, and she find herself at the one place in the Blessed Realm that is shunned by Eldar and Ainur alike, climbing from the foot of Ezellohar to the two broken skeletons that were once the purest light in the universe, and as she collapses to the grass she feels, for the first time, a connection with the world. How did you do it? she whispers. How do you continue when what you hold dearest has been turned to darkness and ruin and ash? And something connects within her mind, something that never did through all the years in the Halls, never did during her return to Tirion, though all the reunions and necessary, distant apologies. Her feet carry her south and east, to the seashore and the white city, the city of pearls.

She does not go to the throne room of the king and queen, but to the docks, cloaked and hooded and unnoticed, seeking for faces she remembers. She finds one, working, holding a small curved knife in her hand that she uses to shell oysters.

Aredhel raises her hood, sees the Telerin woman start at the sight of her, and falls to her knees. The knife stops its work, poised in midair.

“What are you doing here?”

“I…I wished to apologize. To say that I was wrong.”

“So? What does that mean? What will that mend?” The woman lays down the shelling-knife, goes to a ship, and picks up another meant for carving wood. She lays the blade to a piece of wood lying nearby and the hands, their movements so smooth and deft when shelling oysters, begin to shake, leaving jagged, uneven cuts, leaving it useless. “I built the ships your people so wantonly destroyed, shaped them as you Noldor shape steel, and now I live again, but that which gave me life has left me. We did not hoard them and hide them in vaults, we sailed them and lived aboard them until they were more our home than the shore, and all you left to us were blood and ash and tainted memories.” The tremors through her body come in waves now, and her voice is choked. “My life was the least of what you stole from me. And now you seek what? Absolution? Resolution? This does not end for me. Why should it end for you?”

Aredhel hunches in on herself. “I surrender. What would you have of me?”

“Why come here, and not to the king?”

Olwë wouldn’t do anything to me - for Uncle Finarfin’s sake, if not for my own. He wasn’t who I attacked. He wasn’t who I killed.

“I thought you had more right. I…I know what it is to be betrayed by one whom you trusted. I know what it it is to see what you love dearest cast into ruin. And if I had - him - apologizing to me, truly and sincerely, as I am to you” - her voice breaks - “I would bury a knife in his guts.” She is shaking. “I came here because I didn’t know what else to do. Only that I needed to do something. I surrender. Say what you want from me, and you will have it.”

The Telerin woman just looks tired. “I don’t want your blood. What use would that be? I don’t want you locked up. What good would that do anyone? You cannot give back what you have taken. You cannot restore what is destroyed.

“Leave us in peace. Go.”

Aredhel goes.

....

She flees to the wild lands she once loved, which no longer feel so narrow as they did in the years of her youth, before Gondolin and Nan Elmoth and the Halls, before she knew that duty was a chain and love was a chain. Fear, too, is a chain, as she find when she wanders into the woods of Oromë where she once hunted with her cousins and stops, trembling, as the treetops cut off the sky, frozen, her thought a thousand miles away in drowned lands where the forest went from wonder to horror to prison. She works her way stumbling back to the light, her arms clutching at branches and tree-trunks to pull her onwards, until she emerges again into the free air.

She goes, instead, to the open plains, where she can run and ride and hunt, and take joy in feeling alive again, with a heart that beats and mouth that tastes and limbs that ache. In time she returns to the forest, first to edges and sun-dappled clearings, later to the denser woods in autumn when the leaves turn yellow and brown and fall to create openings where light and warmth enters, and nuts and fruits and berries surround her at every turn. Regaining the woods in summertime takes longer, where leaves create deep pools of shadow, and it is longer still before she wishes to be in the woods after nightfall, looking up at the stars.

(She no longer wears white. She dresses in greys and browns and tans, and in plain or woodland she might be mistaken for part of the landscape.)

She cannot say, for certain, how much of her escape is driven by avoiding walls, and how much by avoiding people, avoiding the need to hear or speak of (or hear people deliberately and delicately not speak of) a son she cannot defend and will not condemn. Did she shun the woods because they felt a cage, or because it felt that at any moment a pale-skinned, black-haired boy might step out of them with a present for his mother of hazlenuts or newly-caught game or skillfully-carved wood? A boy who is gone, who is become something she cannot and will not name.

Fingon finds her, from time to time, with uncanny ability, though he was never her equal as a woodsman. They share meals, wanderings, conversations light or serious. He does not tell her to return, though he speaks often of their parents and at times ventures to say how much they miss her. She does not know how to explain. Fingon can feel that their positions, failing and pardoned and returned and grieving for the lost, are the same, but it does not feel so to her. He fell in battle, and with a host of heroic deeds to his name. Her father fell in combat, the greatest one in the history of Arda. She died because she trusted the wrong person, loved the wrong person, ran off, was irresponsible and impetuous as always, led an enemy back to the one safe home she still had; her place in the First Age’s history is the dislodged rock or careless shout that starts an avalanche. Turgon has never blamed her for Gondolin’s fall, but that is because she never spoke to him while they were in the Halls, never knowing what to say. I am sorry that my son existed? She isn’t. She isn’t. She isn’t. She is only sorry that his father orphaned him, left him alone among strangers in a strange city with no parent to guide him.

One morning she awakes at her campsite to find her father there, tending the embers of her fire. She does not know how he has found her; he is gifted in scholarship, in diplomacy, in governance, in craftwork, in all the arts of war, but not in woodcraft or tracking or the arts of the wildnerness (save, by necessity, of keeping thousands of people alive in bone-chilling, soul-numbing temperatures).

They speak a little of other things, of her life in the woods and his in Tirion, but he cannot long restrain the question he has come to ask. “Aredhel, can you not come home?”

She offers the easier explanation first, the other being too painful to place in words. “I don’t want to go back to be pitied as a failure.”

“We all failed, dearest. Every one of us.”

“You did not. Not like me. You died fighting Morgoth and every Elda and I expect every Vala respects you for that. Fingon died fighting a balrog. My younger cousins died in battle. Even the philosopher did better than me! I was one of the most eager to go, I killed people in order to go, atta, and I have nothing to show for it, no achievements, nothing to boast of, and I will not go back to be petted and pitied and patronized, I won’t -” and she knows she still sounds like a spoiled child even now, when the others have grown wise and thoughtful and penitent.

Her father simply looks at her, long and quiet, as if trying to perceive all the words she has left unspoken, and they finally struggle to her lips.

“I don’t want to know what they all think of him. I do know what they think of him. I don’t want to be consoled for what my son did or became by people who didn’t know him and can’t understand him, and to know they are thinking of it every time they look at me, I’ll hate them for it and it will break out and I’ll cause trouble for everyone again - ” she’s stopped looking at her father, not wanting to see in his eyes his opinion of such a grandson, not wanting to feel the wrath against him that would come from it. “Why does everything I love fall to evil? My son, Tyelko, Curvo, my - ” she cannot bring herself to say husband, “- him? Do I have no judgement, no discernment? Am I being punished? I loved him when he killed me, I love my son and my cousins yet, and I don’t want to explain or to justify or to live among people that hate them -”

She is weeping now, and her father pulls her into an embrace. “You did not deserve this, Aredhel. Not what happened to you, or what happened to your son.”

“I don’t know.” Her voice is quiet now. “I think, sometimes, it is all of a piece. If you do evil to gain something, whether it be ill in itself or not, it will burn you when you find it. As with my cousins and the gemstones. I killed to gain freedom from limitations or constraint, and when I took it it burned me.”

#tolkien #the silmarillion #aredhel #fingolfin #fanfic #tolkiengenweek #cw trauma

[veeranger]

So you want to watch Precure!

Version 1.3

(Google Docs Vers & Changelog)

Maybe you follow people who like it, maybe you just love magical girls and never got into Precure, but there are over a dozen seasons and you don’t know how to jump in. Never fear, this masterpost is here to give you a rundown of Precure, and hopefully by the end you’ll have an idea of where you want to start. 

What Is Precure?

Precure (short for Pretty Cure) is a Toei Animation franchise started in 2004 and has been on the air nonstop since then. It’s a magical girl franchise, y’know like sailor moon or ojamajo doremi or other such shows. The main demographic is children so you don’t have to worry about any weird “fanservice” or panty shots or anything nasty like that, it’s very G rated. 

What Are The Shows About?

In a general sense, Precure is about a team of 2-6 middle school age magical girls fighting bad guys and giant monsters and saving the world on a weekly basis with pretty outfits and big flashy finishers and the power of love and friendship. Each season follows a pretty standard formula (toku fans should be pretty familiar with it for the most part), and each season is around 48-50 episodes long. 

In keeping with this toku-esque formula, most seasons will feature mid season additions to the cast, in the form of new precure heroes. For the sake of not spoiling these shows, these mid season cures will not be mentioned in our plot overviews unless they appear extremely early or something like that. Just know that almost every season will feature an additional cure joining the team later in the show. 

Additionally, every season has at least one movie, these days there’s usually two per season. Usually you’ll find the movies are a standalone self-contained romp, and a crossover movie with the preceding seasons, with a focus on the most recent 2-3 teams. These movies might as well exist in a continuity of their own, and have absolutely no bearing on the plot whatsoever, save for one except which I’ll mention when we get to that season. 

Why Should I Watch Precure?

Because it’s good. It’s a really stellar franchise with a ton of content and genuinely engaging characters and stories. Also this isn’t your mom’s magical girl show, these girls throw punches, and kicks, and big lasers. Precure is pretty well known for being extremely hands on with its combat compared to other magical girl shows, though don’t expect the same kind of fights you’d find in kamen rider or anything. Also a main draw for a lot of people is the amount of gay subtext in, frankly, every season. While there’s only one season with an explicitly confirmed gay relationship between two cures, every season has varying levels of subtext between cures, it’s pretty cool. We won’t discuss the subtext in every season overview but trust us, it’s in there. 

What Show Should I Start With?

It doesn’t actually matter which season you watch, every season is a new setting and with new characters and set in a new world (except for two sequel seasons i’ll explain later), so you’re free to watch whatever you want in any order! We’re going to spend the rest of this post talking about each season to give you, the beloved reader, a glimpse at what each season has to uniquely offer. Don’t worry, there’s no spoilers down there. 

Futari Wa Precure (We Are Pretty Cure) & Futari Wa Precure Max Heart

The original precure show that aired in 2004, and even received an english dub. Misumi Nagisa is a star lacrosse player living a normal life until one day a shooting star she wishes on turns out to be a fairy that careens right into her room, or rather, smacks her right in the face. The fairy, named Mepple, explains he comes from the Garden of Light, another world that’s been taken over by the evil Dark King and his Dark Zone in order to capture the Prism Stones, a number of heart shaped crystals that, if collected, could give Dark King the power to destroy not only the Garden of Light but also the Garden of Rainbows, Earth itself. Meanwhile, Yukishiro Honoka finds a box in her grandmother’s shed containing an item just like the one that smacked Nagisa in the face, and inside is the fairy Mipple, who explains the situation to Honoka. The two fairies, seeking to be reunited, drag Nagisa and Honoka along and the four of them end up meeting up, but are attacked by an emissary of the Dark Zone. Mepple and Mipple grant the confused duo the power to transform into the warriors of legend, Precure. As Cure Black and Cure White, Nagisa and Honoka manage to fight off their attacker and protect their new fairy partners. The girls are then more or less dragged into the battle against the Dark Zone, as the only hope for both Gardens, they fulfill their duty as legendary warriors despite their hesitations and desires to go back to being normal teenagers.

Futari Wa doesn’t exactly have any major themes to speak of, it’s just your standard magical girl vs evil bad guys kind of thing, forgive it for being the first season. What it does have to offer is the relationship between Nagisa and Honoka, as well as the action in fight scenes. The girls don’t start the season as best friends, in fact they barely even know each other’s names when they’re first flung together. It takes a few episodes and a major fight between the girls for them to really start opening up to each other, but soon enough they become inseparable and support each other in everything they do. It’s clear, especially near the end, that the girls cling to each other for support and strength in the face of the increasingly overwhelming odds they face as the Dark Zone gains strength. It’s very compelling to see their relationship deepen in the early season and see how deep their bonds truly go near the end. 

Futari Wa received a sequel show, Futari Wa Precure Max Heart, picking up the story where it left off in the first season’s finale. Honoka and Nagisa are still the main characters, and they’re still fighting the Dark Zone, but this time they’re joined by a mysterious girl named Hikari, who can transform into Shiny Luminous, not a precure but precure-ish. This time the girls are trying to recover the heart and soul of the Queen of the Garden of Light, before the Dark Zone can recover and destroy the queen in her weakened state. Also their precure costumes have changed slightly. 

The first season (that is to say, not max heart) is currently one of the few seasons available with official english subtitles on the streaming platform Crunchyroll

Futari Wa Precure Splash Star

Hyuuga Saki (Cure Bloom), a tomboy who loves playing softball, and Mishou Mai (Cure Egret), a quiet transfer student and aspiring artist, meet each other by chance one day under the Sky Tree, where they discover two creatures from the Land of Fountains named Flappy and Choppy. The two girls transform into the legendary Precure and are tasked with restoring Princess Filia and the Seven Holy Fountains, which were sapped of their power by the evil forces of Dark Fall.

Splash Star's main theme is the appreciation of nature. The main focus is on the girls rediscovering their relationships with their town and the nature and people in it. You get to meet a whole cast of characters in their community, who have a lot of heart and charm behind their writing and the show does a good job of getting you genuinely invested in their stories.

Unfortunately the romance in Splash Star isn’t much better than Futari Wa's (sorry to any Fujimura/Kazuya fans), but the main girls themselves are so engaging that it's easy to ignore. The villains are pretty goofy, but entertaining if you can accept that the show doesn’t take itself very seriously. There are two villains in the latter half of the season that really stand out, though. Without spoiling too much, I can promise you their character arcs will tear at your heartstrings in the best way.

If you've watched Futari wa Precure, Splash Star will probably feel familiar. Although it's the first "reboot" series in the franchise with completely new characters, Toei overall played it safe and Saki and Mai in many ways still feel like "Nagisa and Honoka 2.0". Splash Star is different in enough other ways to make the show stand on its own merits, but if you watch it immediately after Futari wa you might find yourself feeling some deja vu. Personally, I think it's interesting to see what Splash Star builds on and explores when compared to Futari wa, since it has many of the same themes and character archetypes but they play out quite differently.

Yes! Precure 5 & Yes! Precure 5 GoGo!

Nozomi is a cheerful, carefree girl, but she doesn’t have a dream. One day she meets a hot guy and finds a mysterious item called the Dream Collet, capable of granting any wish once all the fairies known as Pinkies are gathered inside it, in the school library. She discovers that the hot guy is actually a tanuki from Palmier Kingdom named Coco, and that the Kingdom has been destroyed by the Nightmare. Coco’s dream is to restore his kingdom using the Dream Collet, and Nozomi decides to make it hers as well. 

She’s joined by her jock friend Rin, Urara, an aspiring actress, Komachi, a writer, and the rich student council president Karen. Together they form Yes Sentai Fiveranger Yes Precure 5 and work together to prevent Nightmare from obtaining the Dream Collet before they can gather all the Pinkies. They also save Coco’s “”””””friend””””””” and fellow hot guy squirrel, Nuts, and he joins them as the second mascot/handsome love interest.

The theme of Yes is dreams and heterosexual furry romance. It pulls off the dreams part very nicely. The het furry romance is bad, mostly because Coco is Nozomi’s teacher at school and also her love interest. However, Coco and Nuts are fairly gay and if you look past the romance part they have very good dadly relationships with the rest of the team. 

Yespre, like Futari Wa, received a sequel show, Yes! Precure 5 GoGo!. After the defeat of Nightmare some time ago, a new faction called Eternal rises up and starts stealing treasures from various dimensions. When Eternal targets the Rose Pact belonging to the Cure Rose Garden, the precure are called back into action to fight against Eternal, with new cure outfits, a new fairy named Syrup, and a new cure-like teammate named Milky Rose.

Fresh Precure!

Fresh is sort of the defining series for modern Precure, introducing a lot of plot and thematic elements to the franchise that would be used repeatedly later on. 

A concert Momozono Love attends is attacked by a monster called a Nakewameke. When Love stands up to it, she is nearly killed, but is saved when she is chosen by a mysterious power to become Cure Peach. She is joined by Inori and Miki as Cure Pine and Cure Berry, and, together with the talking ferret from the Kingdom of Sweets, Tarte, they have to prevent Labyrinth, a grey world led by Mobius, from taking over the Parallel Worlds and transforming them into identical, machine-like dictatorships, and also figure out the secret behind the Magic Baby, Chiffon, that Tarte is entrusted with. 

Fresh’s themes are happiness and nature/technology and donuts. The donuts are important. Labyrinth operates by gathering misery; the Nakewameke are created from it and their function is to create more of it and fill the Sorrow Gauge. All the girls (and the mascot) have love interests and their familial relationships are explored a lot to bring out the general stakes and emphasise what they’re fighting for.

While Fresh is very strong in characters, plot, and thematics, its lack of budget is very apparent. It looks terrible. Fortunately, it isn’t that difficult to get used to the bad animation once you get into the show, although the lack of means tends to show up at inopportune moments, like new powerups.

Heartcatch Precure!

Featuring character designs and art direction from Ojamajo Doremi’s character designer Umakoshi Yoshihiko, and written by Ojamajo Doremi and Onegai My Melody writer Yamada Takashi, Heartcatch should look and feel familiar to fans of either franchise, especially Doremi.

After having a reoccurring dream about someone called Cure Moonlight being defeated trying to defend the “Great Heart Tree”, the shy and reserved Hanasaki Tsubomi moves in with her grandmother and ends up inheriting the will of Cure Moonlight and becomes the newest precure, Cure Blossom. Finding out her grandmother used to be the legendary Cure Flower, Tsubomi vows to protect the world as a precure and learn to change herself for the better. She’s joined by her new friend and the first person she saved as a precure, Kurumi Erika, a loud girl with a big heart who means well, but doesn’t hesitate to speak her mind. Erika becomes Cure Marine and the two become Heartcatch Precure, the newest precure in the long legacy of those who have stood up to the evil Dune, a mysterious invader who destroys planets and turns them into lifeless deserts. Heartcatch Precure fights against Dune’s minions: the mask wearing Professor Sabaku, his Desert Apostles, and the mysterious Dark Precure. Along the way they meet the former Cure Moonlight, now stripped of her power, and try to help her cope with her defeat.

Heartcatch Precure’s main theme is flowers and flower language. Everyone has a “heart flower” that the Desert Apostles take and use to create their monsters every week. As an interesting result of this, the monster of the week will be the main character in the plot of the week and often their big monster form will vent about their issues which will usually lead to a resolution when the precure return them to their regular bodies. Heartcatch also has a very nice backstory and lore to it. Unlike most iterations of precure, the Heartcatch girls are not the first precure to exist in their world, there are dozens maybe hundreds of precure that came before them, fighting against Dune and his forces for hundreds of years. It adds a lot to the narrative in small ways, especially later on in the season. Also the fight scenes are extremely excellent, especially when Moonlight is involved. 

Suite Precure♪

The musical paradise of Major Land falls under siege by the forces of Minor Land, led by King Mephisto. His goal is to steal the living notes of the “Melody of Happiness” and remake them into the “Melody of Sorrow”, throwing the world into a permanent depressive state. As a last resort, Queen Aphrodite scatters the notes into the human world and tasks Hummy, the cat-like fairy, and the Fairy Tones, to find the notes before the forces of Minor Lands can capture them. In the human world, Hummy meets Hojo Hibiki and Minamino Kanade, two girls who were best friends as children, but drifted apart as teenagers because of their tendency to bicker with each other. The two find themselves thrown together again by fate and transform into Cure Melody and Cure Rhythm to protect the things they hold dear. Not long after, the two rekindle their relationship and become closer than before, despite their bickering. Soon the girls run into the mysterious Cure Muse, a girl who appears to be a precure like them, but hides her face with a mask and refuses to join in their fight, claiming to be neither friend nor enemy. Melody and Rhythm battle against Minor Land and the giant Negatones they create from the notes they gather, as well as Siren, another cat-like fairy who used to be Hummy’s best friend before turning to evil and joining Minor Land. 

Suite Precure’s main theme is music, and it is a very encompassing theme. Hibiki and Kanade bond over their piano practice, the town they live in celebrates music frequently and is aesthetically music themed, and their powers take the form of musical instruments. Harmony is also a large theme for the two girls. Their precure power increases as they harmonize with each other, and the early season is very much about them learning to harmonize with each other. Suite also features several extremely well done mystery arcs, about the identity of Cure Muse, and various other things that I can’t very well talk about without risking spoiling things myself. If you manage to go into Suite not knowing anything consider yourself extremely lucky and be super sure not to get spoiled. The show staff went to great lengths to hide certain things, including leaking fake cure designs, and creating a second version of the second dance ending to further mask the identity of Cure Muse until her true reveal. 

Also something to note, usually precure movies have nothing to do with the plot of the show itself and can be watched whenever but the Suite movie is best enjoyed right after the arc revealing Cure Muse’s identity is concluded, it has a nice resolution to plot elements in that arc and sets the stage for the last few arcs of the show, so be sure to watch it then.

Smile Precure!

Written by Kamen Rider Kabuto head writer Yonemura Shoji, Smile Precure is the second season to feature a 5 girl team after Yes! Precure 5 Gogo!. Running late to her first day of school, resident happy-go-lucky klutz Hoshizora Miyuki runs face first into a small creature called Candy, a fairy from a place called Märchenland. The two are attacked by an anthropomorphic wolf named Wolfrun, and Miyuki transforms into Cure Happy to fight against Wolfrun and the big clown faced monster he summons called an Akanbe. After Candy explains that the legends say there are five precure, Miyuki recruits four new friends: the hot blooded Akane (Cure Sunny), shy artist Yayoi (Cure Peace), responsible older sister Nao (Cure March), and refined student council vice-president Reika (Cure Beauty). The five of them become Smile Precure and fight against Wolfrun and his allies in the Bad End Kingdom, who attempt to revive the slumbering Pierrot by trying to put the world in a “Bad End”. 

Smile Precure’s main theme is fairy tales, in a general sense. The Bad End trio are based off of the big bad wolf (Wolfrun), the oni from Momotaro (Akaoni), and the witch from Snow White (Majorina), and Miyuki herself is utterly captivated by fairy tales. The secondary theme is happiness, and the happy go lucky tone of the series often turns on its head during serious arcs to deliver extremely powerful emotional moments. Smile Precure is light on plot, and most episodes are an ultra happy experience, but the show knows how to get serious when it needs to and Smile is exceedingly competent at pulling off drama when the time comes. Smile knows how to get you invested in its characters and use that to pull on your heartstrings during the big moments. The last 10 episodes of the show are the absolute pinnacle of the show’s emotional drama, and each cure gets her own episode for closure before the finale sets in and emotionally destroys you. Also you get to play rock paper scissors with Cure Peace during her roll call so that’s always fun.

Doki Doki! Precure

Doki opens with Trump Kingdom’s destruction by the Selfishness as Cure Sword looks on, helpless. Switching to our world and brighter topics, we meet Aida Mana, Student Council President of Oogai Middle School, whose dream is to become the Prime Minister of Japan. Whenever Mana sees someone in trouble, she’ll help them out, so when a monster attacks the city, Mana does the obvious and tries to stop it. And when, chosen by the fairy Charuru (Charles? Cheryle? Cherry?) to become a Precure and defend the world, she meets Cure Sword, she has to befriend her and help her restore Trump Kingdom and find her happiness. 

Mana (Cure Heart) is joined by Rikka (Cure Diamond), her studious companion and supporter, and also the immeasurably powerful and rich (in that order) Alice (Cure Rosetta). Together they have to unravel the mystery of the man who gave them their transformation items, the missing princess of Trump Kingdom, the strange, evil girl called Regina, and Ai, the chaotic neutral baby who hatches out of an egg. 

Dokipre’s theme is love and selflessness. It also has Deep Lore, a lot of which is established in extra-series material. The show does try to explore concepts like past cures and manages a very nice repeating pattern effect with the plot, in terms of past and future happenings. There’s a lot of foreshadowing. Compared to most Precure seasons it’s very plot-heavy and even the filler usually ends up being plot-relevant. 

Happiness Charge Precure!

The 10th anniversary of Precure! The Phantom Empire is spreading across the world, and Precure are rising up all over the globe to fight them off. In Japan there are two active cures, Cure Fortune, strong and capable, and Cure Princess, scared and unsure of herself. As Cure Princess, Shirayuki Hime, struggles desperately to do her duty as precure, Cure Fortune refuses to work with her for reasons Hime doesn’t fully understand. Realizing her only hope is to find a partner to work with, Hime bumps into Aino Megumi, a super friendly girl who has a tendency to drop everything and help others any time she sees someone in need. Megumi becomes Cure Lovely, and bolstering Hime’s confidence, the two of them become Happiness Charge Precure, tasked with protecting Japan from Queen Mirage and her Phantom Empire. The two are joined by Cure Honey, and eventually Cure Fortune, and the four of them receive support from Blue, the God of Planet Earth. As the girls continue to fight and defend Japan, they are assaulted by Phantom, the ruthless Precure Hunter who has defeated and trapped countless Precure in his Precure Graveyard, and the Oresky Trio, the Phantom Empire generals who oversee the invasion of Japan. 

Happiness Charge Precure’s themes are romance and happiness. There are several arcs dedicated to the budding romances of the cures, and the backstory of the show is heavily tied to romance. Happiness might as well be Megumi’s middle name, she makes it her business to spread happiness to as many people as she can, and takes every chance she can to help others. Happiness Charge is also the first season to have form changes for the precure, each cure has a small selection of forms they can change to for different big attacks, and this concept would later be expanded and used as a core concept in Maho Girls Precure. Like Heartcatch before it, Happiness Charge exists in a world where multiple precure exist, but unlike Heartcatch all those precure exist at the same time in the present day. Other precure teams make cameos every so often and the concept creates a great world in which the whole planet is being protected by teenage girls with superpowers, creating a wonderful sense of scale that really makes the big victories of Happiness Charge Precure feel even bigger. 

Go! Princess Precure

The first precure series to take place at a boarding school! Years ago, a young girl named Haruno Haruka meets a very royal looking person named Kanata who gives her a Dress-Up Key, a big key shaped like a dress. A teenager now, Haruka starts attending Noble Academy, a prestigious boarding school, all the while holding tight to her dream of becoming a true princess, in a quasi-literal sense. Not long after starting the school year, Haruka meets Pafu and Aroma, two fairies from the Hope Kingdom desperate to revive the legendary precure to fight back against Dyspear and her minions who steal dreams to create their giant Zetsuborgs. Realizing what her Dress-Up Key is meant for, Haruka uses it and the Princess Perfume to become Cure Flora. Together with student council president Kaido Minami (Cure Mermaid), and Amanogawa Kirara (Cure Twinkle) a fashion model with huge aspirations, they become the new Princess Precure, tasked with learning to become true princesses along with protecting the Dress-Up Keys from Dyspear’s forces. 

Go! Princess Precure’s main themes are princesses (duh) and dreams. Dreams are a driving force behind all of the cures, and most of the plot of the week characters. Dyspear steals dreams to make monsters, and the precure fight to return those dreams. Characters follow their dreams with conviction, pride, and full commitment. This is also where the princess theme intersects, since it’s Haruka’s dream to become a true princess. One should note that princess is used sort of liberally in this series, it’s not that Haruka wants to somehow become someone of noble birth or have political power, she just wants to be strong, kind, and beautiful, the traits of a true princess in Princess Precure’s own terms. Also she wants to wear pretty dresses and such but who can blame her really. 

Mahou Tsukai Precure! (Maho Girls Precure!)

Quite literally putting the magic in magical girls for the first time in the franchise, Mahou Tsukai Precure was the first season to have its cures be actual magicians. Izumi Riko lives in the magical world, a world where magic is real and she attends a magical academy to hone her craft. She leaves the magical world to travel to the “non-magic” world, to search for a legendary item called the Linkle Stone Emerald. In the non-magic world she ends up catching the attention of another girl, Asahina Mirai, who sees her using magic. After trying to show off some magic and messing it up, Riko is attacked by Batty, a servant of the dark wizard Dokurokushe, who is seeking the Linkle Stone Emerald as well. As fate would have it, both Mirai and Riko carry stones that turn out to be the Linkle Stones Diamond, and the two of them use them to become Cure Miracle and Cure Magical, the legendary Mahou Tsukai Precure. Additionally, the power of the Linkle Stones grants life to Mirai’s lifelong companion, a teddy bear named Mofurun. Having discovered the world of magic and become a precure, Mirai is invited to spend time in the magical world learning magic alongside Riko, before the two, joined by Mofurun and a baby fairy named Ha, return to the non-magical world to search for the Emerald and protect it from Dokurokushe and his minions.

Mahou Tsukai Precure’s main themes are bonds and separation. It’s strengths lie in how it shows the relationship between Mirai and Riko. The show takes its time building their relationship in the first dozen or so episodes of their adventures in the magic world, highlighting their similarities and differences as they grow closer and learn to live with each other and fight as precure together. Well before the halfway mark it’s clear how strong their bond is and how deeply they care for each other, and the lengths they would go to for one another. Mahou Tsukai is an emotional ride in so many ways, every emotional moment hits its mark and the more you get attached to the characters the more the show will hit harder and harder with its moments, both sad and happy. Even side characters get satisfying and emotional conclusions to their storylines outside of the episodes they’re introduced in, it’s all wonderfully crafted.

KiraKira☆Precure A La Mode

Another return to the five cure format, Kirapre is also the second season to feature a sixth team member after Yes! Precure 5 Gogo!, as well as the second season to feature high school age precure after Heartcatch Precure. Usami Ichika is in her second year of middle school and loves sweets, especially making sweets. One day a hungry fairy named Pekorin finds her way into Ichika’s kitchen, and after being fed teaches Ichika about Kirakiraru, an energy source that exists in all sweets, and something that can be stolen and used for evil, leaving the sweets gray and tasteless. Utilizing the power of kirakraru in the shortcake she baked for her mother, Ichika becomes Cure Whip, one of the legendary patissiers, Precure. One by one other precure appear, the smart but shy Arisugawa Himari (Cure Custard), the rock band headliner Tategami Aoi (Cure Gelato), the fickle catlike Kotozume Yukari (Cure Macaron), and the responsible and helpful Kenjou Akira (Cure Chocolat). The five of them fight against the evils of Noir and those he has influenced: Julio, the mysterious masked boy who runs “experiments'' using kirakiraru, and Bibury, a mean spirited girl who uses her talking doll to steal kirakiraru and create monsters.

Kirapre’s main motifs are sweets and animals, and it has a pretty general togetherness and happiness theme going on, the standard precure stuff, mostly viewed through the lense of sweets and sweets-making. All the precure work as patissiers for one reason or another and it’s the main way the team bonds early on. The team, as well as the people of their small town, love sweets as a part of their culture and sweets maintain an important role as the emotional tie that binds most things together in the story. Overall Kirapre is a wonderful show with a great cast on both sides of the conflict, and a lot of care has been put into the show to make sure characters have their moments to interact with each other as well as have their own stories , even on a team of six every precure gets more than enough time to shine on her own. Kirapre is at it’s best when it takes two girls and puts them together for an episode, letting each unique dynamic play out in a fun and satisfying way. Kirapre is also noteworthy for the almost inarguably canonical relationship between two of the cures. It's not exactly explicit and it does leave something to be desired, since this is a Toei children's show, but there’s not really any other way to read the evolution of their relationship or their duet song, so I’m more than satisfied calling it canon.

This season is currently one of the few seasons available with official english subtitles on the streaming platform Crunchyroll 

HUGtto! Precure

Precure’s 15th anniversary! This season is in many ways a celebration of all things Precure, bringing together a lot of familiar elements from past shows into one. Hugtto! is another five cure season whose main themes are destiny and future. Nono Hana (Cure Yell) is a thirteen-year-old girl whose dream is to be a "cool and stylish woman," although she worries that others see her as childish. One day, a hamster named Harryham Harry and a magical baby named Hugtan fall out of the sky into Hana's house. They're being chased from the future by an evil organization called Criasu Corporation, who are trying to use Hugtan's power to freeze time forever. Hana makes friends with two of her classmates: the responsible class representative Yakushiji Saaya (Cure Ange) and the reclusive ex-figure skater Kagayaki Homare (Cure Etoile), and together they fight Criasu while taking care of Hugtan and figuring out the many mysteries surrounding her. Expect some light sc-fi elements and an emphasis on modern technology/social media.

Hugtto! explores its themes primarily through the lenses of childcare and the workplace, giving us a look at how each girl comes to terms with the transition from childhood to adulthood. This season does a good job of letting each member of the team shine; you spend several episodes with each girl (or duo of girls) and there's a real sense of a complete character arc for all of them. The romance aspect is, unfortunately, pretty bad: there’s a return of hetero furry romance between Harry and Homare, and Hana’s love interest exhibits some really creepy behavior towards her. There’s uncomfortable age gaps in both of these relationships too so it’s a just a bit…. Yikes. Thankfully, it’s fairly easy to ignore like past seasons, but a warning for it nonetheless.

Something that makes this season stand out is its LGBT subtext; there's a TON of it even compared to the normal amount that Precure is known for. Without giving away too much, two of the cures this season are heavily coded as lesbians (though not with each other per se), and there's a subplot concerning a side character who is pretty explicitly (well, as explicit as Toei dares to be) a gender non-conforming man/nonbinary person in love with another man, and it's all very wholesome and presented in a positive light. Again, this is Toei, so don't expect anything too radical, but I have to admit I was pleasantly surprised with how Hugpre handles it.

Finally I'll just say that while Hugpre is a fantastic season on its own, I would personally recommend waiting to watch it after you've seen some other seasons (notably Futari wa). It's not required, but since Hugpre is an anniversary season, there are a few episodes (especially near the end) that will really hit different if you have an emotional connection to the franchise already. Ultimately though this is a fairly minor part of the show, so watching this season first won’t ruin it or anything like that, it’s just something to keep in mind.

Star☆Twinkle Precure

Precure… in space! Our protagonist, Hoshina Hikaru (Cure Star) loves space and cryptids, to the point of drawing her own constellations. One of her constellations is an adorable alien puffball, who warps into Hikaru’s room almost immediately after she draws it. The puffball quickly befriends Hikaru, who names her Fuwa. They are later joined by Prunce, the team dad friend/alien mascot, and Lala (Cure Milky), a humanoid alien who is an adult in her own culture. After our initial duo gets off to a bit of a rocky start, they are joined by the student council president, Kaguya Madoka  (Cure Selene) and a biracial upperclassman who is considered to be the “sun” of the school, Amamiya Elena (Cure Soleil). Together, they explore the universe and befriend all sorts of aliens, while also defending them from the Notraiders, who want to rid the universe of all imagination. On top of that, the universe is dying and the cures need to find the 12 astrologically themed Star Pens to save it and the 12 Star Princesses. This series is notable for attempting to break the “monster of the week” format, instead making it a “fight of the week”.

The major themes of Star Twinkle are space, imagination, and maturity. The cures have to explore the universe to find the Star Pens, and in doing so, visit a bunch of different planets. About half the series is spent on Earth, but the world still feels developed! Honestly speaking, the theme of imagination is forgotten pretty quickly and I’d refer to it more as free will. The theme of maturity is where Star Twinkle really shines. All of the cures have had to grow up too fast in some way, and the series is partially about just allowing them to goof off. Lala is considered an adult on her planet, and this plot point is treated realistically. Well, as realistically as it can be. This is one series I’d recommend avoiding spoilers like the plague for, because part of the fun is in how the plot twists are pulled off. Also Star Twinkle is notable for featuring the first ever dark skinned precure, as Elena is half-hispanic. 

Healin’ Good Precure

The currently airing Precure season, as of this writing. The Byogens seek to revive their king by inflicting viruses on Earth, the Healing Garden sends three medical interns to combat them. These interns, fairies named Rabirin, Pegitan, and Nyatoran, along with a baby fairy princess named Latte, journey to Earth to find partners to become Precure. They end up meeting Hanadera Nodoka, a kindhearted girl who was hospitalized for most of her young childhood. After Nodoka risks her life to protect Latte, Rabirin chooses her to become Cure Grace. Joined by older sister type Sawaizumi Chiyu (Cure Fontaine) and the outgoing Hiramitsu Hinata (Cure Sparkle), they form Healin’ Good Precure, and defend their friends and the Earth from the Byogen’s newest wave of attacks. 

This season is currently one of the few seasons available with official english subtitles on the streaming platform Crunchyroll.

Where To Watch Precure Online

Unfortunately for us, Precure isn’t really a thing in the west. There was a dub of Futari Wa back in the early 2000’s and Smile and Doki both got “adapted” into Glitter Force over on netflix (I don’t really recommend checking those out), but really Precure just doesn’t exist over here.

However, as mentioned above, there are currently three seasons avalible for streaming on crunchyroll. The original Futari Wa Precure, Kira Kira Precure A La Mode, and the current season, Healin’ Good Precure.

Beyond these isolated examples of official releases, you can really only watch precure online on streaming sites or through torrents. You can find precure pretty much on any major anime streaming site, kissanime, gogoanime, the works. You can also try your luck torrenting the seasons, i’ve found that pretty much every season has a working torrent you can find on sites like nyaa.si or the like. For more recent seasons you should have little difficulty getting torrents, and last time i checked every season was on one of the aforementioned streaming sites. What I’m saying really is there’s no single place to find precure, but it’s not impossible to find for sure.

Thanks for reading this post, I hope you decide to check out precure and I really hope you end up loving it.Thanks to my wonderful friend @meltorights​ for writing the sections on Yespre, Fresh, and Dokipre, to @wonderlilane​ for writing the sections on Splash Star and Huggto, and @cure-cosmo​ for writing the segment on Starpre. 

If you have questions feel free to drop me an ask I’d be happy to help. I will literally go out of my way to help you if it means getting someone new into precure so please do not hesitate by any means. 

#Apple Post #precure #pretty cure #magical girl #anime #toei animation

[syubub]

JUNGKOOK SOULMATE READING

Disclaimer: tarot is speculative and to be taken with a grain of salt.

Let's begin. The long awaited Koo reading.

To start, koos energy is a really rich, solid purple that is kinda pearlescent? It hard to explain but it kinda looks like this

So thats pretty neat. Most of the time the way I see energy it isn't ever really opaque so that was new for me. Another thing that was new for me was when I went to, essentially, connect to koos energy there was this like glass door looking thing and, it sounds nuts I know, but I left an offering of energy at the glass thing? Kinda like leaving flowers outside the door and then he removed the glass thing and connected his energy with me.

Now its even weirder because his soulmates energy was already with him so I didn't even need to connect with his energy in order to connect with the soulmate. His soulmates energy was just this white sparkly blob standing by him (I tend to see the boys when connecting with the energy because I already know what they look like) and immediately his soulmate was "chatting" with me. I was surprised so I was like, "do you have any messages that you want to say?"

SOULMATE DELIVERED.

The messages I got were

You'll see

Open your arms to love

Carry the burdens as a badge

Afraid to lose you

Cool cool cool. I think his soulmate is aware of all the upheaval that he's been doing on a soul level recently. I talked some about it in this reading x and kinda this one x I think his soulmate is being very encouraging. (Also, I think his whole upheaval really had to do with him not feeling like a person? Idk thats just the vibe in getting. Its like he needed to learn how to feel again and learn that he can have true and authentic love)

Now the open your arms to love thing is cute because I also wrote down, "He's suffered enough" and "Love is hard for him" (I swear to God I heard a tiny little "hey!" From jk in the background lol)

His soulmate is very aware of the struggles he's been through and is going through and is very understanding that he needs patience. So cute.

Keep in mind the reading hasn't even started yet. We still hanging on his little energy platform chatting and his Soulmate is like, "I don't know him" ... I didn’t even ask that yet but oki. So they don't know eachother. And again, out of nowhere his soulmate wanted me to know that their hair is blonde. Awesome. This could mean that their hair is blonde when they meet or that's just the natural color.

I was like, dude, I haven't pulled cards yet. And his soulmate was like, "no shit"... soulbae has jokes. I was like, "You're funny" and they were like, "You can write that one down too"

His soulmate and him definitely have witty banter and they tease eachother a lot.

Now, some freaky shit. I was like cool I'm gonna do the reading now, its awesome that you're connecting with me personally and it'd be great if you could just continue to help me through the reading. And they were like, "yeah no prob" and then dissolved into my energy? Idk. Wtf. His soulmate was like cool I'll help out for sure and gave me a massive direct link. That hasn't happened before. Neat.

On to the actual cards finally! So, for the cards that represent Soulbae are, kid you the fuck not, The Lovers and knight of wands rev. So. This person is very passionate and driven. A little scattered and impulsive but with the lovers card they are very sure of the choices they make. Very honest and open in communication. Also the fucking lovers card. Soulmate shit.

Now. For personality I drew 2 of swords rev. Death, hermit and knight of pentacles rev. Now. I think this person is elusive. A wrote down "no one quite knows" so I think this is the type of person that has never ending depth. They are ever changing yet always the same? They are kinda blocked off and hard to get to know. You have to earn their trust for sure. Also definitely a perfectionist. Can get bored easily too. I also got slave, knight rev and bully. This person is very strong willed and might have some past trauma that they've yet to let go of. Has probably been in some shit relationships because they tend to have "delusions" about romance (more so i get the feeling that they had high expectations that would never be able to be fulfilled? Like they have a tendency to plan everything out in their head and if it doesn't go exactly to plan then its not good enough.) This person might also be stuck, not moving forward because they have too much faith that everything is just gonna magically work out. Probably spiritual.

Onto the relationship now. We have THE LOVERS AGAIN, 9 of cups, wheel of fortune and king of wands. So much contentment. Its fucking destiny. Its the most beautiful, strong, loving and influential relationship. It is what you dream of as a kid. Theres so much honest and open communication in this relationship. UGH its so fucking good. They are in love and its fucking destiny thats divinely guided. Thank you for coming to my tedtalk.

We have the pillar of light, sisterhood of the rose and the age of light. They are going to accidently make eachother fucking woke im cackling. They help eachother become more intune with ~spiritual shit~

Now for this person's sign. Air sign with some fire. I think there might be gemini in there somewhere.

Now for career. I'm confused as fuck. Maybe a life coach? Could also be a personal trainer? This person is really successful and does whatever they feel called to do? I'm not really sure?

Now for where they're from. Oki oki oki. This person has probably moved a lot as a kid and probably enjoys travel a lot. They value the knowledge that the wold has to offer!

Message from his soulmate to him: simplify your life, you think someone is lying (they are) and time to let go. Theres something that he is holding onto (some fake friends perhaps?) That he needs to let go of. Theres also a message of slowing down and resting. Life has been busy for him and he needs to... simplify...

Now we have, balance masculine and feminine energies. Koo needs balance in his life. Him and his soulmate balance pretty well in terms of energy!

For the little homemade cards we have, serendipity and focus. This is his soulmate saying, "hey, focus on the now. Keep doing what you're doing and we'll meet when the time is right" I also made a note that they could possibly meet at a concert (I don’t think it would be a bts concert.)

For descriptors we have: older, masculine, outgoing, long hair, light hair (remember when I said blonde earlier), outgoing again. So this person has masculine features. I also made a note of dark eyes that are like, dark brown grey? And a fit and built body. Also dresses like Koo but a bit more professional or classy. Like classy emo.

Now I also pulled a fortune from my bowl of fortunes and got, "you don't get in life what you want; you get in life what you are." He needs to focus on bettering himself.

Cool cool cool. Now we have Defend to the end , the worth while. This card talks about seeing things for what they really are. Not being swayed by gilded things. Its about learning to love and choose love. Not being afraid of fear. Living your truth. To fight for love and honor and ditch the shit that isn't genuine or doesn't come from a place of love. Its about standing your ground even when its hard. Not compromising yourself.

Overall koo and his soulmate have such a cute and loving relationship. Koo has worked really hard on a soul level and physical level. He's betting himself and he's learning about genuine love. His soulmate couldn't give less shits about whether or not he's famous. His soulmate sees him for who he is, who he really truly is at his core. He doesn't need to protect or keep his walls up. He's open and honest with his soulmate and they are both focused on growing and becoming better people.

TLDR: KOO GETS ALL THE LOVE HE DESERVES

#bts tarot #bts #bts reactions #jungkook #bts rm #taehyung #seokjin #bts imagines #yoongi #bts jhope #hoseok #bts suga #bts v #park jimin #jk #kookie

[nico-twix]

the prisoner of my enemy is my prisoner

Hey guys, sorry if this ain't your thing, but in honour of star wars day, I decided to post a little blurb of a fanfic I've been writing!

Kylo Ren x Reader

Words: 1.5K

Tags: second-person "You", no (y/n), force choking, mind invasion, blasters, mechanic reader, a poor attempt at humour, slow burn

When the First Order raid a Resistance Base, the last thing they expect is to imprison their prisoners, but as will become common, Commander Ren makes an exception for you.

May the Fourth be with You!

“Wake up, prisoner.” Cool blaster metal digs into your arm as you are gracefully awoken.

You would be lying if you said this was the first time you have been captured, but this has been by far the worst treatment.

You’re not quite sitting or standing, and as far as you can feel—because you certainly can’t move your head to look down— you are bolted to this “seat” of kings. What you can see: grey wall, white trooper, and emo creep in the corner.

They excuse the trooper and stand in front of you. Their black helmet softly reflects a red light that is outside your vision.

“You were a prisoner of the Resistance.” Their, his, voice is modulated, but you can still pick up his annoyance. Short. Clipped.

“I’m well aware of that, bud.”

His mask diffuses what you could only guess to be a growl into static. Scary man did not like that answer. “You are now a prisoner of the First Order.”

Ah fuck. If it were possible, you would have stiffened in your binds. You have heard of the First Order—everyone has. But you knew them as the largest arms purchaser in the galaxy and had no clue who, what, or why they are how they are.

He steps even closer to you; his helmet is obscuring all of the grey walls in your vision. “The resistance wanted you enough to keep you alive. Why?”

Barely alive. Their prisoner for 100 days and all I got as food were some dry-ass crackers. “Look, bud, if I knew I would tell you.” You attempt to shrug your shoulders, but all it does is bring a dull ache.

“No, not bud.” This close, the helmet voice sounds scarier, deeper, more alive. The hairs on your arm start to tingle like they are static.

“Not bud, read you loud and clear, pal.” As soon as the word leaves your mouth, he’s got his hand around your neck.

“If I didn’t need you alive to invade your mind, I would have killed you by now.” He places a finger on your forehead as he tightens his hold further and your eyes roll back into your head. Your brain feels like it’s getting pushed out of your nose and chopped open like a Koja nut simultaneously. Your lungs burn and you are powerless to stop him. If only I had a choking kink to make this somewhat enjoyable.

Images of your life flash past, leaving you little time to process what’s going on. Finally, you see your time with the Resistance. All 100 days, although each was the same. Your guard telling you to build it. You don’t know how. You don’t even know what it’s for. The visions stop. He seems to find what he is looking for at that moment as he lets you go. You’re inhaling air faster than a vacuum cleaner as blood rushes throughout your body, black dots dancing in your vision, pounding headache wrecking your brain.

He calls the stormtrooper back in. “You can move her to a lower security cell,” he turns to look at you, “she really does know nothing. Resistance Scum.” Even against the modulation, you can hear his leering sneer. What an ass.

The trooper releases your head bindings and you can only see your interro(r)gator’s backside. What an ass.

The new cell is much better in that you have full motor control, but the good things stop there. They sure went over budget on decorating. The whole thing is painted in the same soul-sucking grey colour as before and there wasn’t even a window. I thought I booked a room with a view. All that was in there with you was a mat for sleeping and an air vent on the floor that was pumping in only what you could assume was unfiltered space vacuum it was so cold. Maker, I know I complained about the Resistance prison, but this is bad.

If you had to stay in this cell for another day, you were going to commit homicide. This leaves two options: either one, escape, or two, hope that the next trooper that walks in here has a nicely written will. One seems easier. How hard could escaping be?

Apparently very hard. You have been going at this for hours. But try as you may, your arms will never magically extend far enough through the cell bars to grab the keys off of the guard. Which leaves the vent. Vents are nice, but not the safest thing in the world. For all you know, this could lead you out into space or through fan blades or to the trash receptacle. But fuck it, Maker damn you if ever saw your “pal” again.

The vent luckily had no screws, and with just a light tug, the door flipped open unveiling a straight shot down. How far down? Who knows, not you! So, with one last look at the guard, you slid to your freedom.

You couldn’t have been sliding for more than twenty feet when you collided with more metal venting. You landed as lightly as an elephant and your ankles burned with shooting pain. You got to down to your hands and knees to falter through the next set of passageways, eclipsed in darkness and dust. Every so often, you would come across another vent opening and you would peak to observe where you were. You have passed by three trooper quarters and figured you were in their wing of the ship. Meaning that their armoury should be nearby. The plan from here on out should be simple.

Step 1: Get to the armoury

It took what seemed to be two hours to finally find the armoury and it certainly didn’t help that you got lost. Twice. You wondered how long you still have before your “pal” realizes you’ve escaped. Based on prior experience, prisoners generally get checked on every six hours, so you should still be safe. You pop open the vent door below you and fall on your ass into the armoury.

Step 2: Steal some of that zesty trooper armour.

The armoury in the dark was creepy. Every couple of steps, you would feel a solid limb of their armour smack against your legs or shoulders. Your hair even got caught in one of their belts. None of them seemed to be in your size. What am I, in the Men’s section? You duck behind a container of spare helmets as you hear the familiar schwoop of blast doors.

“Poor bastard didn’t deserve that though.” Various clicks and hisses went through the air as two troopers stripped off their armour.

“None of us do. He’s lucky he only broke his leg, gets a free trip to the med bay.” The light streaming in from the open door allowed you to see them discard their armour pieces under a “repairs” sign.

“He better not take the last blue lollipop; I’ve been eyeing it.” They both chuckled at that, grabbed new armour, and left.

You let out the breath you were holding in. You weren’t spotted, everything will be okay. You try to remember the layout from earlier and make your way over to where the broken armour was dumped. One of the troopers looked your size, so you borrow it and hope they won’t miss it terribly.

Step 3: Find their weapons stash. Walk around like a headless chicken looking for their weapons stash.

Every good escape needs good weapons. And this will be a damn good escape. It would be if you could find the weapons. I feel like I’ve seen that door before. You probably have. You’re just following the gaggle of troopers in front of you, hoping this won’t look suspicious. It definitely did. If the clocks on the walls were anything to go by, it has been around 4 hours since you escaped, meaning that you have been lost on this ship for at least an hour and a half. 1000 rooms on the Starkiller base, 1000 rooms on Starkiller. Enter one, I am so done, 999 rooms on the Starkiller base. Your slightly too large armour makes awful clicks and you pray to Maker that your hell would end soon. And then, almost as if Maker heard your pleas, you found the room you were looking for.

Step 4: Escape!

The weapons room was more like a weapons sanctuary. All along the walls, beautiful blasters polished to perfection, and yet they had some of the worst specs you’ve ever seen. This is outrageous! They expect me to escape with a blaster pistol? It’s not even modded.

What used to look divine, now just looks pathetic. You huff, having taken offence at their poor supply, and “borrow” a couple of weapons from the shelves, a repeater here, a stun baton there, and a trusty set of standard-issue repair tools. With precision unmatched by even the finest droids, you get to work, soldering and welding, stripping and joining, and hoping and praying that what you have only tested out in dreams would work.

And you might have been able to test it, had the blast doors stayed shut.

Step 4b: do not get caught. It’s a little late for that

“Trooper, report.”

Please let me know what you think and if there are any mistakes! This blurb is available on AO3 if you want to subscribe for more updates!

#kylo x you #kylo ren #ben solo #drabble #prison break #force choke #star wars #sequel trilogy #may the fourth be with you #kylo ren x reader #kylo ren fanfiction #slow burn #enemies to lovers #enemies to friends to lovers

[perpetual-help]

@loki’s-right-nut

I saved some segments from your post but your response on tumblr is gone, so I will place this in its own post in hopes you will see it. Maybe tumblr is being weird, or maybe you deleted your response, I’m not really sure. Either way, you raised some points that are worth answering.

*Quotes and scripture references belonging to loki’s-right-nut will be noted in red and italicized to prevent any confusion.

I see you are Catholic as well? I also see you are quite learned in the scripture. So tell me, do you remember what Isa (that’s Jesus’s actual name and I’m sure he’d be very flattered if you used it) said about judging others? Luke 6:37 “Judge not, and you will not be judged; condemn and you will not be condemned; forgive, and you will be forgiven.” Let Isa and his father be the ones to bring back the wayward. Because since he is love, he is also understanding and compassion and patience. Those who “turn away” from him have their reasons and he understands this. Isa is all knowing, yes? So he knows. Let him take care of it instead of trying to start another crusade online.”

Luke 6:37 is true. God alone can judge the heart. This means that I cannot say whether a certain person went to hell, or will go to hell. I cannot read their hearts; this belongs to God alone. However, we can and are called to judge actions and to correct and instruct others.

2 Timothy 3:16-17

“All scripture is inspired by God and is useful for teaching, for refutation, for correction, and for training in righteousness, so that one who belongs to God may be competent, equipped for every good work.”

Now, in regards to Christian witches, Isa also said something and I really hope you remember. Because Isa actually spoke to someone very much like yourself. Mk 9:38-41

“At that time, John said to Jesus,
"Teacher, we saw someone driving out demons in your name,
and we tried to prevent him because he does not follow us.”
Jesus replied, “Do not prevent him.
There is no one who performs a mighty deed in my name
who can at the same time speak ill of me.
For whoever is not against us is for us.”

They have found another way to work for Him and he is pleased by that. They do his work in another way in which they can better let him into their life. They call it “magic” but he calls it “A mighty deed in his name.”

Those driving out demons did so in the name of Jesus, not in the name of some false deity or spirit or demon. In Acts, there is a passage that talks about a woman who is possessed by a spirit that allows her to tell fortunes.

Acts 16:16-18

“As we were going to the place of prayer, we met a slave girl with an oracular spirit (spirit of divination), who used to bring a large profit to her owners through her fortune-telling. She began to follow Paul and us, shouting, “These people are slaves of the Most High God, who proclaim to you a way of salvation.” She did this for many days. Paul became annoyed, turned, and said to the spirit, “I command you in the name of Jesus Christ to come out of her.” Then it came out at that moment.”

1 John further illustrates a need for discernment of the spirit, and expands on the fact that there are many false prophets in this world.

1 John 4:1-6

“Beloved, do not trust every spirit but test the spirits to see whether they belong to God, because many false prophets have gone out into the world. This is how you can know the Spirit of God: every spirit that acknowledges Jesus Christ come in the flesh belongs to God, and every spirit that does not acknowledge Jesus does not belong to God. This is the spirit of the antichrist that, as you heard, is to come, but in fact is already in the world. You belong to God, children, and you have conquered them, for the one who is in you is greater than the one who is in the world. They belong to the world; accordingly, their teaching belongs to the world, and the world listens to them. We belong to God, and anyone who knows God listens to us, while anyone who does not belong to God refuses to hear us. This is how we know the spirit of truth and the spirit of deceit.”

Sorcery is condemned in the Bible. I included the passages for this in my original post, but I will also include them here for you to reference if needed.

Galatians 5:19-23

Revelation 21:5-8

“You are quite right about the Tyrant view. In fact, I began to see it at a young age. I remember being in Youth Group when I finally voiced it. I said "I can't bond with Him (god) because I fear being struck down. Like I am a mere slave bowing before a mighty king who will knock me down to the dust should I make one misstep."

God is Just and He is Merciful. For those who truly seek to love and serve Him, He aids them in all matters. This fear of being struck down over a misstep is understandable, but it isn’t entirely accurate. We are given the sacraments for a reason - one of those being confession. God doesn’t desire to condemn, He desires for us to repent.

“There is something very wrong with some of these teachings. On the surface level, yes, most of these can be good wisdom. "Love thy neighbor" and such. But a large majority of these messages hold a toxic amount of self denial and utter dependency on this deity. The more you look, the more you realize, he doesn't want you for you. He wants you to mold you into submission so he can easily control you. if you withstand the treatment and somehow leave, he'll see it as betrayal and send you to the fiery pits for eternity”

God is a loving Father and we are made in His image and likeness, with the purpose to love Him and all people as He loves us. He calls us to servitude and sacrifice, and He has given us the most perfect example of this in Our Lord Jesus’ life, death, and resurrection. Like the loving Father He is, He encourages all people to rise above the passions of the flesh and the pleasures of this world in order to recognize this need to subdue the flesh and grow in the spirit. Self denial promotes a deeper level of submission to the will of God - and, since God is Love and all things Good and Holy, this is the only way we can reflect such virtue. Humility is the opposite of pride. It is a state of being more than it is a singular action. Humility is truth because it is the honest recognition of what we, as humans, are. We are creatures chained by our passions, deluded by our own egos, self-serving, reveling in all kinds of sin. We do not see this sin for what it actually is, but God sees it. He saw all sin that ever was and ever would be committed while He hung on the cross. It was our sins that wounded Him and drove the nails into His hands and feet, and the spear into His side. Every single day our sins offend Him in the moments of His Passion. Without God, we cannot even begin to attempt to loosen our bonds of sin. We are entirely dependent upon Him - and that is where we recognize what we are. We are little and weak and prone to sin. Still, God is magnified in our weakness and in our recognition of this littleness, and He is forever eager to fill our hearts with His infinite Love so that we might reflect His goodness like polished mirrors. Thus, we can rightly say God alone is worthy of all glory and honor and praise. When we understand the role we, as each individual person, has played in the torments of Our Lord during His passion, this is where a desire to suffer for love of God begins to bloom. Those who love God seek to lessen His torments even by one iota - to sacrifice themselves in His place, should such a thing be possible. They seek to follow in His footsteps more closely, and to offer all sufferings for others, for the souls in purgatory, and all united with Jesus on the cross. God sees this love and great sacrifice and how the soul strives to reach closer to Him, and they in turn are blessed to taste the depths of pleasures in His infinite love.

#catholic #roman catholic #christian witch #catholic witch #witchcraft #response

[itsclydebitches]

YYH Recaps: Koenma Appears

Welcome to episode two, everyone! Before we get to the recap proper, I want to continue down Nostalgia Lane for a moment. Remember how last time I mentioned a Hiei bookmark I used daily back in middle school? Well, I tore through an old "treasure box" I created as a kid (a collection containing everything from a shark tooth to a small book on witchcraft. You know, the important things every child needs) hoping to find it... but I didn't. It's a hard life we lead.

However, I did find some other YYH relics that I thought you all might enjoy seeing. Behold — and, if you'd like, laugh at — my collection:

First up is a picture of young Toguro and Genkai that I wanted to use as my bookmark, but found that it was too wide. For the record, I didn't (and still don't) care about Toguro much, he was just the byproduct of finding a cool Genkai picture. Not shown is the back of the image with the names of my classmates because I made them all sign this along with our yearbook.

God bless my friends for putting up with me.

Second is a collection of very pretty trading cards that I ordered from god only knows where. I have vague memories of not finding any at my local comics shop and convincing my mom to let me order on The Olde Internet. Did I want the trading cards to trade them? Absolutely not. They exist to sparkle and make my heart happy.

Finally, I've saved what is perhaps the best for last. Now, you have to understand that grade to middle school age Clyde did not have the education that she would receive later on, which includes a knowledge of the ephemeral nature of fanworks and the importance of accurate record keeping. What this means is that I have absolutely no context for this. No author, no explanation... just the image itself.

Was this a standalone fanart? A part of a fic? Some specific request or just the will of the artist? I cannot answer these questions. I tried a reverse image search (which is, admittedly, the extent of my tech skills) and you know what the single hit I got was? "Fiction." Thanks, google. So yeah, I can only assume that my child self considered Kurama giving a de-aged Hiei a bubble bath adorable enough to save, but the artist wasn't important enough to jot down for future viewing. Sorry about that, mystery artist. And, as should go without saying, if anyone does know where this came from please let me know! Though I suspect that this is a case of a YYH-specific site closing down and the fanworks getting lost along with it. That happened a great deal before the age of AO3 when volunteers decided to put their time and talent towards saving fanworks of all sorts... 

But enough of all that. Let's get to recapping!

As we established last episode, Yusuke and Botan are on their way to the spirit world to kickstart Yusuke's ordeal. Watching this after over a decade of consuming other media, I really appreciate that Yusuke acts like a human person and asks lots of questions about this. When Botan is cryptic for the sake of the audience — we're going to see "the person" who can explain everything — Yusuke is justifiably like, and what person would that be?? I mean, this is also a way to establish basic facts for the viewer and it simultaneously feeds into Yusuke being someone who is difficult for the sake of being difficult — "If someone wants to say something, they should come to me!" — but it's just nice to see a character who doesn't accept cryptic BS because the story needs them to. If Botan gives an unclear, but ~dramatic~ explanation, Yusuke is going to call her out on that.

So she explains that they're going to see King Yama and Yusuke is all whoa whoa whoa, there's royalty involved? Suddenly, he's not so adamant that they come to him. 

Botan tries to reinforce this rare spark of humility and demands that Yusuke be on his best behavior from here on out.

Pff. Yeah right.

But “he can send you to oblivion forever if he wants to!” is a suitable enough threat to cow Yusuke for now. Which is interesting considering that a few hours ago he was happy to accept hell as his rightful ending. Granted, we could argue that there's a big difference between hell and oblivion — a character may not be afraid of punishment in the same way they are a lack of existence — but I'd say this ties more into Yusuke's development at the wake. Now that he's accepted that people care for him and that he should strive to return to them, the threat of having it snatched away actually means something. Even if that line is otherwise positioned as a comedic moment.

Botan flies them through a portal where we see the River Styx below and Yusuke comments on how big everything is. At first I was like, "What are you talking about? You were just flying over some major city in fictional Japan, wasn't that big too?" but this line makes more sense when they reach the palace and you realize that yeah, it's big. As in, the camera blurs while tilting down its length to show how insanely tall it is. Yusuke and Botan are tiny gnats at the gate's entrance.

"Oh man, what a pad!" Yusuke says and sure, that's one way to look at it lol.

Botan announces that she has a "new arrival" and the gates open for them, but so far there's no one else around. One part of me wants to question the time and budget put into this scene because shouldn't there be, like, thousands of people? Even just waiting outside? The idea that this is the hub of the underworld and that Botan is responsible for ferrying all the souls, yet she is guiding just this one (1) dude for a solid day is, from a world building perspective, kind of nuts. But beyond the need to develop Botan as a character (she can't be a part of the story if her job is treated realistically, with all the endless work that entails), I think this choice functions rather well from an atmospheric perspective too. Meaning, this moment is supposed to be rather tense for Yusuke. He just died, just found out the afterlife exists, just discovered a desire to get his life back, and is now about to meet a King who can toss him into oblivion if he's rude — which Yusuke always is. So this is a Very Dangerous Moment and their relative isolation feeds into that. As does the setting. Yusuke flinches back from the hallway, saying that it looks like a giant throat, so he is now literally walking into the belly of the beast. 

Suddenly, the size of the palace isn't an indicator of awesome wealth, just general intimidation. Also, check out the spikey purple mountains in the background and the harsh reds of the scene, especially compared to the soft yellow of the river. All of it is designed to create an, "Oh shit" reaction in both Yusuke and the audience.

Yusuke's image of King Yama matches these surroundings:

Oh wait! Wrong character ;)

He's massive, red, shadowed, and poses a formidable threat. And how does Yusuke deal with threats? By fighting them! Even those he can't hope to beat. Remember, this isn't a situation where Yusuke has any power here, but he still desperately holds onto the possibility that he might. What if he gets off a punch on King Yama's nose? Then goes for his eyes? Yeah, that'll work! 

Overlooking the fact that it absolutely would not — Yusuke's fantasy conveniently skips how he escapes Yama's clutches — what exactly is Yusuke hoping to accomplish here? Somehow take over the entire underworld? Escape as a ghost and live out his afterlife in hiding? We don't know and that's because Yusuke doesn't know. He doesn't think ahead, he just obeys this instinct to fight. An instinct that, crucially, overrides everything else. Botan has already told him that all Yusuke needs to do is be polite and everything will be fine, but it's not even that Yusuke believes that he can't achieve that; that he knows himself too well and, fearing a slip, starts planning for a potentially inevitable confrontation. There are simply no plans outside of battle plans. Yusuke just hears about someone vaguely intimidating and his brain jumps straight to, "How do I beat him in a fight?" no matter the odds, or that other options are readily available to him. Again, much of YYH's characterization occurs though its comedy, so outside of the general humor of witnessing this fantasy, it actually does a stellar job of reinforcing precisely who Yusuke is. In life the only thing he had going for him was his ability to fight. It was his one joy, his one skill, arguably the one good thing he did if we frame those reflexes as "saving" the kid... so is it any wonder that fighting dominates his every thought? It's all he knows.

And, as we'll see down the line, that single-minded obsession is very useful to the spirit world.

For now though, Yusuke finishes his absurd plans to take down King Yama and Botan asks what in the world he's muttering about back there. Which is an unintentionally hilarious line because by the end Yusuke is not muttering, but full on shouting. Botan. How did you not hear him?

Not important. They reach the next door and we get our first inkling that all is not as Yusuke (and we) expect when Botan leans into an intercom to say that they've arrived. Tech in a fantasy spirit world? This feels not only out of place, but rather... mundane? That's the point. When the doors open Yusuke expects his super scary monster, but gets... a whole lot of monsters that aren't scary at all!

The underworld is run by various demons (or ogres), though their looks are contrasted with the harried office worker personalities they've got going on. Someone is running by with a comically tall stack of papers. Someone else is shouting into a cell phone. The first two demons we see cross paths, looking like they're about to punch one another, just as Yusuke expects... except they're just dramatically getting out of the other's way, worried not about the hierarchy of this realm, but the fact that someone is behind schedule. The nerve!

"This place is a madhouse!" we hear somehow shout and yeah, that's the joke. The afterlife is just as chaotic, overworked, and — ultimately — boring as any human office. For all the strangeness of seeing hundreds of demons, this is familiar.

Which, alongside Botan's bubbly nature contrasting assumptions about the Grim Reaper, is one of the first instances of YYH undercutting the viewer's expectations in terms of looks. No one entirely looks the part they play in this tale and if you're trying to teach people to look past surface characteristics... there are worse ways to do it. Horrifying creatures with horns and sharp teeth? Nah, they're just chill dudes trying to do their job. Cutesy girl who looks like she belongs in a mall reading magazines? Nah, she's the Grim Reaper. Terrifying delinquent with a spine-chilling reputation? Nah, he makes faces at kids and saves them from cars.

Of course, the "nah" isn't accurate either. These are monsters with horns, Botan is a cutesy girl, and Yusuke is a delinquent with that reputation. The message isn't so much that people look like Thing A, but get to know them and you'll discover they're actually Thing B, it's the idea that you can be A and B (and C, D, E...) simultaneously. People — or rather, seemingly simple archetypes — can, in fact, embody multiple characteristics at once.

We'll get our third example in just a second.

Yusuke makes a comment about this being the "dead people stock exchange" — accurate — and Botan leads him to a more ornate door past all the desks. It's clear they've arrived at King Yama's office, since she's bowing and formally presenting him to... someone. Yusuke looks around for the giant beast he's imagined, only for a tiny voice to hail him from the ground.

Looks are deceiving!

“This is Yusuke Urameshi and he’s honored to meet you." Botan knows what's up. She knows Yusuke isn't going to express anything of the sort without some prompting. Too bad he's busy cracking up at this apparent child running the show. Side note: Yusuke has a fantastic laugh.

He even goes so far as to accuse Botan of lying to him.

“Why would I lie about such a thing?!”

“Why would the spirit world be run by a toddler?”

It's true! That’s a legitimate question! I love that Yusuke asks questions. The "toddler" goes on to explain that he's actually the "mighty Koenma," son of King Yama, though he's lived fifty times as long as Yusuke, "so watch your mouth." Assuming Koenma knows and/or remembers how old Yusuke is — fourteen — and is good at math, that puts him at seven hundred years old. He looks good for his age!

"And in addition to knowing the secrets of the universe," he says, "I am quite potty trained."

You've gotta love Koenma.

Yusuke's attitude changes drastically once they get down to business. Koenma produces an egg, saying that Yusuke's ordeal is to hatch it and face what comes out. The hatching part isn't difficult, all he needs to do is keep it on his person. The challenge is in the fact that this egg will feed off his spirit energy and that energy in turn will change what kind of creature develops. If his spirit is wicked and cruel, so will be the beast and it will devour Yusuke upon hatching.

However, if his spirit is good and kind, the beast will become a sort of guardian, guiding him back to his living body.

Note though that throughout this conversation the egg is always a "beast." It's a "monster." It's not necessarily intentional, but there's a strong bend towards the negative here in the description that really emphasizes the whole "ordeal" aspect. Koenma briefly reassures Yusuke that he can remain a ghost if he prefers, but he's already made up his mind. Despite another threat of being lost to a void — this time through spiritual digestion — Yusuke takes the egg almost without hesitation.

He regrets it later though.

"I can't believe I did that."

Can we blame him? I'd be nervous about some egg feeding off the energy of my soul too and I'm a former, almost straight A student (damn you, math) with no life-altering regrets and a general desire to put as much good into this world as I'm able. I’m boring. But what if those occasional, mean little thoughts you have add up? What if the prejudices you're still unlearning stack against you? Does the egg care about what you do, or only how you feel about the act? This sort of test would eat me alive!

Maybe literally. 

Good thing Yusuke doesn't have time for an existential crisis!

Just as he's beginning to regret this decision, Botan points out that it won't matter if he passes if he doesn't have a body to return to. Now, why wouldn't he have a body? Maybe because his mom is set to cremate him tomorrow.

Whoopsie.

Yusuke is, understandably, distraught. We get another excellent exchange:

“Botan, is there any way for ghosts to communicate with living people?”

“Yes.”

“SO ARE YOU GONNA TELL ME?”

I swear, Yusuke is the only smart protagonist. I mean, he's dumb as a sack of bricks at times, but that's neither here nor there. Bless this fictional boy for reacting like an actual person. 

Botan explains that people are more attuned to the spirit world when they're asleep, so Yusuke can deliver a message to someone in their dreams. Seems easy enough. They first head to Atsuko, but find that she's raging drunk and nowhere near sleep. 

"You fool!" she yells. "No one gave you permission to die!" Atsuko continues to yell about how plenty of people survive car accidents, so why couldn't you? "Were you mad at me, Yusuke? Didn't I raise you right?"

Botan comments on how sad the display is. Yusuke's response?

“The only thing that’s sad is now she’s got one more excuse to act that way."

Y'all, that's some mature shit for a goofy shonen anime. Yeah, Yusuke recognizes that, while she's obviously heartbroken, his death has just given her another reason to do what she's been doing for years: drinking herself into a stupor. Toss in Atsuko putting the blame on Yusuke — "No one gave you permission to die!" — plus the belief that she did do a good job — "Didn't I raise you right?" — and it paints a rather bleak picture. This is by no means an uncommon theme. Negligent parents, whether they're framed that way or not, are pretty common in shonen series, but it's still rather jarring to re-watch this as an adult and go, "Oh. The situation’s like that." It's honestly a lot when you remove it from YYH's otherwise humorous, casual context.

Yusuke heads to Keiko's next and finds her sound asleep, commenting on how her room looks more "girly" than when they were kids. Check out that smile!

He's about to try and deliver his message, but Keiko is in the midst of a nightmare. “She’s crying… what’s wrong?”

Oh my god. Remember how I just said Yusuke is also the densest protagonist around? Example A right here. You just died, you fool! You just saw Keiko collapse at your funeral. What do you think is wrong??

We get a peek at Keiko's dream where she is — shockingly! — thinking of Yusuke. He's far out of reach, walking away and unresponsive to her calls. Keiko soon trips and Yusuke disappears completely.

Luckily, she has the real thing at her bedside. Yusuke tries talking to her and at first it's unclear if this supernatural stuff is really working. That is, until Keiko murmurs about how heavy he is.

Reassured, Yusuke delivers his message that Keiko needs to help Atsuko pull herself together and, most importantly, call off burning his body. We get this very soft and pretty background to establish their yet unspoken feelings for one another, though Yusuke gets close with, “I’m coming back. I don’t want to see you cry anymore" as he brushes her tears away. Aww.

Keiko wakes, thinking at first it was just a dream, but no, "I'm sure I felt it."

The next morning she heads to Atsuko's to explain the dream, only to first hear that Atsuko had a dream too, this one about Yusuke "living in some other world full of ogres and he kept knocking them down until he became their leader." It sounds absurd, of course, but it brings Atsuko some comfort to think of her boy in a place like that and Keiko backs down. Right, she'd only had a comforting dream too.

Now, there are two important parts to this exchange. The first is that this is an excellent example of how you let the characters drive the story, rather than forcing the characters adhere to the plot you've come up with. Meaning, in the latter situation, our cast would have needed to have their personalities twisted and the viewer's suspicion of disbelief tested to give Yusuke what he needs: a sleeping family member willing to believe his message. But it absolutely makes sense for Atsuko to be drunk rather than sound asleep, so Yusuke can't rely on her. Likewise, it absolutely makes sense for Keiko to be asleep, but not believe the dream once she's woken up. After all, how many times have we been persuaded by something in the dead of night only for things to look more logical and less likely in the morning? The characters act both like themselves and like people who do normal, people-ish things, which means that Yusuke runs into more conflicts. That's good! It not only raises the tension and stakes — now he has less than a day to convince someone — but makes his inevitable success feel that much sweeter. A less well written show (cough-RWBY-cough) would have had the characters change their personalities, behave in unlikely ways, or just come up with a sudden, contradictory solution because Yusuke needs to keep his body. Instead, Yusuke actually has to work for that within the bounds of the rules established and the likeliness of each plan succeeding. The first one fails? Move onto plan #2.

Second, this dream of Atsuko's has some cool implications within YYH's world. Meaning, we're about to learn in just a moment that some people are naturally more aware of the supernatural than others, even when they're not asleep. We'll also see down the line that spiritual awareness tends to run in families... so perhaps Atsuko possesses more than the average mother? I'm not saying it's necessarily intentional on the author(s) part, but we can choose to read this dream as evidence of spiritual awareness — true insight into the world Yusuke was just in and the fantasies he'd had about conquering it — rather than just a coincidental joke for the viewer. After all, Yusuke gets his own spiritual awareness from somewhere...

(Okay, so there's totally another, canonical reason for that, but we can have both!)

So, as Yusuke puts it, “This dream business isn’t gonna cut it.”

“There’s always the final method," Botan says.

“You always this vague?”

I am literally living for these interactions.

Botan explains that the more extreme form of communication is possessing a living person, but there are two rules attached: it has to be someone you know and the vessel has to be someone who is quite spiritually aware, as discussed above. Atsuko isn't a contender because the story hasn't acknowledged that she might be sensitive, that's just my own headcanon now. Yusuke outright says, “In that case I’m screwed. There’s no one like that!"

Cut to good old Kuwabara.

At first it looks as if he's just oh so conveniently sensing a spirit right when the audience has learned he has this power, but in reality it's Yusuke and Botan flying behind him that sets it off. Again: this show is pretty good about keeping things internally consistent, rather than making choices because That's Just How Stories Work, I Guess. Kuwabara's friends note that he's acting strangely and I love this detail that apparently one of the guys is new to their group because the other two need to explain that this is the "tickle feeling." Ever since Kuwabara was a boy he's been able to sense the dead around him. Some nice, some... not so nice.

He looks directly at Yusuke — even though he's not able to see him — and declares that what's following them is “A puny low-level ghost, like a haunted racoon or something.”

I'd support Yusuke's anger more if he hadn't just exclaimed his surprise that Kuwabara serves a purpose 😂

Yusuke is pissed enough though to proclaim that he won't do it, nuh-uh, no way is he possessing this guy's body. Botan's response is one of my FAVORITES in the WHOLE SERIES:

"Here's my impression of Yusuke: look at me, I’m burning!”

Literally 75% of this series is just about a found family sassing one another and I love it.

Obviously this helps Yusuke remember his priorities and he grudgingly agrees to the plan. Botan prepares Kuwabara's body somehow — idk, spiritual magic or whatever — and warns Yusuke that he only has an hour to find someone and warn them because a human body can't handle possession any longer than that. Sure. I buy it.

So Yusuke takes control and please ignore the incredible ethical issues here. The show will never acknowledge them again. 

He blurts out, “Hey, check it out! I’m inside Kuwabara, feeling smooth!"

Istg I don't remember the series being this unintentionally gay. I don't even ship Yusuke/Kuwabara and I'm digging the possibilities here lol.

Back on track, his friends drag him with, “Looks like he’s back to normal” because again, 75%. What's not normal though is Kuwabara (Yusuke) suddenly charging down the street to leave them behind. He heads straight to the restaurant where Keiko's parents work, demanding to see her. They're rightly concerned about this stranger barging in and screaming for their daughter.

Upon asking who he is/why they should tell him, Yusuke makes his biggest mistake: “Because it’s me, you guys, I’m Yusuke!”

Obviously the time limit and raw emotion of knowing who he is has outweighed the knowledge that, you know, no one would believe that. Yusuke has spent the last two days bopping around as a ghost and familiarizing himself with some of the afterlife's insanity. The knowledge of what's normal for everyone else — AKA, not dead boys appearing in strangers' bodies — is not at the forefront of Yusuke's mind.

So, Keiko's parents react accordingly! The father in particular is disgusted by this claim, going so far as to threaten Yusuke with his knife and outright insult Kuwabara's looks: “Yusuke was never ugly like you… we were close family friends with that boy!" His wife chimes in that this kind of joke is particularly heinous on the day of his funeral. Between Atsuko drunkenly blaming Yusuke for his death and Mr. Takenaka grieving for what he might have been, this is one of the few times we see someone just sad for Yusuke's passing, exactly as he was and without regrets or criticism. "We were close family friends with that boy" paints a nice contrast to the delinquent persona Yusuke was cultivating.

As he's thrown out of the restaurant he says, “We should have special passwords for times like this!” Fun fact, my family does! Well, not this exact situation lol. I was given a password as a child to memorize in case my parents ever needed to send someone else to pick me up or interact with me in any way. If the stranger didn't know the password, I was to kick up a fuss. I rest easy with the knowledge that this password would not doubt assist me if I was ever in Yusuke's position!

With Keiko's parents a bust, Yusuke starts sprinting to everywhere she frequents with the hope of running into her. Or at least he tries. 

Yusuke is suddenly waylaid by a group of nameless teens with a bone to pick with Kuwabara. And you know what? I like it. I wonder how much of my praise stems from coming off of RWBY Volume 8, but it's just so nice to watch a story where the plot — simple as it is — hangs together. We've established that Kuwabara is a street fighter. Last episode we watched him start a fight with Yusuke. Yusuke is on a time limit. Now Kuwabara's tendencies have created a new hurdle for Yusuke!

Needless to say, Yusuke kicks butt, even in Kuwabara’s body. 

As one guy is passing out he says, “Man that hurt! I didn’t think anyone could throw punches that hardcore except Yusuke Urameshi."

Yusuke: “Darn, giving Kuwabara a good name." LOL

You think this challenge is finished though? Nah. Over the course of about half an hour Yusuke encounters a comical number of people trying to get even with Kuwabara. 

As always, I like the nods towards this writing decision to help justify it, with Yusuke wondering how Kuwabara has pissed this many people off. If you want to pull off something that has a low chance of happening, it can help to give the characters a "Seriously?" moment. If both they and the audience are on the same page over how ridiculous this situation is, the audience is more likely to accept it once the character does.

By the time Yusuke escapes his hour is nearly up. However, thanks to some coincidental plotting, he spots Keiko's friends just across the street! 

YYH does a decent job of making its characters feel like they have their own lives outside of what's immediately happening on screen and we get a good example of that here. We pick up the girls' conversation partway through, both of them worried about Keiko's state of mind and, given that we'll see in a second that Keiko was in the store with them, it implies that something happened to reignite this worry. They're off enjoying their day, doing their own thing, there was an event we're not privy to, and now we catch the response to that. It just helps make the characters feel more well-rounded even though they are, at their core, one-dimensional background characters who don’t even have names yet.

Case in point: the one girl is still concerned with their image. "People are starting to say things!"

Yeah, your friend's childhood friend just died. Hopefully they're saying, "Poor thing."

Anyway, Yusuke runs up to ask where Keiko is only for both girls to run away screaming. Turns out his face is messed up from the numerous fights and Keiko's friends are easily scared. 

Luckily, Keiko comes out just a second later and Yusuke is faced with the challenge of how to convince her in, oh, about five minutes. Remember, we've already established through Keiko's parents that just saying, "I'm Yusuke" doesn't work. That's why he hesitates. It's not just drama for the sake of drama, he's stuck.

“I’ve known her my whole life, there must be something between us that only I would do!”

Yeeeeaah. About that 😬

Suddenly inspired (I suppose that's one way to put it...) Yusuke runs up behind Keiko and grabs her breasts. “Keiko, nice uniform! They’re so squishy!”

It goes without saying that, like flipping her skirt up, this isn't okay. More specifically, the problem lies in the story framing this as a joke for the audience, something to laugh at despite Keiko's discomfort, rather than the concept of two childhood friends actually be that comfortable with one another. But, as already established, this is one of the more ehhhh aspects of Yusuke's characterization that, luckily, will mostly disappear as the story goes on.

Note though that the show clearly wants us to think highly of this. Not just as a "joke," but as a smart solution to his problem and more evidence of their inevitable relationship — the background becomes the same soft, bubbly background we saw during their dream conversation. And, admittedly, it does work. Keiko instinctively slaps Yusuke hard enough to knock him to the ground and he starts laughing, saying that he doesn't care what anyone on the street says, she hits the hardest.

What I do like about this is that the assault isn't the only thing Keiko bases her faith on. Not only has she already had the dream, we get to see Yusuke from her perspective, showing all the mannerisms she picks up on by superimposing Yusuke's real body over Kuwabara's. Indeed, she says as much: “I knew it was you from the first time you spoke…and it’s not just your stupid gags, or how you laugh. There are ways you move and speak that in a hundred years I wouldn’t forget."

Catch me crying in this club!

Knowing she believes him and that he's almost out of time, Yusuke reiterates his message: please don't burn my body and also keep Mom on track. Only, you know, it's phrased far better than that lol. As he speaks, both Yusuke's and Kuwabara's voices overlap until the latter grows fainter and only Yusuke's voice remains. His body too. It's a nice touch, avoiding the awkwardness of Keiko having this moment with a stranger, even if that is what's happening on some level.

“I know I’ve been a bum to you at times, but please wait for me."

His hour up, now we can get the awkwardness! Kuwabara comes out of his weird trance thing to find Keiko crying against his chest. Wow, he thinks, this girl must be really into me! 

God, to have the confidence of Kuwabara.

Of course, Keiko quickly realizes it's not Yusuke anymore and slaps him too for cuddling her closer. My favorite thing is that when she does this a crowd INSTANTLY appears. I mean they TELEPORT in. We needed an audience for Kuwabara's shame and YYH delivered, all logic be damned.

“Um, sorry about that!” Keiko yells as she runs away, because she's a good person who recognizes that weird spirit things just went on and Kuwabara isn't actually to blame.

“No, that’s okay. I probably deserved it," Kuwabara responds because he's also a good person and I didn't appreciate him nearly as much as I should have as a kid.

Keiko runs all the way to Atsuko's place where she finds her dressed for Yusuke's funeral. She blurts that Yusuke might still be coming back and Atsuko goes, "He already has." Turns out she opened his coffin to "smack him one more time for leaving me" — yikes — and found that his heart had started beating again, just as Koenma said it would. 

Being in a shonen anime, they apparently decide to just trust Keiko's message rather than, idk, taking him to a hospital or something.

The camera tilts up to show that Yusuke has been watching all this, including that both women break down again and comfort one another. Aww. How heartwarming.

What's less fuzzy though is this mysterious egg. Yusuke takes another look and finds that it has developed a heartbeat too, presumably in time with his body's. He theorizes that he did decent things today, right? But Botan (teasingly) points out that he did beat up a lot of other kids. Rather than getting angry, Yusuke remains uncharacteristically pensive, emphasizing the magnitude of what this means for him. He's got to get it right.

No pressure or anything! We'll have to see how Yusuke balances his karmic scales in the next episode. Until then, I'll try not to put all my TV time into Star Trek: Voyager :D 

See you then!  💜

#YYH #Yu Yu Hakusho #YYH recaps #mymetas

[une-nuit-pour-se-souvenir]

random thoughts while i’m re-reading sansa ii and sansa iii.

but i haven’t yet written down properly for the project sansa thing

Sansa II

Sansa rode to the Hand's tourney with Septa Mordane and Jeyne Poole, in a litter with curtains of yellow silk so fine she could see right through them. They turned the whole world gold.

Sansa II is about Sansa’s naive outlook in life. In here, she literally sees the world through gold tinted lenses.

The splendor of it all took Sansa's breath away; the shining armor, the great chargers caparisoned in silver and gold, the shouts of the crowd, the banners snapping in the wind . . . and the knights themselves, the knights most of all.

"It is better than the songs," she whispered when they found the places that her father had promised her, among the high lords and ladies.

The knights, most of all. This chapter should give us Sansa’s true knight, amongst all the false knights.It may even not be a knight, a she begins with this chapter quite idealistic but ends it knowing true knights are cruel (Gregor Clegane), and who wins the Tourney of the Hand is Sandor Clegane, who’s not a knight.

They watched the heroes of a hundred songs ride forth, each more fabulous than the last. 

Most likely, metaphoric for all of Sansa’s “true knight” candidates, or knights she finds through her journey. The Tourney of the Hand features in narrative order:

The seven knights of the Kingsguard took the field, all but Jaime Lannister in scaled armor the color of milk, their cloaks as white as freshfallen snow. > Sansa’s tenure in King’s Landing. These knights follow Joffrey’s orders in abusing Sansa.

Ser Jaime wore the white cloak as well, but beneath it he was shining gold from head to foot, with a lion's-head helm and a golden sword. > Jaime Lannister stands apart from the other kingsguard, as he ignores Cersei’s orders to find Sansa and instructs Brienne to find her, giving her a lion’s head golden sword. He’s actually portrayed as a fool in this chapter, could be Dontos Hollard.

Ser Gregor Clegane, the Mountain That Rides, thundered past them like an avalanche. > Petyr Baelish is narrativelly connected to giants.

Sansa remembered Lord Yohn Royce, who had guested at Winterfell two years before. > Sansa’s tenure at the Vale.

Septa Mordane pointed out Lord Jason Mallister, in indigo chased with silver, the wings of an eagle on his helm. > A winged knight, still at the Vale.

The girls giggled over the warrior priest Thoros of Myr, with his flapping red robes and shaven head, until the septa told them that he had once scaled the walls of Pyke with a flaming sword in hand. > A priest of R’hllor and the wall, along with a flaming sword in hand. We can think of Jon at the Wall, but we can also think of Brienne and Thoros of Myr proper as well considering the end of ADWD.

END PARAGRAPH. Chronologically, this fits the narrative. It may suggest these knights are the ones that shape Sansa’s journey. I’m not convinced of this because of how many other knights are mentioned after this.

The most terrifying moment of the day came during Ser Gregor's second joust, when his lance rode up and struck a young knight from the Vale under the gorget with such force that it drove through his throat, killing him instantly. (...) His cloak was blue, the color of the sky on a clear summer's day, trimmed with a border of crescent moons, but as his blood seeped into it, the cloth darkened and the moons turned red, one by one. (...) It would be different if it had been Jory or Ser Rodrik or Father, she told herself. The young knight in the blue cloak was nothing to her, some stranger from the Vale of Arryn whose name she had forgotten as soon as she heard it.

As many have theorised, this may foreshadow Harry Hardying’s death. Indeed this guy dresses exactly like him, pretentiously with the Arryn coat-of-arms. Interestingly, Sansa says that she’d care if he meant something to her. Around the time Harry is likely to die, Jon is dead at the Wall. Sansa won’t care about Harry, but she’ll care about Jon.

Ser Loras (...) was the youngest rider on the field, yet he had unhorsed three knights of the Kingsguard that morning in his first three jousts. Sansa had never seen anyone so beautiful. His plate was intricately fashioned and enameled as a bouquet of a thousand different flowers, and his snow-white stallion was draped in a blanket of red and white roses. After each victory, Ser Loras would remove his helm and ride slowly round the fence, and finally pluck a single white rose from the blanket and toss it to some fair maiden in the crowd.

The ideal knight, dressed in blue, with the rose thematic. Interestingly, he fights against a Royce and wins. There have been many essays about Loras paralleling Jon here.

However, Brienne also dresses in blue, she wears a blue armour, and whose childhood features a bad memory about a Ser Ronnet offering her roses but was actually mocking her behind her backs. Jon is also thematically linked with blue and roses through his mother, who loved blue winter roses.

It is my conviction Sansa’s true knight is Brienne, not Jon.

    To the other maidens he had given white roses, but the one he plucked for her was red. "Sweet lady," he said, "no victory is half so beautiful as you." (...) She inhaled the sweet fragrance of the rose and sat clutching it long after Ser Loras had ridden off.     When Sansa finally looked up, a man was standing over her, staring. (...) "You must be one of her daughters," he said to her. He had grey-green eyes that did not smile when his mouth did. "You have the Tully look."      "I'm Sansa Stark," she said, ill at ease. (...)     "Your mother was my queen of beauty once," the man said quietly. His breath smelled of mint. "You have her hair." His fingers brushed against her cheek as he stroked one auburn lock. Quite abruptly he turned and walked away.      By then, the moon was well up and the crowd was tired, so the king decreed that the last three matches would be fought the next morning, before the melee.

If we take this all in a chronological order, we have all the knights listed, then Loras Tyrell (Brienne, who started looking for Sansa in ACOK / ASOS), then we have Littlefinger seeing someone else in Sansa but she’s sure of whom she is (Petyr taking Sansa to the Vale, as Alyane Stone), the night comes (winter).

Sansa and Septa Mordane were given places of high honor, to the left of the raised dais where the king himself sat beside his queen. (...) She could not hate Joffrey tonight. He was too beautiful to hate. He wore a deep blue doublet studded with a double row of golden lion's heads(...). Sansa looked at him and trembled, afraid that he might ignore her or, worse, turn hateful again and send her weeping from the table.

A raised dias over everyone else (Wall), Joffrey in blue (Jon as a “Stark”), Sansa is afraid he’ll turn hateful and send her away. This is actually legitimate fear, as Sansa would go to the Wall, yet still afraid Jon would send her away. Jon actually thinks doing this to Arya somewhere in ADWD, the Wall is no place for a woman. It’s also in chronological order with the previous paragraph’s interpretation.

Instead, Joffrey’s perfectly civil, but we must remember he’s Jon’s anti-parallel so whatever’s written about the former reflects in the latter either as a parallel or an anti-parallel and that’s kind of though to figure out.

     He raised his hand to summon a servant with a flagon of iced summerwine, and poured her a cup. (...) The servants kept the cups filled all night, yet afterward Sansa could not recall ever tasting the wine. She needed no wine. She was drunk on the magic of the night, giddy with glamour, swept away by beauties she had dreamt of all her life and never dared hope to know. (...) And Joffrey was the soul of courtesy.      (....) A thick soup of barley and venison. Salads of sweetgrass and spinach and plums, sprinkled with crushed nuts. Snails in honey and garlic. Sansa had never eaten snails before; Joffrey showed her how to get the snail out of the shell, and fed her the first sweet morsel himself. Then came trout fresh from the river, baked in clay; her prince helped her crack open the hard casing to expose the flaky white flesh within. And when the meat course was brought out, he served her himself, slicing a queen's portion from the joint, smiling as he laid it on her plate. She could see from the way he moved that his right arm was still troubling him, yet he uttered not a word of complaint. Later came sweetbreads and pigeon pie and baked apples fragrant with cinnamon and lemon cakes frosted in sugar, but by then Sansa was so stuffed that she could not manage more than two little lemon cakes, as much as she loved them. She was wondering whether she might attempt a third when the king began to shout.

This is similar narrative to Sansa I, especially becomes it features the “return of the trout” and the queen imagery. I proposed in my post on Sansa I that its subtext was about Sansa becoming queen and that Joffrey was a stand-in for Jon, and that their day together foreshadowed the northern campaign. I also mentioned Joffrey’s behaviour could be seen under two different ways, either parallel or anti-parallel, especially when Joffrey is a little shit.

Entrées: no fucking idea, but apparently it involves Jon offering a “snail in honey” to Sansa. I’m... I don’t know.

Fish Course: To remember from Sansa I: “ It was a day for adventures. They explored the caves by the riverbank, and tracked a shadowcat to its lair, and when they grew hungry, Joffrey found a holdfast by its smoke and told them to fetch food and wine for their prince and his lady. They dined on trout fresh from the river, and Sansa drank more wine than she had ever drunk before. "My father only lets us have one cup, and only at feasts," she confessed to her prince.”

I proposed it was interesting because it included conquering the riverlands (exploring the caves by the riverbank would be checking out riverlords for their cause, tracking a shadowcat to its lair would be chasing the lannisters back west, and dining on trout meant taking Riverrun). This time, “her prince helped her crack open the hard casing to expose the flaky white flesh within.” can be seen as foreshadowing a siege of Riverrun that goes well

Meat Course: To remember from Sansa I, Joffrey is humilliated and consequently never forgivies Sansa, so she’d never be a successfull queen married to her (if he was planning on that at all, since he jumped so easily to Margaery). I proposed that Jon as Joffrey’s anti-parallel would be humilliated in battle but he’d move past it (this is basically what happened in the Battle of Winterfell, he got humilliated and he saved her arse, and even expected him to be angry with her but he went all targ sibling on her forehead instead).

In here, we see what I proposed for Jon to go past it reflected, as Joffrey serves Sansa the queen’s portion, smiling as if all is forgiven despite the source of humilliation being present as “She could see from the way he moved that his right arm was still troubling him, yet he uttered not a word of complaint.” Nice guy Snow, thank you very much.

Dessert: No idea, but a few infamous ones are featured. The pigeon pie  present in the purple wedding, cinnamon apples in one of Bran’s banquets (the one he’s given the king’s portion as well), and lemoncakes (three of them), magic number.

Sansa started as Joffrey laid his hand on her arm. "It grows late," the prince said. He had a queer look on his face, as if he were not seeing her at all. "Do you need an escort back to the castle?"

The nice atmosphere is broken because Robert is a dick and fights with Cersei. Joffrey then decides to be a dick as well. This also featured in Sansa I, a boy and a girl fighting, then Joffrey makes a dick of himself.

"You do not tell me what to do, woman," he screamed at Queen Cersei. "I am king here, do you understand? I rule here, and if I say that I will fight tomorrow, I will fight!"

Hopefully, that’s a metaphor for Aegon telling Daniella to go fuck herself, he’s the king of westeros and she does not tell him what to do. I did those dragon posts where Rhaegal (representative of Jon) seems to take take offence of Viserion (Aegon) getting trolled repeatedly.

Sansa could feel the Hound watching her. "Did you think Joff was going to take you himself?" He laughed. He had a laugh like the snarling of dogs in a pit. "Small chance of that." He pulled her unresisting to her feet. "Come, you're not the only one needs sleep. I've drunk too much, and I may need to kill my brother tomorrow." He laughed again.

Joffrey didn’t take Sansa back to Winterfell, but Jon did.

Sansa III

This chapter is completely “useless” at first glance, except for Sansa and Arya’s second squabble, which is when Ned has the ephiphany that Joffrey isn’t Robert’s kid. Other than that, it features a recap of the chapter before, two Sansa and Arya squabbles, and Ned’s "favoritism” (not really, just guilt over his sister) over Arya. So what is this chapter’s for outside of that? The subtext of course.

     "Father, I only just now remembered, I can't go away, I'm to marry Prince Joffrey." She tried to smile bravely for him. "I love him, Father, I truly truly do, I love him as much as Queen Naerys loved Prince Aemon the Dragonknight, as much as Jonquil loved Ser Florian. I want to be his queen and have his babies."     "Sweet one," her father said gently, "listen to me. When you're old enough, I will make you a match with a high lord who's worthy of you, someone brave and gentle and strong. This match with Joffrey was a terrible mistake. That boy is no Prince Aemon, you must believe me." (...)

"Stop that weeping, child," Septa Mordane said sternly. "I am certain your lord father knows what is best for you."

Urgh. lmao.

Ned promises Sansa a high-lord, who’s brave, gentle and strong, that he is no aemon the dragonknight. The latter is the “easier” one, because Jon will remembers much later that he used to say he was Aemon the dragonknight in childplay. Just one out of all that, doesn’t seem promising, eh?

After this, there’s Sansa and Arya cluing in Ned over Joffrey being a bastard aprading as the heir to the Iron Throne, which is the anta-parallel to Jon. As I said in Sansa I post, this could be foreshadowed in the sisters squabbling over Rhaegar’s rubies. It comes in chronologically order, the motifs of the fight at the Trident are similar to what’s used all over GOT, etc etc. So Jon is here again (he was present in  that segment in Sansa I as one of Rhaegar’s ruby), for some reason.

Going back to the beginning of this chapter... the conversation is kind of odd, it goes all over the place. They talk of what happens in there, then Sansa randomly remembers a dream for no reason, and wanders in her mind over this and that. It’s kind of schizophrenic writing... unless it’s kind of awkward because it’s meant to say something else in the subtext... So...

“He wouldn't send Ser Loras," Sansa told Jeyne Poole that night as they shared a cold supper by lamplight. (...) Her father's decision still bewildered her. When the Knight of Flowers had spoken up, she'd been sure she was about to see one of Old Nan's stories come to life. (...) And then Father had refused him! It had upset her more than she could tell. She had said as much to Septa Mordane as they descended the stairs from the gallery, but the septa had only told her it was not her place to question her lord father's decisions.

There have been plenty of essays comparing Jon to Loras Tyrell. This is especially important in Sansa II / Sansa III because Loras is wearing blue (odd choice, as his house colours are green) and roses, thematically connected to Jon’s mother. Ned thinks the kid is too young to be a hero, which is an interesting paralell to him refusing Jon to go to the Wall at first because he was also too young. We can also look at Ned taking Jon as his bsatard son, as taking away the chance to be the song hero. He went from a prince of roses (urgh) to a bastard.

That was when Lord Baelish had said, "Oh, I don't know, Septa. Some of her lord father's decisions could do with a bit of questioning. (...)" (...) He had touched her cheek, his thumb lightly tracing the line of a cheekbone. "Life is not a song, sweetling. You may learn that one day to your sorrow."

Ned’s decision of taking Jon as his bastard will be questioned of course and the truth will come out. Life’s not a song and Lyanna made Ned promise to protect Jon, because Robert would have killed him if he had found out. But Jon has a song, the song of ice and fire. Shut up Littlefinger.

    "Ser Ilyn's the King's Justice, not Ser Loras," Jcyne said. "Lord Eddard should have sent him."     Sansa shuddered. Every time she looked at Ser Ilyn Payne, she shivered. He made her feel as though something dead were slithering over her naked skin. "Ser Ilyn's almost like a second monster. I'm glad Father didn't pick him."      "Lord Beric is as much a hero as Ser Loras. He's ever so brave and gallant." "I suppose," Sansa said doubtfully. Beric Dondarrion was handsome enough, but he was awfully old, almost twenty-two; the Knight of Flowers would have been much better. Of course, Jeyne had been in love with Lord Beric ever since she had first glimpsed him in the lists. Sansa thought she was being silly; Jeyne was only a steward's daughter, after all, and no matter how much she mooned after him, Lord Beric would never look at someone so far beneath him, even if she hadn't been half his age.

(...) "I saw your sister this afternoon," Jeyne blurted out, as if she'd been reading Sansa's thoughts. "She was walking through the stables on her hands. Why would she do a thing like that?"

Instead, Ned chose Beric Dondarrion. There have been plenty of essays that compared Ilyn Payne to Ramsay Bolton (dead eyes and taking over the Stark legacy, etc), and Beric Dondarrion to Jon Snow (dresses in house targ clothes and was ressurrected by a priest of r’hllor, etc). The fact that Ilyn Payne is brought up by Jeyne Poole of all people and after an intermission with the white hart dream, she also mentions Arya, therefore it could be a heartbreaking nod to fake!Arya plotline.

As we also know, Ramsay and Jon have been locked into a bizarre war of wills up north, precisely over fake!Arya. Likewise Beric dying in the middle of his “mission” for the Starks and then ressurrected by a priest of R’hllor, Jon also died while he was going to retake Winterfell and save fake”Arya and its likely he’ll be ressudrected by a priest of R’hllor. In the show, Sansa took over fake!Arya storyline.

It’s interesting to note Beric is awfully old at “twenty-two”, because that’s Jon’s age give it or take it at ADWD if the timeskip between ASOS and AFFC / ADWD  have happened (he’s seventeen or so then). It’s worth noting that Beric is said to be “brave”.

“I had a dream that Joffrey would be the one to take the white hart," she said. It had been more of a wish, actually, but it sounded better to call it a dream. Everyone knew that dreams were prophetic. (...) "He shot it with a golden arrow and brought it back for me." In the songs, the knights never killed magical beasts, they just went up to them and touched them and did them no harm, but she knew Joffrey liked hunting, especially the killing part. Only animals, though.

This one is interesting, because it’s sandwiched between the Ilyn Payne and Arya Stark, which could be a mention to the northern tug of war between Ramsay and Jon mentioned above. As we know though, Jon is one that would fit Sansa’s dream, because not only he protected the direwolves who are magical beasts, he took the white direwolf for himself. “Only touch them and not harm them”, dare I say... gentle? Not only that, the anti-parallel btween Joffrey and Jon is fuelled further since Jon took Lady (and later, he’ll be brigning the white wolf Ghost) back to Sansa while Joffrey took her away.

     "There was a black brother," Sansa said, "begging men for the Wall, only he was kind of old and smelly." She hadn't liked that at all. She had always imagined the Night's Watch to be men like Uncle Benjen. In the songs, they were called the black knights of the Wall. But this man had been crookbacked and hideous, and he looked as though he might have lice. If this was what the Night's Watch was truly like, she felt sorry for her bastard half brother, Jon.

Yoren of the Night’s Watch and it’s self-explanatory, since Jon as a member of the Night’s Watch is even mentioned in this segment. It’s also worth noting that Sansa fantasises the Night’s Watch to be men like Benjen Stark, the black knights of the Wall... dare I say... strong?

It’s also worth noting Sansa’s disilusion with the Night’s Watch comes after a segment that may foreshadow Ramsay and Jon “fighting” over fake!Arya, then Jon being murdered and ressurrected. Which fits eprfectly with Jon’s own disillusion with the Night’s Watch that he felt in the beginning of AGOT but also in the show when he got ressurrected. Not a happy panda.

“And later these two brothers came before him, freeriders from the Dornish Marches, and pledged their swords to the service of the king. Father accepted their oaths . . . “

The Dornish Marches are slightly north of where Jon was born, at the Tower of Joy. Bascially, the next town towards the north is located at the Dornish Marches. In the show, Jon basically pledged his sword to Sansa (Ned’s narrative heir) as well, there’s even a close-in on his sword before they re-meet at Castle Black. Strangely, Sansa IV features Sansa believing Ned’s plans to take her back to Winterfell and the promised match is a hedge knight which is a freerider without a knighthood.

So, in summary, Sansa reports on three men “auditing” Ned. Loras Tyrell, the true hero, which Ned refused and could correspond to Jon as Lyanna Stark’s son due to the narrative uses of blue and roses and refusal. Beric Dondarrion, Ned’s chosen hero, and could correspond to Jon and Ramsay’s tug-of-war with Arya. Finally, Yoren, and could correspond to Jon defecting the Night’s Watch for being disillusioned after being killed by them, something that was rpesent in the show’s foreshadowing all the way back in season 3. Not only is the story presented chronological, after Beric being “brave”, Sansa randomly recalls the white hart dream (”gentle”) and Jon as a black kngith of the wall (”strong”).

So, Jon could actually be lurking in the subtext of that bizarre conversation between Sansa and Jeyne Poole.

The kitchen yielded no lemon cakes, but they did find half of a cold strawberry pie, and that was almost as good. They ate it on the tower steps, giggling and gossiping and sharing secrets, and Sansa went to bed that night feeling almost as wicked as Arya.

The dessert again.

The next morning she woke before first light and crept sleepily to her window to watch Lord Beric form up his men.

The men preparing to war. Still goes on well chronologically with the conversation before. It had stopped at Jon quitting the Night’s Watch and pledging to Sansa.

     "Liar," Arya said. Her hand clenched the blood orange so hard that red juice oozed between her fingers.      "Go ahead, call me all the names you want," Sansa said airily. "You won't dare when I'm married to Joffrey. You'll have to bow to me and call me Your Grace." She shrieked as Arya flung the orange across the table. It caught her in the middle of the forehead with a wet squish and plopped down into her lap.      "You have juice on your face, Your Grace," Arya said.

So from the subtext from Sansa I and Sansa II, I’m convinced Sansa will become queen MUCH sooner than in the show. This squabble over here is interesting, because Arya calls her “your grace” as if she was already queen. So in the subtext that may correlate to that.

This of course, comes with a very strong imagery of wedding consummation. Sansa is wearing a white dress, that gets stained by blood orange juice (red in colour) at the lap (crotch area). Are they related?

The blood orange had left a blotchy red stain on the silk. "I hate her!" she screamed. She balled up the dress and flung it into the cold hearth, on top of the ashes of last night's fire. When she saw that the stain had bled through onto her underskirt, she began to sob despite herself. She ripped off the rest of her clothes wildly, threw herself into bed, and cried herself back to sleep.

In addition, this white dress has red blood, but it also has black fire when it’s thrown into the ashes of the hearth. The words of House Targaryen are fire and blood, the colours are red and black.They’re all there, in this white dress. So it's a Targaryen (virgin, ehem) wedding dress... for Sansa. There are only two male left for that to happen and only one of them has been lurking in the background.

And after this, comes Ned’s covnersation about Sansa’s true match. So Jon’s all over the subtext, of a chapter with wedding consummation imagery and Ned Stark’s promise of the “true one”. Why, if not to marry his arse to Sansa? I do not know.

#return of the trout #this is important because i care about the riverlands #jonsa heavy

[afaimsarrowverse]

The 35 Craziest Arrowverse Episodes

„Crazy“ is an ever changing measure, especially in the Arrowverse. When Time Travel and Parallel Universes were introduced it was a heavy leap from the norm. A couple of seasons later it was pretty much normal. So this list reflects changes in the norm, episodes that pushed the crazy and unusual. What is crazy for on show is not crazy for another one. So if you mix it you might not find it as crazy as something below it, but it is as crazy … for the show it’s featured in.

 So, let’s get into it:

  35. Haunted (Arrow Episode 4.5/74, Written by: Brian Ford Sullivan, Oscar Balderrama, Directed by: John Badham)

 John Constantine crosses over in the Arroverse in this episode which reveals Olivers dealings with him in the past and shows him restoring Saras soul. With this episodes the show started to embrace it supernatural arc, here „Arrow“ got mystically weird.

34.  Hey, World (Legends 4.16/67, Written by: Phil Klemmer, Keto Simizu, Directed by: Kevin Mock)

 In the Season 4 Finale of “Legends” Nate is brought back to life by the power of love and song, Vandal Savage returns in an unusal way and we meet a dancing dragon. Good stuff indeed.

  33.  Mr. And Mrs. Mxyptlk (Supergirl Episode 2.13/33, Written by: Jessica Queller, Sterling Gates, Directed by: Stefan Pleszczynski)

 Do not listen to the haters. This is basically the “Supergirl”-Version of the 90s Trek-Episodes with Q in it. This one is probably the most comic book-y episode “Supergirl” ever did and it’s great.

32.  Welcome to Earth2/Escape from Earth2 (Flash Episodes 2.13-14/36-37, 36: Written By: Greg Berlanti, Andrew Kreisberg, Katherine Walczak, Directed By: Millicent Shelton, 37: Written By: Aaron Helbing, Todd Helbing, David Kob, Directed By: J. J. Makaro)

 Like I said, we got used to multiple earths. However this two parter is the first time we ever visited one. We visit Earth-2 in this, where pretty much everything and everyone is different. We are in for a lot of surprises.

 31.  License to Elongate (Flash Episode 6.6/120, Written By: Thomas Pound, Jeff Hersh, Directed By: Danielle Panabaker)

This one is the „Flash“-Version of a James Bond Movie, with Barry and Ralph encountering a Bond loving villain who steals ideas and lines from movies, which is exactly as much fun as it sounds.

 30.  The Book of Resistance Chapter 4: Earth Crisis (Black Lightning 3.9/38, Written by: Lamont Magee, Directed by: Tasha Smith)

 In this one „Black Lightning“ discovers the multiverse and Jennifer meets different versions of herself, which lead to the shows best episode in quite a surprising way.

29.  Cause and XS (Flash Episode 5.14/106, Written By: Todd Helbing, Jeff Hersh, Directed By: Rachel Talalay)

It’s the “Flash”s time-loop episode. More dark than funny, but with a lot of deaths and an happy ending, so in the end really worth it.

 28.  An Un-Birthday Present (Batwoman 1.11/11, Written by: Chad Fiveash, James Stoteraux, Directed by: Mairzee Almas)

„Batwoman“ goes into the whole doppelganger business with this unusual episode, where Beth is back, which is a surprise for Kate, even more given that Alice is still running around as well.

27.  Invasion! (2) (Arrow (5.8/100, Written by: Greg Berlanti, Marc Guggenheim, Wendy Mericle, Directed by: James Bamford)

While the writers cleary had fun with Barry and Kara in this one, the heart lies in the dream reality, where weg et a look at a world where the Gambit never sunk.

 26.  Doomworld (Legends Episode 2.16/32, Written by: Ray Utarnachitt, Sarah Hernandez, Directed by: Mairzee Almas)

 Alternate timelines are kind of an Arrowverse thing, but this one did not came to be through time travel but through the Legion of Doom rewriting history to their own liking. Therefore there is no cause and effect to the changes, which allowed the writers to have a lot of fun.

 25. Camelot/3000 (Legends Episode 2.12/28, Written by: Anderson Mackenzie, Directed by: Antonio Negret)

 From the far future to Camelot and King Arthur – this episodes travelled far and mixed those two areas up quite nice.

24. Witch Hunt (Legends Episode 4.2/53, Written by: Keto Shimizu und Matthew Maalaa, Directed by: Kevin Mock)

 Here „Legends“ inserted the a singing Fairy Godmother into the era of the Salem Witch Trials. The Fairy Godmother was really not the fairytale kind, but rather an evil one, but boy, she could sing.

 23.  Back from the Future Part 1 (Supergirl (Episode 5.11/98, Written by: Dana Horgan, Katie Rose Rogers, Directed by: David Harewood)

 An evil Winn from another earth turns up, which brings back our Winn and we get a Winn-Off, so to speak, and Winn with Clark Kent glasses so he wouldn’t be recognized.

 22. Elongated Journey into the Night (Flash Episode 4.4/73, Written By: Sterling Gates und Thomas Pound, Directed By: Tom Cavanagh)

 This episode introduces the main one, which was Ralph of course, who discovers his new powers in this and is not as amused about them as we are.

21. What’s Past is Prologue (The Flash Episode 5.8/100, Written By: Todd Helbing und Lauren Certo, Directed By: Tom Cavanagh)

 In the 100th episode Barry and Nora time travel through the history of the show, face down the Flash greatest villains of the past while trying not to change the time line, which of course does not work out.

 20.  Reset (Arrow (Episode 8.6/166, Written by: Onalee Hunter Hughes und Maya Houston, Directed by: David Ramsey)

Yes it’s a time loop episode in „Arrow“! It’s probably the moment the show embraced it’s funny pages origin the most wholehearted.

19. The Virgin Gary (Legends Episode 4.1/52, Written by: Phil Klemmer und Grainee Godfree, Directed by: Gregory Smith)

 John Constantine joins the Legends in the time for a murderous unicorn at Woodstock that roofies most of the team and gets Ray to snog a tree, Mick and Nate to exchange loving vows, and Zari to chase lights.

18. Helen Hunt (Legends Episode 3.6/39, Written by: Keto Shimizu und Ubah Mohamed, Directed by: David Geddes)

 Helen of Troy single handedly destroys the Golden Era of Hollywood, simply by being there and driving men nuts. Studio exes try to kill each other in order to get her, while Damien Darhk becomes her agent to wreck even more havoc.

17. The Fellowship of the Spear (Legends Episode 2.15/31, Written by: Keto Shimizu, Matthew Maala, Directed by: Ben Bray)

 This episode is “Legends”-Homage to Tolkien and his works. However the most quotes and nods go to the Peter Jackson Movies, which is no problem, because we love them too.

16. Starling City (Arrow (Episode 8.1/ 161, Written by: Beth Schwartz und Marx Guggenheim, Directed by: James Bamford)

We are essentially reliving the pilot with a few signifcant changes. Turns out we are actually on Earth-2 and Oliver pretends to be his doppelganger in order to do a thing for The Monitor.

15. Séance and Sensibility (Legends Episode 4.11/62, Written by: Grainne Godfree, Jackie Canino, Directed by: Alexandra La Roche)

 What have Jane Austen and Bollywood in common? Both a represented in this episode that features a Bollywood number and the death of Jane Austens writing career.

14.  Luck is a Lady (Flash Episode 4.3/72, Written By: Sam Chalsen und Judalina Neira, Directed By: Armen V. Kervokian)

This episode introduces Hazard, a Meta who generates Bad Luck in order to have Luck herself which creates a lot more chaos than you would think.

13.  Emerald Archer (Arrow Episode7.12/ 150, Written by: Marc Guggenheim und Emilio Ortega Aldrich, Directed by: Glen Winter)

„Cops“ meets „Arrow“. This is a documentary about Team Arrow, or rather the making of the documentary about Team Arrow or rather a very special very unsusal episode.

12. The Bottle Episode (Supergirl Episode 5.10/97, Written by: Derek Simon, Directed by: Tawnia McKiernan)

 We get a lot of doppelgangers, most of them Brainys, and a lot of chaos, I mean more chaos then most other shows usually have, except for „Legends“.

11. Aruba (Legends Episode 2.17/33, Written by: Phil Klemmer und Marc Guggenheim, Directed by: Rob Seidenglanz)

 The Finale of Season 2 features two sets of Legends, while the team goes back and while Malcolm, Damien, and Snart are mostly confused Eobard strikes back by recruiting a lot of his former selfes.

10. The Good, the Bad and the Cuddley (Legends Episode 3.18/51, Written by: Marc Guggenheim und Phil Klemmer, Directed by: Dermott Downs)

 In the Season 3 Finale we got a massive Beebo who fights a gigantic demon. The Beebo was created by a Legends Orgy and symbolizes … well love I guess.

9. Raiders of the Lost Art (Legends Episode 2.9/25, Written by: Keto Shimizu, Chris Fedak, Directed by: Dermott Downs)

 This is officially the episode where „Legends“ went nuts. Oh and it’s a delicous one. George Lucas never became a filmmaker after being scared of by Malcolms and Damiens attempts to kill amnesiac Rip Hunter who thinks he is an American filmstudent, whose script is basically the plot of the shows first season of „Legends of Tomorrow.“

8.      It’s a Super Life (Supergirl Episode 5.13/100, Written by: Robert Rovner, Jessica Queller, Derek Simon, Nicki Holcomb, Directed by: Jesse Warn)

The 100the episode watches videos of the show and comments on them, then inserts Kara into the past and let her change things and create alternate timelines, what ifs, so of how things would have turned out if she had made different choices.

7. Beebo the God of War (Legends Episode 3.9/42, Written by: Grainne Goodfree und James Eagan, Directed by: Kevin Mock)

 Mostly it’s the episode about Beebo Day. You know, the blue god, who hungers for war and conquest? Whose birthday we celebrate once a year in december and … wait? What was I talking about?

6. Crisis on Infinite Earths Part 1-5 (Supergirl, Batwoman, Flash, Arrow, Legends, Part 1: Supergirl Episode 5.9/96, Written by: Robert Rovner, Marc Guggenheim, Derek Simon, Jay Faerber, Directed by: Jesse Warn, Part 2: Batwoman Episode 1.9/9, Written by: Din Whitehead, Holly Henderson, Directed by: Laura Belsey, Part 3: The Flash Episode 6.9/123, Written By: Lauren Certo, Sterling Gates, Eric Wallace, Directed By: David McWhirter, Part 4: Arrow: Episode 8.8/168, Written by: Marv Wolfman, Marc Guggenheim; Directed by: Glen Winter, Part 5: Legends of Tomorrow Episode 5.0/68, Written by: Keto Shimizu, Ubah Mohamed, Directed by: Gregory Smith)

 In the biggest and craziest Crossover in the history of television the multiverse is destroyed and rebuilt, Oliver Queen dies, we meet an evil Batman and we get a Supermen Team Up, among many other things.

5. Legends of To-Meow-Meow (Legends Episode 4.8/59, Written by: James Eagan und Ray Utarnachitt, Directed by: Ben Bray)

 Sulky about missing out on the Crossover the Legends crossovered with themselves in Season 4. John and Charlie destroyed the timeline for selfish reasons, and now everything is wrong and everything they do makes things worse instead of better.

 4.     Meet the Legends (Legends Episode 5.1/69, Written by: Grainne Godfree, James Eagan, Directed by: Kevin Mock)

This episode is the documentary and the making oft he documentary. Think Arrows „Emerald Archer“ only way carzier and funnier.

 3. Duet (Flash Episode 3.17/63, Written By: Aaron Helbing, Todd Helbing, Greg Berlani, Andrew Kreisberg, Directed By: Dermott Daniels Downs)

 It’s the Musical Episode! The „Supergirl“-Crossover has all the jazz – singing, dancing, kissing, opening up about feelings – and also a mini „Glee“-Reunion.

2.      Elseworlds Part 1-3 (Flash, Arrow, Supergirl, Part 1: The Flash Episode 5.9/101, Written By: Eric Wallace und Sam Chalsen, Directed By: Kevin Tancharoen und Tom Cavanagh, Part 2: Arrow Episode 7.9/147, Written by: Marc Guggenheim und Caroline Dries, Directed by: James Bamford, Part 3: Supergirl Episode 4.9/74, Written by: Mac Guggenheim, Derek Simon und Rob Rovner, Directed by: Jesse Warn)

In this Crossover Oliver und Barry switch identities which no one on Earth-1 believes, but Kara’s help leads to an evil not-quite Superman and a brand new reality.

1.      The One Where we‘re Trapped on TV (Legends Episode 5.13/81, Written by: Grainne Godfree, James Eagan, Directed by: Marc Guggenheim)

And the award for the Craziest TV Episode of all time goes to this one, where the Legends are trapped on TV. We get very familiar but strange versions of „Friends“, „Downtown Abbey,“ and „Star Trek“ with the Legends as the main characters instead.

#Arrowverse #Arrow #The Flash #Supergirl #legends of tomorrow #Batwoman #Black Lightning #Craziest Episodes #favorite episodes

[theravencawsatmidnight]

Drag Me To Hell...

Monster Prompts #3 “i'm going to breed you” #11” look at you… I thought you wanted me to stop?” With Demon! King Bakugou.

Warnings. NonC. Group NonC. First Time. ImPreg. Mind Break. Blood.

You loved the supernatural . The Mercy Thompson Series, The Vampire Diaries. The TV shows, Lost Girl, Supernatural , Being Human . Even horror video games like Until Dawn. Anything horror and supernatural you loved. But you were taking that interest a little too far according to your friends. When you told them you wanted to try practising the Dark Arts and they just looked at you. ‘That's not a real thing ya know y/n’ is what they always told you. But who were they to tell you how to live your life?

You also wanted to buy a ouija board so you could see if you could talk to the dead. The website you ordered the board from seemed really into demons and hell but you paid no mind really. It would be cool to summon a demon but you were just a beginner . Before you were about to check out the site suggested a seance book. It was black and orange with an interesting star crest in the middle. You shrugged adding it on , smiling at that Free Shipping you just unlocked.

••

It arrived the very next day . In a pretty well put together purple box with a bloody red ribbon you couldn't see throwing away. So you made it into a bracelet and a necklace. It burned your skin once it made contact. But when you checked in the mirror nothing was there, no singes, nothing. So eh , what the hell. Right?

You sat down on the floor setting up the board and pulled the book on your lap to read it. You raised an eyebrow at the summoning items. Where the hell would you get goat's blood? A virgin sacrifice? Well.. you shrugged that off and found a chapter about the board. You set the book down and lit some candles, turning off the lights.

You grabbed the dial and held it over the board repeating the words in the book. The dial shook and you couldn't help but have a stupid grin on your face.

“ is anyone there?”

‘Y,E.,S”

You shook all giddy. “What's .. your name?”

“S.E.E. F.O.R Y.O.U.R.S.E.L.F”

You tilted your head. What did that mean? “How can i see you.?”

“B.L.O.O.D.C.H.A.L.K.”

“Blood and chalk? Like a chalk circle?”

“Y.E.S.”

You hopped up running to find some chalk and the dial spazzed out hovering over “M.I.N.E” .

••

He was sitting on his throne when you weakly summoned him. He looked up from his claws to see a wavy cloud of you reading a book. Oh look at you.. this might be fun. And you even have the ribbons on.. perfect.

He leaned on his knuckles while he talked to you. His long lizard tail slapping all around the hot ground. He was a Demon King in Hell. He had thousands of goblin minions who waited on him claw and foot. A giant red dog slept at his side , his fur was spiked on his back and the tips were black. The King though. Was at least 6’5. Lean, muscle, scary charred feet and legs that he covered with some kind of fur cloth. His chest was bare with scratches going in every direction along with the charred skin creeping up like hands up at his pecks. He had strong charred arms equipped with curved claws. The ashy blond hair traveled down to the middle of his back and his horns were long and mighty with a blood red crown hanging off the left horn. Curling back at the edge. Piercing red eyes stared into your soul. He chuckled deep at how innocent you were. He was going to break you.

••

You returned with the items and sat back down to see the dial where you left it. You made the circle on your carpet, placing the candles down on each tip. He grinned watching you.

“The knife. Use the knife my pet.” He said to himself leaning forward. His dog also woke up to see his master looking excited and hungry.

You held the knife to your head making a small cut . You winced, tipping your hand over and the blood fell in the center while you repeated the words in the book.

Bakugou grinned standing up as the cloud of you turned into a portal. He laughed alerting his goblins and they all ran over cheering for a new toy to arrive.

“Tonight we dine!!!” Bakugou yelled as his bat wings spread out bringing him to the portal.

The floor shook and you got very hot all of a sudden. The candles tipped over starting a fire and you backed away screaming. The circle opened up and a long charred claw rose out scratching at the floor .

You screamed again looking for the door but it was on fire. You started to cough and get dizzy. This wasn't actually happening was it?!? You summoned a DEMON? No no, i mean you CANT. A second claw appeared clawing up the floor and you saw two long horns along with a crown.

Bakugou pulled himself up stepping into your world with a very hungry grin on his face . His tail flicked around crushing your tv . His horns dug into the ceiling scratching it all up and his claws reached out to you, offering his hand. “Come. My little Feast. come meet your new Husband” He hissed at you , almost mocking you.

You backed up more and his tail shot to you grabbing your ankle making you scream out . He dragged you to him , his wings spreading out knocking everything over. You were getting hotter, burning. You could smell burning skin. You dug your nails into the carpet as if it would do something. Bakugou snapped his claws and the ribbon glowed making the burning flesh heal . You didn't feel any heat all of a sudden, you didn't feel like you were burning alive.

Bakugou grabbed your ankle and his tail let go . He laughed and laughed flipping you over, ripping your clothes off and licking your stomach to your face with his very long tongue. “Lets go , shall we?” He dragged you down with him, right down to hell.

••••

Bakugou grabbed your ankle yanking your clothes off and threw you right down once the portal closed. Right down to his minions and dog . The goblins caught you and immediately started touching you all over. Little slimy hands covered every inch of your body , touching your chest, pulling at your nipples and digging into your pussy. One of them tried to pry your mouth open and you shook him off , you rolled over and one of them humped your rear trying to get himself inside you.

You begged for this to stop but one of the goblins shoved his slimy cock down your throat and began to face fuck you. You screamed and he just went faster. another goblin went for your pussy and Bakugous tail grabbed him, tossing him into some lava. “No one touches my feast there. That's mine.” He said sitting back down on his throne watching the goblins stomp around forming a line at your mouth.

Bakugou laid his leg over his knee watching with satisfaction on his face. His dog rubbed on Bakugous side and Bakugou reached up to pet his nose. “Hungry?” He waved his hand and some meat appeared. The dog wagged his tail pouncing on the food and Bakugou turned his attention back to you.

••

Every single one used your mouth , and if one tried to sneak back in line Bakugou tossed them into the lava. You had cum falling out of your mouth forming a puddle at your chest. It was starting to form a bump in your stomach and your jaw was aching .

By the time they were all satisfied Bakugou got up and they all ran off on little short legs going elsewhere. Bakugou kneeled down grabbing your hair so he could see your face. You coughed up a bunch of cum heaving hard. He smiled at you showing off his fangs, talking deep.

“That was fun right? I'm surprised you lived through it. Most women dont. “

“I…”

“Hm? Why are you here? Why you summoned me of course. “ he licked at your face cleaning it all up from tears and cum. He spit into some lava and lifted you up more. “ Those words you repeated in the book? Were vows. Your mine. Forever. And if you think you're gonna die down here then guess again.” The ribbons glowed a shiny red. “Your immortal now. And I'm gonna breed you. Every.Single.Chance i get. “

“But im-...”

“But what.?!? A lonely little human? You thought you could .. play around with a little book?!? Practice some dark arts like they do in those fantasies of yours?!? Well guess what honey it's real. And you're never leaving this place.”

He dragged you to his throne sitting down and pulled you up, you tried to fight him but as soon as he grabbed hold of you he slid you right down on his hard cock all the way down. You screamed. It echoed all throughout hell . The smell of your blood made him go nuts. Fucking you hard and fast , he didint care if he was breaking you, didint care if it hurt. He only wanted to fuck you till your mind broke . Till you were begging him for his cock like a bitch in heat.

••

The days went on . And the goblins demanded service at least every other day. But fewer and fewer showed up since Bakugou had to toss them in the lava. Other demons showed up too, creatures you've never seen before. Wanting the same treatment. Your jaw broke a few times and Bakugou had to snap it back into place each time with an annoyed look on his face.

You were free to walk around Hell as you pleased, but if you did you had to service anyone you came across. And Bakugous dog had to go with you just in case anyone tried anything with your pussy. They could have your ass though, no matter how loud you screamed no one helped you. Just waited for their turn while the big demon dog wagged his tail watching the lava burst nearby .

Why exactly were you walking around Hell?!? A very small part of you.. the part that wasn't broken. Was fascinated with everything you saw. It was all you had left of yourself, your real self. You even found a quiet spot away from creatures and goblins. A shady spot with no lava , it looked like a little cave almost. You crawled inside hugging yourself . It had been a month? Maybe? Did anyone know you were gone? You looked down at your stomach rubbing the small bump. You had fallen pregnant at some point. All you could think about was what it would look like. And the king.

Your hand dipped between your legs and you rubbed your clit in circles , leaning back on the warm rock sighing with relief. The demon king rushed all around in your head causing you to breath hard and slip a couple fingers in. “My king..” you sighed into your shoulder. The dog howled and minutes later he was there, crouching down watching you with a smile.

“Look at you.”

“King..” you crawled to him in between his legs fishing his cock out and hugging his hips. He smirked turning you around to run a claw down your rear watching it shake . You offered your dripping pussy to him and he rubbed your stomach. “Look at you… I thought you wanted me to stop..,?”

A whine left your mouth and Bakugou got up on his knees rubbing his cock on you . You came hard just from that and Bakugou grinned, rubbing his cock on your clit . “Oh you little slut. I'm glad you saw it my way” He shoved all the way inside you and you looked up grinning like an idiot. You came again and Bakugou tipped his head back laughing into the dark.

••

@crushonkatsuki @knifeewifee @squeaky-ducky @maron-k-rh @lady-bakuhoe @kittifer @redflannel

#bakugou x reader #demon king bakugou #monstermonth2020 #bakugou katsuki #DragMeToHell

[secret-engima]

Oo! For your Nox verse you mentioned Axis and now I'm all ears for anything you're willing to talk about for the Kingsglaives. Is Axis Nox's assigned guard? Does Noctis have one he's close with like you hinted Arra is for Nox? Does Regis assign *Ardyn* a glaive? It might give more reason for him to interact with Titus? Just what is the Kingsglaive in general's reaction to the chancellor being not that bad actually and basically defecting to Lucis?

(cracks knuckles) Anon. ANON. Kingsglaive are a fav okay? I am always willing to talk about them. ALWAYS. In this AU though, Axis is not actually a glaive. The Kingsglaive was only formed a few months after Nox and Ardyn time-traveled, and Nox met him sometime not long after arriving in the past, so Axis was wandering around taking Hunts to get by. Axis, upon meeting Nox “I’m going to single-handed blow up ALL the Nif’s stuff” Izunia ended up tagging along a few times and then just … never really stopped. Be ends up becoming Nox’s official Shield after Nox is discovered by Regis, but honestly considered himself that well before (because someone has to keep these moron, and his uncle by extension, alive). Nox gets to know the rest of the galahdians through Axis after he’s discovered.

For the rest of the glaives (who are actual glaives in this), Noctis … I don’t think he has a particular favorite? Nox starts dragging Noctis down to the glaive HQ to “train” with them (read: play with them and endear himself to them) so Noctis kinda ends up adopted en masse by these guys (though honestly Tredd might glom onto being Noctis’s buddy/reckless older bro just to spite Axis, because how DARE his buddy in crime get his own LC and not share with Tredd?). Regis assigns the Kingsglaive and the Crownsguard in rotation to guard Ardyn because Chancellor of Niflheim, but Ardyn’s trolling tendency weeds out 98% of the Crownsguard pretty fast (Ardyn: ”It’s not my fault they can’t take a joke!”). Titus, being also Glauca (and secretly Ardyn’s newest minion) tends to volunteer himself after the first five trolling sprees just to keep this moron (who is also somehow his boss, Astrals save him) from driving the entire Citadel nuts.

For your last question. Hmmmm (straps on HC hat) warning this is gonna be LONG:

-Nobody in the glaive is happy when they learn that the Chancellor of Niflheim is a guest (actual guest, not prisoner) in the Citadel. The fact that he’s going to remain a guest for the indefinite future because their King apparently had a kid with the Chancellor’s sister just makes it worse. Nobody is happy and some Potentially Traitorous Things are often mumbled half-heartedly over their alcohol in the first few days when only the Crownsguard are allowed near him (mostly just different ways of calling Regis an idiot, nothing actually harmful or murderous). The glaive however, don’t think the Crownsguard are going to stay Ardyn’s primary keepers for long. Not just because of their general disdain for the organization that prefers to hide behind the Wall rather than fight, but because all of them saw Captain’s face when Ardyn’s arrival was announced. It was the same face he wore the last time the Nifs unleashed a trio of Behemoths onto the field. The one that screamed “Damage Control Inbound” and “This is Going to Become Our Problem and We’re All Collectively Doomed”.

-Then they actually start getting assigned to the man and he’s … nothing like what they were expecting. There is no brilliant tactician, no cunning, poison-tongue politician. No enemy infiltrating their second home using his own nephew as leverage. There’s just a man in tacky clothes and the world’s Dumbest Hat who hides from the irate doctors who insist he needs medical intervention for his weight and general health problems Right Now and only lets Captain or his nephew bully him into eating more than a single meal per day. There’s just an uncle who teases his nephew mercilessly but never lets the boy get lost in his own head (which is too easy for the kid to do, they all recognize the signs of Battle Trauma) and dotes on their crown prince like he’s a long lost nephew rather than the son of the Lucian king.

-There’s just a very, very tired soul who they sometimes find in the Hall of Arts, staring up at the picture of the Founder King and First Oracle with deceptively blank expression and a faintly cracking voice as he sings something Ancient that sounds like a lullaby for all they can’t understand the words, swaying to the melody of his own song like he’ll topple and shatter the moment someone puts pressure on the wrong place.

-Nyx is the first one other than Captain to find him like that, and for all he wants to hate the man who represents Niflheim (represents the empire that burned Galahd and killed his sister), he instead finds himself coaxing Ardyn away from the Hall with gentle words and steady hands, just like he would any of his brother or sister glaives. Nyx mentions it to Captain later, which is how he and the others learn that this isn’t an uncommon occurrence. That they should keep him away from the Hall of Arts if they can.

-It’s the first sign that Ardyn isn’t a vicious leader of monsters playing nice to trick an enemy, but a broken, tired man using his nephew as an excuse to finally escape his glittering cage of “Chancellor”.

-None of them are quite sure what to make of that, so they watch, they listen, they learn. …They get attached. Grudgingly. One prank and melodramatic smile and accidentally witnessed quiet moment at a time. There are a lot of sides to Ardyn Izunia, like the individual fragments of a broken mirror, and somehow the glaives keep being allowed to stumble on them. Somehow they keep getting attached to the shards, one by one and moment by moment without realizing that Ardyn is getting attached in return.

-Until one day, on a good day when Ardyn is wearing his Cheerful, Melodramatic Self and the glaives are hiding their snickers in the corners as they follow him like shadows, two of the King’s Council meet him in the halls. Look down their noses with contemptuous eyes, just like they do the glaives themselves and (in that uniquely flowery way only politicians can) start insulting Ardyn under the guise of casual conversation. They watch, seething despite themselves, as Ardyn takes it, smiles through it, tilts his head like he doesn’t know exactly what they are doing. Libertus finally ducks out of the shadows, bites out some made up excuse of Ardyn’s presence being requested by Cor (the councilmen wouldn’t prevent the Marshal’s orders from being followed and wouldn’t ask him about it later and discover the lie), grinds his teeth when the two councilmen turn their flowery poison on Libertus and the Kingsglaive (the Galahdian refugees) as well. Just like they always do.

-In the middle of taking a step to follow Libertus away, the glaives see Ardyn go still as a painting. See blue eyes sharpen like blades and then-. He turns around in one fluid movement, like it was intentional all along, his easy smile still in place but now dripping an unstated sort of malice that takes the glaive by surprise. They watch, gaping and confused, as Ardyn suddenly transforms into the monster they expected to find those first weeks he arrived in the Citadel, the vaunted Niflheim Chancellor who could ruin people with a smile and a few honeyed words. Where a moment ago he’d been passively taking insults, now Ardyn runs verbal mazes around the two councilmen, ripping them open and stripping them down to their barest, ugliest parts all while never dropping his friendly, polite mien. Somewhere in the “conversation” (massacre), the glaives are pretty sure Ardyn blackmails the two councilmen into supporting a bunch of refugee support programs that, as a technical enemy politician, Ardyn should not know about and they are definitely sure that Ardyn manages to pull it off while simultaneously insulting the two men’s family lines all the way back to the era of the Founder King. By name.

-As he suddenly bids the sputtering councilmen good day and trails along after a wide-eyed Libertus and a long-suffering Captain who arrived somewhere in the verbal massacre, his footsteps silent and predatory when around the glaive he’s always been easy and noisy (to let them know he’s there, to ensure he cannot startle them), the glaive realize that Ardyn is every inch the monster they were expecting. Every centimeter the poisonous, deadly politician they complained about before getting to know him. He just … doesn’t bare his fangs at the people that, by all conventional logic, he should. Somewhere along the way, this Niflheim Chancellor decided that he was more loyal to the line of Lucis and the ragtag refugees called the Kingsglaive than he was his own empire, and that if hiding his claws and acting oblivious around disapproving, snobby nobles was what it took to stay rather than having to return to his own country (his prison), then he would.

-Over drinks, they all agree Ardyn Izunia, former Chancellor of Niflheim, is the scariest person they’ve ever seen. And that they are all really glad he’s on their side.

(hope that satisfies your Ask, Anon! It … spiraled out of my control)

#SE asks #anon asks #Melodies and Manuscripts #Nox verse #Secret Engima Rambles

[the-light-is-running-low]

Ask Compilation 3!

Answers below the cut! (SORRY SOME OF THESE ARE ALMOST 5 MONTHS LATE)

Ohh good questions!  I feel like if Jevil were left alone, he could have the potential to heal a bit, but never would go completely back to normal.  He is permanently altered at this point.  His views of the world, his soul.  Things have changed.  The Knight’s pull on him would remain even if the knight were to die, because Jevil’s mindset has been permanently altered.  It’s like if you crumple up a piece of tin foil.  You can try to smooth it out, but it’s always going to be wrinkled, and you might end up tearing it if you try too hard to uncrumple it.

Currently, Jevil’s completely nuts.  If the Knight were to disappear, Jevil could have the potential of getting a little better (like he could have the potential to be healed to a point where he wouldn't hurt anyone), but... he would always be off by enough to be considered insane.

I don’t have a completely valid answer for this, unfortunately!  The only thing I can think of is if the red joker card was put into the doll (like one of those toys that has a secret compartment to store things). 

Anyways, that’s a pretty awful theory, but that’s what I’m going with.  Seam was the Court Magician.  That’s canon.  And the red joker is considered the magician, while the black joker is considered the fool.  Jevil was the fool, Seam was the magician.  Seam’s clothing is red, Jevil’s cape, pants, and overalls are black.  The two of them were the only two who could ‘match the games that they’d play’.  I think this is more than enough proof to show that Seam is considered the red joker! 

THE VERDICT IS IN:  YES.  YES HE IS.

It’s more of a symbolic/hallucination thing.  To show that the world is crumbling around them.  To show how utterly distorted Jevil’s vision is.  I should have made that more clear, apologies!

@wingsofivory​

Jevil’s mind is super cloudy right now.  He’s not very aware of what he’s doing right now.  If he were to get a moment of clarity, he’d argue that nothing’s real (as shown in the comic).  However, even his moments of ‘clarity’ are still not allowing him to truly think clearly.  So to answer your question, both! 

Seam: 

@mystqry​

THANK YOU SO MUCH DUDE!  I really really appreciate it!  That really makes me smile and gosh????  I’m so happy you’re enjoying everything and have been enjoying the comic!!!

@koalakind​ THIS IS SO LATE BUT THIS ASK MADE ME SMILE SO WIDE WHEN I FIRST SAW IT AND I TRULY APPRECIATE IT

Who knows!  Certainly not I!

READ AND FIND OUT, DEAR FOLLOWER!  Welcome to my blog i hope you enjoy the new content that comes out soon!

@possomfaced​

Nope, Spark was not a glitch!  When Jevil said ‘all the glitches are dealt with’, he kind of meant he worked out all the kinks- as in, Spark was his first person that he was able to blind with darkness.  He now has massive confidence in his abilities.  Also, keep in mind that his mind isn’t quite right.  He, himself, is not thinking clearly.  Some lines have meaning.  Some are just gibberish.  It’s up to you all to figure what’s meaningful and what is not.  Good luck!

I’m so glad you’ve caught onto that!  Jevil is still a clown, even if a negative force is degrading his mind.  He just wants to have fun, he wants to play!  He wants other people to play the same way he does, to see the world from his new perspective.  And that’s important to note!

:)

OH SHIT THIS ANON DOESNT FOOL AROUND AT ALL!!! PREACH!!!!  

OH I LOVE THIS QUESTION!!!!  I thought about it for a while and figured out that Jevil would probably tear the poor thing to shreds while trying to find its eyes.  Scraping and scratching at them as he makes his attempts, in a complete frenzy.

@draconic-beasties​

Jevil grabbed Seam because he was getting impatient and didn’t really want to wait for Seam to take his turn.  Perhaps scare him into retaliating quicker.  Jevil knows Seam is slow when it comes to putting actions into motion.  But he wanted to play right then and there.  It would be boring, oh so boring, to wait for the old mage to make a move.

@boxlizard

OH YEAH Seam definitely would have a bag of catnip.  He’d probably hide it in some secret compartment within his house in a sealed bag within an air-tight jar so that no AHEM certain gremlins.... would get their grubby little paws on it.  Because that would be complete and utter chaos.

Not within this comic!  But!  I can tell you some vague stuff so you can unravel the story at your own pace.  The Dark world was created by Lighteners, as were the Darkeners.  Lighteners bestowed Darkeners with a purpose.  For example, Seam and Jevil, it was to entertain.  For the Kings, it was to maintain order when the Lighteners were not around.  Upon the Lighteners leaving for good, the world was plunged into darkness.  In other words, the classroom was abandoned and the lights were turned off.  That’s all I really have to say- feel free to ask more specific questions later on, but yeah! 

AND LAST BUT NOT LEAST, HERE ARE SOME PARTICULARLY ENJOYABLE COMMENTS THAT I HAD THE PLEASURE OF READING OVER WHEN THE PAGES WERE FIRST RELEASED:

#ask compilation #THANK YOU SO MUCH FOR YOUR LOVELY RESPONSES TO MY COMIC #IT HAS BEEN A JOY HEARING SUCH POSITIVE FEEDBACK FROM YOU ALL! <3 #TOMORROW STARTS THE EVENT BUCKLE UP

[glasyasbutch]

Time! Line! Asks! Roona: 2! Craving: 5! I make you be nice to Craving asmr!!! Ezra: 7! Gildy: 14! Tov: 8! Did I just go through your active characters page! Yes!!!! Go nuts king!!!

hee hee hoo hoo!!!!!!!!!! thank u rebekah!!!! (also thanks for the reminder to add gent and take off gildy from my active characters nnsfsdkl)

2. the timeline in which they never met who would become the most influential or important person in their life, or that person was taken from them before they were capable of forming memories.

Now this is an interesting one for roona, because they genuinely don’t have a single person in their life that i consider to be hugely influential. like, i guess at the moment you could say sepia man, for trapping her in black and white hell, or vinny, for talking her into taking that job.

but honestly, roona doesn’t form long-term attachments, and that’s not a sad thing for her! she enjoys the constant change, and she has plenty of good memories and people she considers friends, but she just doesn’t hang around any of them long enough to experience a lot of change that wouldn’t have otherwise occurred had she not been trying with that exact purpose.

so, in some ways, this timeline is pretty much identical to the one they’re in now. they float around from place to place without much regard for what they’re going to and what they’re leaving behind outside of following the trail of interest they’re currently on.

in other ways, removing any one person from their life would disrupt the timeline just as much as anyone else, because every single place she’s been and person she’s met has tweaked her path in life just a little bit. roona functions like a domino snake, falling moment to moment to moment and not able to see ahead because theres the thing thats happening right now in the way, but if you turn one domino even a little, you might miss the next one entirely and stop the trail right then, or skip to another area. so picking any random person to remove from her life very well could mean that alternate universe roona is still on the material plane, across the country from where they and vinny last were, a college of whispers bard multiclassed with rogue posing as a cleric just to get better gossip.

roona lives her life unchanged, yet utterly changed, and always random.

5. the timeline in which they continue on from the current point in their life to the best happy ending within their reach, where nothing that has happened so far is negated, but the happy things start piling up

craving’s backed herself so far into a corner that there’s no happy ending for her without some strife first. so we’ll get that out of the way.

the party finds out who her patron is. maybe judhas lets it slip, maybe she gets drunk again and spills it to val in a heart to heart about their devil cult trauma, maybe the morning lord sends manic and message and she can’t bear to lie to him when he’s sitting right next to her and asking so sincerely what she did to try and let him walk the high road.

and she cries. she cries, and she screams, and she pushes people away, and she retreats beneath her own skin and tries to hide because she knows this is her fault but she cannot admit she fucked up because she has to believe in what she’s doing if she’s going to see it through.

but someone snaps her out of it. someone gives her an exit. someone (or several someones) vow to stand by her side without judgement and get her out of this mess no matter the cost because they don’t believe that she’s as hopelessly damned as the rest of the world.

they break out of barovia first and foremost. they stab that vampire bitch right through the heart.

she gets to tell judhas to fuck the hell off, and god does it feel good.

then, she discovers the location of sirris’ true soul, that it is not in hell, and she has no reason to have her pact anymore, and she finds a way to break it, even against the queen of loopholes.

she runs into stella again, a free woman, and its been so damn long since they saw each other. they both had their trauma turned on them to manipulate them into subversion and they both are tearing that control apart from the inside. so they clean each others wounds and kiss each other’s bruises and craving finally says “i love you” because god damn it, she does, and she knows stella already knew, but her star deserves to hear it.

manic has a happy ending too, because he and craving are too close for her to have one without him. he sticks with the morninglord, i think. this god seems good for him, even if he won’t really be your typical preacher-type paladin. he probably finds love again in val. if not romance, at the very least family. at least one of her and manic gets a cat again.

craving lives her life supported, wanted, and free.

7. the timeline in which they never experience the loss that taught them something important

this is actually pretty similar to #1 that morgan gave me for him (timeline for ideal life) but i’ll give a quick thing.

the loss was cate’s death, and it taught him that the world is ultimately uncontrollable, even by the gods. at first it made him angry, that he was lied to, and he didn’t want to trust in anyone for fear that he’d be let down. he took five years to start calming down, and then it began to transfer into making him overly kind, because if all he can control in this world is himself, he wants that part to be as welcoming as possible.

so, in a world where cate doesn’t die, he never becomes disillusioned and reillusioned with the idea of devotion. he simply grows in his trust of tamara. his power increases, he becomes a staple of the temple, he lives a happy life inside its battered walls.

i would posit that he might actually be less compassionate in this timeline. not that he’s mean, he’s a very dedicated paladin of a mercy goddess. but, ultimately, he believes that mercy is a given in the world. he believes in tamara’s ability to force it to occur, and that he is simply a conduit. so he makes less effort to cultivate it himself. kindness is no longer a conscious choice that he has to make, and perhaps, that means it falls slightly more to the wayside.

ezra lives his life secure, confident, and devout.

14. the timeline in which they take a chance they didn’t in canon

i’m gonna do a real throwback here, to gildy’s first campaign that lasted ... less than 10 sessions. I think it was a total of like 6. 

in our second session, we met this old man who lived in the middle of nowhere and everyone thought he was super weird because he would go out in the mornings and sweep dust off his lawn and carry it inside. gildy asked him what he was doing and he revealed that this was actually ash, floating over on the wind from a near-ish-by volcano with a connection to the fire plane. he mixed the ash in with clay to create enchanted pottery.

now, playing an elderly 3d artist, i really wanted to flirt with this other elderly 3d artist, but the dm said no because we’d never come back to this town. but, in the timeline where gildy couldve done whatever the fuck she wanted because she wasn’t constricted by a meta-plot, she would’ve tried really hard to get to know this guy!

she would’ve asked to learn some pottery, her hands still work just fine even though her knees don’t always. she’s used to shaping metal, which fights back. she’d love to learn to shape clay, which almost moves before you do. (she might have tried to do the ghost pottery scene with this dude. she knows what’s up). 

there was a nice smithy in town too, made all kinds of weapons and armor. she would’ve taken up apprenticeship with them and hopefully become one of their artisans. and i think she would’ve had a wonderful time there! a new city, with new people, a new love of her life, all the creation she could ask for at her fingertips, a life that hasn’t grown stagnant even after 270 years. there’s also, if i remember right, a mountain nearby. she does get a little homesick from time to time, the view helps. 

gildy lives her life reimagined, shared, and satisfied.

8. the timeline in which they gain everything they want, except for the thing they wanted most

i think this is actually the timeline he’s in right now!!!!!! he wants more than anything to go back home and be forgiven. i don’t think that’ll happen. even if he does reconcile with rax eventually, he’ll have been gone too long for the clan to feel like home in the same way, and i don’t think either rax or him will ever be able to forget what happened, just build a new relationship around it.

but, he has friends now, which he never thought he would. and a house. with a business under it! what!!!!!!!!!!!!!!!!!! he’s doing good for the city. he’s part of an order dedicated to righteousness and law. he’s an upstanding citizen!

and. of course. he has savra. he has the potential for unconditional love, for family, for future, everything he thought he’d get back from rax one day, but probably won’t. he’ll fall in love with her before he even knows it, (he’s already started), and when he finally realizes, he’ll feel more okay with it than he ever thought he would be, because she knows what its like to feel shame and she knows how to grow past it. 

he’ll be her good man, and a good father eventually, and he won’t even need to go back home anymore (even though he’ll want to, he’ll always feel a bit of guilt that the half-dragon babies only know their human grandparents, and he’ll miss the summer festival food because you just can’t get the right spices in waterdeep even if he and savra try to cook the meals themselves, and he’ll miss the way his brother punches his arm when he laughs because savra never does that, and -). but he’ll have a home in ways he never thought a home could be, but he likes them, and he’s happy, truly, even with the shadows that still curl around the corner of his heart. 

tov lives his life long, useful, and good.

#THANK YOU REBEKAH I RLY LIKED DOING THIS ONE #craving #tov #ezra #gildy #roona #asks

[grigori77]

2019 in Movies - My Top 30 Fave Movies (Part 3)

10.  HOW TO TRAIN YOUR DRAGON: THE HIDDEN WORLD – while I love Disney and Pixar as much as the next movie nut, since the Millennium my loyalty has been slowly but effectively usurped by the consistently impressive (but sometimes frustratingly underappreciated) output of Dreamworks Animation Studios, and in recent years in particular they really have come to rival the House of Mouse in both the astounding quality of their work and their increasing box office reliability.  But none of their own franchises (not even Shrek or Kung Fu Panda) have come CLOSE to equalling the sheer, unbridled AWESOMENESS of How to Train Your Dragon, which started off as a fairly loose adaptation of Cressida Cowell’s popular series of children’s stories but quickly developed a very sharp mind of its own – the first two films were undisputable MASTERPIECES, and this third and definitively FINAL chapter in the trilogy matches them to perfection, as well as capping the story off with all the style, flair and raw emotional power we’ve come to expect.  The time has come to say goodbye to diminutive Viking Hiccup (Jay Baruchel, as effortlessly endearing as ever) and his adorable Night Fury mount/best friend Toothless, fiancée Astrid (America Ferrera, still tough, sassy and WAY too good for him), mother Valka (Cate Blanchett, classy, wise and still sporting a pretty flawless Scottish accent) and all the other Dragon Riders of the tiny, inhospitable island kingdom of Berk – their home has become overpopulated with scaly, fire-breathing denizens, while a trapper fleet led by the fiendish Grimmel the Grisly (F. Murray Abraham delivering a wonderfully soft-spoken, subtly chilling master villain) is beginning to draw close, prompting Hiccup to take up his late father Stoick (Gerard Butler returning with a gentle turn that EASILY prompts tears and throat-lumps) the Vast’s dream of finding the fabled “Hidden World”, a mysterious safe haven for dragon-kind where they can be safe from those who seek to do them harm.  But there’s a wrinkle – Grimmel has a new piece of bait, a female Night Fury (or rather, a “Light Fury”), a major distraction that gets Toothless all hot and bothered … returning writer-director Dean DeBlois has rounded things off beautifully with this closer, giving loyal fans everything they could ever want while also introducing fresh elements such as intriguing new environments, characters and species of dragons to further enrich what is already a powerful, intoxicating world for viewers young and old (I particularly love Craig Ferguson’s ever-reliable comic relief veteran Viking Gobber’s brilliant overreactions to a certain adorably grotesque little new arrival), and like its predecessors this film is just as full of wry, broad and sometimes slightly (or not so slightly) absurd humour and deep down gut-twisting FEELS as it is of stirring, pulse-quickening action sequences and sheer, jaw-dropping WONDER, so it’s as nourishing to our soul as it is to our senses.  From the perfectly-pitched, cheekily irreverent opening to the truly devastating, heartbreaking close, this is EXACTLY the final chapter we’ve always dreamed of, even if it does hurt to see this most beloved of screen franchises go. It’s been a wild ride, and one that I think really does CEMENT Dreamworks’ status as one of the true giants of the genre …

9.  TERMINATOR: DARK FATE – back in 1984, James Cameron burst onto the scene with a stone-cold PHENOMENON, a pitch-perfect adrenaline-fuelled science fiction survival horror that spawned a million imitators but has never truly been equalled.  Less than a decade later, he revisited that universe with a much bigger and far bolder vision, creating an epic action adventure that truly changed blockbuster cinema for the better (or perhaps worse, depending on how you want to look at it), but, with its decidedly final, full-stop climax, also effectively rendered itself sequel-proof.  Except that Hollywood had other ideas, the unstoppable money machine smelling potential profit and deciding to milk this particular cash cow for all it was worth – on the small screen, it was the impressive but ultimately intrinsically limited Sarah Connor Chronicles, while on the big screen they cranked out THREE MORE sequels, Sony Pictures starting with straightforward retread Rise of the Machines and following with post-apocalyptic marmite movie Salvation, while Twentieth Century Fox then tried a sort-of soft reboot follow-up to T2 in Genisys.  These were all interesting in their own way (personally, I like them all, particularly Salvation), but ultimately suffered from diminishing returns and whiffed strongly of trying too hard without quite getting the point. Cameron himself had long since washed his hands of the whole affair, and it looked like that might well be it … but then Skydance Productions founder David Ellison thought up a new take to breathe much needed new life into the franchise, and enlisted Cameron’s help to usher it in properly, with Deadpool director Tim Miller the intriguing but ultimately inspired choice to helm the project.  The end result wisely chooses to paint right over all the pretenders, kicking off right where Judgement Day left off, and as well as Cameron being heavily involved in the story itself, draws another ace with the long-awaited ON-SCREEN return of Linda Hamilton in the role that’s pretty much defined her career, hardboiled survivor Sarah Connor.  I’ll leave the details of her return for newcomers to discover, suffice to say she gets caught up in the chase when a new, MUCH more advanced terminator is sent back in time to kill unassuming young Mexican factory worker Dani Ramos (Natalia Reyes).  Of course, the future resistance has once again sent a protector back to watch her back, Grace (Blade Runner 2049’s Mackenzie Davis), a cybernetically-enhanced super-soldier specifically outfitted to combat terminators, who reluctantly agrees to team up with the highly experienced Sarah in order to keep Dani alive. Arnold Schwarzenegger once again returns to the role that truly made him a star (of course, how could he not?), and he for one has clearly not lost ANY of his old love or enthusiasm for playing the old T-800, but revealing exactly HOW he comes into the story this time would give away too much; the new terminator, meanwhile, is brilliantly portrayed by Gabriel Luna (probably best known for playing Ghost Rider in Marvel’s Agents of SHIELD), who brings predatory menace and an interesting edge of subtle, entitled arrogance to the role of Rev-9.  Ultimately though, this is very much the ladies’ film, the three leads dominating the action and drama both as they kick-ass and verbally spar in equal measure, their chemistry palpably strong throughout – Hamilton is as badass as ever, making Sarah even more of a take-no-shit survivalist burnout than she ever was in T2, and she’s utterly mesmerising in what’s EASILY her best turn in YEARS, while Reyes goes through an incredible transformative character arc as she’s forced to evolve from terrified salary-girl to proto she-warrior through several pleasingly organic steps … my greatest pleasure, however, definitely comes from watching Mackenzie Davis OWN the role of Grace, investing her with an irresistible mixture of icy military precision, downright feral mother lion ferocity and a surprisingly sweet innocence buried underneath all the bravado, thus creating one of my favourite ass-kicking heroines not just for the year but this past decade entirely. Unsurprisingly, in the hands of old hand Tim Miller (working from a screenplay headlined by Blade and Batman Begins scribe David Goyer) this is a pulse-pounding thrill ride that rarely lets its foot up off the pedal, but thankfully the action is ALWAYS in service to the story, each precision-crafted set piece engineered to perfection as we power through high speed chases, explosive shootouts and a succession of bruising heavy metal smackdowns, but thankfully there’s just as much attention paid to the characters and the story – given the familiarity of the tale there’s inevitably a certain predictability to events, but Miller and co. still pull off a few deftly handled surprise twists, while character development always feels organic.  Best of all, this genuinely feels like a legitimate part of the original Terminator franchise, Cameron and Hamilton’s returns having finally brought back the old magic that’s been missing for so long. I’d definitely be willing to sign up for more of this – such a shame then that, thanks to the film’s frustrating underperformance at the box office, it looks like this is gonna be it after all. Damn it …

8.  DOCTOR SLEEP – first up, before I say anything else about this latest Stephen King screen adaptation, I HAVE NOT yet got round to reading the original novel yet, so I can’t speak to how it compares.  That said, I HAVE read The Shining, to which the book is a direct sequel, so I DO know about at least one of the major, KEY changes, and besides, this is actually a sequel to Stanley Kubrick’s MOVIE of The Shining, which differed significantly from its own source material anyway, so there’s that … yeah, this is a complicated kettle of fish even BEFORE we get down to the details.  Suffice to say, you don’t have to have read the book to get this movie, but a working knowledge of Kubrick’s horror classic may at least help you get some context before watching this … anyways, enough with the confusion, on to the meat of the matter – this is a CRACKING horror movie by any stretch, and, for me, one of the strongest King horrors to make it to the big screen in quite some time.  Of course it helps no end to have a filmmaker of MAJOR calibre at the helm, and there are few working in horror at the moment with whom I am quite so impressed as Mike Flanagan, writer-director of two of this past decade’s definitive horrors (at least for me), Oculus and Hush, as well as a BLINDING TV series adaptation of The Haunting of Hill House for Netflix – the man is an absolute master of the craft, incredibly skilled with all the tricks of this particular genre’s trade, and, as it turns out, a perfect fit with King’s material.  Following on from The Shining, then, we learn what happened to the kid, Danny Torrance, after he and his mother left the Overlook Hotel in the wake of his father’s psychotic break driven by monstrous apparitions “living” in the cursed halls, following him from childhood as he initially shuns the psychic gifts (or “shine”) he was taught to use by the hotel’s late caretaker, Dick Halloran.  It’s only in later years, as he fights to overcome his alcoholism and self-destructive lifestyle, that he reconnects with that power, just in time to discover psychic “pen-pal” Abra Stone, an immensely powerful young psychic.  Which leads us to the present day, when Abra, now a teenager, becomes the target of the True Knot, a group of psychic vampires who travel America hunting and killing young people with psychic abilities in order to consume their “smoke” (basically the stuff of their “shines”), thus expanding their already unnatural lifespans – they’re tracking Abra, and they’re getting close, and only her “Uncle Dan” can save her from them.  Ewan McGregor is PERFECT as the grown-up Dan, delivering one of his career-best turns as he captures the world-weary seriousness of someone who’s seen, felt and had to do things no-one should, especially when he was so very young, the kinds of things that colour a soul for their entire life, and he’s clearly DESPERATE not to become his father; newcomer Kyleigh Curran, meanwhile, is an absolute revelation as Abra, bringing depth and weight far beyond her years to the role, but never losing sight of the fact that, under all the power, she’s ultimately still just a child; there are also excellent supporting turns from the likes of Cliff Curtis as Dan’s best friend and AA sponsor Billy Freeman, Zahn McClarnon (Longmire, Fargo season 2) and Emily Lind (Revenge, Code Black) as True Knot members Crow Daddy and Snakebite Annie, and Carl Lumbly (Cagney & Lacey, TV’s Supergirl), who beautifully replaces deceased original actor Scatman Crothers in the role of Dick.  The film’s tour-de-force performance, however, comes from Rebecca Ferguson as Rose the Hat, leader of the True Knot – they’re an intriguing bunch of villains, very well written and fleshed out, and it’s clear they have genuine love for one another, like a real family, which makes it hard not to sympathise with them a little bit, and this is none more true than in Rose, whom Ferguson invests with so much light and warmth and intriguing, complex character, as well as a fantastic streak of playful mischief that makes her all the more riveting in those times when they then turn around and do some truly heinous, unforgivable things … as horror movies go this is the cream of the crop, but Flanagan has purposefully kept away from jump scares and the more flashy stuff, preferring, like Kubrick in The Shining, to let the insidious darkness bubble up underneath good and slow, drawing out the creepiness and those most unsettling, twisted little touches the author himself is always so very good at.  Intent can be such a scary thing, and Flanagan gets it, so that’s just what he uses here.   As a result this is a fantastic slow-burn creep-fest that constantly works its way deeper under your skin, building to a phenomenal climax that, (perversely) thanks in no small part to the differences between both novels and films, pays as much loving tribute to Kubrick’s visionary landmark as the original novel of The Shining.  For me, this is Flanagan’s best film to date, and as far as Stephen King adaptations go I consider this to be right up there with the likes of The Mist and The Green Mile.  Best of all, I think he’d be proud of it too …

7.  SPIDER-MAN: FAR FROM HOME – summer 20019 was something of a decompression period for fans of the Marvel Cinematic Universe, with many of us recovering from the sheer emotional DEVASTATION of the grand finale of Phase 3, Avengers: Endgame, so the main Blockbuster Season’s entry really needed to be light and breezy, a blessed relief after all that angst and loss, much like Ant-Man & the Wasp was last year as it followed Infinity War.  And it is, by and large – this is as light-hearted and irreverent as its predecessor, following much the same goofy teen comedy template as Homecoming, but there’s no denying that there’s a definite emotional through-line from Endgame that looms large here, a sense of loss the film fearlessly addresses right from the start, sometimes with a bittersweet sense of humour, sometimes straight.  But whichever path the narrative chooses, the film stays true to this underlying truth – there have been great and painful changes in this world, and we can’t go back to how it was before, no matter how hard we try, but then perhaps we shouldn’t. This is certainly central to our young hero’s central arc – Peter Parker (Tom Holland) is in mourning, and not even the prospect of a trip around Europe with his newly returned classmates, together with the chance to finally get close to M.J. (Zendaya), maybe even start a relationship, can entirely distract him from the gaping hole in his life. Still, he’s gonna give it his best shot, but it looks like fate has other plans for our erstwhile Spider-Man as superspy extraordinaire Nick Fury (Samuel L. Jackson) comes calling, basically hijacking his vacation with an Avengers-level threat to deal with, aided by enigmatic inter-dimensional superhero Quentin Beck, aka Mysterio (Jake Gyllenhaal), who has a personal stake in the mission, but as he’s drawn deeper into the fray Peter discovers that things may not be quite as they seem. Of course, giving anything more away would of course dumps HEINOUS spoilers on the precious few who haven’t yet seen the film – suffice to say that the narrative drops a MAJOR sea-change twist at the midpoint that’s EVERY BIT as fiendish as the one Shane Black gave us in Iron Man 3 (although the more knowledgeable fans of the comics will likely see it coming), and also provides Peter with JUST the push he needs to get his priorities straight and just GET OVER IT once and for all.  Tom Holland again proves his character is the most endearing teenage geek in cinematic history, his spectacular super-powered abilities and winning underdog perseverance in the face of impossible odds still paradoxically tempered by the fact he’s as loveably hopeless as ever outside his suit; Mysterio himself, meanwhile, frequently steals the film out from under him, the strong bromance they develop certainly mirroring what Peter had with Tony Stark, and it’s a major credit to Gyllenhaal that he so perfectly captures the essential dualities of the character, investing Beck with a roguish but subtly self-deprecating charm that makes him EXTREMELY easy to like, but ultimately belying something much more complex hidden beneath it; it’s also nice to see so many beloved familiar faces returning, particularly the fantastically snarky and self-assured Zendaya, Jacob Batalon (once again pure comedy gold as Peter’s adorably nerdy best friend Ned), Tony Revolori (as his self-important class rival Flash Thompson) and, of course, Marisa Tomei as the ever-pivotal Aunt May, as well as Jackson and Cobie Smoulders as dynamite SHIELD duo Fury and his faithful lieutenant Maria Hill, and best of all Jon Favreau gets a MUCH bigger role this time round as Happy Hogan.  Altogether this is very much business as usual for the MCU, the well-oiled machine unsurprisingly turning out another near-perfect gem of a superhero flick that ticks all the required boxes, but a big part of the film’s success should be attributed to returning director Jon Watts, effectively building on the granite-strong foundations of Homecoming with the help of fellow alumni Chris McKenna and Erik Sommers on screenplay duty, for a picture that feels both comfortingly familiar and rewardingly fresh, delivering on all the required counts with thrilling action and eye candy spectacle, endearingly quirky character-based charm and a typically winning sense of humour, and plenty of understandably powerful emotional heft.  And, like always, there are plenty of fan-pleasing winks and nods and revelations, and the pre-requisite mid- and post-credit teasers too, both proving to be some proper game-changing corkers.  Another winner from the Marvel Cinematic Universe, then, but was there really ever any doubt?

6.  US – back in 2017, Jordan Peele made the transition from racially-charged TV and stand-up comedy to astounding cinemagoers with stunning ease through his writer-director feature debut Get Out, a sharply observed jet black comedy horror with SERIOUS themes that was INSANELY well-received by audiences and horror fans alike.  Peele instantly became ONE TO WATCH in the genre, so his follow-up feature had A LOT riding on it, but this equally biting, deeply satirical existential mind-bender is EASILY the equal of its predecessor, possibly even its better … giving away too much plot detail would do great disservice to the many intriguing, shocking twists on offer as middle class parents Adelaide and Gabe Wilson (Black Panther alumni Lupita Nyong’o and Winston Duke) take their children, Zora (Shahadi Wright Joseph) and Jason (Evan Alex), to Santa Cruz on vacation, only to step into a nightmare as a night-time visitation by a family of murderous doppelgangers signals the start of a terrifying supernatural revolution with potential nationwide consequences.  The idea at the heart of this film is ASTOUNDINGLY original, quite an achievement in a genre where just about everything has been tried at least once, but it’s also DEEPLY subversive, as challenging and thought-provoking as the themes visited in Get Out, but also potentially even more wide-reaching. It’s also THOROUGHLY fascinating and absolutely TERRIFYING, a peerless exercise in slow-burn tension and acid-drip discomfort, liberally soaked in an oppressive atmosphere so thick you could choke on it if you’re not careful, such a perfect horror master-class it’s amazing that this is only Peele’s second FEATURE, never mind his sophomore offering IN THE GENRE.  The incredibly game cast really help, too – the four leads are all EXCEPTIONAL, each delivering fascinatingly nuanced performances in startlingly oppositional dual roles as both the besieged family AND their monstrous doubles, a feat brilliantly mimicked by Mad Men and The Handmaid’s Tale-star Elisabeth Moss, Tim Heidecker and teen twins Cali and Noelle Sheldon as the Wilsons’ friends, the Tylers, and their similarly psychotic mimics.  The film is DOMINATED, however, by Oscar-troubler Nyong’o, effortlessly holding our attention throughout the film with yet another raw, intense, masterful turn that keeps up glued to the screen from start to finish, even as the twists get weirder and more full-on brain-mashy.  Of course, while this really is scary as hell, it’s also often HILARIOUSLY funny, Peele again poking HUGE fun at both his intended audience AND his allegorical targets, proving that scares often work best when twinned with humour.  BY FAR the best thing in horror in 2019, Us shows just what a master of the genre Jordan Peele is, and it looks like he’s here to stay …

5.  KNIVES OUT – with The Last Jedi, writer-director Rian Johnson divided audiences so completely that he seemed to have come perilously close to ruining his career.  Thankfully, he’s a thick-skinned auteur with an almost ridiculous amount of talent, and he’s come bouncing back as strong as ever, doing what he does best. His big break feature debut was with Brick, a cult classic murder mystery that was, surprisingly, set in and around a high school, and his latest has some of that same DNA as Johnson crafts a fantastic sleuthy whodunit cast in the classic mould of Agatha Christie, albeit shot through with his own wonderfully eclectic verve, wit and slyly subversive streak.  Daniel Craig holds court magnificently as quirky and flamboyant Deep South private detective Benoit Blanc, summoned to the home of newly-deceased star crime author Harlan Thrombey (Christopher Plummer) to investigate his possible murder and faced with a veritable web of lies, deceit and twisting knives as he meets the maybe-victim’s extensive and INCREDIBLY dysfunctional family, all of whom are potential suspects.  Craig is thoroughly mesmerising throughout, clearly having the time of his life in one of his career-best roles, while the narrative focus is actually, interestingly, given largely to Ana de Armas (Blade Runner 2049 and soon to be seen with Craig again in the latest Bond-flick No Time To Die), who proves equally adept at driving the film as Harlan’s sweet but steely and impressively resourceful nurse Marta Cabrera, whose own involvement in the case it would do the film a massive disservice to reveal. The rest of the Thrombey clan are an equally intriguing bunch, all played to the hilt by an amazing selection of heavyweight talent that includes Jamie Lee Curtis, Michael Shannon, Toni Collette and It’s Jaeden Martell, but the film is, undeniably, DOMINATED by Chris Evans as Harlan’s black sheep grandson Ransom, the now former Captain America clearly enjoying his first major post-MCU role as he roundly steals every scene he’s in, effortlessly bringing back the kind of snarky, sarcastic underhanded arrogance we haven’t seen him play since his early career and entertaining us thoroughly.  Johnson has very nearly outdone himself this time, weaving a gleefully twisty web of intrigue that viewers will take great pleasure in watching Blanc untangle, even if we’re actually already privy to (most of) the truth of the deed, and he pulls off some diabolical twists and turns as we rattle towards an inspired final reveal which genuinely surprises. He’s also generously smothered the film with oodles of his characteristically dry, acerbic wit, wonderfully tweaking many of the classic tropes of this familiar little sub-genre so this is at once a loving homage to the classics but also a sly, skilful deconstruction.  Intriguing, compelling, enrapturing and often thoroughly hilarious, this is VERY NEARLY the best film he’s ever made.  Only the mighty Looper remains unbeaten …

4.  CAPTAIN MARVEL – before the first real main event of not only the year’s blockbusters but also, more importantly, 2019’s big screen MCU roster, Marvel Studios president Kevin Feige and co dropped a powerful opening salvo with what, it turns out, was the TRUE inception point of the Avengers Initiative and all its accompanying baggage (not Captain America: the First Avenger, as we were originally led to believe).  For me, this is simply the MCU film I have MOST been looking forward to essentially since the beginning – the onscreen introduction of my favourite Avenger, former US Air Force Captain Carol Danvers, the TRUE Captain Marvel (no matter what the DC purists might say), who was hinted at in the post credits sting of Avengers: Infinity War but never actually seen.  Not only is she the most powerful Avenger (sorry Thor, but it’s true), but for me she’s also the most badass – she’s an unstoppable force of (cosmically enhanced) nature, with near GODLIKE powers (she can even fly through space without needing a suit!), but the thing that REALLY makes her so full-on EPIC is her sheer, unbreakable WILL, the fact that no matter what’s thrown at her, no matter how often or how hard she gets knocked down, she KEEPS GETTING BACK UP.  She is, without a doubt, the MOST AWESOME woman in the entire Marvel Universe, both on the comic page AND up on the big screen. Needless to say, such a special character needs an equally special actor to portray her, and we’re thoroughly blessed in the inspired casting choice of Brie Larson, who might as well have been purpose-engineered exclusively for this very role – she’s Carol Danvers stepped right out of the primary-coloured panels, as steely cool, unswervingly determined and strikingly statuesque as she’s always been drawn and scripted, with just the right amount of twinkle-eyed, knowing smirk and sassy humour to complete the package.  Needless to say she’s the heart and soul of the film, a pure joy to watch throughout, but there’s so much more to enjoy here that this is VERY NEARLY the most enjoyable cinematic experience I had all year … writer-director double-act Anna Boden and Ryan Fleck may only be known for smart, humble indies like Half Nelson and Mississippi Grind, but they’ve taken to the big budget, all-action blockbuster game like ducks to water, co-scripting with Geneva Robertson-Dworet (writer of the Tomb Raider reboot movie and the long-gestating third Sherlock Holmes movie) to craft yet another pitch-perfect MCU origin story, playing a sneakily multilayered, misleading game of perception-versus-truth as we’re told how Carol got her powers and became the unstoppable badass supposedly destined to turn the tide in a certain Endgame … slyly rolling the clock back to the mid-90s, we’re presented with a skilfully realised mid-90s period culture clash adventure as Carol, a super-powered warrior fighting for the Kree Empire against the encroaching threat of the shape-shifting Skrulls, crash-lands in California and winds up uncovering the hidden truth behind her origins, with the help of a particular SHIELD agent, before he wound up with an eye-patch and a more cynical point-of-view – yup, it’s a younger, fresher Nick Fury (the incomparable Samuel L. Jackson, digitally de-aged with such skill it’s really just a pure, flesh-and-blood performance). There’s action, thrills, spectacle and (as always with the MCU) pure, skilfully observed, wry humour by the bucket-load, but one of the biggest strengths of the film is the perfectly natural chemistry between the two leads, Larson and Jackson playing off each other BEAUTIFULLY, no hint of romantic tension, just a playfully prickly, banter-rich odd couple vibe that belies a deep, honest respect building between both the characters and, clearly, the actors themselves.  There’s also sterling support from Jude Law as Kree warrior Yon-Rogg, Carol’s commander and mentor, Ben Mendelsohn, slick, sly and surprisingly seductive (despite a whole lot of make-up) as Skrull leader Talos, returning MCU-faces Clark Gregg and Lee Pace as rookie SHIELD agent Phil Coulson (another wildly successful de-aging job) and Kree Accuser Ronan, Annette Bening as a mysterious face from Carol’s past and, in particular, Lashana Lynch (Still Star-Crossed, soon to be seen in No Time To Die) as Carol’s one-time best friend and fellow Air Force pilot Maria Rambeau, along with the impossibly adorable Akira Akbar as her precocious daughter Monica … that said, the film is frequently stolen by a quartet of ginger tabbies who perfectly capture fan-favourite Goose the “cat” (better known to comics fans as Chewie).  This is about as great as the MCU standalone films get – for me it’s up there with the Russo’s Captain America films and Black Panther, perfectly pitched and SO MUCH FUN, but with a multilayered, monofilament-sharp intelligence that makes it a more cerebrally satisfying ride than most blockbusters, throwing us a slew of skilfully choreographed twists and narrative curveballs we almost never see coming, and finishing it off with a bucket-load of swaggering style and pure, raw emotional power (the film kicks right off with an incredibly touching, heartfelt tear-jerking tribute to Marvel master Stan Lee).  Forget Steve Rogers – THIS is the Captain MCU fans need AND deserve, and I am SO CHUFFED they got my favourite Avenger so totally, perfectly RIGHT.  I can die happy now, I guess …

3.  JOHN WICK CHAPTER 3 – needless to say, those who know me should be in no doubt why THIS was at the top of my list for summer 2019 – this has EVERYTHING I love in movies and more. Keanu Reeves is back in the very best role he’s ever played, unstoppable, unbeatable, un-killable hitman John Wick, who, when we rejoin him mere moments after the end of 2017’s phenomenal Chapter 2, is in some SERIOUSLY deep shit, having been declared Incommunicado by the High Table (the all-powerful ruling elite who run this dark and deadly shadowy underworld) after circumstances forced him to gun down an enemy on the grounds of the New York Continental Hotel (the inviolable sanctuary safe-house for all denizens of the underworld), as his last remaining moments of peace tick away and he desperately tries to find somewhere safe to weather the initial storm.  Needless to say the opening act of the film is ONE LONG ACTION SEQUENCE as John careers through the rain-slick streets of New York, fighting off attackers left and right with his signature brutal efficiency and unerring skill, perfectly setting up what’s to come – namely a head-spinning, exhausting parade of spectacular set pieces that each put EVERY OTHER offering in every other film this past year to shame.  Returning director Chad Stahelski again proves that he’s one of the very best helmsmen around for this kind of stuff, delivering FAR beyond the call on every count as he creates a third entry to a series that continues to go from strength to strength, while Keanu once again demonstrates what a phenomenal screen action GOD he is, gliding through each scenario with poise, precision and just the right balance of brooding charm and so-very-done-with-this-shit intensity and a thoroughly enviable athletic physicality that really does put him on the same genre footing as Tom Cruise.  As with the first two chapters, what plot there is is largely an afterthought, a facility to fuel the endless wave of stylish, wince-inducing, thoroughly exhilarating violent bloodshed, as John cuts another bloody swathe through the underworld searching for a way to remove the lethal bounty from his head while an Adjudicator from the High Table (Orange Is the New Black’s Asia Kate Dillon) arrives in New York to settle affairs with Winston (Ian McShane), the manager of the New York Continental, and the Bowery King (Laurence Fishburne) for helping John create this mess in the first place.  McShane and Fishburne are both HUGE entertainment in their fantastically nuanced large-than-life roles, effortlessly stealing each of their scenes, while the ever-brilliant Lance Reddick also makes a welcome return as Winston’s faithful right-hand Charon, the concierge of the Continental, who finally gets to show off his own hardcore action chops when trouble arrives at their doorstep, and there are plenty of franchise newcomers who make strong impressions here – Dillon is the epitome of icy imperiousness, perfectly capturing the haughty superiority you’d expect from a direct representative of the High Table, Halle Berry gets a frustratingly rare opportunity to show just how seriously badass she can be as former assassin Sofia, the manager of the Casablanca branch of the Continental and one of John’s only remaining allies, Game of Thrones’ Jerome Flynn is smarmy and entitled as her boss Berrada, and Anjelica Houston is typically classy as the Director, the ruthless head of New York’s Ruska Roma (John’s former “alma mater”, basically).  The one that REALLY sticks in the memory, though, is Mark Dacascos, finally returning to the big time after frustrating years languishing in lurid straight-to-video action dreck and lowbrow TV hosting duties thanks to a BLISTERING turn as Zero, a truly brilliant semi-comic creation who routinely runs away with the film – he’s the Japanese master ninja the Adjudicator tasks with dispensing her will, a thoroughly lethal killer who may well be as skilled as our hero, but his deadliness is amusingly tempered by the fact that he’s also a total nerd who HERO WORSHIPS John Wick, adorably geeking out whenever their paths cross.  Their long-gestating showdown provides a suitably magnificent climax to the action, but there’s plenty to enjoy in the meantime, as former stuntman Stahelski and co keep things interestingly fluid as they constantly change up the dynamics and add new elements, from John using kicking horses in a stable and knives torn out of display cases in a weaponry museum to dispatch foes on the fly, through Sofia’s use of attack dogs to make the Moroccan portion particularly nasty and a SPECTACULAR high octane sequence in which John fights katana-wielding assailants on speeding motorcycles, to the film’s UNDISPUTABLE highlight, an astounding fight in which John takes on Zero’s disciples (including two of the most impressive guys from The Raid movies, Cecep Arif Rahman and Yayan Ruhian) in (and through) an expansive chamber made up entirely of glass walls and floors.  Altogether then, this is business as usual for a franchise that’s consistently set the bar for the genre as a whole, an intensely bruising, blissfully blood-drenched epic that cranks its action up to eleven, shot with delicious neon-drenched flair and glossy graphic novel visual excess, a consistently inspired exercise in fascinating world-building that genuinely makes you want to live among its deadly denizens (even though you probably wouldn’t live very long).  The denouement sets things up for an inevitable sequel, and I’m not at all surprised – right from the first film I knew the concept had legs, and it’s just too good to quit yet.  Which is just how I like it …

2.  AVENGERS: ENDGAME – the stars have aligned and everything is right with the world – the second half of the ridiculously vast, epic, nerve-shredding and gut-punching MCU saga that began with 2018’s Avengers: Infinity War has FINALLY arrived and it’s JUST AS GOOD as its predecessor … maybe even a little bit better, simply by virtue of the fact that (just about) all the soul-crushing loss and upheaval of the first film is resolved here.  Opening shortly after the universally cataclysmic repercussions of “the Snap”, the world at large and the surviving Avengers in particular are VERY MUCH on the back foot as they desperately search for a means to reverse the damage wrought by brutally single-minded cosmic megalomaniac Thanos and his Infinity Stone-powered gauntlet – revealing much more dumps so many spoilers it’s criminal to continue, so I’ll simply say that their immediate plan really DOESN’T work out, leaving them worse off than ever.  Fast-forward five years and the universe is a very different place, mourning what it’s lost and torn apart by grief-fuelled outbursts, while our heroes in particular are in various, sometimes better, but often much worse places – Bruce Banner/the Hulk (Mark Ruffallo) has found a kind of peace that’s always eluded him before, but Thor (Chris Hemsworth) really is a MESS, while Clint Barton/Hawkeye (Jeremy Renner) has gone to a VERY dark place indeed. Then Ant-Man Scott Lang (Paul Rudd) finds a way back from his forced sojourn in the Quantum Realm, and brings with him a potential solution of a very temporal nature … star directors the Russo Brothers, along with returning screenwriters Christopher Markus and Stephen McFeely, have once again crafted a stunning cinematic masterpiece, taking what could have been a bloated, overloaded and simply RIDICULOUS narrative mess and weaving it into a compelling, rich and thoroughly rewarding ride that, despite its THREE HOURS PLUS RUNNING TIME, stays fresh and interesting from start to finish, building on the solid foundations of Infinity War while also forging new ground (narratively speaking, at least) incorporating a wonderfully fresh take on time-travel that pokes gleeful fun at the decidedly clichéd tropes inherent in this particular little sub-genre.  In fact this is frequently a simply HILARIOUS film in its own right, largely pulling away from the darker tone of its predecessor by injecting a very strong vein of chaotic humour into proceedings, perfectly tempering the more dramatic turns and epic feels that inevitably crop up, particularly as the stakes continue to rise.  Needless to say the entire cast get to shine throughout, particularly those veterans whose own tours of duty in the franchise are coming to a close, and as with Infinity War even the minor characters get at least a few choice moments in the spotlight, especially in the vast, operatic climax where pretty much the ENTIRE MCU cast return for the inevitable final showdown.  It’s a masterful affair, handled with skill and deep, earnest respect but also enough irreverence to keep it fun, although in the end it really comes down to those big, fat, heart-crushing emotional FEELS, as we say goodbye to some favourites and see others reach crossroads in their own arcs that send them off in new, interesting directions.  Seriously guys, keep a lot of tissues handy, you really will need them.  If this were the very last MCU film ever, I’d say it’s a PERFECT piece to go out on – thankfully it’s not, and while it is the end of an era the franchise looks set to go on as strong as ever, safe in the knowledge that there’s plenty more cracking movies on the way so long as Kevin Feige and co continue to employ top-notch talent like this to make their films. Eleven years and twenty-two films down, then – here’s to eleven and twenty-two more, I say …

1.  THE IRISHMAN (aka I HEARD YOU PAINT HOUSES) – beating smash-hit superhero movies and unstoppable assassin action-fests to the top spot is no mean feat, but so completely blowing me away that I had NO OTHER CHOICE than to put this at NUMBER ONE is something else entirely.  Not only is this the best thing I saw at the cinema this past year, but I’d be happy to say it’s guaranteed to go down as one of my all-time greats of the entire decade. I’ve been an ardent fan of the filmmaking of Martin Scorsese ever since I first properly got into cinema in my early adolescence, when I was first shown Taxi Driver and was completely and irrevocably changed forever as a movie junkie.  He’s a director who impresses me like a select few others, one of the true, undisputable masters of the craft, and I find it incredibly pleasing that I’m not alone in this assertion.  Goodfellas and The Departed are both numbered among my all-time favourite crime movies, while I regard the latter as one of the greatest films of the current cinematic century.  I’ve learned more about the art and craft of filmmaking and big-screen storytelling from watching Scorsese’s work than from any other director out there (with the notable exception of my OTHER filmmaking hero, Ridley Scott), and I continue to discover more about his films every time I watch them, so I never stop.  Anyways … enough with the gushing, time to get on with talking about his latest offering, a Netflix Original true-life gangster thriller of truly epic proportions chronicling the career and times of Frank Sheeran, a Philadelphia truck driver who became the most trusted assassin of the Northeastern Pennsylvania crime family and, in particular, its boss (and Sheeran’s best friend) Russell Bufalino, particularly focusing on his rise to power within the Philly Mob and his significant association with controversial and ultimately ill-fated Teamster boss Jimmy Hoffa.  It’s a sprawling epic in the tradition of Scorsese’s previously most expansive film, Casino, but in terms of scope this easily eclipses the 1995 classic, taking in SIX DECADES of genuinely world-changing events largely seen through Sheeran’s eyes, but as always the director is in total control throughout, never losing sight of the true focus – one man’s fall from grace as he loses his soul to the terrible events he takes part in.  Then again, the screenplay is by Steve Zaillian (Schindler’s List, Moneyball, Fincher’s The Girl With the Dragon Tattoo), one of the true masters of the art form, with whom Scorsese previously worked with on Gangs of New York, so it’s pure gold – tight as a drum, razor sharp and impossibly rich and rewarding, the perfect vehicle for the director to just prep his cast and run with it.  And WHAT A CAST we have here – this is a three-way lead master-class of titanic proportions, as Scorsese-regular Robert De Niro and his Goodfellas co-star Joe Pesci are finally reteamed as, respectively, Sheeran and Bufalino, while Al Pacino gets to work with the master for the first time as Hoffa; all three are INCREDIBLE, EXTRAORDINARY, on absolute tip-top form as they bring everything they have to their roles, De Niro and Pesci underplaying magnificently while Pacino just lets rip with his full, thunderous fury in a seemingly larger-than-life turn which simply does one of history’s biggest crooks perfect justice; the supporting cast, meanwhile, is one of the strongest seen in cinema all year, with Ray Romano, Bobby Canavale, Anna Paquin, Stephen Graham, Harvey Keitel, Stephanie Kurtzuba (The Wolf of Wall Street), Jack Huston (Boardwalk Empire) and Jesse Plemmons among MANY others all making MAJOR impressions throughout, all holding their own even when up against the combined star power of the headlining trio.  This is filmmaking as high art, Scorsese bringing every trick at his considerable, monumentally experienced disposal to bear to craft a crime thriller that strongly compares not only to the director’s own best but many of the genre’s own other masterpieces such as The Godfather and Chinatown.  It may clock in at a potentially insane THREE HOURS AND TWENTY-NINE MINUTES but it NEVER feels overlong, every moment crafted for maximum impact with a story that unfolds so busily and with such mesmerising power it’s impossible to get bored with it.  The film may have received a limited theatrical release, obviously reaching MOST of its audience when unleashed on Netflix nearly a month later, but I was one of the lucky few who got to see it on the big screen, and BELIEVE ME, it was totally worth it.  Best thing I saw in 2019, ONE OF the best things I saw this past decade, and DEFINITELY one of Scorsese’s best films EVER.  See it, any way you can.  You won’t be disappointed.

#how to train your dragon the hidden world #terminator dark fate #doctor sleep #spider-man far from home #us #us movie #knives out #Captain Marvel #john wick chapter 3 #avengers endgame #the irishman #2019 in movies

[katieskarlette]

WoW 9.0 Predictions and Wishlist

It’s customary for me to make a predictions/wishlist post before a new expansion announcement, so here goes.

I don’t have too much to say in the way of predictions, aside from I think the leaks about it being “Shadowlands” are probably accurate.  I’ve been waiting a looooonnnnng time to see what the future holds for Bolvar, so that leaked image has me very, happily intrigued.  I hope he stays neutral and doesn’t get hit with the villain bat.

I concur with the general consensus I’ve seen going around that all the various death entities we’ve been dealing with (Helya, Bwomsamdi, Lich King, etc.) are going to be involved as we explore the other side of the veil between life and death.  I bet we’ll get more lore about the Spirit Healers, too.  (I wonder if Azuregos is still dating one...)

I hope we finally get in the loop with whatever it is Sylvanas has been planning, and I hope it’s a bold, brilliant scheme worthy of the former Ranger General of Quel’thalas.

I’m looking forward to more development for Taelia.

I also have to admit I’m hoping for some kind of involvement with Arthas.  We know from the Sylvanas short story that some scrap of his soul is being tormented in whatever dark place it was that she went before the valkyr saved her.  And we know from Chronicle that he was holding back the full might of the Scourge from sweeping over Azeroth.  I’m not saying I want or even expect a full-blown redemption arc, but any glimmer of who he once was would make me happy.  (He was always kind of a dick, but he wasn’t outright evil to start with, and I find him really interesting.  Plus I have a long history of fangirling villains.  So there.)

It would be cool if Dragon Isles was a leveling zone, or if it was a Timeless Isle/Argus/Nazjatar-type zone for later in the expansion.

Of course, Wrathion must have a significant role.  He’s finally back after all this time.  Don’t let him disappear again after 8.3, Blizzard!  Please please please please!

As far as new races and/or classes go, I have no idea.  It wouldn’t shock me if we got either, but it seems like lately the tendency has been for new races to be added as allied ones later in an expansion, instead of available at launch.  I’m not sure what new class would fit with an afterlife-centered expansion.  Necromancer is the obvious one, but it feels like it would be ripping off too much of the Death Knight’s kit.  However, if they could make it feel distinct and new it could be a lot of fun.  Maybe they could focus more on the ghostly/spiritual side of things instead of the zombie/bones motif.  There have been zero new cloth-wearing classes added since vanilla, and it’s past time for another one.

As for nuts-and-bolts gameplay stuff, I haven’t played enough of BFA endgame to have much of an opinion about what needs to be changed.  Just...something that engages me more than what we have now.  (I know, vague.)  I guess I’d prefer normal gear for awhile instead of special, gimmicky gear like artifacts, Hearts of Azeroth, and Azerite pieces.  (I actually did like artifacts at the time, but in hindsight the blandness of the Heart taints my opinion of them, and I’m ready for something else.)

I really enjoy the world quest system, so I hope that stays like it was in Legion and BFA.  I was in the minority who never minded daily quests (even during MoP when they went a tad overboard), but WQs are definitely superior.

I miss First Aid, especially as a mage--i.e. a non-healer in wet cardboard armor.  I would be quite surprised if they brought it back, though.

More customization for original races would be so welcome, and so overdue.  Piercings, glasses, tattoos, new hairstyles and colors...gimme gimmie gimmie.

As always, my #1 dream (that I doubt will ever happen) is for more than fifty character slots per account.  When you’ve played since vanilla, you accumulate a lot of characters that you’re sentimental about.  Even if I almost never play them, I don’t want to delete them or race-change them.  Yet I also want to play new allied races, new classes, etc.  I don’t even care if they charge me a little extra a month on top of my subscription.  Or do it like with garrison followers:  you can have (for example) 75 characters, but only 50 can be active at any given time, and there’s a cooldown for activating/deactivating characters.  That way I could essentially cryogenically freeze some of my older alts while still being able to play the newest races/classes.

Hmm.  I can’t think of much else to ramble about.  Everything has either already been predicted by other people, or is too far-fetched to actually happen.  (I thought about Photoshopping a fake logo for an expansion called “World of Warcraft:  Wrathionapalooza” but never got around to it.  Either that, or some variation on WotLK 2: Electric Boogaloo.  Wrath of the Other Lich King?  WotLK:  2 Fast, 2 Wrathy?  Wrathion and the Lich King?)

I feel like WoW expansions have a pattern of good, not-so-good, good, not-so-good. Or at least:

TBC = good WotLK = best Cata = meh MoP = fantastic WoD = fail Legion = quite good BFA = I quit playing for a year

So yeah.  We’ll see what 9.0 brings.  I’m cautiously optimistic.

.

TL;DR version:    I think it’ll be Shadowlands, and I would like to see (in no particular order): 1.  Wrathion (dragons in general, too) 2.  Cloth-wearing necromancer class 3.  Some kind of involvement with Arthas(’ soul) 4.  Bolvar not being eeeeeeevil 5.  More player customization 6.  More character slots 7.  Sylvanas letting us in on her super-secret plan

#insert tag for next wow expansion here #rambling about wow

[nyadere]

Reposting this bc the link got messed up when I changed URLs!!

My all time favorite Destiel fics, in no particular order. (More to be added over time) {last updated 10/08/2019}

Too Much TV Will Rot Your Brain by EndlessRain Rating: G Words: 7397 Summary: “Angel?” John asked. He had been in Heaven for a pretty long time, and had been hunting even longer, and he never had heard of angels actually existing.

“Oh for God’s sake,” Ellen said, “That’s your kid’s boyfriend!”

Notes: A short, sweet fic with mostly humor and a bit of angst mixed in. – How (thanks to Gabriel) Dean and Castiel (accidentally) raised each other (and Sam). by Vera Rating: E Words: 69693 Summary: In which, Gabriel meddles with the time line and Castiel becomes Dean’s angel rather sooner than intended.

Notes: This is a must-read, the writing is perfect and the idea is also perfect. Throwing Castiel into the boy’s lives from the start and the dynamic it brings is such an interesting take on the story.

–

Destiel, Actually by Bloodism Rating: E Words: 15973 Summary: Picture your typical rom-com cliché. Now picture Dean stuck in that rom-com cliché. With Castiel. Because that’s what happening to him - a crazy whirlwind of your typical-and-not-so-typical cliché’s. He’s playing the main lead in all of them and Castiel’s his counterpart. Of course, the culprit is obvious. Gabe’s enjoying himself too much, lying back on his favourite cloud with a tub of salted popcorn.

It was about time someone kicked the two knuckleheads into gear.

“And… ACTION!”

Notes: Funny & light-hearted, featuring everyone’s favorite trickster.

–

Angel’s Wild by LimonadeGaby, riseofthefallenone Rating: E Words: 389271 Summary: But that’s the whole reason he’s here, isn’t it? He’s not out here hunting Humans. He’s not even hunting deer, or bears, or anything else that featured in Bambi. He’s out here, freezing his nuts off every night, because he’s hunting Angels.

Sometimes Dean wishes that Angels were like how they’re described in the Bible. How people from time too old for him to care much about thought Angels were messengers and warriors of God, protectors of Humans. He knows that how they’re really described in the Bible is actually pretty terrifying, but at least they were told by God that they’re supposed to love Humans, right?

That’s a thousand times better than what Angels really turned out to be.

Notes: Another must-read. This fic is a huge, long and a bit of a slow-burn but its so worth it. One of the first destiel fics I fell in love with, an immersive AU with fanart included.

–

Things Dean Winchester Loves by tuesday Rating: M Words: 3623 Summary: Castiel makes a list, Sam gives good advice, and Dean takes a while to catch on.

–

In the Shadow of your Wings by Enochian Things Rating: M Words: 57268 Summary: Dean drains his bottle of beer, sets it on the table and gets up, heading for the kitchen. Maybe to fetch another, maybe to leave. But Castiel doesn’t want him to go, doesn’t want to leave this conversation unfinished; he remembers his regret of just a few hours ago, that Dean had never known how he loved him.

“Wait,” he says and gets to his feet as Dean passes by. They’re standing close – close enough that Castiel can feel the heat of Dean’s body, the vibrancy of his soul brushing against his grace. “Dean, I have to tell you something…”

Set after the S11 finale.

Notes: another long, slow-burn. The buildup in this fic is fantastic, dealing with a jealous and in-denial Dean while poor Cas is dealing with his own feelings. This fic is so in-character I can see it happening in the actual show.

– Everything Comes Back To You by VioletHaze Rating: E Words: 32970 Summary: Dean knew better. Of course he did. But Cas seemed so charmed by the antique-filled bed and breakfast that Dean went along with it when the proprietor mistook them for a couple. Telling himself it gave them a strategic advantage to be so close to the crime scene, he agreed to the weekend special she offered them. When the case ended up being a bust, they stuck around anyhow because hey, the second night was free…

Notes: I love love loveeee this fic. Canon!verse with fake/pretend relationship. Dean in denial with mutual pining? Yes please. – Sam Winchester Sees the Light (And Dean’s Awkward Boner Face) by YamiTami Rating: G Words: 2447 Summary: Castiel is falling and he has to start doing human things to save energy. That means eating for sustenance, sleeping, and learning how to use a washing machine. This leads to a revelation.

Shamelessly inspired by a gifset of Misha putting a shirt on.

–

The Mirror by cloudyjenn Rating: M Words: 24568 Summary: When Dean touches a strange mirror, he’s whisked away to one alternate reality after another and it doesn’t take him long to realize the universe is trying to tell him something.

Notes: This. fic. is. amazing. I love reading about AU versions of the boys and this one has plenty of variety. Cute with a bit of angst mixed in.

–

In Your Sweet Little Bungalow by annodominique Rating: E Words: 13680 Summary: All things considered, Castiel has a house. All things considered, Castiel has a life. Without Dean.

It has been seven years since Sam died, seven years since Dean left Castiel, broken and human, and disconnected from humanity. Cas had to cope on his own somewhere along the way. He chose a little town of Oregon to settle in.

Seven years, and Dean shows up at his door on a chilly February night, saying the stupidest set of words to ever be said to Castiel’s face.

“I was–just passing by the neighborhood. Thought I’d drop by…to see you.”

And Cas doesn’t know what to do.

Notes: This fic is so angsty but so worth it.

–

When the Bough Breaks by captainshakespear, deanisthesun Rating: M Words: 73963 Summary: Years after the Darkness has been defeated, Dean and Cas are living the apple pie life in small-town Kansas. They don’t hunt anymore, and would like to keep it that way, but some young hunters knocking at their door have different plans.

Dean, Cas and Sam reluctantly agree to help out, but what ought to be a simple case becomes way more complicated and dangerous than they counted on. And when the hunt starts to invade the normal lives they’ve carved out for themselves and their kids, Dean and Cas begin to wonder if escaping the hunting life altogether might have been wishful thinking.

–

Home is Where by ChasingRabbits Rating: E Words: 15170 Summary: Casual vagrant Dean Winchester blows into Palo Alto to check on his little brother. What is meant to be a quick visit ends up drawing out when he meets and accidentally ends up clicking with Sam’s strange, grad student roommate Castiel.

Notes: non-canon verse AU where Cas has Asperger’s and is Sam’s roommate, this fic is very cute.

–

Out of the Deep by riseofthefallenone Rating: E Words: 488608 Summary: Stay away from the light-beds. Stay in the deep.

It is the first thing hatchlings are taught the moment their fans unfurl and they can swim without their parents to buoy them along. It is the first rule, the first law. It is the beginning of every boogey-monster bedtime story told when they settle against the cliffs to sleep.

Castiel should have listened better.

Notes: I cannot express how much I love this fic. Another huge AU with copious amounts of fanart and detail. Slow-burn, Merfolk AU. I will admit I was hesitant to read this at first as I don’t usually like mermaid/merfolk AUs but this story is so beautifully written and the attention to detail is amazing. Riseofthefallenone never ceases to amaze me.

–

Going Postal by captainbarnes Rating: Not Rated Words: 6799 Summary: Castiel,

Hi. My name’s Dean, just Dean — that’s all you’re getting out of me.

I don’t really know what else to say, I’m not good at this and I really don’t want to talk much. But it’s for a grade, and I’m already flunking English, so I guess I don’t have a choice.

Your name is weird as fuck.

— Dean

Dean Winchester and Castiel Novak became pen pals because of a school assignment, and they tried not to get attached to one another. They really did. Sort of. Barely.

–

King of the Road by loversantiquities Rating: E Words: 15890 Summary: Contracted out by the local police in Moriarty, New Mexico, Dean is sent to investigate the happenings around a church outside of town, the Angel-worshiping congregation reportedly flocking to the location in recent days. As it turns out, though, instead of snake charmers or devil worshipers, Dean finds an Angel crucified to the cross, said Angel unreasonably snarky despite being tied up against his will.

Turning over Castiel to the authorities, though, doesn’t work in Dean’s favor. With nowhere to go and Heaven having abandoned him, Dean agrees to haul Castiel across the country on two conditions–he doesn’t smoke in the car, and he doesn’t rob convenience stores in broad daylight.

God, Dean might actually kill him before this is over.

–

Rock of Ages by winter_of_our_Discontent Rating: T Words: 7430 Summary: It starts because they need a rock. Not, of course, just any rock, but apparently this particular critter needs an Aztec-style obsidian-and-jade dagger right through its human-teeth-and-eyeball-eating heart to actually kill it.

In which Cas gets a ring, and Dean (finally) gets a clue.

–

So There It Is, I’ve Said It All by PorcupineGirl Rating: G Words: 3898 Summary: “Why, do you have something you need to say to me that you don’t think I’ll like?”

I think I’m in love with you.

“Yeah. I guess so.“

–

Receipts by surlybobbies Rating: T Words: 1391 Summary: He’s about to put the receipt down, no harm done, when something about it catches his eye. Pen ink, on the back. He flips it around and reads:

With Dean. He shared his pie with me. His smile was radiant.

Dean stares. Reads it again. Nothing’s changed.

What? -

The Fourth Wall by entanglednow

Rating: T-E (this is a series so different parts have different ratings)  Words: 40,339 Summary:  (There’s not an exact summary for the whole thing since its a series of 15 different works but basically the boys discover fanfiction about themselves and things get wild) I can’t believe I didn’t add this one before but its one of my all time favorites! I’ve read it multiple times because its just that good. Lighthearted and funny. This series also includes Samifer which I’m a big fan of (but if you’re not into that each part is appropriately tagged so you can skip over it). 

-

Someone Who’s Feeling For Me by ellispark Rating: M  Words: 45,876 Summary:  Dean sees her for the first time in nearly six years in some no-name town in Idaho, and it's panic at first sight. Lisa Braeden, the one woman Dean ever actually had a shot at a real life with, back from where he buried her in his mind. And her hand is on Cas's arm like it's no big deal, like it belongs there. Cas, Dean's dorky, sweet, badass, angelic best friend, and he's just standing there next to Lisa and not moving her hand away. Dean feels the jealousy rising, and it's not directed where he expected it to be. Because it takes this exact moment for Dean to realize he's in love with his best friend. He's in love with his best friend, and Lisa is looking at Cas like he's the best thing since automatic rifles, and Dean is utterly fucked.  Notes: Lots of pining, supportive Sam, angst with a happy ending, the good shit.  - Everyone is Trying to Get to the Bar by Balder12 Rating: E Words: 8,111 Summary:  Dean still has enemies in Heaven. True!form Castiel to the rescue!

Notes: I love true!form cas fics and this one is written beautifully, the ending seemed a little rushed to me but other than that I really enjoyed this fic.

-

As You Pass Through Me by wannaliveindeansdimples Rating: E Words: 30,548 Summary: Cas has lived in this house all his life... and since his untimely death. The last thing he wants is a new roommate, but it seems he's getting one anyway.

Notes: a wonderful non-canonverse AU with ghost!Cas....but there’s a twist! This fic is incredibly cute and entertaining and makes me smile everytime I read it. There’s a little bit of what could be considered dub-con in a few chapters but before said chapters the author usually has a note at the beginning.

-

#Destiel #Destiel fic rec #Destiel fanfiction #deancas #destiel fic recs #supernatural #spn