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#LONG EXPLANATION
melbatron5000 · 17 days
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The confines of a story
Any time you play a game, you need to know the rules. A puzzle has a border, you can't smash the pieces into a spot they don't fit with a hammer (I mean, you can, but it won't look right when you're done), etc.
My mental assumptions are that we are following the rules of stories as told in both novel form and video form. I'm not going to list ALL the rules associated with storytelling in both forms, because whole books and classes have been written about them and the parameters are way too big.
How do I know these rules? Well, I write novels, too. I'm not Neil Gaiman, (and I'm not going to go so far as to say I'm anywhere near his level, looking at you, Magic Trick OP), but the people who've read my books say they like them, so I think I do okay? I never went to school for any of it, but the library was and is my best friend, and I've read as many books and taken as many workshops as I can on this topic. Am I an expert? Nah. I know some stuff. There's always more to know.
So anyhow, some rules:
Rule one: the story has to be generally satisfying and not make people feel betrayed or angry. Hurt is fine, angry at the characters is fine, tricked is fine, but the reader can't feel betrayed or totally let down by the author at the end of the story. It's impossible to avoid this entirely, but most people in general have to agree that the story isn't a betrayal of the reader. The author needs to keep faith with their reader as best they can.
Rule two: in mysteries, all the cards need to be on the table at some point. Misdirection or downplaying of important information or use of double-meaning words are totally fair tactics, but the answer has to be there to be sussed out by a clever observer. (I got really mad when I tried to read murder mysteries for a little while. I figured this rule out very quickly on my own, and I could always spot the killer by the end of the second chapter. I gave up on murder mysteries. HOWEVER, another author I admire wrote a classic murder mystery-style book, and when I spotted the killer in chapter two like always, she had arranged matters so that the killer's motive was shrouded in deep mystery. I burned through that book to find out WHY he dunnit, and when the main character helped the killer escape at the end, I was troubled but satisfied.) But mah point is, all the pieces to the puzzle need to come in the box.
Rule three: (which isn't really a rule so much as an observation and something I myself struggle with), writing fiction can be very hard because people are naturally not good at knowing that other people do not know what they know. You know? Psychological studies have shown that when a person knows something, like where an object is, they develop this sort of assumption that the object's location is OBVIOUS, or that other people also know where the object is or can easily guess it, no matter how hard a time they had guessing it themselves before they were told. So not only do newer writers sometimes struggle to maintain what various characters do and don't know at different times in a story, readers can also struggle with the same thing. Gotta keep your eyes peeled for what information each character actually has, and also keep in mind how easy it is to be fooled when you think you have all the facts. I notice Neil and John taking advantage of this in Good Omens a lot -- the lies that Crowley and Aziraphale tell to the other angels and demons seem really obvious -- but that's because we know they are lying and what they're lying about. When we are lied to, we fall for it as easily as those angels and demons, because we assume we know what's going on. Watch out!
Rule four: you can't break the rules. If you're going to make a wild, avant garde, ground-breaking story, that's pretty much the whole point of the entire story. Twists are fine, emphasizing or de-emphasizing expected tropes or ideas is fine, subverting a trope is fine. Otherwise, you have to stick to ideas, formats, plots, structures, etc., that have come before. For example, just as I started seeing metas about the POV characters in Good Omens 2 jumping around, I had remembered an episode of the X-Files from way back where an "alien landing" is told from three characters' perspectives. When told from the POV of the alien conspiracy-believing kid, the story gets really weird with all kinds of wild things happening. When told from doubting Scully's perspective, it gets very boring and mundane. POV jumping is nothing ground-breakingly new. There won't be anything ground-breakingly new.
Rule five: it has to make sense. Mark Twain once said, "Of course truth is stranger than fiction. Fiction has to make sense." Once upon a time, a friend of mine who liked to embellish stories told me all about his new fiancee, who he'd met and proposed to all in a few months, who was head over heels for him, a gorgeous red-head, one of triplets. I never met this mystery woman, and then one day he called me to tell me she had died very suddenly and dramatically. I had my suspicions that she wasn't even real in the first place, so I made consoling noises and asked him when and where the funeral was so I could be there for him. I expected to be put off, told some crazy reason why there wouldn't be a funeral or it hadn't been planned yet and I would somehow mysteriously not hear about it until it was over. Instead, he gave me a date and location immediately. I was taken aback. I was even more taken aback when I arrived at the funeral to meet this woman's family, including the remaining red-headed pair from her triplet set, and hear all about what a whirlwind romance she'd had with my friend. If that had been a novel, I would have shut the book and told the author to give me a break. Books and TV and movies and plays can't push the consumers' credulity too much. Readers have to maintain their willingness to suspend their disbelief. It can't get too crazy. What's too crazy? Hard to say, it's kind a of a "I'll know it if I see it" sort of thing. And some people are certainly more willing to go along with something wild than others. The author can only try their best to maintain faith. To tell a story that can be believed.
Anyhow, I dunno if that's helpful at all, but it's sort of the litmus test I'm using to gage all my questions and theories. And what I'm using to shuffle in the metas and theories I like from others.
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narrators-journal · 2 months
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Why the ask box is being emptied.
So, I took the day to chill, contemplate a few things, and generally just. Decide how I felt about some shit that's been going on. And, I have decided that emptying my ask box and taking a lil request break is a good idea.
Not that I don't enjoy the asks and the well wishes from everyone! I just, don't have the mental energy to be under requirements rn. Because, I have a heavy, heavy mix of mental issues.
From the classic depression, to presonal insecurities and self-worth problems, and it sort of goes up and down on the levels of awful. And the past month has been a slow decline into the 'down' portion of that. Add on top of that, some life issues, money trouble, and shit like that, and I'm in no headspace to write well.
So, this blog is NOT going on a hiatus, I WILL be posting writing still, but I'm going to just, lower my personal expectations. Let myself have a break from the fear of not being up to snuff or meeting expectations. Because! That's the only thing I can control for myself.
So! If you sent me an ask, and I didn't get to it. I'm sorry, I feel horrible that I couldn't deliver, and I hate turning down asks. But, I hope you'll stick around, and once I get more things sorted and come back from my ask break, you'll still be happy to offer your ideas. For now though, I'm off to write and draw for myself for a while, and hopefully recharge the batteries.
Thank you to everyone who understands and sticks around!
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A weird crossover nobody asked for
Ok, I am nearly done with the mutuals stuff but I am taking a break and sketching Freddy. The context may not be as bonkers as what I'm going to tell you all but how I found about this film is literally a story full of casualties and an event let to another and now we are here.
I have zero idea how that even happened but I guess the stars were aligned and it was destiny to make this (IDK how my friends keep inspire me to do this stuff-)
Long text ahead and a bonkers story...twice
TW: for small mentions of gore, scars, and burns
There is no romance in this, and there will be no romantic feelings outside already established couple
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Before we start, some of you intellectuals might go "Phantom/Iva, isn't this Christine from Phantom of the Opera but if she was older?"
(Those who saw the post on Twitter could already tell this is going to be wild-)
And my response is basically:
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That is actually Nancy Thompson from the first "Nightmare on Elm Street" but dressed up as Christine from the POTO. Now, everyone will, might start to put the dots together and go "ARE YOU MAKING A CROSSOVER OF NIGHTMARE ON ELM STREET AND PHANTOM OF THE OPERA?!" and realized "Don't...Don't tell me Freddy is the phantom..."
And here is where I step in with the context story and an explanation to all this mess because in technicality, Freddy Krueger was indeed an Erik Destler!!!
Yes. That is a fact.
I am not kidding. Robert Englund was a Phantom but not precisely to the Musical but to the movie...which was more adapted to the book but in all sense is basically the same story but with some changes. Nevertheless, he is a Phantom in my standards and the movie he starred in will appear if you type Freddy Krueger phantom of the opera, or type Freddy Krueger of the opera (but it will lead to different results)
Now, how did I even found about this fact? Here is where the bonkers story and unrelated events led to this. I suggest that you get your popcorn because this is one hella comedic ride. I'll make it into sorta "How the Grinch stole Christmas" narration because why not, this is slowly descending into madness so why not embrace it?
How the hell did I found about this?
Once upon a time, Phantom was in her living room waiting for a ride. They were accompanied by their oldest sister, who had some peculiar film playing around. Phantom got curious and decided to watch as the dumbass kept forgetting her promise to look the name up. Eventually she remembered what she had in mind. She search the name up and it turned out to be a "Stepfather III" movie.
"Wait...that movie has sequels?" Phantom asked herself surprised as she stared at the Wikipedia page.
The movie "Stepfather" was no stranger to our Phantom, because she already heard it before thanks to watching reviews of awful movies all out of her hatred of "Prom night 2008." She did found out that other sequels unrelated to the first one were make and she went.
"Oh that's cool. I guess that is the end of this."
Or so she thought. Eventually she got curious to see if the main actress who played the protagonist had a fruitful career. She did, after Phantom checked the filmography list. Eventually she left the page after giving it a quick scan, but later she returned when she found a familiar name inside.
"Wait....The Phantom of the Opera?" Phantom asked.
Indeed, it was a "Phantom of the opera" movie much to our dear protagonist's delight. She decided to look up the story but obviously not reading the cast name, as this would be foreshadowing for this part of the tail. Eventually her delighted turned into
"What. The. Actual. FU-"
It turned out the story was...well not bad...but clearly mad. It involved time travelling Christines, no broken Chandeliers, immortal Phantoms who sold their sold to Satan, and some guy named Richard who is meant to be Raul. Oh, and I forgot to say Christine's last name is Day now too?
Yeah, the story was bonkers, but Phantom was oddly curious to see what it looked like, so she search it on YouTube. So, she carefully watched the clips and trying to understand what the fidgety fuck was even going on in Phantom of The Opera 1989. So she kept watching and start to realize.
"This Phantom looks familiar?"
So, instead of searching the movie and checking the cast like a normal person would, Phantom decided to read the comments to see what they would say. The first thing that she was:
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(yes, this is a real comment XD)
And then it hit our little Phantom. Robert Englund was an Erik on this peculiar tale, but also obviously someone had to roast Gerald Butler too-
So, Phantom searched up the movie again, and in fact the Original Freddy Krueger was there! Now people would say "but it's the same actor playing two different characters!" Yes, I am aware, but OMG just look at unmasked 1989 phantom and try to tell me otherwise not to mention this phantom wears a wig because he is also bald.
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Now, Phantom is aware both are characters played by the same actor, but since Englund is the OG Krueger, she cannot unsee this now and so will you. Not to mention this Erik is also an immortal being too (i...I guess.)
To end this tale, the movie is hard to find as Phantom have tried but not even Tubi wants this mess and YouTube will recommend you nightmare on elm street as a suggestion, so yes even YouTube agrees
Freddy Krueger is Erik Destler.
The end
(Take this as humor.)
How the hell did I even get the idea to make a crossover? (Surprisingly not a bonkers backstory, but there is no correlation into how the hell did the idea even happened) + Concept!!
Now, how the hell did my mind went "Phantom of the Opera x Nightmare on Elm street 1"? Surprisingly, this is actually a normal story but how I even got there is already weird. Basically, I texted my friend (who also loves POTO) to ask "did you know the OG Freddy was a phantom? and she went "That's interesting and yet Heather langenkamp does look like the OG Christine. So I wouldn't be surprised if the films are connected" (she said this in the sense of similarities of POTO. Not in a ship sense btw.)
So....what did Phantom did?
Make a damn crossover based on that comment because the idea of Erik from 1989 threatening Christine! Nancy via "Go to sleep, angel of music" could not leave their mind. This is all in the sense of a nonromantic story because "eww" and "Nancy in the first film is a teenager" as one would do.
So, now you guys are probably asking "Phantom, are you even ok?"
I'm probably insane at this rate, but let's get down to the rambling about this idea because I swear it's not as fucked up as it sounds like. It is a crazy idea, but I promise Freddy would not be precisely as closer to Erik Destler as a character, but rather more focused on...well himself.
You will see what I mean
How to summarize this bonkers idea?
Somewhat around in the mid 1900s, Frederick Krueger was an inspiring artist who wrote many operas, songs, but found himself wishing for a long-lasting legacy as people aren't fond of his gothic tales. In his desperation, he makes a deal with Satan himself for people to adore his music and for his legacy to remain forever under the curse that Freddy wouldn't die unless he founded a worthy successor to carry out his legacy so he would be remembered.
With this task, Freddy slowly falls into madness and desperation as he becomes a piano teacher at his studio but finds no one of his students worthy to carry out his legacy. So, after a group of teens attempted to steal one of his pieces, he begins a blood rampage as he believes neither of his students are worthy of listening to his songs.
Eventually the parents around Elm Street to get furious and are led by Marge and Donald Thompson to take justice in their hands, so Freddy and his studio is burned down as he swears revenge on their parents and taking away what they love the most. The parents make a pact to keep this a secret, and Marge Thompson starts to rely on drinking to help her cope with the guilt of committing murder, not to mention she also started drinking due to her messy divorce with Ronald (who has becoming protective of their daughter)
After a few years, Nancy Thompson is started to have recurring nightmares of a mysterious man chasing her with intents to murdering her as he claims she's the main actress of his newest Opera (which I don't have a name as for now, but it indeed is about her demise) After she wakes up, she realizes that the injuries in her dream has transferred into reality.
So, after some teenagers mysteriously died in the night. Nancy and her boyfriend Glenn along with their friends Tina and Rod, decide to investigate who is the mysterious Phantom that appears in their dreams and is trying to trap them in his Opera House of Horrors as they embody the main characters of his most recent play with Nancy playing the lead role (who intends to have the goriest death in his play)
What changes did I make into this au?
The biggest change is that the Phantom is NOT in love with Christine (Nancy) but rather knows she is the daughter of the duo that led to his murder, so he will want to give her the worst fate possible. I do think about implementing some aspects of what I read from the third movie by having Nancy having some control of her nightmares, which could lead to Freddy finally finding the Protégée he was trying to find for so long which would add to a dynamic of Freddy trying to convince Nancy to join him in exchange to protect what she loves the most but with the catch that she'll follow Freddy's footsteps. (Still, the only romance would be just between Nancy and Glenn as they are already an established couple)
The other change, is obviously Freddy Krueger's backstory, which is a merge within his original story and Erik's backstory of the 1989 film. I wanted to play with the whole Opera aspect of well...the phantom of the opera but also Freddy's nightmare nature from the original films. So Freddy's main and latest story is a reflection in his death as a human and how he intends to kill the legacy of those who claim it, which would explain why Nancy would be played as the main lead.
I did change Freddy's nature as he is more like an under dead creature that has a physical form in people's dreams and nightmares and can shake shift, but his form would reflect his burns he, and of course the opera house would be based on his abandoned studio.
Also Freddy Krueger's appearance will be based into Erik's appearance as I actually love to take on the Phantom's mask on this. I won't spoil a bit but it does add to the thriller aspects of the 1989 POTO film. You can search for the clip that contains his backstory, so you guys can see what his mask actually is. I will eventually reveal it later when I finish his sketches. Anyways, Freddy would hide his burns with his clothes and other ways 1989 Erik hides his appearance in the film
Would this be correlated to the Nightmare on Elm Street Franchise?
Most likely no. I am mostly familiarized with the original Nightmare on Elm Street 1, and this is precisely the only film in the crossover that I would be referencing too. I might do some small nods to the franchise as some small Easter eggs, but please keep in mind that this crossover will be treating both stories as a Stand-alone film as this version of Freddy is not the same as the Freddy from the franchise.
If you have questions, curiosities, or simply want to ask me "why, phantom, why?" Ask box is open for y'all.
I'll try to get the mutual's drawing by tomorrow and maybe the Phantom Krueger sketches too.
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amaranth-moths · 9 months
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the autism won, I will now talk about Bernard even if my infomation on the pikmin universe is limited at best, as I have still to finish the postgame. gonna put a readmore since it'll be a long discussion.
Ok so. Bernard has a shit wiki page.
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LIKE WDYM. WDYM THE ONLY INFO HERE IS ABOUT HOW HE LOOKS LIKE ALPH. WHY IS THERE A LOW QUALITY PICTURE OF BERNARD OF ALL THINGS
ok this stuff aside, I wanted to check what planet he was from for a drawing, really normal stuff. He was from Nijo, which is neat!! I never noticed there were so many planets introduced in pikmin 4. I immediately wanted to check who else was from Nijo.
guys. there's only one more person and they are also a pilot???????????
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my guess is Nijo has a really good pilot school, so most aspiring pilots tend to move there. but no one else is from Nijo. do only pilots live there. what. like considering the sheer amount of people that crashed on PNF-404 surely at least one of them would be a random person from there. if anyone has any information on the matter please inform me
side note; if y'all need more bernard information, I know he just sleeps alot thorugh the day, and besides that I got no more info. ok goodbue love you
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bluegiragi · 6 months
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holding back (part 2)
early access + nsfw on patreon
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ew-selfish-art · 8 months
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DpxDc AU: Tim as a child was never given a lot of information regarding the scribbling messy handwriting that appeared over night all over his arms- naturally he came to his own conclusions.
Tim Drake was home entirely alone at 9 years old and was about to go out for the night to test his brand new long exposure camera lens when he sees the writing on his arm. It’s not English, like he assumed it was at first, but it was using the alphabet to represent… Tim isn’t bad at math but this formula is complex for his little genius brain.
Looking at his camera, he decides he can spare a moment to look it up, solve it, and get back out into old town Gotham in time for Batman and Robin’s final patrol lap. He does just that, finding the problem to relate to some aerospace engineering and then quickly deduces what laws and theorems need to be applied. He finds a pen, writes down his findings in much neater handwriting onto his arm, and goes out. It’s barely a remarkable night at all. He gets a much more memorable photo of Robin roundhouse kicking a hench person.
Things just continued on that way. Tim would find some complex math, physics or chemistry prompt on his arm (surrounded by various question marks or notes or sad faces)- he’d answer it as best he could and move on with his life. Perhaps his parents were manifesting these pop quizzes? Perhaps his subconscious felt guilty about abandoning his studies for more Bat related pursuits? Tim really didn’t care to think much about it once he became Robin- there was too much on his plate and too many peoples problems for him to fix.
Notably, however, after the attack at the Tower, the pop quiz appeared and Tim wrote back that he wouldn’t be able to find an answer to this one. It was the only time Tim questioned the markings appearance and it was because the next thing that appeared was “Hope you feel better soon.”
… his parents wouldn’t include that on a pop quiz. Cursed then. Tim decided it must be a curse, whatever, he’d deal with the implications later in life.
Tim then has the worst year of his life, hes 15, no longer Robin and the questions from his curse are getting less math oriented and more… philosophical. A lot of mentions of death that, in hindsight helped him actually grieve, and a lot of theories about dark matter and souls. Tim answers back as best he can but he’s drained and his answers aren’t very good in his opinion. He gets minimal feedback.
It all comes to a point that he’s at a family dinner, Bruce is at the head of the table, Jason has promised just to stay for dessert, Damian hasn’t thrown a single insult his way and Steph was laughing at him- when a new theoretical model appears on his arm.
“You’re just as bad as Bruce, Timberly. Hiding a soulmate from all of us, how fucking typical.” Jason points out, while watching Tim scribble back some math with a question mark onto his arm.
“A what? No, this is just a curse. I get pop quizzes every now and then.” Tim bats away Steph who rapidly approaches and began to analyze his arm (the rest of the family isn’t far behind).
“Drake. Explain how you came to this conclusion.” Damian seems more curious than anything, if his lack of insults was anything to go off of.
“Since I was young I’ve had at least weekly math check ins, I never had a parent or anyone else around so I assumed my parents had me cursed to ensure I stayed on top of my studies. Sometimes it’s physics or chemistry, for a while there it was a ton of philosophy and behavioral psychology.” He shrugs his shoulders.
“Master Tim, I believe the lack of adults in your life has led you towards a false conclusion. That is most certainly a soulmate mark. The individual to whom you are responding is undoubtedly your other half.” Alfred attempts to calm the room before explaining to Tim. Tim isnt sure if he believes the butler, though Alfred only very rarely lied, so he grabs the pen once more. He writes his first question back: “Who am I to you?”
The room waits in anticipation and within moments a brand new line appears on Tim’s arm and he is vindicated: “We do math together???”
——
The reason Danny is failing English is because his built in homework helper sucks ass at metaphors and has apparently never read any classic literature. The tutor on his arm is great at puzzles and math tho.
Danny gets a reply back one night that he wasn’t expecting (Who am I to you?) and he mentions it to Jazz. Who goes insane that Danny didn’t even question it and just went with “meh, probably haunted” as his explanation for the phenomenon for all these years.
Apparently, if Jazz was right, he had a soulmate who was uh, super fucking smart. That was an overwhelming thought.
The next day Danny is in crisis mode and writes back “Wait, WHAT AM I TO YOU??? Can I help on your homework??”
Danny gets vindicated when the writing on his arm presents a shit ton of dates and information for an unsolved Gotham cold case. See, Haunted.
———
Eventually between Danny becoming the top candidate for astrophysics at Wayne Enterprises and Tim Drake being outed as having contributed tips to the GCPD that solved cold cases- they meet and realize just how dumb they’ve been.
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mumblesplash · 5 months
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part 2!!!! [read part one here]
transcript below the cut arranged into stanzas to help show where the rhymes are:
“that’s why they brought gem in? as a failsafe?” as a pawn. we were told to point her at whoever we need gone
“gem won’t hurt her allies. …yet.” the curse she carries will it’s had its eye on her since she lost the other eye she was specially selected for her hunting skill it’s quite the high honor. “wow. how generous.” we try
think about it: why does almost no one fight the curse? “given how fast scott killed skizz last season, i can guess.” [“any pain you spare your friends, you’ll have to suffer worse”?] it’s designed to shut down higher reasoning with stress
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canon-gabriel-quotes · 2 months
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Transcript -
Gabriel : *heavy breathing and grunting* Bastard. 
Useless bucket of bolts. Yeah, you better run!
Load back to your- Ah shit, that was hard. Load back to your little checkpoint.
Yeah, go ahead. Go P rank the other levels. 
Oh… I’m sorry. Can-can-can I? Excuse me, can I help you?
Columbo : Oh, uh, hi there. Sorry, I didn’t mean to interrupt.
Uh, I’m looking for somebody. 
Uh, Gabriel is it? Is that you? Is that who I’m lookin for?
Listen, I just gotta say, you did an amazing job uh… Fighting off that uh. 
What’d ya-what’d ya call it?
Uh, you called it a… 
Gabriel : A mere object?
Columbo : That’s right. A mere object. 
Phenomenal work. 
I gotta tell ya. Robots, I don’t trust em myself. 
Ya know, I had-I had this one episode where uh, there was this robot named Rob and uh-
Gabriel : Uh, yes. 
That’s very fascinating, but could you perhaps get on with your introduction? 
Columbo : Uh, certainly. So I’m, uh, I’m lieutenant Columbo. Uh, I’m with the LAPD. Uh, I'm in the homicide department. 
Gabriel : Homicide? You can’t kill a machine. 
Columbo : No no no! Of course not. But um… Well… Ya can certainly love one.
Gabriel : D-d-d-detective I- I don’t- I don’t know what you’re implying there with that statement!
As you can tell I… Despise machines and wouldn’t think about doing so- Loving them, I mean.
Columbo : Yes, of course uh. Absolutely, it’s completely unthinkable. 
Except, well. While I was- while I was over here and I opened this door and uh fourteen- fourteen V1 body pillows fell out. Along with a buncha the plushies. 
Uh, and I just can’t imagine how ya- how ya happened upon something like that by accident.
It’s a little ridiculous! Uh, frankly.
Gabriel : Uh, no no no, listen.  
Detective. I can explain, okay? 
Those belong to- uh! That guy over there! 
*Filth-like scream*
Gabriel : Yeah! A real freak! 
Some kinda pervert. I don’t know why we keep him around.
But uh, I-I have nothing to do with it. 
Columbo : Well, ya see, I would believe- I would believe that, but uh. 
It’s just that- Well we had the boys at the lab run these pillows and we found your cum- We found your DNA all over em, uh.
You’re-You’re under arrest, I’m killing you.
Gabriel : K-hah. Kill me? *laughs*
Oh detective. 
Columbo : Oh. Aw fuck.
Gabriel : I’m afraid you’ve made a grave mistake. 
Because, in fact… What is going to happen instead…
Is actually what I’m gonna- AHHHG MOTHERFUCKER
I’LL FUCKIN KILL YOU
SON OF A BITCH 
AHHG YOU BASTARD
I’LL RIP YOU APART 
PIECE OF SHIT
YOU FUCK
ASSHOLE
BITCH
*Grunting* 
Oh Shit. 
Oh. What have I done? 
V1 : Bro, tell me you didn’t just kill a fucking cop.
Gabriel : The law will be here any second now… 
Machine, flush the drugs.
V1 : No way, bro. Let’s smoke that.
Gabriel : All of it?!?
Hm… One last ride…
Well, alright.
*coughing his lungs out*
V1 : No Gabriel, holding it in doesn’t do anything!
*Gabriel continues to cough his lungs out*
End of transcription
Audio source part 1
Audio source part 2
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agendratum · 2 months
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kiseki: dear to me as text posts (3/?)
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sensitiveheartless · 8 months
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(the rest is under the cut!)
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ingravinoveritas · 4 months
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Michael straight up writing erotic gay fan fiction about Lucian and Aro in a 2012 interview and I am losing my mind...
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mentalmeles · 1 month
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It's soon to be over 17,520 hours and I'm still not over them.
A redraw of this old drawing. Reblogs > Likes.
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lopsidedspecs · 9 days
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“No one else that I would go to hell for”
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posi-pan · 9 months
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wayne brady is pansexual!!! 💗💛💙🥳
i’m pansexual. in doing my research, both with myself and just with the world, i couldn’t say if i was bisexual, because i had to really see what that was, especially because i really have not gotten a chance to act on anything. so, i came to pansexual because — and i know that i’m completely messing up the dictionary meaning — but to me, pan means being able to be attracted to anyone who identifies as gay, straight, bi, transsexual or non-binary. being able to be attracted across the board. and, i think, at least for me for right now, that is the proper place. i took pan to mean that not only can i be attracted to any of these people or types physically, but i could be attracted to the person that is there. i’ve dealt with the shame. a shame cake, just eating it every single day — and then worried about… people finding out. i’ve always had a wonderful community of friends who are in the lgbtq+ community, people that i’ve grown up with in shows, gays and lesbians, and, later in life, my trans relatives and my niece. i’ve always had that community, but i've always felt like a sham because i wasn’t being forthcoming with myself. i could speak out about black issues because i can’t hide that. and you can play at being an ally, but until the day that you can truly say, “this is who i am, and i wanna stand next to you,” that's not… i always wanted that day to come. i’ve told myself in the past, also, nobody needs to know my personal business. the world can absolutely go without knowing that wayne identifies as pan. but that gave me license to still live in the shadows and to be secretive. what does that feel like to actually not be shameful, to not feel like, “oh, i can’t be part of this conversation because i’m lying?” i had to break that behavior. i’m now trying to be the most wayne brady i can be. i don’t know about most, actually. i’m still coming together. but if i’m healthy, then i can go onstage at let’s make a deal and be the best wayne brady that everybody wants and expects. i can be the best dad that maile needs. i can be the best friend to mandie, the best son to my mother, and one day, the best partner to someone, because i’m doing this for me. not dating yet though! [laughs] i am single, but it’s not about being with someone right now. i’ve got some work to do still. then, wayne as a single, open-minded pansexual can make a decision and be free and open to other people.
i included more quotes from the article than just strictly pan related because it’s quite touching. good for him!!!! 🌈👏🥰
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zombie-eats-world · 7 months
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Crocodad Theory: The not-so-Crack-pot Theory.
Making this post in order to replace my old Crocodad thesis since I think I can do better now. Plus I was still using the old theory name then and I dislike seeing it pinned on my tumblr now. You can find that older post HERE if you desire to!
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Crocodad theory, chances are you have heard about this theory if you are even slightly invested in the One Piece fandom. But despite its infamy, and outside its stanch believers like myself, it's mostly considered a crack theory and used for a laugh.
Now let's be clear, Crocodad theory is not a crack theory. A crack or crack-pot theory is more of a headcanon built on vibes, it's a fun idea made up out of thin air and isn't really serious. If the Crocodad theory was a crack theory it would have evaporated into the nether by now. It's over a decade old, after all, and yet it persists to this day! That is because the Crocodad theory has real evidence from the canon, the One Piece offshoots, and maybe even Oda himself.
If you weren't aware of the Crocodad theory, sometimes lovingly called Dadodile, let me summarize it very succinctly. The theory is that Crocodile is a transgender man and gave birth to Luffy. Crocodile is Luffy's other father and his birthing parent. If you think that sounds ridiculous or even hilarious, let me walk you through it because I assure you- that is intentional.
Let us begin where the theory began... Impel Down.
The possibility for this theory was born in 2009 with these panels:
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The simple fact that Ivankov exists and that he knows Crocodile, from "when he was just starting out" mind you, makes this not only possible but probable.
What other "secret" could Ivakov be speaking of here? It's definitely not his weakness to water, that would just be bad storytelling. It could be that Crocodile is the child of Rocks which is possible considering we now know Ivankov was at the Gods Valley incident. But if I could speak as a writer for a moment, it would really be a waste for an author to introduce a character that can change genders and then bring back one of the first big villains like Crocodile, AND THEN connect the two with the mention of weakness but not make that secret that Crocodile had once been a woman. Or even at least a part of the reason.
But if that reasoning falls through for you, here is some in-canon evidence for the idea that Crocodile is transgender:
First of all, the agents' code names are so gendered: Every single digit agent is Mr with a Mrs, or Ms partner.
Crocodile’s name. His moniker is different from almost every other powerful pirate the story introduces to us. He isn’t just Desert King Crocodile, he is Desert King Sir Crocodile. Again it is oddly pronoun-centered. As if he is trying to remind people that he’s a guy.
The introduction of Bon Clay. Bon Clay is our first canon queer character in One Piece. He makes mention of being a girl many times and feels like a joke character when we first meet him. But as we know in One Piece, a pirate crew is a reflection of the Captain. Crocodile isn’t prejudiced to queer people like Bon Clay alludes to others being a few times. Crocodile even allowed Bon Clay to be both the male and female of his team!
Next up was the reveal of Baby Crocodile and how it’s deliberating ambiguous what gender Crocodile is. In every other Warlord's childhood look reveal, their gender is obvious, so why was Crocodile left out of that?
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Then of course we have Gold Roger's execution, and how almost everyone got a reaction panel. But not Crocodile. No, we only see the back of his head. Oda has shown that he loves to get every single character's reaction to major events, sometimes to a fault. So why is he trying so hard to hide Crocodile from us? It just isn’t Oda’s style to leave someone out unless there is some kind of secret he wants to build up too. Now be sure to keep this in mind for later.
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Last but certainly not least is just how much of an absolute troll Oda is. This will not be the last time I bring this up, Oda is a HUGE troll. He loves to play to his favorite fan theories and he decides most everything on how funny it is. And wouldn't it be funny if the first antagonist in the Grandline was secretly the birth parent of Luffy?
I mean just look at this! Oda, you absolute troll.
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Bottom line: Trans Crocodile is more likely than not.
But this is where a lot of people decide the rest of this theory is crack, they take Trans!Crocodile and leave Crocodad out for reasons I honestly can't understand. Despite that, Cracodad has just as much if not more evidence than the Transgender part of this theory.
Before I begin I would like everyone reading to keep a few things in mind. All throughout the Impel down arc and the journey to Marineford, and even the first few chapters into Marineford, Crocodile could not have given a shit about Luffy, Ace, or the war at all. He did not care who won the war or if everyone involved died. He came to the battlefield for the sole purpose of killing Whitebeard. PERIOD. He was never once shown reacting with any concern when Luffy began facing down anyone strong. Not even Magellan. Crocodile had been around Luffy, seeing him do inspiring things for a massive amount of chapters by the time we get to Marineford, and yet Crocodile literally didn't care if Luffy lived or died, he just wanted to fight Whitebeard.
With that clear let's move on to what happened after Luffy's father was revealed to the world in Marineford. This moment is where the most obvious evidence first came about:
When Sengoku announces Luffy's father to the world we get many reaction shots, but once again Crocodile is conveniently missing from the lineup. He even disappears for a whole chapter! The young man who took down his decade-long plan to take over Alabasta just got announced to be the most wanted man in the world son, and we get no reaction from Crocodile... its suspicious.
Crocodile stopped Ace’s execution: Now Crocodile explains this by saying he ‘didn’t want to let Sengoku have the pleasure of victory’ but seriously? What kind of petty ass BS reasoning is that?! Crocodile has dreams and ambitions, and yet he gives up trying to be the one to take down Whitebeard to randomly save someone he canonly mocks in Impel Down? Someone he doesn’t care about. Some people will tell you it’s because Luffy inspired him like Luffy does many others, but what exactly is Luffy doing in Marineford that he didn’t in Impel Down or even Alabasta? Nothing. That means Crocodile has an entire about-face for no believable reason while completely off-screen. Which we've already said isn't Oda's style.
Daz and Crocodile face Mihawk to help Luffy: When Daz blocks Mihawk’s strike, Luffy questions it. Daz answers: It’s an order from above! That means Crocodile ordered Daz to specifically protect Luffy. Again, why? What reason did he have to do that? If this was some latent Crocodile has been inspired™️ moment, why wouldn’t Oda show it? Oda loves to hype up those moments, and loves to detail it all to the smallest piece. But Crocodile just randomly decided to have his main man Daz look out for this person that he COULDN’T HAVE GIVEN A CRAP ABOUT JUST TEN EPISODES BEFORE does not fit within the story. Then, right after Daz blocks Mihawk, Crocodile appears out of the woodwork to block another attack.
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When Mihawk questions why he’d protect Luffy, Crocodile’s only response is “I’m not in the best mood now, Mihawk, you better watch yourself.” It’s interesting that he has no reason, none, he just comments that he’s in a shit mood. Maybe because he just found out he once stabbed his own child in the gut and left him to die?!
Crocodile vs Akainu: The brother killing Lava Man™️ is probably the most dangerous person in the war. He has no mercy, no morals, no restraint. So the fact that as Luffy is lying comatose and weak, with Jimbe slumped over him, Akainu about to deliver the final blow, Crocodile coming out of nowhere once again is so telling.
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The fact is: Crocodile went above and beyond to save Luffy. That final stand against Akainu is so powerful. Crocodile doesn’t just save Luffy, he rushes to Luffy's aid, slicing through Akainu and reassembles to stand protectively between them. He did not need to do this at all. Oda didn’t need to have him do this either!
There were plenty of other characters that could have essentially done the same exact thing, but Oda chose to have Crocodile, someone who shouldn’t have been on Luffy’s side at all, save his life in the final moment.
Lastly, without a word, Crocodile uses Sables to get Luffy to Law’s ship. He risked his life, faced down the one person who could kill him without a second thought, and sweeps Luffy away to safety without any stated reason at all. In fact, everything he says is deliberately vague. Crocodile doesn’t believe in loyalty, he dumps people if they are weak (see; Alabasta Crocodile vs Luffy desert fight) so his line of “you gotta protect the one you wanna protect! Don’t let them have their way!” Feels so out of character. Crocodile has to have a reason for this odd behavior. And no, it doesn’t end there! In the defense of Luffy, Crocodile has an awesome and powerful moment where he stands in unity with all the Whitebeard commanders. HIS ENEMIES. Crocodile stands in unity with the people, he himself stated he hated more than anything, for Luffy!
These are the moments that alerted people to what would soon be called the Crocomom theory, now called Crocodad. But just because it began there doesn't mean there wasn't foreshadowing from before Marineford.
Let's go over all of that now:
First to talk about is once again Crocodile's crew. Miss Father's Day debuted in episode 124 of the anime and chapter 205 of the manga. She has a green amphibian theme to her, which is interesting because she is a woman with the moniker Father's Day while also having a theme of an animal that is famous for being able to change its gender. Her debut episode even has her introduced along with the reveal that Luffy's using his blood to fight Crocodile.
The next point is something Oda has never explained. Crocodile has strange relationships with children. From hiring a sixteen-year-old Miss Goldenweek, leaving her out of the Mr. 3 assassination order, and her history of actually sinking Crocodile's ships before getting hired, all the way to how Crocodile lectured Luffy in their fight. It just had the cadence of a parent. Not even Luffy's parent, just a parent. He lectures like someone who has experience with children.
Next, Luffy does not look like Dragon. That is a direct quote from Luffy in the manga. But you know who he does look like?
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That's right! Luffy looks a lot like Crocodile. If you need more convincing on this, there is a great post by Dashevacotton that puts together many of the best canon pictures of Luffy dressed up like Crocodile. That post is here!
Crocodile and Luffy are incredibly similar. Not just in looks, but in personality, and in their general life.
These two have so much in common. From having a way with animals, to the amount of unadulterated loyalty they've inspired in their crews, all the way to the cadence of their speech.
Crocodile and Luffy even have a similarly goofy reaction to seeing the underground passage to the Alabasta Poneglyph.
Episode 123, episode time 13:16 Crocodile spots the entrance and laughs, "Ha, now I see secret stairs." Also in episode 123, episode time 20:47 Luffy looks around and spots the secret stairs. "That hole... it looks gator-ish."
Even what we know of Crocodile's backstory is that he had a rapid rise to fame just like Luffy by being a rookie who came in and beat down non-canon characters like Douglas Bullet to the shock of the world.
Next, let's bring up an earlier point: Oda-sensei is a mega troll.
This isn't exactly new information, Oda once deflected to bringing up a dick fight instead of answering if Zoro or Sanji was stronger. He is a Troll. He loves wordplay, and he likes to hint hint nudge nudge us all day long. Just look at Oda having Sanji call himself a prince in Alabasta as a joke, only to realize years later that he actually was a prince.
It's because of Oda's tendency to play around and make knowing jokes we've gotten some pretty compelling evidence for the Crocodad theory.
First would be the wordplay!
-Crocodile is closely linked to a Bananawani-> Monkeys like Banana -> Monkey D. Dragon is a reptilian Monkey attracted to Banana reptile. Fight me - A 'crocodile smile' is a term most often used to mean a fake or ingenuine smile. Crocodile's scar has been liked to look like a 'crocodile smile', which would mean Crocodile is the only character that always has a smile on his face. What a fun bit of wordplay to foreshadow the birth parent of Joyboy!
Then there is this SBS alongside the One Piece School spin-off manga by Sohei Koj.
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What a great way to get out of revealing Luffy's parentage without actually revealing it!
And of course, we have the One Piece Mafia Theatre episode of the anime.
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Oda would certainly make this canon just because of his troll tendencies. This is a hilarious theory because the story supports it yet only a fringe group believes in it. It's hilarious and therefore it's probably true.
Lastly, the symbolism makes this theory truly great.
I've already mentioned how Crocodile's scar being a 'crocodile smile' and thus giving him a permanent smile on his face would make him the most meaningful candidate for Luffy's birth parent. Joyboy, our Sun God Nika, was born from a man with a permanent fake smile; who is also named after an animal with the world's biggest smile.
It's just such a perfect setup, it makes my writer's heart swell.
Since Oda has stated a mother in One Piece would stop the adventure, it would fit that the first major villain in the Grandline to try and stop Luffy's adventure ended up being the man who gave birth to Luffy.
If we are going to speak of symbolism, I'd be remiss not to mention what a crocodile spiritually symbolizes. I really don't think I need to explain why adaptability, creation, ambiguity, and duality mean so much to this theory.
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This theory could die or be confirmed any day now that we've entered a God's Valley flashback. I will love it either way but truly, honestly, I believe this. I hope I convinced a few of you to. If you are interested in the succinct list of Crocodad evidence that post is Here!
So in conclusion...
Crocodad is canon!
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ew-selfish-art · 6 months
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Dpx Dc AU: Ectoplasm is required for Ghosts to be visible to the human eye- And Danny creates his own ectoplasm.
Danny is visiting Jazz in Gotham and its weird how friendly everyone is. Like, the city gets a really bad rapport, everywhere he goes there is someone trying to strike up a conversation or answer his questions about getting around to the tourist spots. A few people even pointed out restaurants and ways to find off the beaten path gems! Jazz seems to role her eyes at him, but when he brings up her 'roommate' being kind of cute she flat out laughs.
Danny then comes to understand the Jazz doesn't have a roommate and that Ghosts in Gotham don't move far from their haunts- He's just been inadvertently turning these undead folks visible by accident of generating abnormal amounts of ectoplasm.
Which, is comforting in a way, he's never walking this dangerous city alone and really, most of the ghosts have been really friendly! They disappear once he's a few blocks away from them anyway.
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Tim Drake is having a horrible day.
He'd been given intel that one of Black Mask's guys was going to snitch but that he'd died before given the opportunity to reach out to the GCPD. He tracks down the guy's last know whereabouts and yikes. Its next to the Theater. Tim was often grateful for his childhood obsessions, this time it backfired.
Tim and Bruce get into an argument about trust and respect and, worst of all, mental health. And even though Tim was vehemently against Batman accompanying Red Robin to the alleyway - that's exactly what happens.
They arrive and Bruce is closing up faster than a clam in the contaminated Gotham Bay- Clearly being in the Alley bothers him. No fucking shit. RR gets started on collecting evidence, there are a few extra blood splatters and a single left shoe... When a kid walks into the Alley.
"Uh, sorry to intrude-" The kid looks scared shitless, and runs away. And then, all of a sudden, Batman and Robin aren't alone in the Alley.
Tim can hardly believe his eyes as the dead man appears and quickly blabs Black Mask's bank passwords and what the plan had been- and While he's over joyed to have that closure, he turns around to Batman weeping in the arms of his parents.
The ghosts fade, and the emotions are certainly charged as this was never something Bruce or Tim would have ever dreamed of happening. Ghosts in Gotham. Talking, floating, granting closure.
"RR, Bats, come in." Oracle calls into their ears.
"Reporting in, but, uh, we need a minute."
"A minute? We have a case on 4th and-"
"O, we just saw the ghosts of the Waynes. It's going to be a minute."
"...Lots of Ghost reports lately then. Any chance you saw a kid looking like he could be adopted?"
"Yeah, actually, black hair and blue eyes. He was super polite before he ran away."
"We have work to do. Oracle, lets prioritize finding our person of interest and divert Nightwing and Robin to the case on 4th." Batman cut between them on the comms and he sounded... calmer than either of them anticipated.
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Jazz is no longer laughing when Batman appears at her door explaining that he's looking for Danny (Who already flew away from town to get a good night's sleep before class on Monday). Turns out Danny reunited the man with his dead parents just briefly- and then the second guy appears and mentions how Danny had also given a guy who'd been murdered by a Mob enough time to explain the ongoing threats the city faced.
Jazz just rolls her eyes and says that it's not like the ghosts are going anywhere anytime soon and Danny will visit in another month. When pressed, she just explains that her brother is a weirdo. No of course he doesn't have powers. Gaslight and Girlbosses her way out.
And Jazz thinks that the game is up for at least another month, obviously when Danny visits more shit will stir up, but then this new guy appears.
Unlike the other Bats who are keen on watching her from a distance, the Red Hood knocks on her door. Are her eyebrows all the way into her hairline when Red Hood asks her to send his thanks along to Danny because somehow this whole situation led to his Dad expressing remorse for his actions and apologizing? Yes, yes they are.
But Jazz can smell Dissertation Data off of these vigilantes- Who is she to send them away? Jazz welcomes Red Hood into her place for a cup of tea and a small chat.
The story then devolves into Jazz getting shit done, Danny being cute by proximity and also bringing ghosts to the party, and the Bats having trauma resolve between them.
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