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#I've been thinking about making like
atomi-cat · 9 months
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Canvas Country -- Favorite Animal
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mroddmod · 1 month
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everyone be quiet i'm manifesting
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you-makestedehappy · 7 months
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𝒾𝓉'𝓈 𝓃𝑜𝓉 𝒶𝒷𝑜𝓊𝓉 𝑔𝓁𝑜𝓇𝓎. 𝒾𝓉'𝓈 𝒶𝒷𝑜𝓊𝓉 𝒷𝑒𝓁𝑜𝓃𝑔𝒾𝓃𝑔 𝓉𝑜 𝓈𝑜𝓂𝑒𝓉𝒽𝒾𝓃𝑔.
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uncanny-tranny · 5 months
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This might seem like an "old man yells at cloud" situation, but it's just wild growing up and being told how dangerous distracted driving is - how, at highway speeds, you can traverse the length of a football field (100 yards, 91 meters) in a matter of seconds - how one split second sending a text while driving could result in a potential fatal crash, and then getting on the road as a driver and being surrounded by billboards. Their entire purpose is to catch one's attention, so they're lining major roads, which tend to be highways. How is it that you're told how important it is to never be distracted while driving, but still being advertised to?
At best, this type of advertising is an eyesore to pedestrians and motorists and a general waste of electricity to light it, and at worst, it is an active danger considering they are there to advertise and therefore, must catch people's attention.
I'm not even against advertising in theory, but this particular mode bothers me so much and I hate how pervasive it is - especially in large cities or highways.
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inkskinned · 4 months
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crows use tools and like to slide down snowy hills. today we saw a goose with a hurt foot who was kept safe by his flock - before taking off, they waited for him to catch up. there are colors only butterflies see. reindeer are matriarchical. cows have best friends and 4 stomachs and like jazz music. i watched a video recently of an octopus making himself a door out of a coconut shell.
i am a little soft, okay. but sometimes i can't talk either. the world is like fractal light to me, and passes through my skin in tendrils. i feel certain small things like a catapult; i skirt around the big things and somehow arrive in crisis without ever realizing i'm in pain.
in 5th grade we read The Curious Incident of the Dog In The Night-time, which is about a young autistic boy. it is how they introduced us to empathy about neurotypes, which was well-timed: around 10 years old was when i started having my life fully ruined by symptoms. people started noticing.
i wonder if birds can tell if another bird is odd. like the phrase odd duck. i have to believe that all odd ducks are still very much loved by the other normal ducks. i have to believe that, or i will cry.
i remember my 5th grade teacher holding the curious incident up, dazzled by the language written by someone who is neurotypical. my teacher said: "sometimes i want to cut open their mind to know exactly how autistics are thinking. it's just so different! they must see the world so strangely!" later, at 22, in my education classes, we were taught to say a person with autism or a person on the spectrum or neurodivergent. i actually personally kind of like person-first language - it implies the other person is trying to protect me from myself. i know they had to teach themselves that pattern of speech, is all, and it shows they're at least trying. and i was a person first, even if i wasn't good at it.
plants learn information. they must encode data somehow, but where would they store it? when you cut open a sapling, you cannot find the how they think - if they "think" at all. they learn, but do not think. i want to paint that process - i think it would be mostly purple and blue.
the book was not about me, it was about a young boy. his life was patterned into a different set of categories. he did not cry about the tag on his shirt. i remember reading it and saying to myself: i am wrong, and broken, but it isn't in this way. something else is wrong with me instead. later, in that same person-first education class, my teacher would bring up the curious incident and mention that it is now widely panned as being inaccurate and stereotypical. she frowned and said we might not know how a person with autism thinks, but it is unlikely to be expressed in that way. this book was written with the best intentions by a special-ed teacher, but there's some debate as to if somebody who was on the spectrum would be even able to write something like this.
we might not understand it, but crows and ravens have developed their own language. this is also true of whales, dolphins, and many other species. i do not know how a crow thinks, but we do know they can problem solve. (is "thinking" equal to "problem solving"? or is "thinking" data processing? data management?) i do not know how my dog thinks, either, but we "talk" all the same - i know what he is asking for, even if he only asks once.
i am not a dolphin or reindeer or a dog in the nighttime, but i am an odd duck. in the ugly duckling, she grows up and comes home and is beautiful and finds her soulmate. all that ugliness she experienced lives in downy feathers inside of her, staining everything a muted grey. she is beautiful eventually, though, so she is loved. they do not want to cut her open to see how she thinks.
a while ago i got into an argument with a classmate about that weird sia music video about autism. my classmate said she thought it was good to raise awareness. i told her they should have just hired someone else to do it. she said it's not fair to an autistic person to expect them to be able to handle that kind of a thing.
today i saw a goose, and he was limping. i want to be loved like a flock loves a wounded creature: the phrase taken under a wing. which is to say i have always known i am not normal. desperate, mewling - i want to be loved beyond words.
loved beyond thinking.
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leonstamatis · 10 months
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one of the more interesting parts of the barbie movie i think is the presence of weird barbie, actually. like yes, the kens serve to show how women being in power isn't actually that much better than men being in power, because consolidating all that power in one group means the other becomes disenfranchised and lower status or class by default. but there are also interesting things to be said about femininity and the way this movie addresses it!
like, look at every single barbie and you'll find a lot of extremely feminine women. yes, they win nobel prizes for literature and they're scientists and they have a whole range of skills. but they're all also conventionally attractive and feminine, for the most part -- excluding that one line about "you're a physicist, do you want some pants?" (very odd, bc it's not as if scientifically inclined women cannot also be effeminate, but that's a whole other point i'm not going to get into right now.)
the only one who is not stunning, who is not put together, is weird barbie. and despite her status as part of the socially established higher class via being a barbie instead of a ken, she is still ostracized, because her version of being a barbie is not what is expected of the group. she does not comply with the guidelines and rules and structure of femininity. sure, she has a dream house, but it's away from everyone else. sure, she's a barbie, but everyone calls her weird and stays away from her, and she's a sort of old wives' tale about what could go wrong.
while she may receive some benefits of being a barbie, i.e. a woman, in this hierarchical structure, she does not receive all or even most of them -- because she performs it incorrectly. (aside: i wish they hadn't cleaned her up and made her into an attempt at hot alt pink fashion toward the end. when she's more put together, she loses a lot of what makes her special, i think.)
allan fills a similar niche, in that he is neither allowed a place within the power structure when the barbies are in control nor when the kens are. he is a man, as far as we know, but he is not a ken. and because he is not performing his identity in the ken-approved way, he does not reap the benefits when they take over. he continues to exist as lesser, and aligns himself with the barbies.
i suppose the point i'm trying to make is that both weird barbie and allan serve an important role in this movie in pointing out the ways that those who exist outside of perceived binaries or structures are still yet harmed or disenfranchised by the enforcement of them. if that makes any sense at all.
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x-i-l-verify · 3 months
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Something that I've noticed ever since the Smiling Critters were introduced is that they can so easily be paired off into complementary duos, ones that are specifically designed to teach children fundamental lessons about life and self-care from two different angles. It's really interesting to me.
Like obviously you have Dogday and Catnap, with their sun/moon, dog/cat dichotomy, that stress how important it is to have fun and get things done during the day, but also that it's important to wind down, relax, and get a good night's sleep.
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Bubba Bubbaphant and Craftycorn were introduced as a duo in the Smiling Critter show's intro, and their dichotomy is quite obvious. They are basically the right and left sides of the brain personified. Bubba is the left side of the brain, logical, analytical, focused on math and science. Craftycorn is the right side of the brain, creative and imaginative, focused on the arts and self-expression. They represent learning and academia in all its forms, the different ways people engage with and understand the world.
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Hoppy Hopscotch and Kickin' Chicken form the sportsmanship duo. They are both portrayed as enjoying sports and the outdoors, but in different ways that highlight the different ways sports can be played and enjoyed and also what it entails to be successful at them. Hoppy Hopscotch may be loud and impatient, but she is also a team player, shown in her willingness to slow down her fast pace to make sure none of her friends are left behind. Kickin' Chicken, on the other hand, is laid-back, relaxed, and chill, the described "cool kid" of the group, but he's also described as having a ton of perseverance, more of a "slow and steady wins the race" type of person.
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This leaves Bobby Bearhug and Picky Piggy as the last pair. Fittingly, these two are all about how to meet the fundamental needs of yourself and others. Bobby teaches children how to nourish themselves emotionally through showing and receiving care from others, while Picky teaches them how good food is important to nourish the body and soul. Depriving oneself of either of these things only makes oneself and therefore everyone around one miserable, because those fundamental needs are no longer being met.
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Like fr, this is some pretty genius marketing right here. You have enough characters that every kid will have their favorite, but not so many that any would get lost in the shuffle, because the lessons each one of them would teach would be integral to the group as a whole. It really makes me that much sadder we saw basically nothing of the Smiling Critters during the game itself, because Mob Games struck gold with this concept, only to ultimately do nothing with it. :/
But I guess that's what fandom is for, eh?
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expelliarmus · 8 months
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carthonasi · 30 days
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what do you know about my mother? she was like you. she was kind. and loving.
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atalana · 9 months
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so the good place is widely lauded on this site for its takes on morality and capitalism, which i totally agree with
but i think it should get more recognition for the line "all humans are aware of death. so we're all a little bit sad all the time. that's just the deal. we don't get offered any better ones. and if you try and ignore your sadness, it just ends up leaking out of you anyway. i've been there, and everybody's been there. so don't fight it. in the words of a very wise bed bath and beyond employee i once knew - go ahead and cry all you want. but you're gonna have to pay for that toilet plunger."
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substitute
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sassypantsjaxon · 4 days
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So I'm watching one piece, and the episode with Zoro's tragic backstory made me realize that he didn't really seem to realize how important Kuina was to him until after she had died. And then it occured to me that it's probably the same with Sanji. So he's spent all this time in this rivalry with this guy, constantly fighting together, pushing each other to be better, and he just...never realizes how similar it is to what he had with Kuina.
And then the time skip happens, but since he's away from the whole crew and he's fighting someone else, he doesn't realize anything about Sanji specifically. And then Whole Cake and the wedding. And he's like 'yeah, sure. Cook thinks that's what he wants, let him go.' And he thinks he's fine without him.
Except meals are different. They're fine. But they're different, and he can't figure out exactly why.
Except when he eventually finds his way to the kitchen, there's no onigiri waiting for him as a snack while he's on watch. Except there's no one to gripe about him sneaking alcohol even as he unlocks the cupboard for him. Except when he practices his swordfighting with any of the Heart pirates, they don't already know all his moves. Except they're afraid to taunt him if he slips up. Except they can't even tell when he slips up. Except when he tries to pick a fight with anyone because he's bored, the Heart pirates don't know what to do with that, or Usopp will start to freak out or Robin and Franky just won't rise to his bait.
And then he remembers Koshirou telling him that he pushed Kuina to be better.
And he realizes that's what Sanji is to him.
And it's fine. It's fine. Luffy will bring the Cook back, and everything will go back to normal. Except Nami was really freaked out by Sanji leaving. Except what if he really does get married? Except what if he doesn't really come back? And Zoro just doesn't think he can go through that again.
But of course Sanji does come back and he's different and he's trying to pretend he's the same. And now Zoro knows. And he's got all of these feelings that he's suddenly become aware of, except he still has a negative amount of emotional intelligence, so he's still just picking all these stupid fights because he doesn't know what else to do.
And everybody else is like 'well, Sanji's back, and everything's the same' and Zoro's the only one going 'No! everything has changed!' because he's still the only one aware of his feelings, and he just...doesn't know what to do with them?
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fruutes · 6 months
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Anyway u can have a little harv as a treat :)!!!
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buggachat · 7 months
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seeing a lot of talk of the season 5 finale, which is fun, i get that it was controversial (honestly the fact it was really risky is kind of one of the things i like about it lol) and wanting to add my two cents but can't think of much i haven't already said before
but something i do want to emphasize is that season 5 ending on Marinette telling the biggest, boldest faced lie she's ever told (that goes far beyond "protecting her identity") to kick off the Lila arc is by far the coolest thing they could've done imo, because I was not at all excited for the Lila arc before but now I'm totally invested. Now Lila isn't the Evil Liar to be taken down by Good Marinette. Marinette is the liar to be taken down by the very liar that she took down. It's not a story of "defeat that freakishly evil girl" anymore, but instead a story of "Marinette's own actions and decisions coming back to bite her". And the lie itself (WHICH LILA KNOWS IS A LIE!!) only exists because, and is most impactful towards, her relationship with Adrien, which is the core of the series!! I CARE about their relationship, and that's the stakes!!!
I just cannot get over how cool that is, and how much I didn't expect it. I know we all were expecting a big fight with Ladybug and Chat Noir just defeating Gabriel and then watching Chat Noir cry or whatever in the few remaining minutes of screen-time and then it's all over and done with, but that's a series finale. This was a season finale. And they did something really unique and unexpected with it, while making sure it's a juicy season-finale conflict that leaves me actually excited about season 6
also, a side note— I think the framing of the finale made this confusing so I totally get why discussions about it are kind of all over the place, but... 90% of the post-wish stuff we saw had nothing to do with Gabriel at all. It was all Mayor Bustier, who was already running for mayor and wanted to enact green laws and projected to win (she was up against D'Argencourt, the character whose schtick is that nobody ever votes for him in elections). I don't think Gabriel's wish included "Please, Gimmi, I want my son's school teacher to win the mayoral election this year" lol. So a lot of talk of "why is Gabriel's World presented in such a positive light?" is kind of weird to me. That's not Gabriel's World. That's Caline Bustier's. All we know so far about Gabriel's World is that Nathalie is in it and he is not. And frankly, the fact everyone is so happy and cheerful and living it up after his death is more a roast than anything
( also, just a reminder that the presentation of Gabriel's statue— the only scene discussing Gabriel in a positive light by someone In The Know— was done by Tomoe Tsurugi, a series antagonist, vowing to continue his work, with a song in minor key playing in the background. i feel like the question of "was this meant to be unsettling or triumphant?" is pretty obvious. just wanted to remind everyone. also by definition characters cannot celebrate gabriel as a "hero" without in the same breath celebrating monarch's, aka gabriel's, death. yknow? )
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mayasaura · 11 months
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The way The Locked Tomb uses cannibalism is so interesting, because while it does serve as a metaphor for intimacy, the series only uses it that way when it's cannibalism of the soul. Cannibalism of the flesh is either extremely limited, or straight up horrific.
Like step six of the Eightfold Word. It's literally presented as "consume the flesh," but Ianthe goes out of her way to specify that a single drop of blood is sufficient. The most unhinged act of intimacy in the series, and it's explictly the soul and only the soul being digested.
Human flesh is only consumed in any volume twice: John's post-apocalyptic survival cannibalism, and Harrow's delicious murder soup. Both those scenes are exactly the opposite of intimate, and about as far from erotic as you can get.
John and Alecto gorging themselves on anonymous strangers was debasing to everyone involved, and not something John ever wanted to be reminded of. Harrow's soup was a desperate attempt at self-defense, like an animal in a trap gnawing through her own leg. It horrified and disgusted everyone at the table, even Ianthe, the number one suspect at making it weird.
I love the overall effect of the layered symbolism, because it allows cannibalism to be explored both ways. Seperately, without one connotation implicating the other. Except for Babs, of course, who gets to be both.
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poorly-drawn-mdzs · 8 months
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Wardrobe Woes
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