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#I'm losing my god damn mind this is amazing
brainddeadd · 28 days
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Hi love, hope you're doing good. I was thinking if you could write a headcannon or reactions kinda thing, skz reaction to their s/o crying during-after sex because they feel overwhelmed, loved and safe. Not because of pleasure but purely because of love, because of how much they love them. Maybe Chan and Jisung would themselves burst into tears knowing that their s/o loves them just so much. Please? Btw I'm ✨Anon if that's okay?
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Stray Kids react to you crying (out of love) during sex
smut, fluff
warnings: fem!reader, crying, panicked members, mentions of safeword (Minho), cum mentioned, jisung's is funny, mentions of dying (not literal)
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Chan
Channie panics the first time you cry during sex and it's not been caused by him eating you out until you cum three times.
When he's sees you have tears pooling in your eyes and spilling over, when all he's done is kiss you tenderly and make love to you softly, he's panicked.
"Baby, what's wrong? Did I hurt you?" He's pulled out of you, is kneeling over your body, his eyes scouring every inch of you looking for a physical sign of pain. You just cry harder.
"Channie Channie, come back. Need you, Channie, please Channie-" he's confused but lowers himself to you and you wrap your legs around him, bucking your hips blindly to try ans catch his cock. He holds you still by the hip.
"Baby, why are you crying?"
"Jus' love you Channie feel so loved so good need more love you channie-"
His face flushes red, and his own eyes tear up when he realises that you're crying out of the.. love you feel?
"You're crying because you feel loved?" His voice is choked by his own emotion, and you nod your head, some more tears falling.
"Makingnme feel so loved Channie."
Chan kisses you again, and slides his cock back inside you, groaning at the way you hum happily against his mouth.
Minho
Minho is rough with you in bed. That's why he had you choose a safeword and makes sure you know that you must use it if you're uncomfortable with anything.
That's why he's so alarmed when he sees you crying when he comes back from the bathroom after a session (he tied you up and worshiped every inch of your skin, making you cum multiple times and filling you with two loads of his cum).
"Baby!" His voice is shrill and he drops everything in favour of rushing over to you, panic on his face. "What happened? Baby what do you need?"
"Hold me!" You appear distraught and he yanks you into his arms.
"Baby, talk to me," he's being gentle, but he really needs an answer.
"I love you!" You cried out and he froze in confusion, his eyebrow raising as he forced you to look him in the eye.
"You're crying.. because you love me?"
"And you love me!" You're making no sense to him. "You make me feel so loved."
He keeps his wide eyes on you as you stand and more towards the bathroom, the marks he's left on you barely visible in the low light, and his cum dripping down your thighs.
"You coming?"
Changbin
Binnie, oh Binnie. He damn near loses his mind when he sees you crying before he even really gets started with you.
He's got you on your back, legs spread and your eyes blindfolded when your chest heaves with a sob.
Oh, he's got the bilndfold off and you sitting in his lap before you can blink.
"Bunny, you ok?" He's pushing your hair back, wiping your tears away and caressing you back softly, looking at you with wide eyes, and a concerned expression on his face.
"I'm amazing Binnie." He's so confused.
"What?"
"I just-" You take in a deep breath and then it all comes rushing out. "I just trust you so much and you always make me feels so good and not even only in the bedroom, although you are a fucking god at fucking me and I just love you so much that I got overwhelmed by the love for you in my chest."
He blinks at you. Then his face crumbles and suddenly he's sobbing.
"Binnie!" Now you're concerned.
"You cried because of how much you love me and now I'm crying because of how much I love you and fuck we're a mess." He tries to laugh, but it comes out choked.
You stay like that for a while, you in his lap, holding each other closely until all the tears are dry.
"So.. I fuck you like a god, huh?"
Hyunjin
Hyunjin doesn't realise you're crying out of anything other than pleasure until he's filled you up with his cum and you just won't stop crying.
"Muse, I'm so sorry." His heart is in his ass.
"I love you so much Jinnie. Feel so good. Fuck Jinnie, I can feel your cum dripping out of me, don't let it Jinnie, please-" You're babbling away and Hyunjin can't focus on anything, not even the cum dripping from your pussy - which normally you have to forbid him from touching again.
"Muse-"
"Jinnie please, please, more, need more, give me more." You're begging, but he's not sure what you want.
"What do you need baby?"
"Cum-" His brain must be making things up.
"You want to cum again?" He refuses to move until you say so.
"No, Jinnie, want your cum, love you so much, want your cum-"
And really, how can he refuse when you ask him so nicely?
Jisung
Jisung does NOT know what to do.
You're crying, covered in his cum, sitting in the bath and he's at a loss.
The sound of his phone calling out to someone catches your attention and then he speaks.
"Chan hyung! She's crying-"
"HAN JISUNG!" Chan can hear your screech on the other end of the phone. "HANG UP!"
"BUT YOU'RE CRYING!"
"BECAUSE I LOVE YOU AND YOU JUST FUCKED ME SO GOOD I CAN'T WALK!"
Chan hangs up.
"WHAT?!"
"You fucked me so good, and for some god-forsaken reason, I love you, pabo!" That really doesn't clear anything up for him, but he clambers into the bath with you and holds you close.
"You're ok?" He sounds scared.
"I'm ok." You confirm. "Just.. really love you. And was overwhelmed by it for a moment."
"I love you."
Felix
Firm believer that Felix cries when he's overwhelmed with the pleasure.
Felix has you on top of him, your tits bouncing as you ride his cock, and he just can't help himself.
"Fuck, you're so beautiful. I love you so much." He doesn't expect you to cry, but he knows from the way you lean down to clutch him to your chest and the way your pussy squeezes around him tighter, that you're about to cum.
"Love you Lixie, love you love you-"
"Love you baby, love you-"
You cum together, tears on your faces from the pleasure and the overwhelming love you feel, and he doesn't remove his cock from you after you've both cum, just lets it plug up your hole as he holds you close.
"I'm meant to be the one crying, baby." He whispers and you move to kiss him, his still hard cock shifting in your pussy and cum dripping down his cock and pooling on his balls.
You rock your hips as you kiss him, moaning when his tip hits that spot deep in your pussy.
"We can both cry, Lixie."
Seungmin
Seungmin freezes the second he sees tears on your face, despite being so so close to filling you with his cum.
"Pup?"
"Don't stop, please-" you beg him, but he stays still, dragging a whine from your lips. "Minnie-"
"Why are you crying?"
"I'm not-" You stop when you feel the wetness on your cheeks and flush red. "I-"
You buck your hips into his, searching for pleasure and managing to keep his orgasm approaching.
"Pup, why are you crying?"
"I just feel so safe in your arms and-"
Seungmin doesn't let you finish your sentence, just pushes his cock into your pussy as far as he can, his cum flowing out of his tip and filling you up, leaking out around the base of his cock. He groans and shudders, his face falling to your neck.
"I'm sorry-" He's cut off by you clenching around his cock, head falling back as you cum on his cock.
"Fuck pup-" he grunts at the feeling of your pussy fluttering around him and moves his hips to help you ride out your high.
He lets his weight rest on you for a moment before he pulls back to look at you.
"I love you pup." He kisses you gently. "I'm glad you feel safe with me."
Jeongin
You've never cried during sex before.
He's fingering you, his tongue circling your clit and puffy lips sucking when you let out a cry that's just not a sound he's used to from you.
He looks up and finds you with tears on your face.
Instant soft dick.
"Y/N, what's wrong?" He's next to you before he can get his question out.
"Innie, if you don't fuck me like you love me right now, I'll die."
"Uh- What?"
"Make love to me, Jeongin." That he can do.
"But, you're crying!"
"It's just- fuck I love you."
Jeongin is so confused, but you've got your hand on his hardening again dick, and he's finding it hard to concentrate.
"You're crying because you love me, and you want me to fuck you like I love you?"
"Yes."
"But I do love you!"
"I know!"
"Do I not tell you enough?!" He's spiralling, thinking of all the times he's thought about telling you those words, and chickened out or missed his opportunity, or forgotten because he's busy.
"Jeongin, I know you love me. I want you to make love to me."
He moves to hover over you and kisses you slowly, his hands running over your sides, thigh pressing into your still dripping pussy.
"I love you, I love you, I love you-" It's all he can say, all he can think, as he thrusts his cock in your pussy and fills you with him cum.
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l13 · 11 months
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spiderverse twt links part 2
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WARNINGS : NSFW, 18+ ONLY, MINORS DNI, f!reader, the links are literally p#rn, proceed at your own risk
CHARACTERS: miguel o'hara, peter b parker, hobie brown, the spot, spider noir, webslinger
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miguel
♡ miguel playing with your pussy as he sucks on your tits- getting you ready to take his cock, like the good girl you are<3
♡ this is for that one anon that sent me a hc about miguel getting pissed af if he caught you using one of your toys- ((I SAW IT AND IT WAS AMAZING I'VE WROTE SMTH BUT IT'S BEEN ON MY DRAFTS FOR LIKE A WEEK i can't seem to like it no matter how much i edit it but have this<333)) Miguel who then proceeds to snatch the toy from your grasp, muttering how you can't even come even with that. "S good right? Better than me?" "Noo, never- never better than you- oh please baby-" "That's fucking right."
bonus
♡ miguel punishing you when you arrive home after you talking shit all day- purposefully disagreeing on anything he says- even in mission briefs. makes sure to fuck you stupid just to remind you not to pull that shit again<3 "Acting like such a fucking bitch all day- fuck. Just needed my cock that bad, huh? Say it,"
peter
♡ peter whimpering pathetically once he starts cumming- moaning when you don't stop jerking his cock, and he's thrashing around, hips never stopping their little jumps as he whines prettily "I can't anymore- h please ffuckkkk, I ca-aan't," voice cracking as he sobs for you
♡ pussydrunk!peter that starts fucking you like an absolute madman, literally not able to stop thrusting inside of you even after he's cum two times already, his eyes are hazy, can barely focus on anything but he still grabs you by the hair to pull you against him almost harshly, panting hard as he somehow keeps fucking his cock back inside your drenched pussy
♡ peter laying flush against your back, humping you, thrusting his cock inside you till he's crying with you- whimpering and moaning from the way your pretty pussy feels around his cock
hobie
♡ hobie definitely wakes you up in the middle of the night if he can't sleep- pulls your panties to the side and makes you ride him, watching with a hand behind his head as you bounce your ass on his cock- thrusting his hips up to meet the rolls of your hips as he sighs, "Fuck- think I'll be wakin' you up every God damn night, baby.." "Yeah do it- fuckin' make me cum-"
♡ hobie losing his FUCKING mind when he sees you hold your folds open for him- giving him the perfect view of his cock entering your pussy again and again-
♡ no bccc. NO BECAUSEEEEEEE. tell me why he'd do this. he'd def dry hump you till you're both moaning against each other's mouths before he'd fuck you, refusing to remove his underwear from before- saying he likes looking at them all stained with your juices as you bounce up and down his cock<3
spider noir
♡ tw!!!somno noir loving seeing you wear tights/stockings, and absolutely loses his mind when he sees you laying like that on the couch- skirt bundled up on the floor, you'd probably taken it off right before laying down, and fuck- it's so fucked up that he's doing this but he can't help himself as he takes his cock out, slapping it against your ass two-three times before he starts jerking it, slowly, "So pretty for me honey.. 'nd you don't even know it," "Fuck- sorry- I'm sorry- I can't stop, can't fuckin' stop-"
♡ noir letting you control the pace for once as he leans back, supporting his weight with his palms on the mattress as you bounce your ass on his cock vigorously- and he's grunting, muttering praises, until he gets greedy and grabs you by the hips to thrust inside you with a new-found passion, "Did so well for me, such a good girl- unh-" "I'll fuck you so well, don't you worry-" "Won't be able to fuckin' walk tomorrow, honey."
♡ feel like noir would be used to more 'old fashioned' shit so when he met you, he'd become 10x times more freaky- that includes cumming on your face 🤭 he'd be reluctant at first- "Why waste it? You're tellin' me you don't want it in your pussy, hm?" but then he actually does it one time and becomes OBSESSED, "God fucking- I'm gonna cum-" "Where d'you want it sweetie," "Yeah? Ffuck yes- gonna paint your pretty face with my cum-"
the spot
♡ we've established that spot is a certified pussy eater, even without a mouth he'd find a fucking way- he'd just push your cunt into his face hole, and lap at your pussy greedily- moaning as he did so
♡ tw!! pegging jonathon? OH MY GODDDDDDDD and he's moaning so good for you too<3
♡ spot unable to stop pushing his hips back into your hand as you finger one of his holes- the feeling bringing tears into his eyes as he cries out for you<33
♡ him nearly YELLING when he comes inside you- moaning loudly as he pumps you full of his cum<3
webslinger
♡ tw!! breeding kink "Legs up f'me darlin'.... just like that," thrusts into you relentlessly, head thrown back as he literally cannot handle how good your pussy feels around his cock, and he grunts as he pulls out, jerking his cock, his hand shaking, "Can't cum inside you huh, pretty? Can't get you pregnant- not yet-"
♡ him finally slipping and coming inside you- moaning with his eyes rolled back as he feels your cunt sucking him in- "Ah shit- m sorry darlin' I couldn't hold m'self back.."
♡ him pounding you from the back and then suddenly deciding that he wants to watch you ride him instead- (save a horse, ride a cowboy), absolutely looooves watching your face contort in pleasure, your tits bouncing as you guide yourself up and down his cock<3
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emyladia · 2 months
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Sweet nothing Lando would whisper at you when he thinks you're asleep...
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Pairing : Lando x f!reader
Genre : Fluff, suggestive, explicit
Warning : Too cute (might make an overdose), talking about sex, I think that's all...
A/N : Honestly I'm such a simp for Lando like I can't... Anyways I hope you'll enjoy it and I take request if you ever want...
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"You are the prettiest things I have ever seen in this earth"
"Thank you to love me"
"Today I saw that you were wearing that shirt, the white one a little see through. It just looks so good on you, like everything anyways"
"I'm so lucky to have you, really"
"I think I want to marry you. No, I know. I want to spend every single day of my life with you, and to call you Mrs. Norris"
"Sometimes I wonder why you're dating me, you're so amazing and so pretty, and so smart. I'm so sorry I don't deserve you"
"When you're asleep like that, looking all cute and innocent, it makes me want to fuck you so bad it actually hurts"
"I don't want to get out of bed today, I want to get down on you all day long, to fill you with my cock until you're so overstimulated you can't feel anything"
"Please don't leave me, please, please, please, please..."
"I'm sleeping better when you're around, it just feels like there is something missing when you're not here, it keeps me awake"
"I'm scared, so scared, that I might lose you, that I love you so damn much, I'm so afraid"
"I always knew that an orgasm was great, but god. Nobody told me that it would be absolutly fucking mind blowing with you"
"I could stare at you all day and never get tired of it"
"When you're not around my brain can only think about you, and when you're here all I think about is you. I just can't get you out of my head, it's crazy how much you're messing with my brain"
"I know I'm not telling you enough but... I love you"
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holybibly · 4 months
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You're so right on your possessive piece on san, seonghwa, and mingi. Especially mingi that boy is so possessive! And he loves attention. Hard thoughts here, just imagine him catching you staring at all his rings on his big hands OR THOSE THIGHS. And him teasing you about it cause you're so cute when you blush. Also pussy drunk mingi >>> he eats out on the counter, in his studio, in the bed, everywhere. Your writing is so amazing and it's so fun to see all your thoughts through hard thoughts week 💚💚
Just a reminder, the hard / unholy hours will continue for the rest of the week.
Thank you, darling. I'm trying so hard to write more and better so that you can continue to enjoy my work. Frankly, I love praise, but I'm always terribly embarrassed by it. But I really appreciate everything you've said 💖💖💖
And now it's time for a bit of talk about my toxic boys. I hit the nails on the heads, didn't I? I have a feeling that practically all of my bunnies are of the same opinion. They give off that vibe, don't they? And I should probably just write something for them. I'm kind of crazy about this concept and I'm not ashamed of it at all.
Oh Mingi, he's definitely a pussy eater and yes, he's fucking drunk on it. (Slightly off-topic, but I'm sure Seonghwa, Wooyoung and Hongjoong feel the same way. As if they want spent a lifetime between your legs. San is definitely an oral fixation and enthusiast. As for Yunho, Yeosang and Jongho, I think they don't mind eating you. But it's not high on their list of priorities.)
I think that at the beginning of your relationship he would have been a little bit shy about it. But, hell, he'll find it harder to control himself the more time you spend together. Poor guy just wants to stick his tongue up your sweet little cunt, sue him for that.
So when he finally gets to do it, all hell is going to break loose. God, he can never get enough of you, can he? He's got this wild hunger inside him. It's clawing at him from the inside. He needs you so badly.
You're his perfect breakfast, lunch, and dinner. 
"It's all just for me." Mingi moans. He leans forward and licks a thick strip of your cunt. You cry out at the hot sensation, at the wet and skillful tongue sliding through your folds, and your head falls back onto the pillow as you feel his fingers stretch your labia to give him better access.
He pulls away for a split second, just long enough for him to hum lowly and mutter under his nose, "So damn wet and only mine." Your hands are gripping the sheets, and he's even more enthusiastic as he dives back in, opening you wide for his insatiable mouth.
Your nipples are so hard they hurt, and your head is spinning from all the sensations. He's driving you crazy, but for Mingi, this is just a warm-up; he hasn't even started to eat you for real yet.
Mingi swirls his tongue greedily around your hole a few times before going deep and fucking you too fast with his talented tongue, enough to make your walls clench tightly around him. After a few more thrusts, he pulls back and uses a long, slow lick to catch the large amount of fluid that is leaking out of you, his tongue pressing down flat and heavy on you. He licks you like an animal, panting and growling at the taste of you. When he reaches your clit, he gently glides his tongue over the sensitive bud several times, finally pulling it into his mouth to suck on it, causing you to moan loudly and desperately.
"Oh, fuck. Damn, M-Mingi. Oh God!"
You swear you can feel him smiling at you with a smug and lecherous smile as he returns to your hole to start all over again, but with even more desire and hunger. His guttural moan sends a wave of destructive vibrations through you.
He's pretty damn good at it.
You lose track of how many times he repeats this process until the excitement overwhelms you so much that you think you may die.
Since he started fucking you with his tongue, you have no idea how much time has passed. Hours, maybe even days. Mingi certainly has the look of a man who could do this forever.
"I can't do it anymore." You say, and the desperation in your voice is so clear to hear. 
"Do you want to cum, doll?" He mumbles, pressing his cheek against your inner thigh, his gaze so foggy and distracted that he will be completely whipped for you. "You can do it. If you want to. Cum for me, doll. Let me drink you more."
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tfcaptions2 · 10 months
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Alright, focus. I can feel it happening again, that strange pull in my mind, trying to change me into someone I'm not. I won't let it control me this time. I refuse to become that hotshot, cocky businessman with a chinstrap beard and all that swagger. I've worked hard to be the person I am, and I won't let my thoughts betray me.
But damn, those images are getting vivid. I can practically see myself in that sharp dress shirt, those tailored dress pants. What's with this sudden obsession with being bald and muscular? And that necklace, watch, and ring materializing out of thin air? This is ridiculous! I'm not some arrogant, overconfident prick. I've got integrity, and I won't lose myself to this bizarre mental transformation.
But... that voice in my head, it's relentless. It keeps telling me how powerful I'd feel, how attractive, how commanding. No, I won't be swayed by these fantasies. My friends, my family, they know me as I am, and I won't let some illusion change that.
My body, though—it's like it's responding to these thoughts. I can feel my muscles tightening, growing. What is happening to me? This isn't who I am. I won't be that guy. I won't!
The clothing... it's shifting, changing. This is insane. The dress shirt, the dress pants—it's all appearing on my body. How is this even possible? And that jewelry, it's like it's being placed on me by some invisible hand. Get a grip, man! You're not becoming that arrogant, cocky version of yourself. You're stronger than this.
Damn it, my reflection. I can see it now. The bald head, the thick chinstrap beard—this isn't real. This isn't me! I won't succumb to this delusion. I won't let it take over. I need to fight back, to hold onto who I am, to resist becoming that smug, self-absorbed alpha male.
But... oh, god. It's too powerful. The transformation is overwhelming me. I can feel the words forming in my mouth, the arrogance seeping into my thoughts. It's like I'm forgetting who I was, who I am. Wait... why was I resisting again? This feels... amazing. I am amazing. Look at me, powerful and confident, every bit the alpha male.
Yeah, that's right. I've got the looks, the charm, the swagger. Who needs humility when you've got all this? I'm in control now, and I'm not looking back. I don't remember ever being anyone else. I'm the man, the one everyone envies. And why wouldn't they? Just look at me.
Wait... what was I thinking about before? Something about not giving in, resisting change? Nah, that's all in the past. I'm a new man now, the man I was always meant to be. Time to conquer the world, one confident step at a time.
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itsclydebitches · 1 year
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There are a lot of Tedependent fics where Ted needs to first realize that he's bi/interested in Trent before the love confession can occur (which are GREAT) but recently my mind has been laughing about the opposite. That is, an out, proud, fully confident, divorced, not-as-much-of-a-mess-as-he-used-to-be Ted who is remarkably chill about potentially starting a relationship. God he loves Trent so much why wouldn't he ask him out?? What's he got to lose? Dating Trent? He's already not doing that!
Now pair that with a Classic Angst Trent who is 100% convinced of every fandom trope under the sun. Ted Lasso is definitely straight. He's definitely still in love with his wife. Even if he were open to men he definitely would never be interested in him. The idea of them dating is so absurd that Trent is thinking of writing the Oxford English Dictionary to get their picture set next to the definition. He's writing sappy poetry about the unrequited love story of the century. He's keeping every workplace interaction capital 'p' Platonic in deference to white straight male sensibilities. He's thinking of asking Beard to set up a new identity for when Ted realizes The Lasso Way is just a wordy love letter.
This boy is in D E N I A L.
Thus begins the intense comedy of errors when unstoppable force Ted meets immovable object Trent. How far do we take it? Well, what's your preferred amount of crack?
Ted takes him to a super romantic, candlelit dinner? Ted is so unbelievably nice to everyone. This would be amazing if it were a date :(
Ted says "I love you"? Trent's so proud of the culture of love and support Ted has brought to Richmond, but FUCK does hearing those words do things to him. If only he meant it in the way Trent wanted.
Ted wants him to move in? Well, Trent supposes he does need a roommate to keep up with London prices now that he's a single parent, but did the universe have to throw him together with his crush?
Both of them, seconds after Ted has proposed and Trent stuttered through a yes:
Ted: Hot damn I'm gonna marry the love of my life!! :D
Trent: Ted's temporary visa must be running out. This is torture, but I'd do anything for him while feeling like an absolute villain for taking advantage of his vulnerable state for my own emotional gratification 😭
Meanwhile:
Roy: When the fuck do we tell him?
Beard: Right before he walks down the aisle. I dropped that bombshell about Ted's mustache right before he married Michelle. Trent deserves one too.
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mewtwo24 · 10 months
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MAWS - An Allegory for Autism, too?
God like…there have been so many amazing posts about maws right now, and I don’t want to detract from any of them because I absolutely agree with how powerful an allegory the show is in regards to being an immigrant/alien.
But at the same time I just. I have been literally losing my mind at how autistic Clark feels. And at this point I can’t tell if I’m seeing things that aren’t there or he really is just so god damn ‘tism it makes his experiences of being othered two- and triplefold.
Like. Okay. He keeps acting on what he thinks is just or morally right in the moment, but sometimes struggles to see the social signals (or bigger picture) that might indicate somebody is deceiving him. If he does realize he’s being deceived, he does the right thing anyway even if it’s to his detriment--because he can’t accept looking away from a problem he might have resolved. Helping someone, no matter how difficult or unreasonable.
Okay.
When he’s trying to protect himself from Lois. He tells the truth in the most evasive way humanly possible, and because he thinks she’ll find him dashing from saving people he comes off as dissembling. He is convinced that he has charmed her to no end with his alter ego since he’s Such A Super Cool Strong Normal Guy as Superman, and that she couldn’t possibly be suspicious any longer because he told the truth. Lois wants to throttle him for lying. He has no idea as to why that is--and is openly surprised that she’s upset.
This is not even touching the fact that he lived for YEARS with Jimmy and literally destroyed stuff in front of him by accident, and never once thought Jimmy knew some shit was going on with him. Jimmy, being subtle and considerate, didn’t snitch because he was a homie. Clark does not notice in the slightest. ‘IT COULD HAVE BEEN THE SCREWS’ ASS.
This also not touching on the “How did you know you were bulletproof?” “I didn’t. I just knew you weren’t.” Despite pervasive signs that his powers weren’t operating as they should in that area. Despite knowing Lois was still upset with him and may not forgive him, could hurt him with what she knew.
Okay.
I'm going to put the rest under a cut because I never go on short tangents:
In a lot of New Age illegitimate medicine and psychological constructs, autistics are often conceptualized as people with ‘special powers’ or religious enlightenment in accordance with some manifestations of their disability. Clark’s superspeed and strength and heat vision can EASILY be seen as an extension of that. However, what I really want to talk about is the latest episode’s super hearing. 
Most autistics have sensory issues, both with textures but also with hearing. A very common surprise for undiagnosed individuals, for example, is that they use music and headphones to stim in a more socially acceptable way. Particularly loud noises or constant loud chatter can cause distress otherwise, and having constant meltdowns/catatonia reactions isn’t feasible for survival. 
Of all his powers that might be a weakness I think it is a fascinating--and honestly, deliberate--choice that speaks volumes (please pardon the pun). Because that’s the horrible thing about having sensory overload with your hearing; you don’t always have a choice as to what you’re subjected to. Ear-piercing alarms can flare at any moment, people can play what they consider harmless pranks, or day to day fighting to focus can make every sound feel like nails on a chalkboard from the overstimulation. 
While Clark is able to distinguish voices if he knows what to look for, lack of sleep and rest tremendously weaken his ability to focus. I noticed that as the episode wore on, there was a distinct and exponential progression. At first, when he overdid it and didn’t sleep for a day or so, he still managed to operate without hurting himself or risking others. But as he kept pushing himself without rest to answer every cry for help, he grew progressively and sharply overwhelmed. He quickly became overstimulated by the mounting flurry of oncoming stimuli (e.g. the truck about to hit someone, dodging people around him, the relentless super hearing flooding in) and began to react in ways that were careless and random. 
Though his powers appear supernatural and inexhaustible, we are forced to face the fact that he still possesses hard limits. Even if autistics seem more capable than NTs at points, there is a reason “high-functioning” became an obsolete terminology with which to differentiate people on the spectrum ‘who seemed to be above average’. Because just as we see Clark forcing himself to exert his superpowers until his body collapses to prove he is good, autistics also push themselves to be useful/helpful/amenable/inobtrusive in order to be accepted as something not other/monstrous.
(Please note, by the way, towards the end of the newest episode--his power comes out in a flash of blue, overpowering light as the last of his strength begins to wane. A surefire sign that he was truly at the end of his endurance before he’s knocked unconscious.)
The fact that Clark starts to learn how to listen in for people so fast, but also doesn’t think to tune them out (if he can) adds even more to the first point too. Because he can’t turn it off in full, it means he has no way to ignore people who are hurting no matter how small--and for him that places the cognitive burden of making a choice. And he can’t choose not to help people.
Okay.
Clark’s incipient refusal to discover more about himself, the sheer overwhelmed look he had as a child--but also as an adult--at the prospect of having to rewrite and re-evaluate everything he thought he knew about himself. There is no excitement, no positive anticipation. When he chooses to face it, it’s because he perceives a kind of responsibility to better understand/control his powers to help more people. And it’s because his friends support him that he ever finds the will to do it. He has no desire to acknowledge or define his otherness head-on. (Once again, he can only act with courage on behalf of others and/or to ultimately win their acceptance.) 
GOD. AND. AND how he tells Lois how much she made him “come out of his shell” and forced him to face the world, to stop living in his formerly simple bubble. How autistics instinctively hate breaks in routine and the unknown and the horrible ordeal of change, especially if they have trauma linked to it. But he was trying because yeah, as people we need new and varying stimuli to be happy and healthy. To be alive is to change, whether one likes it or not. 
How part of the reason Lois is so dear to him is because she makes him feel capable and safe when he has to face the truth of his difference and change. (THIS IN THE CONTEXT OF THE LATEST EPISODE. “CLARK, JUST TRY TO BE NORMAL”. I’M EATING MY SHIRT. THE ENDLESS OSCILLATION BETWEEN HIS DESPERATION TO BE NORMAL BUT ALSO STRIVE FOR MORE, AND HOW LOIS ANSWERS BOTH THOSE WARRING CALLS WITHIN HIM JUST BY BEING HERSELF.)
SCREAMS.
Okay.
The most recent episode being a direct result of Lois and Jimmy’s acceptance of his alter ego Superman. Because of course Superman is the preferred variation of himself. Everyone loves Superman. Everyone finds him cool and heroic and dazzling. Jimmy gets social media acclaim that he enjoys from it. Lois has a Cool Guy Boyfriend, and she told him outright she thinks he’s amazing in the last episode when he complained about being weird.
Why go back to being Clark? Under the unending burden of his new super hearing, he seems to be so drowned in voices that he forgets a very important one: Lois. She loved him as Clark long before Superman existed, the lumbering gentle giant who always treated people with dignity and respect was more than enough for her to fall in love. And that’s why it’s so poignant, but also so unbelievably devastating when she asks him to be normal in the newest episode.
Because what she was trying to say was “Please stop overexerting yourself, you’re hurting yourself. This is only going to end badly if you don’t rest and think about how you want to move forward. You’re enough as you are. You’re enough as Clark Kent.” She was trying to tell him that Superman isn’t all that matters, that Superman is a person with feelings and needs and vulnerabilities, just like anyone else. 
What makes this miscommunication so powerful to me is that it’s clear Clark’s ability to differentiate has become confused ever since Lois and Jimmy accepted him. How much of him is Clark, how much of him is Superman? Before, when he had decided Superman was too much for him to handle and something that needed to stay hidden, he knew how to behave day to day. But now that the aforementioned operating precept has been dismantled by their acceptance, what is his blueprint now? To be freed of his chains, but to be too afraid to leave the cage--he becomes so openly and rapidly lost. It was easier when he didn’t have to choose or think about it.
Okay.
Like. I can see how it could be construed as a result of his inexperience, right? He’s never met intergalactic beings, so how would he know? He only just unlocked his powers as Superman, so of course he’s clumsy about it. He wasn’t a born fighter or a trained one, so of course he’s going to be a little green when he’s in combat.
But that’s the thing for me. It’s not that he doesn’t always have the time to re-evaluate, or strategize, or notice he’s being deceived. He just has such an unwavering sensibility, this one-track sense of “I am strong. So I must protect. And to do that I need to act.” And a lot of times this is as far as his thinking goes. And if that isn’t the most autistic shit imaginable, I’m really not sure what is. 
The overshot clumsiness of his movements and occasional awkwardness, how he’s learned to smooth that over by being helpful to people or meek to be accepted. Like. I swear to god this show is going to kill me. 
So much of the reason he tanked so badly in this episode was because he was using a broken coping mechanism to its absolute extreme. And instead of listening to his bodily and mental signals that he could no longer sustain helping every single person in the world, he just forces himself to push through. He’s so desperate to prove he’s a good person and belong, he doesn’t notice that it’s literally destroying him from the inside. 
The mask that is Superman, and the unmasking that is the mindful and imperfect Clark Kent. That everyone adores Superman and wants him to fulfill their every need, no matter what it costs him to be that person. The fact that the moment they learn he’s an alien or see the raw extent of his power (pushed to unsustainable limits in desperation) he becomes a horrible, inhuman threat and a monster. The fact that it’s his friends and his family who see him unmasked as Clark and love him just as he is, that they care little for what Superman can give them because Clark is already enough. That they love Clark precisely BECAUSE he is somebody with weaknesses and flaws and imperfections, that adore his quirks and endearing fumbling.
The horrific reality that the more he leans into his masking out of desperation to be accepted, the more he estranges and incites violent rejection in the people around him. Even if he wants to do the right thing, he is so staunchly and too openly opposed to the malice of others that they hold grudges from the stark, exposing contrast. How choosing to be Superman can endanger and estrange the people who love Clark, isolating him even further. And yet when he is unmasked and acts like himself, he is hardly ever taken seriously or people take advantage of his meekness/willingness to help. 
The first episode. When he just keeps chanting ‘be normal be normal be normal’ and the more pressure he puts on himself, the more he hyperfixates and the less his actions align with his intentions. The way he can never do both and can only manage to sustain one at a time. The core conflict that’s ever present; the desire to be ordinary under the reality that you are extraordinary, with the agonizing knowledge that you never had the choice to live under so much difference and scrutiny.
The never-ending autistic battle of being socially acceptable to the detriment of your greatest virtues: your passion and your honesty. To be left feeling empty and drained despite your success, no closer to self-satisfaction or feelings of human camaraderie. The reality of being always forced to choose between one bad option and a worse one, that the only choice you have is what you’re willing to sacrifice. That people will toy with your vulnerabilities no matter how desperately you try to conceal them, how your weaknesses will be a game or a spectacle to the rest of the world.
How one has to wonder to what degree the Superman witnessed in Lois’ memory capsule was pushed to the very brink. Or the pointed lack of context: what brought him to such extremes, what could inspire so much indifference to the pain of others? How, while it is frightening, he is a person just like anyone else--who possesses the potential for raw good and raw bad. Why is it that everyone so easily believes that his potential will be negative? Why is it so difficult to have faith in someone who is trying so hard to be good?
The irony of Clark’s predicament, that the sincere fulfillment he feels upon helping others is precisely what inspires fear in those who insist on their comparative self-serving normality.
“What’s your angle!? What’s in it for you?” “Trust me, kids. Nobody puts on that big a show of being good. Unless they’re hiding something…All he wants is to pull cats out of trees? Yeah, I’m not buying it.” “He’s not normal like you and me….If he really wanted to hurt us, what could we do about it?...Just him having a bad day could spell the end for us…Well, not all of us share your faith.” “You want to be number one? You don’t get there by writing fluff. You go for blood. That’s something Perry never understood. Do you?”
The unbearable but inevitable fact that being autistic is a perpetual experience of loss. If you are not selfish or egocentric like the rest of the world, you are naive and weak. If you exhibit an ounce of self-centered desire or emotion, you are something that must be eradicated for the greater good. No amount of good that you accomplish can ever balance the scales of what has been lost or spent to sustain you, because at the end of the day your life is considered one without value. It is irrelevant that entire military regimes have collectively decimated and endangered thousands for their so-called “results”, because you as a sole actor are so much easier to blame and trample. 
The enduring fact, especially in a culture so absorbed in easy answers and harsh binaries, that the human mind does not care for the struggle of truth. 
Anyway if you need me I’ll be clawing at the walls thanks
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alexaloraetheris · 9 months
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Judaism never ceases to amaze me. A couple days ago I ran into my friend and former DM, visiting his family for Rosh Hashanah (and subsequently hiding from them when the full house got rowdy) so we sat and chatted. He explained how Rosh Hashanah is about reminding themselves that humans serve god and that god rules humanity and in the same breath complained how his dentist was going to kill him after eating that much sugar (honey, but still), that his ears were still ringing because he stood in the wrong spot when the shofar was blown. All in this tone like 'I'm gonna do it well and gladly, but I reserve the right to complain'.
It always blows my mind a tiny bit how he talks about god with this cheerful, affectionate irreverence, like god is a decent but distant boss of a unionized workforce. Like yeah, he assigns the work and gives your paycheck, and on Rosh Hashanah he does an annual review of everything you did wrong (and on Yom Kippur everything the workplace has done wrong) but you have to remind him that you're doing the work and sometimes his ideas are stupid and you have to argue with him how it's supposed to be done. And if you win the argument your coworkers throw you a big party, and if the party has good food and the argument was decent then your boss joins in and celebrates with you. Even if if you lose you get a party because hey, it's god after all. Here's some amazing food to console you. And at least half of the celebrations are actually like that.
Talking to him is always an Experience. No wonder he's the best DM we ever had. He also gave me some apfelstrudel, and yeah, now my dentist is going to kill me too. It was damn good tho.
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vtoriacore · 2 years
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✧ it’s giving . . . jealousy 
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note: im back from the dead and bringing you leona content cause damn it he's so 🤬💓💓💓 also if you spot any mistakes in this, no you won’t /j but pls spare me i was writing this half asleep 💀
synopsis: in which you seem to be paying a bit too much attention to your kitten, and leona isn't a big fan of it.
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    He glanced away for three seconds. Three god damn seconds. It was such a short span of time, ans yet that spawn of the devil had somehow managed to snuggle up into your lap and had the audacity to look smug about it too.
    "Tsk, why is this thing here again?" Leona, trying to hide his irritation and failing doing so in the process, rolled his emerald green eyes so far back he could practically see the stars.
    "This thing has a name first of all, for your info its Wolverine Junior the Second. Address him by his name please," you began to pet the tabby cat as he purred out in content before continuing your monologue like response, "and second of all, he is here because he was meowing outside to be let in after you so cruelly kicked him out."
    "You've gotta be kiddin' me, your stupid cat wanted to go outside. This little bastard is manipulating you and you're fallin' for it." The beastman leaned against the headboard of his bed as he eyed the cat, who seemed to be staring back with fake innocence.
    "Can you believe the nerve of this guy Wolvy Junior?" you focused your attention on the cat, not being able to resist the urge of speaking to your furry companion (the small one in your lap of course) in a high pitched, baby voice, "how dare he accuse you of that when you're such a cute widdle baby boy."
    With a prolonged meow, the kitten eagerly rubbed its head against your hand, shortly before giving it a small lick.
    Before Leona had the chance to make a sarcastic reply to your comment (and condemn the cat for even trying to play coy), your excited voice rang out throughout the room; "Leona oh my God he licked me! Can you believe it? I think I'm going to cry he's so cute! Why can't you act a bit more like him, hm?"
    "That's it. Either get this damn furball outta my room or c'mere and set him down." With a steady glare directed at the cat in your hands, Leona crossed his arms. You couldn't tell whether he was serious or not, but you figured you'd never get a chance like this again seeing as he'll probably permanently ban you from his room after this fiasco anyway.
    "What, are you gonna fight him? He'll beat your ass Leona, don't even try it." You had to stifle your laughter as your lover stood up in a record speed to approach your form, even the tabby in your hands looked somewhat pleased at what you've accomplished. Before he could get too close however, you got up from your spot on the floor with the kitten still in your hands and moved away from Leona.
    "Oh yeah? You wanna play cat 'n mouse with me? Fine. Don't go cryin' when you lose, 'cause I won't go easy on ya." Accepting your indirect challenge, the tan male quickly tailed your form as you tried to dodge his attempts at grabbing you. You only succeeded for the first minute however, as the tabby resting in your arms was slowing you down and Leona just had to have amazing agility and stamina.
    Before long, you had found yourself laying on your back on Leona's very comfy mattress as he firmly circled your waist with his hands. You quickly set the cat down next to you as laughter emitted past your lips at the fact that Wolverine Junior seemed to be pawing at your lover's arms in an attempt to get him off you; Leona however, didn't pay him any mind as his gaze focused solely on you.
   "Not so tough now, huh?" With a small smirk embedded on his face, the beastman leaned in close to your face until his lips met yours in a brief kiss. You couldn't help but reciprocate.
    "Oh shut it . . . You just got lucky." You smiled in content after he pulled away, entangling one of your hands in Leona's hair and petting the base of his ears (he would never admit it but the action always brought him comfort). You submitted your other hand to the small kitten who was still trying to defend whatever was left of your honour, melting at how quickly he gave up fighting Leona and settling his small head in your palm instead.
    "Oi, hands on me . . . " Your lover's voice came out hushed as he placed his head in the crook of your neck, silently nuzzling his nose against it as a sign of affection.
    "You need to learn to share honey." You pecked the crown of Leona's head with a small, playful eyeroll.
    "Like hell I will. I'm not letting that cat steal your attention away when it should be on me anyways."
    "I didn't know you were that jealous of him."
    "I ain't jealous of some stupid cat." You quirked your eyebrow at the response; the cat meowed as if it were mocking Leona. The beastman simply growled back. This was really turning into something straight out of a comedy show.
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musingmeaninglessly · 11 months
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Watching Across the Spiderverse w/ Lo'ak & Neteyam (ft. Spider)
A/N; Since so many of us crossover into both these fandoms, I came up with this fun idea. Also, it was kinda inspired by the cute human drabbles that @littletrippyyhippyy writes! Hope y'all enjoy, I made myself laugh writing this, at least 😂
Warnings; Bit of swearing. Spider loses it. Lo'ak's a dummy. Spoilers for both movies, I guess??? Human reader. Kinda proofread.
Summary; You convince Neteyam and Lo'ak to watch Across the Spiderverse with you. They have some questions...
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"OH. MY. GOD."
From your sudden verbal outburst, it's safe for the Sully brothers next to you to assume that you enjoyed the movie.
Across the Spiderverse, to be exact.
"That was incredible!! You guys liked it, right? Of course you did! You loved it! Tell me how much you loved it!!" you ramble, excitedly jumping up from your seat on the couch, turning to face your two Na'vi friends.
It had all been Jake's idea. Ever since you arrived on Pandora five years ago, his sons had become more interested in learning about human culture, from different foods to pop culture. The Sully patriarch had a feeling that their interest had piqued because of you specifically, but that was an avenue to be ventured down another time.
The brothers had happily agreed to watch this movie with you, despite having no idea what a spider is or why it should be attributed to any man. But, they couldn't turn down any time spent with you.
After begging Norm to somehow source the long-awaited sequel to Into the Spiderverse, you had ushered them over to the shack through the comms system. Whether you believed in the deity or not, you thanked God for Norm and his ways. Wi-Fi on Pandora was sketchy at best and just about held up for the odd email. Yet, somehow, Norm had got a hold of the new cinematic release so that you wouldn't have to suffer through streaming it.
And for you, it had been so worth the wait. You had loved every damn second. When Into the Spiderverse came out, you had been preparing to leave Earth. It was crazy to think how much had changed in the five years since you arrived on Pandora, a theme that had been mirrored in the movie.
Whipping your head round from the projector screen, where the movie credits rolled, Neteyam and Lo'ak would've marvelled at the joy lighting up your face if they hadn't been so damn confused. Neteyam looked as though he were about to say something but was continuously rephrasing it in his mind. Whereas Lo'ak just came straight out with it, amber eyes narrowed. "I'm confused..."
"By what?" you scrunch your face up. You had taken time to explain the whole premise of the Marvel universe to the brothers. Apparently they hadn't caught on just yet.
"Everything. Why could that Miles guy walk upside down? Why were there so many man spiders? And when will he kiss the blonde girl??"
"Lo'ak, I explained it all to you! Miles got bit by a radioactive Spider in the first movie, couldn't save his uncle Aaron, and you should know the rest!" you flop in between the brothers in an over-dramatic way, resuming your seat from earlier.
Lo'ak's brows knit together in a childish sort of way, but he smirks teasingly. "I can't ask questions now? Not my fault your dumb human movie makes no sense... OW!"
Neteyam's slap up the side of Lo'ak's head puts him back in his place. You exchange an amused glance with the oldest Sully brother, before giving Lo'ak a nudge in the ribs.
"Shut up, skxawng. Not my fault you didn't pay attention! The movie was amazing, right Neteyam?"
Neteyam looks a little caught off guard as you ask his opinion. In truth, he's a little confused by the story too, but he had paid better attention to your precursory Marvel lesson.
"It was...interesting." he muses thoughtfully, before Lo'ak cuts him off.
"I got another question! Why, Y/N, did you blush whenever that big guy came on the screen?"
His shit-eating smirk would have annoyed you if your thoughts hadn't been redirected to your favourite hunky Spider-Man.
"Oh, Miguel?" you ask before sighing dreamily. The brothers watch you in amusement as you resemble an ice pop melting in the August sun. "He's yummy..."
"Gross! He was a jerk!" Lo'ak exclaims. "He looked like he was about to explode he was so huge! Is this really what you human girls like?"
Grabbing the remote from you, Lo'ak rewinds the movie to a still of Miguel, immediately wishing he hadn't when you squeal in delight. As you do, though, he not-so-subtly flexes his biceps to compare with your animated crush.
"You got a way to go, bro" Neteyam chortles, eyeing his brother's lanky arms in amusement. Lo'ak just rolls his eyes.
"Whatever. That guy was an asshole. Did you see the way he yelled at Miles?" Lo'ak waves his arms around and it's honestly amusing to you how invested he appears to be in the movie.
"Kinda reminded me of you and your Dad..." you tap your chin in thought, grinning at the sputtering sound of laughter that comes from Neteyam beside you. Once again, Lo'ak scowls, but it doesn't stop you adding, "...on a good day..."
Neteyam loses it then and there, his usual coyness replaced with hysterical laughter that forces him to reach for the Co2 ask around his neck. Even Lo'ak cracks a small smile at your quip, and soon you're all laughing together.
That is, until the moment is interrupted by your human brother from another mother.
"Hey guys! I got snacks for the movie, I can't wait to see i-"
Spider's eyes widen with betrayal as they land on the rolling credits on the screen. His jaw drops, as do the snacks that he's holding. You can only bite your lip and stifle a laugh as his focus turns to you, pointing an accusing finger. "YOU."
"Spider, I'm sorry but you took too long!" you leap up, backing away from him. He's taller than you, after all, and evidently pissed. The sight makes Neteyam and Lo'ak snicker a little, although they are a bit worried for you...
"You watched the whole damn thing without me!" Spider is not far away from throwing a hissy fit, and it takes everything in you not to explode with laughter. Hands outstretched, you look as though you're taming a wild mountain banshee. At the moment, Spider certainly resembles one. "YOU KNOW HOW MUCH I LOVE SPIDER-MAN, Y/N! WHY DO YOU THINK EVERYONE CALLS ME SPIDER?"
"I thought it was because of your hair, bro..." Lo'ak teases, truly testing your resolve where laughter is concerned.
"BRO-"
"Let's calm down..." Neteyam chuckles, standing up to try and calm Spider down in his big-brotherly way, "We'll watch it again, right Y/N?"
"Of course!" you squeak, growing a little nervous at Spider's impending wrath. So much so that after hiding behind Neteyam, you dart towards the door, giggling as you run away from the taller human boy.
"Y/N! YOU. ARE. DEAD!"
There's a mad chase, but the Sully brothers look at each other in amusement as they hear your high-pitched laughter resounding through the corridor.
"Looks like we're watching the man spiders again, bro..." Lo'ak turns to his brother.
"Yeah, looks that way..." Neteyam grins.
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vyntilador · 1 year
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Love talk
What are the boys' love languages?
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Genre: Pure fluff<33 except for Luke's part kinda angst
GN!Reader for my besties out there<3
Might make an nsfw of this👀
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Luke Pearce
Acts of service/Physical touch
Honestly tho, seeing how he hasn't seen you in like 8 years, I'd think that he'll be clingy by that point like,,, imagine a koala clinging into u😭😭😭
He'll call you over or he'll be the one to come to ur apartment just to cuddle and stuff. You don't even need to talk, he just needs to have you in his arms in a reassuring manner. When you cuddle too while sleeping, your soft breathing and the slow rise and fall of your chest just calms him down so much.
Especially during nights where he gets nightmares about how one day, with you being in the NXX and having to deal with dangerous deeds, he's afraid that he'll lose you. It's during those nights where he holds you tighter against him in a desperate effort to convince himself that you're safe and sound.
If he wakes up and you're not in bed or smthn like that, he's mildly panicking. He shoots up from the bed and is immediately running around yo apartment looking for you only to find you cooking breakfast in the kitchen. The moment he sees you humming whilst cooking with a cute lil apron on, a relaxed smile shows on his face and he slowly walks towards you to hug you from behind<3333
Sometimes with that in mind, he looks out for you a lot during missions. Don't get him wrong; he trusts you but he can't help but have these lingering fear of losing you. The moment that he hears you yelp in pain, he immediately runs over towards you asking what's wrong. Imagine you like trip on a tree root or smthn or stubbed your toe somewhere or had a little cut somewhere.
Poor boy goes mom mode and immediately scolds you gently while tending to you<33 (would def give a soft kisses to wherever u were hurt #lukebestboy)
OH AND WHILE CUDDLING, HED DEFINITELY WHISPER "I love you.." WHILE HAVING HIS FACE BURRI3D IN YOUR NECK OH MYGODDDDDDD
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Vyn Richter
Gift giving/Words of affirmation
LOOK AT ME IN MY GOD DAMNED EYES AND TELL ME HE WONT BE OT THERE COMPLIMENTING YOU ON A DAILY BASIS???????
You could be out there, literally just making tea for him and suddenly, the moment he takes a sip, you'd hear that annoyingly gentle voice of his going "You always make the most exquisite tea, My love."
YALL WANNA KNOW WHATS WORSE??? HES SO SUBTLE WITH IT BUT AT THW SAME TIME, HES NOTTTTT
Working from home and ur like sat on ur bed, working on some documents for the lawfirm with Vyn right next to you, just silently admiring you your work and the moment you're done, you show it to him then he turns to look at you with the most amazing, spectacular, breath taking, amazing, beautiful, alluring, jaw dropping, fancy, handsome, soft, gentle, sweet smile of his then he opens his mouth to say, "You did it so perfectly. I'm proud of you."
(this def isnt me just indulging myself into some1 that can actually praise me properly no,,)
On bad days where you just feel like shit, he's immediately off to his garden to pick the most BEAUTIFULLY PERFECT rose he sees and gives it to you with some chocolates and a little teddy bear
When you ask him what are those for he just says "You looked a bit...out of it so I thought that I can give these to you to cheer you up."
An absolute fucking sweetheart nobody talk to me omfg
I personally think he'll do acts of service too like, imagine having just opened your eyes after a good night's sleep and immediately smelling the most delicious smell you've ever smelled then seeing Vyn sitting beside you with a tray of food.
"Good morning, my rose. I wanted you to rest more since you seemed tired last night so I made some breakfast for you:]"
Please praise him too sometimes. He's a huge perfectionist and sometimes feels like he isn't good enough for u so having u reassure him that he's more than enough is just enough to make the poor bby melt</3
*cough* vyn praise kink *cough*
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Artem Wing
Words of Affirmation/Acts of service(gift giving)
The absolute KING of acts of service n words of affrimation
He sees you working hard while going to the pantry to get some coffee even tho he has a coffee maker in his office, he's quick to be like "Here's some coffee. You've been doing well these days. Remember to take a few breaks, okay?"
Cue Celestine rubbing her temples in disappointment with Artem bcs wtf,,, did he rlly just gift COFFEE to his crush?? 😭😭 Celestine's on the move to save the day and convince Artem to actually buy u roses or smthn else appropriate for a courting gift💀
Or in that one card, (in sickness or in health(?)) yall saw how Artem literally, with no hesitation, took it upon himself to take care of u??? Husband material frfr
So imagine the same thing happens like,, during field work, the heel of ur shoe broke or to make it more GN, your shoe just broke like, the sole broke off, or it was raining and it made yo shoe very slippery, imagine the worried look on his faceee:((
He'll stop walking and look at you saying, "Should we go back first? I don't think that you'll be able to move around like that...Not that I think that you'll be a burden—"
POOR BLUSHY BBY JUST HAVING A HARD TIME TO EXPRESS HIS FEELINGS
"No, don't move." *proceeds to take off own shoes but u fortunately stop him in time* "Why?:(" If u refuse his offer of his shoes, he'll then try to be more bolder like, one moment you were just looking at him and moments later, you're suddenly in the air and in his arms.
Celestine hiding in the shadows talking through a walkie talkie with mama wing being like "mission accomplished.😎"
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Marius von Hagen
Physical touch/Quality time
Another huge clingy baby🕴️
Being a CEO of a large company and still studying takes up A LOT of his time so whenever he has time, he immediately spends it with u<33
He wouldn't care about whatever you were doing in the first place, he's immediately waltzing into ur apartment like its the most natural thing in the world (it is) and just plop down in bed with you.
Yknow, I kinda think that hes an all-around kinda guy with this love language thing. Like, he'll sometimes discreetly paint/draw you and would give it to you, if youre feeling down or just tired with his bs, hes wasting no time to immediately pamper you with kisses and whisper sweet nothings in ur ear
If you give him a gift, he'll absolutely cherish it like it's a multimillion dollar treasure (doesnt even matter what u gave him, you could give this dumbass a rock and he'd cry tears of joy)
Give him a single pebble and hes looking at you like "🥺" and saying "For me???🥺"
Yeah so all in all, he's just a 6ft bby that would absolutely spoil the living SHIT out of you bcs u deserve it<3 (congrats on bagging a billionaire bestie)
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*ehem* i rlly wanna add a slight nsfw so ill make it on a diff part or smthn it's currently wip so ill link it here whem it's done *ehem*
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dr-spectre · 17 days
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Talking about Side Order and... Marina. (SPOILERS AHEAD!!!!)
You know, i really enjoyed Side Order, like it wasn't perfect or anything but i had such a blast with it and if they continue to expand on it we could have something REALLY amazing. My reaction to the GOD DAMN TUTORIAL BOSS GOT ME HYPERVENTILATING! IM NOT JOKING! IT WAS SO EXCITING AND SHOCKING!!! THE FINAL BOSS WAS INCREDIBLE TOO! I was singing along to Spectrum Obligato and WHEN THEY BROUGHT IN THE STUFF FROM THE LIVE CONCERT VERSION OF EBB AND FLOW MY JAW DROPPED!!!
However i gotta admit, the story could have been better, what was the deal with the Octoling engineers Marina was talking about? That goes completely nowhere and i thought it was gonna build to something with the repeat playthroughs of the final boss.
And of course, the biggest missed opportunity in my opinion, Marina Agitando.
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Now look, i wanna say right off the bat, the design is excellent, it was so smart to bring back her Order outfit and make her into a giant abomination that moves in such a weird way that makes you feel uncomfortable. When i saw her for the very first time when you enter the room, i stood there for at least a solid minute in complete disbelief and shock seeing a giant Marina in some octopus tentacle heart thingy that beats and pumps with the music. The song that plays too "Unconscience" is such a BANGER and honestly it rivals Octo Callie's Bomb Rush Blush remix in my opinion.
The build up for this was pretty good too, seeing Marina say "help me" before she was knocked unconscious and then possessed by Overlorder BROKE ME! I was like "OH NO! ITS HAPPENING AGAIN! NOT MARINA!!" The build up to the 10th floor was so anxiety inducing because you know in the back of your mind that Marina is gonna fight you but you don't know what it's gonna look like, if you were there since Splatoon 2 and have watched Pearl and Marina since the beginning then this build up is even more anxiety inducing and its pretty damn good. And once you free Marina she feels so sorry about what happened and helps you out to put things right, heck she goes through a small character arc of embracing chaos.... but... i have to say...
It is unfortunately not executed that well or with any depth in my opinion because they repeated the whole thing of "oh no a character we know is evil because of (quote on quote) mind control!!!! oh noooo!!" Which is a tired trope in this series that needs to stop or else I'm gonna get REALLYYYYYY pissed off.
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I've done enough ranting about Callie's villain arc and how that has been misinterpreted and stuff, but for Marina, i really wish they didn't do the whole "oh no a character is evil because of an evil character oh nooo!! we gotta save them!!" thing again and i wish Marina was more of a villain with a sad motivation for her actions. As much as its cute to see Pearl and Marina act all flirty with each other in Side Order, it kinda ruins the mysterious and dark tone of the story that was teased from the trailers and the tutorial in my opinion. Everything is also explained so quickly early on which really sucks. I really wish Marina was actually conscious throughout her time as Marina Agitando and most of it should have been her fault. She does blame herself for creating Overlorder but it's kinda brushed aside quickly and Marina ends up being totally fine and free of guilt. There isn't enough depth to it which is so lame and a missed opportunity.
Marina is flawed, she makes mistakes and acts emotional and angry sometimes. We have seen a side of Marina where she snaps at Pearl when she loses Splatfests and has shown signs that she still hasn't recovered from her time before she met Pearl.
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She picked team Order because she was genuinely scared that her new life would fall apart and she doesn't wanna lose the people (especially Pearl) that she's met and grown to love. Marina is also heavily theorized to be on the autism spectrum and as someone who is autistic, i can see myself in Marina, they could have really explored Marina's psyche and mental health in Side Order but they just... didn't. Instead she's put to sleep and controlled by her ai child and all of the focus is put on stopping it like a traditional "oh no we gotta stop an evil ai!! oh noo!!" story... ugh... I mean Smollusk is cute i guess but there's not a ton to them and they come off as yet another "evil ai that wants order and control!! roarrr!!!"
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From reading the most recent interview on Side Order and seeing the concept art, they said that they wanted to tell a story about Marina losing herself to a machine that she created. Could you imagine how tragic it would have been to learn more about Marina and how she's so wrapped up in anxiety that she decides to make this replica of Inkopolis Square and make the Memverse? Maybe at first she makes it to help Sanitized Octolings just like in the dlc, but then maybe due to overwork and burnout (which Pearl mentions in the tutorial by the way), her emotions and anxiety become so strong that she becomes consumed by it, this obsession of order and trying to achieve happiness takes over her and then she gets the idea to spread this order to the real world, where her friends can be "happy" and "safe." Maybe Overlorder is still there but they just whisper to Marina, manipulate and point her in the right direction to continue to her mission of order instead of just fucking knocking her out and using her as a meat puppet for 5 minutes.
Could you imagine how much better the build up would have been to not see Marina until you get to the 30th floor for the first time and you got to unlock her diary entries beforehand? Seeing her thought process and her slow descent into becoming an antagonist. I'm not sure how they would have changed the permanent upgrades but they could have thought of something man. I get that they wanted to subvert expectations but, i think they should have gone WAY further with Marina Agitando.
I was waiting for Pearl and Marina to have their "Tidal Rush" moment where it's this emotional battle between the two, could you imagine how DEVISTATING a remix of Ebb and Flow would have been if it had gotten that "Tidal Rush" type of remix? Pearl singing her parts in this chaotic and emotional way, on the brink of tears trying to get Marina back and calm her down, and Marina trying to fight back against her words, not wanting to believe her because she's so wrapped up trying to make them both happy in her way. She's so caught up in order that she has forgotten what Pearl wants, that Pearl wants to be with her and go against any obstacle that stands in their way together. God i would have cried seeing that I'm not gonna lie. Maybe once Marina starts to think rationally, she breaks free from the machine and then leaps into Pearl's arms, and then we have to go back up the 30 floors to fight Overlorder and we slowly see Marina learn to embrace chaos throughout the floors instead of it just being at the final boss.
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I really do feel like Splatoon has this issue of trying to appeal way too hard to kids and being really scared to dive into the flaws of these characters. They are so avoidant of being more serious and they hide it away in optional collectables and obscure posts on social media that creates misinformation and stories that feel way too undeveloped. They just say "oh this character has been brainwashed!!" which is such a lazy and bullshit trope they slap on these characters to avoid getting into their flaws for some stupid reason. (Hell that word has lost all meaning to me now to be honest. Like no, Callie wasn't "brainwashed" per say, hypnosis is not brainwashing or mind control I've said that a trillion times in other blog posts but whatever. Agent 3 was knocked out and had no clue on what was happening. They weren't "brainwashed" they were used as a puppet from a fucking goopy telephone for five minutes while they were asleep. Maybe its poor translation i don't know.)
I know that Splatoon is made for all ages and primarily for children but, i find that to be a stupid excuse for bad storytelling, a good story with depth that's explored and set up properly can be applied to all kinds of age groups not just adults. And the adults that say that shit too, why do you think like that? Why do you wish to dismiss that sort of thing in media? So what if it's made for kids? Adults write these stories and plant themes and arcs into them. Why do you think people cried over the Rosalina storybook in Mario Galaxy and think its the best part of that game? You don't want that kind of stuff in games because "they are made for kids"? Why do you think there are so many adults in the Splatoon community hmm?
I am so worried for Deep Cut in the next game because i really don't want this to happen again, i want an actual proper villain arc for either Frye or Shiver. No hypnosis, no brainwashing, no mind control. Just a pure fucking villain arc caused by the flaws of the characters and without the involvement of a third party. Please, i wanna see growth in these characters that is explored way more clearly and better. Or maybe don't do a villain arc again and just have Deep Cut be fully happy with each other and develop their relationship more with lore and backstory. PLEASE!
Anyways ramble over, thank you for reading!
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gamerwoman3d · 8 months
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Welp. It's been fun but I gotta go to horny jail for about the next thousand years or so. Holy fuck.
[Spicy/Explicit AND gifs AND gore under the cut 🔞]
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Original video:
[And not to brag but yes I did get a flawless victory over him in that ridiculous Seasonal Tower in Invasions mode. Watch the whole thing if you want to find out how.]
Okay. It is horny hours.
They objectified the fuck outta this man in this fatality and honestly? Kudos.
This hit me in all the kinks at once. No trigger warnings past this point read at your own risk
On screen, the whole thing about Shang Tsung pouring pain-inducing liquid on Sub-Zero's chest reads like hot wax. It reads like overstimulation and forced climax. Omg his hips... the way Shang Tsung watches/monitors him almost gives the viewer permission and encouragement to do the same. It's as if Shang Tsung is telling us "I'm enjoying watching this man writhe and spurt and lose his mind. I'm enjoying it immensely, actually. There's no reason not to do so."
We get so many of Sub-Zero's expressions. That's the more intimate part - the part most often censored in any kind of porn is the man's face, as if it's illegal for them to display any kind of expressions. As if they might accidentally leak proof of an actual emotion, it is too taboo even in the realm of porn to show the guy's face. That's what makes this particular piece of art-violence unique: it's usually a woman cringing in fear and pain and dread at the brink of being devoured by a monster that is simultaneously a vagina dentata and also phallic. [See: Ripley, Aliens.]
So we get to see his face in part pain, part fear, part on the brink of death, all the way through a symbolic climax, until literally he's getting his mind blown. And it's kinda amazing.
As for the other kinks this scene is reminiscent of, I'm personally not a big fan of being tied down but exceptions can be made - I'm into it if he is. There's the dom/sub[-zero hah] element of Shang Tsung having autonomy while Sub-Zero can only watch and pray [he kinda mouths 'oh my god' - right? if you read lips, lmk]. Not into the power imbalance part but Shang Tsung's enjoyment of the situation itself is also kinda arousing.
The final bit is the blood/birth stuff. Skipping the mpreg stuff [Barbara Creed has all this covered in The Monstrous Femme, check it out from a library], the blood stuff is... well its a kink for some. For me there's only one week a month where seeing blood on his nose is acceptable 😝
And yea I'd still sit there if the enthusiasm was mutual. Damn snake beat me to it this time tho.
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bearhugsandshrugs · 6 months
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more.cute.gortie.drabbles
I neeeeeeeeeeed
Thank yew✨❤️❤️
me tooooooo omg I feel like I'm spamming all of my followers with Gortash drabbles this week
so uhhhhh sorry if this isn't your thing
But I'm going to talk about how he'd be SO ANNOYED when he realizes he's falling for you. Like. Balled fists, growl at his staff, throw the papers off his desk kind of mad. He'd be raging.
But before that, he'd be oblivious. First time he feels kind of weird is when you crack a joke and he laughs heartily, so different from his usual persona, and something in the back of his mind... clicks. It's hard to spot, so he doesn't at first, but then it happens again, and again, and he starts to notice when you're not around, and then, he starts to dread the meetings which you aren't part of.
He still doesn't connect the dots though. You're a valued friend, after all, a good coworker, someone whose input he appreciates. But other than that?
He seeks out some girls, some boys, at his usual haunts, tries to fuck this gnawing sensation at the back of his mind away, and it helps, for a few weeks, but then one day he pounds into his partner and he sees your face and he goes limp, yes, LIMP, because he's so taken aback, and shocked, like wtf? If he's horny for someone he just seduces them, but seeing someone else's face? And then losing his erection? That's never happened and you can be damn sure he's PISSED
So he decides to avoid you, at all costs, but nope, that doesn't help, because now you're worried, and you give him this saddened confused look, and his heart nearly leaps out of his chest every time he does end up seeing you, and this was not the plan gods damn it???
So there he is, pacing up and down his room, realizing he's FUCKED because he's fallen in love, with you no less, and you're too important in the grand scheme of things, too amazing, would you even... consider?
Anyway, that's not the point, the point is that he's not in control, and fuck, he'd sworn to himself a long time ago that would never happen again. He'd be in control, always, that's why he went down the path he chose, that's why he'd fucked, and fought, and bargained, and terrorized his way to the top; and that's all he knows, and none of that would work on you, okay maybe the fucking, but the thought of getting naked in front of you, for you, makes his mouth run dry and he can't breathe–
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FANTASY HIGH JUNIOR YEAR FINALE PART 2 LIVEBLOG: SPOILERS AHEAD
ITS GAME TIME BABY! :D I'm so ready for this. LETS FUCKING GOOOOOOO
Spoilers Under The Cut!
GOD their outfits are so fucking cool. I love their bullying of Brennan. it's so great I love it. I CANT BELIEVE THEY DIDNT TELL HIM thats so funny.
"I spent 217 dollars at Hot Topic" Real for that Siobhan.
I would have KILLED for Brennan in Emo Kid Clothes but alas. Some other time.
FABIAN'S ABOUT TO DO THE COOLEST FUCKING THING :DDD
MIRRORS??? MIRRORS?? ROMAENCE PARTNER APPEARANCE MAYBE??? MAYBE??? MAYBE??? It'd be so funny
That dice span for SO FUCKING LONG oh my god. The dice are FEELING IT today.
Fabian pushing Jace into the lava is maybe the funniest use of Brennan's own fucking encounter design against him. I love it.
18 D10???? EIGHTEEN??? INSANE.
"I served Rueben up a plate of redemption arc and he fucking cast a ninth level spell on it" is great.
"AHHH I SHOULD HAVE STUDIED A LITTLE BIT" beautiful final words for the duplicate
Ohhhh Jace is being HIVE-MINDED. He's just a minion. Damn.
WAIT. SO ONCE THE RAGESTARS ARE GONE, THEY COULD PROBABLY BE SAVED RIGHT??? Ratgrinders might get to go away, maybe?
Oh god if Kristen gets rage-starred they're seriously fucked,,, thank god it didn't happen.
MAZEY NOOOOOOOO.
"I mean I don't Hate it" NOT THE TIME FABIAN
They're already two people down [sobs]
OH MY GOD PORTER REALLY FUCKING HATES GORGUG HOLY SHIT. He's so fucking scary actually.
Oh god I'm so worried ANKARNA NOOOOOO
RIZ'S FUCKING PLAN IS INSANE I LOVE HIM SO MUCH. Murph the GENIUS YOU ARE. The fact that it did ONE HUNDRED AND SIX DAMAGE is absurd.
"VERY GOOD ON PAPER BUT NO PRACTICAL APPLICATION" OUCH!
SHE'S NOT EVEN RAGE-STARRED??? SHE WAS DOING THIS WILLINGLY?? HOLY SHIT MOST COMPELLING VILLAIN EVER. SHE REALLY IS JUST THAT FULL OF HATE. #1 HATER. I LOVE IT.
Mary-Ann CHOOSING to take the damage is absurd. We stan a dedicated queen.
Oh god three people down is worrying. I'm sure they'll pull through.
ANOTHER CLUTCH SCATTER FROM ADAINE!
God, Brennan's homebrew spell coming back to bite him is SO funny.
GET FUCKED JACE YOU LITTLE BITCH!
ARTHUR AGUEFORT'S CONTINGENCY MEASURE IS SO FUNNY.
Killing KLCK fucking over Jace and Porter is incredibly funny. Turns out Rage does not make for Good Planning.
LOWEST INT BITCHES AS YOUR LEADERS IS SO FUNNY
"I really can't I tried" GOD jace is such a stupid fucking sorcerer I love him.
Jace failing to Bigby's Hand Adaine into the lava and then fighting with Porter is amazing. Peak. ANOTHER CLUTCH NAT 20 FOR GORGUG! The gym really is pulling things off for them.
"He just rolled a 4" in the most defeated voice ever is so fucking funny. This is what happens when half your villain party has shitty strength.
"eat this gizard and get the fuck up" God I love Brennan's random ass magic items. It's great.
"You might still be trapped in a Burning Elmville with a raging giant" So an average Tuesday in Solace?
Honoring the Cock and Getting a Nat 1- the Dimension 20 Way
Fig's tricky little Shatter is my favorite tactic in her toolbox. And her getting 40 damage of shatter is ABSURD, even if her rolling them one by one is nerve-wracking.
SIXTY-NINE FIRE DAMAGE :D
SO IF BUDDY COMES BACK HE JUST FUCKING DROPS STRAIGHT INTO THE LAVA??
BAKUR BABY!!!!!!! LET'S HOPE HE'S NOT EVIL!
He doesn't have his own mini so he's basically just That Guy
Bakur might choose to join either side so let's see :eyes eyes eyes:
GOD I love Fabian and his clutch rolls. BAKUR and ALLIES!
SQUEEEEEEEM!!! FUCK YEAH!! SQUEEM! AND HE BROUGHT THE CORTADOS. BALTHAZAR'S BACK!!!!! HOLY SHIT??? I DON'T KNOW ANYTHING ABOUT YOU BUT I LOVE YOU!
YOU GOT YOUR HEALS! GET A CORTADO AND JOIN THE PARTY SQUEEEEM!
Mary-Anne rolling a nat 1 is so funny i'm losing it. Clutch ass cutting words. The Hangman is winning!
Fabian and Mazey are SO cute. They deserve the fucking world. ITS ALL LOVE NOW!!!!
The value of protective anger,,,, the strength of love and light and the desire to combat those who would hurt the ones you love,,, Brennan Lee Mulligan you are a genius
ANOTHER K2 BLIMEY NAT 20??? THE DICE ARE THE REAL HEROES OF THIS STORY. It's fucking. It's so fucking funny. I'm literally crying.
Zac in the DM's seat again is making me laugh so hard.
Brennan actually packing up behind them is so funny. He's really committed to the bit.
"She's about to become a normal person" this is actually tragic when you think about it. Luckily, K2 is in a comedy show, so it's going to be funny instead.
"This spell is MEANT to be comedic" yeah it's literally a fucking snowman.
OH MY GOD. CASSANDRA MADE K2 A REAL PERSON???? HOLY SHIT THIS IS SOME PINOCCHIO LEVEL BULLSHIT IM ECSTATIC. OR LIKE, FROSTY THE SNOWMAN???
"Unsleeping City K2???" I WANT THIS
K2 is now a human cleric and she's fucking real. Holy shit she's fucking real.
GOD THE MOMENT WITH CASSANDRA AND BAKUR IS SO FUCKING COOL.
BALTHAZAR GOT FUCKING DISINTEGRATED [sobs] GOODBYE SWEET MAN WHO NEVER DOES ANYTHING. THE MOST CRINGEFAIL MAN EVER
Oh god the Bad Kids are fucking down again :sobs:
"We're just collecting Barbarians" I love that <3 Barbarians Only
Mazey is definitely an honorary bad kid <3 Epic crits and clutch heals for all!
Fabian and Gorgug have gone down SO MUCH. It's incredible how they keep fucking pulling themselves back up. They are truly living on the edge.
We're halfway through the episode and I am very excited and also a little nervous.
OH THANK GOD SANDRA LYNN'S FINE! :D It's also nice to see Lydia and Ragh! :D
I love how Fig immediately calls back to her mom to help. They're the family ever.
GOD Jawbone's full mini is so fucking cool.
BRENNAN YOU CAD WHERE'S AYDA???????
"All I have to do is be dead and I can roll anything" should be printed on a dice holder FOR SURE
THE FUCKING AGENT IS HERE??? IM LOSING IT
BAXTER IS FIGHTING PORTER??? OH MY GOD
Lydia's wheelchair sliding is actually so fun. I love Brennan taking into account wheelchair physics for his combat. It's always nice to see.
GORGUG HAS A FUCKING FLASHBANG?????? ONCE AGAIN GORGUG'S ABILITIES COME IN CLUTCH.
"is this Justice? Is this a New Dawn?" GOES SO FUCKING HARD???? ADAINE YOU ARE THE COOLEST
BAKUR BACK TO HIS HIGH ELF SELF!!!!
EVERYONE'S GETTING A DIVINE INTERVENTION????? HOLY SHIT.
HOLY SHIT FABIAN DID IT???? FUCK THATS SO COOL. FABIAN, A PROTECTOR, ALONGSIDE ADAINE. THEY ARE THE BEST FRIENDS!
Mazey and Fabian are so sweet. I want them to be in love forever do you hear me???? YOU HEAR ME???
"All the ways you've protected people is what makes you cool" GOD MAZEY GETS IT. FABIAN HAS SO MUCH LOVE TO GIVE.
Ankarna, sitting in the bottomless pit; THAT BOY DESERVES TO BE WITH HIS FUCKING GIRLFRIEND. LET ME RISE UP!!!!
AHHHHHHHHHHHH ANKARNA LIVES. SHE FUCKING SLAYS!!! SHE SLAYYYYYYYYYS
Jace getting fucking arrested is the funniest ending for a villain in this show. ITS NOT EVEN THE REAL JACE.
"I WAS HILDA HILDA THE WHOLE TIME!" EMILY THE COMEDIAN THAT YOU ARE!
God this battle was so cool it really did a lot for the Bad Kids as characters.
All of the scenes in the ether were SO GOOD. They really show how strong they've grown, and the strengths of their heart. Their desire to look ahead is built into them, and I love it.
"rebellion without a new dawn to look forward to is just cynical"
"where's the fucking cat" KRISTEN YOU'RE SO FUCKING FUNNY
SQUEEM AND BALTHAZAR HUNTING KALINA IS GREAT
"bring back everyone but Kipperlilly"
"No, just Mary-Ann"
The Bad Kids are great, Funniest people ever, 10/10
"Juicy God Gossip" is such a funny line. Another t-shirt I want.
GOD DAMN IT ARTHUR AGUEFORT WHY ARE YOU JUST NOW SHOWING UP
FORGIVEN, HE BROUGHT AYDA BACK, WE ARE WELL. God their reunion was perfect it was so sweet. And Adaine and Ayda also had a really good moment.
Arthur Aguefort is the single funniest character Brennan has ever written.
Kristen Applebees is going to be the president! HOLY SHIT!
YOLANDA AND LUCY ARE BACK!!!! I LOVE THEM!!!
RATGRINDERS REDEMPTION ARC!!! So they were ALL just possessed. This is a good ending.
Oisin and Ivy should hopefully have a terrible senior year :3
Mary-Ann is so funny and earnest and sweet and I seriously love her. I hope she has a wonderful senior year and nothing bad ever happens to her ever again. ENEMIES TO LOVERS GORGUG AND MARY-ANN WAS NOT ON MY BINGO CARD
Is Gorgug's type just barbarians who can kill him????
GOD all of them are so fucking funny.
Kristen as a Pantheon Type Cleric makes SO MUCH SENSE!!!
Riz switching to tea and embracing change is beautiful. He's so fucking strong. "whatever you choose to do, you're going to be good at it" I love his relationship with his mom so much.
Adaine's mom is being a little bastard in the Nightmare Forest? That's going to be fun to follow up on if they ever do.
"i'd take them to get you" made me SOB. They're THE SISTERS EVER.
"we know what its for, we don't have to talk about it, it wasn't great" IS SO FUCKING FUNNY. Realest teenager moment ever.
HIS MOM SHOWS UP??? CRYING LAUGHING
HOLY SHIT FABIAN'S GRANDAD IS BACK!!
FABIAN's MOM IS ACTUALLY PREGNANT [screaming] THATS SO FUNNY
HIS INFANT SIBLING IS LITERALLY THE NEWEST NEMESIS IM CRYING
"Do you ever talk to Jawbone about any of this?" Mazey's gonna learn her new boyfriend has NO CHILL.
FOUR GOD PANTHEON???? That's going to be SO FUN!!!
Tracker and her girlfriend broke up I'm losing it.
GERTIE DECLARED KRISTEN HER NEMESIS I'm SCREAMING thats so funny. I mean it was intensely funny. It is a bit fucked up she led Gertie on, but that's teenagers for you.
GORGUG AND FIG ARE SO SWEET I'M SOBBING. GORGUG'S GIFTS ARE ADORABLE. THEY ARE THE BEST FRIENDS EVER.
The Thistlesprings are the Most Adoring Parents Ever I love them so much. PROFESSOR THISTLESPRING ARC???? I REALLY HOPE THAT HAPPENS.
"maybe next year i'll be the bad guy?" ARTHUR AGUEFORT I SWEAR TO FUCKING GOD.
AYDA AND FIG MOMENT. I LOVE HOW INTENSE AYDA IS. THE GIRLFRIENDS EVER.
Oh my god the Complicated Women Podcast I'm screaming. I love how Sandra Lynn talks about it.
Fig's going to be SUCH a good big sister. Hopefully Fig can help Fabian handle things.
GOD the Hunter's Mark from Sandra Lynn to make sure she can always find her daughter is so sweet. They're the cutest ever.
"Maybe she can just trust that they'll be friends outside of school" GOD I LOVE THAT. Fig is THE BARD EVER.
THE AUTOMATONS HUNTING FIG IS SO FUNNY.
Ayda connected the Bottomless Pit with Leviathin and I'm just sobbing. Her point about learning was so strong and brilliant I love it.
"it's hot tub time!" - GOD THATS SO FUNNY
OH MY GOD BAKARATH IS REAL???? AND KALINA???? THATS SO FUCKING FUNNY. IS BAKARATH GOING TO BE THE FINAL BOSS OF A FUTURE SEASON???
That ending was amazing and I had such a good time. It's bittersweet, but I'm happy I was here. GO BAD KIDS!!
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So, to follow up on this post that I just made that details my thoughts on the Taskmaster s18 lineup: Jack Dee, Rosie Jones, Emma Sidi, and Babatunde Aléshé...
I’m totally kidding! Obviously I’m totally kidding. Obviously. Obviously I was kidding in that entire post, suggesting that I give one fuck who those other four people are. It doesn't matter! Obviously in reality, seats 2-5 of Taskmaster s18 could be filled by Leo Kearse, Jim Davidson, Jordan Peterson, and Suella Braverman, and I’d still consider this to be a fantastic lineup.
Okay. Finally, after several weeks of losing my God damn mind, sitting on the spoilers and being good about not mentioning it (mostly…), I can say this. Finally.
Let’s talk Zaltzman.
First of all, let me set the scene. I've just finished my work for the day. I'm waiting in the break room while my co-worker files her stuff so we can close up the building together. I check my phone, because it's Taskmaster lineup spoiler day, and I've been waiting on confirmation.
I read the words and drop my phone in amazement, scrambling to catch it before it hits the ground. I look again, trying to make 100% sure I am reading this right, because I refuse to get my hopes up that high just to be disappointed. No, it says what I thought it said. I jump up, bang my fist against my chest and then into the air and then back again, mutter “fuck yes fucking right holy fuck” under my breath repeatedly, and then look around and am pleased to see my co-worker has not come into the room. And then I’m not allowed to post about it for several fucking weeks.
Andy was top of my wishlist. Possibly the number one person on it even if I could have literally anyone, including the people who definitely wouldn’t do it. He was definitely the number one person on my Taskmaster wishlist, out of the people who would possibly ever do it. But I wasn’t sure he belonged on that second list. Every time I’ve posted about a Taskmaster wishlist in the last couple of years, I’ve said of course Andy Zaltzman’s number one, but I know it won’t happen.
I know Taskmaster casts people who aren't already TV famous, but they're usually young. Taskmaster casts older people who are well established in a TV career, and young up-and-comers. Not people who turn 50 this year and did an episode of 8 Out of 10 Cats one time in 2008.
I mean, Andy Zaltzman isn’t completely obscure. It’s now been several years since he took over as host of The News Quiz, which I think is Radio 4’s flagship comedy program. The Bugle has been going for nearly 17 years and is quite successful. It’s not fair to imply that 2008 was his last TV credit; he was on Alternative Comedy Experience in 2013, where he had some chats with Stewart Lee that are among the most socially awkward things I’ve ever seen in my life. Sometimes they let him on TV in Australia. He did Matt Forde’s TV thing a few times. He does actually have a very successful career as a cricket statistician/commentator. He wrote for Bremner, Bird and Fortune in 2006. He’s doing fine. He's doing absolutely fine.
And he has an impressive stand-up career. He's done tours in the States, off the back of The Bugle's international success. He's performed in Asia off the back of his cricket commentating popularity. He's sold out big rooms to hordes of Bugle fans.
Taskmaster has cast lots of people who were less famous at the time of casting than Andy Zaltzman is now. They're just not usually Andy Zaltzman's age. But it doesn't matter, he's there now. So let me tell you about this man.
Andrew Zechariah Zaltzman was born on October 6, 1974. He grew up in Tumbridge Wells, Kent, a place he has described as so right-wing that they think you're a bit of a leftie if you only cast one Tory vote per general election. Raised by his father Zechariah "Zack" Zaltzman, who was a sculptor and a Lithuanian lapsed Jew who grew up in South Africa. Along with his sister Helen and brother Rick. I don't know his mother's name and it's probably fine to keep it that way, as I'm pretty sure Andy Zaltzman attracts a lot of fans like me, who have my combination of information-gathering autism and a good memory, that means I did not have to do any Googling to write that paragraph. I could have included the name of his school without Googling just because I've read his Wikipedia page so much, but I'll refrain from doing that.
To be fair, it's not some obscure piece of trivia to know his sister's name, because Helen Zaltzman is one of the only people in Britain who's had a podcast for longer than Andy. Podcasting was quite new when The Bugle started, but Helen started her podcast Answer Me This just before it. Helen Zaltzman's not technically a comedian, but she's quite comedy-adjacent, her podcasts are funny and she's been in plays at the Edinburgh Festival. Hangs out with comedians. Was friends with Josie Long at Oxford, so that's pretty cool. Used to be flatmates with comedy flatshare expert Matthew Crosby. Did an episode of ComComPod.
Anyway, after being raised with a future comedy-adjacent podcaster, Andy went to study Classics at Oxford University, where he also worked for the sports page of the student newspaper. It was here that he discovered his love of made-up bullshit, as he once wrote an entirely fictitious article about a game that never happened. When told they couldn't print it because it was libellous, Andy tried to argue that he hadn't libelled anyone because none of the people he wrote about in that article exist. Andy Zaltzman swears that story is true, and I think it probably is.
Andy Zaltzman did one stand-up gig at university that went very badly, then didn't do any stand-up for a bit, and then eventually did some more gigs that went less badly. Ended up in the finals of So You Think You’re Funny in 1999, where he lost to David O’Doherty (other finalists included Jimmy Carr, Russell Howard, and Josie Long, the latter of whom beat David O’Doherty in the BBC New Comedy Awards in the same year, a year of traded victories that they still amusingly and adorably reference on social media sometimes).
Andy Zaltzman got in with Avalon management, and in 2000, he went back to Edinburgh as part of The Comedy Zone. Also in 2000, he supported Stewart Lee on a stand-up tour around the UK. A lot of the venues were not told that there would be a support act and couldn’t fit him in at the last minute, so essentially, it was less like doing tour support and more like Andy just followed Stewart Lee around the country for a few weeks. Stewart Lee got so exhausted by the effort of trying to hang out with someone as socially awkward as Andy Zaltzman that he quit stand-up for several years (that’s a joke, but he did actually quit – eventually going back to stand-up but never back to his agency – because he got frustrated with Avalon on that tour, largely because they kept doing things like failing to tell venues that he was bringing a support act). In 2005, Stewart Lee returned to stand-up, and shared a flat at the Edinburgh Festival with Andy Zaltzman that year. Across the next 15 years, Stewart Lee took several opportunities to marvel at how it was possible for one person to watch as much sport as Andy Zaltzman did, when on tour and in Edinburgh flats.
In 2001, Andy did his first full-length Edinburgh show, called Andy Zaltzman Versus the Dog of Doom, which got nominated for the Perrier Newcomer Award. It was mainly a solo show, and billed as a solo show, but it featured a few bits with a man he'd met on the stand-up circuit named John Oliver, who was performing in The Comedy Zone. In 2002, Andy went back to Edinburgh with a show called Andy Zaltzman Unveils the 2002 Catapult of Truth, which also featured bits of John Oliver. John did his debut solo hour that year as well, a show that Chortle’s Steve Bennett called “a fairly pointless concept, which is then tiresomely illustrated”. Clearly, John made the correct choice in deciding that in future years, he’d stick to the stuff with Zaltzman.
In 2003, Andy Zaltzman and John Oliver began writing more comedy together, and were both specifically interested in political comedy. They found this could be difficult on mixed bill gigs where the audience hadn’t come for political comedy, and wouldn’t take well to all the dating and travel mishap stories being interrupted by satire on the colonial immigration process. So they started a comedy night in London called Political Animal, where they would co-host with their own jointly-written political jokes, introducing other comedians who would do exclusively political material. This allowed them to perform to audiences who would get what they were expecting, and it led to them being chased off stage less often (okay, their stories about those years of terrible gigs only include one where they got literally chased off stage). Comedians who performed at Political Animal included Robert Newman, Al Murray, Stewart Lee, Jeremy Hardy, Daniel Kitson, Chris Addison, Frankie Boyle, Andrew Maxwell, Will Hodgson, and don’t worry about the other name on the list from which I've copied this (it was one of those Russells they have now, and by far the worst of the three, despite the other two’s flaws).
On these early Political Animal nights, Zaltzman and Oliver used to do a sketch in which they'd interact with God. If Daniel Kitson was part of the show that night, he'd join them for that sketch and Kitson would play the role of God, which is a little on the nose even for him.
They did Political Animal once a month in London for several years, and also took it to Edinburgh for quite a few years in a row. In 2005, they recorded a pilot for BBC Radio 4, a radio show that would broadcast highlights of each act in a Political Animal night, interspersed with little Zaltzman and Oliver sketches. This got picked up and ran for two seasons, ten episodes in total.
In Edinburgh 2003, Zaltzman and Oliver did Edinburgh and Beyond, a mixed bill with each other and Rob Deering. Some of Andy’s material from that show can be heard in the Radio 4 program 4 at the Fringe. It opens with “Are you all glad to be alive? About half of you. Good. Aren’t festivals fun?” Then he goes into a complex explanation of how King Harold threw the Battle of Hastings and he has proof. This also contains the earliest known recording of Andy Zaltzman's classic joke about how voters' commitment to apathy is a paradox.
Then he says the words: “There are more celebrities now than ever before, in the world. There are also more facts in the world than ever before, and that’s just one of them. There are more celebrities now, and if the current rate of the increase in celebrities now continues, then by the year 2052, celebrities will outnumber ordinary people. And if that continues then by 2142, 99% of the world’s population will be celebrities. At which point the market will implode, and all celebrities will be merged into one giant celebrity, known as God. And the process will start again from scratch. Only this time, God will make the differences between men and women even funnier, and comedians will be the most powerful race on Earth. And after a savage and brutal war between the observationalists and the surrealists, into the power vacuum will come the singing comedians, and the world’s only currency will be amusingly altered pop lyrics. So please, be careful.” And you can begin to see why audiences occasionally chased him off stages. I don’t know what John Oliver was doing with his portion of that shared 2003 bill. Probably some stuff about penguins, given what he was into at the time. He was also very busy ripping cows apart that year. 2003 was a big year for people giving John Oliver large facsimile animals that he did not want and making him deal with them.
In 2004, Zaltzman and Oliver decided to stop messing around with little sketches in each other's shows, and just do the joint stand-up hour that the world had been waiting for. They went to Edinburgh with a show called Zaltzman and Oliver’s Erm... It's About the World... I Think You'd Better Sit Down, which is a hell of a title. They filled in a questionnaire about it for the BBC, which is a lovely little relic. If you want to know what Zaltzman and Oliver were doing during the Edinburgh Festival in 2004:
What will you be doing with the other 23 hrs of the day? JO: I will assign around 8 of those hours for sleep. I'll try and eat three times, spaced out in the time remaining. I will insult my flatmate for a further 3 of those hours. And I will think about sport for the rest of the time. AZ: Table tennis.
(Note: I'm 95% sure the flatmate John Oliver was going to insult for three hours a day is Daniel Kitson.)
They took the show on tour the following year, including performing it one time in 2005 with someone recording the audio. They didn't do anything with that audio until about six years later, when they released it during a filler week for The Bugle. It contains many of their classic joint bits, like the immigration sketch and the state of political discourse sketch.
In 2005, they did another joint Edinburgh show, called John Oliver and Andy Zaltzman Issue a List of Demands and Await Your Response with Interest. Not big fans of titles that fit easily into blurbs. This show unfortunately has been lost to history, or at least, it had better be lost to history, because at this point I will be furious if it turns out Andy Zaltzman has a recording of it somewhere and has been holding out on us all this time (not really, please let me know if you have this, Andy, I would pay you money). Steve Bennett called it: "As a double act [Zaltzman and Oliver] bring out the best of Zaltzman’s towering intellect and Oliver’s  sneery cynicism, feeding off each other’s presence." Which is a pretty solid summary of their double act dynamic in general.
I know there are reviewers besides Steve Bennett, by the way. But Chortle, for all its other admin-related faults, does archive its reviews in a way that makes old ones easy to find, so it tends to be my go-to reference for times like this. I have read other old Zaltzman and Oliver reviews, and a lot of them can be basically summarized as "They have good, intelligent, and funny material, but God, those guys can be really annoying." Brian Logan called them "Better writers than performers", which is maybe technically true but also he can fuck off. We like the socially awkward lack of charisma, okay?
Anyway. Back on topic. While they were establishing their live double act, Zaltzman and Oliver also teamed up with their friend, the excellent comedian Chris Addison, to write a radio show called The Department. This is a fictional show set in a secret government department that secretly runs the entire world, and they spend each episode solving a different problem. It ran on BBC Radio 4 for three seasons and 14 episodes in total, from 2004 to 2006. It featured a bunch of old Zaltzman and Oliver stand-up bits, shoehorned expertly into the mouths of the characters. Zaltzman, Oliver, and Addison co-wrote it and played the three main characters (except Addison didn't write season 3 as he was busy with other projects, but he still did the voice acting), with the other major character being voiced by Matthew Holness, and Lucy Montgomery doing some additional voices (Matthew and Lucy were both in Cambridge Footlights with John Oliver a few years earlier).
They hoped The Department would translate to TV someday, but that didn't happen. Even as late as ten years later, Andy Zaltzman, according to one uncharacteristically vulnerable interview, was still holding out hope that it could someday get picked up as a TV sitcom. John Oliver, on the other hand, said years later that he looked back on The Department as something that wasn't any good. John is, in my accurate opinion, entirely wrong about that. There are some old Zaltzman and Oliver things that I can recognize were objectively not great comedy, I just like them as adorable historical relics. The Department is not like that. I think it was a really, really funny and well written show. It had good characters and dense jokes and I wish it had become more.
These were the glory years of Zaltzman and Oliver. The Department on the radio, joint stand-up shows, hosting mixed bill stuff at Political Animal. But that double act was just a small subset of a larger group called the Chocolate Milk Gang. The Chocolate Milk Gang was an international crime syndicate that sometimes organized soccer matches, to borrow a phrase from John Oliver (John was talking about FIFA when he said it, but it still applies). You can see one of these matches in The Greatest Video on All of YouTube, featuring a lot of comedians who are hard to recognize because it's got about 8 pixels per inch, but you can always pick out Andy with his curly red hair, and John Oliver as the only one wearing long pants instead of shorts. I'm definitely not going to go look at the building where they filmed that video when I go to London this summer. That would be a weird thing to do. I mean I can't confirm whether I'm going to do that, but I will say that one time on his radio show I heard Elis James say Crystal Palace isn't a tourist attraction, and I laughed and said "That's what you think."
Anyway, the Chocolate Milk Gang was actually a bunch of comedians who were all friends in the early 00s, they frequently appeared in each other's stand-up shows (and occasionally radio shows and things like that), told stories about each other on stage, played football on Tuesdays, shared mixed bills, ritualistically sacrificed cows together in the middle of the night, things like that. They got their name because they drank alcohol either not at all or not very much, and after late-night Edinburgh shows they'd go for milkshakes while other comedians were getting drunk, so some of those other comedians started calling them the Chocolate Milk Gang. Glenn Wool has been specifically credited with coining the term, Andrew Maxwell and Jason Byrne were also said to be involved. An absolute cunt who goes by David McSavage was a dick about it. Basically they were a bunch of nerds who got bullied by the Irish and Canadians (not really, they've said they were on friendly terms with those guys and it was friendly banter, except for David McSavage, who is genuinely a cunt). They go by other names sometimes. Stewart Lee apparently used to call them "The Hanging Around Guys".
Further information can be found in the weirdest fucking article I've ever read (on the subject of me knowing about reviewers besides just Steve Bennett - Jay Richardson, what were you fucking talking about?), but basically, they were known for differentiating themselves from a previous generation of showbiz shouty fancy comedians, by doing things like wearing t-shirts and listening to indie music and putting a modicum of creativity into their art and not being alcoholics. Membership lists for the Chocolate Milk Gang changes depending who you ask, but the main people involved, in general, were: Josie Long, John Oliver, Andy Zaltzman, Alun Cochrane, Russell Howard, David O'Doherty, Gavin Osborn, Demitri Martin, Flight of the Conchords. Taika Waititi - Cohen at the time - is sometimes mentioned in that mix. Isy Suttie was definitely around and fit the remit. And Daniel Kitson was their, according to those weird fucking articles about it, king.
To get that list of people, I've taken the name that Glenn Wool invented for people who got milkshakes in Edinburgh, and applied it to a slightly more general concept. Not everyone on that list got milkshakes in Edinburgh in 2002, but most did, and all were part of a larger group of nerds doing comedy who crossed over with each other personally and professionally in that era, which is generally what I mean when I say "Chocolate Milk Gang".
Andy largely ended up in this group because his writing and performing partner, John Oliver, was so close to the ringleader/king Daniel Kitson. John Oliver and Daniel Kitson had repeatedly described each other as best friends. John also brought in Gavin Osborn, his friend from school and/or youth theatre. Gavin was flatmates with John's girlfriend for a time. Basically, John Oliver tied all these people in his life together, and then he fucked off to America, leaving the rest of them behind to keep making stuff with each other. Which they did, but managing it without John in the middle clearly wasn't always their first choice. The number of Chocolate Milk Gang members who have performed art that I have heard on the subject of how it upset them when John Oliver left is... more than three. It's four. I'm thinking of four specific pieces of work right now, though to be fair one of them is just Andy Zaltzman shouting the words "Percy Primetime" at an audience (the others are a song about mix tapes, a show about an apartment that I'm definitely not going to go look at when I fly to London because Crystal Palace isn't a tourist attraction, and a song about a penguin). That's a lot, really. People really, really liked that guy.
Zaltzman and Kitson in particular were a funny combination; whenever they used to end up on stages (or in a radio studio) together, there would be this strong sense of "your best friend is my best friend but God, do we ever have nothing else in common". But they'd give performing together a go, even though Andy Zaltzman is the most socially awkward man in history and has chemistry with no one on Earth except John Oliver. Neither of them seem to "get" the other's comedy in any way, or find much crossover in what they found funny. They shared a flat together in Edinburgh in 2007, where they wrote a sketch for Late 'n' Live in which Andy would pretend to be Daniel Kitson's penis, so that's fun. Andy Zaltzman had a set of about four deliberately bad impressions, which seemed to be the only part of his act that Kitson found funny, but Kitson found them hilarious and made Andy do them every time they performed together.
But I'm getting ahead of myself. I'm trying to tell this story chronologically, and I've moved right past what Andy Zaltzman has referred to as: “The day in June 2006 when [John Oliver] told me he wanted to do the Daily Show job in America instead of going with me to Edinburgh to talk to twenty-five people a day in a darkened room.”
At the time, Zaltzman and Oliver were in the process of writing their third joint stand-up hour, for Edinburgh 2006. This show had already been submitted to the festival, as evidenced by some screenshots of the 2006 Edinburgh program:
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The 2006 Edinburgh program also advertised:
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And it was the debut year for the Chocolate Milk Gang mixed bill Honourable Men of Art, also already in the program with John's name:
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According to Andy Zaltzman, in June 2006, he learned three things very close together, on almost the same day. The first thing he learned is that the BBC had cancelled The Department. This radio show was the only consistent thing Andy had going in his career besides live stand-up. He was counting on The Department getting bigger and maybe picked up for TV, so losing it was a significant blow. The second thing he learned, at almost the same time, was that his wife was carrying their first child. And the third thing he learned was that John Oliver was going to move to America right before their Edinburgh run was set to begin. Andy Zaltzman has described June/July 2006 as not a particularly fun time (John Oliver, on the other hand, has described summer 2006 as the time he lost his radio show and thought his career was fucked, so it's a good thing The Daily Show job came along to save him, because otherwise he'd have ended up stuck in the career path he was on in England, which was terrible, it sure would suck to have to stay on that path).
Andy Zaltzman has even said that if it hadn't been for his marriage and having a kid on the way, he might have moved to New York with John to try to keep performing as a double act, since he didn't have enough of a career in Britain to be worth staying for, and all the success he'd had had come from the Zaltzman and Oliver partnership.
I see why Andy Zaltzman found that partnership and briefly considered whether it might be worth moving across an ocean to preserve it. They worked so well together. They got each other's style of comedy, they were similar enough to fit together but different in the right ways to complement each other. They had incredible chemistry together, of the type that Andy had with, as I've said, no one else in the world. Andy had had to start his own comedy night (Political Animal) just because his style was so offbeat that it didn't fit in on regular mixed bills and it annoyed audiences who hadn't come for that specific niche, and the Zaltzman/Oliver double act saved him from having to sell that niche by himself. He was, as he describes it, not excited to have to go back to doing it alone.
He was also not excited to have to turn their double act Edinburgh show into a solo show at the last minute. But he did it, going to Edinburgh 2006 and performing a show called Andy Zaltzman Detonates 70 Minutes of Unbridled Afternoon ("It's important work Zaltzman is doing, at least compared to most other comics, and deserves to be heard ­ if only he was a bit more fluid in its telling" - Steve Bennett, 2006). I guess it's a better title than Andy Zaltzman Goes By Himself to Edinburgh to Talk to Twenty-Five People a Day in a Darkened Room. In Edinburgh 2006, Andy also hosted Political Animal on his own, and turned up to Honourable Men of Art, where they occasionally had John Oliver via the best live video linkup technology 2006 had to offer.
After this, Andy Zaltzman spent a year performing on his own. In 2007 he performed at MICF for the first time, where one time he stayed up all night in a radio studio with Daniel Kitson, playing BBC sound effects and Boney M songs, and Daniel made him do his Marvin Gaye impression. He also went on the Triple M radio show Get This, and was very socially awkward. Then he won the Piece of Wood Award for having other comics vote his show the best one, so that's cool. Clearly he must have been doing something all right, in a year that he's since described in interviews as very rough overall.
And then he was approached by TimesOnline, a subdivision of The Times, to start a trans-Atlantic podcast. The idea was that John Oliver would go into a studio in New York City, and Andy Zaltzman would go into a studio in London, and they would talk to each other about the week's news, and someone would produce and edit it, and that would be a newfangled thing called a podcast. Like the thing that Andy's sister Helen had just started doing. Andy Zaltzman said yes because, in his words, he had "Jack K. Shit" else going on and it was a chance to reunite the double act that had been working for him. John Oliver said yes because, in his words, it is a treat to get to listen to Andy Zaltzman talk for an hour a week. I think John meant it when he said that, because John Oliver had a very good and very busy job as a writer and correspondent on The Daily Show at the time, in addition to a stand-up career in the States and an increasing schedule of events with major American comics, so it's not like he took the Bugle job because he needed the money or the profile boost. I think he really did consider it a treat to listen to Andy Zaltzman talk for an hour a week. And what a treat that is.
They set up a format in which they'd talk on the phone for a bit earlier in the week, to establish a list of topical subjects to cover. Then they'd go away and each write their own material on those subjects. Then on Fridays, they'd connect from their separate studios and discuss the subjects with their material ready. The best bits made it into their respective stand-up shows.
From the beginning, they both contributed a lot to the podcast, but Andy drove the dialogue and tended to come a little more prepared, as is reasonable, given that John Oliver had other shit going on. The Bugle ran in its original form from October 2007 to March 2016, and in that time, Andy Zaltzman turned over an incredible amount of material. It is honestly amazing how much new stuff he came up with every week. Yeah, he had some ideas and concepts that he re-used, and yeah, not 100% of it was solid gold. But a lot of it was very funny. Funny, dense comedy that was new every single week.
Andy Zaltzman is the most creative comedian I've ever heard. I mean, obviously I guess that depends on your definition of "creative", I've seen some comedy shows where it's so creative that I have no idea what's going on (these are called "clowning"). But within the parametres of just writing straightforward stand-up material, I have never heard anything as creative as Andy Zaltzman. He hits a topic from so many directions that no one else would think of. He reaches for absurd comparisons, turns of phrase that make me run back the recording because I could never catch all the meanings at once, five or six different jokes embedded into one sentence. The number of obscure references to history and/or sport and/or Greek mythology (he didn't study Classics for nothing) he can get into any paragraph is blinding. He's fucking amazing.
More than that, The Bugle with Zaltzman and Oliver was an amazing piece of media. It is incredible how they blended interactivity with tightly written material. Comedians riffing with each other is fun because it feels real and immediate and unrehearsed. Carefully written stuff is good because writing something with care gives comedians the time to make it funnier. The Bugle was Zaltzman and Oliver taking their jokes that they'd crafted to be as funny as possible, and using them as the basis for otherwise spontaneous interaction, so they got the best of both worlds. And it worked, every time, because they have the best chemistry I've ever heard in all of comedy. They were like athletes who could always tell where the other was going to end up, they could take their bit and make sure it would land in just the right spot to work with what the other person would have. Even though they didn't know exactly what the other person had, because they didn't write it together. But they knew each other so well that they could anticipate. It's amazing. It's a fucking amazing feat of comedy and it should be in some sort of hall of fame.
In 2008, Andy Zaltzman wrote a book. It's called Does Anything Eat Bankers? and it's a collection of absurd comedy mini-essays about the credit crunch. It's the most 2008 thing I've ever read. It made me laugh out loud a lot. It's available on eBay for insultingly cheap prices and is an excellent summary of Zaltzman's offbeat sense of humour.
From 2007-2014, Andy Zaltzman hosted Political Animal in Edinburgh every year. Usually on his own, though in 2011, John Oliver flew to Edinburgh and they did a few reunion Political Animal gigs, featuring Daniel Kitson reprising his role as God in their God sketch. Andy also kept up his Chocolate Milk Gang membership over those years, doing the Honourable Men of Art gig when it came back in 2008, appearing at some Kitson-compered Late 'n' Lives in the 00s, and at some Kitson-compered Chocolate Milk Gang reunion shows in later years (ZOCK, Fuckstorm 3000, Fuckstorm 3001). Andy did the impressions when Kitson told him to, even though by then he'd long dropped them from his regular act. Andy also performed new Edinburgh solo shows nearly every year from 2007 to 2019 (missing 2009, 2012, and 2015), usually with long convoluted titles in the style of Zaltzman and Oliver ("Life is convoluted, my comedy merely reflects that" - Andy Zaltzman).
In 2014, Andy started doing Satirist For Hire, a show he continued touring off and and on until 2022, in addition to his regular stand-up shows. In Satirist For Hire, the audience could write in with the date they were attending and a subject for Andy to satirize, and the show would consist of him satirizing audience-requested topics. It wasn't improv or anything, he'd get the topics in advance and write stuff about them, new stuff for every show. Which sounds like a ridiculous amount of work, but he was already doing that kind of thing for The Bugle, writing new stuff constantly. Some of these got recorded and released on filler weeks of The Bugle. Topics he got asked to satirize included all 721 Pokemon by name, the autumn equinox, the rebellion in Syria, and his own mother-in-law. He released a DVD of Satirist For Hire that was filmed in 2014, in which he performed the bespoke satire as well a "best of" his other old and new jokes, including some stuff that dates back to the Zaltzman and Oliver catalogue of the early 00s. It also has a DVD extra that's Andy just telling a weird story with no punchline, it's really annoyingly rambling and pointless, even for him. It's great.
During the original run of The Bugle, there were a lot of jokes in which John would tell a star-studded story about his life with celebrities in New York City, and Andy would say he'd had a good pastrami sandwich that week. There were slightly less funny parts at the end of the episodes, in which John would plug some big American event he was doing, and Andy would make a vague plea about small-time stand-up gigs that he couldn't sell. As The Bugle went on, Andy started doing slightly bigger stand-up gigs and sounding slightly less concerned about lack of tickets sold (due to him building up an audience of Bugle fans), though it still didn't look great when put next to John Oliver's projects.
Alongside this, Andy Zaltzman started getting jobs in the world of cricket as well. He was a massive, utterly obsessed cricket fan, made a lot of cricket references in his stand-up and on The Bugle, and at some point some people took notice and started inviting him to do cricket things. Spots on sports shows in which he'd analyze cricket. Cricket commentary. Collation of cricket stats. After several years of this, he started getting to travel for it, announcing on The Bugle that he'd be doing stand-up gigs in Bangladesh because he was going there anyway to attend cricket games and be paid to commentate on them. He doesn't have personal social media, but he does have a Twitter account that Tweets nothing but obscure cricket stats that he has personally worked out. What a weird guy, spending all his own time gathering information about one niche subject and then collating all the stuff from various sources and posting his findings on the internet. Nerd. You wouldn't catch me doing that.
Off the success of The Bugle, he started getting some other stuff. He was a regular host for a while on the Radio 4 panel show called 7 Day Sunday, where he worked with Chris Addison and Al Murray and Rebecca Front, I have frustratingly never been able to find episodes of that show. He got a Radio 4 mini-series called Andy Zaltzman’s History of the Third Millenium, which I have also never been able to find. He started appearing as a guest on The News Quiz somewhat regularly. He did that one episode of 8 Out of 10 Cats one time, and it was very awkward. Stewart Lee put him on Alternative Comedy Experience.
In 2008, John Oliver released a stand-up DVD called Terrifying Times. Andy flew to New York to appear in the recording of it. He came on stage a couple of times, for a few minutes each time, interacting with John so they could include some of their joint sketch material in the DVD. There's also a DVD extra that's a conversation between Zaltzman and Oliver, which is hilarious.
In 2012, Andy Zaltzman again went to New York, to perform some stand-up on John Oliver's New York Stand Up Show (along with Chocolate Milk Gang's David O'Doherty), a confusingly titled American television program with various comedians doing short sets compered by John Oliver. After years of relentlessly making fun of John on The Bugle for how he started saying "gotten" once he'd been in America for a bit, Andy got on American TV and immediately said the word "sports", which was adorable. He tried to fit in. It didn't really work and the crowd didn't know what to make of him, but he tried.
In the original run of The Bugle, Andy Zaltzman really honed his trademark style. It was marked by absurd analogies that treat any of the following like each other: sports, politics, Greek mythology, religion, current events, and occasionally a movie or something. He started doing "pun runs", where he'd spend several minutes doing one coherent monologue in which he'd make as many puns as possible themed around a single subject, usually while John Oliver screamed in agony in the background (you'd think it would stop being funny but it didn't, at one point he started using a little bell to mark each pun). Jokes with footnotes. Jokes where the joke is that the story is pointless. Everything he said carefully and tightly wrapped in at least 18 layers of irony. A running joke in which he'd introduce each Bugle episode by discussing something obscure that had happened in history on the day they were recording. So many cricket and snooker references.
An audio cryptic crossword that ran for the first thirty or so Bugle episodes, in which he'd read out a clue every week, but the clue wasn't to anything that made sense, it was just to some shit he'd made up in his head, and he never released a visual to accompany it. Yet it did work, some people at home actually solved it all and wrote it all out and it all fit together perfectly (that is how you do a crossword, Pemberton).
Massive truckloads of absurdity dumped with increasing urgency all over current events, as though he thought he could bury the dark realities under it. Zaltzman and Oliver's name for this absurdity was "bullshit"; it used to be a running joke that they'd advertise The Bugle by promising it would be completely free of facts, providing the best bullshit you've ever heard. Long, intricate bullshit that all ties together and keeps going just when you think there can't be any more to this story that Andy has entirely made up. Like the athletes he wrote about at university, no one can sue him for libel because they don't actually exist.
One time their producer Chris Skinner accused them of having an especially sweary Bugle, so far containing "twelve fucks and one cunt", and Andy said that's the Jewish view of the New Testament, and they (rightly) talked for like three years about how good a joke that was to come up with off the cuff. Andy's lapsed Jewish-ness is also a frequent topic of his jokes, usually how incredibly lapsed he is, being a massive fan of bacon sandwiches and one time his sister gave him an entire dead pig as a Christmas gift, a story that made it into a Daniel Kitson stand-up show as well as a lot of Bugle jokes about how in most cases that would be a hate crime.
There were also jokes throughout that Bugle run about John Oliver's increasingly high-profile career; Andy gave him the nickname Johnny Showbiz and cheerfully kept telling stories of pastrami sandwiches after John's stories about meeting Samuel L Jackson or whatever. I first listened to The Bugle a few months after I listened to the old Russell Howard/Jon Richardson BBC 6 Music shows, and those were basically an audio documentary of a friendship slowly cracking apart due to one party's jealousy of the other's increasing success (I mean, there were other issues too), so I found The Bugle an odd contrast at first. Because Andy made those jokes, but it sounded like there was absolutely no genuine jealousy behind them. If anything it went the other way, he seemed to vaguely pity John's weird hectic life, and John seemed to generally agree that this was too much celebrity and Andy was better off in his shed. I started wondering: how is Andy this okay with the disparity? Is he hiding the jealousy really well or is he made of stone?
A while into my the first listen-through of The Bugle, after wondering this for a few weeks, I came to the conclusion that the reason Andy Zaltzman sounded unbothered by John Oliver meeting Samuel L Jackson is that Andy Zaltzman truly, deep down to his core, did not want to meet Samuel L Jackson. That man was not impressed by anything in the world that's not a cricket stat or a bad pun, and he entirely meant it when he mercilessly mocked John for the embarrassing transgression of winning an Emmy. That wasn't masked bitterness, he just thought winning an Emmy was genuinely embarrassing. And John Oliver, once again, seemed to basically agree.
In 2011, there was the News of the World scandal, owned by News International, owned by The Times, which owned The Times of London, which owned TimeOnline, which funded The Bugle. Andy and John decided to really go after everyone behind the phone hacking scandal, for several weeks in a row. They didn't just talk about the shit journalists, they went for the entire system of tabloid press and its collusion with government, the people at the top of the both sides of that, everything that allowed this to happen. While doing this, they had a running joke in which they'd tap their mic and ask "Is this on?", implying that their overlords at The Times would cut their mic in retaliation for talking shit about Rupert Murdoch. Then The New York Times wrote an article about what they'd been doing, and they started to sound slightly more genuinely worried that this might get them in trouble.
A couple of months later, for what both sides called unrelated reasons, TimesOnline fired John and Andy, pulling The Bugle's funding. In a Bugle episode in December 2011, they said this might be their last one, they were scrambling to find alternative funding sources but might have to just end the podcast. The tone in that episode made the discrepancies in their careers clear. John repeatedly emphasized how much he loved The Bugle and everything they'd built together, and how he'd like to save it. While Andy had a lot more genuine desperation in his voice as he again used the term "Jack K. Shit" to describe what else he had going on in his career, he actually needed to #SaveTheBugle. You can see that as well in how careful they both were. John and Andy both said they were dropped for apolitical reasons, just lack of funding. But John messed around a bit and implied that this may not be the whole truth, while Andy sounded less willing to possibly get them in more trouble. Years later, in a 2023 episode of the rebooted Bugle, the subject of The Times came up, and Andy offhandedly mentioned that The Bugle used to be funded by The Times, until they were dropped "suspiciously shortly after" they made a bunch of Rupert Murdoch jokes. This was the first time Andy had acknowledged a possible connection, and I liked that, like a sign that he'd finally achieved enough success independently so he could afford to talk like that a bit too.
I made a compilation of this situation a couple of years ago. Most of the Bugle bits in it are John Oliver's lines, because the compilation was meant to contrast John Oliver's running joke on Last Week Tonight where he'd talk shit about HBO's parent company AT&T, referring to them as "business daddy" and gloating about how he could do that without getting in trouble, with the time in 2011 when he went on The Bugle and talked shit about their business daddy and did in fact get in trouble. Andy had a lot of good jokes about Rupert Murdoch and The Times during those episodes, they mostly aren't in this compilation because they weren't as relevant to the Bugle-LWT John Oliver Versus Business Daddy narrative, but the compilation still tells the story. Also I illustrated it with a bunch of amusing old Zaltzman and Oliver pictures.
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In early 2012, they came back and announced that they had managed to sell enough listener subscriptions to keep The Bugle going independently. The Bugle continues to run that way to this day, free to listen to but funded by optional listener subscriptions, no ads (aside from a short time in 2018 when they partnered with Radiotopia and Andy had to read out those mattress ads and stuff, and you could hear his soul sinking into the floor, luckily that didn't last long), just because they created a product that's good enough to be worth its audience paying for. It also gets funded by merch sales and things. They have hats and socks.
The Bugle ran for a couple more glorious years as an independent podcast fronted by Zaltzman and Oliver. Then in summer 2013, Jon Stewart went away to film a movie and John Oliver filled in as a guest host for The Daily Show. John Oliver would do a fantastic job fronting America's flagship topical comedy show all week, and then come on The Bugle on Friday and lament how badly it was going and how he couldn't wait to get back to the sidelines where he belonged. But after that, as he'd proven his abilities as a host, HBO offered John Oliver his own weekly show. In December 2013, John Oliver proceeded to have a breakdown, but still left The Daily Show to start Last Week Tonight.
As shown in the compilation I've just linked, which is entitled Johnny Showbiz Gets His Own Show and Has a Breakdown, they promised at the time that this would absolutely not affect The Bugle. They promised! Repeatedly. I mean, they sounded at the time like they were trying to convince themselves and each other as much as the listeners, but still, they promised.
They mostly kept that promise for about a year, taking a few more breaks than usual throughout 2014 to accommodate John's busier schedule, but I don't think The Bugle declined in quality when it did go out. And given how few weeks off they'd had since October 2007, even The Bugle with extra breaks was still a hell of a lot of comedy material for them to turn over. They took a break for the whole summer in 2014, their first time taking more than a couple of weeks off in a row, but came back with a great run of episodes in the fall.
Andy did mention to Stuart Goldsmith, in a 2014 interview, that he was hoping he might be able to be involved with Last Week Tonight in some way, at some point. It's not clear whether he ever mentioned this to John Oliver. Seems like the sort of thing he should have maybe mentioned to John Oliver, instead of saving it for an uncharacteristically vulnerable podcast interview. But maybe he did ask John Oliver for that and it just didn't work out. He doesn't say. It certainly didn't end up happening.
Then, throughout 2015, The Bugle died a slow and incredibly painful death. They kept doing filler episodes, in which Andy would explain that John was busy, but promise he'd be back next week. Then, often, nothing, not even a filler episode, for weeks. Before 2015, they always put out an episode every week, usually a new episode, but if they didn't have one, there would be filler: an outtakes show or a best-of show or some recordings of stand-up or something. One time the producer Chris Skinner strung together a whole filler episode by doing things like interviewing their friend Alun Cochrane (back when Alun Cochrane was cool, Alun Cochrane is now no longer cool). But in 2015, they began to hit the limit on the number of weeks in a row when they could do filler episodes, so they started just putting out fuck all.
John Oliver did turn up for Bugle episodes occasionally in 2015, but when he did, he sounded increasingly distracted and like his heart wasn't in it. Which is fair enough, because we now know that he spent 2015 trying to write and present a research-intensive weekly HBO show, as well as caring for his wife while she had a high-risk pregnancy. It's as good an excuse as I've ever heard to not be able to talk shit about Bashar al-Assad or the band LMFAO with Andy Zaltzman every week (also, you have to give John Oliver credit for the fact that he did The Bugle very well for years despite never actually needing it, and was just in it for the love of the game). But he probably should have just said that, rather than clearly telling Andy all the time that he'd be back soon, which we know he was doing because Andy sounded like he believed it when he relayed that message to the listeners, and then it kept not happening.
To be fair, Andy also should have called time on the podcast way earlier - at the very least announcing an extended break, if not just acknowledging that it's not going to work anymore and ending it. Instead, Andy kept coming back to introduce filler episodes and promise us John would be back soon. And every once in a while he'd do a frustrated new episode with a checked-out John Oliver. I listened to the worst of this period of The Bugle within a couple of days, and that was rough, hearing it all at once like that. Had me yelling at my phone, "Oh my God, stop it! Just put it out of its fucking misery! This is an ex-podcast! Stop nailing it to a perch and trying to sell it back to us!"
Andy mentioned the "Jack K. Shit else going on" thing a couple of times as a reason for why he kept trying, but I don't even think that was true anymore. He had a big stand-up audience garnered by the success of The Bugle. He had his cricket career. He had regular radio work. He didn't have some big TV career or anything, but he had enough to be getting on with. Enough so he did not have to be as desperate as he got about trying to keep a podcast going when it was clearly over.
I think he was scared to try to do his comedy career without basing it around bouncing stuff off John Oliver. As his comedy career did have a history of spectacularly not working when he wasn't working with John.
Throughout 2015, Andy's increasing frustration could be heard in his voice during intros for the podcast filler episodes, and in the recordings of his 2015 stand-up that got released as said filler. He developed a joke in which he'd ask the audience who's heard of John Oliver, find the one or two people who said no, and shout, "Fuck you Percy Primetime, everyone in this room has heard of me!" "Percy Primetime" was a nickname spat with quite a bit less affection than the old "Johnny Showbiz". For the record I don't think they had a real falling out or anything, but there was some genuine bitterness there for the first time after all those years of fame disparity, it finally became clear that Andy Zaltzman's not actually made of stone.
In early 2016, The Bugle came back with one full episode that was actually very good, John and Andy were both really into it. John Oliver apologized for the many jokes he'd made in previous years about how funny it would be if Donald Trump ran for president, and they announced that The Bugle would be continuing for the forseeable future, just going once a month instead of once a week, so they could stop with the filler stuff and be more realistic about what was possible around new schedules. Then two months later, they came back and admitted this was not, in fact, realistic, and John was leaving The Bugle. Andy announced his plan to reboot the podcast in the fall, with John Oliver replaced by a rotating series of co-hosts from around the world. Andy sounded fairly terrified of this prospect.
The last episode of the John Oliver-era Bugle was number 295, and for reasons that Andy Zaltzman finds funny, he made the first episode of the new era episode 4001. This came out on October 24, 2016, and featured Hari Kondabolu as the guest co-host. Hari's a New York comedian whom I assume was recommended by John Oliver, as I can't imagine how else he and Andy would have crossed paths, and they sure didn't sound like two people who had ever encountered each other before. It was fucking awkward. It didn't help that it was a couple of months before the Donald Trump election, so a pretty intense time to try to just jump back into topical comedy with a "get to know the rebooted podcast" episode.
Basically, if Andy Zaltzman feared that his offbeat niche humour would not work without the one comedian in the world who was tailor-made to fit into it... those fears were not alleviated in that first episode. Hari Kondabolu is awesome, he has since become one of my favourite Bugle guests and I've gotten into his own stand-up, but that first time, he had no fucking idea what to make of Andy, and not much of an idea of what he'd signed up for with The Bugle. Andy had no idea how to talk to anyone in the world who isn't John Oliver. It was weird.
Episode 4002 featured Nish Kumar, who came in and immediately shouted "Fuck you Chris!", which was a running joke from the John Oliver-era Bugle (referring to producer Chris Skinner, John and Andy and the listeners would affectionately say "fuck you" to Chris a lot for reasons that made sense at the time), an instant way to assure the audience that he knew exactly what he'd signed up for. Nish had been listening to The Bugle since it started when he was still doing student comedy, and as far as I can tell, he'd pretty much climbed the ranks of the comedy industry in the hopes of someday getting to touch the garment of his heroes Andy Zaltzman and John Oliver (he might have had one or two reasons besides that, but it was mainly that one). And he got his wish. He's now the second most frequent co-host of the Bugle 4000-series (after Alice Fraser), and one time he got to play football with John Oliver and they got into fights on the pitch.
The Bugle continued on shaky ground for the first 25 episodes or so, really for the first 50. Andy has said since that he knows those episodes were rough, that he'd got so comfortable in his familiar rapport with John Oliver that he just couldn't generate the same thing with people he didn't know as well, and he didn't know anyone as well as John. Though it clearly wasn't just about who he knew as well as John, but who he could comfortably work with as well as John (which was no one). Helen Zaltzman came on a few of those early episodes, and she was a fantastic guest, really funny and took Andy to task and held her own on every subject, but it is incredible how little chemistry Andy Zaltzman managed to have with his own sister. He brought in Anuvab Pal, a comedian from Mumbai whom Andy knew from his time covering cricket over there, they were friends in real life, but they often sounded like they'd never met before. The only person Andy sounded like he knew how to talk to at all was Nish, whom he'd known for a few years through stand-up by the time the Bugle 4000-series started. The Nish Kumar episodes were the best ones, especially early on, but it wasn't anywhere near the levels of Zaltzman and Oliver chemistry.
Andy has said in interviews since that he was struggling during that time, and that started occasionally making its way into the Bugle content, which previously had rarely been particularly personal. At the end of 2016, Andy Zaltzman did a year-in-review stand-up show (something he did every year for a while, a whole stand-up show written to only be performed one time to mark the end of the year), and (on the subject of reviewers who aren't Steve Bennett), Dominic Maxwell in The Times (fuck off, Times) wrote a review in which he called Andy "John Oliver's left-behind sidekick". Andy brought that up on The Bugle several times, citing the "sidekick" line with real bitterness, and rightly so. Partly because he has never been anyone's sidekick (except maybe Daniel Kitson's once in a while at old Late 'n' Live gigs), and partly because that was a solo stand-up show that was not affiliated with The Bugle and definitely had nothing to do with John Oliver, so he shouldn't have been put in John Oliver's shadow in a context like that. It was actually a 4-star review, Maxwell liked the show. But the review's first paragraph was:
Why has John Oliver become a star in America while his old partner in seemingly shambolic yet secretly serrated political satire, Andy Zaltzman, remains a cult comedian with a sideline as a cricket stats man? Is it because Zaltzman, with his receded Harpo Marx explosion of hair, is less telegenic than Oliver, with whom he co-hosted the podcast The Bugle until last year? Is it because, although he is every bit as grounded in reality as Oliver, Zaltzman is a more devotedly loopy joke-writer, so that he always adds his own twist of wry absurdism to our leaders’ already skewed logic?
Starting a four-star review with that is one hell of a backhanded compliment, no matter how positive you go on to be about the show itself. I assume that review was the main one - probably among plenty of other reviews that had built up Andy's resentment over time, but that Maxwell one was clearly the straw that broke his back - that led Andy to record this "interview with himself" to put in the "in the bin" section at the beginning of a Bugle episode in early 2017.
So the stone was starting to show serious cracks at that point. At one point in 2017, Andy plugged his upcoming run at MICF, saying it would be good to perform in Australia because his career could "flush down the toilet in the other direction" for a bit. Nish Kumar laughed way too hard at that, I remember saying to my phone, "Nish, stop! Can't you see he's having a breakdown? Stop laughing at that and give the man a hug!"
It was hard to listen to the most stoically-dedicated-to-irony-and-bullshit man I'd ever heard have a breakdown, but things eventually got steadier. Andy did some episodes from MCIF in Melbourne, and on Bugle episode 4023, in April 2017, he brought in Australian comedians Tom Ballard and Alice Fraser. Tom and Alice both became Bugle regulars, but Alice especially started doing it all the time. Alice, like Nish, told stories of how she'd been a dedicated listener to the original run of The Bugle since before she'd started stand-up, and you can see Andy's influence on her comedic style (you can see it in Nish's too - John and Andy both influencing Nish a lot, while Alice is a lot more like Andy than she is like John).
The inclusion of Alice Fraser changed the game for the rebooted Bugle, as she quickly became a very frequent presence, and Andy developed as good a rapport with her as he could have with almost anyone. There are some sweet moments in her early episodes when Alice would pull out some Zaltzman-esque puns or absurd analogies, and Andy would sound genuinely touched that someone else was into his weird niche humour. He immediately started including her in some bit parts of his stand-up shows too, whenever he was in Australia or she was in England.
The Bugle also got better once they started doing two guests at a time instead of just one. Andy has said since that at some point he realized he and John Oliver had good enough chemistry to carry an entire episode, but he couldn't manage that with anyone else. However, he could do it if there were three people, so the guests could interact with each other too, and the three different types of interactions could get them through the 40-45 minutes more easily. They also started doing Bugle live shows, which went well, got toured in England and even in America.
Since then, The Bugle has grown into a thing that is new and very different from its original form, but also very good. As of May 2024 they've just hit episode 4304, having recently passed the 295 episodes that Andy did with John Oliver. Its format has changed. People still turn up with pre-written stuff, but it's not the same perfectly choreographed/somehow improvised dance of tightly written material that it used to be. It's got a wider range of guests, more diverse topics, fewer insular in-jokes. Some other format changes too, like dropping the listener correspondence. But a lot of the guest co-hosts breathe new life into it, bring different perspectives and styles of humour, contribute more than the original version with only two people ever could. It's introduced me to lots of great comedians from various countries (well, mainly Britain and America and Australia, but a couple from India, a couple from Ireland, one I really like from NZ), I've gotten into a lot of people's stand-up because I liked them on The Bugle. They've also created spinoff podcasts, like The Gargle, hosted by Alice Fraser.
The Bugle 4000 has brought in a bunch of comedians from the younger generation, but also let Andy bring in some old friends. David O'Doherty and Josie Long of the Chocolate Milk Gang have done it a few times, they make top quality episodes. Mark Steel's been on a bunch of times, who used to do the earliest days of Political Animal and of course is a king of Radio 4 along with Andy. Mark and Andy are great together, you can hear how much they enjoy each other's company, to the point where part of me dreads the day when Andy decides to be nice to his buddy Mark and let Mark bring his son to work. I don't think they'd do that though, The Bugle has standards. No Elliot Steel, please.
A big highlight of Andy bringing back old friends is Chris Addison, who worked on The Department back in 2004-06. Addison stopped doing stand-up years ago as he got a bigger career in acting and directing and things like that, and he's said he loves doing The Bugle because it gives him a chance to write comedy material the way he doesn't anymore. And because it's the only time he does that, he's not throwing his scraps at a topical podcast while spreading ideas across multiple platforms. He's coming up with solid gold, and letting The Bugle have all of it. Every time he comes on, he does his homework so well beforehand that the other comedians, including Andy, have to raise their game to keep up.
As for Zaltzman himself, he had some shaky times for his comedy material in those early reboot days. He started seeming burned out from writing so much without getting anywhere, and was re-using a lot of concepts for a while. It wasn't bad, but he did stop innovating for a while after John Oliver disappeared. The absurd scenarios in his monologues got a bit by-the-numbers.
However, as The Bugle found its feet in the new era, Andy broke through that and started writing better than ever before. He, as they say in sports and video games, jumped levels. Suddenly came out of a plateau and immediately jumped to a much higher spot than one would expect, like the slow and steady escalation of talent suddenly caught up to him all at once. Like magic. That is one of my favourite things about sports, when an athlete suddenly jumps levels, like magic. Andy jumped levels a couple of times in the late 2010s, and it was so cool to listen to. A big part of it was the way he'd tie together lots of ideas at once instead of hitting them one at a time, the way he'd make connections that turned his monologues into more than the sum of their parts.
He really, really hit a stride in 2019, as the world went to shit around him, and he started incorporating a bit more genuine emotion than he ever had before. So many emotions, all of them various flavours of searing fury at the state of the government. At first the bits of emotion were added unexpectedly, like he was experimenting with it, but then he learned how to blend it seamlessly into his previous knack for absurd ironic bullshit, it was amazing and I think he was growing into one of the best comic writers there is.
I sort of have a theory about that, which unfortunately gets me into a sports analogy so I hope I can be indulged in that briefly. As a coach, I am very familiar with the phenomenon where two athletes work with almost no one but each other for years. In some ways it makes them much better than they could be otherwise, because they're constantly being challenged by someone who knows their style inside and out, so they have to constantly evolve in order to stay ahead of the other person figuring out how to counter what they do, pushing each other to higher levels of the sport. But in other ways, they often end up with big holes in their game, because they never learn to respond to anything their main training partner doesn't do.
I think that may have slightly happened with Zaltzman and Oliver. And more to Zaltzman than to Oliver, because John was doing all kinds of other things, writing for The Daily Show with lots of people who weren't Andy Zaltzman. While the main thing Andy did was write for The Bugle. Even in his solo stand-up career, most of his shows were the best bits of what he came up with for The Bugle, so they were still written first for the purpose of bouncing off John Oliver.
So much of the beauty in the original Bugle was the way John and Andy found each other so funny, they were writing to make each other laugh. But this meant Andy Zaltzman was restricted to material that would fit his established role in a double act. The role of being the intellectual one who comes at things sideways while John tackles them head-on. That role did not leave him space to experiment with things like genuine emotion, even in spots where that could make a routine stronger. I can think of a few Zaltzman routines from 2019 that wouldn't have worked on the original Bugle, not because they wouldn't make John Oliver laugh, but because they wouldn't really have complemented John's stuff in the right way. The original Bugle had a perfect balance of comedic styles, which was what made it great, but you can't go throwing curve balls at a balance.
So my theory is that, once Andy got away from being restricted to the perfectly chosen double act role, and he then got over his slump from when he was upset about losing the double act/possibly worried he couldn't do it on his own, he had a couple of levels that were ready to be jumped. The Bugle released a bunch of the recording from Andy Zaltzman's year-in-review stand-up show from the end of 2019, and it's incredible. The "best of" from an absolutely stellar Bugle year, taking the strongest bits from all those weeks he'd spent writing, and tying them around some structure. It's one of the best fucking things I've ever heard. Andy Zaltzman does everything at once in it.
In 2019, Miles Jupp left The News Quiz, a major topical comedy panel show on Radio 4 (I'm pretty sure it's the major comedy show on Radio 4). Angela Barnes, Nish Kumar, and Andy Zaltzman - three of The News Quiz's most frequent guests at the time - each spent some time guest hosting it, as they applied for the role of permanent host. Andy got the job. He mentioned this on The Bugle during the week before his first episodes of The News Quiz as permanent host, and did it with his usual flair for self-promotion, which is almost none, he just said it's happening. Fortunately Nish Kumar was on that Bugle episode with him, and Nish insisted on interrupting Andy to tell the listeners what a big deal The News Quiz is, that Andy won't brag about it but he got a huge job on a flagship show after years and years of smaller spots on radio shows and earning his place there, and it's really cool. It was adorable to hear Nish hyping up Andy for getting a job for which (Nish didn't mention this part) Nish Kumar had also applied.
In October 2022, John Oliver came back for a special Bugle 15th birthday episode, just him and Andy for half an hour, and it made me have to pull my hat down on the bus so people couldn't see that I had tears in my eyes from laughter (honestly, I should have anticipated that and not listened to it on the bus). It had been years since they'd worked together, and they mentioned during that episode that they hadn't seen each other in years and hadn't even had much contact since the end of The Bugle, but somehow they fell right back into the perfect rhythm. It's nice to know the magic's still there, even if they're not using it anymore.
So that pretty much brings you up to speed with where Andy Zaltzman's at now. For the last few years, his career has been hosting The Bugle in its expanded form that includes live shows sometimes, hosting The News Quiz, collating cricket stats and still doing lots of cricket-related work. He hasn't done a new Edinburgh hour since 2019, but he toured Satirist For Hire in 2022. He definitely can't describe his career with the term "Jack K. Shit going on" anymore.
Quick question, just asking for a friend - how many thousand words do you have to write before something goes from being "quite long for a Tumblr post" to "quite short for a biographical book"?
In fall 2023, Andy Zaltzman mentioned that he "might" have some new stand-up to announce soon. That surprised me, because to be honest, between The News Quiz and The Bugle and the cricket, he's fucking busy these days, and he must be making enough money to not need stand-up. He turns 50 this October. He's been slowing down the stand-up over the last few years, after about twenty years of doing it constantly. I thought he might be winding down that side of his career.
But suddenly, he's mentioning possible new stand-up in 2024. He mentioned it briefly in the fall and then didn't bring it up for so long that I started to think he must have changed his mind about it. But then, in spring 2024, he suddenly started talking about live gigs again. He booked some WIPs in May and June and plugged them on The Bugle. He slowly, with his usual level of self-promotional skills, barely admitted to the fact that he has a whole stand-up tour planned for November 2024. "November 2024?" I thought. "That seems odd. Andy rarely plans so far ahead, he's usually scrambling to plug gigs he forgot he has next week. And now, when I'd thought he might be leaving stand-up behind, he's planning an entire tour many months in advance. Why did he suddenly decide to do a whole big stand-up tour again, and once he did decide that, why did he plan it for so late in the year? I mean, I'm not complaining. More Zaltzman stand-up is great! But it's a break from his usual pattern."
That is what I thought, to myself, as I listened to his updates on The Bugle. And then I sat in the break room at work and I refreshed a page and saw the Taskmaster season 18 lineup and I jumped into the air and all became clear. He's capitalizing. Andy "No Commercial Promotion Skills Whatsoever" Zaltzman is going to capitalize on his fall 2024 Taskmaster bump in popularity by following it up with a tour. I'm so fucking pleased for him.
Guys. It's going to be so good. He's so good, you're all going to love him, I promise. Do you know what it will do to Taskmaster to have someone who can run circles around Alex Horne in the field of analyzing everything via obscure statistics? He's going to make Alex look like an amateur. He's going to have an explanation for every single thing that happens and none of the explanations will be rooted in any kind of reality but they will all make internal sense.
Oh God, people are going to have to talk about him. It is so funny to listen to people try to work out what to make of Andy Zaltzman, particularly if they're not in Andy's carefully curated niche of people whom he's decided he can manage to talk to. Ed Gamble is going to talk about Andy Zaltzman. 17 years after sharing a stage with Andy at Late 'n' Live where Andy declared Marek Larwood the most fuckable member of We Are Klang (he was incorrect, but not for the reasons Tumblr thinks, I would like to immediately apologize for saying that), Greg Davies will have to judge whatever absurd bullshit comes out of Andy's brain. There will be so many cricket references.
Have I mentioned that a cornerstone of Andy Zaltzman's comedy is turning everything into a sport? That's part of his absurd analogies, he analyzes everything as though it's sports. And I love people who analyze Taskmaster as though it's sports. Andy Zaltzman is going to go on Taskmaster and treat it like sports. Oh it's going to be so much fun!
I cannot wait. I cannot fucking wait. I've just realized he's going to have to plug Taskmaster on The Bugle. That'll be weird. Who's on TV now, Johnny Showbiz? I mean, still John, still very much John Oliver, but Andy as well now! You did it, Andy! It only took 17 years!
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