What do you mean Adrien need more respect can you elaborate more because it wasn't the only time I see you said it
The way I see it, 'Miraculous: Tales of Ladybug and Cat Noir' made a mistake in the very way the show is designed: they constructed a setting where everything hints at Adrien being a main character or at least a secodary character, but he's actually not. The show basically lies to the viewer about what to expect when it comes to Adrien's character. And I tend to have a pretty big beef with shows that lie to me.
The show is called "Miraculous: Tales of Ladybug and Cat Noir", Adrien's father is the literal main villain of the series, all the minor villains have a personal connection with him and his family has a long history with the Miraculous items. Meanwhile Marinette is just some girl from a bakery next to the school he goes to. The show's very story engine, the construct that creates the stories told in it, puts a lot of weight on stuff connected to Adrien when it comes to the superhero action, while Marinette's story engine connection are her feelings for Adrien, which generate the romantic comedy plots.
All the lore in Miraculous revolves around Adrien. You'd think that this would mean that Adrien would have a vital role in uncovering this lore as Marinette is the one who saves the day. You'd think Adrien's nearest and dearest being villains would be delved into some more since it's such a recurring thing. But none of this happens. Instead the show goes out of its way to make sure that anything that should be about Adrien and how he feels about it, is made to be about Marinette and how she feels about it.
Adrien discovers the Miraculous grimoire in his home, but the episode goes out of its way to make sure Marinette gets her hands on it and is the one who gets to meet Fu and become his student, while Adrien is left out on the lurch. Marinette is the one with an arc of realizing just how evil Gabriel is as she grows past her idolization of him, which might be building up to her being the one of the heroes who figures out he's Hawkmoth first. Marinette is also the one invested in Chloé's failed attempt at becoming a hero, while Adrien's feelings on Queen Bee are never brought up.
Season four ruined Adrien's relationships with every single character who isn't Marinette or Plagg and I think the only reason Plagg was spared is because they literally can't remove that relationship from the show. 'Rocketeer' exists solely so that Adrien won't tell Nino about him being Cat Noir, so that Adrien doesn't get a confidant like Marinette gets in Alya. This makes it so that Adrien will have less screen time to talk about his duties and life. The point is to make sure Marinette has more screen time.
The fallout of Marinette and Luka's relationship ending is depicted from Marinette's perspective, to show how she's getting by after the breakup. The fallout of Adrien and Kagami's relationship ending is depicted from Marinette's perspective as well, to show how she's feeling about Adrien and Kagami breaking up. We still don't have a single scene of Adrien and Kagami discussing their failed relationship outside of the breakup scene, which they absolutely had to include. The writers don't actually want to write about Adrigami, it only existed to make Marinette angst for the dramatic season three finale.
The way Nino and Kagami get removed from Adrien's support network is solely because the writers don't want to write about Adrien's relationships. They only care about writing about Marinette. I'm not saying this lightly. This is a consistent pattern in the show. The same happens in any situation where Adrien has a strong emotional response to something, and the writers sideline Adrien's emotions by having Marinette be even more upset by it or by giving Marinette something worse to deal with.
In the New York Special, Adrien kills someone and quits. This grief is sidelined in the narrative to focus on Marinette having an emotional breakdown about not being there to help Paris and then later angsting about Adrien quitting. The matter is resolved not by dealing with Adrien's grief, but by him coming back for Marinette's sake. The Cat Blanc timeline is not important for Adrien's character, despite the point of Akumatization being character development, it only exists so that Marinette can be upset about it. We know this because Adrien never finds out about it, while Marinette gets nightmares about it. In season four, Adrien gets pushed aside by Marinette constantly, and he is understandably hurt by this and quits. The episode then has him "learn" that Marinette needs his emotional support so much that he should come back and cater to her needs and ignore his own. In 'Destruction', Adrien once again Cataclysms someone, and once again the writers shoehorn in Marinette being upset about not being able to fix it. The best Adrien can manage on his emotions being taken into account by the writers is a few seconds of getting equal screentime with Marinette's.
The season four finale is what makes this writing bias obvious when the part in the story where Adrien was logically supposed to discover just how much Marinette had been keeping from him gets pushed aside by Marinette having an emotional breakdown about Félix tricking her and stealing all the Miraculous. The writers' priorities seem to be that Adrien's feelings on anything don't matter, only Marinette's. Whenever Adrien is justified in being hurt, the writers hurt Marinette worse so that they can ignore him and focus on Marinette instead. They also constantly keep information from him that the other characters should be giving him while not calling out these characters for keeping very important information from him. The important thing about said information control is that it’s always information that Adrien would do something about or have strong feelings about. It’s another sign that the writers don’t want to write about Adrien.
(This paragraph has been edited for more accurate information on the episode ‘Emotion’. The previous misinformation got mixed up because of a spoiler so now this post is accurate and spoiler-free.) The season four finale pivoted Félix into the role of the primary villain in Miraculous after Gabriel. However, in season five, Marinette gets top billing in the episode where he is convinced of the error of his ways, not his cousin Adrien, who Félix has wronged in every single one of his appearances and whose feelings about that this episode is supposed to address. The writers only allow Adrien to have his say once he’s been missing for most of the episode/Marinette has had enough screen time. The sidelining of Adrien and Félix interactions in favor of Marinette content is more on the whole "not allowing Adrien relationships outside of Marinette" thing they've been pushing since season four. Any relationship Adrien has only gets the minimum possible amount of screen time. It’s also part of a different pattern of Marinette and her feelings still getting focus in episodes that should be about Adrien, his family and his feelings, since we also had the episode with the anniversary of Adrien’s mother’s death have another confession attempt from Marinette and ‘Gabriel Agreste’ shoehorned in an entire Marinette subplot. The only time this series had a genuine Adrien-focused episode was when he and Kagami broke up, which I already stated was something the writers just couldn’t resonably exclude. 4% of this show’s episodes deal with things to do with Adrien, but only 1/4 out of those episodes puts focus on Adrien over Marinette.
Mariette’s romantic relationships in this show are really lopsided as well. We all know that it's a gender role cliche for women to always do the emotional labor in a relationship and to offer comfort, but Miraculous "solves" this one-sidedness by reversing it. Marinette's love interests are her biggest emotional support. Every finale has either Adrien or Luka swooping in to comfort her while she's having an emotional breakdown. Even Cat Walker is presented as a romantic option through having him swear emotional labor to Ladybug. Meanwhile Marinette never has to comfort her love interests because they're very skilled at hiding their emotions. This might be another symptom of the writers just not wanting to focus on characters other than Marinette, but I have seen that even progressive people in terms of women's issues tend to balk at the idea of men seeking out emotional support and comfort. Marinette and Luka breaking up the instant Luka needed more emotionally from Marinette does lean towards this former bias since Luka is allowed to have emotional needs as long as he doesn't ask Marinette to help with them. But, regardless of the reason for it, the end result is that Marinette's love interests are more emotional support dispensers than equal partners. The writers don't want Marinette to have boyfriends, they want her to have servants who cater to her needs, because she’s the main character and her boyfriend is her prize that she wins in the end.
This show has no respect for Adrien as a character. It seemed like he was set up as the secondary main character, only for him to be consistently treated as nothing more than Marinette's love interest. The writers only write as much about him as they absolutely have to. The fact that Adrien is also an abuse victim whose story is strictly about how little control he has of his life makes this all even worse, because the writers are actively removing any control he might have on the narrative as well. They're not doing this for the sake of theming, because then they would focus on his feelings about this. It's all for the sake of not having anything derail from their singular main lead. Adrien is a prop for Marinette, not his own character. And I’m too invested in Adrien’s character to be cool with this.
The thing about any of this is that if it was just any one of these matters alone, or even just a few of them, it wouldn’t be such a big deal. Nothing is perfect, after all. But it’s this much stuff, and I’m sure this isn’t even all of it. It’s not only a consistent pattern, it’s a constant pattern, and it’s made me lose my patience with this show. It’s obvious these problems aren’t going to be mitigated, because they aren’t problems, it seems to all be on purpose because it keeps getting worse. Maybe it’s backlash at those Toxic Adrien Stans who want Adrien to be the main character in Marinette's place, so the writers diminish his role to drive home the point that he’s supposed to be Marinette’s support and will never usurp her role. The reasons don’t matter, all that matters is that the end result is my favorite character being treated like garbage.
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Please, if you can, take a moment to read and share this because I feel like I'm screaming underwater.
NPD (Narcissistic Personality Disorder) stigma is rampant right now, and seems to be getting progressively worse. Everyone is using it as a buzzword in the worst ways possible, spreading misinformation and hatred against a real disorder.
I could go on a long time about how this happened, why it's factually incorrect (and what the disorder actually IS), why it's harmful, and the changes I'd like to see. But to keep this concise, I'll simply link to a few posts under the cut for further reading.
The point of this post is a plea. Please help stop the spread of stigma. Even in mental health communities, even around others with personality disorders, in neurodivergent "safe" spaces, other communities I thought people would be supportive in (e.g. trans support groups, progressive spaces in general), it keeps coming up. So I'm willing to bet that a lot of people on this site need to see this.
Because it's so hard to exist in this world.
My disorder already makes me feel as if I'm worthless and unlovable, like there's something inherently wrong and damaged about me. And it's so much harder to fight that and heal when my daily life consists of:
Laughing and spending time with my friends, doing my utmost best to connect and stay present and focused on them, trying to let my guards down and be real and believe I'm lovable- when suddenly they throw out the word "narcissist" to describe horrible people or someone they hate, or the conversation turns to how evil "people with narcissistic personality disorder" are. (Seriously, you don't know which of your friends might have NPD and feels like shit when you say those things & now knows that you'd hate them if you knew.)
Trying to look up "mental health positivity for people with npd", "mental health positivity cluster bs", only to find a) none of that, and b) more of the same old vile shit that makes me feel terrible about myself.
Having a hard time (which is constant at this point) and trying to look up resources for myself, only to again, find the same stigma. And no resources.
Not having any clue how to help myself, because even the mental health field is spitting so much vitriol at people with DISORDERS (who they're supposed to be helping!) that there's no solid research or therapy programs for people like me.
Losing close friends when they find out, despite us having had a good relationship before, and them KNOWING me and knowing that I'm not like the trending image of pwNPD. Because now they only see me through the lens of stigma and misinformation.
Hearing the same stigma come up literally wherever I go. Clubs. Meetings. Any online space. At the bus stop. At the mall. At a restaurant. At work. Buzzword of the year that everyone loooves loudly throwing around with their friends or over the phone. Feels awesome for me, makes my day so much better/s
I could go on for a long time, but I'm scared no one will read/rb this if it gets too much longer.
So please. Stop using the word "narcissist" as a synonym for "abusive".
Stop bringing up people you hate who you believe to have NPD because of a stigmatizing article full of misinformation whenever someone with actual NPD opens their mouth. (Imagine if people did that with any other disorder! "Hey, I'm autistic." "Oh... my old roommate screamed at me whenever I made noise around him, and didn't understand my needs, which seems like sensory overload and difficulty with social cues. He was definitely autistic. But as long as you're self-aware and always restraining your innate desire to be an abusive asshole, you're okay I guess, maybe." ...See how offensive and ignorant that is?)
Stop preventing healthcare for people with a disorder just because it's trendy to use us as a scapegoat.
If you got this far, thank you for reading, and please share this if you can. Further reading is under the cut.
NPD Criteria, re-written by someone who actually has NPD
Stigma in the DSM
Common perception of the DSM criteria vs how someone may actually experience them (Keep in mind that this is the way I personally experience these symptoms, and that presentation can vary a lot between individuals)
"Idk, the stigma is right though, because I've known a lot of people with NPD who are jerks, so I'm going to continue to support the blockage of treatment for this condition."
(All of these were written by me, because I didn't want to link to other folks' posts without permission, but if you want to add your own links in reblogs or replies please feel free <3)
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Prompt 203
Another Hydra prompt! Because I am enjoying the designs I’ve made lol. And perhaps it’s a bit inspired by @radiance1 ‘s different dragon prompts too.
So they’ve succeeded! They’ve managed to combine their powers- with a bit of shapeshifting helped along by so many ghost allies- and become a giant duck-you dragon! Well, originally they were going to do something else, but they couldn’t agree on an animal, so dragon it was!
And how mighty they are! They’re giant, absolutely massive- dwarfing the couple of skyscrapers still in Amity. Damages via ghost attacks and general sparring made it where people really didn’t want to rebuild those types of buildings.
But anyway, dragon! Them! They’re absolutely stunning! And did they mention powerful? Because boy oh boy, are they powerful. The GIW’s guns do practically nothing against their combined might, and barriers shatter before them!
The uh, issue is that they erm… can’t turn back. Which is fine, they’ve all sort of outlived most of their generation- thank you possessions and ecto-contamination, it’s just a tiny bit of an adjustment. But really it’s not too bad, and someone needs to stop the GIW from trying to poke their heads into Amity. Like it’s been a solid couple of generations, it’s time to stop, thanks.
Actually they’ve been a bit quiet. Meh, that surely isn’t a problem. Probably. Honestly they’re all going to use the opportunity to sprawl out where the school yard once was, their favorite place to sun their scales. Huh. Usually more people are around now that they think about it- or really, as Paulina points out, sharpening her fangs on one of the rocks.
…
How long had they been sleeping, because it couldn’t have been that long. One of them was always awake, they slept in shifts after all! Yet there are things missing now as they patrol the skies, both Wes and Tucker pointing out specific buildings that the others didn’t particularly notice usually that now lay empty.
Hm.
Oh. That is a… strong barrier there. A really strong barrier actually. Pfft, they can take it! They’ve shredded every barrier together before- Ow.
…
Okay this might be a bit of a problem. Shit.
You want a general size reference? :P
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i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.
He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.
And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.
And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.
Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.
Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."
There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.
It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.
Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.
At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.
"Do you like to do anything?"
Nothing. Just silence.
Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.
Danny says nothing the entire time, and is again the first to leave.
Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.
And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.
He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.
Danny is dull-eyed and blank faced the entire time; he looks miserable.
So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.
"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"
"Don't."
He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.
Bruce tilts his head, practiced puppy-like. "Pardon?"
"Don't." Danny says, strongly. "Don't make any deals with Vlad."
It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"
The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."
Bruce stares at him, thoughtful, before looking away. "Alright. I won't."
And they fall back into silence.
Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."
He's scampered away before Bruce can question him further.
(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)
At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.
Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.
("Tucker told me once--")
("Tucker?")
("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")
(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)
(They are ecstatic to hear from him.)
It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."
The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."
The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.
When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.
Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.
"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."
When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.
Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.
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endless love!
[ID Two drawing collage pages of Vash and Wolfwood from Trigun Maximum. In the first collage, top corner, Wolfwood looks upwards disgruntled with a flushed expression, lying against a pillow, as his hair is being pet by Vash's hand. Next shows Vash and Wolfwood from behind, Wolfwood with his top bare and hickies covers around his nape area. Vash lifts hair away from his nape and asks, "More?" Wolfwood nervously says, "No." Next is a side profile of Vash, his arms around Wolfwood from behind while Wolfwood rests his hands against Vash's arms. Next to this are two smaller drawings; Vash turns to Wolfwood and says repetitively, "Wolfwood, Wolfwood..." Wolfwood, not looking at him, says "What?" He finally turns his head and looks shocked as he exclaims, "So close!" Vash says plainly, "You just noticed?" Below these is a drawing of Vash and Wolfwood sitting together as Vash kisses and hugs him from behind with his right arm around Wolfwood's neck and his left hand around his side. He also has his right leg propped against Wolfwood's knee. Bottom of the page has a comic. Wolfwood looks annoyed, speaking to himself, "Where is that idiot?! Need to get out of town before--" A chat bubble exclaims, "Wolfwood!" The next panel shows Vash running from the townspeople, small text saying "Get him! Vash the stampede!". Wolfwood, mad and about to pull the Punisher off his shoulder, says, "Argh, you fucking dumbass!" Vash exclaims, "Ah, don't!" before pulling Wolfwood into a quick kiss. He then tugs on Wolfwood's collar and says, "There's no need to shoot, just run!" Wolfwood stammers, "R-right..." with a flushed, dumbstruck expression.
Second collage; Top left, Wolfwood spoons Vash in bed, his arms around his chest and the other beneath Vash's head. Vash has his hand on top of Wolfwood's as he sleeps while Wolfwood lies awake. Behind this drawing is faint sketches of Vash's face. In a small panel, Wolfwood hides in Vash's neck as he mumbles to himself "Stop. Stop thinking embarrassing things, Wolfwood..." Beneath this drawing is another of them in bed, Vash now turned to Wolfwood and a hand on his cheek as he kisses him good morning. In a simpler style, Vash wraps an arm tightly around wolfwood with the text "snork mimimi" next to him while Wolfwood says, "We need to get up. Spikey! HEY!" In this corner, there are faint sketches of Vash and Wolfwood; one of them looking at each other; Vash kissing Wolfwood's forehead; Wolfwood saying, "Hand" with an outstretch hand and Vash says "ok" behind a drawing of them holding hands, both turned away from each other shyly. Next is a 4 panel comic. First shows Wolfwood's face getting squished by Vash's hands with the text "squish" around his face. Next, his cheeks are stretched with the text "Chee--" Wolfwood then hits Vash's face with his palm, exclaimining "That hurts!" The last shows Vash on Wolfwood's lap, smiling to himself as he continues to have Wolfwood's face in his hands. Next to this is another comic; A close up of their hands, Vash holding Wolfwood's with both of his. He then kisses the palm of Wolfwood's palm and says, "They're soft!" Wolfwood looks at him with flushed cheeks, "There's no way that's true..." END ID]
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