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#I might make ramble posts about the books at some point
helluvapurf · 1 day
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*deep breathes* Sooo, those last couple mins from the latest "Full Moon" ep... lets talk about that🍵🍵
Welp, here it is folks... the ep that finally gave us that hyped up "Asmodeon crystal" exchange teased at in the S2 Pt. 2 trailer. And... hooooo boi, I have formed so. many. thoughts. upon rewatching that scene a few times. Some that are... kiiiinda on the rant-y spectrum the more I lingered on 'em, so how bout I share them here lmao
Fair warning in advance, this maaaaay not be particularly "nice" to Stolas in these rambling thoughts, so if anyone out there's a big Stolas(+itz) fan... yall might wanna skip reading ahead- lol .w.;;
*claps*
Okay, so to start things off on a (semi?) positive note, the animation & lighting here is quite beautiful to look at. The glittery curtains, the shine in Blitz's eyes throughout his shifting emotions, even the shots of that one broken chandelier (which I thiiink might've been the same one him & Stolas played under as kids?) was a neat bit of symbolism ngl.
Props to Brandon Rogers as well for his voice-performance on Blitz here cause... gawd did it hit me in the heart how much hurt you feel from his yelling ;-;💔
Curious to see more of the use of Blitz's new Asmodeon crystal in future adventures (esp from that one shot in the trailer w/ him using the portal effects against the DHORK crew), it looks cool~ ✨👍
....ummmm, ok I think that about covers my positives atm. Onto the problems I have with this exchange:
Stolas... okay, you were this close to actually doing a good job ending the Full Moon deal. Admitting to how "wrong" the transaction part of their dynamic was, allowing Blitz more "freedom" via-the crystal (that could also help avoid any legal issues that the Grimoire gave), even wishing him good luck with his I.M.P. business as the night drew to a close... ...buuuuut then Stolas just had to muddle everything up by his whole "even tho you don't have to be with me, I want you with me if you want it~🥺" ...which honestly came off selfish to me than anything else?? Like, dude... if you really ARE regretful of how long you let this deal go for, and truly DO want to let Blitz go... you CAN'T throw in such sappy, lovey-dovey words on top of that?? Otherwise, how can one blame Blitz for getting as confused & flustered as he was throughout that convo... you've basically just sent even more mixed-messages in the grand scheme of things, my dude-🤦‍♀️
"I have wanted you for SO long, the fact that you couldn't believe that I might have these feelings about you, that your first instinct is that its always about sex..." ...Ummmmm Stolas... did you seriously forget HOW this whole deal of yall's started?? 🤨 Waaaay back in the initial-series pilot, to the first official ep, and pretty much the majority of Season 1:
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As far as I checked, Blitz wasn't the one who kept making everything about sex... that. was all. YOU. 😒Heck, literally one of the first things you told Blitz upon reuniting as adults in "The Circus", was that you expected he wanted to "ravish" you-
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-so like, get outta here with the whole pushing-the-perv-responsibility-bs onto Blitz... you ain't helping your case >>
Finally... like, it was already getting bad enough by the point of Blitz begging & pleading out of fear he'd lose his livelihood without the book, AND not being allowed space to breathe after getting further pushed away (and thus, more pissed off-)... but THEN on top of all this, Stolas just haaaaad to throw in this lil gem: "Blitz... I think so very highly of you. I didn't realize you think so low of me..." ...Stolas, with all due respect... stfu with that lousy, last-minute uwu-ing self-pity party crap😑Just because you TRIED to show more attentive care & concern post-"Ozzie's", outside of the typical bedroom stuff... that ain't gonna prove shit if you're not gonna be consistent with it. Where was that "high opinion" of Blitz during the two of you getting stuck in the sitcom set during "Seeing Stars", when Blitz was having that panic attack performing live, where all you ended up doing was... just hitting on him/praising his bedroom skills again?? 🤦‍♀️🤦‍♀️
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Like... couldn't you have just, I dunno... TRY to actually cheer him up/comfort him like an actual friend, would? Encourage him on his jokes, "just be yourself", promising another way out of there on his own merit... literally, anything could've worked fine and it wouldn't have come off so skeezy imho >>;;
...*sighs* so, yeah... thats basically what I had to get off my chest regarding the ending of "Full Moon". Honestly, had the writers actually committed to Stolas cutting off Blitz (even if harsh), giving the crystal with no strings, then going about their separate ways afterwards, I would've been totally fine with the scene tbh. But all this... odd lowkey-blaming of Blitz thrown in, the sappy words, and Stolas not once actually-apologizing during all this (Like, literally I checked and the only utterance of "sorry" seemed to come from Blitz's end before he got kicked out... for what, I dunno- 🤷‍♀️). Sorry for the length btw, but hopefully that about covers my thoughts on the matter-
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oatmealdoodles · 2 days
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*Spoilers for HB Full Moon*
I don’t have my thoughts coherent enough to make a clear post so im just gonna ramble
GOD this episode was a trip. Was expecting it to all be Stolitz, and then it took a hard turn with the Cherubs and the FBI, and to be honest I couldn’t care less about them. It wasn’t bad by any mean, but I was disappointed to see over half the episode titled “Full Moon” was gonna be about something other than Stolitz
And then in the last FIVE MINUTES they pull out all the stops and give us this
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VIV YOU WERE HOLDING OUT ON US
I love the way this episode did misunderstandings, which is something people usually hate, because you can SO EASILY see where everyone’s coming from, and they are both completely justified. Stolas only meant good, he wanted to break the toxic deal he had with Blitzo, and he was very thorough about it. But he took Blitzo’s first bad reaction as a sign that he didn't love him, instead of giving him time to think. And Blitzo’s first reaction to someone loving him and genuinely wanting the best for him to be that they’re faking it HURTS. His outburst seems irrational but when you take into consideration how much he’s been rejected, it almost makes sense that he would assume Stolas is getting rid of him, because he’s SO CONVINCED that no one could ever love him.
And I was expecting pain, but I was NOT expecting Stolas to be choking through his tears hurt by Blitz
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THIS WAS A STEP TO FAR VIV I THOUHT WE WER FRENDS
I also LOVE how this episode establishes Stolas’s charachter growth. Going back to the first episode, Im sorry but these are NOT the same people
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Before Stolas was cruel and dismissive of Blitzo, only wanting to sleep with him. But now he’s grown into someone who genuinely loves him, and is willing to give up their relationship if thats what would make Blitzo happy. And this was all super subtle, over the course of many confrontations. You almost don’t realize it’s happening, but it feels so natural. You can FEEL how much Stolas loves Blitzo in this scene, and genuinely wants the best for him.
Also How Blitzo looked so HAPPY to see Stolas, he went on a night out shopping for him and looked SO EXITED to finally see him. And just how DESPERATE he looks when Stolas is saying he wants the grimware back, literally crying and begging Stolas to reconsider. I dont think I need to say this but I dont think this is about the book. GOD I hurst that the first time we’ve seen Blitzo exited about seeing stolas AND IT END LIKE THIS.
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There are also so many parallels with Blitzo and Stolas switching sides, Blitz now being the h0rny one and Stolas the one who truly cares. It’s a ‘how the tables have turned” that makes this episode all the more painful once you realize:
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(thanks to @timkontheunsure and @miyakuli for pointing these out)
And BROOOO THE CHANDELEIR FROM WHEN THEY WERE KIDS IN THE FINAL SHOT I didnt even realize this at the beginning but whYYY?
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edit: I LOVE people pointing out that Blitzo screaming at Stolas might have reminded him of his toxic relationship with Stella, which might be why he shut down and cried, because that’s what he did with her.
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anyways I think that’s all I got so have some Fizzy to cheer you up
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e-adlirez · 8 months
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Soo haven't read the thea sisters series for a while (Ive only remember reading the very old ones lol), but I have seen you (and maybe some people) complaint that the friendship stuff in the book is very on the nose or in your face. Is it... really that egregious in the newer books? Because I don't remember them being agresively friendship power in the older ones (aside from maybee ... the ice treasure? with the whole jealosy stuff tho they are not that aggressive).
Yeah the older ones were a lot more subtle with it, and even the most explicit example I could find (two scenes in the non-English translation of Shipwreck where Vi describes the friends as "friends worth a lifetime") was very wholesome and sweet and brought me to want to hold Violet gently in my hands and give her pats more than I already did. Ice Treasure was the girls maturely getting together to resolve a love triangle that would've torn the group apart had this been written in another series, and you have to respect that mature way of thinking.
But are they that egregious in the new books?
Boy do I
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have
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good
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news
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for
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you
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buddy!!! :D /s
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I wasn't intending for this sequence to sync up perfectly, but here we are. Each group of screenshots is from one book each.
Also these are from the special editions because they're the worst offenders but I don't doubt that there are some in the main series and Mouseford series but I dun wanna go find them let me live my denial fantasies--
It started off mild in Cloud Castle, when Vi does a heroic sacrifice and explains why she did it
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As you can see, despite the clunky Scholastic translation, it's very wholesome and cute and you can tell how much Vi cares for the girls and how much the girls care for each other
And it's realistic!! You care for your friends, naturally you don't wanna see them get hurt (like genuinely hurt) and you wanna make sure they're okay.
A-as you can see tho in the later books it got worse... Like so much worse.
The screenshots above are in chronological order, so we have special edition books 5, 6, 7, 8, and 9, and Treasure Seekers 1 and 3 (thank god book 2 kinda doesn't have it overtly). Next part will just be rough context blurbs of each of the scenes so you have a teeny bit of context. (Context ain't savin' these scenes tho)
Book 5 is set in an underwater fantasy world where there's this Mariana's Trench-like bit of nightmare fuel called the Infinite Abyss, where you look down and magic literally sucks you down into the abyss. Because of uh... reasons that were very (and I mean VERY) poorly written in the book that I sincerely hope is just the Scholastic translators being Scholastic translators, Vi ends up looking down while crossing over it, and she and Colette get yoinked down. Yes the scene after they've recovered is the cringiest bit of dialogue I've seen in my life. There is this one cute loom scene in the book that makes sense since the loom basically allows you to make a tapestry of your happy memories and the happiness you feel from that memory, but uh friendship was tied into it so uh eeehhhhh... The happiness part already made sense, you didn't have to tie the power of friendship into it c'mon :/
Book 6 is uh, apparently even in the original Italian it was kinda meh, and I wager the scene got carried over to English about the same. They're fighting this witch wanting to conquer the Land of Flowers, and Flora does a heroic sacrifice that jus,,, the attack jus dissipates as soon as it touwches her,,, why,,? powew of fwiendship that's why,,
Book 7 is... good god I could make an entire thing about it, but I'm torn between wanting to make a Tumblr post about it or a YouTube video about this book and how underwhelming it is, because I could wax eloquent for about a half-hour about why it's so disappointing and arguably the worst of the special editions, and some cute little animations or doodles from me would make it so much more entertaining and could sidestep getting clapped by Scholastic or EdiPiemme, hopefully? I dunno, maybe when I'm less busy with school.
Anyway what's wrong with Book 7? First of all uh the dragon is a redeemed villain type of thing and even if you read the book the thing doesn't make much sense. They tried to make him a misunderstood villain thing, but too little was done to add detail to that? All the important stuff involving him was done off-screen, and the uh him freeing his fiance from her gemstone prison is yeah, you saw it up there, I'm sure. Paulina gives him words of encouragement, she rolls decently in her charisma, and boop now he's hooman again and his fiance is free, yippee
Also the fiance?
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This woman right here?
Don't be fooled by that basic fairy design, this woman is the literal personification of the power of friendship trope. For what little time she spends with the girls and helps them with the obstacles they have to deal with. They need to talk to this antisocial wolf guarding the next checkpoint? That's fine, she and the wolf are childhood friends! They need to get past this impossible labyrinth cave to get a super-valuable gemstone that the inhabitants of said labyrinth cave hold very dearly? That's fine, she met one of the fairies and helped her, so they're friends! Literally power of friendship personified. Thanks, I hate it :D
Book 8 is the book that exists. It's one of the special edition books ever for me, and the only thing cool that happens there is Nicky pulling a Robin Hood archery trial. Besides that? Eeehhhh... this scene in that book isn't so bad since the characters who do the power of friendship thing are actual magic fairies in this magic world.... but at the same time the girls making comments on it is making me die inside, did I mention these girls are uni students--
Book 9 is eeehhhhhhhhh.... it's an underwhelming finale for the special editions for one, for many reasons that could garner itself a ramble here, but eeeeeeeeeeeeehhhhhhhhhhh.... I'm just mad at the Violet slander ngl wHY DO THEY MAKE HER THE FRIENDSHIP PROPHET I GET SHE VALUES HER FRIENDS BUT SHE'S STILL A PRACTICAL LOGICAL WOMAN IN PERSONALITY YOU CAN'T DO THIS TO HER--
I stand by the fact that Treasure Seekers as a hardcover series for Thea Stilton is really good for those who loved the older books as a kid and are coming back for nostalgia. You read the first book and it feels like you're being welcomed back to the Thea Sisters you knew and loved back in the days of seeing the cool girlboss covers of the books in your school library and spending hours reading the cool adventures they got themselves into around the world (and even outside it). I dunno if they meant is as a homage to the older books, but it felt like it when I read it.
Anyway literally the only thing sullying these books is the power of friendship monologues in book 1 and 3. The worst part of it is that Violet once again is the one saying or thinking these things and it feels so out of character and out of place, like HELLO??? Vi sweetie the only thing stopping that shady businesswoman character from holding Pam at actual gunpoint is the 6-10 age range of the books? This ain't the time for the power of friendship??? Also who gave her the friendship ball and can they please let Violet punt it at them? Book 3 is the same-- I mean in this context uh I dun wanna spoil it so uh yeah, but Vi is basically disagreeing with the villain in this conversation they're having, and literally the only thing ruining it is her saying "the power of friendship" straight up. If she said "my friends" or "my sisters", it would've been so much better-- same goes for the time Vi is talking to the girls again and they ask her what she said in the previous one-on-one convo, it would've been better if she said something cute like "friends like you"-- but we can't have nice things huh, Scholastic? (Dunno if the original Italian one has the "power of friendship" one but I sincerely hope not, and it doesn't sound like it since the original Italian intro letter of book 3 went so hard--)
Vi deserves better smh -m-
Anyway there's my rant. Yeah, it does get really egregious in the later books. Where did we go wrong :(
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bunny-lily · 2 months
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Satoru, who...
Did you ask for more fluff? I did, ehe~
Pairing: Gojo Satoru x fem!reader
CW: pure fluff, just fluff, no angst, only happiness | proposal, marriage, pregnancy, husband!Gojo, dad!Gojo, soft!Gojo, categorically fucking whipped Satoru, domesticity, kinda slice-of-life, mildly suggestive at the end
The starstruck boy, Gojo Satoru, who is utterly obsessed with you in every way possible.
AN: while I’m in the middle of writing an absurdly long fic, I wanted to post some shorter stuff to 1) keep my hands loose and brain active/busy, and 2) post something while I’m working on the fic to come. I won’t post much about it rn because I want to actually finish it first and not make any promises, so enjoy a lil fluff in the meantime <3 just something short and sweet
WC: 3k
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Satoru, who is smitten with you from the very moment he first lays eyes on you. Sure, he's had infatuations before, but they were short-lived and typically lasted no longer than a week. A quick fascination, then poof. You, on the other hand – you are different.
And it is plain to see for pretty much everyone. He is normally cocky and outgoing, even during the little fads he’s had, he never let down his façade of bravado. You, though? You melt all his walls until he’s a goopy puddle of a blushing, giggling school girl.
He is whipped, almost to an annoying point. He rambles off Suguru's and Shoko's ears enough times for them to know when he’s about to start singing your praises and avoid him, or distract him somehow (which is a monumental task when his ditzy head is full only of thoughts of you).
Even so, they are conflictingly bewildered and happy for their friend. For him to have found someone that he is interested in for longer than a week – let alone several months, now – is a riveting change of pace. He seems so genuinely delighted any time you two interact, bubbly, dreamy sighs leaving him as hearts dance in his eyes.
He has fallen for you bad.
Satoru, who’s a stuttering disaster when he tries to ask you out on a date, and damn near collapses in relief when you’re able to decipher what the hell he’s going on about and agree to go to the new café that opened up near campus with him.
One date turns into two, then three, then a dozen more that become routine for you. You meet up after classes let out, then head to the café side by side. Or, if one is running late, you have each other’s orders memorized. You even go the extra mile and order him a sweet he hasn’t tried yet to surprise him with when he bursts into the establishment, panting like he ran a marathon. He might as well have, he booked it for the café as soon as he was free, dying to see you.
Satoru, who is somehow in even more shambles when he gets the nerve to ask you to go steady with him, despite the two of you being borderline boyfriend and girlfriend by now. He’s jittery, sweaty, downright vibrating with tense energy when he brings you to the sakura tree near the back of school that you two had laid claim on. Oh, and when you say yes? He’s certain he’s died and gone to heaven. Nothing can explain how an angel like you decided to grace him with your existence as is, let alone love him – even while you called him an idiot and said you thought you two were already dating.
Satoru, who was already protective over you when you first met, dials it to eleven after you agree to being his girlfriend. Gojo Satoru, the strongest man alive, could inspire fear and respect simply by being in the room with his confident and brash nature, completely relaxed and faithful in his skill. But if, gods forbid, something happens to you? Gone is that cocksure attitude. Gone are the coy smirks and passive-aggressive taunting meant to rile others up. Gone is everything but his one track mind that focuses solely on two tasks: protecting you, and destroying whatever harmed you.
Satoru, who spoons you to his chest and watches ASMR, random videos, or movies on your phone with you 'til you both fall asleep. It became routine shortly after you began officially dating. You'll climb into bed first and decide what you want to watch while he finishes his nightly regimen, then he'll slip under the blankets and pull your back flush against his front, prop his chin atop your head, slide a thigh between your legs, and off to cozy dreamland you two go as whatever you choose acts as white noise. 
It brings him an immense amount of comfort, and though he doesn't need as much sleep as normal folks, he'll refuse to leave bed until you're awake (with the exception of any needs he might have to take care of that will only see him away for a couple minutes at most before he’s cradling you in his protective hold again).
Satoru, who salts and peppers your face with endless, ticklish kisses to wake you up, saving the best kiss for when your sleepy, pretty little eyes open: right on your lips. He always wakes up before you do, and spends hours watching your blissful, precious face as you snooze, content and relaxed like a cat with full trust in its human. The comparison always makes him smile, because he, truthfully, envisions you both as being cats all the time. Lazy ones that cuddle in the sun, your smaller form using his ridiculously fluffy and larger one as a pillow-slash-blanket. His tail twined with yours, your ears twitching as he grooms you with kitten licks, ah, the dream.
Satoru, who wants to slap a ring on your finger the very moment he can. You two spend so many days and weeks raving about your imaginary wedding that he so desperately wants to be real, setting up plans, picking out what you would want for decor, scrolling through forum boards for ideas on a wedding dress for you. He is practically more excited at the prospect of getting married than you are, eager to help in every step of the process and more. 'Let me handle all the hard stuff, baby,' he nearly begs. 
He won’t tell you the cost of anything, and insists you go all out. Get the dress you want, don't you dare look at the price tag. Choose the perfect venue, he doesn't care if it's in Japan or fucking Dubai, he'll handle paying for everyone's travel and hotel needs on top of the whole wedding. Only the absolute best for you, nothing less, everything more.
Satoru, who is a train wreck of nervous excitement, anxious anticipation, and giddy trepidation when the day comes for him to propose. He takes you to the perfect location – up a short and easy hiking trail that leads to a cliffside with the most magnificent view of the ocean and setting sun. You think it's just a sweet date trip, until you see the path of tea candles guiding you to a romantically set up picnic blanket, a basket resting atop it, waiting to be opened.
When you turn around to express your shock and confusion, you find Satoru on one knee, looking up at you as if you are the most gorgeous and divine creature to ever exist. He's confident and boisterous, as always, as he plays out his little speech about how much he adores you and wants to keep you by his side, forever and ever, but he's a shaking trash fire inside. A shivering little dog that's relieved he didn't stutter or screw up the speech he practiced a hundred times over and then some.
Satoru, who's thanking every god to ever possibly reside above (and even below) when you throw your arms around him, sobbing into his shoulder as a flood of yeses pours out of you, slurred as you ramble through your tears and tell him you love him, how happy you are, and a plethora of other things that make him genuinely the most elated person to ever live.
Satoru, who slides the brilliant engagement ring he had custom made for you onto your finger; smooth, with an inset blue diamond that shares the same shade as his eyes, nestled in with a dozen tinier crystals in vine-like spirals flowing outward from the center. Swarovski, of course. He made sure that it was all flush with the platinum to ensure it wouldn't snag on anything. 
He was practically breathing down the jeweler's neck during the entire process, needing to guarantee it’s positively perfect for you. And, when he sees the glimmering jewelry cozy on your finger, the evidence of your bond and the next step in your journey to unite as one, he knows he made all the right choices.
Satoru, who only uses the finest material for your matching wedding bands, and has the insides of both engraved with each other's names. Yours in his, his in yours. He has the same jeweler as before (poor guy) design them to have two stripes of platinum within the gold of your rings, delicate and stunning for himself and his wife.
Satoru, who's jubilant and so incredibly ecstatic that you're now his wife that he can't help but tell everyone he knows, everyday, multiple times a day, even those that were at the wedding. He just can't get over it. You're his wife, the girl he's been crushing on since highschool, the girl he swore to make his, and to devote himself to. It feels like an incredible dream, and he worriedly pinches himself from time to time to make sure it's real. 
He did it. He married you, and now you carry his name in yours, in your wedding band, everywhere he could put it to subtly (not really) show you off as the unquestionably precious treasure you are, his wife, and how overjoyed he is that he managed to catch you and keep you.
Satoru, who forgets how to function when you hold up a pair of white and pink sticks on his birthday, from different brands, both showing positive symbols. You. You're pregnant. With his baby. He swears his brain short-circuits because one minute, he's staring at you like you'd grown a second head, and the next, he has you wrapped up in his arms as he showers your forehead, cheeks, nose, jaw, lips, neck, ears, anywhere he can reach, with kisses.
He's a babbling, sniffly mess as he practically crushes you to his chest and coos and preens and weeps with elation. He reveres you like a deity and he’s your loyal and pathetic servant who was blessed beyond measure that you decided to give him the gift of life. He's going to be a father, and it's all because of you.
Satoru, who completely spoils the living hell out of you during your pregnancy (as if he hadn't already been), bending backwards for you for everything. Weird cravings? He's on it. Swollen ankles and nausea? He's rushing to the store for medicine, then rubbing your feet to ease the ache. Insatiable horniness? He's your slave for you to use for your pleasure. Hormones swinging wildly back and forth? He's there with a box of tissues and his firm chest for you to beat on when you feel like you're going crazy. It's his fault you're pregnant, after all. You're doing the hard work of not just carrying his child, but of nurturing it, growing it, letting it take from you to develop strong and healthy. Of course he's going to take care of you.
Satoru, who refuses to let you do any work. You're on indefinite parental leave. From the moment you show him those positive tests, he sits your pretty ass down on the couch and tells you firmly that your only job now is to help your baby develop. He'll take care of everything else, don't even think about lifting a finger.
Satoru, who's there at every appointment with you, clutching your hand tightly as you talk to your doctor about everything you need to know. And when you have your first ultrasound, and see your fetus together for the very first time, he's crying right alongside you.
Satoru, who spent meticulous hours packing a duffel bag with everything you'll both need for when it comes time for you to go into labor. Spare changes of clothes, plenty of water, blankets to keep you warm, a couple pillows, anything and everything. He refuses to go in unprepared. As soon as it's all packed and ready to go by the 8 month mark of your pregnancy, it's in the backseat of the car. The baby car seat is in the trunk of the sleek and top-of-the-line SUV he purchased specifically for your soon-to-be family. He doesn't care that it's taking up space, or that it’s too early, he refuses to go in unprepared.
Satoru, who immediately ditches work the very instant your water breaks. Who gives a fuck if he's in the middle of something important, nothing takes precedence over you and the incoming birth of your infant. He's breaking several driving laws to get you to the hospital, but neither of you care. Not when you're panting in the passenger seat, white-knuckling the grab handle with a palm pressed to your stomach, grunting and crying out in pain any time you have a contraction. It's a miracle he doesn't get pulled over, and he's incredibly thankful (and proud of himself) for thinking of calling the hospital ahead of time so that they're ready for you.
Satoru, whose entire world becomes a blur from the second you reach the hospital, to the second you're crushing his hand in your grip, screaming as you fight to bring his baby into the world. He's letting you yell at him and blame him for the pain you're in, easily accepting and agreeing because it is his fault. 
But while your shaking sobs and shrieks of agony wound his heart beyond any possible measure, he also can't help his elation at knowing it's time, all the waiting has been worth it, every minute spent catering to your every need, want, and desire. He'll do it indefinitely, wait on you hand and foot for the rest of his life, treat you like a queen, because you deserve it and so much more.
Satoru, who's shocked by how well he's holding up when the nurse puts the wrapped up, pudgy little newborn in his arms, gazing down at the tiny being. His tiny being, your tiny being, the fragile and priceless life you both created. Looking down at his kin, his reason for being, he knows he'd do anything and everything to protect you and your child.
Satoru, who sees you, a disheveled and tired disaster, with your hair all tangled, frizzy, and astray, strands stuck to your sweaty skin, your body slack in relief as the hardest part is finally over, watching your husband hold your baby, and he thinks you're more beautiful now than you've ever been. 
You look like you’ve been dragged through hell; your legs are sticky with residue blood, amniotic fluid, placenta, and whatever else that needs to be cleaned off (though your legs are covered with a few layers of blankets to keep you toasty warm while you recover from labor), your face is a little pale and sallow, you're barely clinging to consciousness, and he's marveling at how he's never seen anything or anyone as utterly blest and sacred as you. 
A goddess amongst men, the only one the strongest man in the world would ever willingly bow down to without you even needing to ask.
Satoru, who helps place your baby on your chest, the nurse having opened the blanket for skin-to-skin contact as you feed it, and finally lets himself release all his pent up emotions of raw, unfiltered joy. Every cell, every fiber, every atom in him is dancing in overwhelming happiness. He'd do it all over, again and again, as many times as you'd let him, if it means he gets to see you this blissful and tranquil. The glow of maternity suits you like no other, even in all your unkempt and chaotic glory. 
Satoru, who can't believe he's a dad. He goes above and beyond, insisting he takes care of the baby at night so you can sleep – he doesn't need as much rest as others do, after all. He murmurs to his newborn about how much he cherishes and adores you, how much you mean to him, how you're the best wife and mommy a man could ever ask for and more. He reads the kiddo bedtime stories to help it sleep, feeds it, changes it, whatever it is that is needed, he's there and doing it. 
On top of that, he continues to be your doting, devoted, caring husband. He makes sure you're taking your vitamins, takes you to all your postpartum appointments, aids you through your subsequent depression, all of it. He's sworn himself to you for life, not just in this timeline and universe, but in any and every single one of them.
He made and said his vows with purpose and conviction. He meant every word, and upholds them like his life depends on it. Because, in his mind, it does.
Satoru, who is patient with you, and firmly commands you to not push yourself to do things you can't do while you're still in recovery. He doesn't care if he has to wait months or even years for you to be ready to lay with him again, he'll wait it out. He might not be a patient man, but for you, he'd wait until all the stars die. 
Oh, but you, darling little minx that you are, do your best to take care of him, too. Even when he urges you to rest, or not worry about it, or anything other arguments he might have against it, you tend to him in whatever way you can. Touching, sucking, rough and heavy petting, whatever it takes. You refuse to leave him alone to suffer through months and months of dryness with no relief save for his hand and the toy you surprised him with to help take the edge off.
Satoru, who can't be more grateful to you. You're more than his wildest dreams, the perfect wife, the perfect mother, the perfect person as a whole in the entirety of the universe. He really can't help boasting about being the Chosen One, because he really is, if the cosmos decided to gift him with you.
Satoru, who swears to take care of you for the rest of your lives, and does well on his promise.
Satoru, who fights for the sake of you and your kin alone. He refuses to leave you in any way, shape, or form. He refuses to let the world be a danger to any of you. He refuses to have anything happen to his family. Nothing will tear you apart, not now, not ever.
Satoru, who loves you more than the sun, the moon, and all the stars combined.
—-—-•(-•ʚɞ•-)•—-—-
Banner by cafekitsune ♥ thank you for reading
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julicity · 2 years
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SEBEK ZIGVOLT - OVERBLOT -
full size version
Please see the full sized version linked above! Since it’s been compressed pretty badly here...
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And here’s a version without the unnecessary lightning background, and a face close-up without the glow effects.
ALRIGHT, so this is one of the biggest pieces I’ve done in a long while. I put a lot of work into this so I hope you all enjoy~
I’ve got a lot to say about this one, so read at your own leisure lol.
I think it’s worth leaving notes on my design choices for this one, so I’ll start with that.
First of all, Sebek's character is based off of lightning/thunder (obviously) and also Maleficent's crocodile minion, the latter which I incorporated more parts of (like the halberd and the pointed coattails like his croc tail). Also his phantom would be based on the croc minion character.
I originally wanted to give him more actual crocodile features, like a tail or scales or something, but it wasn't really working out the way I wanted, so I scrapped it.
Most OB’s have long, ripped clothing so I gave him more of a cloak akin to Maleficent’s, the shape of the collar specifically being the same as hers.
I added some spikes on the coat like crocodiles have down their back and tail.
I really like the leg pieces that Riddle & Leona had for their OB’s, and the weaving pattern also happens to make a zigzag lightning shape, so it fits.
I also like the OB designs that have super drippy blot on their arms.
Some things are just copied from his dorm uniform, like the waistband and belts, and the shoulder armour (not the spools of thread though...).
The left shoulder armour doesn't exist in the normal dorm uniform. OB Sebek has one made of blot because Sebek's biggest insecurity is that he's incomplete and will never be good enough due to being half-blood and he wants to be whole T^T
Lightning-shaped blot markings on his face of course. Mostly I just tried to make something that didn't look ugly... 
Lastly, I wanted to make his hair messier, but it would end up covering his beautiful face so I let it remain swept back - 3- (aka I couldn’t make it look nice).
So in terms of why Sebek might OB... he clearly has an intense, unresolved internal hatred for his human blood, due to the environment he grew up in. And the way he copes with these emotions is by taking it out on the people around him. It just seems like with the intensity of these feelings, if he were to keep it internalized, it would completely destroy him from the inside. And he just has NOT had the chance or know-how to learn to accept himself and therefore others. So of course, this is something he needs to work on but he definitely cannot do it alone. I think something traumatic does need to happen for him to realize and learn from his ways honestly. In terms of the canon, this will probably be due to Malleus' overblot or whatever shenanigans will happen in Book 7.... but Sebek himself overblotting would do just as well.
I think this fic does a really good job with building up Sebek's OB and his mindset throughout it all getting worse and worse... --> READ HERE It’s still in progress at the moment of posting but the after-blot plot is really wholesome too for us Sebek fans. EVEN IF you are not one you should still give it a read. (Just for full disclosure, my OB design is not based on the one described in this fic.)
Thank you for reading my rambles. I’ve got more angst coming ;>
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nebbyy · 1 month
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Hi! Could you please do a part two to the lester/apollo x reader fic you posted?
Apollo x reader - Eternal Bonds
A/N: thank you so much for your request, anon! Sorry if this took a bit more than the time I usually take to write my fics, but as I said the past weeks have been really tiring for me🥹 
Anyway, I hope you like this fic, I personally like it better than the first part, but as always let me know your thoughts on it<3
Aaaand as always, painting is "Springtime" by Pierre Auguste Cot for anyone interested!
Summary: Having regained his immortality and prestige, all that remained for Apollo was to stabilise something in his life was one thing: you. It might sound easy, but he honestly would disagree.
Warning: it is implied that Athena has a great admiration for reader, but they’re not their child. This reconnects with my own personal thoughts on how Athena’s cabin should work, so the goddess’ relationship with reader in this fic should be seen as the same as hers and Odysseus’ (if you want further explanations on what their dynamic was let me know:))) Also I must say, I haven’t read any of the trials of Apollo books in ages so I took it as an occasion to interpret Apollo’s return to Olympus how I see it more fit to this little scenario of mine.
And lastly, not a warning but this fic starts just a bit before the end of the first part, if anyone was wondering:)
Word count: 3813 (longest fic yet omgg)
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Apollo stood there, standing on the elevator that would take him home. How strange, he had dreamed of this moment for months, eager to return to his home and be welcomed as a glorious hero, with restored dignity, free of the mortal shell in which he had been confined all this time. He had imagined himself proud, tall and triumphant as he entered the gates of Olympus.
Yet as he stood on his way home, he could not prevent the continuous movement of his foot against the elevator floor. There was no trace in him of the security typical of a hero, in him at that time reigned only the same anxiety and nervousness that had characterized his mortal form. First it was Apollo inside Lester’s body, now Apollo had his body back, but Lester was inside of him. That Lester had become an integral part of him? Or maybe it didn’t add up, maybe it was always there, unable to make its voice heard under the omnipresent spirit of Apollo.
Okay, maybe he was rambling, but he couldn’t help it when he felt like his nerves were about to make him explode!
The point was, he wasn’t just going home, he was going to convince his father, the king of the gods, the exact same person who kicked him out of Olympus, to make the love of his life immortal so that he could stay by his side for eternity. It was not a situation in which one could easily remain connected to reality.
Finally, the elevator slowed down its run, until it stopped completely and opened its doors with a characteristic "ding".
Slowly, one step at a time, Apollo stepped out of the elevator and advanced to the throne room, walking up the path that would take him directly there. His performance had an air of regal composure, but it was nothing more than a method of masking his tense nerves. He walked until he reached the first areas inhabited by the Olympians and some other immortal creature.
"Apollo? I didn’t know you were already back. We thought it would take you millennia to make it up to Zeus!!" He hadn’t heard it in a while, but there was no way he could ever forget the sound of Nike’s voice. The winged goddess came to meet him flying curiously, also attracting the attention of the entities that had not paid attention to the scene so far.
Some approached, recognizing the face of the beloved god, while others ran to announce his return to the major gods. First came Hestia, who with that loving family attitude, embraced him gently. "Oh Apollo, you were so good! I never doubted you could do it." 
"I can’t say that with as much confidence, but I must congratulate you, Apollo, you have exceeded all my expectations." It was the authoritarian voice of Athena who spoke, who wore a smile on her face, a more unique than rare event. Apollo was so surprised by this unusual compliment from her that he hardly paid any attention to her questioning his chances of success.
For a moment he felt his eyes almost come out of his skull when a large hand was planted on his shoulder to pat him. " Well done, little brother, aren’t you as soft as you look, eh?" Massaging his shoulder, Apollo smiled faintly at the mountain that was his half-brother. "Thanks, Ares, it means a lot I guess..."
He was about to receive the coup de grâce, if it were not for Aphrodite, unconscious of her intervention, she had put herself right in the middle, affectionately placing one hand on Apollo’s shoulder while the other not very secretly found place in that of Ares, to the delight of Hephaestus who observed snorting away from the scene, but thumbs up at the sun god to express his joy.
He didn’t know how long this lasted, or exactly how many gods surrounded him at that point, but when Nike was about to hold a banquet in his honor he couldn’t control his reaction: "No wait!" His tone sounded so panicked that he caught everyone unawares. For a moment the gods almost had the sensation of speaking a mortal, so much his voice had squeaked in the air. Realizing that he had drawn even more attention to you, as if it were even possible in that situation, he gently shrugged his shoulders, to mitigate the gaze of the Olympians his nerves more tense than ever.
"Um I-" he made a false cough to try to regain his posture before starting to speak again, illuminating his companions with a dazzling smile, "sorry, mortal’s pollen, am I right? Anyway, much as I would be... ecstatic to attend a banquet, I’m afraid I must first have a discussion with Zeus about some... matters of utmost urgency! If you’ll excuse me, now.”
With little pomp, he made his way through the crowd stunned at his unusual behavior. "Poor thing, the Earth has changed him." Someone shook their head resigned, someone else did not even notice his abrupt exit, simply saying goodbye and congratulating him as he got smaller and smaller in the distance. The attention to him lasted just before each god went for their merry way. After all, when you have a whole eternity to live, there are few things left for you for a long time.
Everyone resumed doing what they were doing before Apollo’s return, all except Athena. It was in her nature to predict the rival’s moves- or rather, the moves of anyone around her. She may not have been born with the ability to see the future, but her intellect allowed her to come to conclusions almost as apt as an oracle. Silent as night, he followed the solar god, whose aura seemed to be clouded by some heavy burden.
The closer he got to the heavy bronze doors of the throne room, the lighter his head felt, as if his brain had gone numb. He was mathematically certain that he had NEVER felt so nervous in his entire existence. Not even his many figures in human form could compare to how he was feeling at the time. But it’s not like he could back out now, not after all the way he’s come, not after promising you not to leave your side. Not now, that had arrived in front of the doors.
He didn’t even have to knock, or announce his own name. No use, Zeus was waiting for him. Apollo took a breath, pumping his chest to emulate some sense of confidence before making his way into the vast hall. Out of the corner of his eye, he looked around and looked at the empty thrones, each with small inlays reminiscent of its owner. He passed by his own throne, and a sense of longing pervaded him to the thought that in no time he would have sat there again. Maybe you could convince Zeus to put a similar throne for you next to his own..
No, stay focused, Apollo, first of all he had to convince Zeus to make them immortal in the first place.
Without even realizing it, he was so taken by his own thoughts, he had reached the end of the room, finding himself a few feet from the king of Olympus. Now he could not afford to show himself weak, fearful. Come on, it had to come easy for him, he was also the god of the theater after all! As if a thread pulled him from above, he felt himself erect tall and proud, his chest out, his muscular back straight; a slight halo of light surrounded him, reconferendogli a little of that shine that has always distinguished him from the rest of the gods. He smiled at his father before bowing down gracefully. "It’s good to see you again, Father."
“Apollo, I see it took you no time to get used to your old life once more. I trust you have learned your lesson.”
“Indeed, father. And I came here to thank you for it all. It was… better than I expected.” Zeus lifted a brow suspiciously, eyeing his son as if trying to make out what’s in his mind just by his appearance. “Mmh I hardly believe that you only came here to thank me for your punishment.” Okay, even if he had second thoughts, it was DEFINITELY too late to back out. Yet despite the seriousness of the situation, Apollo no longer felt the same anxiety that had accompanied him throughout the climb to Olympus. He felt powerful, confident in his words, in his actions, but above all confident in you. He knew that if ever there was a mortal worthy of immortality, it was most certainly you. He looked up at his father, this time his smile had become less dazzling, almost a little nervous.
“Heh, you’re not wrong, father. I came here to make a request.”
“Depends. What is it that you desire?”
“How do you make a demigod immortal?”
Total silence fell in the room. The expression of Zeus was intelligible, and not being able to read the true emotions of Apollo, moreover in such a silent environment did not help to calm his nervousness. Zeus slowly blinked, covering his icy eyes for a moment before opening them again as he breathed in just as slowly. " Few mortals have earned the gift of immortality throughout history. He must deserve that honor with out-of-the-ordinary feats," he paused, as if to reflect, then resumed speaking, in a neutral but glacial and authoritative tone, "this is not impossible, but I count on one bare hand how many times a mortal has been added to the abode of the immortals over the millennia."
"I am aware of this, Father, and that is precisely why I believe that the person I speak of is the most deserving of this honor." Zeus did not answer. Not immediately, at least. He seemed confused and intrigued at the same time, as if he had not expected such a response. " My son, what do you mean by that?" Apollo could not avoid the smile that spread on his face having an opportunity to talk about your countless qualities, which in his eyes were endless. It was one of his favorite activities even when he was mortal, actually.
"You see father, they are a demigod of qualities worthy only of an immortal god. They are strong and wise, although they are still at a young age. They fear nothing but the limits imposed by Olympus, which they have served since the day they set foot inside Camp Half-Blood."He took a little dramatic pause, perhaps expecting to be interrupted by the divine father, but he gave no sign of wanting to intervene in words; he preferred to remain silent, peering at his son while he justified his reasons for satisfying his will.
"And they are beautiful, Father. They shine with a beauty far beyond that of an ordinary mortal. Even on the battlefield, soiled with blood and filth of all kinds, their beauty always resembled that of Aphrodite and Eros and all the gods of all the Pantheons of this world who possess the gift of supreme beauty." To this the father could not suppress a snort of derision, not trusting the words of the son in fact of beauty, "If I remember well such words were spoken by you also for Hyacinth, and before him Daphne, and before her still such a long series of river nymphs and mortal beings that I lost count."
Apollo lowered his head in resignation, sighing gently before looking up to speak again, "I realize this, Father, but I mention their beauty only because it would be a crime against all that is right to omit. However, it remains only one of the many qualities that characterize them, which none of my past lovers can say. But that is not the greatest reason why I consider them worthy of immortality."
"Speak openly then, you know I don’t like to wait." The blond-haired god nodded and took another step towards the king of the gods, his eyes even brighter than before, inflamed by his longing desire to obtain what he most desired in his entire existence. You, at his side. Forever.
"You see, they have done a great service to the goddess of wisdom and the manual arts. They have done the will of Athena and have done such glorious deeds that they have increased her honor. I myself was able to attend only some of their quests, but I assure you that they were so great as to justify the support and blessing of a goddess so hardly affable." To these words, Zeus seemed completely incredulous. In Olympus it was well known that Athena was the beloved daughter of the king of the gods, who always kept her close to him and always made all her will an uncompromising law. It seemed impossible to him that any mortal had been able to win the favor of the goddess, and he strongly doubted the veracity of Apollo’s claim.
The young god opened his mouth to answer, but was interrupted by a voice echoing from behind him, "As much as the idea of supporting Apollo’s petty whims, this time I must agree with him." Athena had followed Apollo to the throne room, suspicious of his strange behavior. He had to be honest, Apollo literally had no idea what to say at that moment; he did not expect to get to that point with his interview and certainly did not expect Athena’s support in his intent. But this was a real blessing, for she herself could bear witness to your worth.
She only gave him a scowling look, like a silent admonition to avoid yelling at him, pick up your mouth from the ground and be a god, genius! But his silver eyes were enough to relay the message, and after a moment Apollo had returned to his usual divine bearing. She blinked slowly before turning her eyes again to Zeus.
"Y/N Y/L is a demigod of undeniable quality, which also left me pleasantly surprised. It is true, they have diligently served Olympus and have especially served me, and I have let them fight in my name precisely because their wit deserved such honor. If only it were possible, I would claim them as my own child, for only twice in my existence have I met two mortal men of equal virtue, and those mortals were the king of Ithaca and your son Hercules, to whom you rightly granted immortality.
You know that I do not speak in vain when I express my opinion, and that is why I consider them worthy to also obtain the gift of immortality, especially when to these incredibly successful quests are added the love of a god and the admiration of another." 
Now Zeus observed the two with two comically wide eyes, mostly due to the unexpected intervention of Athena. Even Apollo could not hide his amazement from that sudden help, but he certainly did not complain at all. Three beats passed, then Zeus cleared his voice and I speak in a more serene tone than before, though still authoritarian, "Very well, if you yourself, Athena, consider this mortal worthy of so many honors I want to believe you. Your lover will be granted immortality, Apollo. This will happen at sundown, when you bring your chariot back here to Olympus. Lead them with you, and they can live forever here with you."
"Yes!!" Apollo threw a fist in the air for joy, a small habit he had taken in his stay on earth, but soon after he realized that perhaps it was not quite the right place to give free rein to his happiness, judging by the unimpressed face of Zeus, "Um, I apologize. I thank you father, for this wonderful gift. I assure you that you will not regret it!" He slowly stepped back as he spoke to him with the biggest smile on his face, extending his arms and bending his knees in a farewell bow. Zeus, for the first time in what seemed like centuries, smiled at Apollo and nodded slightly.
"Enjoy this concession of mine, my son, and may it remain in your mind as your reward for having demonstrated your qualities, even without the intervention of your divinity."
"I’ll never forget it. They’ll never let me!" With some other ceremonious thanksgiving, which they had little given the haste and irrepressible joy of the sun god, Apollo rushed down to Olympus, hastening as much as possible to reach his beloved in the place where they had met. He looked at a clock to see how much time he had left. 7 P.M., he still had some time left. He ran like a madman, until he saw the entrance of the familiar Campo approaching. He ignored everyone around him, his perplexed children, his disappointed fangirls, his friends not too surprised to see him running like a bullet through the field, with the biggest smile they’d ever seen on him. Only Meg had a vague feeling about what exactly happened, but even if she did, she didn’t say anything and just looked at him smiling before going back to her things.
Apollo entered the forest next to the Camp and continued to run. Lucky he was back in his cool form, if he was still Lester would have collapsed out of breath for half an hour. And then finally, he finally arrived at your rendezvous point. She found you there, gently lying on moss, slumbering from the weariness of the activities at the Camp and from the worries you had freed yourself of the previous day, in that exact same place, when you had finally found your beloved. Apollo was quivering, thinking how you would react to the awakening, among the golden blankets of his heavenly palace. What would you have said seeing your body invigorated and illuminated by immortality. What would you have felt seeing that his declarations of eternal love were not fallacious, but promises that he had dedicated himself body and soul to keep.
He gently picked you up, taking care not to wake you. He invoked his golden chariot and rode with you to your new home. He kept you close, as much as he was physically allowed by the confined space. The journey did not last long, being facilitated by the godly transport; once arrived right in front of the golden gates of the Apollonian abode, he took you back in his bridal style, leading you to his- your bed. You were stretched out just as he saw your skin begin to shimmer gently, its color gradually became richer and filled with eternally vital sap. He stood by your side, filling your neck and shoulders with kisses as he crouched behind you, eagerly awaiting your rebirth as a deity.
In the morning you woke up with a strong light that dazzled you. You thought it was Apollo, who since he had returned to his true form had regained all the lustre of his nature. But no, it wasn’t him; it was you, whose skin emanated a faint light that bounced against the various gold inlays that were in the bedroom. Yeah, you didn’t remember falling asleep in a bed, the last thing you remembered was lying in the forest moss while you waited for Apollo. Wait a minute, this isn’t even a room in Camp Half-Blood! 
You did it to snap up to the alert, but then you stopped when you felt the familiar touch of Apollo caressing your shoulder, sliding towards the back of your neck and passing through your hair, which had been twice as long as the day before. Normally you would have yawned, but it didn’t seem physically possible to experience any fatigue in the state you were in. You felt... almighty. You finally turned your attention away from your body and turned it towards Apollo, who was already looking at you with a loveless look.
"Good morning, beautiful." You smiled though still confused by the situation you were in. Tempting your luck, you took a sigh and then you spoke, your melodic, honey-sweet voice even though you just woke up, "'Chicken, where are we?"
"We are in Olympus my dear. I promised you that I would not forget you, that I would love you forever. And I meant every single word I said, which is why I had a little conversation with Zeus earlier, and well... let’s just say with a little help I was able to convince him to give you immortality." He said it with the biggest and most satisfied smile I’d ever seen on him, and meanwhile he hugged you and held you and caressed you all over his body, as if to confirm himself that all this was true.
You were utterly speechless, incredulous at what this god had just done in the name of love for you, but at the same time you felt a warm feeling pervading you from within, filling you with joy and happiness, as if that of him had infected you like a disease. You held your hands to his face and laughed in disbelief and said, "You’re the biggest crazy idiot I’ve ever met, Lester!" 
He laughed with you, feeling pervaded by this joy that moved him from within, almost pushing him to tears by the power of these feelings. Holding you tighter, she stroked your silky soft hair as she chuckled happily, "I guess you’ll have to get used to the gold and clouds here." " Still better than a bunk bed to share in five."
Laughing together, you held each other so long as you had time, before he had to take off and lead the sun across the sky. Before he got on the golden chariot, he touched your face with his bronze hands and kissed you gently. " I still can’t believe I’m gonna be able to kiss these lips forever, Y/N." You smiled at him before you grabbed him by the shoulder to push him towards you, and kissed him again. " Then hurry up and leave, so you’ll be back soon and I’ll have a chance to convince you that everything is real." Winking at him, he laughed loudly and heartily, a more melodic sound than any lyre or flute.
"Then I shall not be long in returning to your arms, my lord" And so he departed towards the horizon, and you smiled as you watched him disappear into the sky, thinking with satisfaction of the world that will look up to him with longing and admiration, knowing that he will never again stop for anyone but you, once his daily duties are over. 
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I’m not so sure about this post, I’m not really confident in any of it, it’s mostly just wild conjecture and aimless rambling. I’m open to discussion and to changing my mind, this is just what I’m thinking at the moment. Thank you to everyone cited for inspiration❤️
I’m really fascinated by what Jacob said about how the longevity of Louis and Armand’s relationship has led to both tenderness and resentment. The reasons why Louis might resent Armand are PLENTIFUL, but what possible reason would Armand have to resent Louis? Obviously it’s not going to be a “good” reason, but that makes it all the more delectable.
Right now I kind of have this theory that Armand resents Louis in part because he thinks Louis’ shows of affection are disingenuous. Put more accurately, his suspicion that Louis’ affection is disingenuous and his ensuing resentment underlie a deeper fear that Louis doesn’t love him.
HOWEVER, the kicker is that Louis does still feel some kind of affection for Armand. Just like he felt for Lestat when he and Claudia (mostly Claudia) were planning their escape, Louis feels some love for Armand still, but he’s able to leverage it in pursuit of his goal. What exactly this goal is remains to be seen (although I have some serious guesses…well mostly one guess).
Whatever it is, I think Louis has been planning very carefully for a long time to get to it. As @likethemodel points out here, their bed is literally a chessboard, like the one Claudia played in order to best Lestat and get under his skin in s1. The IWTV cast and crew have repeatedly describe the dynamics in Dubai as “3D chess”, and it doesn’t get much more 3D than using yourself as a chess piece. This is what the major question in Dubai is for me: not “did he fuck that old man” or “did Armand alter Louis’ memories”, but rather “What is Louis’ agenda, why has he brought all of these pieces together in this way?”
If my theory is correct, I think it would tie in nicely with the book. As @nativehueofresolution said in this post, Louis in the book does love Armand, but not in a way Armand understands at that point. If this was translated into the show, it could take the form of Louis still loving Armand in some way, like his few displays of affection such as kissing him in bed and squeezing/rubbing his shoulder during the interview being at least partly genuine, but also strategic.
So even though Louis’ affection in these gestures may be somewhat genuine, the context is still performative in order to accomplish a higher goal, though exactly what remains unclear. This much I think Armand can see and he resents, but I think he misinterprets it to mean Louis doesn’t love him at all. But the love is there and it is mutual to a degree, just not in a way Armand can see, which is kind of poetic justice and the absolute least he deserves.
Digressing a bit, even though Louis is being genuinely affectionate at times, even if it was totally without ulterior motives, it still could never be enough for Armand, because what he views as love is simply not something Louis can give.
In an interview posted here by @diasdelfuego, Hannah Moscovitch says she thinks that “Armand is Louis’ creature”, and agreed with the interviewer that Armand “serves a god” in his relationship with Louis. I interpreted this to mean that Armand has *made himself* into Louis’ creature, Louis’ disciple. And like Judas in the artwork in their bedroom (post also courtesy of @diasdelfuego), Armand becomes resentful and thinks Louis doesn’t love him because Louis doesn’t treat him the way Armand thinks a disciple should be treated.
The problem (well, one of MANY) is that this dynamic Armand has tried to create pretty much dooms him to never get back the kind of love he wants from Louis right now. In deciding he ‘serves a god’, Armand has made it impossible for Louis to love him in the way Armand craves, because Louis is not a god. Armand has made himself a disciple to a god that doesn’t exist, and feels betrayed when that nonexistent god doesn’t respond to his worship. Again, it’s poetic justice, but only the very tip of what he deserves. Lukewarm justice.
It’s surely not lost on Louis how stupid (more accurately, hypocritical and insulting) it is that Armand worships him like a god, and yet Armand himself holds godlike power over Louis’ life. A disciple does not control a god, and Louis knows this, he’s chronically Catholic. He knows the control Armand has over him, and I think this interview is partly a way for him to circumvent that power. Armand’s attempts to manipulate and “protect” Louis doom his quest for all-consuming devotion even more. I love messy bitches who create their own problems.
The god-worship is probably one aspect of Louis’ resentment toward Armand, but again this is something that’s so deeply, painfully layered. Between forcing Louis to turn Madeleine and killing Claudia (assuming, as most of us are, that the show is following the book in this way), the depth of Louis’ resentment for Armand is abyssal. Which would make the fact that Louis does still love him (per my aforementioned theory) even more shocking and scrumptious, and his plotting all the more emotionally difficult.
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stardustjie · 4 months
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𝚞𝚗𝚍𝚎𝚛 𝚝𝚑𝚎 𝚜𝚝𝚊𝚛𝚜
when ellie wanted to go on a walk and you confessed your feelings for her (female reader, fluff)
author's note: this fanfiction was written in may 2023, so way before the current events in palestine. i apologise if posting this is inappropriate. please, boycott and donate to palestine if you can
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"so, there is this theory. the universe is essentially cyclical, its destined to end and start again the exact same way. this means history has followed the same path since the dawn of time, humans have suffered and will suffer since we are meant to live the same life over and over an infinite amount of times. however, this also means we have been lived this exact moment and infinite amount of time. we are destined meet in every life, every single one of them" you said, enfolding yourself in ellie's jacket.
it was march. spring was slowly coming and the evening air was still quite cold, enough for ellie to lay her jacket on your shoulders the moment you started complaining about the temperature. there was a party in jackson and you didn’t care enough to ask what the reason to celebrate was. you just wanted to be there if ellie was there. you came earlier than everyone else, watching the door waiting to her to walk through the entrance. you saw her after a good fifteen minutes sat at your table and in a few moments she was sitting in front of you. when the music became too loud she asked if you wanted to keep talking outside.
"basically we are cursed" and she giggled. you were walking right outside the pub, trying to get away from the crowd and stay alone for a while. ellie started to talk about the universe before, about some theories she read on a book she found during one of her patrols. good heavens, you could listen to her ramblings for hours. you hoped that fun fact could impress her, at least a little bit. you could smell her on her jacket, so you squeeze its hems and ellie seemed to notice.
"so meeting me was a curse?" you jokingly asked and that was enough to make the other girl blush. you could feel her nervousness. it was dark already and the street light created a good atmosphere, everything made her face look ever prettier. you couldn’t wait for the summer to come, it would have accentuate her freckles and she would have her iconic half-bun hairstyle.
"absolutely fucking not! i mean... its probably one of the few things i want to experence again. like reading my favourite chapter for the first time again" she clumsily tried to explain, moving her hands a little bit to emphasize the concept. hoping it would make it make sense. for a moment you thought she could physically hear your heartbeat for how hard it was. you had a crush on ellie for quite a while and multiple times you found yourself doing whatever you could to spend more time with her. you even considered joining the patrol training. "how did we started talking about this?"
"well, we started talking about your comic serie, then about the universe and you got a little passionate about the topic. and i shared this amazing theory. i read a few articles in the library the other day, i thought you might find it interesting." you started, looking away to the street. you were to embarassed to actually look at her in the eyes and you could really feel the blood reaching your cheeks, so you decided to focus on a random point in the other direction. "i wanted to impress you. sometimes you start your ramblings and i find myself unable to reply, so i started looking for something to say. that's how i found the most depressing theory ever"
for a good moment you could only hear your own steps on the cobblestone and the confused background noise. ellie just stopped for a moment whike hearing your explaination, her eyes looking into the nothingness in front of her and her mind just internally replaying everything you have said. you stopped after a few steps, turning around just to see ellie lost for a second. before you could ask if everything was okay, she started talking. "wow... i mean, this somehow makes the idea less depressing"
"honestly? i would go through everything just to meet you again and i'm glad the thought of you doing the same isnt that depressing anymore" you replied smiling. in a few seconds ellie was right beside you like before and you just kept walking in silence. a little bit closer this time. the only sounds that filled the silence were your steps and some background voices you didn’t bother to listen. nobody could bother your personal heaven. and if the universe had to be destroyed and recreated to make you live it again, so be it.
"just to be clear, meeting you was the best thing that happened to me so far" you specified, still holding the hems of her jacket between your fingers to keep it on your shoulders. you had the courage to look at her and smile, waiting for a reaction. it was getting late, you were out of the town centre at this point and your two glasses of liquor at the bar made you braver than you would have thought. it was late, the stars were shining right above the two of you and there was no one around you. even the street light were fewer.
you walked a little faster, just a few steps and turned around to face the other girl. ellie had a perplexed expression on her face as she stopped. you slightly leaned forward, towards her. it was difficukt to describe how loud your heartbeat was in that instant and you could physically feel the change of the atmosphere, it was more tense and sentimental. you closed your eyes and took all the courage you had. you couldn’t go back anyway. "if the universe has to collapse to make each other meet again then good. if we had met each other in every universe, in every timeline,... i wouldn’t want to meet anyone else"
saying ellie was startled would be an understatement. little did you know she was hoplessly trying to hide her crush on you or how fast her heart was beating when she had the opportinuty to give you her jacket. you didn’t know about the times she looked at you from afar or how she talked about you to her friends when they were alone or about the many times she wrote about you in her journal. and now there she was, looking at you with wide eyes and not a single word on her mouth as you were essentially confessing your feelings for her.
you waited for her answer for a few moments. you tilted your head and watched her unsure of how you should behave, biting your own lips for the nervousness. you were almost sure you fucked up your friendships at this point. "oh, fuck" she started. her mind was crushing for a hot minute, not really processing what you said. you could see redness speading across her cheeks and over her freckles, decorating her face. "no, its just that... shit"
"too cheesy?" you asked with a slightly embarassed face. at this point you couldn’t really care anymore about whatever feeling of nervousness you have felt during the time you had a crush on her. crush that, at this point, was quite too obvious. it was the perfect moment, the perfect background to have either a romantic confession or your heart broken. it was worth it regardless.
"its the right amount of cheesy" she replied, hiding her mouth behind her hand. ellie never thought anyone would ever think of a space-themed love confession, especially she never thought the prettiest girl in town would confess her feelings for her with a space-themed love confession. "its the perfect amount of cheesy, actually" she commented quietly. she sighed.
you didn’t move a centimetre the moment she walked into your direction, so painfully aware of every step she took. of her perfume and how much you wanted to disapoear in the crook of her neck to snell it properly. of how warm her hand was when she reached for your cheeks. and under the stars, you kissed.
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hydn-jpg · 10 days
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redraw of this piece!! i mentioned in that post that i would redraw it at some point and ig that time is now! (i meant to post this before id2 came out but i got really busy so y'know lol better late than never)
i like to think i've improved! still can't draw chairs though haha
side by side comparison under the cut + rambly artist commentary(?):
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i still have a long way to go in learning proper anatomy but i think the new pose looks a lot more natural and comfortable! also ~sexier~ perhaps
i tried to make the bg look closer to the actual cg they used in the book, i am arguably better at doing backgrounds now i think! i used to not put a lot of thought into it and just blocked out random shapes and called it a day (okay, i still do that now lol but i put more care into it now !! i try to make the shapes a bit more distinct and actually plan and sketch it out rather than draw some blobs and hope for the best ldkfkhsl). also more colour range(?) to give it a bit more depth!!)
i'd also like to add that i think i'm also better at figuring out compositions now, idk how it is for y'all but when i look at the original my eyes can't help but just fall to the centre, bc there's no focal point(?) or anything that's visually interesting for the eyes to land on. plus with the way it's structured, my eyes just naturally fall to center (+ bottom half bc the skin showing through the rips are bright in contrast to the black) >_> in contrast, in the redraw your eyes are automatically drawn to the face bc it's arguably the most interesting thing on the canvas and thus acts as the visual anchor of sorts (plus there is enough contrast with the background to make cas stand out instead of blend in)
even though i cringe looking at the og i can't help but to also feel endeared bc this was one of the first immortal desires fanart i ever did and also one the first of my posts to do really well! i never expected to get that much attention since i was only posting casually but it really warmed my heart reading all the lovely comments and motivated to draw more :D
it's also really fun seeing how much my art style and techniques have evolved! i don't think i use any of the same brushes i used to use for my old pieces anymore now haha. i also watched the timelapse for the old one and am honestly kind of in awe at how my different my drawing process used to be!!
i still have a lot to learn (esp in terms of anatomy, lighting, shading etc.) but i'm happy with where i am rn! the great thing about being a hobbyist is that there isn't really any pressure for me to improve quickly so i can just take my time haha (except maybe from imposter syndrome but that's neither here nor there)
i think i could've drawn his face and expression a bit better but i think this is a satisfying enough redraw for now!
btw, these are just my thoughts! i am not an art student so the things i said might not be technically correct but this is how i make sense of things in my brain
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lampochkaart · 8 months
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Kokichi is asexual and you can't change my mind (and Kaito is an ace too 'cause i said so)
Here is why i think that way
Disclaimer! This post is not created to judge or shame anyone. I created it to explain why i think about them in that way and maybe try to make this headcanon to be more popular. I might sound kinda salty at times here but in general I don't mean to hurt anybody.
It kinda confuses me why so often Kokichi portrayed a little bit too intrested in making sexual comments and jokes. I probably shouldn't be surprised, because I know that we live in a sex obsessed world. I'm kinda used to it at this point. But I think people kinda exaggerate it.
In actual game he doesn't make sexual comments and jokes THAT often and 90% of the time they are directed at Miu who is the MAIN sourse of them in game. I even think that he would not say so many of those things if Miu wouldn't be starting it first.
He even get's confused for a second when Gonta tells him he couldn't catch Miu for Insect Meet and Greet because his "face got hot".
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And in bonus mode Dangan Salmon Team he isn't particularly intrested in that either. In most cases when the player chooses sexual option even though the game states that it was a good option Kokichi will often just change the coversation to a different topic. Yeah, they had fun, but they didn't really talk that much about initial chosen option.
"Let's read a dirty book."
"How about joining my organization instead?" *starts rambling about his organization*
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And yes, I REFUSE to call this protag Shuichi. This is NOT my favorite protagonist. He would not fucking say this.
Look how they massacred my boy *cries*
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One thing Kokichi also does very often is being sarcastic. I really like this scene. But surprisingly I've seen people taking his excitement as genuine and was like ??? How? Have you gone so crazy after you've seen his first phrase that you blacked out and missed part when he went "nope :)". He literally was like "Is that what you wanted me to say? You wish😊🖕"
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I also like how sometimes when the protagonist say something sexual Ouma redirects topic from himself. And he often suggests Tenko as alternative. For a long time I couldn't understand why it was her specifically. And then I realised. It's because Tenko will beat up any man who says something like that to her. He literally indirectly tells player to fuck off.
I can't belive how often those moments are overlooked.
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I think that's all my main points regarding Kokichi. Everything else is not very convincing and can be dismissed. But I just want to point out that his color palette basically resembles asexual flag, because I think that's a neat detail.
Now Kaito. I'm gonna be honest. The main reason I headcanon him as ace is because I headcanon all my favorite characters as asexual. But there is a reason I fully accepted him as ace.
The scene in Talent Development Plan where he's discussing "man's passion" with Leon and Teruteru. While they were talking about girls it turned out Kaito this whole time was talking about chasing passion in more philosophical sense. And by exploring "unknown worlds" he probably meant space (they really should've seen that coming).
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That's pretty much it. I just saw 1 (one) reason to make it canon for me and immediatly jumped on it.
I think that's it for both of them. They're not the only characters i headcanon to be on the ace spectrum (and i also have some on the aro spectrum too!) but they're the ones I think about the most, so I thought I'd explain it.
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lady-of-the-puddle · 7 months
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Good Omens 2 Opening-What are they marching toward?
Hi, there's something about the opening credit sequence that immediately caught my eye upon the first viewing. @metatronhateblog and I have discussed the whole opening credits at length (helps that we're siblings and can sit in the same room to talk about it) and we both will probably make some posts about things we haven't seen addressed yet.
I haven't seen anyone mention this particular thing yet, but forgive me if this has already been pointed out.
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This mountain they are marching up? This is Zion.
I'm almost certain. It's a very interesting word that's used several times in the Old and New Testament, most notably for me in the book of Revelation, which I read a lot as a former Christian (I liked it cause it was the least boring thing to read).
It has a few different meanings from what I've gathered (a note: this is not about z*ionism.), which I will try to give brief explanations on.
Originally I believe it was meant to be an actual location in Jerusalem, a hill/mountain that held the City of David. Literally called Mount Zion I think.
In the Old Testament it also is described as being the place where God rests, where they are enthroned.
Now look at this.
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Pretty sure that's a throne room? It looks like a Greek temple, so I think that's the vibe it's going for. The place where God is located.
Most interestingly, Zion is symbolic of the city of heaven, which will come to earth and God will dwell with the people upon Jesus' return and judgement (at least that's what I'm getting from the text? It can be difficult for me to decipher sometimes). Revelation 14:1 states
"Then I looked, and there before me was the Lamb, standing on Mount Zion, and with him 144,000 who had his name and his Father’s name written on their foreheads."
I believe this is the first time Jesus appears during(after maybe?) the great Tribulation (aka, all the torments the earth endures during this time before his return) with those who have been chosen by God. "The Lamb" refers to Jesus, for those who may not know.
I thought it was odd that this possible Zion reference was placed here in season 2 since it's not something that we've seen or heard mentioned thus far, but I think we can safely assume it has to do with season 3 and the Second Coming.
A side note, there's something else I caught while looking at this as well:
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I could be wrong, but it looks like these cherubs are tipping bowls. BOWLS!
In John's visions in Revelation 16, we see seven angels with bowls pouring out plagues to the earth. Bowls of God's wrath. I could go into what they are but that's a whole other post. For some reason I always remembered the bowls the most, I have no idea why. There's so much to find in the opening, it's like a scavenger hunt and my little brain loves it! Anyway.
Fascinating that Zion is what the people and our heroes are marching toward. Are they simply moving toward the end times (again)? Are they marching straight to God's house to get some answers (Aziraphale might be)? Are they moving toward that utopian heaven on earth as they begin eternity, forever and ever amen (as Michael mentions in the forbidden heavenly footage)? Maybe all three.
It may not be all that important and just be purely symbolic, but I thought it was neat. There really is so much in the details!
Thanks for coming to my rambling! I'm going to go try finding more references now.
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nalyra-dreaming · 9 days
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Sorry if you’ve talked about this before but my mind is consumed with Devils Minion - Do you think Louis is aware of the depth of Armand’s feelings for Daniel and how far their relationship went? I think Daniel’s memories of Armand are entwined with his memories of Alice, so when they pull his memories of Alice, like the proposal gone south, they are really talking about Daniel asking Armand to turn him. What I don’t know is if Louis knows this or sees a false memory of the real Alice. Does my rambling make sense?
It does!
So, I personally think that Louis called in Daniel for another interview because Louis knows what Daniel means to Armand, yes. (And Armand went along with it, gritting his teeth, because Daniel is sick, and he probably wanted (but couldn't admit to himself) that he wanted to see Daniel again.)
Because Daniel is the one tool to crack Armand.
BUT. And here it gets tricky, as others have theorized as well, it might be that the memory wipes Louis got happened after the first interview in San Francisco. After Armand's "Lestat Lestat Lestat" rant. Because Louis flipped his shit there and Armand had enough. (It may also very well be that Louis asks him to, but in any case I think that is the moment it may have happened.)
And a few years later someone wiped Daniel's memories.
Now, Louis would have known about the hunt and the relationship between Armand and Daniel, especially if it was the truth that they had been together without a break (which will be something we will still see yet, in the books they split up at some point).
But, it's debatable if he was always there. And maybe he wasn't there for certain events and events that were then "remixed" into memories with/from Alice when Daniel's memories were altered.
Because my impression is that the Louis in Dubai (with the slightly manic smile) does not know they're talking about a memory pertaining to Armand there. I think he's genuinely pushing with the offer to reach out to Alice there because he knows it will hurt (just as he was hurt by that comment Daniel made), BUT he does not know why it hurts. Armand does though. And he tries to soften the blow, immediately.
I think Louis probably knows what Daniel meant to Armand, and that they split up eventually, but not the intimate details of the "why". He knows Daniel got his shit together (likely for Alice). He knows Daniel's memories are shot.
And he has recognized his own are as well, and some of those alterations have been discussed between them. But as the interview progresses I think more and more pieces click into place - because Louis wants to remember - and he realizes he and Daniel have a lot in common, which will in turn lead to the alliance between them (and against Daniel) which was mentioned at the TCA panel (I reblogged a post by @virginiaisforvampires earlier with the Twitter screenshots).
Because Daniel, and especially Daniel the reporter, the investigative journalist - will WANT to remember as well. In capital letters, definitely. He'll push.
Oh he'll be afraid after he remembers some things (methinks ep5 especially), but that won't stop him. And neither does the pain stop Louis this time. And Armand... won't be able to stop both, and so it will all unravel.
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chireikiden · 4 months
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Might be a pretty basic take by the standards of more seasoned yuri fans, but it's my perspective as someone who's mostly read yuri in a Touhou context (though a lot of it), and exclusively manga from the Japanese fans as opposed to i.e. written fics.
Touhou yuri (using it very broadly here to describe any kind of wlw shipping present) is, across the board, in a pool of fan literature going back twenty years, remarkably good at taking the lesbian part for granted. Not counting outright het content or works that simply don't bring it up, I have only very vague memories of a character's lesbian orientation being either denied or even brought to question (even in the cliche "But we're both girls!" manner, which even as a somewhat dead horse trope you might still expect to see, given plenty of doujin writing isn't exactly highbrow). You might be able to read "Does she like girls?" between the lines in the usual question of "Does she like me?" if you really want to, but the way it's still basically treated as default is fun to me. There's a reason Touhou basically has honorary yuri status on e.g. Dynasty Reader, even the stories with effectively zero shipping in them. You might not notice if you haven't browsed the site, but it's literally nothing but yuri + Touhou. We even got upload rights just so we could post more Touhou.
(Of course, Touhou being yuri city is part of the reason any hint of straight romance gets a really strong kneejerk reaction from people, including me. But that's also because the lack of usable male characters makes that shipping inherently hamfisted, up to and including literally making up cardboard villager OCs. Basically the only positive example I can remember off the top of my head is Hisona's An Old Poem for the Cuckoo Bird depicting Youki with a 1000-year-old mostly joking crush on Nue, which after some chin-scratching I decided I liked alright. And Hisona of course has plenty of yuri cred to cover for it.)
But although taken for granted, most Touhou yuri is one or more of: a.) On a "blushing maidens thinking about holding hands" level in its approach to romance, b.) Only depicting the starting moments of a relationship, at best - usually just pining, c.) Only off-handedly teasing, basically to acknowledge the ship is there, d.) Showing a very close and loving relationship but leaving the romance part subtextual, even if thinly veiled.
While those are all fine - some of my favorite artists like e.g. Ashiyama undeniably fall under d.) - it means that artists who depict more established couples, and couples that get depicted as more established, stand out. I love when a story is very blunt about two characters, whether the focus is actually on them or not, already being an item. Be it due to a difference in target demographic or what, many of these works seem to have a slight lean towards being more raunchy/horny even when not outright R-18, but I don't actually mind that too much when it does happen - as long as they're fun and raunchy, as opposed to only raunchy or, god forbid, unfun in raunchy ways.
I like how Moyazou depicts Mokou and Keine as basically-married. I like how Atoki depicts YuuParu or SakiYachi after drawing like twenty books of them (each). I like when Kawayabug depicts Tojiko as Miko's beleaguered wife. But the example of the day is obviously risui (of Ladies of Scarlet Devil Mansion), who you might have guessed inspired this ramble. Funnily enough, in LoSDM she seems to have walked back Meiling and Sakuya's relationship coincidentally at the same time she toned down the content to fit SCoOW's guidelines, compared to her usual works that have MeiSaku at a much more established and mutual stage.
But the point stands that it's really fun to see LoSDM almost rub it in your face from the very start - from Meiling's dream to every other conversation she has - that everyone in it is unapologetically and openly lesbian, assumes everyone else to be a lesbian, and doesn't hesitate to talk about it like a (romcom idiot) adult.
Also, risui draw lady very good
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jasntodds · 2 months
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Petrichor [18]
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Pairing: Jason Todd x Fem!Powered!Reader (little bit of fwb)
Words: 9,775
Chapter Warnings: Swearing, angst, canon character death, blood, canon violence, mention of previous abuse, mention of drug use, mention of drug addiction, mention of canon gore, kind of a mention of alcoholism
Summary: ❝Pylades: I’ll take care of you. Orestes: It’s rotten work. Pylades: Not to me. Not if it’s you.❞
Gotham is home, not just for Jason but for you, too. And now that you’re both finally back home, together, you’re ready to see where this next chapter brings the two of you. He’s your best friend and you’re his. And you both might want a little something more with being back home, the place you both feel most comfortable. Surely, nothing could possibly go wrong now.
A/N: I can't believe I've had to type out canon character death 4 times for this series lol You can add yourself to the tag list below, ask me to be tagged, or you can follow my library blog @jasntoddslibrary  and turn on notifications if you prefer that!! I love feedback, I swear it keeps me posting on a weekly basis 😭
series masterlist | masterlist | tag list
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You and Gar are seated on the floor facing each other while Rachel went out to get you some supplies. You're trying to wrap your head around how you're supposed to function around the city and take down Crane when the entire city wants your heads on spikes. The GCPD has always been weird about Batman but now they actually want all of the Titans taken down and with Crane behind it, that can't mean just throwing you all in cells and tossing away the key. You can't just go out and fight every civilian that hates you now. They're brainwashed because that's what Crane does and fighting people who have no clue what they're doing isn't going to help your situation. It feels more like you're all sitting ducks at this point.
"Doesn't it bother you?" Gar asks, breaking the silence between you, earning an eyebrow raise from you. "How Jason came back."
Your eyes narrow slightly, unsure how or why it would bother you. Him being alive is a good thing. "Why would it bother me?"
"I mean the Lazarus Pit." Gar states as he leans forward. "Like, he came back and that's just it? Some water somewhere is magic and can bring people back from the dead. That doesn't make sense."
You nod your head slowly, this is the same thing he told you at the manor when he showed you some of the books Bruce had on it. "Yeah, we went over that. It's because of Ra's which I think makes a lot of sense, honestly. It's still bothering you that much?"
"Yeah, like why doesn't anyone know where it is? Or what if they do but it's a secret. Bruce knew, right? Why didn't Bruce close it off like the others? Why did he keep the one in Gotham open?" Gar rambles off his questions.
Of all topics that's going to pick at Gar, this is it? The Lazarus Pit? You're bothered by it, too but not enough to be sitting here thinking about it when you're worried the Titans are going to be hunted for sport now. You've been separated and you're going to need each other but Gar doesn't seem bothered by it at all. Just the Lazarus Pit.
You blink at him a few times. "I've been trying to rationalize the decisions Bruce makes but I think that's more of a dead end than anything else. If anyone is going to have that answer outside of Bruce, it'd probably be Jason or Dick. But, they don't really get him either. I don't know." You shrug your shoulders. "Bruce is paranoid, maybe that's all there is to it. Couldn't explain why no one else knows..."
"Yeah, he's paranoid!" Gar groans. "So why leave it open?"
"No, I mean that's probably why. Or research." You let out a breath. "Maybe he's worried something will happen if he closes all of them off. Or he needs it to do more research. I don't know." You scoff. "I don't know how he feels about resurrection so maybe he wants to use it to help people or something I have no fucking idea, Gar. I think you'll drive yourself insane if you try to rationalize Bruce Wayne." You lean back on your hands, stretching out your legs.
"Maybe more people know about it." Gar says quietly. "If Crane knew..." Gar trails off as his eyes grow worried.
Without him finishing, you know exactly what he's thinking.
"Yeah, thought of that." You nod your head, your heart skipping a beat.
If Crane knew and his guy knew, more people know. They have to. Gotham is a big city so anyone can stumble upon it. People talk, it's what they do. It can't be that big of a secret. The question is who knows about it. If Crane knows, more Arkham inmates might know. More people who are crooked might know. There have been some really bad people who've been killed. If Jason can come back, so can they.
"We have to find it." Gar states.
"Why?" You ask flatly, tired of the circles you've been running.
"So we can do something about it." Gar says sternly.
"Like what?" Your voice raises.
Considering Crane is literally taking over the city, poisoning the water, and still might be wanting to distribute his drug, you think your hands a little bit full at the moment. Why go messing with something like a Lazarus Pit? That just sounds like a bad idea. Doing research into it is fine but the way you see it, it's probably best to leave well enough alone. Maybe you all should tackle one problem at a time and the Lazarus Pit doesn't seem to be a problem right now.
"I don't know! But maybe we can understand more about it and...use it for good. Or close it off so people like..." Gar's voice trails off as his eyes dodge yours. "The Joker don't get brought back."
"We should leave it alone." You urge, not missing a beat. "That's...that's Bruce and Ra's' business and Jason filled me in on the whole League Of Assassins and the Al Ghuls and I don't want to fuck with them."
"Since when are you on Bruce's side?" Gar scoffs in disbelief. The you he knows would love to do anything to get one over on Bruce, to show him up, prove he's wrong. Or just spite him in general. "He left. He left Dick to clean up his mess."
"I'm not on Buce's side." You grit your teeth. "I don't know why I have to be on anyone's side besides my own, by the way. Look, he's been doing the Batman shit a long fucking time and his methods don't always work but there has to be a reason the pit was left open." You pause for a few seconds before you shake your head. "It brought Jason back. It's not up to us to close it or do something with it."
The room falls silent with your final words. A lot of really bad people can be brought back and that is obviously a big concern. And you disagree with Bruce like you get paid for it but you know if that, of all things, was left open there is a reason for it. It brought Jason back. The way you see it, it can't be up to you and Gar to do anything about it. The Lazarus Pit isn't a battle and it's not up for Gar and you to make it into one. That's Bruce, Ra's' and Jason's business now.
"I got everything." Rachel states as she walks into the room, gaining Gar's and yours attention. The two of you get to your feet as Gar takes the bag from Rachel. "So, this happened last night? With the GCPD?" Rachel asks as Gar looks through the bag and pulls out a box of Cheeze Its.
"Yeah." You nod. "We, uh, we were set up. Dick and Babs had a plan to get the public off our backs but uh, Crane has basically the rest of the department on his payroll now so, uh, yeah." You nod your head as you look to the ground. Gar nudges you softly, offering you the bag. You look inside, seeing clothes. "Thank you." Your eyes widen at Rachel as you nod your head but before you can go to change, all of your phones start blaring an alarm.
The three of you pull out your phones, hoping this means cell towers are back up and running but you can never get so lucky. Instead, Jason wearing the Red Hood suit appears on your screens. Sam's heart falls to her feet. This is never good.
"Hello Gotham!" Jason cheers. "It's Red Hood coming to you live from the most exclusive spot in town: The Batcave. For too long, this city has been at the mercy of criminals and I'm not just talking about the Penguin and the Riddler and The Joker. I'm talking about the ones who pretend to help but only make things worse. First Batman and now the Titans. Hypocrites who feed off of your terror and pursuit of glory and they turn Gotham into a city of carnage. But it all comes to an end today. There's a new savior in town. First thing I'm going to do is burn the trash. You hear me, Nightwing? You're public enemy numero uno. But not for long, meet me at midnight. You know the place. It's time for us to finish this." Jason finishes before the screens go black.
You can feel the headache coming back. What the fuck?
"Okay, what the hell was that about?" Gar asks, looking to you.
Just last night Jason got you both to safety, took out the snipers. Gar might have been a bit out of it but he remembers that pretty vividly. Now, Jason is back with Crane?
"I literally have no fucking idea." You let out a groan, stuffing your phone back into the pocket of your suit.
"I thought he was on our side?" Rachel asks.
"Yeah." Gar raises his brows. "Isn't he supposed to be?"
"He is!" You immediately defend, desperately grabbing for an ounce of faith and reason Jason might have. "I don't know what he's doing. Maybe..." You pull in a breath, trying to figure out why he'd be acting like he's trying to target the Titans. If it were you, it'd be an act, a ploy to play both sides. "Maybe it's to meet up with Dick? I don't know. I mean, he has to make the public think he's with them and not us. He has to play along with Crane or he's dead again. And Crane clearly has access to the towers so it's not like Jason can just...call Dick. Crane might know." You nod your head, mostly just blurting out whatever bullshit you could come with on the spot.
"That's not reassuring." Gar remarks. "How do we know he's not working with Crane again?" Gar asks and he wants to hold onto hope that's not the case but after everything, even he's starting to be chiseled down into a calloused version of himself.
"We don't." You state, holding your head steady, careful not to waver. "We don't know. I don't think he would but it's always possible Crane drugged him again, I guess." You roll your eyes before you roll your shoulders. "Okay, I'm gonna go find Dick."
"No!" Gar protests. "They're going to try to kill you if you go out there. We need to stay hidden until we think of a plan."
"Yeah, I'm with Gar on this one." Rachel states, glancing between the two of you.
"I know this city like the back of my hand. I can find him and be fine." You argue back casually.
At this point, you aren't too afraid of what's out there. It can't possibly be any worse than anything you've experienced lately. You can change, go out as a civilian until you find them. It shouldn't take too long and if it does, you know where they'll be at midnight and you can go there. Someone has to find Dick before any of this gets any worse. And someone needs to find Jason to make sure he's not actually going to try and kill Dick again. You're volunteering, again.
"How are we supposed to find you again then?" Gar asks.
"I don't know." You shrug. "Rache's ESP or whatever?" Rachel offers a slight glare to you as you shrug and give her a grin. "That's kind of what it is." You mutter under your breath. "Whatever Rachel just used, use that. I'm gonna find Dick and if I can't, I know where they're gonna meet."
"Why do you know that?" Rachel asks.
"Because I know Jason and so does Dick. So I'm gonna go there if I have to." The casualness of your voice is not reassuring to Gar or Rachel.
"We're gonna try to find the Lazarus Pit then." Gar states, holding his head high as he crosses his arms.
"You're not gonna stop about that are you?" You ask slowly, giving Gar a slight glare.
"Nope." Gar offers you a smile right back which gets your rather cold exterior to crack just a little.
"Fine but can you promise not to mess with it...like don't take any water...liquid? From it, okay? Or have Rachel try to destroy it." You raise your brows at Rachel and then at Gar who starts to beam.
"Of course not." Gar nods his head once. "I just want to find it, learn more."
"Alright." You let out a sigh. "I'll change and head out. If we don't meet up and you don't hear from me before somehow, we'll meet back here at noon tomorrow, okay?"
"Sounds good." Rachel offers a soft smile. "Don't do anything stupid."
You let out a soft laugh. "Yeah, too late." You look back to Gar. "You guys don't do anything stupid." You smile cheekily at Gar before you turn on your heels. "Be careful!" You wave a hand as you leave the room.
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You start your search near the tunnel system, hoping Jason will be there at least but he's not. The reality is that if Jason doesn't want to be found, he won't be. That little bit of information about him has you starting to really worry. It's probably nothing. Jason is probably just with Crane, getting information and saving his own ass. But, there's this small part of you that does wonder if he's preparing to go after Dick again. As much as you don't want it to be true, a part of your trust in him is gone. It's been ripped and torn to unrecognizable shreds. It's as if he took that trust and ripped it apart, baring his teeth with anger like a rabid bear and it can't be mended from that. It's not how it works. There is no fixing it. Just gaining something new and you are not there yet. That leaves you questioning his motives even if the beating between your ribs is telling you his intentions are only pure.
Finding Dick is of no use either. You don't even know where he would go. At least with Jason, you know he likes the school around the block from the library but he doesn't care for that library. He prefers the one near the shelter that houses mostly kids. He has his favorite gargoyle. Finding Jason, when he wants to be found, is easy but Dick? You have no clue where he would even go. He probably has places to go but you aren't sure of any of them which leaves you mostly wandering around until it gets closer to midnight.
By then, it's time to change and meet them at the spot. If nothing else, Dick will be there and you'll be able to tell him where Gar and Rachel are.
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This is not how Jason wanted this to go. He wanted to meet up with Dick but with Crane having control of the entire city, he couldn't risk it. Too bad for Jason because Dick does not trust him. Dick has offered him no benefit of the doubt of this not turning into a fight and no part of Jason actually blames him even if he's mad. Of course, Dick doesn't trust him. Why would he? But Jason doesn't stop fighting him to try to explain anything and neither does Dick. Instead, the two of them fight, throwing punches and kicks. Dick uses the enigma sticks and Jason shoots at Dick a few times. It's turned into chaos.
Somehow the roles have flipped. Jason doesn't want to kill Dick but by the way Dick is fighting, Jason is scared Dick will fight him till the death and Jason doesn't want to die again...not yet. It leaves him with no choice. Fight harder, faster, better. Be better.
But Jason and Dick's attention is pulled away from each other.
"What the fuck are you idiots doing?!" You yell, fully suited up again and just walking up to see the chaos they're creating.
This does not look good. They shouldn't be fighting. If all Jason wanted to do was meet up with Dick, they shouldn't be fighting. Something went wrong and at this point, you aren't even sure who caused it this time. But by the way Dick snaps his attention back to Jason and smacks him with the stick, you almost wonder if it were Dick that started this.
Jason doesn't take it lightly, immediately stepping back into combat mode and firing a shot at him. You roll your eyes, pulling out your grappling hook and a knife. You aim the hook at Jason's feet and the knife at Dick before you fire and throw. The hook smacks Jason's feet, throwing his aim off while the knife's end hits Dick's arm with enough force to get him to drop his stick.
"Hello? What the fuck are you two morons doing?" You snap again.
"He started it!" Jason yells as he points at Dick like a child.
Dick snaps his attention back to Jason. "Me?!"
"You threatened to kill him again, Jason!" You yell at him. "Seriously, what the fuck is going on?!"
Jason spins to look over at you. You cannot believe he wanted to fight Dick again. Of all people, you have to know this is not what he came here to do tonight.
"I just wanted to fucking talk and he attacked me!" Jason points at Dick again.
"Gee, I wonder why Dick would attack someone who just threatened to kill him. It's a real brain teaser, Jay." You quip back but you roll your eyes and look over to Dick. "So...you gonna kill him now?"
"I saw him!" Dick defends as he points the stick at Jason once he picks it up. Are they both five? "At the PD." Dick clarifies. "He was on the roof when we came out. He was in on it!" Dick closes the distance between them and smacks him with the stick again.
Jason doesn't miss a beat in fighting back, not even bothering to explain that he was at GCPD to help. Of course, Jason isn't going to try to explain that now. You're just exhausted with these two. At some point, they need to learn how to communicate with words and you figure, maybe they can just fight it out for once. Maybe they need to just fight until they get tired. So, you cross your arms and decide you'll watch and try to intervene if it looks like they might actually kill each other.
Dick ends up disarming Jason entirely, sending him to the ground just as a crowd of civilians gather around to watch the show and that's when your stomach starts to sink. Jason will be fine but these people hate Dick. The fight turns into a violent hand-to-hand fight, the two of them throwing punches and kicks as hard as they can and going for the neck. Jason grabs Dick's neck, pushing him back but Dick grabs Jasn, throwing him over Dick's head and slamming him on his back onto the hard pavement. You wince at the sight and sound. Dick walks over and picks up one of Jason's guns before he goes back to Jason and stands right over him. Dick points the gun at Jason's head.
You're quick to run and stand over Jason. You look up at Dick. "Dude, put the gun down." You put your hands out in surrender, the gun aimed at your stomach. "You're not gonna kill him." Your voice doesn't waver even if you're not entirely sure if that's true anymore.
Would Dick kill him?
Jason doens't want to die. It feels wrong to be back. It feels wrong. Like he's stretching the universe too far and it's all going to snap back, straighten itself out and toss him back into the grave where he belongs. But today, at the hands of Dick Grayson? No. He is not dying tonight so he decides to taunt Dick. Even if Dick wants to kill him, he'll never do it. He'd never give Jason the satisfaction even if Dick were able to toss his morals to the side.
"I did this to you." Jason mutters.
"Shut the fuck up, so fucking help me." You look to the sky in annoyance.
"You did this to yourself." Dick points the gun past you, aiming at Jason again. You move to stand in front of the gun again.
You were just shot two days ago. As badly as it hurt and as bad as it still sucks now, you'll take the bullet if you need to. No one is dying tonight. You've all lost too many people already and this is over a miscommunication.
"Come on. Give me the fucking gun." You mutter. "You're not like us." You plead, locking eyes with Dick.
There's something about the way you say it that gains even Jason's attention. It's not pained or sympathetic, it's just honest. It's not remorseful even, just honest and candid. But it's sad with the smallest touch of desperation. It says everything Dick and Jason need to know about how you really feel about people killing other people.
Dick looks at the gun and back to you. He hands you the gun and you take it, removing the bullets immediately and tossing them before you bend down beside Jason to make sure he's okay. For a second, you really thought Dick just might pull the trigger.
"You okay?" You ask softly as Jason leans up on his forearms, his head and back throbbing from the impact.
Jason looks back at you, brows pinched tightly together but then he sees movement from the corner of his eye, grabbing his attention behind Dick. "Nightwing." Jason's voice is rough but stern, harsh. A warning. Jason's eyes widen with the slight nod of his head.
You follow his stare, seeing an innocent civilian aiming a gun at Dick. Dick's brows pull together but before he can turn around, the kid starts shooting. Lucky for Dick, the suit is bulletproof. The bullets bounce right off as Dick turns around. The gunfire comes to a stop as you and Jason watch from your spot behind him. The both of you start to worry, just a little because the suit might be bulletproof but the kid just needs one lucky shot for this to be catastrophic.
"Woah, easy. I'm not here to hurt you." Dick says, putting his hand out as he walks towards the kid.
You get to your feet first, offering Jason a hand up. Jason takes it but the two of you keep your eyes on the kid. Scared kid, a gun, a guy painted to be the enemy fighting the guy painted to be the hero. The air fills with dread, suffocating Jason with its bare hands tattooed with guilt and regret. It's his fault Dick is here. It's his fault he didn't just say what happened and what he wanted. None of these people should even be here. What is he supposed to do?
"Careful, put the gun down." Dick states.
Jason pulls out another gun, switching to new bullets. He's definitely not going to shoot a scared kid who thinks he's doing the right thing. But, he can shoot in that general direction, he can just use it as a threat if he needs to. He doesn't want to threaten the kid but if he has to he will. He did not come here to kill Dick, get Dick killed, or watch him die. Not tonight.
"What the hell are you doing?" You whisper to him.
"Being prepared." Jason mutters back.
Dick hears Jason and turns around to face him before he starts walking back toward you and Jason. Dick is on guard, feeling as if he can't trust Jason. The second his back is turned, Jason is reloading a gun. From Dick's perspective, Jason isn't done fighting and Jason poses more of a threat than the kid. So, he pulls out the enigma stick again.
Before Dick can reach you and Jason, the kid starts shooting again. Dick is blocking them but Jason pulls you behind him, blocking you from the few shots not even putting any thought into it. But, by the time the third shot rings across the stale air, it finally makes proper contact with Dick. The kid got lucky. The kid got lucky, sending the bullet into Dick's neck right above where his armor stops.
It's as if the entire scene falls into slow motion as you and Jason watch in horror as the blood spurt from Dick's neck. Jason's heart stops beating entirely as Dick's hand goes to his neck, trying to put pressure on the wound. Jason eyes the kid who doesn't even look surprised or sorry or fucking scared. He doesn't look scared. He should look scared.
Jason didn't feel scared killing all those people but if he weren't high, he would have at least felt something. There would have been some part of him that would have felt some sort of fear or remorse or pity or he would have had a thought questioning if it were the right thing to do. Is this really the last resort? He would have felt fucking something other than pride for a job well done. This kid does not look like any of those things. He looks like he just did something on a random Tuesday night. No remorse, no consequences. Just a thing he did.
What is the city turning into?
What has Jason turned this city into?
"I did it for you." The kid's wavered voice breaks the silence, shattering the slowed illusion.
Jason glances to Dick as he falls to the ground and then he looks back to the kid. This is not what he wanted. Crane, Jason, they convinced the public of this. That this was the right way. Jason may not have had a part in that video but it never would have been made if it weren't for him. The public is gonna get blood on their hands. This will clear up, somehow, someway, it will and now this innocent kid, has to deal with the death of someone on his own hands for someone who was masquerading around like a hero, like a savior.
"Red Hood." The kid states, this time the unsteadiness of his voice is gone. And then he starts chanting Jason's vigilante name, over and over and over again as the rest of the civilians join in.
You look at him with heartbreak before you run over to Dick, pushing him onto his back where you put your hand over the neck wound. How could this happen? Another person? Another fucking person? Dick was always right about Gotham. Maybe Bruce was right about Gotham.
Jason went into more detail about what Bruce said to him the day he took Robin away. Bruce had said something about how people lose themselves to the city. Maybe he was right. Maybe they go mad, maybe they turn into murderers, and maybe they die. But eventually, maybe everyone gets lost in the city of damaged hopes. And maybe Dick was right, too. This city takes and it changes people. It's as if this city needs the chaos of destruction in order to stay afloat and it waits in the shadows, just waiting for the perfect victim at the right time before it sinks its teeth into them. It bleeds them of all their good parts until there's nothing left. A perfect sacrifice for the city.
Maybe that's all Gotham is because Dick is bleeding out because some kid got fucking lucky with a gun.
Jason watches in horror and having everyone chant his name does not sound as good as he once thought it would. At one point, he thought having everyone cheer for him would feel good. He would be important but he just got his brother shot. Someone who has almost always just tried to help him. Jason has been out here trying to kill him and thanks to you, Dick was willing to trust Jason and give him a second chance but now he's just been shot and it's his fault. And he's going to die because of him.
Jason knows what it's like to die and it's fucking terrifying and painful. Tears brim his eyes and the crowd is still chanting and he sees your cheeks glistening in the low streetlights around you. He wanted to talk but when Dick attacked first, rightfully so, he just couldn't help it. He thought that it was over for him and maybe it didn't have to be. How the fuck did he get here again? He should have just surrendered. That's all he had to do but his ego and pride get in the fucking way. All he ever does is get in the way. Dick's gonna die and it's all his fault.
He wants to run, get out of here because it's all too much. Too loud, too heavy. Too much pressure. Everyone is cheering as if Jason pulled the trigger and killed the worst of the worst. They're brainwashed and Jason knows that better than anyone. Someone has to snap them out of it. It's too much but running and pushing has never done him much good.
"Get out here!" Jason yells over the crowd as the chanting slows down. Your attention, like the rest of the crowd, lands on him. "Go! Before I start fucking shooting." Jason aims the gun into the air, his arm steady and his eyes threatening.
"We're on your side!" One of the citizens announces.
"So do what I fucking say." Jason snips back. "Didn't ask for you fucking help here. Get out of here." Jason takes steps toward the crowd as they start to back away.
They grumble and mutter amongst themselves before they eventually disburse. Jason takes that as his cue to run up beside you, leaning over Dick. There's blood pooling out of his mouth as he gasps for air.
"I can't stop the bleeding." You state. "Think he hit the fucking artery."
"I got it." Jason mutters, slightly nudging you out of the way where he can replace your hands with his. You have had enough blood on your hands lately, this is on Jason.
Neither of you have ever seen Dick look scared or panicked. Surely, he feels it. He is human and normal, mostly. But, he's really good at hiding it. With Deathstroke, you didn't see the look of pure terror on his face when you were standing outside the window. You didn't see the look of horror and agony on his face as Jason was falling to his death. You didn't see it because Dick has always been good at making sure no one sees those emotions from him. He has to be strong, sturdy, and a little calloused in order for everyone else not to panic. If the leader looks panicked and scared, so will everyone else. If everyone is scared and panicked, mistakes are made and more people die. So, he hides it. Until now.
Dick can feel the blood loss taking over, making him light-headed. The blood loss and bullet wounds alone are making it harder to breathe. He knows how long he has, maybe minutes but nothing more. Not unless you or Jason can get some sort of help in the next few seconds. He's going to die and it is fucking terrifying. He isn't ready. He has too much left. Who is going to look after the Titans if he dies? Who's going to stop Crane? He has too much life to live, outside of the Titans to die tonight but he is helpless. There is no help and there is no hope. It's just him bleeding out in the middle of downtown Gotham.
"Get." Dick tries to pull in a breath. "Help."
You look around and you don't see a single person around. Your heart starts to break as the lump comes back to your throat. It destroyed you when Jason died and it destroyed you when your mom died. You're actually pretending like Tim survived just in case he didn't. You can't deal with it if he died, too. But, you look back at Dick and you're really scared he'll die.
You might fight with him all the time and disagree with him usually, but you have a lot of respect for him. He saved your life more than once. You might not like his morals but you think he is a good person and he tries a lot harder than anyone else ever would. To help innocent people. To help you, no obligation, no transaction, no contingencies. He helps you because he just does. Just like with Rachel and Gar, and despite what Jason thinks, you think that's why he tried to help Jason, too. Just because. It shouldn't be Dick to die. The Titans need him. He's a really good leader, usually. It's almost shocking but he is. And everyone trusts him. The Titans will fall apart if he dies. They practically fell apart when Donna died but Dick would kill them. The Titans need him. You need him.
Jason glances over to you, knowing this is going to be bad. He's not going to make it and by the look of devastation in your eyes, he knows you feel it, too. And then the throbbing under Jason's hands comes to a slow halt.
"Dick?" Jason questions, looking back at him. "Hey, man, stay awake." Jason holds his voice steady, careful not to let it slip how much this is ripping him to shreds. "I can't feel his pulse." Jason says quietly, glancing back to you before he pulls his hand away, trying a different spot but he still feels nothing.
"Keep your hands on the wound." You mutter, moving to the opposite side before you place your hands on his chest and start chest compressions.
Jason watches you, trying to keep his hands steady on the wound but with every ump, Jason can feel blood coming from the wound, warming his hands. The tip of Jason's nose starts to feel like it's on fire while his eyes feel like someone's just thrown sand into them. This cannot be happening. Dick is otherwise dead and he's got you doing CPR, just as you did the night Jason died. And Jason can't peel his eyes away from you as some sort of self-torture because he thinks this is probably similar to how you looked that night.
The hood of your suit falling off of your head, resting lazily on your shoulders and moving with every compression. The way your hair is a complete mess. Tear-stained cheeks shining against any light that they catch. And blood soaking your skin. Jason wonders if this is the exact sight Babs walked in on. You must have felt so alone.
"Dick!" You and Jason hear Gar's voice from across the pavement, wet footsteps picking up their pace. "What happened?" Gar yells as him and Rachel get closer to the two of you.
"He was shot." Jason states as you don't miss a single beat.
"He's not breathing." You rush with heaving breath.
"Are you sure?" Gar asks with glossy eyes.
You stop, feeling for a pulse and there's still nothing. "Positive." You continue chest compressions, looking to Rachel who falls to her knees beside you.
"Is there anything you can do?" Gar asks, looking at Rachel.
You stop, sitting back on your toes, to see if Rachel can use her powers somehow to save him. It might not have worked on Donna but maybe it could work on Dick. He hasn't been dead long. Maybe that matters and Jason and Gar seem to have the same hope. Jason pulls away while Gar keeps his stance steady, almost holding his breath as Rachel tries her powers, a purple glow coming from her hands over Dick's neck. But nothing comes from it. Instead, the purple fades as Rachel lets out a cry.
"It's too late." Rachel sniffles, looking to Gar.
Gar lets out a scream as tears start to fall from your eyes. Jason's eyes stay trained on Dick, almost distant as he thinks the pain of it all has just chewed him to pieces. What are you gonna do?
You look to Rachel who looks like she might break into a million pieces right in front of you. Gar yells again as bats crowd the space above all of you. The four of you look up, watching the bats circle around all of you. Gar starts to have problems with his eyes as he rubs them only for his face to start turning green and then his hands start to change until his body follows. Suddenly, Gar is a bat, flying with the others above you.
"Gar?" Rachel asks.
You, Jason, and Rachel get to your feet as the bats circle closer and closer to Dick, Gar right in the mix of them. You all back away as the bats fly down to Dick and start to pick him up, all of them working together. They fly Dick high into the air before they start moving.
"What...the....fuck?" You look to Rachel as she'll have some sort of answer.
"That's new, right?" Jason looks to you who just nods.
"Come on." Rachel says, without missing a beat, grabbing some of Gar's clothes before she starts following the bats and Gar.
You and Jason exchanged a confused look before deciding to follow. You both have absolutely nothing left to lose at this point.
"I thought he couldn't turn into anything else?" You ask as the three of you run to keep up with the bats.
"He turned ito a snake once." Jason answers, not even thinking.
He was possessed at the time and the reason Gar turned into a snake in the first place but Gar talked about it a lot at first. Jason tried to help him transform again, several times with different methods. Getting him mad, scaring him, sparring harder with him, they tried everything but nothing ever worked. And then Gar stopped talking about it.
"Yeah, once but now he's a bat?" You question. "What the fuck?"
"Is that really what you're concerned about right now?" Rachel asks, her voice torn between amusement and worry.
"I mean..." You suck in a breath. "It's better than the alternative. I would prefer to focus on the weird shit than the sad shit."
Rachel gives you a subtle glare as you keep up your fast walk. It's not a long walk before you all reach the entrance of a building and Rachel is the only one who understands what's happening.
"They're taking him to the Lazarus Pit." Rachel says as Gar and the bats take Dick into the building.
"What?" Jason almost demands as his steps come to a hard stop. "You found it?"
"Yeah." Rachel mutters softly, turning around to see Jason not walking and you standing a few feet in front of him.
He can't go in there. It feels wrong. How do you know Dick would want that? Would he want it? If someone were to have asked Dick before he died if this is what he wanted, would he say yes? Would he agree to it without knowing the consequences of being brought back? Would he be okay with the constant feeling of being pulled back to the dark where the Grim Reaper waits with a smile?
But Jason looks at you and Rachel, the two who Dick has saved. It's not his place to argue it. Dick hasn't been dead long. Maybe he won't feel the way Jason does. Jason was dead a few days. Maybe it's different. Maybe the Pit has different effects the longer someone is dead so it's not his place. Jason hasn't been on good terms with Dick in a few weeks, he doesn't get a say. But, he can't go in. The pull is too strong and his bones feel like they might vibrate and shatter right through his skin. He can't do it.
"You coming, Jay?" You ask softly as you close the distance between you. You thought maybe he'd want to see the thing that brought him back. It is fascinating. And maybe he could be there if it works for Dick. Maybe help.
"No." Jason shakes his head. "I'm going to Crane." Jason spits it out without thinking as he watches the shock consume your face.
"Do you think that's really a good idea?" Rachel asks as a wince almost consumes her entire expression.
Jason takes a step towards you and nods his head at Rachel before looking back at you. "I gotta try to fucking help. Maybe I can get Crane to spill with Dick dead. He won't know about the Pit."
He has to do this. Maybe he can convince Crane to give up some form of information. If the Pit can bring Jason back, it can bring Dick back. He's going to wake up in a few hours and now it's Jason's job to get him some answers so they finally put this whole thing out of its misery. He owes Dick that much.
"Are you sure?" You ask, eyes scanning his face as if fully convinced this is just him avoiding something.
Jason nods softly. "Yeah, go with them. We'll meet later." Jason offers something that's not quite a smile.
You don't like the idea but...maybe Crane will think Nightwing's death is on Jason's hands. Maybe that'll be enough for Crane to actually trust Jason just enough to offer some sort of information to him. It's the right thing to do.
"Okay." You nod reluctantly. "Be careful, yeah?"
"Always." Jason gives you the subtle smirk he always does before he nods and runs off in the opposite direction.
The two of you go into the building, following the way Gar and the other bats took as you run to catch up. You get to an open room where a glowing pool of blue liquid sits right in the middle of the room. Gar and the other bats hover above it, holding Dick's lifeless body.
"Gar, now!" Rachel yells as the bats start to lower Dick into the water.
Once Dick is lowered, the bats fly around until Dick is completely submerged and then they disburse. Besides Gar. You and Rachel sit at the edge of Lazarus Pit, just watching as it starts to bubble. This whole thing is weird but you can't help but feel just a little bit of hope. If it worked for Jason, it should work for Dick.
"You're not allowed to leave anymore." You mutter, keeping your eyes on the Pit.
"What?" Rachel shakes her head in confusion.
"You're not allowed to leave. Everything went to shit and you show up, find me and Gar and then the damn pit. You can't leave, Titans need you." You nod your head quickly as Rachel smiles softly, looking back to the pit.
Gar transforms back to himself and starts getting dressed. Once he has his pants on, he walks to the edge of the pit, standing opposite you and Rachel. He's blinking dramatically, having a subtle sway to stance as he tries to get his equilibrium back to normal.
"He's gonna make it, right?" Gar asks, looking at you.
Gar isn't sure how you would know but you're the one who's had more conversations with Jason than anyone. Jason might not know a lot but something about asking you gives Gar hope. Maybe you do know the Pit works every single time. Gar hopes it works like that.
"I don't know." You shrug. "Uh...J-Jason just said, uh, that someone put him in it and then he was alive. So..." You nod your head. "I-I guess if that's all there is...yeah. Jason was dead for a few days so..." You pull in a shaky breath.
"I can't believe he actually died." Rachel states, her eyes on the pit. She says it mostly out of hope that whatever happened with Jason to bring him back, will bring Dick back.
You glance to her before you pull your knees to your chest. You know it's because Rachel is finding all of this out for the first time while everyone else has had a few weeks to digest the news and fumble their way through the aftermath. But, no one can believe Jason not only died but then came back. It's the way it's talked about, how it's said in passing and so casually that you almost wonder if they're all just...fine with it. At the end of the day, Jason died. He died. That was something that happened and he remembers it. As someone who was nearly beaten to death, you know that was haunting. Is haunting. You can't imagine what dying is actually like. And how terrified he probably still feels. But, everyone else is...it's as if that aspect of it, doesn't matter. To some extent, you get it. You understand because he became Red Hood and decided to kill Dick. You understand because they didn't see it. But, it irks you anyway.
"Sorry." Rachel says quietly. "I didn't mean anything by it. I just meant that it's kind of crazy. Jason was reckless but I didn't think he'd actually get killed." Rachel explains calmly.
"No, it's okay." You shake your head. "You're just getting the news of everything and then Dick is killed. I get it, don't worry about it."
"Are you okay?" Gar asks, his brows knitted together in their usual state of worry.
"I'm fine." You look up to him with one stern nod. "Been here a few times, right?" You quip bitterly.
"That's why I asked." Gar nods his head.
"Yeah, I'm good." You sniffle. "Are you guys okay? I mean...it's Dick." You look between Rachel and Gar as if feeling you have no right to grieve him as much as them.
You've been at odds with Dick most of the time over the last few weeks. It doesn't seem fair for you to absorb any space for grief. It should be given to Rachel and Gar.
"No." Gar answers. "What're we supposed to do without him?" Gar's voice nearly shatters.
"We don't have to think about that because if it worked for Jason, it'll work for Dick." Rachel states with ease and you're not sure who she's trying to convince.
"Yeah." Gar says shortly.
"I think we need to force the batboys into therapy after this. Group and individual until they learn how to have a conversation." You groan, trying not to focus on Dick actually dying and not coming back from this.
"We all need therapy." Gar mutters as he comes to sit on the other side of you.
The three of you fall silent, just watching the pit with no idea how long this is supposed to take or if you'll even know if it works or not. This is definitely the pit but none of you know the logistics of it. For all you know, this isn't going to work or it could take hours or days. So, you just fall into silence, mostly thinking of everything that's happened.
It's haunting and sets reality into stone of the work you all do. Of couse, it was real the day Donna died. Wonder Girl was killed. It was real then, too. But, it was an accident. And then it was real when Jason died. But, it was Jason who was killed by The Joker. That was different. This is Dick though. He's the leader and even when he's wrong, he still knows what to do. He was Robin. He's Nightwing. He's not supposed to die and he did anyway. And it was by some kid with a gun. It wasn't The Joker or Two Face or Deathstroke. It was just some kid. A kid Dick would have protected but everyone turned their backs on the Titans over Crane. And Dick was killed for it.
What are you all supposed to do if this doesn't work? Just go back to San Francisco like nothing happened? That doesn't seem possible. It'll just feel cold and lonely.
Between the three of you sitting here, he's saved your lives more times than you can count. He is the older and annoying brother none of you really asked for. It's losing another family member. But...it hits a little different this time. So, the air around you feels like it's carrying bricks and the guilt of the entire world.
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Jason, he's also still processing everything that's just happened. When he left to meet Dick, he knew he'd have to start talking immediately, given his own broadcast and conversation with Dick. But, then the flashbang went off and it's like it...triggered something in him where he just had to fight. He just had to. Something deep inside of him told him Dick would never let him explain why he did what he did. It's the immediate defensive mechanism and he knows it. But, he's on the way back to the manor and he's thinking that was just dumb. It was not giving Dick any bit of credit which Jason doesn't like to do on most days but he deserved this time. And now he's dead. He's dead and that's Jason's fault because that kid was defending him. Everything is his fault even when he is desperately clawing his way away from all of this. It follows him.
He told you that, months ago, it follows him like a curse and he has never been so sure of that. First it was his mom. He is not mad at her and he holds no resentment towards her but he wasn't enough for her. She chose those drugs every single day over him and he knows part of that was so she could function. That's how it started. It started so she could take care of him. If it weren't for him in the first place, his mom wouldn't have gotten addicted and then she'd still be here.
His dad was angry and desperate because he was just trying to provide for them. He was down and out and he was an ass and abusive but there was a point, before the alcohol, where he was trying. He was trying and if it weren't for Jason being an extra mouth to feed who needed other things, maybe his dad wouldn't have been so angry and desperate.
Had he never gone after Deathstroke, you wouldn't have been there. Had he never gone after Deathstroke, the Titans wouldn't have left and the tower wouldn't have been attacked or the Titans would have fought together. Gar wouldn't have been kidnapped and turned into a killer. Donna wouldn't have died.
You wouldn't been traumatized had he never went after the Joker. You wouldn't have been shot. Dick wouldn't have been shot and killed. Hank wouldn't have been killed. Everything that's happened has been following right on his heels like a rabid dog chasing him down a dead end alley. There is no escape. He is just stuck in this constant spiral of agony and causing everyone else around him the worst pain they will ever experience.
This is all his fault and there's nothing he can do anymore.
Even if the Pit works, will Dick remain the same? Or will he be as terrified and traumatized and stuck as Jason? Whatever side effects Dick gets from the Pit, that has to fall on Jason, too.
Jason reaches the Batcave, the cuts from Dick's punches still bleeding over his face. Crane is dragging his scythe on the floor, his face covered in fresh cuts. He's got this evil and eerie smile while there's a body on a table, cut open with his organs sticking out. This is the first time he's ever felt terrified of Crane. At the hospital, it wasn't Crane Jason was worried about it. It was who would call in. But this? This is Crane losing his damn mind on some, likely, innocent person and Jason thinks his days are definitely numbered with him. Everyone's days are numbered with him.
"Nightwing's dead." Jason states, his words flat and pained.
"Batman saved my toy." Crane says but it's only slightly enthusiastic, almost childlike as he holds up the scythe by the chain. Crane lets out a light chuckle as Jason just watches him closely, ready to move if Crane tries to pull anything. "A trinket of our courtship together. Who would have thought he was so...sentimental."
Jason's eyes narrow as he watches Crane. All of this...over his scythe? Jason knew he was insane but he's really pushing the envelope tonight.
"Did you hear me?" Jason questions but with no venom or snark. His chest is in so much agony, he doesn't think he can muster it at this second. "I said Nightwing is dead!" Jason gets himself to yell, growing frustrated.
"So?" Crane states. "Wasn't my monster." Crane states plainly but not in the way where his words feel light. This time there's something heavy and dark in his tone, running a chill up Jason's spine. The scythe drops to the floor, Crane still holding it by the chain. "He's your monster. What do you want? A cookie?" Crane offers a half-assed chuckle, mostly to himself.
A fire starts erupting through Jason's blood like an overdue volcano. He can't be serious. Getting clean, Jason realizes that so much of the shit Crane was spilling was just him manipulating him, making sure Jason had no one to run to besides Crane. But, there's some part of him that is still hurt and disgusted by the reaction. It was Crane's idea.
"You said that's what you wanted." Jason argues softly, taking just a few steps toward Crane. "When it was done, we would save Gotham my way." Jason's voice is small as the sense of betrayal kicks in.
He is only here to find out what Crane has planned and then he's gone. But, he can't help how badly it hurts. It would hurt anyway because he was manipulated into it. Turned against someone who has been looking out for him. But, Jason, as far as he knows, felt like Crane figured they were still on the same side. This doesn't feel that way. That's when Jason is realizing that's the point. Jason does the dirty work so Crane can be up at the top, hands clean and filled with the power Jason served him on a silver platter.
He knew that's all it was but maybe a part of him still believed otherwise and for the life of him, he has no idea why.
"Gotham will be saved." Crane starts his walk towards Jason, holding his scythe so it doesn't drag on the floor. "But first, it must be destroyed. As clever hopes expire, waves of fear and anger circulate over the bright and darken the lands of the earth." Crane explains as he uses the chain to sway the scythe back and forth while he paces in front of Jason.
"What the fuck kind of gibberish is that?" Jason quips back not even entirely sure if Crane is actually coherent.
"No," Crane says quickly, turning to face Jason. "No, not gibberish. No, it's the past come to life in the present." Crane pauses and Jason realizes how completely fucked he is. "An ode to the bat and his wee bird. When they stopped me, but they can't stop me now. No." Crane is looking away from Jason and Jason is starting to wonder if Crane is talking to him or just talking to himself or some third person Jason isn't aware of. "They can't stop me now...because." Crane shakes his head. "Because we will walk among them. The dead." Crane looks back at Jason and Jason hangs his head, something about him basically being the dead. "And the fallen city will be like...it'll be like a beacon. Very soon, very soon, Jason, very very soon they will die. Yes, they will die."
What the hell is this maniac even talking about?
"Who will die?" Jason asks cautiously.
"All of them!" Crane faces Jaosn as he screams, his entire face turning red. "All of them! Everybody." Crane looks to the floor and this is not how Jason wanted to fix Gotham. The answer isn't gutting the fucking the city. "You still stink of fear. After all that I've given you."
Jason's growing tired of Crane's babbling. It's not making any sense and he wants to get the fuck away from him before Crane tries to slice him in two like the other guy.
"You said I was gonna be a savior." Jason nods his head at him, a hint of disgust in his voice. "Is that your whole plan? Destroy the fucking city?"
"Is that not what it's been about?" Crane states almost whimsically.
"And how the fuck do you plan to do that?" Jason lets out a scoff but Crane just offers him a harsh glare as Jason sees his grip tighten on the chain.
Crane isn't going to tell him anything and even if he does, it'll likely be an incoherent mess like it has been the last few minutes. It was a waste of time, mostly. What Jason does know now is that he wants to destroy the entire city. There are a lot of ways to do that though and that's where he finds himself stuck. But, he can't stick around here. Not when there's no chance of getting a good answer.
"I won't help you destroy the city." Jason holds his stance, firm but calm.
"Well," Crane says with disappointment. "Perhaps you won't." Crane says before there's a pause and then he turns around quickly, throwing a scythe at Jason, still holding onto it by the chain.
Jason dodges just in time, moving quickly away from Crane. Crane follows right after him, swinging his scythe at him and just missing by a few inches. Jason keeps moving away and running, avoiding the blows each time. He does not want his head taken off tonight. That is not the plan. So, he dodges and once he sees the opportunity, he runs out of the Batcave as quickly as he can.
Crane has officially lost it which was only a matter of time before that happened. Jason was hoping they had a little bit more time but, if Crane is losing it, that means he'll be easier to take down. Once Crane starts losing his mind, he gets distracted, starts losing some of the quick thinking he's so proud of. But, Crane has something in place. It's the way he talked about it that tells Jason Crane won't need to do anything else. It's already in motion. So, now he needs to find at least you, Rachel, and Gar and maybe the four of you can figure it out. Maybe you've had some luck with the Lazarus Pit.
Jason hopes you've had luck with the Lazarus Pit.
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Tag List: @fairyofshampoo // @italiana-20 // @jasontoddsmentaldisorders // @purplerose291 // @lovelessamai  // @makaelaseresin // @lenidaslenchen // @mayfieldss  // @ghostkingblake // @im-done-with-this-im-out // @velvetskies // @lilylovelyxo // @cryinghotmess // @yesimwriting // @vivian-555 // @stainedstardom // @baebeepeach // @legend-o-zelda // @harleycao // @somehow-lovable-trash  // @xx-all-purpose-nerd-xx // @deyja-the-duck // @jasontoddslover //  @captainmarvels-blog // @totallynotkaibiased // @scarlovesyou // @whydoyoucare866 // @littlemeowmeow1000 // @ginger24880 // @urmomsgayforme5 // @septixtrash // @kplatzman // @killxz // @lovefks // @laurelthesimp // @strawberryforks
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lil-tachyon · 1 year
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Got any good resources for clothing drawing tips?
Okay so quick little introduction before I try to answer this question. First of all, sorry for letting this languish in the inbox for so long. I have a lot I want to say about this and I'd really like to make a proper "tutorial" but this week took a lot out of me so what you're going to get are some visual notes on graph paper and some rambling thoughts. Maybe down the line I'll try to flesh this out more into a proper guide, but for now it is what it is.
Second- for many different art concepts I can give you some really great recommended reading for self-teaching. There's a whole section of my website with links to things that helped me learn. Clothing is one of those things where I never found a book or tutorial that really "clicked" with me. It's one of the few areas of art where I feel like it's fair to say I'm genuinely self-taught. So what you're going to get here is very much my opinion, not undisputed common wisdom or whatever. Take it with a grain of salt. This is how I draw, not the "right way" to draw.
Third- drawing clothes is not something fundamental like perspective or rendering where there are actual hard-and-fast "rules" you can learn to guide you. It's not even like anatomy where there are approaches that have been worked out and passed down by artists over generations. I think about drawing clothing as a synthesis of several different skills- a little bit of anatomy, a little bit of perspective, a little bit of rendering. Honestly a smidge of graphic design. You're employing a "cloud" of your artistic skills towards a specific end. What this means is that the TLDR of this post is going to be "do what you would normally do to improve at drawing but apply it to clothing." So don't expect something life-changing, instead just open your mind to maybe trying some new things you hadn't thought of before. Also this is going to be more about drawing than painting, that is more about "lines" than "shapes" but the two skills overlap and the same concepts should be broadly applicable. But my examples are going to be drawings.
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Okay intro out of the way. Clothes are mostly just tubes of fabric, fabric wants to fall down. The human body and sometimes wind and water and other fluids will stop this fabric from falling down all at once and instead give it a shape. Keep this in mind. It's helpful to know how clothes are actually constructed if you want to know how they will deform when falling across the figure. Where a garment is simply a length of fabric, it's very flexible. It can bunch together or be stretched taught. This is most noticeable at the parts of the body that open and shut like hinges- knees, elbows, and armpits. The behavior of garments at these areas of the body is highly dynamic.
At seams where different sections of fabric are stitched together, movement can be come more limited. Seams are usually imperfect- pieces of fabric of slightly different lengths might be stitched together or fabric may shrink over time around a thread causing it to pucker and wrinkle. For these reasons, seams often act as the originating areas for folds and wrinkles, even when a garment is not in a particularly flexed/active state.
In a two-dimensional image, it can be helpful to describe a garment in terms of silhouette and wrinkles/folds. The silhouette is the actual boundary of the garment, where the fabric comes to an end. The wrinkles/folds are where different parts of the garment pass in front of each other or where the fabric becomes bunched up to the point that light can't reach inside and occlusion shadows form. You should always keep the overall silhouette of the garment in mind to inform the bigger shapes you draw, but you will use wrinkles and folds to demonstrate how the garment twists and deforms. These are the basic tools in your arsenal. Keep it simple.
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There are lots of different ways to approach wrinkles. My advice and my personal preference is to draw wrinkles as shapes and not just lines. Specifically, tapered shapes (like triangles) and be really good both for implying motion and the varying depth of a fold/wrinkle. Experiment with different shapes of varying angularity, fill texture, etc. Your hands and eyes will guide you towards what looks and feels good. There's no right way but I would advise you to exaggerate! Ask yourself- what's the biggest shape I can draw here? How can I twist it to make it bigger, crazier but still describe the form in a way that makes sense? It can be exhausting to just try to perfectly copy a reference and also using your imagination like this when doing studies will help build up your visual library for when you're drawing/designing clothing from imagination. In general I would advise you to focus more on drawing something that looks good (ie is composed of shapes that you find aesthetically pleasant) than is "correct."
Quick recap: Garments fall down, you can simplify an article of clothing into a silhouette described by folds and wrinkles. What next? Observe! Take notes! It is worth your time to think about how common articles of clothing are constructed. Jeans, t-shirts, dresses, etc. I used to do some hobbyist sewing and clothing alteration and I think that hands-on work with clothes has really affected the way I think about drawing them. You don't have to go that far but like- look at the world around you. Stuck on the bus, in school, in a meeting, etc? Even if you can't draw, look at how your pants bunch up around your legs, look at the sleeves of someone sitting next to you. I mean, don't be weird about it, but these are valuable observations. Think about how you would draw those things! Really getting good at drawing clothes involves studying them in the wild, understanding how they work, building up your visual library. Look at a faded denim jacket- at the puckered places where the indigo has rubbed away or the permanent creases that hardly see the light of day and remain a deeper blue. Look at petrochemical techwear outfits that break into jagged, high-sheen triangular wrinkles. Soak it all in!
Save pictures of and take notes on outfits you like, designers you like, garments you like. Keep track of these things. Come back and study them over time. Have fun with it! I have folders and folders and folders of images of clothes that I come back to constantly. Over time and with lots of study you'll learn what you want to draw when you draw clothes and that's half the battle. You'll have images of buttons, pockets, belts, laces, fabrics, seams, dancing around in your head that you can deploy at will. It's delightful.
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Hope this helps! If anyone has more advice to add, please do! If this tutorial helped anyone, please show me your drawings! If you'd like more stuff like this from me, just send me an ask or an email and I'll answer it when I can.
Peace,
Logan
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saraanzu · 1 year
Text
bsd speculation: what’s up with this girl in bram’s flashback from 107.5, and what can we learn about her from dracula?
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(prefacing this with some rambling… actual analysis starts after the readmore)
107.5 came out the same day as the s5 trailer and it was right after an exciting mersault chapter which is the vastly more popular pov and it was a whopping 9 pages - it was bound to be disliked. I won’t pretend a 9-page chapter isn’t disappointing (no idea why recent chapters have been so short - I hope they get a bit longer again when s5 is done airing?) and I think it’s fine to prefer the mersault storyline but I’ve also seen some god-awful takes about this chapter.
aya and bram aren’t side characters! they have been core to bsd’s plot ever since their introductions (in aya’s case, her re-introduction) and you can dislike them all you want but it’s objectively incorrect to claim they aren’t important to the story.
I also don’t agree with the take that 107.5 didn’t further the plot at all - obviously not a lot can happen in, again, 9 pages (that’s 1/3 the length of 107!) but aya deciding to remove bram’s sword and him actually encouraging her to do it even when he doesn’t believe it’s possible and previously told her not to is a huge turning point in the story! 107.5 certainly isn’t a favorite of mine but I will say we’ve had (slightly) longer chapters in recent months that had more exposition and setup with less plot.
I’ve seen some people worry that, because bram pictures someone who looks like aya in what’s presumably a wedding dress, bram and aya’s relationship is going in a creepy direction. I want to make it clear that no matter who this flashback girl is, even if she’s bram’s dead lover and/or aya in a previous life, I highly highly doubt that anything weird is going to happen between bram and aya. their relationship hasn’t been set up like that at all, in fact bram has parallels with aya’s father and he explicitly sees her as a child (more on that later) (look. bsd is not above using some Weird Tropes. in particular, the tanizakis and mori come to mind (and in mori’s case, it doesn’t even really function as a reference to the irl author - vitas sexualis has nothing to do with pedophillia!) but it’s important to mention that, while I wish those tropes weren’t in bsd at all because they’re unnecessary and add nothing of value to the characters, they are ultimately gags and nothing more. they don’t really set a precedent for how weird asagiri is willing to get when it comes to legitimately serious plot points.)
okay! got it all out of my system here’s the actual post
part 1: the dress
personally, when I first read 107.5, I didn’t think this girl was in a wedding dress. my initial assumption was “this must be bram’s daughter, she’s wearing some sort of tiara and bram was a nobleman”. but looking at it again, it does resemble one, and we should consider how bram’s backstory might reference dracula.
“the brides of dracula” are three seductive vampire ladies who live in count dracula’s castle and attempt to feed on jonathan harker early on in the book before being stopped by dracula, who chastises them for trying to eat harker and feeds them a human baby instead.
while they are known as dracula’s brides in pop culture and are often portrayed as such in movie adaptations, they go unnamed in the original novel and their relation to dracula is unclear. from what we see of them they refer to each other as “sisters”, although perhaps not in the literal sense. two of them have dark hair and are described as having similar facial features to dracula while the third is blonde, which may imply the third is dracula’s wife and the other two are his daughters. I imagine they’re pretty vague and mysterious on purpose, they could be dracula’s wives/sisters/daughters, or even just some vampire ladies crashing at his house.
however, I don’t think we should disregard details exclusive to adaptations of dracula and only focus on the original book when thinking about bsd. film adaptations of the book are actually more influential on dracula’s perception in pop-culture than the book itself, so it’s not unlikely that asagiri would reference elements that appeared in adaptations but not the novel.
so, because of “the brides of dracula”, I think it’s quite possible this girl is indeed a bride. she does look a bit young for it, but I’ve seen others say they think she looks older than aya, so I guess that’s subjective (and people would get married younger in bram’s time I suppose).
that doesn’t mean she has to be bram’s bride - again, the “brides” in the original novel have no explicit relation to dracula and could easily be his daughters or sisters, and I really do think her being his daughter instead makes more sense thematically.
part 2: her relation to bram
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I believe bram subtly parallels aya’s father in a few ways. aya’s dad is verbally and physically abusive, and he berates aya for not being good at traditionally feminine activities. he doesn’t see her for what she is, a child, and instead expects her to be a perfect traditional woman.
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right before we see this flashback, bram is surprised by aya’s age, and comments that she is “too young to even use a spinning wheel” (also a traditionally feminine activity). both of them question aya’s desire/ability to be an ally of justice but for different reasons: aya’s father finds it unladylike while bram finds it too big a task for a little girl (he is also sleepy)
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I didn’t understand the point of this scene’s inclusion before, but in retrospect I think it serves as foreshadowing for bram’s flashback and demonstrates how he and aya’s father both associate aya with dead people, but this causes them to treat her differently.
aya will never live up to her father’s expectations because she can’t compete with his idealized memories of the dead. her own accomplishments are irrelevant in his eyes because she isn’t enough like the wife and daughter he lost. I suspect his grief is part of the reason he’s so horrible to her in the first place.
it’s the opposite case with bram. in his eyes aya does compare to someone who he remembers fondly, and the end of 107.5 implies that’s the very reason he’s okay with aya pulling the sword out.
I don’t necessarily see bram as a father figure to aya (to me he’s more of a weird creature who’s sort of grown fond of her after being unwillingly dragged around… but hey, who says that can’t be a dad?) but I do think it’s possible that this mystery girl was bram’s daughter in the past because of how he parallels aya’s father.
(note: she has normal human ears rather than pointy ones, but bram was turned into a vampire by his ability and wasn’t bitten or born as one, so I don’t know if he’d necessarily pass down his vampirism to his children. he also may have developed his ability after becoming a father, or his daughter could even be adopted).
part 3: her relation to aya
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the most common idea I’ve seen to explain the resemblance between these two is that aya is a reincarnation of this flashback girl. introducing reincarnation out of nowhere seems a bit random even for bsd, but surprisingly this theory does have some basis.
in the movie bram stoker’s dracula (1992), the character mina harker, jonathan’s fiancé, is a reincarnation of dracula’s long-dead lover, elisabeta. dracula recognizes her as a reincarnation due to their resemblance and mina agrees to assist him, still harboring feelings and memories from her past life. it’s fairly common for dracula adaptations to portray dracula and/or mina as having romantic feelings for each other, but this isn’t really the case in the novel, and elisabeta is entirely an invention of this particular movie.
so, aya being a reincarnation of a girl bram once knew could work as a reference to this. I did say previously that I think it’s possible asagiri will reference adaptations of dracula and not just the novel, but I’m not so sure he would make something specific to one particular adaptation a major part of bram’s backstory.
personally, I’m partial to the idea that aya’s ability will be introduced soon, and her resemblance to this flashback girl may have something to do with it. (the ability idea and reincarnation idea aren’t inherently contradictory, aya’s ability could very well be reincarnation)
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this theory by @jo-dieeee suggests that aya’s ability is called mirror, due to the discussion of mirrors in 107.5 and the book above.
mirror: the fiction and essays of koda aya isn’t actually a book written by irl koda, nor is it just a collection of her stories. it was written by ann sherif and discusses koda’s life and works, including some translations of her short stories in the second part. however, the existence of this book and aya emphasizing mirrors in 107.5 is quite an interesting coincidence! whether or not it’s called mirror, I’m fairly confident an ability reveal is coming up.
it’s also worth bringing up that aya’s resemblance to this mystery firl might not have a supernatural explanation at all. it could easily be an artistic choice simply made to indicate that bram is reminiscing about someone who aya reminds him of. I’m not too into the reincarnation idea myself.
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