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#I have invested far too much time into this please PLEASE don't get me started
sprout-fics · 10 months
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have you ever dabbled in Omegaverse CoD?? If you’re comfortable I’d love some spicy headcanons about Alpha 141 with their Omega reader 🤭
Oh don't even get me STARTED-
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Omegaverse TF141 Headcanons
(Part One: How it Begins)
Tags: Omegaverse, Alpha/Beta/Omega dynamics, Hidden designations, Alpha! John Price, Alpha! Simon 'Ghost' Riley, Beta! Kyle 'Gaz' Garrick, Omega! John 'Soap' MacTavish, Omega F! Reader, Emergency heat, Illegal suppressants
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So first of all, I have a hard time imagining all four men are alphas
Primarily because I believe in the gospel that is Omega Soap
The idea of being underestimated because of his designation, of being rebellious of authority due to it and rising the ranks to prove his commanding officers wrong, of possibly even concealing himself because of the stereotypes involved is GOLD
Soap is also an attention whore, is very tactile and affectionate and outgoing, and I just feel like Omega suits him better than Alpha or Beta
We don't need to argue about Price. This man is an Alpha. No debate. Assured. Commanding. Feral. Protective. Yet gentle and indulgent when he can be.
Gaz I think can be pretty versatile, but for the sake of team dynamics and figuring out how they all blend together, Beta suits him best. He's calmer, keeps his cool under fire, and is in many ways more emotionally attuned than Soap. He's a steadying presence that's needed within the volatility of the other three, and they adore him endlessly for it
Ghost, for the sake of these headcanons, is an Alpha. However I think there's a whole realm of exploration in regards to him being a hidden omega. Details on that at a later time.
You, however, are an Omega
You, like Soap, concealed your designation in the military to avoid questions. You take a rigorous amount of suppressants, allow yourself to be perceived as a beta. Under the radar. Quiet. Reserved. Trying to not draw attention.
That changes when you're in the field with the 141 and things go very very badly.
It's an extended mission. You'd packed a month's worth of heat suppressants, can live off the lower quality ones given in supply drops along the way. You're there as an asset, a specialist, and there's a distance between you and the team that you don't mind. As long as you don't attract their attention and reveal yourself things will be fine
Except they aren't fine. In fact, they go to shit
Your camp is ambushed. You lose your kit in the scuffle, try to scramble for it under the hail of gunfire but Ghost grabs you by the scruff and snarls to leave it
You have no choice. You're hauled away, watching your kit vanish into the darkness, your heat suppressants alongside it
It takes a few days for the effects to settle in, and when they do it's hard
You haven't had a heat in years, and the withdrawal of the supplements you've been swallowing gives you a withdrawal whiplash that sends you into a delirious, feverish haze
You try and push them away, try and say you're fine, but you've been made
Soap is the first to figure it out. He knows that scent like he knows himself. He plays arbitrator alongside Gaz, tries to keep you hydrated and fed, keeps Ghost and Price well at bay. They're respectful, of course, sympathetic no doubt, but they're glad for Gaz and Soap running interference
Unfortunately it becomes clear pretty fast that things are quite dire
You've been taking illegal suppressants for far too long in an attempt to conceal your designation. They're illegal for a reason, because once your supply runs out, the heat you go through could be fatal
Price intervenes first
He's gentle, reassuring, firm in your feverish, wrecked state. You look at him with watery eyes, drink in his scent and beg him please-
He gives you what you need. Slow, firm thrusts, dragging wanting little cries from you as he ruts you with precise, rolling presses of his hips into yours
He has Gaz on standby, makes sure that his captain doesn't hurt you, doesn't lose himself. Your head is braced on his lap, your tears of pleasure wiped away by his thumbs as he hushes you "I know. I know doll. You're okay. Gonna take care of you."
It's not enough. You're consumed by sickening heat, and eventually Ghost is forced to step in too
He fills the ache in way Price is reluctant to, refuses to do as your superior officer. Ghost involves himself in the role, tells himself it's to save you, to keep you alive
But when you moan and whine under him so pretty like that, he has a hard time holding back
After, Soap holds you, shushes into your hair as you whimper and whine, as Ghost and Price debate about abandoning the mission so they can call for med-evac. It's Soap's hands on you that help quell the ache, provide a brief respite from the all consuming blaze inside you
It takes days for your heat to settle, and in those days you're lost in a buttery haze of flesh and wetness and moans as the men try and see to you, try and tell themselves it's only clinical, try to refuse the fact that they're falling for you
You wake up back at base, and in the days that follow you barely leave your room, waiting for you to be called down to someone's office and dismissed from your role, turned out of the military for hiding your designation
Instead you're summoned by Price, and in his office are the others
"No one will ever know." He promises you, low and sincere. "You have our protection as long as you want it."
You know years later that this was the moment you accepted your fate, took a single step towards them that would lead to the claims against your skin, each of them bearing your own mark in turn. Claimed.
In this moment you look up at them, again echo that singular desperate plea for them to stay.
"Please."
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inkbybambi · 7 months
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bodyguard!simon riley who takes a bullet for you —
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words: 2.9k rating: e warnings: nightmares, guns/shooting, gunshot wound, hospitals, smut, creampie, cunnilingus, mentions of threats against reader, threat against reader, lowercase writing — please let me know if i missed any! notes: 18+ content, minors dni. warnings have been provided.
he's been assigned to you for two-ish years now. you weren't thrilled at first, and neither was he — but he didn't make it as obvious as you did.
"i don't need a babysitter," you had damn-near hissed when he was introduced.
"i wasn't hired to be one," he counters coolly, which only serves to irritate you further.
actively ignoring his presence — as much as you could when your company moved him into your apartment — even though you begrudgingly made room in the counters and fridge for his things, even going as far as investing into a better kettle so he could make his tea and clearing out an entire cabinet for all his tea, sugar, and steeper.
he trails you quietly as he was hired to; keeping close enough to always have you in his sights but far enough away that people wouldn't be able to clock his association to you — or so he thought.
six months into his contract with you — an unknown amount of time left, as price never answered and soon he stopped asking — he wakes in the middle of the night from a scream he never thought would come from you.
he rushes into your bedroom, gun in hand with his finger resting on the side and not the trigger. the front door is locked as he had left it, windows unbroken. he almost thinks he might've associated it with one of his own nightmares, until he sees you.
curled in on yourself, face tucked into your knees, fingers threaded through your hair as you struggle to breathe properly, hiccups and sobs breaking between your stuttered breaths.
he knocks gently on your door, not wanting to startle you. you jump just a little, regardless, but lift your head to look at him.
"'m sorry," you mumble, voice rough, "i didn't mean to wake you."
and you hadn't. you thought you were done with these awful nightmares, the ones gnawing at the edges of your mind during the day.
"'s'alright," he replies, tucking the gun into the waistband of his sleep shorts, walking carefully towards your bed. "you okay?"
the look he receives damn near breaks his heart.
he learns, that night, that an attempt had been made on your life before. more than once.
they never got close enough to do any harm, you say, but then swallow thickly and clutch your bicep where simon sees a scar that he never took notice of previously. they didn't get close enough to do anything worse, you amend, chancing a look at him.
"i had security then, too," you explain, wiping your tears with your hand, playing with the blanket. "it didn't change anything."
something shifts after that.
he starts cooking for you — with you, when there's time — and you bring him a cup of tea each morning. the bookshelf in the living room, previously only half-filled, collects simon's books. you give him the login to all your streaming services, and ignore the pointed look he gives you when he sees some trashy reality tv show in your "continue to watch" queue.
he doesn't complain much when he stands behind you during an episode, arms crossed, asking a question here and there. you sigh, exasperated at having to explain everything, telling him to sit down and you start the series from the beginning.
nine months into his contract, your nightmares become more frequent, and worse. you don't understand why. you were getting better, you cry in simon's arms after a particularly rough night.
"sometimes these things happen," he tells you softly, gently carding his fingers through your hair, tucking you under his chin.
"make them stop, please," you beg, even though you know he can't. he wishes he could.
he starts sleeping in your bed.
he's so warm, your cheek pressed into his chest, feeling more secure than you have in months when the weight of his thick, tattooed arm slings around your waist. he presses a kiss to your forehead at night, and you burrow into his side.
he starts taking the balaclava off at night.
a morning where you blessedly don't have to be up early, grey clouds hang in the sky, the promise of a storm later.
"g'mornin'," he says, voice rough with sleep, feeling him flex and stretch beneath you, groaning as his body relaxes. a flash of heat snaps through you.
"morning," you reply, only half-awake, tilting your head up to drag your lips across his jaw, prickling with stubble.
his fingers are in your hair, thick and comforting, tilting you back until his mouth slants over yours. he cradles the back of your head as his tongue slips into your mouth, hot and heavy.
the sheets rustle as he moves to lay over you, free arm resting by your head as your legs hook on his hips, trying to draw him closer to you.
he nips at your bottom lip as he rolls his hips, the heat of his cock through his boxers frazzling your brain. you mewl, his tongue back in your mouth, moving his hand to grip your waist and drag you up against him, moaning low in his throat when he feels the wetness seeping through your panties.
"fuck," you breathe out as his mouth moves over your cheek, down your jaw, kissing the sensitive skin behind your ear.
"say please," he rumbles.
"simon, please," you whine, fingers curling at the base of his skull and scratching, and he snarls against your skin, sinking his teeth into the side of your neck as he tears your panties off, pushing his boxers down enough to free his cock.
you're so wet for him, slick coating your thighs as he drags his cock through your folds.
he usually takes his time — using his fingers and tongue to open them up first, wanting to feel the wet heat of their cunt and the spurt of their release to know they're relaxed and ready for him. he eats pussy like he'll die if he doesn't, will happily spend hours between your legs if you let him.
but you? he feels feral with need.
"it's big, sweet thing," he rasps into your skin, right above the mark he sucked into your skin, notching the head of his cock at your entrance. he's not trying to brag, it's just a fact.
you claw at him, the sting of open scratches burning his skin so pleasantly.
"it's okay, don't care," you pant, gripping him hard enough to leave deep crescent marks in his skin, angling your hips up to draw him into your cunt yourself.
he grips your hips with both hands, slowly pushing his thick length into you, nails digging even deeper the more he pushes in.
"feels so fucking good," he says, tongue laving over your throat to collect the thin sheen of sweat that coats your skin. "could fuck you forever," he groans, your breath hitching.
you make a strangled noise low in your throat. it's been awhile since you've fucked anyone, and you've never fucked anyone as big as him before.
the stretch feels so good, though. your cunt clenches around him as he sinks in deeper, mind glazing over as you focus only on him.
"fuck," he whines when he finally seats himself fully into you, nuzzling into your neck, overwhelmed by the heat and slick, "good fucking girl, taking me so well."
he swallows thickly, waiting a couple heartbeats to enjoy this — it's been awhile for him, too.
"think you can take it, love?" and his fucking voice. you would agree to do anything as long as you could hear that rough accent along your throat, teeth skimming your skin.
"yes," you breathe out harshly, moving to wrap your arms around his shoulders, needing him close, close, closer.
for a man of few words, simon has a filthy mouth as he fucks into you, accompanied by groans and growls into your collar.
"never had a cunt this perfect." "fuckin' made for me." "can't wait to get my tongue in you, feel you cum on my face." "no one else can have you." "you're mine."
and you, normally far more verbal than him, are reduced to nothing more than mewls and pleas and moans for more.
you mouth and nip at his jaw when you can, wanting to mark him just as much as he's marking you. you'll be his forever if he lets you, but you'll be damned if anyone else gets to have him either.
"simon — " is the only warning you give before you cum on his cock, head thrown back as you moan through the waves of pleasure, release coating his legnth and thighs.
"that's it, baby, good girl, give it to me," he says, blunt nails digging into your waist as he grinds himself deep into you. you feel so warm and pliant, the pleasure numbing your mind as he rocks himself into you.
"wanna feel you give me one more, angel," he bites at your throat on the other side, wanting to give you matching marks. he hooks your legs over his shoulders, fucking into you deeper, hitting that spot inside you that has you seeing stars and your toes curling.
you grip at him again, clawing as he fucks into you, the sound of your wet cunt taking each thrust creating a symphony with his groans and your cries. he feels so fucking good, splitting you open and making you whole, desperate for him to cum inside.
the way your nails dig into his shoulder is the sign that you're getting close, and he thrusts just a little harder, a little meaner, your cute whines growing more desperate as you walk the precipice of another orgasm.
no one's ever made you cum more than once — sometimes, not even once — and you've never been able to do it yourself either.
but simon? fucks a second orgasm out of you like it's his life mission, ankles tightening around his neck as pleasure lines your veins, shaking as he continues to hit that spot inside you as you cum, prolonging it as much as he can.
"baby — " he chokes out, sharp teeth on your shoulder, thrusts getting sloppy. the slick of your two releases sounds so loud in your bedroom, feeling the desperation as he thrusts, deeper, harder.
"cum inside," you mumble against his cheek, nails scratching at the base of his skull as he thrusts once, twice, three times — the warmth of his release flooding your cunt.
he fists the sheets in one hand, nails dragging down your thigh as he pumps deep into you, your slick and his release seeping out of your hole, dripping down his balls and your asshole.
you stay like that, lips brushing, breathing in each other's air as you slowly come down from the high.
simon gently — so gently — lowers your legs, carefully watching your face for any signs of discomfort, settling them on his hips, hands moving up and down your thighs. "y'alright?" he asks. you swallow thickly and nod, both hands now at the base of his skull, affectionately scratching at the nape of his neck.
he slowly pulls out, and you miss the stretch and the warmth immediately. you push up on your elbows, watching as the mixture of your pleasure leaks out of you, biting you lip.
"fuckin' beautiful," he says almost reverently, mesmerized.
he spends the next hour cleaning you up, and you think your nails create permanent marks on his shoulders.
time bleeds together.
his contract renews on the twelfth month.
he heard rumors that price might switch him out for another guard.
you're at the meeting — it's your bodyguard, after all, they figure you should get some input. price has two separate folders prepared. a sharp look from simon is all price needed to know about how he feels. the tongue lashing you give your higher ups has price raising his eyebrows, and simon sits forward a little more should he need to haul you out over his shoulder.
he wouldn't mind that too much, he thinks, but he'd rather not.
ten minutes later and you're angrily signing his renewal papers, a blotch of ink at the start of your name as you didn't even read the contract before signing, lungs burning from your rant about personal safety and what the fuck are you thinking and i didn't just buy an entirely new tea set for nothing.
you grip his wrist as soon as he signs himself, dragging him to the nearest bathroom.
his hand covers your mouth as he fucks you deep and slow.
"don't worry, darling, 'm not going anywhere."
eighteen months into his contract, and he's never felt so little control before in his life.
he's meticulous, prepared, tactile.
there's a gun in his holster for distance threats and a knife in his sheath for those who dare get too close.
he makes sure to memorize the exists before you even get to the venue, now making no effort to conceal himself.
he's like a shadow, or a guard dog.
you've never felt more secure. more protected.
until —
he doesn't know how it slipped past him.
he let his eyes linger a little too long on the curve of your neck, where a new diamond pendant lay with his initial engraved on the back. he admires the dip of the dress you wear, open-back that shows the enticing expanse of your back, the dress covering you above the curve of your ass. you look back at him briefly while whomever you're with speaks, eyes sparkling in the bright light of the room, a smile reserved just for him.
he hears the cock of a hammer and his eyes snap to a gentleman who brandishes a gun like he's never held one before in his life. his eyes, though. his eyes are like fire, black with rage, staring at you with such hatred.
you look one second too late.
simon is on you right after the click of the trigger, pushing you to the floor and caging you with his body.
"stay down and don't fucking move," he growls as he reaches for his own weapon, up in a flash.
you can't hear anything except white noise and screams that sound muffled, heart pounding and making it hard to breathe. two shots ring out, in tandem, and there's the telltale sign of a body hitting the floor.
simon is by your side, eyes scanning, frantic, looking for any signs of harm.
"you okay?" he asks, carefully outstretching his hands to let you stop him from touching you should you want. you don't.
"fine," your voice cracks, and you can't stop shaking.
"you're okay, you're okay," he says, cradling your cheeks, thumbs wiping under your eyes. "i'm so fucking sorry," he adds, guilt heavy in his chest.
you grab his wrists lightly, tears streaming down your cheeks as you look him over. you gasp, unable to catch a real breath, unable to look away from his stomach.
"simon — " you say, horror laced in your voice.
he looks down, seeing the red seep through his shirt.
fuck.
at least it wasn't you, he tells himself.
nineteen months into his contract, and he isn't dead.
while he's been shot before — a fact he tells you, assuming it would comfort you, but only got him a venomous glare in return — it's been awhile.
the hospital, the stitches, the gauze and needles. he hated it then and he hates it now.
price comes to you in the hospital — they're keeping simon for a little, to make sure there's no complications with his healing — offering another guard in the interim while simon recovers.
you've never shot down a proposal so quickly in your life. the nerve.
twenty-two months into his contract, and the last of the moving boxes are taped shut and labeled. some of them in your writing, the others in his. the keys to your new house are tucked into his pocket, alongside a black velvet box.
"why do we have so much shit," you whine when packing, only two boxes deep and so many rooms left to go. you're too busy stuffing a manatee shaped steeper into a box — mana-tea, you giggled when he opened it, him rolling his eyes fondly in reply — and don't see him pause, looking at you softer, never hearing "we" before like that. never dreaming he could hear it like that.
a lot of stalling on your part and encouragement on his, and the last box is packed and placed in the back of the truck.
he laces your fingers together as you drive to the new house, a bottle of champagne already chilled.
twenty four months into his contract, and you come home with something hidden behind your back.
you smile like you have a secret, which would be a first.
it's awkward to bring around from your back, but there's a large german shepard puppy wiggling in your grip, tail wagging furiously.
he feels his heart stop for a moment, unable to take his eyes off the puppy, and then the band that's sitting around your finger. he touches his own subconsciously.
you set the ball of fur down, who immediately launches at simon, whining and wiggling and trying to give him kisses.
there's a collar and tag already there, and you watch with your heart beating faster than ever, unable to stop the smile on your lips, as he wrangles the pup enough to read it.
riley.
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angelrari · 8 months
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gossip girl · pt. ii
based on the tv series gossip girl
max verstappen / charles leclerc x socialité!reader
fc: elsa hosk (y/n) · taylor hill (léa) · barbara palvin (jolie)
a/n: hi! thank you so much for the comments and the love gave to the first part. i am so excited about this!! i hope you like this part a lot!
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gossip girl here, your one and only source into the scandalous lives of monaco's elite.
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the event was extravagant. the guests were all notable people, from celebrities to businessmen, and the tables were perfectly decorated, filled with the finest wines and delicious food prepared by the best catering in town. it definitely was a party to remember, that would be talked about for years and it would solidify jolie's reputation.
"hi, sweetie". you heard a familiar voice say behind you and quickly you turned around.
"oh, hey mom. you look gorgeous". she smiled at the compliment and grabbed the hem of her dress to show off, which made you smile back to her. "where is it from?".
"chanel. it hasn't been the same since karl passed away, but virginie viard does things right, sometimes". she showed her disappointment with a wry face. "you also look fantastic, sweetie".
"thank you, mom". you took a sip of champagne. "where's dad, by the way?".
"oh, he's talking to the red bull kid. what was his name? martin? marcus?".
"max, mom".
"exactly, him. your father decided to invest in red bull a few years ago, after charles and you broke up, and it seems like the kid made him win a lot of money". she explained. "you know, your father doesn't know how to have fun without involving business in it".
"i guess somethings never change". you said and she nodded in agreement.
"look at them". your mother said and discreetly signaled with her gaze. jolie and arthur were dancing together, looking like they were having the time of their lives. "they remind me of-".
"charles and i". you interrupted. "i do feel that way too, but jolie keeps saying they are just friends".
"your sister is ambitious, maybe a little too much, and she won't settle for a formula 2 driver".
"i know". you sighed. "maybe i have to remind her i started dating charles when he was in formula 2".
"please, do. i'd love to have a leclerc in my family and now that you won't-".
"mom!". you interjected and she laughed in response.
"they are nice kids! and their mother is a wonderful person". she added and you rolled your eyes at her words. "anyway, you should go and talk to charles, he asked me about you earlier".
"let me get drunk first, maybe that way it will be less awkward".
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the autumn wind made your cheeks turn red and your hands cold. you were at the rooftop of the casino, where only a few people were. you were exhausted from avoiding charles and léa. somehow seeing them together made your stomach turn. what if they already felt this way when charles and you were dating? were there signs? did you miss them?
"y/n". you heard someone say and jumped at the sound of their voice. you turned around to face them, with both of your hands on your chest, feeling the heartbeat increase rapidly.
"oh, god". you breathed out, embarrassed by your reaction. "you scared me, max".
"sorry, i didn't mean to". he quickly apologized, smiling back at you.
"don't worry". you said. "how have you been? it's been a long time since i last saw you".
"eveything's good, yeah. i've been working a lot, but that's not exactly new, and things have been working well for me so far". the dutchman explained. "how about you? your father told me you were studying at harvard?"
"yeah, i just finished a master in business administration there and i came back a couple of days ago. i rushed it a bit to be able to attend to jolie's birthday today".
"and how come you're here?".
"to be honest, i kind of wanted to avoid some people". you answered and he laughed.
"right, charles and léa".
"i didn't name anybody!". you quickly replied and he chuckled.
you stared at the sea, feeling max join beside you. a cold wind breeze made you shiver and you moved your hands up and down your arms to warm your body up. max, who had noticed, took off his black blazer.
"here, take this".
"oh, no, you're gonna be cold and-".
"please". he pleaded and you nodded. he placed the black blazer and your shoulders and you smiled sincerely.
"thank you, max".
"it's nothing". he said and looked ahead of him. "i'm trying to get away from your dad and his friends". he confessed.
"i feel you, they just don't know when to stop. my mom has been also chasing me, telling me to go talk to charles and, please don't tell him, but that's the last thing i want to do".
"don't worry, i understand. it mustn't be easy to see your ex and the girl who used to be your best friend together".
"it's not". you agreed. "it's just- many things come back, you know? i do wish them the best and i hope their relationship lasts, but somehow it makes me question so many things. i keep thinking when did all of this start and if they liked each other when charles and i-. fuck, sorry, i'm drunk and i'm talking too much".
"it's okay". he reassured. "i know you probably don't like the advice i'm about to give you, but i think you should talk to them".
"i know, but léa hates me for leaving and i don't wanna mess things up between charles and i more. jolie and arthur are such good friends and i am scared of the consequences. i just- i don't want to start a war".
"you know this way you will never find peace, right?". he asked and you nodded. "you're gonna see them often. that's the downside of monaco. you're gonna attend the same events and you're gonna hang out with the same people". he turned around and his blue eyes starred directly at yours. "there's just no way to avoid this".
"i know, but i'd rather not do this tonight". you confessed. "thank you, max".
"what for?".
"for all of this. you probably have better things to do and here you are listening to my problems".
"well, you're helping me hide from your father, so i think that makes us even". he joked and you couldn't help but chuckle.
"i will keep your secret too".
"please, do". he begged. you starred at the moon, but he starred at you. "what are you thinking?".
"about how to leave this party without my parents noticing".
"well, i've got an idea". he said. "follow me".
max put out his hand to you and you took it. you followed him to the elevator and when you reached the first floor, where the party was taking place, he slyly guided you to a back door you didn't know it existed.
"you know, most times, when we come to the casino, we enter through this door". he explained. "people who don't want to be seen use this".
"right".
max quietly opened the door, praying nobody would be outside, but unluckily your dad and his friends were smoking near the exit. you looked at max, who starred back at you worried, grabbed his hand and started running so your father wouldn't stop you.
"y/n!". your father exclaimed.
"sorry dad! see you!". you said still running to max's car.
max took out his car keys and opened the door of his porsche for you. you sat on the front passenger seat and, a few seconds later, he joined you, sitting on the driver's seat.
"i swear the adrenaline rush i've got it's better than when i race". he said chuckling and afterwards he started the engine of the car.
the city lights let you appreciate the ocean blue in his eyes. max focused on the road ahead, but his smile didn't fade. he was attractive. hands on the wheel and eyes locked on the road, you could sense the confidence on his driving and somehow you felt safe.
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taglist: @cha-hot @carlandonorri-s @raizelchrysanderoctavius @drunkinthemiddleoftheday @crlsummer
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suzukiblu · 3 months
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I know it's totally wrong for what you're shooting for but your stories make me feel bad for Clark. All these folks judging him, when as far as he can tell Kon doesn't even want to be around him. And honestly, he's had clones before. No one expected him to mourn when a Bizarro degraded
. . . okay, friend, first off I apologize, because I def got carried away with this response and it turned into a bit of a rant, hah. Please don't take any of this the wrong way or get the impression I'm annoyed by this ask or anything, I just fundamentally disagree with SO many things about how Clark's relationship with Kon has been handled in canon and apparently I had to word-vomit a lot of that out here and now in explanation of why I tend to write Clark as being Objectively Wrong about Kon/how he treats Kon.
A) There's no convincing reason I can think of that Clark should think Kon doesn't want to be around him, and if he DID, why would he have given him permission to wear the El crest to begin with, much less offered him either the name "Superboy" or "Kon-El"? Especially Kon-El, because that's a name that originated from a specifically ADOPTED member of his birth family, and Clark offered it to him while CALLING him family, but also . . . lying to him about having a secret identity? And whole-ass other life??
and also
B) I actually WOULD expect Clark to mourn a Bizarro degrading. That's like his whole deal, in my experience of him across various media: Clark Kent is a person who thinks that every person matters and is undeniably the kind of guy that would be upset by someone suffering from genetically-inevitable degradation. Especially if the people suffering that degradation only exist to suffer it because HE, Clark "I Am Personally Responsible For This Whole Damn Planet, And Yes That IS A Threat" Kent, exists.
Like, Clark always takes way too much on himself. So it doesn't really make sense to me that a dude like that would take one look at a kid with his own face who is actually at best about a month old and just decide "yeah, this person doesn't need me ever involved in their life at all" and STICK with that assessment even through repeated problems, near-death experiences, and straight-up disasters. ESPECIALLY because Clark already knew Matrix, and she was ALSO a genetic experiment who'd been made in his image by someone he didn't have any reason to trust. But he still took Mae to his parents' farm and let her live there pretty much immediately, trusted her with SO many of his secrets and even trusted her living with his parents without, again, having to jump through ANY of the MULTITUDE of hoops that Kon did to earn a similar level of trust, and she eventually started dating literal LEX LUTHOR and Clark still trusted her after THAT!
( I mean, I think everyone thought Lex was his own son at the time or something weird like that, Because Comics, but still! STILL!! )
Shit, Clark still trusted Mae after she had a mental breakdown ON HIS PARENTS and tried to attack him and had a severe enough psychotic break that she thought she literally WAS him! Mae very quickly proved herself to be WAY more dangerous and hostile than Kon has EVER been outside of being directly mind-controlled, but from the jump Clark is way more invested in her and her life and CARES way more about her and her life. And later he responds to Kara just as differently as he did Mae, despite her ALSO debuting as both a more dangerous and more hostile person than Kon. So like . . . there's a bit of a double-standard going there, it kind of feels like? Like, at least on a meta-level. And I'm sure most of it's editorial nonsense and the kind of narrative problems that lie inherent in like . . . what, thirty-plus years of comic history and about eight bajillion different writers and the like, obviously, but it just is REAL hard to justify that behavior in the actual narrative when Clark Kent is meant to be the moral paragon that the entire damn rest of the DC universe is meant to set its metaphorical watch by.
Either way, though, I'm usually trying to write Clark as either sympathetic or at least understandable in his logic, even when it's flawed, so I wouldn't really say it's "wrong" if you feel sympathy for him while reading my writing. Like, I'm not saying he's in the right in those specific fics, but I do still want to be empathetic to his point of view. It is again just REALLY hard for me to explain a lot of Clark's canon relationship with Kon in any way other than "benign neglect due to just deliberately assuming that all Kryptonians are always Perfectly Fine, Thanks due to his own personal issues about what 'Superman' represents", and that's the KIND option.
Long story short, I really just don't care what DC says, It is NOT on the brand-new teenager with zero life experience who Clark deliberately LET put an S-shield-shaped target on their back to single-handedly foster a relationship with the perfect superhero idol that most of the damn world looks up to. I genuinely cannot think of a single significant occasion where Clark ever does anything for Kon that involves CLARK having to put in any kind of recurring effort, but we're supposed to accept that KON has to earn scraps of Clark's attention and the right to be considered a part of his family over and over again--while Clark, again, doesn't have to do anything to earn Kon's attention or the right to be considered a part of HIS family? Ever? Even ONCE??
Relationships are two-way streets, DC! That's just how relationships are, DC!! Otherwise it's just parasocial bullshit or someone taking advantage of someone else, DC!!!!
Don't get me wrong, I really love Clark, I think he's a great character in a lot of fascinating ways and that he is VERY interesting and affecting when he's done well ("you can do anything you want, and all you want to do is help people" HELLO CRYING IN THE CLUB RN), but like . . . come on, DC, what the fuck and WHY?
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an-au-blog · 6 months
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Yo your Shuggy King/ Jester AU is such a good take and I swear to everything holy i'd do unspeakable things to get more of it! Like like like --- like, what if Buggy's not even a jester and was really some third rate theif there to steel some expense trinket or another at some feast and he gets caught beacuse hes a pretty shit third rate thief and just somehow got lucky that the right door was unlocked somewhere but now these folks are ushering him in to entertain the king and his aristocratic asshole friends and he doesnt know what to do!!!! He should have just stuck to picking pockets at taverns and now he's in front of the king and -- wow, OK, so the king is kind of hot? -- nothepoint!!! -- they're all looking at him and he just... the feast turns into a roast and it's so unhinged and also a commentary on all the shit buggy really feels about these rich stuck up assholes and the king is dying from laughing so hard so he just... keeps going? And then he is asked to stay on full time and, sure, why not? Beats the streets any day and plus hes closer to treasure and can just buy his time and strike it rich but then he gets legit invested because don't these assholes know what the people need? What they want? 1 guess and the first one is already wrong because apparently everyone has their heads so far up their asses that they can't see the real issues in the kingdom so he accidentally speaks out of turn and totally out of place but the king, like, listens? He's listening to him. He's taking Buggy's advice and... oh shit... he might be in love now....
Ohhhh you did not just spike my interest back into an au that flopped like a month ago
This is sooo... I'm speechless because yes??? yes please!?!?
Also hi, sorry it took me a little to answer, i try to answer asks in order of who sent one first ':)
Buggy never stops taking small things. Trinkets no one in the castle would miss. But such trinkets outside the castle go for quite some berry. Unfortunately for him, some of the guards caught wind of what he was doing so they start following him around. He meets up with his friends and heist buddies on the outside, selling and buying and they see it all.
He still had connections that only multiplied once he got to in the palace.
One day they practically throw Buggy in King Shanks's feet and started listing all the accusations he was very rightfully blamed about and he thinks that was it. He was going to die because liked the weight of money in his pockets.
And the King is furious. He's shouting and spitting venom. No one had seen him this angry in a while, or maybe even ever. But the most shocking thing was that he was angry at the guards who caught Buggy. He claimed that Buggy was sent by him personally into the city to scout out the common folk. After all how could he know what the people need and lack if he can't leave the castle. He tels them he doesn't need such incompetent and naive people in his guard but he'll send them off with just a warning.
He was talking so convincingly that even Buggy started believing him.
When the doors close and it's just them, Shanks falls to his knees to inspect Buggy for any injuries.
The king is in his royal garments, the ones that probably cost ten times more than what he stole through the whole week. And he's just sitting there, worrying because Buggy's elbow got scratched when he was tossed in the marble floors.
After a good amount of time, Buggy still getting away with way too much, decides to test the limits. A lot had changed since the first time they met. But Buggy was still convinced that there was no way an attractive, powerful and charismatic king like Shanks was genuinely interested in a jester who only tells him what to do and steals from him. And for what? What was Buggy giving in return? Criticized the court and sneak around. Sure they messed around sometimes but the king could have a dozen way more beautiful women at his feet in a second if he wished so. So why?
One night, he feels ballsy and takes a knife into their bed. He hides it under his pillow and waits for the right time to come. He thinks that him and the king had gotten their lines so blurred that Shanks didn't notice the knife, but it wasn't true. Because when it happens nothing changes.
Buggy was fast. The king was already curled up in him, so it took only one motion for the jester to straddle him and put the knife up to his throat.
Shanks was smiling. His hands still running up and down his thighs. And the jester is so confused. If he pushed a bit harder he was sure he would have drawn blood. So why? "Why aren't you scared of me?Why do you keep me around?"
To which the answer sounded so simple it almost didn't register in Buggy's mind. "Because I relish in your presence. And you have my favor." He put his hand on the one holding the knife. "I know you won't kill me..." it wasn't arrogance. It wounded more like comfort.
Because of course he wouldn't. If he did, what would he do? He'd have nowhere to go. And the people would get some snot-nosed brat who would ruin the country. Where would he run? Who would he reside in? Who would love him like this?
Buggy didn't know how but he ended up crying in his king's arms that night. Worst part was - it was the most comforting place the jester had ever been to.
Idk something like that, I probably missed something I wanted to add but oh well
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meanbossart · 2 months
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Asks about VaM, art advice, and miscellaneous stuffs
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HI! Real quick please refrain from referring to Sad Sack as S/S for the uh... Obviously reasons LOL We call it "sads" for short!
If what you're asking for are recommendations for a website to host that kind of thing, Neocities, Twitter, Itchio and as you mentioned AO3 are all perfectly good options! Patreon too (depending on how gnarly you're planning on getting) but I'd suggest keeping that as a secondary host option because I don't think it lends itself super well for getting your work circulating. I believe Bluesky allows that kind of thing too, but I'm not too sure since I don't use it.
Now, If you're asking about public reaction rather than guidelines, anywhere you go you might find people that don't jive with the work you do 🤷 just be upfront about the type of content you're making right off the bat to avoid having anyone stumble upon it by accident to the best of your abilities, otherwise, I wouldn't worry too much. I know we're constantly exposed to examples of overwhelming harassment and "dogpilling" happening to others but... Truth be told, most of us won't ever get to the size/internet level of fame where we experience that. I think the threat is a little bit... Overstated, nowadays. Not to mention that most of the time people are getting harassment for things that have nothing to do with their work, and rather relating to their behavior and attitudes. Play smart, be responsible, and be honest! Whatever comes next is in god's hands LOL
Thank you for the ask! Not sure I was of much help 😅 but frankly when you're just starting out it's best to focus on getting the work done first and just throwing it out there, wherever it may be. You can worry about technicalities like that later!
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I GOT YOU MAN the full sketch is now up on my patreon!
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YES AND YES WHETHER IT BE STORIES OR ART OF DU DROW AND YOUR CHARACTERS SLAMMING PINTS TOGETHER BE MY GUEST PLEASE
I love seeing everyone's take on my weirdo so much, anything is honestly welcomed!
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AW DUDE thank you so much! Especially for suffering through the mammoth of a story that ANE turned into - writing has never been my strongest point so I'm always shocked to hear from people that enjoy it 🥲
About the booze question, honestly I'm not picky at all, I usually go by price and by that I mean whatever is cheapest LOL but I prefer a dry white as far as types go.
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You only have to pay for it once! You get a code that unlocks the software and all of it's features and you're free to cancel your subscription after that. At some point the code might change or there might be an update that requires subscribing again - but that seems like a very rare occurrence so I wouldn't worry about it.
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OH NO I HAVE DEFINITELY TRACED MY OWN REFERENCE BEFORE, but not entire poses! When something is challenging I'll make a point of drawing it out the usual way.
I can remember a couple of instances from Nick and mine's comic where I traced pictures I took of myself, just as a time saving measure. Again like I said in the post, there are several ways to employ tracing your own material that is perfectly acceptable. I have also traced bare-bones 3D backgrounds that I made for the same reasons.
I know you specifically asked about tracing when something's complicated, but I still wanted to be upfront to demystify the practice under different circumstances. The rule of thumb is to never use it when you know it would be inhibiting your skill development!
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Happy to hear you wanted to pick up the skill! I definitely understand the urge too LOL since playing BG3 and becoming so invested in the stories and characters my art has improved a ton, simply from forcing me out of my usual style and making me want to capture different moods and scenarios - finding something you're passionate to draw is, frankly a great damn start.
I replied to a bunch of asks asking for pointers and advice a while back, one of the questions was very similar to yours and I still stand behind the advice I gave then. Hopefully you can find something helpful here! https://meanbossart.tumblr.com/post/740543514692173824/some-art-advice-asks-ive-been-meaning-to-reply
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HMMM I don't usually think of myself as the best teacher/tutorial guy, but funnily enough I can think of a few things about this topic that I could elaborate on lol. If I do that in the near future, I'll put it up on my patreon (for free as with everything else.)
If there are any specific things about it that you (and anyone else who would be interested in it, for that matter) find challenging and would like for me to focus on, let me know!
---
That's all for now folks, and as usual thank you so much to everyone who's left a nice compliment, word of encouragement or funny tidbit in my inbox as well! I can't reply to you all individually, but I see and read all the messages I get c:
HAVE A LOVELY REST OF YOUR WEEK
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littlewestern · 3 months
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Henryships, please!
This one goes out to @belle-aesthetics who asked for Henry as well!
Henry!! Oh Henry, how troublesome you are to ship sometimes. I feel as though he's in a similar situation to Gordon where there aren't any engines that are an exact perfect fit in a way that I find satisfying.
I prefer ships where the whole is greater than the sum and facets of all characters involved are brought out by the relationship that wouldn't be revealed otherwise. But Henry has so much work to do on himself and his own confidence that it's hard to set him up in a relationship that feels balanced in that way. It's not impossible to make work, but it often feels like shipping him with other engines is an exercise in trying to pair everyone off who doesn't have a partner, which I don't care for... But I do have a few thoughts.
HIRO:
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Good ship! Solid canonical foundation, mutual respect and admiration, shared experiences on which to build further growth!
I mentioned in the Gordon post that Hiro likes being supportive and leading by example, and it's easy to imagine him finding a relationship with Henry satisfying for that reason. Henry needs someone who will build him up with reassurances and encourage him to be more self-assured. It's really cute, and I think that they'd both get something out of it.
The thing I think holds this ship back from being really top-tier is that I feel like Hiro might fall into the trap of being too helpful? Because he is so cool and nice, I could see him doing the thing he does in Henry's Hero where he tries to let Henry off the hook and ends up taking on way more work/responsibility because of it. Someone with more investment than me could do something with that, but I just don't see the potential for growth here in either of them. That wouldn't (and shouldn't) be a dealbreaker, but it makes it far less appealing for me personally. Now, a similar ship with a little bit more edge to it, that might be something. Which is why I might suggest...
EMILY:
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Oh you know I love me some Green Engine Solidarity. And it doesn't get much more solidary than this!
Rewatching the show this last time around, I was a bit surprised by how many incidental little moments these two have together, it's probably about as many interactions as Henry has with, say, Edward - intrigue!
I like this ship for a few reasons. Emily, like Hiro, enjoys "helping" other engines, but she's usually much less gracious about it, especially in the early seasons (which are the ones where I like her the most). Unlike Hiro though, Emily would not be out here cutting Henry any slack if he started getting skittish about ghosts or rain or whatever else. This is an opportunity for growth on both their parts, as Henry gets encouragement without coddling, and Emily gets practice being a bit more defthanded and gentle with her attempts at building Henry up. This is the kind of relationship I like to see!
A unique thing about Bossy Emily, though, is that she's actually never rude to Henry as far as I can remember. She ticks off quite a few engines in those bad old seasons, but Henry she's always quite sweet to. Henry matches that with a joking kind of camaraderie we don't see much from him, which I love. When Hatt asks another engine to take the mail in Percy's stead, Emily volunteers Edward for the job and Henry immediately picks up the assist by saying how Edward knows how to do everything, swanky eyebrows and all.
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After all, the mail is a job for a small engine.
They also have a connection with being safety oriented. Henry cares deeply about protocol, and does not fuck around when someone is out here flouting them for the sake of convenience Gator ahem. In another episode, Emily is assigned the title of Safety Engine, which would have been a great addition to her character arc of feeling like she has no job except for the fact that it's never brought up again afterward. Ray never forgets, though, and if it were up to me I would simply pull that into being a regular and acknowledged aspect of her character. But nobody asked me, of course.
Henry is also among the engines Emily asks to be her best friend in a later episode, which... Y'know, she asks every engine she sees but Henry readily agrees!
Idk, I think they're cute. If I wasn't ride or die for Emily/Caitlin also I think this would be my favorite ship for the both of them. That being said I do have one more dark horse contender that might be. Slightly controversial.
SPENCER:
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OKAY WAIT. LISTEN. HEAR ME OUT.
I love this episode, it's so funny to me.
"You need a big, strong, Duke's Engine to protect you? ;)" takes me out every time I watch it, and I have watched it a frankly embarrassing number of times.
Spencer, to me, is the kind of blue-blood type who is aware of his station, aware that his build and breeding make him the envy of every railway, and finds the idea of being brought down into the gutter with these common engines... utterly thrilling. He can't say that's what he wants, but oh god does he want it - and it manifests in him trying to get Henry to hide behind him like a scared teen watching a horror movie with their crush. Hi-larious.
They're not good for each other and I'm not sorry. This is my favorite Henry ship by miles. Go watch The Beast of Sodor if you haven't already, it's so great.
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tempenensis · 7 months
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I know you don't usually weigh in on non-canon content, but I've seen a lot of people say 236 was a bad ending, or like gege joked, that things are moving too fast or he's missed a chapter (or 20, I'm personally annoyed that we jumped from Nov to Dec 24, I know gege wants the manga to end for some reason, but those three weeks of training/preparation would have been a great time to let us get re-invested in the student characters since the culling game arc felt like it was missing so much)
Do you have any feeling for what could have been a better way to end things, if indeed things are ended, for Gojou Satoru? Or do you agree that things have been moving too fast?
Sorry for this and please feel free not to answer if this is not the kind of question you want to entertain, I am just curious if you have an opinion you're willing to share since I feel you have a very good grasp of the jjk's plot and themes! I trained as a literature major, so my interest is always in whether character consistency is maintained and what a story is saying and whether that message is carried successfully or not and what that might mean for us as readers. I'm personally still on the fence about this particular twist because I'm trying to withhold judgement of the piece until we actually see it as a whole, but I am starting to feel that the narrative started to unravel a bit after Shibuya, like somehow we didn't see a lot of the characters to their full potential (like Nobara T.T my baby Nobara). Maybe this is just part of gege's notorious fast pace.
Some of this I believe is due to JJK's titular meaning of the issue of curses and what they represent being an "endless battle" but there's only so many times one can show hopelessness and loss I think before it becomes almost redundant. We actually haven't seen that many on-screen sorcerer deaths, but somehow it's been two of the most popular adult characters so far, and only direct mentors, which is a frequent trope of the hero's journey in western literature. I think that even though I really wish it hadn't happened, Nanami's ending made a lot of sense. Power-wise, Gojo's current death also makes sense, and he's not the kind of character who instantly changes his mind or learns something in his heart from a single experience, but I think it feels somewhat frustrating from my point of view because despite the bodhisattva imagery, he had more to learn as a living person, rather than continuing to believe he was like a flower and maybe no one had the right to ask him to understand. I don't know, it's just a bit frustrating for me because I think it feels character consistent (which I think gege tends to be pretty good at) but somehow incomplete too.
Again my apologies for the long ask, you're always the one I wish I could sit down and have a conversation about these things with!
-raindrop anon
Hi, raindrop anon,. Good to see you again.
First of all, I don't really think Gojou's death is particularly bad, but yeah, as you said, there might be something leaves to be desired in the plot - if jjk is a traditional shonen manga, that is. But jjk is different, which is also the reason for its popularity. I feel that jjk storytelling has always been fast-paced, and one thing that Akutami-sensei does really well is to stick to the main points that he wants to tell with his manga. The last time we have a non-serious non-battle chapter was probably chapter 64 lol - but at the same time, this also shows how jjk departs from the traditional shonen jump manga custom where the mangaka tends to drag the story to make the manga runs longer. Gege on the other hand, seems adamant to want to end the story sooner than later (if his last estimation is to be believed, only a few months left for jjk).
I don't actually have a strong feeling of how gege should end thing with Gojou, but it's been a habit of him to get to the.. shocking side of things; we see this with Gojou getting sealed back in Shibuya. Nanami's death. Then we see the Culling game, and Tengen getting killed. And lastly for Gojou to die. The longstanding status quo is going to be changed eventually. And the next one with status quo is already targeted; Sukuna himself.
As I follow this manga, "things moving too fast" has always been the opinion I saw a lot discussed here in my askbox for many, many developments in the manga. And this is more of a personal preference, but I actually like the fast-get-to-the-point-storytelling that Gege uses with jjk, exactly because how it breaks away from traditional jump manga. I feel that this fast pace is just how gege do his storytelling since the beginning lol
tldr is all I can say is jjk has always been different and fast-paced, gege is unpredictable, and I'm in the opinion that Gojou's death does make sense, unfortunately :')
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dukeoftheblackstar · 7 months
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got any plo koon fic recs? looking for some new stuff that's good. one shots and long fics welcome! I'll take anything i can get
Shamelessly promoting my own:
Dom!Plo ask by yours truly, submitted by the lovely @mild-disorganization
Some tired dad!Plo headcanons maybe?
And for some that I have read and adored:
Plo Koon Masterlist by @my-head-is-an-animal (Mixed)
Thigh Kink with Plo by @saradika (NSFW)
Not a fic, but hella spice by @saradika (SFW & NSFW)
Friendship - Plo Koon & Wolffe by @wild-karrde (SFW)
PloKit Art (their entire blog) by @uiro-mgmg1 (NSFW - mostly art)
SFW & NSFW Alphabets for Plo by @samspenandsword
My favorite ♥:
Sovereign (PloKit, idk if you're into it, but I am) by @tits-fisto (NSFW but very wholesome)
The Tiniest Councilor by Quiet_Shadow (SFW)
Name and Soul by @decepticonsensual (SFW)
Haven't read but is on queue when I have the mood and will power to actually read and not thirst for our Kel Dor Emperor ♥
of claws and tusks by my bestiecakes ♥ @saengak <- Apparently, it's hella angsty and I reserve the angst for weekend when I'm not out here thirsting for this King.
in deditionem by my bestiecakes ♥ @saengak <- I've seen them write ♥, it makes me squeeeeeeee ♥
Helium by @cynderiaopus who also made my current bomb AF pfp of Plo steepling ♥
Other materials and interesting read:
@exosorcery has very interesting comics and posts about Kel Dors in general. Here's one specific of Plo Koon:
A few faves from them:
@veny-many for their AUs and Plo Koon & Wolfpack Art (also includes others) <- Presenting you the bebbis ♥
My faves:
The entire post AU 66 where Plo lives is a quintessential to any post AU 66 imho because I'm heavily invested in this and I'm about to cry because I need to organize my bookmarks (and update this) so I can give you the proper start to fin link.
I'd post more from @veny-many and @exosorcery, but if you spend a good 10 minutes scrolling, you'll be there forever. Quality art content!
You may also want to check World building and ConLang Kel Dor study, apart from their OC x Plo Koon art. Big thanks for this neat document by @plokoonsdisapprovingeyebrows
[[ @plokoonsdisapprovingeyebrows I hope it's okay to share. If not, I can take it down ♥ ]]
So far just these at the top of my head. Thank you for the Plo-related ask :D! I enjoyed sifting through my bookmarks ♥
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Don't forget to give love and reblog, comment, follow these amazing people who do so much for the Plo Koon, Dorin, Kel Dor tags ♥
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sskk-manifesto · 9 months
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yeahh atsushi's internal monologue and plea always felt like a eye of the storm moment to me, absolute silence, except for the plea for "somebody anybody... please fight with me". it could have stood well enough on its own, just atsushi calling out in the darkness, the music was not needed
EXACTLY exactly!! It's a moment of complete solitude, and that can only translate with low and slow music / complete silence tbh.
(Following a line of thought I ended up rambling a bit about some things I haven't had the chance to bring up so far, it's quite negative on occasions so leaving it under the cut / feel freee to ignore)
I don't knowwwww like why are they compressing the episodes so badly to the point in three (3) episodes they never had time to roll the ending credits. I don't get it. In my very humble opinion: chapters 84-87 should have taken one episode and half (again. The sskk / Fitzgerald fight has the same length and that's the anime screentime it got). And it actually works perfectly, because chapter 87 *needs* to be a cliffhanger at the end of the episode, so they could have easily arrenged the episodes like: all the previous episodes events (chapters 78-83) should have taken two episodes and half, then the remaining half together with the entirety of episode four would have adapted chapters 84-87. As in season 4, the amount of events adapted isn't really the issue (they're almost adapting on panel by panel basis) as much as it is the restless pace that leaves you trying to catch your breath. By making the events adapted so far take 4 episodes they could have easily spaced everything better, include some things that were overlooked (I feel like leaving out Fukuchi's motives was a big loss... Like as an anime only, why is he even doing what he's doing? I know some people have speculated it's for political reasons and I understand the argument, but then again even if they wanted to include it, how could they possibly make it fit)- not to mention, well, maybe have enough time to show the ending and not make it overlap with scenes that have a completely different atmosphere.
I don't know why they're cutting things so short. The pace was a problem with season 4 too, but now in addition to that there was also a massive and evident quality drop to the animation which... Eh. Episode 3 had whole scenes of just static frames which are extremely awkward to see, and a thousand times more so in a supposedly action centered episode. From the very beginning: if one was bitter enough to bring together all the time they spent on the same Akutagawa / Dazai on opposite sides frame in the first flashback sequence they'd get 36 seconds, which is just unacceptable.
I don't get it. Wouldn't it make more sense to make as many episodes / seasons as possible as to have more dvds to sell AND to keep the fans engaged with the franchise for as long as possible? It's not like the manga updates super quickly so they were in a rush to catch up or something. But that can only lead me to one consideration: what was the reason of having two seasons come out in the same year? From my very limited perspective, applying a little common sense, here's a very simplified way to describe how I'd guess things should work: anime company releases a season. The anime season gets the fans invested, so anime company can sell them merch for a while- and that's why you can attest an abundance of merch release simultaneus and following the anime airing. After some time passes, the audience will start losing interest: that's when anime company releases a new season, and the cycle starts over. If anime company releases the seasons with such a small time frame between them, aren't them losing profit? This way anime company basically ends up losing all the potential profit of the first wave of interest that comes after the season that released first. And it's reasonable to guess that, given the unusual amount of it, bsd profits /a lot/ from selling merch, so I don't get it. (And that is neglecting, in a way that is reprehensible on its own, mentioning the negative ethical consequences that releasing one season right after the other has, especially in relation of overworking animators. I was hoping the execution of season 5 was assigned to a new animators team who worked on it in parallel to season 4 but, given the evident drop in quality and overall how unpolished the new season is, I'm afraid one can't afford the luxury to believe that anymore).
Tl;dr: Capitalism ruined the Atsushi “I’m all alone someone come rescue me” scene, which should have had either silence or a gloomy background music, but instead got the ending song because they just don't have space to fit things. I really can't seem to understand why they'd rush the anime release because it doesn't make sense to me from any point you see it. Also justice for chapters 84-87
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hotwaterandmilk · 11 months
Text
Quick Update
Going to do a very quick point form summary of a few things...
I am changing jobs; a more fulfilling and accommodating position at lower pay. So I'll be splurging far less often on collection-related stuff (not that I was earning a huge amount before, but y'know, wafer thin spending budget now).
I appreciate the suggestions re: patreon/ko-fi/donations/etc. However, I'm just sharing edited scans of things that I own. I'm not the origianl artist or creator so I don't believe in generating profit from the content I post here. All I want to do is share images of the things I love with like-minded people in the hopes that you'll find more things to enjoy too; it's my hobby, not my career.
I really want to work on my Wedding Peach site again when I have time. It is in dire need of an update, I know, but I still haven't found a new host nor the drive needed to work on more of the written side of things. Somedayyyy.
If you like what I share on here, please like and reblog the things you enjoy. My visibility has taken a massive hit thanks to that unprovoked shadow ban and while I'm never going to be all LIKE AND SUBSCRIBE since this is Tumblr (LOL LMAO) and lord knows I'm not about clout or reach, but it would be great to get a boost now that I've dragged myself back from the shadow realm. 🙏 Much appreciated & I'm trying to do more reblogging when I have the chance too.
I've got a lot of random Hanayume stuff I'll share since I've been padding out my Onitabe collection (I can't say no to the cuteness). If they're series I'm not hugely invested in, please forgive me but when I post their images I won't be tagging character names. I started out tagging character names for my fave series and it has kind of gotten out of hand now. No shade to these series, I'm just short on time and energy so thank you for understanding.
Yes, I was fortunate enough to get one of those Kaleido Star soundtracks that was recently listed again via Amazon JP. Sorry if that wasn't clear in my last post, it was hectic updating that thing! I'll post about it when my copy arrives.
That's about it, thank you for your support and I look forward to sharing more things on here with all of you.
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yocalio · 25 days
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Hii! First of all, I'm an old follower of yours and I always loved your gifs. Recently I started watching Shōgun thanks to you. I didn't read the books (are they good?), but I'm really enjoying it. The only thing that bothers me is that they keep bringing up how John and Mariko are close to each other, while it's been a few episodes now since we saw them being intimate (I don't mean the sex scene in particular, but them being alone, deep conversations or little things, anything). It's like everybody understood the thing between them, but they're not doing much. If they wanted to keep the focus on their relationship, why didn't they show us more of them? I'm all in for the yearning, it's not like I want them as a couple right from the start, but this all talking about them but at the same time leaving them to the sides feels weird. What do you think about it? Sorry, this ask is too long (:
First of all, thanks for being a long-time follower! And I'm glad you started watching Shogun. I did read the book late last year after I found out about the new FX adaptation and it was amazing. I really recommend it. It's only one book but it's very long. 1,300 pages approximately.
As far as what's going on with John and Mariko. You're not the first person to notice this and I guess I should've seen this coming after going back recently and reading some of the earlier reviews of the show. Some journalist made a point to say that the core romance between them "fails to ignite" in a Hollywood Reporter article and in others that the romance from the book/original miniseries had been purposefully minimized. I don't necessarily think it's failed. It's igniting alright, it's just not living up to its full potential and is leaving us all a bit confused and frustrated after getting invested, especially those of us that have read the book.
(IN MY OPINION) I think this was a creative decision by the showrunners to make a more culturally sensitive and historically accurate show set in feudal Japan. This also explains why they haven't missed a beat on Buntaro's jealousy subplot while they've left out a lot of what Mariko and John go through together. I may not like it because I believe it really hamstrings John and Mariko's personalities and alters their motivations moving forward and even possibly the ending, but I really think that's why we haven't seen them interact after episode four other than some yearning glances and frosty conversations.
Never fear though, I still think we'll get some great moments between them coming up soon and probably in this next episode as Shinnosuke Abe's (who plays Buntaro) latest Instagram post hints "As Buntaro, I don't wanna watch this episode" coupled with the trailer for episode eight. Sounds like Mariko may have had enough of his crap and gives in to her feelings for the Anjin? Finally? Please?! We shall see. I don't want to get anyone's hopes up, I'm just going by what I know to be true in the book but can't say for sure because adaptations have a way of telling a different story than their source material.
Anyway, this was long. Hope it helps though, lol.
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baldurspeen69420 · 9 months
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I wrote fanfiction and now im making it your problem
"There you are now, Noir. Doesn't that feel better? Don't you feel handsome?"
Shadowheart ran the fine-tooth comb through the black cat's thick fur. He purred and stretched himself on their bed, his tiny pink toes splayed in satisfaction.
"Darling, I love you, really. But don't you think you're spoiling your beast a bit?" Astarion was lounging in the plush chair across from them, one leg propped over the armrest as he thumbed disinterestedly through a novel. "Cats are clever. You inflate his ego too much he's bound to revolt against us, I'd wager."
"He would never, he has me wrapped around his little claw and he knows it."
Noir trilled and rolled languidly, his eyes round and inky. What was it Gale had said about Shadowheart herself so long ago? Eyes as deep as the Darklake? Like mother, like son.
It had been such a long time, hadn't it? A year now since the Netherbrain crashed into the ocean outside Baldur's Gate, a year since their odd team had parted ways. Gale going back to Waterdeep, Wyll and Karlach to the Hells, Lae'zel riding the astral sea on dragon back. . . Then there was only her and Astarion, no grand purpose waiting for them after the culmination of their journey. An orphaned woman still regaining her memories and a vampire spawn with no master.
So they went together, returning to nights of an all too familiar darkness. But things were . . . different.
For one thing, they no longer traveled together out of sheer circumstance and survival, but instead as friends. Genuinely.
They had despised each other at the start of everything. Shadowheart could still remember the cold of Astarion's blade against her neck upon stumbling across his crashed pod outside the Nautiloid. The desperation that led her to drive her head against his skull to escape. The moment of standoff before their tadpoles connected, before memories of dimly lit streets and gnawing hunger filled her mind. And then there were the weeks after. Her suspicion, his ire.
She called him petulant, selfish, self-aggrandizing, foppish, and ridiculous. He called her stubborn, stupid, prudish, and worst of all, an utter bore.
But time passed. They fought battles, traveled miles. She checked his more chaotic impulses, he made her laugh. And now here they were, sharing a room in a dingy inn south of Neverwinter. Plus the cat Shadowheart had added to their little duo to Astarion's very vocal annoyance. But she pretended she hadn't seen him stroking the feline's head when he thought her out of eyeshot.
"What is it you're reading, anyway?" Shadowheart asked, leaning over to try to see the cover.
"Nothing much, just the book I found under your bed when you went out." He replied. "What is it? Lust of the Triton Prince?"
"You!-" The tips of her ears burned red as she sat up to try to snatch the novel away. Astarion lifted it out of reach with a tut.
"Oh come on, I'm just about to get to the good part. He's about to present Devina with his scaly trident. I'm too invested to put it down now!"
"What in the hells are you doing rooting around under my bed?" Shadowheart demanded. "Can I not have an ounce of personal space?"
"If you didn't stash little tidbits like this around, I'd have no reason to go scrounging, would I? Let me read, please?"
She huffed. "You can borrow it for tonight, but mind yourself next time. I think you're acting very bold for someone within guiding bolt range."
"You would never." Astarion didn't even look up. And he was right, of course, she wouldn't.
Shadowheart leaned herself back onto the bed with a sigh. He was like an annoying little bloodsucking brother. But he was her annoying little bloodsucking brother, all things considered. "Since you're this far already, how do you feel about Prince Neptunias?"
"Ugh, gods, don't get me started." He rolled his eyes. "He's beyond irritating. The whole nobleman's honor thing makes me gag. There's not a chance he'd really be half as interesting in bed as the author writes him. Now Larius on the other hand . . ."
"You're not even supposed to like Larius, he only cares about his family fortune."
"I just see a man who knows what he wants. And really, what's wrong with that? If the author didn't want you to root for him, they shouldn't have made him so attractive."
It was a fair point, his introduction always made Shadowheart a little weak in the knees. Something about the blue eyes and the duelist boots, perhaps.
Once the sun had set they were off on the road again. Shadow had gotten used to sleeping during the day on Astarion's schedule. It wasn't as if they had much of a choice, seeing as how he'd be reduced to embers if they went out into the sunlight. But this journey was meant to change that. They were going to find a cure for his vampirism, and she was going to recover a relic of Selune in the process.
As they walked, her eyes wandered up toward the stars. She thought about an old friend once more, the image of her silver sword raised to the heavens.
"I do wonder what Lae'zel is doing up there, right now. Cleaving through hordes of Beholders perhaps?"
"If I had to guess, I would say she's covered in blood and spearing a few of Vlaakith's little minions. I'm sure she's in her element." Astarion replied.
Noir rested heavily in Shadowheart's bag, leaning against her side and keeping some potions warm under his weight. Another fragment of the past bubbled to the surface of Shadowheart's mind.
"And these pets, what purpose do they serve?" Lae'zel had asked, tiny nose in the air as usual.
"They're dumb animals to feel superior to." Astarion said.
Shadow wrinkled her nose at the two of them. "How about comfort? Companionship? Do any of those words mean anything to either of you?"
"I'd rather find my comfort and companionship in a strong set of arms, but I guess not everyone gets that opportunity, do they Shadowheart?" He snarked.
Lae'zel nodded. "The spawn speaks truth. No base creature could compare to the pleasures of flesh and tongue."
"You're both disgusting. Are you incapable of thinking beyond your genitals in any scenario?"
"I'd never dream of it and I find the very insinuation insulting." Astarion drawled.
What night had that been? Just before the raid on the goblin camp? It had to be, she could remember the bowl of stew in her hands that Gale had labored over half the evening. And the special ingredient Karlach had generously added in an attempt to be helpful. That was how Shadowheart learned she had no spice tolerance and a burning hatred for Elturel hot pepper.
She had also watched their Githyanki companion directly dunk her hand into a scorching pot of stew to fish out a few chunks of meat, to Shadowheart and Astarion's fascination and disgust. No one touched the leftovers after that.
A cold rush of wind brought the cleric back to the present moment. She breathed in the smell of the dewy grass and adjusted a strap of her armor.
"I wonder if we'll see her again." She said, more to herself than Astarion in particular.
"Who's to say? Stranger things have happened. I'm more curious if they've made a fitting shrine to me yet. Didn't she say she'd memorialize us as liberators of her people? We really ought to get proper recognition for our efforts."
They walked in silence a moment until Astarion broke it.
"I do miss her too, you know."
"I know," Shadowheart said. "I can read between the lines with you."
The vampire scoffed. "Is it so easy? I need to become more mysterious, give you a challenge again."
"As if." She rolled her eyes and turned her face away to smile.
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controversial star wars opinion - I think anisoka gets too much of a bad rap. like honestly im surprised at how disliked (or outright despised) the ship is in the fandom. like yes I do see how there's a notable power imbalance since they are teacher/student, but I don't get the whole "age difference" point because they have basically the same age difference as padme and anakin. also, its not like anyone can't explore the idea of a romantic relationship between them when they're older. ahsoka didn't stop aging at 17. sorry that this is long, I just see a lot of untapped potential in their dynamic and im salty that theres such a stigma surrounding a fairly tame ship
Oh Anon, it's like you read my mind.
I'm extra salty that Anisoka has such a stigma attached to it, to the point where the it's practically radioactive when compared to ships like Obikin or even Anidala.
If we're going to start treating ships as radioactive because they have an unhealthy power imbalance, the SW fandom better invest in some heavy-duty hazmat suits.
Padme and Anakin have the same age gap, and Padme met Anakin when he was nine. Meanwhile, Obi-Wan raised Anakin from that same age, meeting him for the first time when he was in his twenties.
(I'm very aware that there are Obikin antis, but Anisoka seems to be treated as even more toxic)
I'm not saying that Obikin and Anidala deserve hate, they don't, I'm just saying it's strange that Anisoka is so disproportionately targeted.
Also, as you said, Ahsoka didn't stop aging at seventeen. In Ahsoka (the series) she's in her forties.
But, I'll be fair and briefly try to see it from the other side's point of view.
Unlike Anidala and Obikin, most of Anakin and Ahsoka's canon interactions happen when he's a grown man and she's an underage girl, and yes, the teacher/student aspect is understandably squicky to a lot of people.
Also, unfortunately, there is a lot of utterly revolting stuff out there depicting Anakin and Ahsoka that's set during The Clone Wars. I don't consider this garbage to be fan art, or representative of Anisoka fans. It's genuinely horrific and vile, and I think it really poisoned the well as far as perception of Anisoka goes.
(...and trust me, when I say something is horrific, I'm not exaggerating)
Anyway, time to ramble about my own Anisoka feelings!
I loved seeing Anakin growing fonder and fonder of Ahsoka in a completely platonic way over the course of The Clone Wars. It was a highlight of the series for me.
...but, my first introduction to Ahsoka Tano was through Rosario Dawson playing her in live-action, starting with The Mandalorian.
Part of me will always see Ahsoka Tano as a grown woman, played by an actress who has incredible chemistry with Hayden Christensen.
So can you blame me for shipping them?!
That's not even going into all the potential of their relationship.
I've got four Anisoka WIPs in my drafts right now, and they all approach the relationship from different angles. I found crafting each dynamic completely fascinating.
But I also find their platonic dynamic fascinating too. Across the Stars uses Anakin and Ahsoka's relationship to trigger a turning point in the plot, and another WIP of mine is a cute and platonic Clone Wars-era prompt that I'm loving as much as the Anisoka WIPs.
Now I need to apologize for rambling on too long!
...anyway, everyone please read my fics ;)
-Jesse xx
(...also is it just me, or can anyone else hear a hornet's nest buzzing?)
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kiigan · 1 month
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KNOWING YOUR PARTNER WELL CAN POTENTIALLY MAKE WRITING TOGETHER A LOT EASIER.
REPOST DO NOT REBLOG !!
NAME: Theia
PRONOUNS : she/her or they/them
PREFERENCE OF COMMUNICATION : Discord please! It's faster and it's easier and it has a lot of extra functionalities for both chatting and roleplay. I don't mind the tumblr DMs but they are very unreliable and more than once I've experienced not being notified that somebody messaged me or vice-versa.
NAME OF MUSE(s) : Itachi, basically. However, on discord I've dabbed a bit at writing Kimimaro, Temari, and Rock Lee mostly for fun with friends. And I suppose I should mention I also write muses in other fandoms? Though the Naruto hyperfixation has been real as of late, but yeah, I also have muses in Star Wars, Fullmetal Alchemist, Resident Evil, and several Final Fantasy games.
BEST EXPERIENCE : I would say it's that moment you look at a reply from your partner and 1) you are in awe at their writing and portrayal and wondering how did you get so lucky to write with someone so talented, and 2) you can't wait to get to replying back, no matter how long the thread may be, and in fact you find yourself having so much fun with it and getting so engaged that you easily write back twice as much.
RP PET PEEVES / DEALBREAKERS : Uhhh I would say it's probably to feel that my partner isn't as invested as I am. For example, if we agree to plot but I'm the only one suggesting ideas and coming up with scenarios, and all I get back is short replies or something generic like "I'm okay with anything". Or if we have a ship together (doesn't even have to be a romantic ship) and I'm the only one coming up with headcanons and sharing stuff that reminds me of our muses. By all means, we don't need to talk/ plot/ roleplay every single day! I get very busy myself and sometimes go radio silent. And, as someone who's autistic, trust me that I know very well the feeling of being socially awkward. But roleplay is a partnership and requires mutual investment. If I start feeling like I'm the only one excited about our muses and plots, that's gonna make me feel like I'm annoying you and, in turn, that's gonna be the fastest way to make me withdraw from it.
MUSE PREFERENCES: I have recently confirmed that my muse type is Tall and Handsome and Full of Trauma, and occasionally also full of eye gore. But also I am very drawn to "accidental" heroes, heroes that are heroes not out of a prophecy but because, within their limitations, they choose to do what is right and what is needed. And I am also very drawn to big brother figures?? A lot of my muses seem to end up adopting orphans and/or raising other people's children lmao.
PLOTS OR MEMES : I prefer plotting because, from my self-experience, non-plotted interactions get dropped far too easily (either by myself or by my rp partners). That said, I am also a big fan of letting the muses talk and choose what they want, even if it may go against something previously plotted. And I don't think this is incompatible with memes? I do love memes and they are super good for breaking the ice between people who never wrote together! And also super good to provide new scenarios with which to plot and develop upon.
LONG OR SHORT REPLIES : I have the tendency to write a lot, so I'd say long replies? Which doesn't mean I'm not interested in short ones! Especially because, sometimes, my brain is too mush to handle the long stuff so it's nice to have short ones to get some writing done. I just find it that, with muses like Itachi who rely heavily on introspection, it really is easy for me to get into it and write a lot more than originally planned.
BEST TIME TO WRITE : Whenever my brain is not dead from work, I guess. As of late, it's been a lot easier for me to write during weekends for this reason. I care a lot about my replies and I don't like to give back half-assed stuff, so really the best time is whenever I can sit down, relax, blast some music, and get to writing.
ARE YOU LIKE YOUR MUSE(S) : I am definitely a nerd like Tachi and his perfectionism + obsessiveness come from my own. We are also both introverts and we both often occasionally have... trouble to keep a normal conversation going lol. And, honestly, we are both idealists.
tagged by: @fightaers & @fighterbound ♡ tagging: if you're reading this you're tagged by default~
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kandismon · 7 months
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Do you have any tips for those who wish to create a webcomic?
I do apologize if this has been asked before!
this is a pretty big question that would probably be easier to answer if you had any specific things you'd like to know about!
but i can give you a summary of general things i've learned over the years!
disclaimer: these are my personal experiences, if any of this sounds like something that doesn't fit your workflow or preferences, please disregard!
if you've never made a webcomic before, i would personally recommend starting small. do a short oneshot first to see how it feels instead of diving right into your multi-season 2000 pages big epic story, because i feel like the workload can get really overwhelming really fast if you go from 0 to 100 right away. some creators thrive on that but it was definitely not for me. i have a lot of failed and unfinished projects sitting around because i was too ambitious and didn't know what i was getting myself into. later on i started drawing short comics for various fandoms & ships i was invested in deeply, and those got progressively longer until i suddenly felt ready to seriously tackle one of my original stories again. which was when i finally started working on #MUTED!
don't worry about sticking to the strict 60+ panels weekly schedule that you see a lot on platforms like webtoon for example. unless you've signed a contract, you make the rules and decide how much and how often you post. i've seen a lot of creators burn themselves out over that when there really wasn't any need because no one was forcing or paying them to churn out so much all the time T -T) you can still find an audience and success with a slower pace (for example #MUTED was released with 2 episodes a month, 1 ep usually had around 20ish panels iirc)
finished is better than perfect. if you're a perfectionist this can be difficult to accept, but i promise most people won't look at your panels for longer than 1.5 seconds. some wonky lines here and there don't matter much, it's more important to get the feelings across imho.
vector layers (for inking) are your best friend \o/
imho having a pretty clear outline for your story can be really helpful and take away some stress, knowing where the story is going without having to constantly sit down inbetween chapters to come up with more plot is a blessing and i wish i had been better about doing that with #MUTED. i did have a rough outline but a lot of holes in between chapters and in the end some things i would have liked to explore more never got touched on because my planning was bad and i wasn't able to find the room in the story (like some emma back story, more about jasper's family dynamics, also a bit more of a deep dive into kai's relationship with his family) (also towards the end i felt pretty burned out and just wanted to move on haha) [i'm not saying to plan every scene right from the get go, there's always room to adjust and remove or add stuff while you're working on the project, but a few important anker points here and there are important, at least for me!]
shortcuts are also your best friend, use all of them. 3d models too!
when you start publishing, don't get discouraged by algorithms and statistics and numbers (i say as that's something i still struggle with daily LOL), agonising over these things is pointless because they're mostly out of your control, focus on things you can actively do to be proud of your work. also instead of comparing yourself to others, instead compare yourself to past you! look how far you've come compared to the you from last year :>
i hope any of this helps, sorry for rambling lol if there's ever any specific questions, my asks are always open and i'll do my best to try and help out!! i'm also still learning and don't consider myself to be a person who really has anything to teach to anyone, but i can share my progress and experiences and hype you up if needed, hehe
good luck with your comic!!
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