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moongothic · 6 months

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Look I just had to get this out of my system man

I keep on thinking about what kind of theoretical hoops Crocodad would have to jump through to happen in canon and I figured being able to actually visualize the known timeline would help

And that's what this post is about. We have a visual of the timeline. Now let us think about it a whole lot.

Minor notes about the timeline graph; Luffy's birthday is on May 5th and Croc's is on September 5th, so both would get a +1 to their ages by the end of this year in the timeline. On this note, if I am not mistaken, the year Luffy was born Crocodile would've been 27 at the time of his birth and would then turn 28 a few months later. But this is assuming Crocodile is already, at this moment, 46 years old (as opposed to if he was only turning 46 this year in which case he would actually be 45 at this moment, which would further mean he would've been 26 at the time of Luffy's birth and would've turned 27. It's slightly hard to tell what the case is exactly since we don't really get those exact timestamps during the actual story, but I think he's supposed to be 46 turning 47, and that's the assumption this post is written with). (Further sidenote, according the Vivre Card Databooks (appearently), the Strawhats got to Whiskey Peak in February and by late March had obtained Thousand Sunny. Thing is that Luffy was implied to have left on his adventure around his 17th birthday, which would mean that 8-9 months would've passed between Luffy setting out and arriving at Whiskey Peak, and he would've been a few months away from turning 18 already. Which, like, is plausible, but I'm personally willing to ignore this trivia information, not gonna fucking lie)

Anyways, to recap the timeline

We don't know

When Crocodile set out to become a pirate; since he was present at Roger's execution I think the implication would be that he would've set out soon after that, at age 22, but it's entirely possible he might've already been a no-name pirate before that or he could've set out a few years after the execution

When he met Ivankov and if their meeting was like a one-and-done thing and that they never saw each other again until Impel Down, or if that's just when they first got to know each other. (In Iva's own words (in Japanese), they knew Crocodile "during the era when he was still considdered a rookie")

When he got humbled by Whitebeard; it was "soon after" he became a Shichibukai (in Oda's words), but we can't tell if that was like 2 days or 10 months after becoming a Shichibukai

What we do know is that

Crocodile made a name for himself fast "much like Luffy" (in Oda's words); you could interpret that as him causing just a ton of chaos within like a year of entering the Grand Line

He rose to fame and became a Shichibukai in the first half of his 20's (in Oda's words), so before he turned 25?

He supposedly "calmed down" / "went quiet" (again, in Oda's words) for an unknown period of time

By the time he was 30 he was appearing on the news for his heroics; we don't know when he started appearing on the news, just that by this point he was appearing on the news

So I believe the implication is that Crocodile set out on his adventure between the ages of 21-24. If you wanted to push the Crocodad angle, you might want to push it to that 24 (since his Rookie Adventure happened so fast), which would also be around the time of the Revolutionary Army's founding. And while it is entirely plausible Crocodile could've had his ass kicked by Whitebeard VERY soon after his promotion, or it could've been around the time he was like 25-26, if you really wanted to push it for the Crocodad angle. And indeed, we don't know how Crocodile and Iva-chan knew each other. The implication I think is that he transitioned before he rose to fame as a rookie, but he could've just befriended Iva-chan at the time and gotten more well acquainted with the Revolutionaries after his ass kicking and transitioned later. It would just push the "knew him in the era he was considdered a rookie" to an absolute limit, but it would be technically true, just. Kinda pushing it.

And indeed, the Problem Point; Crocodile would've transitioned at age 27 after having Luffy, already a Shichibukai, a public-ish figure.

So if you wanted Crocodad to be canon, either

A) Crocodile being trans isn't a secret, it's something else that Iva-chan tried to blackmail him with B) Crocodile being trans is a secret, so how the fuck did he keep it if he transitioned at 27

If A); Indeed, if there was a scandal about a Shichibukai suddenly transitioning, it would've been like 17-19 years ago. Arguably that would not be something worth bringing up by anyone anymore considdering he had spent at least the past 14 years (pre-timeskip) being a hero to the masses, followed by his warcrimes. Like, it'd be old news. Which would just leave us wondering what the hell the "weakness" Iva-chan mentions really was about (a child, maybe? Or a threat of detransitioning him? Something else?)

If B); Although he was clearly a menace as a rookie as he got himself a relatively massive bounty relatively fast and became a Shichibukai at a young-ish age, we don't know how many bounties he went through before he was offered the position and how he appeared on the news at the time. Like if he went through 2-6 bounty updates before becoming a Shichibukai and appeared in the news A TON it'd feel unlikely he'd be able to keep transitioning later a secret. But if he only had like 1-2 bounties in a short span of time without being photographed too much, it'd definitely feel more plausible. Especially if his OG bounty photos were either shitty sketches (like Sanji's OG poster) or like otherwise poor photos that didn't show his face/features too well. This could also be helped if pre-T (and pre-pregnancy hormones)!Crocodile was kind of androgynous (like Cavendish) and people confused him for a man to begin with On top of this, if Crocodile lost his left hand and got his scar from Whitebeard, if he just went "missing" and then came back transitioned 2-4 years later, he could maybe argue that he was like. A late bloomer. And had hit the gym after Whitebeard kicked his ass. Like yeah he had changed a lot but it's not like there's other Sand Sand Fruit users around claiming to be Crocodile. And it is worth reminding that Iva-chan ability to change people's bio-sex isn't super well known in-universe. So even if people saw him on the news and were like "wait wasn't Crocodile a chick", without knowledge of Iva's abilities people could've been like "no way, surely not, that's not possible". And although the Government maybe could've found it suspicious if they knew about Iva's abilities (which they might've, as Ivankov was a Revolutionary, and their Warlord interacting with a Revolutionary would be sus), as long as Crocodile played nice (which he did, during his Heroic Era) they might've just let it go? (Also if Crocodile was rich at the time he probably could've bribed Morgans to make sure whatever news they published about him didn't ever question his gender or anything)

So all of this to say,

The Most Likely and Most Viable Timeline for Crocodad to be canon would be, approximately;

24-25 Becomes a Shichibukai, gets his ass kicked

25-27 Enters his Quiet Era, Romances Dragon

27-28 Luffy is born, transitions, back to Shichibukai'ing

Of course, this is not an absolute timeline, it's just the one that seems the most viable to me. 'Cause even this timeline is really pushing what Oda and Iva have told us about Crocodile, both the "first half of his 20's" (as opposited to mid 20's), and the "when he was considdered a rookie".

It's pushing it. But it's kind of plausible. And I can't imagine how else it could work in canon.

I do find it interesting though how Crocodile's "quiet era" does overlap nicely with when Luffy was born. Like we don't know how long that era lasted, for all we know Crocodile could've started to get Alabasta like a year after getting his ass kicked by Whitebeard. But it's interesting! And interesting coincidence!

Another interesting note is that 17 is an... interesting number. Like Oda's first one-shot, WANTED! was published when Oda was 17 and that in some ways marks the begining to his adventure as a comic artist. Similarly, Luffy set out on his adventure at the age of 17. A lot of people have been speculating if the God Valley Incident is what caused Dragon to leave the Marines because he would've been 17 at the time. And... It's not quite the same, but if Crocodile transitioned at 27 (as in, started a 'new life', a 'new adventure' as a man at 27)... IDK it'd be an interesting coincidence

Sitenote Re:Missing Kuja Empress

19 years ago, the year Luffy was born, Hancock and her sisters were kidnapped off of the Kuja Pirate's ship when the previous Empress was still the head of the crew

15 years ago the Boa sisters escape slavery and return to Amazon Lily, the status of the former Empress is unknown

13 years ago Hancock becomes the new Empress, the former Empress is presumably dead by this point (as she is said to have died from Love Sickness)

Point being; I reaaally doubt Crocodile is the missing Empress. Like if the former Empress had also been a Shichibukai and had transitioned and was still around, there's no fucking way people wouldn't know about that, right. Like surely they wouldn't say she had died specifically of Love Sickness, right. Like it's not impossible but surely not

#Moon posting #Sir Crocodile #Crocodad #Look I just figured if I want to get this out of my system I should do that before Oda debunks the theory entirely #I know I've posted a lot about this but previously my posts have been just unfiltered thought vomit #And I just wanted to like. Organize My Thoughs and get them out of my system all nice and tidy #The worst thing about this is that at first I look at the timeline and what we know and I'm like ''no way. It's not real''#But then I think about the potential ways to get around The Problem Point and I'm like ''but what if?''#I must smother my own hopes and dreams lest I become disappointed when Oda debunks it #And yet I wish to hang onto hope #I am Boo Boo the Fool #Anyway this has been your Daily Crocodile Meta Post please enjoy #OP Meta

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fulcrvm · 14 days

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Last Line Tag Game

Thanks for tagging me @teejaystumbles ! A really nice surprise!! :D I am indeed contemplating writing two Dead Boy Detectives fic right now, but they're both in the very early 'being-outlined-in-my-head' stage, haha. They both revolve around post-s1 Edwin pining for Charles, one where Edwin takes matters into his own hands and one where he decides to have a chat with the Cat King about it. Not sure if they'll ever be written but they're intriguing!

But for the sake of the tag game, here's a lengthy bit from a Dreamling wip I've slowly been chipping away at for a few months!

A scene from Every Little Thing (Working Title)— In which Morpheus is a figure drawing professor who has just been fired from a film production based on his comics, and Hob does part-time figure modeling and is determined befriend the aforementioned professor.

Morpheus picks his class schedules wisely— he runs two first year general figure drawing classes, at 8 a.m. and at noon on Mondays and Thursdays. He helps the uni’s live figure workshop club on Wednesdays and Fridays at 6 p.m., and meets his sister for lunch on Wednesdays. All other free time was dedicated for his industry work. That wouldn’t be a concern anymore, would it. By the time Morpheus unlocks the door to the studio, sets his bag down by his desk, and starts fiddling with the ceiling studio lights pointed at the model stand, all of Morpheus’ thoughts have reduced to pure spite. Fine, maybe the big studios don’t want him. They don’t deserve him, then, their loss. His portfolio and repertoire are infamous in the industry, they’ll be crawling back to him in no time. Too bad, maybe he would have started his own production studio and he’ll end up with the next ground-breaking animated film. Maybe— Morpheus’ thoughts are interrupted by a knock at the door. He shakes himself out of it, calling, “Come in.” A glance at his watch tells him it’s only 7:48, perhaps it’s an overeager student here early. It’s only the second week of the semester, they grab every opportunity to prove themselves with a spirited step that Morpheus might be slightly envious of. “Hello, Morpheus Endeles?” Hearing his full name startles Morpheus, and he turns from the lighting settings to the door. “Yes?” The man who steps into view can only be described as radiant. He can’t be much older than Morpheus, not much taller either but wider in the shoulders. His hair is cropped just above his shoulders and he sports a neatly kept beard. Morpheus registers this all first simply because of his profession but— he gets caught on the man’s brilliant smile and deep brown eyes. There’s something there that knocks all thoughts clear out of Morpheus’ head. The stranger smiles warmly, smiles like he already cares. “I’m here to model for the morning and noon figure classes?” The man says. Morpheus clears his throat and steps forward, “Yes, this is the right studio.” He extends a hand, “Robert Gadling, I presume?” The man takes his hand— god, he’s so warm— and shakes it steadily, “Please, call me Hob! All my friends do.”

I'm a sucker for the 'Morpheus catalogues Hob's appearance during their first meeting' trope in most Dreamling human AU fics, I couldn't not do it too :]

Besides this, I've also got a Dreamling Velvet Goldmine-ish AU fic that I want to get done this summer. I'm a very slow and ruminative writer so let's see if I can commit to any of these fics now that I've posted about them lol!

No pressure tags! I have no idea who's been tagged recently so-- lol. @hardly-an-escape @valeriianz @moorishflower @amielot :)

#ive seen so many Artist Dream AUs but theyre always pretty vague with the specifics of his work so i was like #i need to write the specific ins-and-outs of what my ideal Artist Dream AU would be. and its this #that he's a really difficult collaborator with extreme creativity who starts out in animation #and branches out from there into art directing various things doing his own comics on the side (the corinthian is one of his comics)#(he DEFINITELY forays into themed environmental design)#which is half inspired by my actual professors' professional lives and a guest speaker that spoke to us recently #i want morpheus to be really good at teaching younger artists #and i want him to doubt weather his passion for storytelling is worth it #and i want hob to befriend him and ground him by reminding murphy about what he loves about making art #and of course i love figure drawing classes so much! theyre the essence of narrative art #and ofc hob and dream are gonna fuck at some point. i already have a mildly kinky sequel scene planned involving hob knowing how paint #anyway god this is so long #i just love the ideas in this fic theyre so personal to me. i really hope i finish this fic and get to share it with everyone :')#LONG POST AUGH ANYWAY BYE THANK YOU FOR TAGGING ME TASH!!!!!!#i dont really get to talk about my fic anymore so this was really nice thank you :') !#rex writes #rex speaks #tag game #last line tag game #long post #fic

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godsfavoritescientist · 10 months

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Building off of what I wrote in my fic "Sparks," I'm really compelled by the idea of Ford genuinely no longer being interested in sailing around in a boat with Stan by the time they were seniors in high school.

I like the idea of it not being just a symptom of the resentment that had been building between them, nor it being a dream of Ford's that only paled in comparison to west coast tech, but it being a genuine loss of interest on Ford's end. I think it complicates things even further in some really juicy ways.

Like, imagine going through high school slowly losing more and more interest in the dream you've shared with your twin and only friend ever since you were little kids. How do you break it to him? How do you explain it to him without making it sound like a rejection of him? Without it making him hate you?

How do you explain it without it feeling like a spit in the face to all the hard work he's put into a plan that started out as a way of him comforting you by telling you "it doesn't matter what people say about you, you're going to be an adventurer who sails away into the sunset and never has to hear their mockery ever again, and there will be babes and treasure and heroism, and then they'll all see how cool you really are!"

And all through high school you think to yourself, "he's going to move on to more realistic dreams any day now, and then I won't have to say anything about it!" But no matter how many times you mention something else he could do with his life that he seems interested in, or bring up the challenging logistics of traveling around long-term in a boat, he sounds just as committed to the childhood dream as ever, and completely oblivious to how apprehensive you sound.

So resentment grows, little by little. Because that's easier than confronting the soul-crushing levels of guilt that are building up inside of you, every time you don't take an opportunity to tell him you don't want to do the plan anymore. You don't have a single person in your life who modeled how to have difficult conversations for you. As far as you know, having this conversation with Stan would crush him into tiny little pieces and then he would hate you forever, and you can't stand the idea of losing the only friend you've ever had.

So tensions grow. A lack of interest turns into a bitter resentment that, if you were really being honest with yourself, is directed more at yourself than it is at Stan.

And then the falling-out happens, and it seems like you were proven right. Stan hates you now, and he's never going to forgive you for giving up on his dream. But two can play that game, so you try to hate him too. Because if you hate him too, then maybe it won't hurt as much that he never came back. That he never even turned up at school, or by the boat, or in through your bedroom window in the middle of the night. He knows what dad's like, and how he says impulsive exaggerated things when he's angry, and haven't you both dealt with his harsh words countless times before and been able to dust yourselves off and joke about it later? So why isn't he back at home, joking with you about how absurd your dad acted that night, being impossible and belligerent about ruining your dream, but at least now you're even, because you've ruined his dream too.

And now imagine you find out he risked the lives of everyone in existence to bring you back, right after you had accepted your fate was to die killing Bill. It would be terrifying and confusing and infuriating. If he cared so much, why didn't he do something to reconnect with you sooner? Why did he ignore you in favor of trying to make it big without you? Why didn't he take the infinitely safer and simpler action of reaching out to you without you having to track down his address and send a desperate plea for help? You were convinced that he didn't care enough to bother with you unless you had an important enough reason for him to come. But even then, he thought your plans were stupid. He didn't want anything to do with you, not even with the world at stake.

Did he save your life out of guilt? Does he pity you that much? It doesn't add up with what he did in the decade leading up to shoving you into the portal. And the dissonance between the version of him in your head that hates you, and the man who held out his arms to welcome you back to your home dimension, is so strong that you feel like you're being lied to again, like you're back in the depths of gaslighting and manipulation that Bill put you through, even though there's no way that's what Stan is trying to do... right? You can't figure it out, so you run away from it. You don't want to know the answer to whether or not Stan hates you, because you don't know which answer would hurt more, so you try to make him hate you more than ever, because at least then you would know for sure how he feels.

And in the end, after he sacrifices his memories for you, and for the world, things seem clearer. The layers upon layers of confusion and anger and hurt seem to have washed away like drawings in the sand, leaving behind the simple truth: that you two had an argument, and didn't move past it for forty years, and despite everything you put each other through, you both still want to re-connect.

So you sail away in a boat together.

And at first, it's wonderful. It's exactly what you want. It feels like an apology to Stan, and a thank-you for saving the world, and a once-in-a-lifetime chance to heal the rift between you two, and it's good to be back on earth, and you wonder why you ever doubted the dream you two once had.

But then, after the first long journey you spend on the sea together, when you get back home to dry land, Stan is already talking about planning your next adventure out on the open sea. He recaps every adventure you had on the first trip, over and over again, and he wants to chat with you all through the morning and long into the night, and you don't have the words to explain to yourself that you don't have enough social battery for this, and suddenly you're slipping back into the horrifyingly familiar feeling of Stan being overbearing and needing space from him and how could you think that? How could you think that about him after everything he's done for you and everything he's forgiven you for? But the longer this goes on, the more you realize that you still don't want to spend the rest of your life sailing around with Stan. It's great fun in moderation, but the idea of your whole life revolving around Stan and going on adventures with Stan and being in a boat with Stan with no time to be by yourself thinking about your own things and figuring out your own dreams makes your skin crawl with a claustrophobic kind of panic that you still don't know how to put into words forty years after the first time this feeling grabbed you by the throat and ruined your friendship with Stanley.

But the first time this happened, it nearly ruined his life forever. You can't let yourself feel this. You don't feel this. You're happy to spend the rest of your life fulfilling Stan's lifelong dream, and making up for the time you crushed his dream, and sure, maybe he crushed your dream once too, and maybe it would be nice for him to support your dreams like you're now doing for him, but you can't say that. He saved the universe, and it would be horrible and ungrateful and cruel for you to try to voice these feelings, especially when you don't know how to voice your feelings without it making other people feel like you twisted a knife into their gut. So you try to pretend the feeling isn't there.

You go out on a boat with Stan again. You planned out another incredible journey together, and this should be fun, and you should be happy about this, but the unspoken feeling you shoved as far down in yourself as it could possibly go is eating you alive. The worst part? Stan is starting to notice. You have never been good at hiding your emotions. The trick to it has always been to convince yourself you don't feel it at all, and not think about it, and that has always worked like a charm. But whenever the emotion claws its way back up to the forefront of your mind, you can tell Stan knows something is wrong. So you can't even give him the happy ending he deserves. You can't even convince him that you want to be here on the open seas forever with him, like he deserves. And you keep trying and trying to hide it, but Stan keeps asking in roundabout ways, like "You're being awfully quiet, sixer," and "whats that look on your face?" and eventually it comes exploding out of you like a shaken-up soda bottle dropped on its cap.

And then it's like you're back at home in New Jersey again, standing in the living room while dad grabs Stanley by the shirt. It all comes pouring out of you, in the worst possible way, with the worst possible phrasing, like a pandora's box of monstrousness, and Stan tries to fight back against the sting of your words, but you're made out of acid and you're burning through him and you can see it on his face, and there's never any coming back from this, not this time, you'll just have to either jump into the ocean or become a monster forever, so Stan can hate you more easily again, and-

-and at the end of the outburst, you're still on a boat in the middle of nowhere in the ocean with your brother, in dangerous waters, and you have things to do to keep the boat running smoothly.

You can't run away from him. He can't run away from you. You're stuck here for at least a couple more weeks, even if you turned around and sailed back towards shore right away.

And the thing that compels me so much here, despite how unbelievably angsty it all is, is that it sets up a situation wherein the Stans might end up forced to actually address the decades of resentment and confusion and wanting-to-reconnect-throughout-it-all that they thought they could gloss over and heal with enough time spent adventuring together on a boat. They might end up forced to actually address the crux of the issue that drove them apart in the first place: Ford wanting a little more space to feel like his own person, and to feel like he's able to have his own dreams, too.

It wouldn't happen easily, nor right away, but if they were stuck together on a little boat in the middle of nowhere surrounded by magical creatures they have to protect each other from in order to make it back home alive, then after they had one fight where they brought up all the things they silently agreed to never bring up again, it would probably happen many more times, and each time it would leave them both angrier at each other than ever, until eventually something honest slipped through amidst all the saying-anything-except-what-they-mean bickering. And once enough of these honest moments slipped through, then they would have a thread to tug on to start to unravel the gargantuan knot of their decades of unresolved conflicts.

And then, eventually, maybe Stan could learn that he can have a good friendship with his brother without needing to be glued to him at the hip, and Ford needing a certain amount of alone time doesn't mean he dislikes him or wants to abandon him, and Ford could learn that he can be honest and have a meaningful connection with someone without it driving them away and making them hate him.

#succumbed to the stan twins angst visions and wrote 2000 words about this #ford pines #ford meta #this turned into a character analysis that almost reads like a fic #godswriting #<- i need to change my writing tag to this #something bothers me a little bit about the solution to their conflict being 'ford appreciates stan more now so he is now fine with-#-boat adventures with stan'. to me it leaves the initial conflict of 'he doesnt want to do that anymore' unresolved #obviously you could easily argue that ford never stopped wanting to go on boat adventures with stan and he just couldnt justify it to-#-himself when compared to the opportunity at west coast tech. but that has one less layer of conflict #compared to the possibility that he truly was not interested in boat adventures anymore. ESPECIALLY if its a manifestation of him #feeling suffocated by the whole dynamic-twins-duo thing #its normal to start wanting a little bit more space especially at that age. to want to have space to figure out who you are #the healthy thing would have been them talking about it and figuring out a compromise. like 'when ford needs space he can spend a few hours #-alone without stan being worried the whole time that it means ford hates him' and 'we still spend x amount of time working on the boat and #-we still chat on the way to and from school every day and hang out at the beach on weekends'#like of fucking course it was never about hating stan or about wanting to get away from him because of who he is as a person!#he literally just wanted to have a little bit of breathing room to be his own separate person. he just didn't know how to put it into words #I really think the crux of it all was them not knowing how to navigate that balance between independence and identity while staying close #so ford misattributing/reducing that feeling to 'I dont have the exact same dream as stan anymore. why does he still have that dream. oh no #feels like a good way of giving that conflict a tangible aspect to it thats easy for the stans to point at and talk about as a way of-#-alluding to the REAL core of the conflict between them.#and of course the show never says 'they sail around the world for the rest of their lives 24/7' so it's not like it Actually Conflicts with #-my interpretation of the conflict and how it should be resolved. but since its the last thing we see happen between them when theyre given #their happy ending. I feel compelled to say 'hey I know them living in the shack together and traveling in a boat every single year sounds-#-really fun and like a satisfying ending but I think they should have a Little Bit more space from eachother than that. Hanging out almost-#-daily but not literally being in the same house and same boat for the rest of their lives. bc if stan was ok with ford asking for that-#-little bit of space and if ford didnt panic and isolate himself from everyone whenever he needs like one hour of alone time? that would-#-feel like a big piece of the puzzle fitting into place for their conflict resolution and growth as characters. to me #and I think they deserve to have all the tied-up-loose-ends and resolved-conflicts and character-growth in the world.

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nektaarr · 2 months

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Is it enough? to live through this dunya with the sole purpose to love and be loved for the sake of Allah?

#i try to burn for more #but what that more is i cant seem to figure out #i am too weak #too tired of everything #i used to have so many ideas of what i imagine this life of mine to look like #i used to dream about saving the world #even if it only was the world of one soul #now i only hope to be able to save my own soul…#yxc #been thinking about this a lot lately #:/

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wordswhisperinthedark · 2 months

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MEDALIST I AM HOLDING YOU SO TIGHTLY

#MEDALIST #メダリスト #MEDALIST (manga)#I BINGED THIS SO HARD IT'S SO GOOD #the way it focuses on the relationships between skaters and coaches #the amount of thinking and planning that is required #the emphasis of ambition desire dedication and responsibility needing to be in sync #the way innate skills are shaped by your attitude and your environment #exploring the concept of age limits in sports (or even skills in general)#and just all the cast are really fun and engaging #BUT #THE BOND BETWEEN TSUKASA AND INORI HAS ME ON THE FLOOR #IT IS SO GOOD I LOVE IT SO MUCH #THEY REALLY SAID YOU /CAN/ FORGE YOUR OWN DREAM #JUN AND HIKARU AS FOILS IS REALLY INTERESTING #because I still don't fully understand the motives behind their relationship but I HAVE IDEAS #ALSO #I love that Tsukasa and Inori's core skating philosophy is like Yuzuru Hanyu's #like. that monologue about how figure skating's core is the beauty of the figures carved into the ice by the skater????#Tsurumaikada-sensei truly said 'fuck the current over emphasis on jumps in the skating sphere' 😌#PEOPLE GO READ THIS PLEASE BEFORE THE ANIME AAAAHHH #my post

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zoeythebee · 3 months

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Does anybody else find themselves sitting and thinking and suddenly, they get an idea. Let's say for an idea for a game. Then you suddenly realize the game idea you had is vaguely similar to another game idea you had a long time ago that you had to scrap because of something fundamentally wrong with it's concept just didn't work. But then you realize if you transplant this random new idea into the old idea you basically have that old game back but better because it's not fundamentally broken.

#basically one of my dream games was a game where you played as a hermit in the woods and it was a sandbox crafting game #its fundamental issue was you had no motivation to do anything #and players won't make their own goals if there were wasn't something originally there to subvert #even the earliest versions of minecraft had “go find diamonds” and “build a house”#this game didn't have anything like that #I had some vague ideas about your achieving enlightenment through researching the environment #but it was poorly concieved #and it was a bummer because the rest of the game was pretty solidly thought out #anyway I had an idea for a game where you play as a wizard #and its a sandbox crafting game #and I figured your goal as a wizard is to achieve some great feat #and then I realized #hey this sounds kinda similar to my hermit game #anyway that is now a wizard game and if I ever have the time I would love to make it #gamedev #codeblr

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grumpy-nyks · 1 year

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The Fernweh Saga by @lacunafiction - Agnes edition

Who would have thought? 🤭

Agnes "Nes" Sigrún 🌑RO: James Corvin

Personality: sincerity // cautious // friendly // merciful Traits: heart // compliance // believer Past affinity: writing [horror stories] Primary ability: empathetic impressions Past susceptibility: receptive

☀️Fernweh: She never really thought about leaving Fernweh… It was her place, near her family and friend(s). She felt good there and assumed she’s gonna spend her whole life happily in this little town. Even if Fernweh brings back devastating memories, she’s curious about what’s happening in Fernweh now, in her true home. It’s always been her dream to work in Turn The Page, and during her ‘short’ stay in Fernweh, she started thinking about it again. Why not stay for longer…? She would love to carry on her grandfather’s work and bring his legacy justice.

☀️Grandpa Jóhann: When she was young, she had an amazing relationship with her grandpa. They were completely honest with each other, and she loved him wholeheartedly. Some people thought that making her grandpa proud was her main hobby. She used to tell him all about her dreams that she had, which were always wild... and also about the nightmares… It took her by surprise when her grandpa, one of the most important people in her life, started being less involved. She was hurt and began to wonder if she had done something to cause the distance between them. His decision to move her out of Fernweh so quickly after this tragic event made a huge impact on her mental state. She needed time to cope and be with her closest ones, especially her grandpa...but after all she didn't blame him. She often heard that she looked exactly like her mother…like her grandpa's daughter... She assumed he could not look at her, without thinking about her... And she could not blame him for wanting to escape that pain. Agnes knew it was the best thing that her grandpa could do for him, and she accepted it, too eagerly. She always too eagerly took the blame for everything.

☀️Beckett Warrick: After what happened in Fernweh after James she had even more trouble interacting with other people and making new friends… However, Beckett was an exception. He was the first person who got to truly know her after the events in Fernweh. When she got the letter about her Grandpa, she considered hiding the truth from him, because she knew deep down that he would be there for her if she needed him… even if he would not particularly enjoy it. It's a good thing she’s such a bad liar… Her main concern is about Beckett’s well-being. She noticed that this 'little' trip made a huge impact on him. He wasn’t supposed to be here, and it’s because of her that he–... She needs to make sure that nothing happens to her friend. And she will somehow manage to bring him back to his home.

☀️Reese Verner: They had an unconventional relationship. Reese saw her as a rival, while Agnes thought of him as a friend. She was confused about why Verner, someone of great importance, would even look at her see her as a rival. She knew there were better candidates for his games. She had only one question on her mind - “why?”. Despite Verner's playful teasing, Agnes always remained polite and friendly towards him, even when he attempted to push her boundaries. Girl knew how to keep her true feelings behind a warm smile she still does. If I can be completely honest… Agnes was rather shocked that Reese still remembered her… and was actually looking for her, which sounded so unbelievably. His concern for Milton's well-being made her see him in a slightly different light. Of course, she already knew Reese had a good heart, but his behaviour really touched her. Additionally, Agnes noticed that Reese and James’ relationship became stronger and deeper… It’s for the best. James deserves someone as dependable as Reese. He will always be there for James.

☀️Sofia Dorran: Their bond was formed over a shared admiration for books and... the color blue. It may sound funny now, but these things became central to their lives and deepened their friendship. Sofia was the first person Agnes entrusted with her writing, and valued her honest feedback, knowing that Sofia would not make her feel bad if something needed improvement. They frequently borrowed books from each other's collections. Agnes yearned for the days when she and Sofia had reading sessions together, sipping on their favorite beverage. The only issue back then was when the book ended poorly or their library didn't have any new positions for them to read. She's willing to know how Sofia's taste toward books shifted (if shifted) and how she changed as a person. She's also extremely grateful because her grandfather received constant care from Sofia and her mother.

🌑James Corvin: …Do I really need to tell you that James was her first crush? And that she never found the courage to tell him so? maybe now will be the time? Agnes and James were always together, wherever one went the other followed. They were inseparable. Agnes even used to bake oatmeal cookies for James with her mother's help. They dreamed of their idyllic life together. As friends, obviously. Seeing him again after all those years was much harder than she anticipated. Agnes felt overwhelmed with stress from the moment she stepped out of her car. Every time she heard his surname, she unknowingly flinched. Her mind was full of questions about his well-being, life, and changes. She couldn't help but wonder if he would be happy to see her. …she did manage to hold his hand for a moment, I can consider it as a success

☀️Alex Corvin: Agnes has always looked up to Alex for their adventurous spirit and their willingness to embrace life to the fullest. She has always wanted to adopt a bit of Alex' wild side. Whenever they are around, boredom and dullness seem to disappear. They both share similar values and support each other's life goals. If I would say which person Agnes was the most willing to meet during her stay in Fernweh that would be Alex. She was confident in their friendliness towards everybody and was sure that their kindness had not wavered. Agnes was touched when she heard that Alex was looking after her grandfather's bookstore… It appears that Beckett has a new admirer, which Agnes wholeheartedly approves of.

☀️Mal: Agnes has a sense that Mal might be suspicious, but she is quite naive and doesn't believe that he could mean trouble. Although she is wary of him and finds him a little untrustworthy, Agnes believes in being kind to everyone, and she is willing to give Mal a chance, not judging him by her own impressions of him.

☀️Goldie: Agnes is grateful that her grandfather had a furry companion like Goldie, who probably managed to brighten his spirits. She fondly recalls how her grandfather would tell her stories when he once had a dog, when he was younger and how his eyes would light up with joy as he shared his story. Agnes is committed to taking excellent care of Goldie and ensuring her safety.

#don't get me started how she is BLAMING herself for the situation Beckett is rn. she needs to go back for her theraphy sesions right away #that's why she went with him into the woods looking for Milton and not James even so she wanted to spent every single second with him :sob:#she's conflicted. being with James is something that she dreamed of but in her opinion he deserves someone better //obviously//#...that's why she's cheering for James and Reese lol. Look she just wants James and Reese to be happy and she can see how those two care of #-each other. She's happy : )#she's an idiot 🙂#is there a potential happy ending for the three of them..? maybeeee. we'll see what the story will bring 👀#im totally confident that Sofia and Agnes had their own shared little library #Agnes wrote a poem for James when she was young but it wasn't really her forte. that's why she showed it to Sofia because she knew she will #-help her. //Agnes didn't want to tell for who it was but Sofia figured it out anyway. they both knew that the other knew but weren't-#-talking about it out loud. XD it was hilarious -- for me and I assume Sofia but Agnes was terrified. XDD//#....cough James never saw this poem anyway cough...#I have this headcanon that Agnes made up amazing horror stories that James was willing to hear (for a bunch of oatmeal cookies) when-#-they had a sleepover //those stories were from her nightmares but she never said that to James knowing he would only worry about her//#btw her parents called her 'little star' and James must have heard it and (maybe?) asked Sofia to make a necklace... Sun and Moon.#did you know that Agnes had her piece of the Sun as her necklace for the WHOLE TIME. but she hid it away under shirt... x"D she was looking #-if James had his Moon somewhere... but she did not see it. anyway she wears it always.#omg i finally made it. there's also one in my drafts nearly finished and three more to go. XD #sooo curious about book two <3 #fernweh saga #my art?#Spotify #oc: agnes sigrun

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daylighteclipsed · 2 years

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[thinks about Sora and Riku] oh god oh fuck [collapses]

#I’ve been on a.. vacation you could say the past couple days #so i haven’t had a lot of time to be on here or think about the boys #the feelings are hitting hard and fast now. man…..#soriku #i hope riku’s dreams come true. i hope he gets to say how he feels #and that sora figures out what’s going on w his own feelings #and the meteor shower promise it’s all so sweet i love childhood friends to lovers I’m gonna cry

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littledreamling · 2 years

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A Funeral for a Living Ghost

An excerpt from my upcoming ficlet about religion and mourning and the process of letting go

Hob Gadling had a bad habit of attending his own funerals.

It had started in the early 1500's. He had taken something of an extended vacation, traveling to the Holy City of Rome, finally restored to its former glory after languishing for years while the Papacy resided in France. When he had returned to London after twenty or so years, his beard grown in and his hair significantly lighter from the southern sun, he had been welcomed back by his neighbors as his own son. He had been forced to, on the spot, spin a tall tale about his dear father, who had met his demise under the hooves of a draft horse. The entire town, good Catholic Christians that they had been, had insisted on a funeral. Last rites and all, they had said, and Hob had been too touched to refuse. The majority of the attendees hadn't even known him; they had simply known of him, had heard stories from their parents about their old friend, Robert Gadling.

There hadn't been a body to bury, for obvious reasons, but he assured his neighbors, to the best of his ability, that the body of his father had been laid to rest in Rome. Not home soil, but holy soil nonetheless. Still, his neighbors insisted that there be, if not a funeral, a service. A commemoration of his life, of everything Robert Gadling had done for his community and once again, Hob was too touched to refuse.

The church had been quiet; the kind of quiet you could feel in your soul. It was the quiet of respect, of mourning, of a great and terrible sorrow. In that quiet, Hob Gadling found himself thinking of his own father, the father he truly had lost, and found that the stinging tears prickling at his eyes were as real as any he'd ever shed.

For the first time, he had allowed himself to mourn his friends; those he had known, the parents and grandparents of those who filled the pews of the church, those he had seen be born, those he had seen take their first steps and babble their first words, those he had attended weddings and funerals for. He had allowed himself to mourn that version of Hob Gadling, the name he would never wear again, the person he could never be again, the life he lived until he could live it no longer. He had mourned, and then he had left.

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