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#I don't want to read this thing and I wrote it
madlori · 2 days
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If the only thing you can lord over buddie is that bucktommy is canon, then you really didn't care at all about the ship.
7 seasons of being a family unit, being there for each other, having each other's back but hey! Here comes another underdeveloped love interest, but since it's a man this time, you don't care about Buck being stuck in the same hamster wheel, again, because he's kissing a man and that's hot 🙄
Also for all your doom and gloom about buddie not happening, do remember that Tommy/Eddie was an idea in Tim's mind at first, so Eddie can be read as queer, even if it's not in canon yet.
I guess you don't place much value on them being a family unit and always there for each other, and having each other's back...all of which is still true and will continue to BE true. But it's only important to you as a prelude to them kissing, right? It has no value in and of itself. I love their relationship. I love what they are to each other. But YOU are making me not want to see it, because every time they turn to each other, lean on each other, support each other, we have to listen to you shrieking BUDDIE CANON CONFIRMED or whatever, because to a certain genre of shipper (not all buddie shippers, etc) any interaction or feeling they have with each other exists only in service to the ship.
I swear to god, I'm gonna banish the phrase "hamster wheel" from y'all's mouths until I get an actual definition as to what you think it means, because from where I sit, to you it just means "he's with someone who's not Eddie." To me, it means that Buck continually fell bass-ackwards into relationships that weren't right for him, looking for something he wasn't even sure what it was. And heyyyyy, he's currently in a relationship that he actively chose and fought for, having learned something new and important about himself, with someone who makes him giddy and excited in a way we have never seen him be, who the people around him can see gives him contentment. But none of that matters, because it's not Eddie, and that is by definition his only appropriate partner, so he must still be on that hamster wheel. Also if we're going by creator intent here, Tim's said he wrote this relationship specifically to reflect Buck being off of it.
As for underdeveloped love interest? I wrote an entire ass essay about how MUCH we know about Tommy, and it's reams compared to anything we've ever known about Buck's girlfriends OR Eddie's current girlfriend who does not even have a last name. Tommy has been introduced in a way that integrates him with the 118, with multiple interests, a character arc of his own from his first appearance, a set of motivations and emotional arcs that are NOT about Buck, and something to actually offer in a relationship besides existing. Anyone saying he's underdeveloped is determined to read him as such, especially for the limited amount of time we've had him.
And I never said Eddie couldn't be read as queer. He can EASILY be read as queer. I said he WOULDN'T be. Those are two different things. If Tommy and Eddie had gotten together (which I give no more narrative weight to than Maddie and Eddie getting together, which was also a gleam in the eye at one point) I'd equally be saying that Buck would never be queer.
It's hilarious to me that I'm being accused of liking a ship because it's hot (it is, and I do, and that's...fine? there's nothing bad about that?) as if people enjoy Buddie because of the amorphous purity of it all and not at ALL because it's hot (it is and you should say so).
If my thoughts about this are so upsetting to you, just block me, dude. I promise I won't take it personally.
Also, just...learn to enjoy a ship whether it's canon or not. I've done it, we've all done it. It's not that hard, especially THIS ship, which has so much good stuff to it regardless of whether there's romance or not. Those of us who like Buck with Tommy are not taking away from you enjoying Buddie, or anyone doing so. It's not like...the State of Buddie will lose congressional representation if the population falls below a certain level. The existence of another ship does not affect yours.
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wlwprker · 1 day
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coffee + post it notes- s.r. x barista! reader
a/n: I am so bad with titles omg sorry! I literally had a dream about this so I'm turning it into a little blurb! I have never written for Spencer before so i hope this is okay haha :) this was longer than i expected omg lol
warnings: minimal proofreading, use of bold and italics, I apologize for grammar or spelling mistakes
wc: 1,126
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Spencer was not having a great morning, he was not anticipating the rain to be as heavy as it was and just as luck would have it, his umbrella got stuck and was not helping to protect him from the downpour. Spencer sighed in annoyance as he bolted and nearly lost balance as he got on the train, the ride was not bad but there was one thing he needed more than anything:
coffee.
Spencer is not a coffee drinker at all, he drowns his coffee in lots of sugar that Derek teases him for which is ridiculous, he needs the sugar! He was early enough, he usually is one of the first people to enter the building, but he didn't want to wait for coffee, he needed the caffeine as soon as possible. Spencer stops in his tracks when he sees a quiet coffee shop that is very close to work, and he has no idea how he has never seen it before. Spencer pushes open the door to The Thinking Cup Cafe and the smell of coffee and pastries hits him all at once but there's a third smell that hits him that most people don't pick up on, but Spencer picks up on it immediately.
The smell of books.
Spencer sighed happily, his bad morning long forgotten as he took in the shelves of books that lined the walls and the quiet bustle of the morning rush of people getting their caffeine to start their day. Spencer walked up to the counter to place an order, but he almost tripped over himself when he made eye contact with you. You were really pretty, it made him extremely nervous.
"Hi! What can I get for you today?", you ask with a smile on your face and that smile warmed him instantly and he hasn't even had a sip of coffee yet.
"Oh- I'd just like a medium black coffee with lots of sugar, please", Spencer hated the way he nearly forgot how to speak because of you. You were just a barista at a coffee shop, and he could barely get a full sentence out without stuttering.
"What's your name?"
"Spencer"
You smiled softly as you made his order, and your friend eyed you curiously as she watched you write out a little note on a post it note and folded it and tucked it behind the order receipt that you attached to the cup. Spencer thanked you for the coffee and headed to the office, he sat down at his desk and took a sip of his drink, but he caught sight of the post it and his eyebrows furrowed as he took the note and opened it and read:
I hope you have a good day :)
Spencer smiled and folded the note and tucked it away from prying eyes, he wanted to keep this a secret even if it meant nothing.
You looked forward to seeing Spencer even if he never came regularly which made you develop a tiny crush on him, you missed him when he didn't come in, you swore to never get hung up on a guy like this, but he felt...different.
Two weeks went by, and he had finally returned to your coffee shop and your coworkers took note of how you visibly glowed and they thought it was hilarious.
"You are a lost cause", your friend had whispered to you between handling customers, and you ignored her. Spencer scanned the shelves of the books, picked up two books and walked to the counter.
"Hi! welcome back! What can I get for you?", you felt like a little girl with a crush, but you couldn't help yourself, he just radiated kindness and he piqued your interest probably because you barely knew anything about him.
"My usual, and these two books, please", Spencer said shyly, and you found him incredibly adorable. You got his coffee for him and wrote out another note and stuck it one of the books, you decided to make it your thing with Spencer even if it never went anywhere, you enjoyed your little fantasy.
Spencer got back to his desk and opened one of the books and saw another note which made him feel warm inside, he liked that it was your own way of communicating with him, he felt special.
You are starting to become one of my favorite customers but don't tell anyone!
The smile on Spencer's face was huge and being a profiler surrounded by profilers, they were curious. JJ was the first one to make the step to approach Spencer because he rarely smiles like...that. She was intrigued.
"What is making you smile so much?" JJ asked and Spencer frantically packed his things away and stuttered out an excuse that was not believable at all.
"I'm betting it's a girl" Derek said as he watched Spencer at his desk for the fourth week in a row smiling brightly with a faint blush painting his cheeks. Emily nodded in agreement as she pondered what to do next. Penelope left her office to see what the huddled group was discussing, and her face lit up at the mere thought that Spencer had found someone.
"When can we meet her?"
Spencer nearly fell out of his chair as he busied himself with paperwork, but he knew he couldn't not answer her because she is persistent especially when it comes to her friends love life.
"It's nothing like that, I don't even know her name! She's just nice and very pretty", Spencer mumbled as he avoided Penelope's eyes. Spencer adored Penelope so he couldn't not spill the details to her.
Despite his best efforts, he walked into the coffee shop with Penelope, Emily, JJ, and Derek. He found himself looking at you while you were talking to a coworker, he just wanted to know you more than just the barista who gave him his coffee and slipped in notes.
"Spencer, hi!", you said as you smiled at him, and Spencer waved back with a goofy smile on his face. Spencer felt his face heat up at all the words of his friends praising you, he wanted to hide.
Spencer left his friends and walked up to you and you both fell into easy conversation as if you were friends for years and soon enough you both had to go back to your jobs, but you didn't want this connection with Spencer you had to end.
As if he read your mind, he scratched the back of his neck before speaking. "I don't want this to be over"
"It doesn't have to be, do you want my number?"
Spencer was grinning ear to ear as he pondered what the future held for the two of you.
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ixexile · 3 days
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Mrs. Officer
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I made this for my best friend and had nowhere else to post this so sorry if it's shitty the last time I wrote fan fiction was in 2012 about One Direction (I also don't know how to add the cool pics yall do)
**Hardly proof read**
“I make her wear nothing but handcuffs & heels and I beat it like a cop”
y/n’s POV
It’s been five months since Nate ended things with me and by this point I thought I would be healed from everything he put me through but I still find myself missing parts of him. I miss the status it gave me, I miss the chaos, I miss the holidays back in Boston and being surrounded by his family and friends. Well, except Chris, I do not miss Chris. Chris has been in Nate’s life since they were small and was always around throughout our two year relationship - I tried so hard to gain a connection with my ex's best friend but no matter what Chris was standoffish and cold. We all go to the same small university in Pennsylvania and my sorority and their fraternity always have events together so keeping away from them has been challenging. Lately I have been mostly keeping to myself and trying to stay away from any mixers or events because I can not face them and honestly it’s not even Nate who gets under my skin the most it’s Chris. When he sees me around campus he acts like he has never met me or rolls his eyes at me or makes some snide comment about what I am wearing. I am sure Nate has told him that I do not care for him but he is the one who was a dick to me first and at this point he needs to grow up. Tonight is Halloween and I have decided I am finally going out tonight. I am known as the party girl in my sorority and my absence has not gone unnoticed and I can not give Chris Sturniolo the satisfaction of thinking he is controlling me and I will make sure to wear a costume that will really piss Chris off.
Chris’ POV
“Do you think y/n is coming tonight?” I asked while mindlessly scrolling on my phone. 
“For the tenth time Chris I have no fucking clue if she is coming tonight. Why do you keep asking me? If you care so much, text her” Nate rants. 
“Assuming I care about that bitch is really bold kid” I mutter, still not looking up from my phone.
 “I mean you were the one who was interested first until I slid in and stole her from you” Nate teases. 
“That was almost two years ago” I roll my eyes. ”I am just happy you are the one who got stuck with her” I smirk at Nate.
I can't grasp what exactly makes me tick about y/n. Was it the fact Nate purposefully went after her once I showed interest? Was it the slutty outfits she paraded around on campus? Her smart mouth? I can’t figure it out but all I knew was she drove me crazy and made my dick twitch.
“Let’s get ready for the party, people will probably start getting here soon” Nate says, startling me out of my train of thought.
“Yeah, okay” I nod, getting up from the couch. 
y/n’s POV
“Are you sure this looks okay?” I say while staring at the full length mirror looking at myself in every angle possible. It’s not that I’m not confident I just want my comeback to be memorable. I decided on being a sexy cop wearing a crop top, a badge, short shorts, a hat and functional handcuffs. 
“Yes y/n you are slaying! Nate is going to be so pissed.” Madi beams back at me in the mirror. I shake my head and stifle a smile. As much as I don’t want to see him it would be fun to remind him of what he had. 
“I don’t want this night to be about him” I say, turning to Madi, looking into her eyes. Madi is dressed as the corpse bride. “I am honestly going to do my best to steer clear from him and his douchebag of a friend.” 
“No no I agree, you just look really good” she squeezes my hand. " I wish Chris wasn’t such a douche, I mean he is pretty hot.” Madi giggles.
“I would never.”
As we start nearing the Fraternity house my nerves start getting the best of me and my stomach starts to turn. I slow down walking, trying to catch my breath and Madi notices. 
“Y/n I love you but I am not letting you talk your way out of this one. You can not let them control your life. After a couple of drinks I am sure that you will relax and this house will be packed. You might not even see them.” Madi assured me. I nod my head, run my hands over my face and let out a deep breath.
“Okay..fuck..okay let’s go” I say while grabbing her hand and we take off towards the house. 
Chris’ POV
The music is so loud and my head is swimming..I think I may have pre gamed too hard. My nerves are shot at the thought I may see y/n tonight after what feels like months without properly seeing her. She hasn’t been around much and I would know because I scope out every event looking for her but I know Halloween is her favorite. She would always make Nate carve pumpkins and bring her to haunted houses. He complained to me the whole time but I would have done anything to be in position. To watch how scared she would get and hold her and make her feel safe. No matter how hard I tried I was always a dick to her while she dated my best friend..I was just so fucking jealous and couldn’t stand the way he treated her and she just let him. Fuck, I need to get some fresh air. I start making my way out the house when some girl I am pretty sure I hooked up with last semester stops me.
“Oh my god are you supposed to be Steve Harrington from Stranger Things?” she slurs.
“Yeah and I am guessing you’re supposed to be Eleven?” I ask flatly. 
“How did you know?! Yes! Can we please take a picture together?” she smiles.
“Yeah whatever” I put my sunglasses up on my head and bring my bat up.
“Thaaaannkk you Chrisss” she says hardly being able to stand. I just nod and try to find the nearest exit of the house. I step out onto the porch and close my eyes. Maybe y/n won’t come tonight. 
“Madi please stop walking so fast these shoes are not meant to do fucking track and field” I hear y/n yell and my eyes fly open. 
“Sooorrry y/n” I hear Madi sing while skipping.  
Before I can retreat back into the house, y/n spots me. Madi grabs her hand and they start making their way up the stairs to the front door.
“Chrisropher” Madi snaps.
“Madi” I snap back. 
Y/n walks past me without looking in my direction. Of course she would be wearing some slutty costume. I absent-mindedly adjust myself before saying “Come y/n it’s been so long, haven’t you missed me? No hello?” I smirk.
“Fuck you Chris” y/n spits. 
y/n’s POV
“Okay I hate to laugh but the fact that Chris was the first person we saw is kind of crazy” Madi laughs once we enter the packed living room. I laugh and roll my eyes.
“I definitely need a drink after that, do you want one Madi?”
“Yes please”
 I walk towards the keg and wait in line. I’m actually not as shaken up as I thought I would be after seeing Chris. I will just never understand his issue with me but I am not letting myself ruminate on it. I fill Madi and I’s cups up and as I turn around I can feel the liquid spill down the front of me. 
“Oh shit sorry…wait y/n! A little birdy told me you were here I guess I didn’t believe them” Nate says.
“Hello Nate. Yeah I’m here and now my costume is ruined thanks to you.” I grumble as I grab napkins to wipe myself off. 
“How are you?” Nate slurs. “I am sorry for all the like shit I put you through y/n really I am” he pouts while putting his hand over his heart.
“All the shit? Do you mean cheating on me for two years with multiple girls? You mean humiliating me in front of everyone? Is that the ‘shit’ you are referring to?” I snarl.
“You know Chris always told me that you were just some dumb girl and I really should have listened to him. You can't even take a sincere apology from the man who made you who you are.” Nate boasts.
“Made me who I am?” I laugh. “Nate you are a president of a Fraternity get the fuck over yourself my god.” I yell. I make my way back to Madi with two half filled cups.
“Umm..what happened to you?” Madi asks, scanning my face while grabbing her cup.
“I don’t even know it’s so packed in here. I just kept getting bumped into! I am going to go to the bathroom and clean myself up!.” I can’t let Madi know what happened between Nate and I. I don’t want to ruin her night but I just need to have a little bit of alone time.
“I can come with you if you want! Maybe help you with your costume?” Madi offers.
“I’m okay, thank you” I offer her a smile.
“Keep your phone with you y/n, I mean it” she says sternly. I salute her and she rolls her eyes. 
Chris’ POV
“Wait you spilled a drink on y/n? Purposefully?” I ask Nate while standing in the kitchen.
“Not purposefully but whatever she deserved it” Nate states. “You should’ve seen the look on her face once she realized it was me.” Nate laughs.
“You do realize that you are the one that cheated on her and made her life a living hell?” I ask, feeling my face get hot.
“What? Now you suddenly care about y/n’s feelings? Didn’t seem like you cared too much when you were trying to convince me to break up with her for two years” Nate responds while putting his hand to his chin while pretending to think hard. “But you know I could always tell you wanted her” he wags his finger at me.  “You wanted to feel her mouth around you didn’t you? You wanted to hear her moaning your name, right?” Nate taunts.
“You better fucking watch it kid” I say while shoving Nate. 
“Okay enough let’s break it up” some random guy yells while getting in between Nate and I. I decided to head to the bathroom to try to cool off. I don’t know why I have been such a prick to y/n when Nate is obviously the issue. Great, no line to the bathroom. I try the door and it's locked. Of course. I knock loudly on the door.
“Yo, is anyone there?” No response. “Hello? Come on bro I have to go” I yell over the loud music. I put my ear to the door and I can hear the water running and sniffing. 
y/n’s POV
I feel like such an idiot while I stand in front of the mirror trying to desperately get this sticky beer off of me and fix my makeup. Why am I even crying? This is such a pathetic state to be in at a party.
“Yo, is anyone there?” someone yells. “Hello? Come on bro I have to go.” 
I freeze. It’s Chris. Of course it’s Chris, why wouldn’t it be Chris? Please god get me out of here. The excessive knocking is making my head hurt.
“WHAT?” I yell throwing the door open to be met with a startled Chris.
“Were you crying in there? Chris asked with his eyebrow slightly raised.
“Nothing gets past you huh?” I say while trying to get past him.
“Oh no you are going nowhere” he says while pushing me back in the bathroom and locking the door behind him.
“What is your fucking issue with me Chris?” I snap.
“I don’t know what you’re talking about y/n '' he starts.
“Spare me the bullshit you haven’t liked me since the day we met and I haven’t done anything to you!”
“Haven’t liked you that's rich” Chris mocks. “Haven’t liked you y/n? You have been all I thought about for two fucking years but you chose Nate.”
“What? What are you talking about?” I ask wondering if I heard him right. Chris sits on the side of the bathtub and puts his face in his hands. Chris sighs.
“I don’t know what I am saying” he mumbles through his hands.
“I mean you can start off with a sorry perhaps” I say while prying his hands away from his face. He looks up at me and smiles and rolls his eyes. 
“I am sorry y/n I really am. I don’t know why I have treated you the way I have for so long. I think I may have been jealous of you know like your relationship or whatever” Chris confesses.
“What? Did you think I was trying to get in between you and Nate? I never wanted that” I say while putting my hands up defensively. Chris giggles.
“You really are dense, aren’t you?” he stands up towering over me. “I wanted you y/n..just you” he stares down at me. I feel like I am being pranked, is there a camera in this bathroom? Is Nate outside listening? 
“Don’t fuck with me Chris” I whisper and shove his chest. “This isn’t funny at all. You act like you don’t even know me anymore. It’s been five months and this is the first time we’ve held a conversation and you want me to trust you? I can’t.” I say holding back tears. I have felt so alone after the breakup and I can’t handle being taunted.
“No I get that” he says while tucking a hair behind my ear “I have been really shitty towards you and I guess if I was you I wouldn’t trust me either but I am serious “ he tips my chin up forcing me to look into his eyes “I have wanted you for so long, Ma” he licks his lips. I involuntarily squeeze my thighs together looking for any type of friction.
“Chris” I whisper.
“And that fucking outfit jesus christ y/n” he smirks down at me. “Turn around for me baby..bend down in front of the sink” he whispers in my ear. I’m fucked. I turn around slowly and see my flushed face in the mirror and bend down. Chris tuts.
“No, don’t get all shy on me y/n. I have heard you in Nate’s dorm. Look in the mirror.” Chris demands. 
Chris’ POV
I look in the mirror and see y/n’s flushed face. I can tell she’s breathing heavily with the way her breath is fogging up the mirror. I press my clothed hard on against her and she bucks her hips back. “You’re such a needy girl aren’t you? I have been waiting for this for so long Ma you have no idea. We are going to take our time. Can you be a good girl for daddy?” Y/n nods her head. “Words baby”
“I’m going to be a good girl Chris” Y/n says breathlessly. I back away from her and she whimpers. My hand meets her ass with a loud crack which makes her jolt. “Who are you going to be a good girl for?” I tease. 
“A good girl for you daddy..always a good girl for you” she whimpers. I can tell she’s embarrassed with the way she keeps trying to hide her face. 
“And I want you to watch y/n I want you to watch yourself while I touch you okay? I want you to see all the pretty faces you make” I lean over and whisper in her ear. She nods again. “Words y/n. I’m not going to tell you again.”
“Yes daddy,” she moans. 
“Pull your shorts down.” I watch as she pulls her shorts down as I palm myself through my jeans. No underwear. I lock eyes with her in the mirror. “No underwear y/n? You’re such a slut huh? Look at you clenching around nothing” I tut. “I bet you wanted me to find you like this with your shorts off bent over the sink with your pussy soaked” I laugh. 
“Please” she whines. 
“Please what baby?” I taunt. 
“Please daddy please touch me I need you so bad”
y/n’s POV
I never would have thought I would be begging Chris Sturniolo to touch me but here I am bent over a sink with my pussy on full display for him. I have never experienced anything like this before. Sure Nate and I had sex but never like this and I’m almost scared I won’t be able to take it. Chris gets on his knees and starts kissing up the back of the thighs and I can feel myself dripping down my legs. 
“God look at you Ma, you look so pretty” Chris says and while wiping up my slick and putting his fingers in his mouth letting out a satisfied moan. I clench begging for something, anything at this point. “And look at how you respond to me, you're such a good girl.” Chris spreads my legs and buries his face in my pussy and focuses on my clit. 
“Fuuck Chr…Daddy.” I moan out. He swirls his tongue around my entrance before plunging it fully in making my buck my hips against his face. “S-Sorry Daddy I didn’t mean to move.” I plead. 
“No baby it’s okay I want you to fuck my face like the little slut you are” Chris says while grabbing my ass. I start fucking myself against his tongue and I can feel my legs start to shake. 
“I’m close..I’m so close” I pant and Chris snakes his arm through my legs and starts drawing lazy circles around my clit. “Yes please just like that…nghhh..fuck fuck I am going to cum” I scream out and I see stars while I ride out my orgasm all over Chris’ face. 
Chris’ POV 
Y/n turns her head to face me and giggles. 
“What?” I smirk. 
“You still have all of your clothes on” she laughs. I stand up and she turns to face me and grabs the back of my neck. Our lips smash together and I let out and moan as she bites my lip and runs her hands through my hair. She grabs my sunglasses off of the top of my head and places them on her eyes, breaking the kiss. 
“Against the wall Daddy” she barks at me trying not to laugh. 
“Oh are you giving orders now?” I smirk. I can feel a wet spot sticking to the tip of my cock. 
“Well I am the cop you know? So..against the wall” she stands on her toes and whispers in my ear. I back up against the wall and watch her unbuckle my belt. 
“Shirt off” I whisper while taking her police hat off her head and running my hands through her hair. She surprisingly listens, taking her shirt off. “Bra too” I say. I watch in awe as her tits bounce. “Fuck y/n. You are stunning.” She pulls my boxers down and my cock springs out hitting her face. I hiss at the cool air. 
“You’re so big daddy” she looks up at me through my sunglasses. I just nod and lick my lips. I don’t know how long I am going to last if she keeps looking at me like that. She kitten licks the tip of my cock and I can’t help but buck my hips forward burying my cock in her throat. She hums around my cock making me throw my head back. 
“You’re taking me so well fuck. I want you to get yourself ready for me okay baby? Stretch yourself out for daddy” I instruct her while I watch her finger her pussy. I grab her hair fucking her throat and watch her gag and spit on my cock. She grabs my balls and gives them a firm a squeeze. “Fuck yeah Ma, just like that. You going to swallow all of me y/n?” I moan out. She nods and looks up at me through her wet eyelashes. My hips stutter as I squeeze my eyes shut and cum down her throat. 
y/n’s POV
I make sure to lap any cum with my tongue as Chris winces at the sensitivity. 
“You are fucking unreal y/n” Chris laughs. 
“Oh I know” I wink back at him. 
“Are those handcuffs real?” Chris nods at the handcuffs left on the top of the toilet already getting hard again. 
“Yeah” I smile shyly back at chris. “They’re real” 
“Stand up, turn around and hands behind your back” Chris demands and I do as I’m told. I know he had me stretch myself out but I can’t help being a little nervous considering he is way larger than Nate. Chris walks over, grabs the handcuffs and cuffs my hands behind my back. 
“Bend”
I bend over the sink and glance up at Chris who is just staring at me. 
“What?” I ask nervously looking at his reflection in the mirror. 
“You just look so good I can’t even believe my eyes bro” Chris says dumbfounded. 
“Calling me bro right now is crazy” I say rolling my eyes.
“Right..sorry officer” Chris winks at me and lines up with my entrance and grabbing my hips. He slids into me slowly without breaking eye contact. He is so fucking huge. 
“Jesus y/n your pussy was fucking made for me” Chris moans and bottoms out. I can feel him in my stomach. “You tell me when to move baby…you’re taking me so well, such a good girl for me” he soothes me while rubbing my back. 
“S..slow please move slow.” I whine out. Chris starts moving slowly and I rock my hips back starting fuck myself back on his cock.
“Yeah baby, you're doing so good. You look so pretty fucking yourself on my cock for me. Can I go faster?” Chris breathes out. 
“Please daddy” I moan. Chris wastes no time and starts to pound into my pussy. 
“Deep breaths baby you can take me, fuck you’re so wet” Chris mumbles and lifts my leg up until my knee is on the sink. “Fucking look at you Ma so fucking good for me” he pants. I just nod my head. “Have I fucked you dumb baby? Too tired to talk to your daddy?” Chris laughs.
“Gonna cum” I mumble out, hardly able to talk.
“Go ahead baby cum all over my cock make a mess all over me y/n” Chris grunts. I scream out cumming all over him while babbling. Chris continues to pound into me.
“Dad..dy too sensitive” I whimper.
“I know baby I’m almost there, so good for me” Chris huffs out. “Can I cum in you baby?” he questions.
“Please daddy please come in me” I beg.
“Yeah want me to fuck my baby into you? Want everyone to know you’re mine you dirty slut” Chris’ hips stutter filling me with his hot cum. We both hiss while he pulls out of me. 
“Here let me get those cuffs off of you, do your arms hurt?” he says, looking concerned.
“Just a little but I’m okay though” I smile at him. Chris helps me clean myself up and presses a kiss to my forehead.
“I really hope this isn’t it. I’d really like to hang out more, you know? I have a lot to make up to you” Chris says.
“I don’t think this will be the last time Chris but I really have to go find Madi” I laugh. 
“She’s going to kill you” he says while shaking his head.
“I know I have 40 missed calls”
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every so often i'll just be hanging out minding my own business, and then i'll remember the time i read some commentary about cql episode 41 that insisted jgy was using nhs as a human shield against nmj during his qi deviation. then i get mad and stomp around complaining about it to my lovely husband (who does not know/does not care about this nonsense but patiently listens to me anyway). at some point in the recent-ish past i could have sworn i wrote up a thing specifically detailing why nhs-as-crybaby-meat-shield doesn't track, but since i can't find my own post about it, i'm just going to make another, shorter one with some visual references.
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here they are. (zanzan stop looking at the camera, you're supposed to be a professional.) i wish i could make gifsets because the stills don't quite show you what's happening. but imo this is a perfectly analogous moment to the 'beguiling boy' section of the novel, where nhs is fully prepared to throw himself onto the burning pyre of all his most treasured personal possessions after nmj has set them on fire. the only reason he doesn't burn more than his hands is because jgy is there to grab him and hold him back.
in this moment, nhs is struggling to get out of jgy's grip because he wants to go to his da-ge--the same da-ge who just finished hallucinating that jgy was pulling a mcu loki maneuver, and was wildly swinging baxia around trying to kill him. if jgy had let go of nhs in this moment, nhs would be badly injured--just like what happens in the novel during nmj's qi deviation--or worse.
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tizniz · 21 hours
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Undeserved (1.9K)
This is the first time that Eddie can think things through. Can process everything. He hadn’t been able to, with worrying about Bobby, fearing the loss of his Captain. Not when Chris was icing him out, refusing to open the door that Eddie never wanted to break down. And certainly not when he’d opened his front door to see his parents standing there. Which. What the fuck?
Eddie reflects about what happens. Buck comforts him.
Spoilers for 7x10
READ ON A03
I had feelings that I needed to get out. So. I wrote it. I never do this but fuck it. I'm doing it today.
Fuck Helena Diaz. I don't care what anyone says, she and Ramon had no right. And you can fight me on that.
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fumifooms · 3 days
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I think you made me start shipping Marchil
Your posts got me thinking about their dynamic then I wrote a fic that was supposed to be platonic but midway through I realized it could actually be interpreted as romantic too and now I'm just sad about how little time they'll have together
First of all, you have a lovely icon, second, I’m so honored… I finally read Not a bad way to go and it was soo so good like. My god!!! Pre-canon is underused and you did so many interesting things with it.
It sounded like a cruel joke, that the one who needed her concern the most was also the one least interested in it.
^^^ go read it go read it
Chilchuck was drunk enough that he needed to hold onto the walls not to fall, but apparently still sober enough to remember emotional vulnerability was his worst enemy, as he made sure to avert her eyes and said: “Namari made me come talk to you ” to make it clear he wasn't being nice voluntarily.
Yeah.
“Of course I'm scared of dying.” He scoffed. Did she really think so little of him? “But if I could choose, I would want to die doing something I love, like drinking. Or maybe fucking,”
Maybe you wish you didn’t know but my new favorite HC because of this is that Chil dies yes prematurely not of liver failure though but during coitus. Especially if marchil, the thought of him busting a nut and his heart giving out makes me laugh so hard. My god. Lmao. Oh god. Lmfao. Worst day of her life
Marcille knew Chilchuck wasn't a kid, but she often struggled to take him seriously as an adult because he was just so adorable and small. In this moment, however, she saw them exactly for what they were, even if it was just a glimpse. A sheltered, naive little girl trying to tell a tired, much more experienced man how to live the rest of his life.
Standing ovation
She tried to find an explanation to give him, but she couldn't even find one for herself. Why would she miss him? He was just Chilchuck, her coworker, Chilchuck who was cold, aloof, sometimes crass, evasive, and even outright mean. He who was level headed, reliable, trustworthy, perceptive and clever. He who had the least time left, even in a best case scenario. “I guess that despite your best efforts, there's still a lot to like about you.”
This fic goes so hard, standing ovation pt 2
“I just think it's better if we don't get too close. Don't you agree?” “I… maybe” she said, uncertain as he didn't know how to feel about that. Caring about people would only hurt her in the wrong run, she knew that, but unfortunately she couldn't help it.
I looove how they can be read to be similar on this aspect. My hand clenching around my phone as I rear up to rant about Marcille and the way she does keep people at an arm’s length subconsciously again my god my goood. Obsessed with this obsessed with this, underused for marchil. Terrified of loss through death vs rejection duo I love youuu
Brilliant ending I’m in shambles. I’m not gonna spoil it
You get marchil so much you truly do. The way they mesh, the way their views on mortality clash and both soothe & bruise… He doesn’t have much time left even in best case scenario (which Mr I won’t eat well I’ll drink and smoke a lot I’ll stress all day every day is determined to not make happen) which makes it all the more meaningful for Marcille’s arc when she learns from him to finally enjoy the present moments… It’ll only be a fraction of her life, but to him he’s giving her the rest of his life. What are some decades of love worth? Worth it, surely, if nothing else
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our-aroace-experience · 14 hours
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This is mostly for anyone else who might be going through what I did, but being aroace is something that took me about 12 years to actually accept about myself. Not everyone has a "Eureka!" moment the first time they hear about the label.
I'm sure everyone's experienced this to some degree, but being a guy came with a lot of expectations and assumptions that made it hard to tell I was aroace. Growing up, everybody tells you what you feel like it's an immutable fact. "You like talking to this girl? Obviously you're just trying to get in her pants." Everyone projects their assumptions onto you with such certainty that you start doubting your ability to read your own emotions because surely *all* these people can't be wrong. I found asexuality by googling "why don't I want to date anyone?" at age 14, immediately wrote it off, and spent over a decade telling myself that everyone else was right. All that visceral revulsion when trying to ask someone out to coffee was just being nervous and I could get over it and be excited about the thought if I just tried harder.
I could go on and on about that, but the point is: taking inventory of my emotions is what helped me understand myself. Write them down, do research on different emotions, and follow them to their source. Understanding your emotions goes a long way in understanding yourself. These things can take a long time to figure out and you aren't less valid because you didn't know the word fit when you found it.
thanks for sharing! that’s good advice!
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class1akids · 20 hours
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Ok so I gave up on this manga long back before the war arc as the story inconsistencies were disappointing me but I kept up with the leaks just to see if it’d go interesting or if HK would fix the plotholes. After reading yesterday’s leaks I am super super pissed and disappointed. As a big bakugou fan, the boy got emotional development but it was made all about deku. He was given a total pointless death that didn’t achieve anything? Why do it? He didn’t save anyone except all might. No feelings shown towards anyone except deku n all might. My expectation was both him n deku trying to save shigaraki but the latter was killed in the most random manner. At first I thought maybe the leakers left something out but no, one punch and he is gone. No is mourning him, no regrets from Deku, he didn’t even speak with the villain. Ever since Deku unlocked Blackwhip, HK stopped showing his emotions, he lost his heart and it’s a pity all BKDK fans think that the manga achieved everything they asked for(PS: No it didn’t, it totally ruined your favourite characters and made them fodder feed, removed all the substance that made them lovable)
Iida wasn’t given much and sidelined (hello stain did you interact with this kid??), Shouto’s storyline went well but at least show him helping in the final fight rather than a single panel and uraraka’s cutest smile thing? Surely he could have written it so much better? Tokoyami, Kaminari, Mina, Kirishima and poor Momo, every kid was shown with lacklustre writing. Given a moment to shine and then faded to background.
And the way HK handled league of villains.. oh man, poor kurogiri, poor tenko, he managed to turn a complex characters into sacrifice.
This was a really sad ending and out of all the directions to go I have no clue why he chose to write this way. He clearly was trying to move the story in a good direction before so I had some hope but the execution of it butchered everything.
Yeah, I agree. I think Hori didn't do Deku or Bakugou justice, and generally what could have been a satisfying celebration of the great bonds of Class A, as well as the LoV, he barely allowed any meaningful interactions.
It's still bonkers to me that he made All Might fight AFO in an asspull mecha suit with the kids' quirks, while Class A got a single chapter of a combo and for many of the kids that's like their ONLY highlight.
As for the LoV , Tomura dying without even knowing if his friends are alive or being able to do anything for said friends right after he said he wanted to be the hero of the villains? That was just so weird.
I'm really not sure what happened in 424 - it felt like a narrative whiplash that Deku killed Tomura and Bakugou and Deku (presumably) killed Kurogiri all of a sudden. And not in a good twist way, but more like a "let's get this over with" way.
I think I tend to agree with hamliet who wrote a post about how Hori's greatest weakness is trying to please everyone and also the suspected editorial / WSJ meddling. I don't know what to think.
I mean you are correct to say that it's not the first time Hori dropped the ball - to me the decline starts way back at the Overhaul arc. But he still had good spots and there was a set up. All he had to do was put the roof on top of the bricks he built.
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Jenna I love my reaction to the present. I love it when I'm like, oh, you kept it. Thanks. 
Angela  Well, it's funny that you mention that because there was a note in the shooting draft about your reaction. 
Jenna What did it say? 
Angela The whole scene was actually longer and some of it's in deleted scenes. This is another another thing I'm glad they cut out. Do you want to hear it? 
Jenna Yes. 
Angela Okay. Pam has just gotten the gift. The shooting draft says Pam opens it. It's one of her drawings framed. It doesn't mean what it once would have, but she's still appreciative. 
Jenna That was my note. That was my acting note. 
Angela  Pam says, I didn't know you kept this. Thank you. Jim says, No problem. Pam looks at Jim. He avoids her gaze. Then it cuts to a Pam talking head. Pam says, My husband Jim is very special. And he's stubborn. And he's making me insane. And he's impossible. And I will not let him give up on me. 
Jenna Oh. 
Angela And then it cuts back to the scene where she says, I think you should stay and fight. What- Pam won't let him give up on her?! Excuse me?! What the hell!?
Jenna You know, a lot of people wrote in to comment on this drawing, by the way. I'm going to read this one from Sara S in Montgomery, Alabama. Some people were confused about what is this drawing? Well, Sara said, I've been waiting forever for this. The gift that Jim gives Pam is a sketch from her sketchbook from when she returned from art school. And Jim had looked through the sketch book and loved it. But it is a deleted scene. So Sara says this is the proof that deleted scenes are canon, that they do live in the show. 
Angela  Sara. Wow, that kind of blows my mind. 
Jenna ....Well, listen, Pam is going to fight for her marriage here. She's going to say, I don't think you should go to Philly tonight. I think you should stay. And I think we should fight. And he agrees. 
Angela It just melts Jim's heart. 
Jenna It does. 
Angela He smiles and says, all right, Beasley, put your dukes up. 
Jenna A lot of fans noted that Jim calls Pam Beasley at the end of this episode. 
Angela  And she loves it when he calls her Beasley. 
Jenna That's right. And this is, I think, how we know this is going to be okay. 
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gleefullypolin · 5 hours
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Stacy's tipsy ramblings about season 3:
I have thoughts...and I've had a bad Friday sooooo....here we go.
Do I want Pen to write as LW past S3? Yes and No. Fantasy Stacy wanted Colin and Pen to be Lord and Lady Whistledown spitting truth across the ton to all who needed to hear it. Reality Stacy wants her to have a true career and write a real novel as Penelope Bridgerton where she has her own success and Colin has his.
How are we feeling about the Ben storyline? zzzzzzzzzzzzzzz Sorry.....was asleep. Wake me when we give him something to actually do.
Do we feel sorry for Cressida and want to see her arc redeemed by the end of Season 3? Nope. Every story needs a villain and I'm perfectly fine to see this one drown.
Do I enjoy John and Fran? No. Their story is not exciting for me. Sorry. Nothing against them, I'm just not enjoying it, personal opinion simply my own. I'm sure others might be in the same boat but unlikely to voice that opinion and that's fine as well. Again. Personal opinion and nothing against them. Just how I feel.
Should Colin forgive Pen so quickly in Part 2? Duh. It's a gossip column. I'm sorry that she wrote some honest things that cut close to the vest for people. She didn't lie. She tried to talk to these people over and over and over again and NO ONE listens to her. Colin patted her on the head like a puppy...."Pen you are so good" when she tried to warn him and she saved his ass from twins. Soooo, yeah. Let him feel his feels but honestly, lets move on.
Do you feel like Colin's character is OOC and the brothels are unnecessary? Nope, he came back as the person society expects him to be. Just as he said. He tried to fit with the Lord Douche Brigade and went about his business. The only time he was himself was with Pen. The whole point of that was to see the difference. Brothel mess and all and I was good with that. Clutch your pearls when you want to complain about his brothers having threesomes and fucking in public against trees.
Is Pen trapping Colin by not telling him right away about LW? Girl just got all her dreams converging into one. Confessions of love and fingering all in one. Then thrown into a family marriage proposal, immediately blackmailed by Eloise to confess, Cressida taking all her life's work credit from her, the Queen hunting her down. She's 20 years old. Image the pressure. Not only that but she gets the one thing she's been coveting since she watched him fall off a horse and now it could fall to dust. El already showed her what could happen by telling that secret and she was the love of her life. No one gave her a chance to breathe much less think of what these repercussions could mean. Either way, mistakes were made, but not unforgiveable, and nothing she would not have allowed him out of. When you allow someone the chance to remove themselves, it is not a trap. Point. Blank. Period.
Is the season rushed? I don't know, I've only watched four fucking episodes. Have you watched more than me? Please tell me where to watch the other 4, I'll pay!
Am I an asshole? Nah, just had a bit to drink, did you not read the top part...ok show time over! Before I really tell you how I feel!!
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alexanderwales · 1 day
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Book Review: Metropolitan Man
[content warning: sexual violence]
It's been 10 years since I wrote Metropolitan Man, and last night I read it for the first time in almost that long. Since writing it, I've written over 4 million words, and hopefully, grown as a writer. I've also forgotten parts of the story, so was looking at it with as fresh of eyes as possible. These are my overall thoughts.
I should say, before I start, that I've read tons of comments and discussion on this story over the years. I don't know how many of these thoughts are my own, or how much I've internalized things that people have said.
Writing Style
There were lots of changes I thought about making while reading, but people hate change, and this story is about ten years past when I wanted to be making editing passes on it. In many places I kept thinking of little extras I would add, things that would make the dialogue pop a little more, or provide characterization. I had this idea for a line where I describe Lois typing out two letters like she was letting loose with both barrels of a shotgun. There's dialogue to clean just a bit more, a few places where words are repeated or something is just a bit awkward, and where it could have been tighter or more clear.
The biggest thing that stood out to me was how little time got spent on scene setting and how short some of the snippets were, just five paragraphs to get a scene across before we're onto the next thing. I might have webserial brainrot, but those are definitely places where today I would give a little more breathing room and maybe use the same amount of words to describe something in a more oblique and stronger way. One that stood out as a clear example was a private investigator going home with Jimmy Olsen even though she was done pumping him for information, which could have been twice as long and benefitted from it. Another was a brief little thing about a Superman spotter on the roof, where I'd now describe everything he was doing, and only get to the conclusion of "he was a Superman spotter" at the end of the section to let the reader have this mini mystery of what they're being shown and why.
I would describe things more if I was writing this today, trying to get those nicely tight and evocative descriptions and ditch the stuff like "she wore a white blouse", but I often feel that way about stuff that I'm revising from last week, so it's not surprising.
The plot is very tight, which is good. I tend to prefer my plots tight, but it takes work, and webserials aren't conducive to it because it's difficult to know when you're writing a scene whether it's really pulling its weight as far as moving things forward. The initial idea for MM was to move as cleanly as possible through a series of events: Superman -> Superman is invincible -> Superman is Clark Kent -> Clark Kent grew up in Smallville -> the ship is in Smallville -> the ship has a Kryptonite power source -> Kryptonite can kill Superman -> Superman is dead. The only thing that would make it any faster would be if we dropped the Lois Lane subplot, but that's like half the novel.
Superman is OOC
I've gotten tons and tons of comments on this story over the years. If I hated myself, I would go back through my email and count them up, but there are some death threats and "kill yourself"s in there, and I prefer not to reread them. The major thing that people hate is the ending, which I don't care to talk about, but the other major thing is that Superman isn't Superman.
In this, I largely agree, but then, I'm pretty sure I've always agreed. That said, Superman has had a ton of interpretations over the years, and there's a wide range of acceptable behavior from "a Superman", even if we're not counting the really out there variations like Red Son or some of the alternate timelines.
... but I still would probably make him more like a canon Superman if I had to do it all over.
There are a few things that raise red flags at the beginning, which is where I think they're inexpertly placed. Superman takes Lois off the roof and flies her around, making her very afraid, and this is fine, I think, a misunderstanding that might be stronger if we got his insight into what was happening before we got hers to help bridge some of the disconnect there and characterize them both better. But there's a little note after that, where Clark makes a joke about "Superman's girlfriend Lois Lane" that I think is a HUGE red flag, and which probably comes too early in the story. It would be better as a joke someone else made that Clark laughs along with, which raises the red flag to half mast.
The other major moment I would change is when the bombs start going off. Superman pulls back, unsure whether he's actually immune to mustard gas, and I think this is one of the moments that most goes against the character of Superman. Canon Superman would just say "welp, guess I gotta find out whether I'm immune to mustard gas in a hurry". Superman making the argument that he doesn't know the bounds of his powers and so should exercise caution reads as either cowardice or as him being way too bitten by the rationality bug.
This would then obviously have to change the plot of that section a bit, because in the novel as it stands right now, Superman is convinced by Lois Lane that he can't just sit on the sidelines for game theory reasons. Better to either scrap that section or have Lois convince Superman that for game theory reasons he should offer to have testing carried out against him in a way that doesn't harm civilians, which canon Superman might submit to if it saved lives. Then the rest of the plot can proceed as normal, because Superman is immune to everything and that's the whole plot beat anyway.
I'd definitely clean up some of Superman/Clark's dialogue to nail the character voice better, but I don't think it's that bad, and it's mostly a few places where the wording is off. I think in particular the points where he's feeling anger go too far, and are not how someone internally conflicted about the anger might talk.
And then, oh yeah, Superman punches a guy's head clean off, which I think is the biggest sticking point for most people.
I've thought about that scene a lot. I personally like it. But if I were ever trying to sell this story to DC, it's one of the things I would almost certainly change. Superman doesn't kill, except in that one movie that came out just before this story was published where Superman snapped a guy's neck.
The change I am most happy/comfortable with is that Whitman, the governor whose children were [REDACTED], is the one to kill Calhoun. This happens just outside the courthouse with Superman watching and not intervening in the slightest, or maybe catching the bullets as they go through Calhoun so no bypassers get hit.
I don't know, as I type it out, it doesn't have the same weight to it. It's not cool. It's not a watershed moment. Maybe there's a plot thread to pull there, where Superman has tacitly endorsed other vigilantes, and it would be a great time to pull in other mundane street-level heroes ... but that's an entirely different story at that point.
Another option is for Superman to simply fly off with Calhoun and put him away, but that lacks punch too, and gets talky, and ... it's about the rage, right? The feeling of injustice, not just at Calhoun, but at the entire world, and it's not just an unhappy side effect that there's blood everywhere, all over the clamoring press, that's part of the point.
Social Justice
I really enjoy how wide-ranging the novel is, and how many things it touches on. Good job me. There was a line I had completely forgotten about where Lois asks "Why doesn't Superman stop abortions?" that I had completely forgotten I had ever written, and which brought a big smile to my face (but no wonder some Superman fans hate this story).
There are a few other things that I raise my eyebrow at a little bit, at least sitting here in 2024. There's a particular line that Superman gives when talking about this whitewashed mural of the past they're walking by, and he says "It's easy to forget that slavery ever happened, you know?" Now, I will grant you that this is a part of a conversation where he's saying that maybe he should have been a better student of history, and is saying this as a white guy in 1934, but I wanted him or someone else to tear that statement apart. It never really happens.
"It's easy to forget that slavery ever happened [if you and your people have not been affected by slavery]". The novel takes place ~70 years after the end of the Civil War, which means that when Clark was growing up there would have been freed slaves who were in their fifties, probably many of them in Kansas, though Smallville is (notably) small. I don't know, it wouldn't have been historically accurate for them to have a discussion of privilege, but there's way more meat on that bone, and it's all left as subtext.
Also probably the case that if I were writing it now, I would pay more attention to race in general, but that I'm less sure on, because it would mean some major structural changes to be done well. There's a single black guy in the whole thing, who is barely a character and has no speaking lines: the farmhand Ma Kent has before he gets lured away with the promise of being an actor. I have never felt that any novel needs racial balance to it, but if you're going to be talking about slavery and whether Superman would have done anything about it, you start to make black people look like props, which is not a good look.
I mean look, I think it's fine for a given story to not actually take a stance on political issues or have a diverse cast, but this story goes from abortion to the Equal Rights Amendment to Prohibition to Nazis to the death penalty, and then despite being set in 1934 sort of talks around the subject of how shitty race relations were. As a white guy, I never feel comfortable talking about race, but I think it would have been appropriate to have here in more than the cursory way it was handled. But the cast is just not that large, and the way that modern Superman stories handle that is usually making Jimmy Olsen black and then not actually talking about the fact that he's black so it's just a palette swap, which I don't think would work here, especially since Jimmy is such a bit character, and also it's 1934.
Sexual Violence
Alright, I will say it: there's too much sexual violence.
Chapter 7 is when the two Whitman kids get kidnapped. Their driver gets his throat slit, the boy gets dismembered, and the girl gets raped. I knew it was coming and I was still horrified by it.
I would not remove this part. I would foreshadow it better with a few scenes with Calhoun, the brutes, etc., and I might change some of the details to be a bit less awful and gruesome, but I don't think I would remove it. There are a few core ideas here that I think all work:
The better class of criminal has left the city now, and all that are left are the worst of the worst, the people who will not respond to incentives or symbols or rational thought.
If you cannot strike at Superman's physical self, you strike at his mind instead, and one of the ways to do that is psychic damage. In Calhoun's case, this is irrational, a pure desire to hurt Superman in any way possible while his empire collapses.
The amount of evil in the world is enormous. The pain and suffering cannot be comprehended. I love what Superman says, that this isn't really unique, that these things happen to children all the time. He's upset about not being able to save them, but they're a drop in the bucket.
I think you have to be careful with sexual violence, whether it's depicted or hinted at or just briefly mentioned. There are tons of people who are not on board with that in their media, and even of those who are on board, it has to be handled carefully and can feel very cheap, as though you're just going to the worst and most transgressive thing you can think of for the shock value. People will see it as lazy and trivializing and making entertainment out of this horrible thing.
I think the world is shit. I think terrible things happen. I have always felt both oppressed by the weight of evil in the world and powerless to stop it. I think that's the thing that I'm gesturing at here, and it feels weird to me that sexual violence would get put on a pedestal as the one thing too horrible to mention, even though we're mentioning all the most horrible things.
How do Superman comics and shows and movies deal with this? My impression is that they don't. Surely Superman must be stopping rapes from happening, but I cannot think of a single time I've seen it happen. I'm actually having trouble thinking of a time it was implied to happen. I think this is probably a good idea on the part of the people who make these bits of media, but it's absolutely not realistic if you're thinking about how Superman would operate in the "real world". Sexual violence happens, child abuse happens, and I guess we just sort of assume that these things are dealt with by Superman off-screen.
Though ... I mean it impacts the characters, right? Does Superman not have a trauma response? Does he have a superpower where he can bottle it all up? He's definitely too late to stop certain crimes, and he definitely can't make things better for some of the victims, and I guess in the comics when he shows up to a burning building he generally has a 100% success rate and people come out with only minor injuries, but ... alright, this is definitely the sort of thing that led me to write this fic in the first place.
It's a question that the fic doesn't have an answer for: how do you go on living when you know that there's so much evil in the world?
I think dialing that particular scene back is, maybe, fine. But it's the sort of thing that would feel like I was being less authentic in a way, as though I wanted to grapple with the big questions but not that one, wanted to consider ethics and morality but silo myself away from things that actually are on my mind. I see the point of blunting that scene, and I rebel against it because I don't want to be blunted, I want to be sharp.
I would, however, remove a lot of the earlier references, or blunt those, because they didn't need to be sharp. There are, before the Whitman stuff, about five references to sexual violence, and maybe even just using "sexual violence" would be enough, rather than "rape". One of these references is to what crimes Superman is statistically most likely to stop, another is to a plot to besmirch his name, both can be massaged or they can go.
I don't know if I think about these things differently because time has passed or I've had a bunch of discussions about these issues, or whether it's just having the outside view. It's weird to think about what a conversation with myself would look like, if we were working on the story together.
Retrospective
I understand why Superman fans sometimes hate this story. There's the Superman OOC stuff, sure, but there are also a lot of questions about Superman that apply to canon equally well, and people hate that. Superman is a fantasy, maybe the ultimate comic book fantasy. He stops crimes and bullets bounce off him! You're not supposed to think about his stance on abortion rights. You're not supposed to look at the Clark Kent mask and say 'huh, that's strange'. I mean it's media, you can do whatever the hell you want, but if Superman is a fantasy, then there are a lot of questions that are fantasy-ruining.
I stand by the story as written about 80%, which is higher than I thought it would be, though there are certain things that I stand by more than others. There are certain structural changes and many line-by-line changes, and I'm glad that I didn't have the story open in edit mode, because it would have taken me three times as long to read and when I hit "save changes" people would grumble about archives or bad changes or whatever, because you can't please people.
About five years ago, I started writing A Common Sense Guide to Doing the Most Good, which was meant as a companion piece to MM. It ended up being all mechanics, no plot, and the plot that I wanted it to have was divorced from the center questions it wanted to answer. It didn't feel as grand, I guess, and the cats were out of their bags a little too quickly.
One of the Answers that MM gives is that the thing you should do in the face of overwhelming evil is to grind relentlessly, grind until your bones are scraping the grindstone and there's nothing left of yourself. The story does not believe this answer, but it's one of the places I ended up ten years ago, and am still sort of at now. The other answer is to live as best you can, be aware of the evil and do what you can against it without letting the idea of it (or the battle against it) consume your soul.
When I was finished reading, I kind of wanted to write an uncritical Superman comic. Something where Superman can be as his most loyal fans see him, someone who is Good and doesn't often have to grapple with what Good means, where the thorny edges of moral quandaries never come to light and the hero is always there in the nick of time. Where Clark Kent is a bold and noble expression of humanity rather than a deception and a mask. Maybe I will go do that.
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havendance · 1 day
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hello mem!! i just finished reading the entirety of no man’s land, and im trying to figure out where to go from there. online searching hasn’t really been helpful 😭 this is the list i found, im just not sure about the order:
- batman by ed brubaker vol 1
- new gotham vol 1
- officer down
- new gotham vol 2
- bruce wayne murderer/fugitive
- gotham central
- catwoman???? not sure which comics tho
where does vol 2 of batman by ed brubaker fit into this?? is this even the right order?? i’d truly appreciate your help 🥺
I'll do my best to straighten you out!
After No Man's Land, all of the Bat titles go their own way (before joining up back together for Officer Down and Bruce Wayne: Murder/Fugitive).
New Gotham Volume 1 collects Greg Rucka's run on Detective Comics between the end of No Man's Land and Officer Down.
(Following the end of NML, Batman was written by Larry Hama for a little bit, and all of those stories are just kind of fine and also not collected anywhere that I know of so don't worry about that. This bullet point is mainly to explain why Batman by Ed Brubaker does not cover the same span of time as New Gotham.)
The first four issues collected Batman by Ed Brubaker vol 1 take place BEFORE Officer Down. The rest take place afterward.
This was not on your list, but I do also recommend reading Gotham Knights: Transference which collects the first 12 issues of Gotham Knights. This also takes place between the end of No Man's Land and Officer Down. Gotham Knights is comic that does a good job of showcasing the Bats as an ensemble so if you like Batman working with his allies, this is the book for you. Also, Transference is just really good, and Gotham Knights as a whole contributes to everything leading up to Bruce Wayne: Murderer/Fugitive.
Catwoman does not have any collected editions for this period.
Officer Down goes here.
After Officer Down goes New Gotham Volume 2. This collects all of Detective Comics between Officer Down and Bruce Wayne: Murderer.
Batman by Ed Brubaker vol 1 also covers most of this ground. This is where things start getting a little (more) complicated though. The first issue collected in Batman by Ed Brubaker vol 2 takes place BEFORE Bruce Wayne: Murderer. It then proceeds to collect the tie-in issues of Bruce Wayne: Murderer/Fugitive that Brubaker wrote. I would honestly just skip this volume. The first issue is a christmas issue with like an evil (fake) Santa Claus or something and it's not that important. The other issues will be easier to read in other collected editions.
I also recommend you read Gotham Knights: Contested which collects the issues of Gotham Knights between Officer Down and Bruce Wayne: Murderer/Fugitive. The final issue of the does take place AFTER Bruce Wayne: Murder/Fugitive but the rest of it takes place before.
This is where you read Bruce Wayne: Murderer and Bruce Wayne Fugitive. I think there's a new omnibus collecting it all coming out soon, but I'm not sure how useful that is to you.
Gotham Central starts a few months or so after the conclusion of Bruce Wayne: Fugitive, but there's not really anything else you need to read before you can start this.
To look ahead a little after this, Hush starts to run in Batman and Brubaker start doing some other stuff in Detective Comics that doesn't get collected. And then (unfortunately) the next major event is War Games. But there's plenty of comics for you to read up to this point, so we'll stop here for now.
Other notes:
Catwoman does not really tie in to Bruce Wayne: Murderer/Fugitive but around the time that event is starting up, Brubaker is relaunching Catwoman. This is where she gets the black leather catsuit and this IS collected in Catwoman Vol. 1: Trail of the Catwoman. I have not read this, but I've heard that it's good. It's also getting reprinted soon I believe.
Robin does not really have any collected editions post NML. If you want to read him, you're going to need to do it some other way. His event tie in issues are collected though.
Nightwing DOES have some collected editions if you're interested in him though. Nightwing Vol. 5: The Hunt for Oracle overlaps with No Man's Land, but it also collects the start of what he's up to afterward. Following that, Vol. 6 collects the rest of the way up to Officer Down. Vol. 7 and the first 4 issues collected in Vol.8 collect the stuff between Officer Down and Bruce Wayne: Murderer/Fugitive.
Birds of Prey gets hooked in to events, but the comics themselves don't really contribute to the larger Gotham narrative going on. I still think they're fun though. Birds of Prey vol. 3 collects the Birds of Prey comics between the end of NML and Officer Down. There aren't any collected editions for the Dixon run after this though.
Batgirl! We can't forget Batgirl, it's very good. It does get roped into events, but most of it is standalone. Batgirl Vol. 1: Silent Knight collects the comics between the end of NML and Officer Down as well as Cass' Officer Down tie in. This volume is harder to track down/more expensive on the resale market, but if your library as Hoopla, it's available there. (Most of these trades that I'm mentioning are as far as I'm aware.) Vol. 2 collects the comics leading up to Bruce Wayne: Murderer and then a couple, and Vol 3 collects a couple of the tie ins for Fugitive I believe and then beyond. They can largely be read on their own terms.
I would be remiss if I didn't recommend that you also read Batman/Huntress: Cry for Blood. This is a six issue mini-series takes place relatively shortly after NML and was recently reprinted as Birds of Prey: Huntress. Definitely read this! It is good! Also you can see what Helena's up to after NML.
Finally, at a point in time between Officer Down and Bruce Wayne: Murderer, Joker: Last Laugh happens which is the event where Dick kills the Joker and Bruce revives him. Every comic has a tie-in where they have to fight Jokerized villains and honestly that could be the extent of your engagement with this comic. The main issues of this event are theoretically collected but also I've never seen this trade anywhere and also it's not on Hoopla (which is how I read most of my trades) so that might prove an issue.
To summarize all of this (I'm using bolded entries to demarcate crossover events. You can jump around between entries in this list between them as they largely run concurrently.) (the exception being like Nightwing vol 5 and 6. The Hunt for Oracle Crossover between Nightwing and Birds of Prey is also collected in both Nightwing vol 5 and Birds of Prey vol. 3):
New Gotham vol. 1
Gotham Knights: Transferrence
Batman/Huntress: Cry for Blood
Batgirl vol. 1
Nightwing vol. 5 and vol. 6
Batman by Ed Brubaker vol. 1 (first 4 issues)
Officer Down
The rest of Batman by Ed Brubaker vol. 1
New Gotham vol. 2
Gotham Knights: Contested
Batgirl vol. 2
Nightwing vol. 7 and Nightwing vol. 8 (first 4 issues)
Bruce Wayne: Murderer and Bruce Wayne: Fugitive
Catwoman Volume 1: The Trail of Catwoman (Running roughly concurrently with Murderer/Fugitive)
Batgirl vol. 3
Gotham Central vol. 1
Batman: Hush
etc etc
I think that's it, but I'm sure that if I missed anything one of my lovely and knowledgeable mutuals will point it out.
Clear as mud? But seriously, I hoped this cleared things up for you and please do not hesitate to ask follow up questions! If this list is overwhelming, I would say, Nightwing, Birds of Prey, Batgirl, and Cry for Blood (though as a Helena fan, I really do think you should read Cry for Blood) are less essential to the building Gotham plot that leads up to Murder/Fugitive, but I really do think you should read Gotham Knights. There's some really fun comics in this era, I hope you enjoy!
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cervviidae · 2 days
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i’m insane and wrote a hannibal brokeback mountain au for anyone who wants to read! <33
He doesn't feel too good about having company on this job, but he won't complain. Jobs are hard to come by, and he can't afford to be picky. Plus, if the boy's going to keep up this streak of ignoring him, maybe they won't even cross paths that often. Will's okay with that. It’s easier to do his own thing, keep his head down, and get through the summer without any trouble. He tries to convince himself he’s relieved about the idea of having the boy far away on the mountain while he stays at the camp. It’ll be like they don't know each other at all.
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"There he is, there he issssss ohmigod!! (Co-worker's name) he ... is ... here. How do I look?" You bent your knees down to look at yourself in the small mirror in the back of the coffee shop, straightening your hair that was already perfectly fine for the situation.
"You look fine. You always look fine. Calm down, y/n. He's just a man."
You gasped, "Take ... that ... back. He is my future husband. The father of my unborn children - I mean, if we want to have any. We'll discuss that later. Over dinner. On our anniversary."
"Oh my god, you're insane. You're literally insane. Whatever. You better get out there and make his coffee or you-know-who will take care of it."
"Over my dead body!" You ran out to the front of the cafe and tried to slow your heart. But it was no use.
Kafka was standing in front of you. Cuter than he was yesterday. His spiky hair stuck out from his head and his eyes crinkled at the corners when he smiled at you.
"H-hi. What uh, what can I get'cha?" You asked, trying to sound even a little bit confident and failing miserably.
"I dunno. Dunno what I feel like today. What's your favorite thing here?"
You blushed, fighting off the urge to say 'When you come in' to him.
"I like the [your fav. drink]. And you're in luck. I make it better than anyone else here.
He smiled, "That sounds good, I'll take 2."
"Comin' up." You looked calm on the outside - at least you hoped so. Busying yourself with the 2 drinks for him, you tried not to peek over your shoulder to see if anyone was coming in to meet him.
You'd never seen him with a woman here. But that doesn't mean anything. Sighing heavily, you wrapped up making them and wiped down the machine.
"Here you go, 2 [your fav. drink]. Anything else?" You could feel your heart sinking deeper into the recesses of your chest. It felt hollow and it made you want to scream and throw yourself on the floor because someone was going to get that second drink that you made with love. No, not 'love'. Affection, maybe? No, it was definitely made with love. You have never been able to lie to yourself, why start now.
"Thank ya much. But I'll only be needing 1."
You tilted your head, not understanding what the hell he was talking about. "You ... you did say you wanted 2, right? I didn't hear you wrong?"
Kafka laughed, writing something down on one of the cups, "Nooo no no. I did say 2. This one ..." he put the cap back on his pen and held the drink out for you to take back. "...this one ... is for you, darlin'." He blushed and turned his head away from you. No doubt trying to hide the most beautiful shade of pink you've ever seen on a man.
"F-for me? What ... I mean, thanks?"
He looked disappointed for a second. "I uh, I wr-wrote something on the cup. F-for you, I mean."
You frantically turned the cup in your hands and ended up spilling the drink everywhere. "Shit! Oh my ... shit." You tried to read the writing on it but the drink caused the ink bleed and made it illegible. "Great."
Kafka stood there in shock. The amount of strength it took him to build up the nerve to write his phone number down for you was one of the hardest things he's ever done. And it was all washed away in less than 10 seconds.
"I'm so sorry. What did you write down?" Your face was twisted in embarrassment. "Y'know what, my god. Here. Here is my number," you wrote it down on a receipt, "call me. I like you. Ok? I've liked you for about 2 months now.
He smiled and pulled a napkin from the stack on the counter. He took his pen back out and wrote his name and number on it. Putting his hand out for you to take the napkin, "Call me. Anytime. And uh, I like you too." He pulled the napkin back, "Careful! Don't throw this away or something. I'm going to think that we're not meant to be or something, heh."
Tucking the napkin in your pocket, you looked him in the eye, "Don't talk like that! But yeah, I'll try to remember to clean out my pockets before doing laundry."
He smiled and took a sip of his drink. "Oh, this is really good."
You grinned, "I know, right? I told you!"
He looked at you and smiled, "I can't wait to taste you."
"Pardon?" You coughed out.
"I MEAN, I can't wait to taste what other drinks you can make. Jeez."
You narrowed your eyes at him and smirked. "No, no. I heard what you said."
"No you didn't." He tried convincing you ... and himself.
"See you tomorrow," you looked at the napkin, "Kafka?"
"See you tomorrow," he looked at the receipt, "sweetheart."
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@supersecretsaga @katkusuo @kazutora-kurokawa
@arlerts-angel @darkstarlight82 @bakubunny
@trevengersprincess @reiners-milkbiddies @viburnt
@southside-otaku
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rocksibblingsau · 3 days
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Do you have any writing tips?
I'm still a beginner writer myself and I'm not sure if you mean for technical skill or the writing process but my tips would be:
Don't be afraid of the word said. As tempting as it is to avoid saying it because you feel like it's everywhere, it makes the times you DON'T use it stand out more if you use it a generous amount and honestly I never notice when someone uses 'said' a lot.
Listening to music that fits the scene can help a lot. It's very hard for me to write a sad scene when 'Dance the Night' is playing on Spotify. For Trolls specifically it also helps if the music matches the genre you're portraying.
Have a bit of a framework that you can follow. When I finished Chapter 1 and I realized I wanted to turn this into an actual fic, I paused and thought about where I wanted the fic to go. I thought about plotlines and future events so that here in the past I can set things up well in advance and even foreshadow things.
That being said, keeping it a little loose also helps! I've changed some things and gotten new ideas since starting and it helps to have the space to make those changes!
Inspiration is a huge part of writing for me, and I think that any life experience or piece of media consumed when 10 years old can be used to make a cool story. I've ranged from using actual places I've seen to kids movies I barely remember.
Mixing truth and opinion in narration helps shape the protagonist and shows their perception of reality. You don't want the narration to be unreliable (unless you're aiming for 'unreliable narrating' type of storytelling) but seeing the character notice a small detail and then their thoughts derailing to an assumption tells me a lot about how that character thinks and how they perceive themself.
This is kinda cliche but: write the story you want to write. You will hit writer's block after writer's block and struggle so much if the story you're writing isn't one you would want to read. I get wanting good reception but you should be the first person who would see your story on AO3 or in a book store/library and go 'Oh my god FINALLY someone wrote this'.
It can be good practice to write little ficlets/one shots of the most off the wall random AUs you can think of. The practice can come from anywhere and I feel like the fact I make 1 million AUs in my head has helped me explore a bunch of random ideas and learn more about things I like and dislike in writing. A small idea that I came up with when messing about with an AU that makes 0 sense is actually making it into chapter 16 because I went 'oooh tasty worldbuilding and cute idea'.
I hope this helps, as again I'm very beginner to writing and even more so to posting works for others!
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twig-gy · 21 hours
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So i finally read/finished don't lose your head,,,, i am so extremely normal about it ✨
Also I agree with the assessment that "in dont lose your headverse mind is kissing that tape recorder". like yeah. he is. 100%. I was reading through chapter 8 with Mind insisting that hes just totally waiting until the right moment to burn it and its not like he still has an ATTACHMENT to it or anything and that was all I could think of lmaooo
i can see why you consider it to be a cccc classic fic,,, its good !!
1) YAYYYY yeah it’ll do that to you. one of the first things i wrote about cccc was don’t lose your head but i wrote it and now i wonder what i could do with it being my mind and me having more interesting opinions on him and me being better at writing in general
2) FR FR…. I WANT TO GIVE HIM A TAPE RECORDER CAUSE OF THAT FIC…. HE IS KISSING THAT TAPE RECORDER OKAY!!!!!
3) true!!! maybe i should reread it
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