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#I WAS ROOTING FOR YOU DAPHNE
indynerdgirl · 2 years
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Dear Katharine McGee,
WHAT WAS THAT ENDING IN RIVALS?????? ARE YOU TRYING TO KILL ME??? BECAUSE THAT SHIT IS SO NOT COOL. I NEED BOOK FOUR RIGHT NOW.
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blackbirdswillsing · 4 months
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On Gothic
a cute helpful guide on the gothic subculture that no one asked for <3
goth music springing from the late 1970s after the post punk movement was a subculture heavily inspired by the themes found in victorian gothic literature
gothic literature:
frankenstein - mary shelley
dracula - bram stoker
jekyll and hyde - robert stevenson
wuthering heights - emily bronte
rebecca - daphne du maurier
edgar allen poe <3
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some keywords that come from gothic literature that can help you spot a goth song:
'dark' 'death' 'black' 'cold' 'heaven' 'hell' 'witches 'bats' 'night' 'roses' 'blood' 'church' 'forest' 'jesus' 'grey' 'horror' 'shadow' 'sacrifice' 'tears' 'ghost' 'spells' 'cry' 'love' 'haunted' 'funeral' 'cathedral'
Some other themes in a song that can help you to decide if it goth or not can be:
heavy bass
synth sounds (the song sounds like it was recorded in an empty church)
mysterious and whimsical vocals
deep vocals
lack of a (electric) guitar
The 1980's and 90's were the peak for the gothic subculture, especially in camden market, london, england
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Some bands that were prominent at the time were...
Bauhaus
The Cure
Sisters of Mercy
Siouxsie and the Banshees
Christian Death
Clan of Xymox
The Cramps
Depeche Mode
New Order
Joy Division
Alien Sex Fiend
Fields of the Nephilim
Killing Joke
The Damned
Nick Cave
Softcell
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Some other goth band recs:
Boy Harsher
Children on Stun
Earth Calling Angela
Molchat Doma
Forever Grey
Horror Vacui
Lebanon Hanover
London After Midnight
Male Tears
The March Violets
The Merry Thoughts
Paradise Lost
Paralysed Age
Plastique Noir
Rendez Vous
Rosetta Stone
Selofan
She Wants Revenge
Skinny Puppy
Specimen
This Cold Night
Tragic Black
Traitrs
Type O Negative
Twin Tribes
ULTRA SUNN
Xmal Deutschland
Your Funeral
The 69 Eyes
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Please let me know which ones i've missed because these are just ones that I have taken from my own playlist!
The music is the number one most important part of goth subculture and you don't have to dress goth to be goth... but it sure is fun to do so! Goth fashion holds its roots in thrifting, upcycling and sustainable fashion (buying 'goth' clothes from shein, dollskill and killstar is a big no no).
Anyone can style their gothic outfits however they like but here are some examples of different styles:
Trad(itional) Goth:
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Romantic Goth:
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Victorian Goth:
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The styles can get very similar so let me know if i’ve mixed any up!
I’ve reached the limit on the number of pictures i can add so here are some more examples of goth styles:
Corporate goth
Gothabilly
Mall Goth
Cyber Goth
J-Goth
Baby Bat
Mopey Goth
Vampire Goth
Steam punk
To end the post i'm circling back to gothic literature by listing some films too (which are often based on the books)
Everyone's beloved: Bela Lugosi in the first adaptation of Bram Stoker's Dracula in 1931
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The Crow 1994 which comes with a song from The Cure
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Interview with the Vampire 1994
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The Rocky Horror Picture Show 1975
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Edward Scissor Hands 1990
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The Addams family 1991 (if he's not like gomez then i don't want him)
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The Craft 1996
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That's all I have for now and if you made it this far thank you so much for reading and have a nice day <3
current goth song on repeat:
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writesleah · 6 months
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the way i loved you ✰ m. riddle
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➻ pairing: reader x mattheo riddle, brief reader x cedric diggory
➻ genre: angst/fluff
➻ summary: after a hard breakup, you had finally moved on and found your perfect man. he was everything you could’ve asked for, but the lingering thoughts of your ex take a toll on you
➻ warnings: swearing, mentions of blood and fighting, borderline betraying cedric :(
➻ word count: 1.8k
➻ a/n: if it’s not already completely obvious, i was listening to the way i loved you by taylor swift when i thought of this lmaooo i couldn’t fight the taylor references so there is a couple in here, it’s just my deep rooted swiftie mindset
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“hey baby. you look beautiful today,” cedric smiled, sitting down at the slytherin table next to you, a bold move for a hufflepuff, but everybody thought he was far too good looking to say anything. well, some people.
mattheo riddle had the absolute nerve to speak up, as if he hadn’t completely ruined your life only months before.
“alright, diggory?” he snorted, looking your boyfriend up and down with disgust. he and cedric probably could’ve gotten along just fine if it wasn’t for the clashing common interest that seemed to have mattheo spitting as many nasty comments as he could - you, “i see you’re still pissing about with her.”
he didn’t even bother to say your name when he was talking about you. twat. you felt your anger starting to pool up in your stomach, a force threatening to take over until a soft hand placed itself on your hip.
“just ignore him, okay?” cedric smiled down at you, encouraging you to do exactly what he was doing. you nodded.
“it’s fine. he’s just… yeah,” you sighed, scrunching your eyes a couple times before continuing to eat, doing your best to ignore mattheo’s presence on just a couple seats down.
“he’s perfect,” pansy sighed, practically drooling over your relationship.
you had shown the girls the card he had made for valentines day, which was honestly the smallest thing he’d done for you on the day. he had a tendency to show his affection as much as he possibly could, making you experience every single love language at least once a week.
“that’s adorable, oh my god,” daphne gushed, reading the card over and over. it was a sweet message where he described his love for you, and it definitely warmed your heart, “i’m actually so jealous of what you guys have, it’s not even funny. astoria, come read this.”
astoria made her way over to the group and took the pale pink card from her sister’s hands, her eyes scanning the words that practically formed a letter with how many cedric had written. the three of you watched as her face contorted into an expression of admiration and light jealousy, her cheeks slightly pink.
“stop it, you’re going to make me cry knowing that i don’t have a man that loves me like this,” she whined, punctuating her words with a small laugh.
cedric was your ideal boyfriend. he was attractive, sensible, smart and kind. he got along with your parents and siblings, and always made sure to compliment you in some way every time he saw you. he said everything you ever wanted to hear, and was just perfect for you, so why couldn’t you get mattheo out of your head?
“i need to ask you all something,” you blurted out, a little annoyed at yourself for doing so, but also relieved that you could get it off your chest.
the trio looked over at you with raised eyebrows, waiting for you to continue.
“what is it?” pansy murmured, her head tilted just slightly as her eyes studied you.
"okay, let's just say... hypothetically, you have the most perfect, incredible boyfriend and could never ask for anything better, but… there’s this pesky little lingering thought about a certain past endeavour that you can’t get out of your head.”
the girls looked at you a little confused, though daphne’s expression quickly hardened. she knew exactly what you were talking about.
“please tell me you’re not still thinking about riddle,” she groaned in disappointment, shaking her head whilst running her hands over her face. the other two expressed disapproving noises and sighs, looking at you as if you’d just told them you were going to kill someone.
“it’s mattheo, what do you want me to do?” you mumbled defensively, helping it would support your case a little, but it just made them give you a glare.
“i don’t get what you see in him. he’s a boring, lazy prick who skips every class he possibly can to smoke weed and get plastered with his equally as boring and lazy roadman gang,” astoria huffed with a small shrug, looking at you with more concern than anything, “all you guys would do was scream at each other and cry about it all, and then go and make out in the rain or something, which i suppose is pretty hot, but it doesn’t make up for all the arguing.”
“you go insane when you’re with him. i didn’t even know it was possible to feel that much, but you definitely proved that it is,” pansy snorted, though it was clear her comment wasn’t really a joke.
you just sighed and brushed it off, promising that you wouldn’t do anything. it was just something on your mind, right?
you were walking in the corridor on your own, cedric just having left to get to his class, which was on the complete other side of the school to yours.
“rare to see you without prince charming these days. have you broken up already?”
you knew who it was when the first word was spoken, and after days of trying to get him out of your mind, you couldn’t take it anymore.
“do you have nothing better to do than terrorise me and my relationship, riddle?” you spat, turning around to face the boy, though your expression quickly dropped when you saw crimson blood spattered across his face, “why am i not surprised?”
“wow, last name basis now, princess?” he chuckled, brushing off your comment about his injuries with a small huff of either annoyance or amusement, you couldn’t really tell.
you tried to walk away, not wanting to involve yourself in his antics when you couldn’t trust yourself to not snap without somebody nearby to warn you not to. it was hard to control yourself around mattheo for some reason. probably all the pent up anger you had from the relationship and its ending.
“just piss off. i honestly can’t be bothered with you right now,” you sighed, shaking your head. his face dropped at that, seeming much less entertained now that you had say that you genuinely didn’t want to speak to him. he didn’t like that.
“no, absolutely not. what you’re not gonna do is act like a bitch because you’re in a mood about something,” mattheo scoffed, grabbing your wrist to pull you back, leaving a faint, bloody handprint on your skin, to which you groaned at.
“can you not?” you murmured, trying to wipe it off, but only smearing it across your arm further. at this, he sighed and pulled you into the prefect’s bathroom, the nearest place with a sink.
“here, since you apparently need everything done for you. i see some things haven’t changed,” he tugged your arm under the sink and lightly rinsed it away, rolling his eyes as he did so, and taking the chance to wash his own hands, “you’re a real piece of work, you know that? especially these last couple months. i don’t even know what’s happened, but it’s annoying.”
“what happened is we broke up. i’m not going to be your sweet little angel every single day, riddle,” you retorted, shaking your head and patting your arm dry with a paper towel.
“i still don’t get why we ended things,” the brunette shrugged, as if the comment he had just made meant absolutely nothing, “i mean, you’d probably be sat in my lap cleaning me up right now if we hadn’t.”
his words were a harsh reminder of how much things had changed. if he had come to you battered and bruised when you were together, which he had done multiple times before, you would end up sitting in his lap whilst cleaning off all the blood, reprimanding him for getting into fights again whilst trying to fight the incessant butterflies that flapped around so aggressively in your stomach. you were feeling those same butterflies now, too.
“well… we’re not, so you’ll have to settle for some water and a paper towel. maybe you’ll get a plaster if you can find one somewhere,” you scoffed, trying to act as nonchalant as he was.
“come on, princess, don’t be like that,” mattheo groaned, looking at you with a frustrated expression. you didn’t get why he was still calling you princess. he’d taken the pet name he loved using for you so much and turned it into a mocking insult. that hurt you, you had to admit, how he took something so precious and made it into a nickname only used for when he wanted to be rude.
you glanced over at him, meeting his eyes. those eyes. those perfect, dark eyes that, when in the sunlight, turned into a gorgeous, flowing blend of various chocolate shades that sparkled and told so many tales in such little space. you had to chastise yourself for thinking about him so fondly when you swore you disliked him so much.
“why are you doing this to me? acting as if everything’s just perfectly fine and like there isn’t so much shit between us?” you sighed, running your hands over your face out of pure annoyance. why was he acting like this? why were you okay with it?
“i know you. i know every single facial expression you make. every single word you say,” he muttered, studying your face rapidly, “and i know that half the smiles you show off when you’re with diggory are fake. he’s boring you, i can see that clear as day. at least when you were with me, it was fun.”
you shook your head at his words, a soft huff of disbelief forcing itself out of you. deep down inside of you, you know that everything he was saying was true, but you couldn’t admit that. cedric was your boyfriend, you loved him, didn’t you?
“stop it, mattheo,” you pleaded, looking up at the blood-drenched face of the boy you didn’t know whether you adored or despised.
“i was your first… everything, princess. you can’t just deny that what we had was special,” he scoffed, rolling his eyes as if he was getting annoyed again, his soft facade crumbling.
“what do you want me to do? apologise?” you breathed out in disbelief, looking at him as if he was insane, “if that’s what you want, then this is me standing in front of you and saying that i’m sorry for what happened that night, and it hurts my pride to say this, but i sometimes find myself wishing i could change my mind. is that what you want from me? i’m sick of these games.”
mattheo seemed to pause at your words, each syllable playing over and over in his head as he registered what you had just admitted. it was as if his entire body just glitched, every muscle coming to a standstill, though his eyes flicked back and forth as if he was reading the words from a book. it took a moment, but he eventually cracked a small smile, his head tilting.
“did you just reference a taylor swift song in your apology, love?”
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dragon-kazansky · 13 days
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Bridgerton shade of blue
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Benedict Bridgerton x Female Reader
Benedict bumps into you, quite literally, at a ball while trying to escape his mother's attempts to find him a partner. You decide to humour him with a dance, not realising just how entwined you would become with him. It seems the universe will find every excuse to push you and Benedict together, no matter how much you fight it.
{Masterlist}
{Previous Chapter} - {Next Chapter}
Season one
Chapter Four - Roots for friendship
♡♡♡
The ball was entirely outside. It was beautifully done. You had been in awe from the moment you arrived.
You left your mother's side in order to explore the grounds and see who and what was happening around you. The music was lively and many people were out dancing. This felt far more comfortable and free than the last ball.
You pass Colin Bridgerton, who is approaching Penelope Featherington. The poor girl is looking rather down. It is, unfortunately, well known that she had not danced at all at the last ball. Nor did her sisters, but you felt most for Penelope.
You were lucky to have even bumped into Benedict that night. Otherwise, you were sure you would have had the same fate as poor Miss Featherington.
The gown Penelope was wearing was much nicer than ones you had known her to wear. You had heard Portia had a habit of dressing her daughters in the most unruly shades of pink and yellow, sometimes even red. Tonight she looked rather lovely.
You carry on walking, leaving them to talk. Though you think Penelope would make for a good friend, you think she would rather talk to Colin alone. You wonder if perhaps there is something between them.
Cressida Cowper walks past you. She doesn't even look your way. You don't see how she approaches Colin, spills her drink on Penelope on purpose, or Colin stepping in to dance with his friend.
Your eyes land on his brother. Benedict is standing off to the side with his eldest brother. Anthony isn't paying much attention to his, though. Benedict nurses a drink in his hand.
You approach. "Good evening, gentlemen."
Both of them turn to you. Benedict smiles. Anthony bows his head in your direction.
"Good evening," Anthony greets you first.
"Are you looking for Daphne?" You ask. He nods. "I saw her over there with your mother."
Anthony glances over, but does not leave to join them. "Is she well?" He asks.
"Seemingly so."
Anthony takes your answer. As long as Daphne is well, all else is well.
You turn to Benedict. "Not dancing?"
"Haven't found a partner." He smiles.
"My card is empty," you say.
"I shall have to remedy that then." He finishes his drink and puts the glass down on the table behind him.
However, before he can ask for the next dance, the music quietens, and a voice calls out amongst the crowd. "I present Vauxhall's newest spectacle of illumination."
You all turn to see what's happening.
"Feast your eyes above."
You look up. All the lanterns above your head light up at once. You smile. It was quite beautiful. You applaud with the rest of the crowd.
You hadn't noticed that Anthony had drifted away from your side to seek out his sister.
"Shall we dance?" Benedict's hand came into view. You chuckled and took it. Benedict led you off to the dance floor, and you both danced to quite a merry tune.
You laughed and smiled. This dance felt quite friendly. No one could ever assume he was actually trying to court you. Not that anyone was paying much mind.
"It seems mother is too distracted. I might had a lucky escape after all."
You laugh at his words.
"Well, thank you for enlightening me regardless."
You both finish the dance with a bow.
"That was quite a lot of fun." He grins at you.
"It is good for one to enjoy a dance, do you not think?" You giggle.
He nods and escorts you back to the sidelines. Benedict catches sight of Anthony looking less than pleased at something. Benedict excuses himself and goes after his brother.
You find Penelope standing alone now. Colin nowhere in sight. You decide to approach. "Are you enjoying the ball?"
The poor girl looks startled as she turns to you. "Oh, yes. Quite."
She doesn't sound overly convincing, but you decide not to push her. You smile and introduce yourself properly. She smiles and introduces herself in return.
"You look lovely." You compliment her.
"Thank you. Mother had to stay home, so I was able to dress myself. Do you like it?" She smooths down the front of her gown.
"I do."
"You were dancing with Benedict, were you not?" She asks.
"I was. We have become friends, of sorts."
Penelope smiles. "Colin is my friend."
"The Bridgerton's seem like good friends to have."
"They are."
You smile at her and link your arm with hers. "May I keep you company a while?"
Penelope looks quite pleased by your offer. "Yes."
You decide to take a turn around the garden with her. You have decided if nothing else, this season you would make new friends in London.
As you finish your lap of the guests, everyone seems to fall quiet and turn off to the side. You and Penelope stop to look also.
There, entering the ball once more was Daphne Bridgerton. Right beside her was the Duke of Hastings.
"My word," you whisper.
Penelope says nothing as she watches the two. People begin to whisper. You would never have guessed that had any interest in each other after the dinner party last night. Tensions at the table had almost been unbearable, and yet, Simon leads Daphne to the dance floor.
As fireworks light up the sky and the music plays, they dance among the other couples.
Penelope slips from your arm to take a closer look. You watch them with a smile. They had seemed ao unlikely, and yet, the way they danced with each other made you wonder.
Anthony Bridgerton was seething. You could almost feel it.
Violet Bridgerton was thrilled.
♡♡♡
An invitation to the Bridgerton house was not something you were rather expecting so suddenly, but it seemed Benedict was trying to make you quite comfortable with the idea of visiting them.
He had stated to his mother quite clearly that you were his friend and should be allowed to come by as you wished. Violet had agreed with him and reminded you upon entry to her home that you were always welcome.
Funnily enough, it was not Benedict who greeted you right away, but Daphne. She smiled when you entered the drawing room.
"Are you coming too?" She asks.
"Coming where?"
"To promenade with us in the park." She checks her hair with her hand carefully.
"I was unaware you were all going out." You confess to her.
"You're more than welcome." Violet walks past you with a smile.
"I'd be delighted." You smile.
Benedict enters the room and smiles brightly. "There you are."
"Did you invite me for this on purpose?" You ask.
"Perhaps."
"Devious," you chuckle. "Still, a walk would be lovely." You turn back to Daphne. "I assume this has to do with the Duke?"
Daphne puts on a smile, but her eyes don't quite light up. You don't question it. "It may," she says softly.
Benedict offers you his arm. "Shall we?"
You take it and nod.
While Daphne would be with the Duke and chaperoned by Lady Danbury and her mother, the rest of the family were free to stroll at their leisure.
Benedict kept you on his arm as you walked with him and his brothers.
"It's lovely out." You comment.
"Yes, very." Anthony responds, but his mind is elsewhere. "Excuse me." He walks off in a hurry.
"What's wrong with him?" You ask.
"I do not know," Benedict sighs.
Daphne and the Duke have gone way ahead. Lady Danbury and Bridgerton are following them.
"Shall we walk this way?" Benedict suggests. You walk with him, Colin trailing behind with his younger siblings, Gregory and Hyacinth.
"How did your sister manage to catch the Duke's attention? Not that she isn't beautiful or witty enough to capture such a gentleman."
Benedict laughs. "Gentleman? I've never heard him described as such."
"You mean because he is known for being... well, a rake?" You ask.
"Precisely."
"Are you a gentleman?" You ask him, looking at him curiously.
"Of course. All us Bridgerton boys are."
You hear Colin try to hide his chuckle behind you. You smile. "Somehow, I question the truth behind that statement."
"You simply don't know us well enough yet. In the last few weeks you've seen very little of us." He looks at you.
"I've seen you a great number of times for someone I bumped into at a ball."
He grins. "Funny."
"Is it?"
"I think so." He continues leading you through the park. "Are you coming back to ours after?" He asks.
"I'd hate to intrude further on your family."
"Nonsense." Colin speaks up from behind you. "You're welcome in our home."
You smile back at him. "Thank you. It feels strange to become so close to a family I've only really gotten to know."
Benedict looks at you softly. "I rather like having a fresh face to look at."
You laugh. "Careful. If your mother hears, she'll be on your case about finding a wife again."
"She knows I shall not find one in you."
"Splendid. I am certain there is some fine gentleman somewhere in London who will suit me quite nicely."
Benedict chuckles.
♡♡♡
You find yourself back in the drawing room of the Bridgerton Estate. Violet had fetched tea for everyone which you were currently enjoying quite nicely.
Daphne was playing the piano quite nicely in the background.
"Two dances? With a duke?" Hyacinth asks, smiling.
"He was quite taken with your sister, Hyacinth." Violet says proudly. "The entire party was, for that matter. All eyes were on Daphne."
You smile at them as you glance at Daphne. She is focused on her piano playing.
"Are you sure the entire party was not simply eyeing a tear in her dress?" Colin asks, sitting next to Benedict.
You were sat across from the brothers. You give Colin a narrowed stare.
"Or some misstep she took on the dance floor?" Benedict asked.
"You two are terrible," you say to them. Both of them smile at you with boyish grins.
"I do wonder, Daphne, might we count on the Duke at the Crawford ball?" Violet asks her daughter.
"I should think it a fair chance."
"What about the Ramsbury ball, Friday? And what about the grand picnic?"
"We shall see, Mama."
The excitement was evident in Violet. She was happy for her daughter's chances.
As the youngest siblings discuss Francesca being away for the rest of the season, Eloise comes in with quite the question.
"How does a lady come to be with child?"
You choke on your tea.
Daphne stops playing.
"Elosie, what a question!" Violet exclaims.
"I thought one needed to be married," she says right after.
"Whatever are you talking about?" Daphne asks her sister.
"Apperantly, its not even a requirement." Elosie says.
"Eloise, that is enough." Violet puts a stop to this conversation.
Eloise nods and goes to sit between her two older brothers. Violet tries to encourage Daphne to carry on playing the piano.
"I take it the two of you know?" Elosie asks thr men beside her.
"Do not look at me," Benedict says.
You hide your chuckle behind your cup.
"Have you ever visited a farm, El?" Colin asks.
Benedict smacks him round the back of the head, nudging Eloise in the process, who growls in discomfort. Violet turns around to face her children. "I do hope the two of you are not encouraging improper topics of conversation."
"Not at all, Mother." Benedict says.
"In fact, we were just heading off to... take our sticks out."
"Colin Bridgerton!" Violet scolds.
"A round of fencing!" He clarifies.
You bite back a smile as Benedict rises from seat along with his brother. He looks at you with a grin and then departs.
Poor Violet looked like she was going to suffer from those boys.
All other conversations in the room are put on a halt as it is declared that Humboldt is coming.
Daphne rises in delight.
You look up at watch as Humboldt enters the room.
"Has someone arrived, Humboldt?" Daphne asks.
"Callers for Miss Daphne, ma'am."
Daphne squeals with excitement.
"But... the duke? You already have a caller, dearest."
"Well, I suppose now I have more." She says excitedly.
You rise from your seat and approach Violet. "I shall take my leave. I think, perhaps, you're going to be quite busy."
Violet smiles at you softly. "Yes, quite. It was good having you, dear. Come again, won't you?"
You nod with a smile. As you walk past Daphne, you smile again, tapping her arm gently. "Good luck."
She thanks you and you leave.
As you exit the house, you find many gentlemen making their way to the door. She did not just have one or two callers. She had many.
Daphne was a diamond after all.
♡♡♡
@callmemana - @lilscast - @imgondeletedis - @benedictbridgertonss - @clownsdiehard - @wxnterwidow333
@sillynilly27 - @autumn-slaves - @ben-has-arrived - @ajdelilah - @aadu2173
@booknerdlife - @tamlinrose - @sarahskywalker-amidala - @cheryyluv - @louschan - @lou-la-lou - @cultish-corner
@hopshusushi - @katherinejess - @nannabug - @afunkyfreshblog - @f0x33 - @dd122004dd -
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acourtofthought · 2 months
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Genuine question, but why do you want Elucien together if they aren’t in love? They aren’t currently attracted to each other right now. They can’t even be in the same room.
Is it just the potential? Or promise of the mating bond or something?
Because I shipped Elucien too when they were declared mates. But by ACOFAS, I didn’t understand why suddenly SJM decided to have them not even interact. If they ever have a conversation I might jump back over to elucien, but so far-there’s nothing between them.
And we know there can be mates that aren’t good romantic pairings. Like Rhys’s parents. All signs are currently pointing to the fact that Elucien is also one of the incompatible pairs.
Idk I just don’t understand why I should keep rooting for them if there hasn’t been any development on the page? Am I missing something??
Genuine question: Why would I want to read a love story that starts with the couple already being in love? Were Claire and Jamie from Outlander in love at the start or was she in love with and married to another man? Where she married Jamie and STILL wasn't in love with him? Were Daphne and Simon in love at the start of Bridgerton? Was he not FORCED to marry her even when he didn't want to ever marry or have children? Were Elizabeth and Darcy infatuated with one another at the start of their book? You have no canon evidence that Elain isn't attracted to Lucien. The only canon evidence we have of anything is that Elain didn't want a male or a mate. Just like Nesta didn't want a mate in her book. But guess what? Those things change. Those are just hurdles for a character to overcome. By the end of her book Nesta proudly called Cassian her mate but she got into a fight with him over it at first. Yes Elain "shrinks back" from Lucien but why are you defaulting to one possible answer "she's not attracted to him"? When you look at SJMs style of writing, isn't it more likely that Elain withdraws from Lucien because he sees her too clearly and that scares her? When Feyre tells us that Elain has even Az beat for secret keeping, isn't it possible that Lucien is the one person who can see through the secrets Elain hides and it's intimidating? Because he might see that she's not as fine and content as she'd have the others believe? Something she wants them to keep believing as she's possibly worried about disappointing them? (Rhys's words). You're right, there are couples who might not be right for one another, evidenced by the example you provided with Rhys's parents. Rhys's father was cold and vicious. Does that sound like Lucien? Rhys's father immediately stole Rhys's mother away the second the bond snapped and married her that night. Does that sound like what Lucien did with Elain? Rhys's mother pleaded with his father to ban wing clipping but he refused. Has Elain asked anything of Lucien that he was unwilling to give her? I like Elucien because neither has to be anyone different if they end up together. Elain doesn't have to struggle with cruelty bothering her as she would if she ended up with a torturer. She doesn't have to hide in the shadows as she would if she ended up with Az. She would get to enjoy balls and party and socializing in a way she wouldn't if her partner was Az who prefers his alone time. She'd get to share her love of nature with someone who the author also confirms is happiest in nature. I like the thought of Elucien because it's so clearly written on the wall that they are right for one another though it's normal that Elain isn't ready to face that yet as she's still processing trauma and figuring out who she is as a fae female. Or maybe she does realize it and it's what scares her, she already suffered rejection and a broken heart from Graysen, I don't imagine she's prepared to run into someone else's arms who has the power to hurt her. My guess is SJM hasn't had them interact because the second Elain and Lucien have a real conversation, it's over for both of them. Their hearts will be gone, flying into the palms of the other. It's more exciting to read about all that in their own POVs rather than someone else's. You don't have to root for anyone you don't like. Hell, Elucien could be endgame and you still don't need to root for them. But I grow a little tired of people acting clueless as to why Elucien's still love the idea of them together and why it's really not a problem that they aren't talking right now.
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Polyam Ship Showdown Winner!
It's OVER!
First, I have to thank everyone who has voted in this poll and the previous polls. This has been a fun journey to find the best polyamorous ship.
Without further ado, the results!
In third place, we have Velma Dinkley/Daphne Blake/Fred Jones/Norville "Shaggy" Rogers from Scooby-Doo.
In second place, we have Ninth Doctor/Rose Tyler/Jack Harkness from Doctor Who.
That means in first place...
we have Parker/Alec Hardison/Eliot Spencer from Leverage!
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I just want to say thank you to everyone for following, reblogging, and of course, voting. It's been a fun journey, and I hope everyone else had just as fun seeing what lead us here.
For now, it is time for me to say farewell.
If you haven't already then go ahead and check out @powerpolyculeshowdown which is still in progress! And finally, if anyone wants to follow me on my main, you can check my blog out at @lewvithur. (You can definitely tell what ship I was rooting for in all this, haha.)
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newtonsheffield · 3 months
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How much does the press focus on Kate’s guest? Does it come up in her post match, on court interview? Does Kate even acknowledge to herself at least, that this is a very public message about her personal life? I think Anthony is ready for it (more than he realizes it), but is she?
I think the press is fascinated by what’s going on to be honest. I mean, Kate Sharma was in a relationship with Tom Dorset for a good long while and he was never sat with her family. Never. Not once. And she never went to see him play either. They never shared the court even in practice.
And all of a sudden: Enter Anthony Bridgerton. From what the photographers watching her practice saw they were flirty, having fun. She showed up to his match and wasn’t sat with his family but there he is. Sat between her mother and sister, all of them chatting. It’s s being a pretty clear message to people. So much so they almost don’t need confirmation of a relationship at this point.
He’s wearing her merchandise for God’s sake. They’re clearly in a relationship at this point. And Simon is definitely cursing his brother in law because of course it falls to him to ask the question everyone wants to know.
“Kate, some incredible tennis out there today.”
Kate nodded, waving at the cheering crowd. “Yeah, Nikki was great today. It’s always great to play someone who’s really in tune with the way they play. I had a lot of fun today.”
That was one of the things people liked about Kate. She was playing an eighteen year old girl who must have been dreading the fact that Kate Sharma was the first on her docket. No one in the stadium rooting for them and she still finds the time to give them their moment.
Simon nodded, swallowing as though this was the very last thing he wanted to ask her. “And you’ve got a little more support in the stands today.”
She’d been expecting it, and she still hadn’t figured out what to say. She settled for shifting the focus just a little. Leaning in to tease Simon. “Yeah, I think you know my new friend right?”
Both of them turned towards Anthony and waved. Anthony looked like a deer in the headlights but waved back, a little unsurely. Simon chuckled, “For those of you who don’t know: my wife Daphne is Anthony’s sister. I’m a little too familiar with Anthony. Though I’ve never seen him wearing a Sharmarama hat that’s new.”
“Oh he’s a cutie-pie.”
The crowd roared with laughter as Anthony blushed, right there on the screen.
“I don’t want to ask you this obviously but ah… any comment on the rumours about you two?”
Kate clicked her tongue, “You should ask Anthony. I’m interested in the answer as well.”
The crowd roared again and Simon shook his head.
“Thanks so much Kate. Excellent match today, look forward to seeing you next time.”
Even if there’s no official confirmation, Kate Sharma leaving the All England club with her kit bag in Anthony Bridgerton’s shoulder before it’s loaded into her vintage Jag seems like confirmation enough.
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avalynlestrange · 8 months
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Speak Now
Draco Malfoy x Reader
Reader: she/her pronouns
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Warnings: I didn’t proof read this. Let me know if there are any mistakes or if there are other warnings I should add.
Category: Post-Hogwarts, ex to lovers, wedding interruption, songfic, one-shot, angst?, fluff?
Summary: In which you rudely barge in on a white veil occasion.
No Sneak Peak 😋
Author’s Note: I’ve been feeling uninspired and unwell recently but I’m back 💞 This is my entry to week 2 of @hpcottagecorefest
Word Count: <2k
To The Library (fics masterlist)
To The Kitchen (WIPs)
To More Draco Malfoy fics
To Speak Now Anthology
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You are not the kind of girl who should be rudely barging in on a white veil occasion. Yet here you are dressed in formal attire, sitting at the seventh to the front bench of the great hall of the Malfoy manor. You had to come to see groom and Draco was not the kind of boy who should be marrying the wrong girl. You would be lying if you said you weren’t taken aback at the news of his engagement to one Astoria Greengrass a few months ago but it had pained you to hear it; especially through the mouth of an acquaintance.
He didn’t even have the nerve to say it to you. Then again why would he? You had been broken up for nearly year. But everybody knew you would get back together.
Well, everybody thought you would.
You always did. It was the norm for your relationship. Sure, this was the longest you’ve been apart but he somehow dated and proposed to Astoria within that 10 months.
You scoff at that thought. Must be their families doing. That’s probably why you didn’t get an invitation.
So you did what you had to in order to get into the event. You snuck in and see your friends and her snotty little family all dressed in pastel. There were different entrances to Malfoy Manor. You knew them like the back of your hand. Days and nights were spent here, running around playing hide and seek that lead to romantic encounters in nooks and crannies. No one truly checks who enters the servant quarters and those working this event, luckily, did not know who you were or were too busy to care.
You are sitting next to Blaise, who said he would say that he brought you as his plus one. If any one asked. Pansy said she truly would have brought you, if not for her being a bridesmaid. She had known the Greengrass sisters since she was born but was only told she was part of the entourage a week prior.
It’s not like you didn’t know the sisters yourself. You were close with Daphne during your school years and met Astoria when you visited Daphne’s home during the summer after first year and she was not as carefree as her older sister, even as a nine year old.
“She’s probably yelling at a bridesmaid somewhere.” You whisper to Blaise.
“Yeah, Pansy texted me earlier that Astoria’s gown is shaped like a pastry.” He snickers as he shows you the picture Pansy had sent him. You feign a laugh. Astoria looked gorgeous in the photo.
But this is surely not what Draco thought it would be. After the second wizarding war he vowed not to be caught up in his parent’s views and expectations ever again. It had nearly gotten him killed. You recall the nights you comforted him in your arms as he sobbed and scrubbed the mark on his forearm. How you missed wrapping your arms around him and being wrapped by his.
A cough snaps you out of your daydream. You look up and see Daphne with her furrowed eyebrows.
“You can’t be here.” She gestures for you to stand up. “My mom has seen you and told Astoria. So you have to-”
“She’s my date.” Blaise interrupts.
“And you know bloody well that this would happen.” Daphne ushers you and you follow her to the back of the hall.
“Look as much as I was rooting for you and Draco, I have to side with my sister. You need to go.” She hears her name being called and rushes to them.
Once Daphne is no longer in sight, you sneak back into the far back left side of the hall where long curtains drape. This was your last chance to stop this all. You couldn’t try to stop the engagement, but you can definitely try and prevent the union. It wasn’t a choice you made so lightly. Many sleepless nights nearer the date and you had made your mind up.
You couldn’t lose Draco. You had gone through so much together. There was so much love still there. No matter how many times you broke up and made up. You were meant to be. You know he knows it. So you hide behind the curtains.
The organ starts to play a song that sounds like a death march. In between the two curtains, you peak at the start of the ceremony. Out comes Gardenia Greengrass in mint green. She never did like you when you met. She and Narcissa had been close childhood friends who dreamt of their children being wed and uniting the families. However, when Draco mentioned that you were his girlfriend during fifth year, their hopes were shattered and they were not warm towards you.
You sneak out of the curtains and sit at the back bench. The hall is filled with familiar faces but luckily the person next to you was too watching the ceremony to notice you.
As the wedding processional order proceeds to the grandparents, fond gestures are exchanged.
Then he walks through the door.
They say time stops when you’re in love. They are right. The intense feeling you have as you see him in his white suit and mint pocket square, his platinum blond locks in low fade cut, and his ice grey eyes wandering the hall sent butterflies to your stomach.
But they are heavy. It’s all wrong. This isn’t how you imagined seeing him down an aisle. Your stomach drops at the weight of it all.
You and Draco often talked about how your wedding would be. Which colour palette to use, which flowers, which venue and you see nothing of his preferences in what is all around you.
Draco stands at the altar awaiting his bride.
The music changes.
Astoria floats down the aisle like a pageant queen. You look to Draco and back to his bride. The butterflies are dancing around in your stomach and you are feeling a little nauseous.
But you know he wishes it you.
Doesn’t he?
Draco fixes his tie and looks around the room. He squints as he pats down his blazer. You know all his tells. By the way he fidgets with his family ring. He’s nervous. He takes a sharp inhale when he realises that Astoria is in front of him. She takes his hands in hers. A part of you breaks when you see him smile as he looks into her eyes.
You pay no mind to the words until you hear the preacher say, “Speak now or forever hold your peace.”
There’s a silence. There’s your last chance. You stand up with shaking hands.
All eyes on you.
Horrified looks from everyone in the room but you’re only looking at Draco.
He drops Astoria’s hands and faces you fully. You walk to aisle. Astoria’s mother stands up, but you start to speak.
“I’m sorry… Actually, I’m not sorry at all. Draco don't say a single vow. Don’t say yes.”
Your eyes are on his. Gasps from the people around you echoes in the hall.
“Let’s just run away now.” You continue. “I'll meet you when you're out of the Manor, at the back door.”
Your legs feel like they are going to give up on you when silence ensues. Draco is still standing at the altar. Hushed whispers follows. He opens his mouth as if to say something but he shuts it as quickly. He looks back and forth from you to Astoria. He looks back to you and says nothing.
That’s when you lose all the hopes you had. He really must be in this for love and not for his parents sake. You bite your lower lip and pick at the skin.
You don’t say another word and you walk out the manor. The metallic taste of blood seeps onto your tongue as you hold back the sobs that threaten to creep out. And as soon as you are out the grand entrance you drop to sit on the cold steps. All the what ifs crawl all over you as you wait on whether he will follow you out. You shiver.
Time is dragging. It feels like an eternity.
So you run. As fast as your shoes can take you. To the meadows nearby. It’s not the summer memories that flood your mind. No. Not the picnics amidst the flowers where you now sit. But the missed opportunities.
You should have told him you wanted him back sooner. You should have said something before they even got engaged. You should have never gone to this event. How stupid of you.
The scent of the pastel blue and baby pink flowers linger in the air. He used to pick them for you and placed them in your hair. The compliments he would shower you as you adorn them. Now they are tainted with the memories of them being in the decorations of their wedding. They must have been here together.
You grab a fist full of flowers in your hands and pluck them forcefully, chucking it with all the strength you can muster.
You hear your name being gently called. It didn’t register as a voice from someone near you. You’ve heard it so many times before. Draco did often visit you in dreams.
He places himself next to you.
“What? Come to tell me the good news in person? I must be so special.” You pick at the flowers once more. He doesn’t speak for the longest time. The breeze cooling down your heated cheeks. Shouldn’t he be at the reception?
“Remember when I first brought you here? You were so nervous about telling my parents about us.”
“Of course! Narcissa already hated me since you lot blamed me for breaking her favourite vase.” You remark.
The decision of sharing a bottle of fire whiskey stolen from the cabinets and pretending to be studying at the manor library seemed like a good idea then.
“It wasn��t my idea! Goyle just said it to protect me. Crabbe just went along-“
“Plus she was already furious when she heard that you dated girls that wasn’t a Greengrass. Bet she’s happy now.” You scoff.
“She actually loved you.” He confesses. “Every time I visited home without you she made me bring you your favourite dish.”
“That’s why we always had a bunch of them in the fridge when you got back.”
“Where did you think they came from?”
“I don’t know! I thought you bought it somewhere. You never mentioned they came from your mom!”
“I did! The first time when I went after New Years cause you had work.”
“I don’t remember that was ages ago!”
He laughs and offers you flower crown he had made.
“I’ve missed this.”
“What? Us bickering?”
“Yeah and just you in general.”
You frown at him and ask, “Why are you here? Should you be back at the party?”
He props down the offering in between you then looks to the horizon.
“I didn’t say my vows.” He pauses to see your reaction. However, when you didn’t respond he carries on.
“My father was the one who arranged all of this. After all these years and he still has an influence on me. Which is why I’m so glad you were around when they said, ‘Speak Now’. Ever since we broke up, I’ve been a mess.
“I keep going to my fireplace to floo to you and when I finally did you had moved out of our place. Figured you’d moved on. Broke more vases. It drove me crazy when you never came to any social events. I’ve missed you so much. You’re the one I love.”
He motions his open palm to you and says, “Shall we run away now?”
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More Than Diamonds
Pairing: Prince Friedrich x Princess! Reader Description: Britain has gained themselves a new royalty nearing the debutante ball of 1813. Princess Amelia of Siam was sent as the new Ambassador of Siam. In Britain Princess Amelia was able to find her family, but will that be all? Tags: Tags: Slow burn, Coming of age, Time-Travel, Back to the past, Friends to Lovers, Royalties, Oblivious!FLxObvious!ML, Jealous! Friedrich, Slightly Possessive! Friedrich, Black cat gf, Golden retriever bf Timeline: S1&S2
Princess Amelia of Siam
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"What romance? I have no time for such nonsense. I was merely attempting to forge a diplomatic relation between Siam and Prussia." - Amelia Chaiya Kanika, Princess of Siam
Prince Friedrich of Prussia
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"Truthfully I am afraid. It felt like I'm the only one falling, while she stayed rooted... Unmoved. I want her, yet I do not want to lose what we have... To sacrifice what we have built." - Prince Friedrich of Prussia
Daphne Basset (nee. Bridgerton)
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"Amelia is different... She is uptight and serious, but at the same time extremely intelligent. Unfortunately, romance is a foreign subject for her and I think... There is nobody more fitting to teach her than you." - Daphne Basset (nee. Bridgerton)
Anthony Bridgerton
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"I would say out of all Bridgerton, we are the most similar... Which is why I hope for you to learn from my mistakes. Life is short Mel, you need to enjoy it while it lasts. Doing something you want is not selfish... Loving someone is not selfish." - Anthony Bridgerton
Benedict Bridgerton
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"Say, Mel... What is your idea of fun? One which excludes activities that require you to think? Frankly I think you need it. Go outside, make friends, go to parties and promenades. Have fun. For sometime, forget your responsibilities and live a little." - Benedict Bridgerton
Colin Bridgerton
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"I understand what you meant. How looking at this brought you peace, but Mel... Don't you think you too need to start listening to that advice?" - Colin Bridgerton
Charlotte of Mcklenburg-Strelitz
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"I suppose for him a mere diamond won't do. She must be the epitome of perfection. An intelligent, beautiful and elegant woman. Who fits better for a prince than an actual princess?" - Queen Charlotte
Meet The Cast of 'More Than Diamonds' | More Than Diamonds Master List
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xxdjsunsetxdxx-blog · 8 months
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Random Ships I Like In No Particular Order:
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* Loubbie- Lou Miller x Debbie Ocean- Ocean’s 8
* Sabina x Elena- Charlie’s Angels (2019)
* Macgyver x Riley- MacGyver (2016)
* Magnum x Higgins- Magnum PI (2018)
* Shoot- Shaw x Root- Person of Interest
* Rizzles- Rizzoli x Isles- Rizzoli & Isles
* Wondercheetah- Wonder Woman x Cheetah- DC
* Camren- Camila x Lauren- Fifth Harmony
* Blackhill- Natasha Romanoff x Maria Hill- Marvel
* Xialing x Katy- Shang-Chi
* Peggy Carter x Dottie Underwood- Agent Carter
* Supercorp- Kara Danvers x Lena Luthor- Supergirl
* Daniela x Carla- In The Heights
* Mira Harberg x Laurie- Irma Vep
* Judy Hale x Jen Harding- Dead To Me
* Florence x Madeleine- Gunpowder Milkshake
* Ronance- Robin Buckley x Nancy Wheeler- Stranger Things
* Eleanor x Drea- Do Revenge
* Harlivy- Harley Quinn x Poison Ivy- DC
* Wenclair- Wednesday Addams x Enid Sinclair- Wednesday
* Meddison- Meredith x Addison- Grey’s Anatomy
* Emily x Stephanie- A Simple Favor
* Mercymaker- Mercy x Widowmaker- Overwatch
* Akko x Diana- Little Witch Academia
* Dovesso- Professor Dovey x Lady Lesso- The School for Good and Evil
* Cassie Lang x Jentorra - Quantumania
* Spideypool- Spider-Man x Deadpool- Marvel
* Superbat- Superman x Batman- DC
* Batman x Catwoman- DC
* Princess Audrey x Wonder Woman- DCAU
* Jon Stewart (Green Lantern) x Hawkgirl (Shayera Hol)- DCAU
* StephCass- Stephanie Brown x Cassandra Cain- DC
* DinahBabs- Black Canary (Dinah Lance) x Oracle (Barbara Gordon)- DC
* DicKory- Nightwing (Dick Grayson) x Starfire (Koriand’r)- DC
* Wondermagic- Wonder Woman x Zatanna- DC
* Daphne x Velma- Scooby-Doo
* Cassie Dewell x Jenny Hoyt- Big Sky
* Choni- Cheryl Blossom x Toni Topaz- Riverdale
* Bechloe- Beca Mitchell x Chloe Beale-Pitch Perfect
* Khalopatra- Kleopatra x Frida Khalo- Clone High
* Talia Burns x Margot Fairmont- First Kill
* Question x Huntress- DCAU
* SuperWonderBat- Superman x Wonder Woman x Batman- DCAU
* Wonderhawk- Wonder Woman x Hawkgirl (Shayera Hol)- DCAU
* Dana Scully x Monica Reyes- X-Files
* Barbara (Barbie) Handler x Gloria- Barbie
* Julethief- Carmen Sandiego x Julia (Jules) Argent- Carmen Sandiego
* Seven Of Nine x Raffi Musiker- Star Trek
* Larissa Weems x Morticia Addams- The Addams Family
* Swanqueen- Emma Swan x Regina Mills- Once Upon A Time
* Alicia Florrick x Kalinda Sharma- The Good Wife
* Danny James x Cable McCrory- Bull
* Kim Possible x Shego- Kim Possible
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talk to me abt them if you want :)
couldn’t fit all the tags lol
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thekatebridgerton · 8 months
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The thing about Colin...
So I've been seeing a lot of discourse lately about how Polin shippers never seem to care about Colin. And it made me realize I've never actually done a deep dive on why I find his character so interesting. The way I've done with Anthony and sometimes Benedict. So let's have a talk about Colin Bridgerton
I am very much attached to book Colin in the sense that in RMB we get to see something cute Luke hasn't shown yet: the depth behind his smiling face. And pretty much in the same way Hunger games movie viewers don't realize how they become part of the capitol when they reduce Katniss struggle to just her relationship with Peeta and Gale. Colin Bridgerton is the perfect example of how we become part of 'the ton' when we reduce Colin to simply his smiling happy go lucky looking self.
Because Colin is a great friend, I've said it many times, I would love to have a friend like him, he's very loyal, wouldn't abandon someone in need if he could help it, he has a great sense of humor, he is supportive and kind, roots for the people he loves and encourages them to follow their dreams. It makes sense for his favorite sister to be Daphne because, during Daphne's book, the reason she couldn't find a husband was because men got to know her and saw her as such a good friend it didn't register that she was also a woman.
Colin on the outside is in fact the quintessential happy, smiling, friendly gentleman. Penelope thinks that, lady Whistledown writes that. We as readers are fooled into thinking that as well. This is where it gets fun.
Because there's a point in the narrative where Colin shows his dark side and the reader is like 'wait where did that come from? I've never seen him act like that before ' and of course you didn't dear reader, you're the ton, you're the person who only knows him from Lady Whistledown. That's the trick. Because he didn't show his dark side to you! He's never shown it to anyone! He's charming Colin!
And this is where I absolutely love Colin. Because yes, he's funny and charming and a riot to hang out with, he's well read, well traveled and an excellent conversationalist. But behind all that, is a man who feels deeply and loves passionately and gets easily frustrated, what I mean to say is that underneath Charming Colin, is someone completely different who doesn't know how to break out of the label everyone has put on him for so many years and expresses his emotions in a clumsy extravagant way that is so Colin. Also behold, surprise surprise, he has a temper, he's got a responsible streak that's more in line with Anthony's years of conditioning than he would care to admit. And insecurities about his place in the world that lead him to lash out a time or two.
So if you ask me, I like the Colin we get to know underneath the superficial charming Colin thing he's got going on, more than I like the version we get in Lady Whistledown.
And it's funny seeing so many show viewers take his character at face value. Even Polin shippers, write him off as ' cute cuddly wouldn't harm a fly Colin, super friendly, clueless Colin ' when he's actually one of the most deep characters there is, exactly because he's a social chameleon and tailors himself to be what he thinks people expect him to be. As a third son, as a brother and as a friend. Never actually showing anyone his negative side because he thinks people won't like him any more ( and from the comments I see dissing his characterization in RMB that may very well be true)
The man may not have created a whole alter ego to blow off his negative emotions but believe me he has them and he's self aware enough to know he's expected to never show them. Which is actually worse in the long run because he ends up a mess of surpressed dissatisfaction and frustration.
Maybe that's what I find so interesting about him that his character is just as two faced as Penelope. I'm not saying that Colin isn't genuinely nice and funny and friendly. I'm saying he's not like that 24/7 and that he pretends he is just to cover up his insecurities. Because deep down he wants to be liked and doesn't tolerate rejection well.
It takes a lot for him to come to terms with the fact that he wants to be liked for who he truly is and not just for the mask he puts up Infront of the ton and his family. Assimilating both his happy go lucky charming side, with his darker more temperamental and dominant side that he never showed to people before. It's as much of a journey of self discovery for Colin as it is for the reader.
I had hopes that in s3 we actually were led to find out that no Colin isn't actually some clueless himbo all the time, because underneath that he's just as restless and dissatisfied with himself as the rest of his family but he doesn't show it. I would love for s3 to take us behind the scenes of clueless Colin to show us exactly all those sides of him he doesn't share with anyone else. But I don't know, maybe Shondaland will keep him just as friendly and seemingly wonderful as it's been showing him so far.
And that's the tea
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thechaoticreader · 3 months
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10 Booktok Books I Refuse To Read (&Why)
I'm feeling a little controversial today and while I'm a microscopic blog might as well!
*Disclaimer: If you like any of these books, slay! I'm happy for you! These are just my own consumer choices, and imo negative book reviews are just as helpful as positive ones!*
1. Any Colleen Hoover
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I don't like her as a person and don't want to give her money
Her writing style feels like I'm reading bad 2010's fanfics
Her plots feel half-baked and contrived
It feels like her plot twists are just there to emotionally manipulate the reader not to actually make the book better
Every twist is predictable
I've never met a likeable CoHo character
I hate reading insta-love
All of the male Leeds (😉) are toxic and shitty
The breeding kink that underlies most of her books make me very uncomfortable
The pick me "not like the other girls" attitude of the female MC's makes me hate them when im supposed to be rooting for them
thats all I can think of right now but there's probably more
If you want Verity vibes but well written, read Rebecca by Daphne De Maurier
If you want the writing style, plot points and vibes of the rest of her work but for free, visit Wattpad or Fanfiction.net or even venture further into this very site
2. Haunting Adeline
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Hate the writing style
The Q Anon subplot makes me so upset...like if I wanted to hear righty conspiracy theories and propaganda i'd hang out with my aunt...at least id get food out of that
I've been in abusive relationships and I'd find this book triggering and disgusting, not sexy
3. Fourth Wing
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I just feel like I've grown out of the genre (I was an avid reader during the Y/A dystopia craze of the 2000's/2010's)
hate the writing style
the world building makes no sense
bad chronic illness rep
in general not a romantacy fan
4. Sarah J. Maas
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Not a fan of her writing style
Not a romantacy fan
Don't have the attention span for MASSIVE series
5. Icebreaker
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I grew up in Southern Ontario surrounded by hockey boys...theres not much less sexy to me than a bunch of hockey bros
6. Hidden Pictures
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its transphobic :)
7. Ballad of Songbirds and Snakes
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I loved the hunger games books and I'm afraid this will ruin it
8. Creedence
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not into incest
don't find abuse hot
9. Cassandra Clare
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not into incest
not into plagiarism
bad writing
series are entirely too long
10. The Pawn & The Puppet
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bad writing
the worst mental illness rep I've seen in a long time
transphobia
badly handled eating disorder
toxic at best love interest
don't like the author
there's definitely more but thinking about this book makes me so mad
34 notes · View notes
dollypopup · 10 months
Text
Marina, Polin, and the False Narrative of Good Intentions
or: Fanon has Failed You
we're taking a real deep dive, babes.
bring a snorkel
Episode 1:
We are introduced to Bridgerton, Lady Whistledown first. She has the very first lines, talking about the new debutantes coming before the queen. Penelope expresses immense nervousness about this, even after Prudence faints and she writes of the blunder in her sheet, likely grateful she doesn't have to spend too much time on herself when she can highlight Prudence's fainting. In the very first mention of Marina, it's a conversation between Portia and Lady Cowper, about how Portia is taking Marina, a 'distant cousin of my husband's' in as an act of 'charity'. LC replies that she has always been quite charitable, which Portia exclaims is what Lady Whistledown should have written about, instead of 'erroneously writing that she shall only have three ladies under her care.'
That's when Penelope comes to Portia with a plea, using Marina's upcoming arrival as an excuse for her to defer.
"Unless you should like to have only 3 young ladies under your care, I should gladly sit this season out." "Penelope is nervous" "I am not nervous, Mama-" "What she is is two stone heavier than she aught to be." Phillipa: "Mmm, those blemishes on her face are quite difficult to conceal. Perhaps some lead and arsenic would help" "Should you allow me to defer but a year, just as Lady Bridgerton has done for Eloise, I may remain dedicated to my studies"
she is denied. Portia dismisses Marina to Lady Cowper, talking about how she couldn't be competition with her daughters. Marina walks in and Penelope, as though in relief, says "Oh, she's beautiful."
Because Penelope, as of this moment, only sees Marina as a tool with which to get what she wants: invisibility. We know that's what she wants based on her and Eloise's conversation in the daffodils, in which she tells her
Penelope: "No one truly notices me. I suppose that is what I like. When you are invisible, you can have all the amusement you want without any of the expectations popularity brings. It. . .frees you.” Eloise: “Do you think that is why Whistledown remains anonymous?” Penelope: “Perhaps.”
Lady Whistledown and Marina, in this moment in time, have the exact same purpose: they serve as shields. Shields that keep Penelope from being seen, from being noticed, and hopefully to give her more time. Penelope is grateful for this, LW starts taking shots at the Queen by taking shots at Daphne, saying she was falling from the grace of being named the diamond. Instead, she thrusts Marina to the forefront of the ton, declares her the true diamond, and sits relatively gratefully through Marina's flurry of attention.
Until it comes to Colin. The scene in the Featherington drawing room in which Colin comes to Penelope after calling on Marina and says it's a 'most dreadful sonnet indeed', to which she quips her famous 'Lord Byron he is not', thus making Colin laugh before he bids her good day, and she looks at him on his way out. This has often been discussed as a scene in which Penelope is starstruck that she made him laugh, but I propose something else.
This?
This is a look of concern and sadness.
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What Lady Cowper had said had been foreshadowing, now Marina is literal competition for the center of Penelope's affections.
Which, let's give him some POV here
Let's talk Colin
Even in episode one, Penelope at the ball was watching Colin, a look which is mirrored later on by how Colin looks at Marina for the first time, asking who she is. He quickly joins the dance floor right next to her, clearly curious. Curiosity is a huge part of Colin's character that often gets overlooked, in fact. His wanting to travel is rooted in it. His room is FULL of Greek mythology, the first place he visits is Greece. Colin is drawn to Marina's newness, and also how pretty she is. He likes her pretty naturally. And she also clearly likes him. Even after the other suitors slough off, Colin stays.
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Marina isn't pretending, here. Look at her. She finds him funny, he's turned toward her. We find out later that she's been there for about a month, at this point. As far as Marina knows, she was sent there against her will, because she doesn't WANT to be with Portia and her snooty high society attitude. Even still, Colin acts as reprieve. He comes to visit her and cheers her, she likes a lot about him, in fact, as we learn later, but let's go back to episode 1, the now.
And then we see Marina accept (and mourn) the fact that she's pregnant.
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This is why she didn't come to the Vauxhall Ball, claiming illness, and Varley brings Portia the clean sheets. Portia goes to confront Marina, she'd been there for over a month and hadn't bled, accuses her of 'revolting recklessness', says she'll keep it under wraps only so her own daughters won't suffer, and when Marina informs that she doesn't want any of this, in particular her hoity superiority, Portia slaps her.
Slaps her.
As horrible as Portia and the Featheringtons are to Penelope, they have never once laid a hand on her.
Marina is made Other from the first moment she walks on screen. She is unwelcome in the Featherinton house. Even Penelope really only cares about her insofaras she's useful. In fact, episode 1 is Penelope's first taste of what her debut would be like without Marina, and in it, Colin comes to her rescue when Cressida is being mean. Penelope didn't dance at the first ball Marina was at, but she *does* when Marina's gone.
For Marina, this is a horrible night. For Penelope, it's fantastic. Simon and Daphne even became a thing, and Penelope is seen observing them. Not only did she get to dance with Colin, but she also got her gossip. This proves she doesn't necessarily need or can utilize Marina as a shield.
From Episode 1, we see the start of the divide, even before anything else, the show pits them against one another.
Which takes us to Episode 2
We open with Penelope remarking that it is 'disturbing' and Phillipa and Prudence telling on her to Portia by informing that she has questions about Marina's condition. And then
"How did it happen, Mama? Is there to be a baby?"
"Why is Miss Thompson to be kept away?" "Because her condition is catching!" [to which Penelope responds with silent astonishment]
We then have her with Eloise, walking arm in arm as Eloise complains about Daphne and Simon, talking about how being pretty and having nice hair isn't an accomplishment, and that going to university is, essentially: a lament of societal misogyny. Penelope is not only clearly disengaged with her, but even exasperated. Eloise remarks that Penelope did not listen to a word she says, which is true, and Penelope ignores that, too, except to grab her by the elbow, and tell her that she knows someone with child, and that they're not married.
This conversation is comedic, yes, but it's also interesting considering we know Colin and Marina are involved, and that Penelope's curiosity for how Marina came to be with child (outside of the obvious practical reasons for wanting to know for her own sake) doesn't stem from friendship with Marina, but rather desire and curiosity for how it affects Colin.
"She is not married" "How did she become with child if she's not married?" "I do not know. But I will find out." "You must! Otherwise, how can we make sure it never happens to us? We have accomplishments to acquire."
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Penelope, even here, knows that they don't want the same accomplishments. There's a rift forming here, too. Penelope is a year ahead of Eloise, already out in society, and she's writing Lady Whistledown. As far as she's concerned, her accomplishments are to get married. Her opinion of being out in society has changed: she still wants to be invisible, but not to stay with Eloise, but instead to continue Lady Whistledown, and perhaps get married. She says so later in the series, in which she tells Eloise that people have mature problems, problems more important than some silly writer, problems like getting married.
But to who?
Three guesses.
Colin's next scene is when Eloise asks how babies are made, to which he gives his classic 'Have you ever visited a farm?' response, and cheekily teases that he and Benedict are off to take their sticks out, 'for a round of fencing!' and once again, though comedic, it's also meant to serve a second function: he becomes a suspect. That's a very dramatic way to put it, I know, but as of now, it's not revealed who the other half of Marina's bun in the oven is, and it very well *could* be Colin.
A fact Penelope likely suspects. So, she MUST know how babies are made, because she agrees with Eloise on this: she does have accomplishments to acquire. I propose to us that instead of the 'Penelope was so selfless! She would have let Colin marry Marina so long as Marina wasn't lying to him and trying to trap him' narrative, something a bit more complicated is afoot
Penelope wants Colin. She knows she can't get involved in his current romance with Marina, but she wants him all the same. The dance they shared solidifies that for her. They're friends, she's been in love with him since she met him, and now she's *able* to get married. And she wants it to be to him.
And all her actions from there are stained with that information, including the final reveal.
It's in the middle of Episode 2, well over a month that Marina's been in Mayfair, that we have our first scene of Penelope and Marina together. We open with Marina reading letters, tearstained in her hands.
She hides them immediately under the blankets and Penelope comes in saying she found some sweets and that Marina might be able to eat them when everyone else was off at the Ball. Marina, gratefully, invites her into the room so that they may share, to which Penelope is clearly pleased.
"I hear they have decided not to send you home to your papa." "I dare say he is relieved. I can only imagine how he will react to- "Your condition? Marina, may I ask- how did it happen?"
Penelope didn't come to Marina out of the goodness of her heart at all. She came to get information. Because curiosity is also an inherit part of Penelope's character, just as it is for Colin. Penelope's reasons for wanting to know are three fold: for the sake of knowing (it's good information to have, knowing how babies are made), for Whistledown if it's a good story, and for Colin.
Marina goes on a beautiful story about George, and we, at the same time as Penelope, realize Marina is still in love with her soldier boy, who she believes is in Spain, and in a moment of immense trust, passes the letters to Penelope for her to read.
But Penelope is only relieved. It settles two of the three, clears Colin from being the father and provides her good information for Whistledown, which she doesn't get publish, likely realizing that all the secrecy means it's a big deal, but she still doesn't know how one comes to be with child.
She laments this with Eloise immediately after. Snarks that Marina said it was 'Love' and Elosie informing that made no sense, to which Penelope agrees, saying her mama had 3 children and love had nothing to do with it. Eloise then asks, in a moment of empathy no one else has granted Marina,
"Well, what else did she say? Was she not frightened?" "More. . .sad, than frightened. But there may be a chance for her to have a happy ending yet, I suppose. She wants to escape to the country where she and her love may marry."
At this, Penelope is happy. She's glad that Marina will be out of the way and also that Marina will get to be with someone else. She isn't cruel, she wishes Marina well.
She just doesn't wish Marina well with Colin.
Episode 3 has Penelope running mail errands for Marina since Marina's in confinement. With no letter in hand, she delivers her the bad news, to which Marina clearly is despondent, wondering when a letter from Spain would arrive. Penelope soothes her by informing that he's on the front lines and it's difficult for letters. "If your love is as great as your previous letters state, surely he will write back to you soon. Or perhaps even better, he is already on his way back to you here, to come and take you home."
Penelope takes on her mother after she's caught with Marina and scolded, saying that Marina's been there for ages, and it isn't fair. She leaves, and Portia insists that Marina find a husband. There is no choice for denial, here, Portia makes that clear, and Penelope takes the news unhappily from the door.
Looks like she isn't out of the woods, yet.
Because even underlying Penelope's compassion, there's a second motive. Penelope is just like Portia: she wants Marina gone, too. She just has a different, very contrasting way of accomplishing that goal, but she's making strides toward it.
She writes of Marina rejoining society, that she will be at the new exhibit. When Portia tries introducing Marina to an older man, she silently pleads for Penelope to help her and she tries to come to her rescue. In the end, Marina tells him off herself, and Penelope and Marina are united against Portia. As of now, there is nothing that really contests them. Even still, Marina acts as something of a shield for Penelope, something she is sure to notice. With Marina in the house, Penelope receives less of Portia's cruelty, and even when she's scolded, Marina gets worse of it.
As of now, Marina and Colin were a brief flirtation that took place at the beginning of her coming to Mayfair. She enjoyed his company, but she's also not suffering without it, clearly uninterested in rejoining society or getting a husband who isn't George. Being pregnant has given Marina a new dream: one in which a man she loves will return from war to help her raise their family. Even if she was open to a new love at the start of the season, she clearly doesn't care or wants to find a husband who isn't George. She tells Portia as much, that she will not bow down to Portia's schemes. She has a man who loves her, and she intends to marry him.
Portia is the instigator here, even though fandom has made Marina the villain. PORTIA insists Marina go out in society. PORTIA writes the fake letter. PORTIA is who twists Marina's arm, verbally and physically abuses her, and locks her up until she can foist her onto some decrepit man and be done with her. PORTIA is who speaks aloud Marina's doubts of George not loving her back because he hasn't sent a letter to her.
Even though Penelope and Portia's goals are the same, their methods are MILES apart. Penelope *does* have compassion for Marina, wants her to have her love story with George, and she tries to help her because she recognizes it as the path of least resistance. Portia meddles far too much, which is her downfall every time.
When a 'letter from Spain' arrives, Penelope brings it to Marina and nervously asks what it says. She's excited for the confirmation that George loves Marina back and that he'll come to take her away or marry her. When Marina falls heavily to the bed, crying, Penelope asks if he'd been wounded. Marina tells her that he pretends there was nothing between them, that he desires nothing to do with "our- my situation."
Look at the expression on Penelope's face, here.
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As Marina sobs, wails, Penelope picks up the letters to read them for herself and Portia congratulates her and Varley for their efforts, justifying that Marina had to learn the truth of men, eventually.
And then we're halfway through the season
Marina starts this halfway point as a new woman. When she mourned the idea of George, she mourned a failed love story, and she also mourned herself. When she said 'My situation' she accepted that the only person who would truly help her out of this is herself. She's inspected by Lord Rutledge terribly, he asks to see her teeth as Portia gives an elevator pitch, essentially making it seem that Marina was defective but, look, she has some good parts, too! Marina informs that she's had suitors calling all week (so we return to the romance situation at the beginning with a wide net) and Portia informs they'll take too long, considering so much time has passed. That she needs someone who won't ask questions when a baby comes out 3 months early, even if they married her the next day.
Obviously, Marina's in a horrible situation. This is nightmare levels of awful. She's been abused in so many ways, treated terribly. I don't think anyone could blame her for being upset. Penelope asks her if she'd like her to stay in, but Marina refuses, and Penelope doesn't push it. [Sidenote, this is also when Albion Finch comes to call on Phillipa, and we see Portia 'rewarded' (in her mind) for her efforts in keeping Marina out. She tells Mr. Finch that Marina isn't taking visitors, but he informs he's here to see Phillipa, to which Portia expresses wonder. To her, where her entire motivation is getting her daughters married, having seen Marina as an obstacle in such, she is vindicated through this]
Penelope and Eloise have another conversation, in which Penelope listens to Eloise talking about the house being abuzz w/ Daphne's prospects, to which Penelope says 'well, she *has* to marry eventually' after Eloise says she wishes Daphne would stay on the shelf forever so that Eloise doesn't have to be next in line [Eloise seeing Daphne very similarly to how Penelope saw Marina, in that way]. Eloise laments that she wants to fly, then praises Lady Whistledown as a brilliant woman of business, praise Penelope soaks up.
Penelope guides Eloise away from her attempts to rope her into schemes unmasking LW (who we now know is Penelope herself) and Eloise says she can tell her Mama she's sick and that she's caught what Marina has. Penelope informs that Marina is recovering, and that "It would be cruel of me not to be by her side when she comes back out. I shall cheer you on your endeavors, however."
The question is: has Penelope truly formed a friendship with Marina, or does she have a second reason, once again, for being beside Marina and keeping an eye on her when she re-enters once more?
Well, it surely means nothing that the next scene is Penelope and Colin having yet another moment. Surely.
Marina, being dangled about and clearly unhappy on the floor. Penelope, looking out to the ballroom. Colin comes behind her, to her delight, and talks about the host being fussy. "Do you think if he goes to bed, we all have to leave?" he asks, making Penelope laugh and clearly glad that he did so. To Colin, he likely imagines this to be the end of the correspondence, but Penelope surprises him. Like the first time, she opens up to him, shows him her wit, and they have a moment of snark, looking at each other for a beat too long after he compliments her with 'What a barb!'
Who breaks the moment? Penelope does. She doesn't continue. She doesn't take the compliment and run with it, she doesn't prolong the conversation. She looks down, and Colin changes the subject, sensing she's perhaps uncomfortable, or at least done with the moment, and says he's been trying to get in front of Marina all night, and Penelope says all Marina's interested in is a swift rescue, which inspires Colin to go after her.
This is their first moment together since her confinement, we know since he asks how she is, and from jump he gives her an out from a man who treats her like a piece of meat, and he makes a joke right away to ease her. Colin here is exactly to Marina as Colin was to Penelope when Cressida threw her drink on her: he's the knight in shining armor, and he likes it that way. Charm dialed up to ten, he and Marina re-hit it off immediately, and she's grateful to him. Tells him to spin her off and maybe she'll recover.
And Colin does. He spins her over and over again, in circles around the entire dancefloor, and Marina smiles, and Marina grins, and Marina laughs, something we haven't seen her do since she's thrown in confinement.
Can we blame her for wanting Colin? For falling for him? Very often we talk about how he was her only option, but the truth is that Marina liked Colin from the start, and she likes him here, too. She just found out that a man she'd been in love with is forsaking her, wants nothing to do with her. She's been inspected and slapped and degraded. And Colin is kind. Colin is genuine and earnest and fun. Colin brings her to life, again. She gushes about him to Penelope as soon as they're home.
And Penelope hates it.
Her problems are not that Marina is trapping Colin. She doesn't care about the logistics of the ruse. She tells Marina anyone but Colin. It isn't that Marina's pregnant, and it isn't that Marina lies.
It's that it's Colin. Penelope wants Colin and Marina wants him, too.
And that brings them back to where they started. It didn't matter what empathy and compassion they'd cultivated: Penelope is not Marina's friend. Penelope had *never* been Marina's friend. She was her ally insofar as Marina was going to live a story that left Penelope free for her own happily ever after with Colin, and as cruel as it is, it gives Penelope DEPTH. She is not just an altruistic darling willing to watch a man she loves marry her cousin. She does literally EVERYTHING she can to keep it from happening. That's her motive. He's her motive. It's Penelope's love for Colin and her hopes that they can be together that leads her to expose Marina.
In this conversation, she tries anew. Her hopes on George now dashed, and the confinement period over, Penelope tries to sway Marina by making Colin seem like a bad match. She can't think of negative qualities to counter Marina's compliment-fest (kind, funny, excellent with children), but informs that Colin is too young to marry. That she needs someone to propose soon. And Marina says he's not like other young men, that he's eager, that he saved her, that she thinks he will propose soon.
What Penelope never says is that everything Marina thinks of Colin, Penelope already knows. She knows Colin is funny, and kind, and an accomplished dancer, and excellent with children, and that he saved her, too, at Vauxhall, and that Marina opened up to her so she'll open up the same but she doesn't: she never once tells Marina that she loves him.
Because Penelope is not Marina's friend. But Marina *is* Penelope's. She says she'll be able to stay in town, gleeful that since Penelope is close to Eloise, so they will remain friends, as sisters. Marina doesn't see the secondary motives in Penelope's actions, trying to steer her away from Colin, nor does she assume anything of Penelope. How could she? Penelope has been nothing but nice to her in a house of cruelty. Penelope doesn't deride her, Penelope doesn't hit her, and Penelope helped her with George.
But Penelope doesn't want her there, same as everyone else in Featherington House. And she doesn't necessarily want Marina to be happy. She wants Marina to be out of the picture. She'd prefer if that was with her happy, but she doesn't need Marina's wellbeing. Just her absence. Or, at the very least, she's going move bitch, get out the way.
She begins thinking of how that will happen immediately after Marina leaves. She paces her room until Eloise throws rocks at her window, and this is when we get their fight.
Eloise comes with a theory about Lady Whistledown , going on and on about what she believes, and Pen cuts her off.
"Eloise I do not care! People have real problems, mature problems, problems that have nothing to do with the secret identity of some silly writer." "And you are so mature now?" "Well I am of age, I am out in society, therefore I have more important, mature things to worry about." "Like what?" "Like marriage," "You should not care about marriage.: "What if I do? I cannot expect you to understand, not everyone can be a pretty Bridgerton!"
Eloise runs off and Penelope immediately regrets it, because her fury isn't at Eloise, but rather projecting her frustrations at Marina and Colin's blossoming relationship at Eloise. When Penelope says she cares about marriage, that is only a half truth. She cares about marriage to Colin. Very specifically to Colin.
Episode 5 sees more of the same. When Colin comes to visit Marina, Penelope is displeased. She looks on as Colin brings Marina flowers, and Marina finds them beautiful. This is not a woman who would humbly have allowed Colin to marry whoever would make him happy, a selfless woman who had nothing but the best intentions toward Colin and Marina's love story.
She doesn't care if Colin would be happy with Marina. She wants him to be happy with her.
And listen to me very clearly: I like her more for it. Yeah, I said it. Oh, it would be easy if Penelope was a sweet darling, an innocent doll who tragically falls on the sword, wanting nothing more than for her dear friend to live a beautiful love story with someone who would appreciate him. No. She believes, knows Colin would be happier with her (and, ultimately, she ends up being right in that regard) and she wants him to be with her, not with Marina. This is not an excuse for Penelope. She doesn't do good things. Her intentions are not noble. What she wants is self-serving and how she goes about it is underhanded and secretive and manipulative. And I. Like. Her. For. It. Enough of the narrative that Marina was a villain, an antagonist in Penelope's love story.
Penelope was the antagonist in Marina's.
But she is also the hero in her own. From the very beginning, the narrative made it a one or the other situation. Even when they were friends, they weren't really friends. But through it all, Marina had no idea.
Because Penelope never told her.
She spoke in circles, said Colin loved to travel, encouraged him to do so in front of Marina, said Marina didn't like tomatoes when Colin joked that he'd bring her some as a surprise to break up the monotony of bouquets. Both Colin and Marina are surprised that she's saying anything in this scene, Marina moreso than him, because she thinks Penelope is her friend and would encourage this. Penelope knows how much Marina likes Colin, and how important time is with her situation. Marina gives her the 'girl, what are you doing????' face when Penelope clearly encourages Colin to travel. Colin informs that some things in London he'd want to see more than the world, and looks at Marina. They share a moment and Penelope rushes off after her mother for Plan. . .is it D, at this point? Plan D.
Penelope recognizes Marina and Colin like each other, so she goes to her mum. asks if it's a smart decision. She feigns caring for Marina. That she is ONLY worried because Colin is young and he's years off from marriage (which she doesn't really believe, or she wouldn't be saying anything) and that Marina simply doesn't have that kind of time.
It does what she wants. Portia comes to Marina, doubling down on Lord Rutledge, saying she has until Saturday to accept his proposal. Marina refuses, clearly disliking him, and Portia admonishes her.
"Is this about Mr. Bridgerton?" "He likes me! He will propose to me, I'm sure of it." "That boy is barely out of leading strings, he has two older brothers and they're still running from the yoke. You are to cut Colin Bridgerton immediately, or I will lock you in this very room until Lord Rutledge makes you his wife."
Marina's smart, she makes a deal. She recognizes how a marriage to Colin could do a world of good for Portia's daughters, and she pleads for just a few days. Before Saturday. That he would propose. And it's only now, in this moment, that Marina makes a plan that has anything to do with Colin. Only after already liking him and envisioning a second chance romance with him, and having a good life with him.
It isn't that Colin's her only other choice. Marina had several unhappy choices. But Colin is the choice she *wants* to make. She has a time limit now, hence the deception, but it's rooted in her attraction to him. "You will seduce him." is what Portia says, but for Marina, it's not as dramatic as all that. She already likes Colin. and Colin already likes her. So maybe they speed it all along, but it's not made through falsification.
But for Penelope, who listens at the door, this is now the proof that it's becoming serious, and that this plan, too, won't work.
Plan E, it is. Chuck her off to anyone new. See what sticks. She points out multiple men at the next ball they're at as prospects. This is Marina's face when Penelope described him as pleasant.
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and then that another has kind eyes. To which Marina replies, honestly, rather relatably. That she doesn't know them or care about any of them, and that she's looking for Colin.
Only now. In the middle of Episode 6, just about at the 11th hour, does Penelope ask Marina not to pick him. This is the first time. That she can do this to anyone else. She attempts Plan H: a plea for morality. That she doesn't want him to be tricked and deceived. That she's known him forever. That Marina shouldn't do this to a good man, but Marina asks if Penelope would rather she marry a bad man, then.
And the truth is, Penelope would. Penelope would rather that Marina marry a bad man than marry Colin, Penelope would rather Marina do anything rather than marry Colin. Because this entire situation is all born because Penelope loves him.
This is her way of fighting for him. It's not her way of being altruistic, it's not her way of wanting to help him, it's her way of ensuring her own happily ever after. And no, that's not a 'Penelope is such a darling angel baby' take, but it IS a human one.
And the worst of it is that Marina would have backed off of Colin if Penelope just said something earlier. Think about how their friendship was. Penelope could have informed Marina that she liked Colin when Marina was gushing about George. She could have opened up. Or when Marina was getting suitors again after her re-debut in society. Marina was rife with suitors. She liked Penelope. But Penelope never spoke up. There was an entire month and a half Penelope could have talked to Marina, and then another in her confinement.
But Marina only realizes Penelope doesn't actually support her after Penelope says not to do this to a good man. That Penelope isn't happy for her in the least. She assures Penelope that she'll be a good wife to him, that he'll be good to her in return, and that, really, it isn't Penelope's business. Which it isn't except for the fact that she makes it her business. Lord Rutledge gets engaged, and Colin becomes Marina's last way out. But, let's be real: he was was also the only one she wanted to entertain.
Oh, my sweet, darling baby boy. Earnest describes him to a T. He doesn't know he's the rope in Marina and Penelope's tug of war (hell, Marina doesn't even know someone else is pulling for him), and he gets denied a narrative in so much of this. When Marina says she's feeling faint and to find someplace more private, Colin doesn't even THINK she has alternative motives. He's concerned, takes her to a different room.
Watching this scene, you see how utterly endearing he is. He leaves the door open until she encourages him to close it, which he does post haste. He smiles at her and keeps a respectable distance. He's truly been raised to be a gentleman, and he clearly respects her. When she says they shouldn't be alone together, he finally realizes what she wants from him. When she takes a step toward him, it's subtle, but he leans back. Gets nervous. Steels his face, drops his expression. When she goes in for the kiss, he makes a few minute jerks forward, for a grand total of 2 and a half seconds, and then cuts it all off.
"You are a Lady. I must maintain your honor. And mine. No matter how. . .tempting, otherwise."
Marina, after hearing this, is stupefied. Tells him he's right. That she's a lady. She's unmarried. And he is. . .a gentleman.
And she knows Penelope is right. That he's good. She just didn't know how good Colin actually is. And in this moment, she accepts her lot. She walks away. Her last chance, her last option, and upon realizing that Colin is kind and earnest and a good, honorable person, she agrees with Penelope. She doesn't want to lie to him, to trick him, she's about to let him go. But Colin offers her to marry him, and she accepts.
Because wouldn't you? Wouldn't anybody?
Hell, her exact words are "I would be delighted to marry you." and she means it. Not as a last resort, but genuinely. We don't do Colin enough justice in this romance.
He goes on about how their long engagement is romantic, that she deserves a grand celebration, and you can tell she enjoys that, but also that she knows she'll never have it. This is where she realizes how different they are, that he's a dreamer and she's a pragmatist. And that she'll have to change his mind but can't ask for it outright.
Marina has affection for Colin. Even in season 2 we can see that, when she rightfully tells him they're in the past and that he should focus on those in his life who already make him happy. How could she not have affection for him when he's genuinely so fucking good?
And speaking of, the way he defends her to Anthony still remains one of the hottest scenes Colin takes part in. When he says he's marrying Marina for love, and not because he compromised her, he means that. When he calls Anthony an ass for insisting he go to brothels and that his interest in Marina is just lust, he's genuinely offended. Anthony says that Violet is distraught and that he won't give Colin his blessing,
"Sorry to disappoint you." "You have. In so many ways."
Colin goes to see his mum immediately after. He takes her hand and, without saying it, he all but screams 'why don't you see me?' Reminds he was courting Marina all season after Violet says she was glad she knew before Whistledown. That she was too wrapped up in Daphne to notice.
Colin wants to be seen, to be taken seriously, and it really is, as of that moment, that the only people who do so outwardly are Marina and Pen. The difference between them isn't down to looks or attitude or anything like that at all: Marina pursues Colin, she makes it clear she's interested, and Penelope doesn't. It's her greatest character flaw and the crux of her story, that she never says what she wants, that she doesn't speak up for herself. Eloise even points it out about her (and you know in friend fights they cut deep). only when she learns to speak aloud what she wants does she get her love story and happiness in society.
Penelope is near in tears when Colin announces his engagement to Marina. But the thing about Penelope is that she's persistent.
As she walks in to Marina, Prudence, and Phillipa talking about how all their fortunes are about to change with the new engagement, Penelope snarks 'Especially Colin's' to which Marina replies by complimenting her, saying she looks lovely. Penelope replies not to mock her, and Marina says
"Do not mock me." "It pains me you should think every compliment a mockery." "Do not pity me either." "I do not pity you, Penelope. I respect you. You have been a true friend since I arrived here, and I rely on your continued friendship and sympathy." "My continued silence, you mean? You think so little of me I cannot bear it. I never would have made my way through this awful tangle without your kindness. Please, do not tell me you regret it." "I would never bring scandal to you or our family if that is what you ask. But I cannot condone your actions." "I want you as my friend, Pen. Can you not try to understand and be a little pleased for me?"
Marina leaves for her modiste appointment and Phillipa talks about how they'd make beautiful babies together, to which Prudence laughs and reminds that he's not the father. Penelope snaps at them, saying Marina makes a fool of Colin already, but
but
does she not do the same to him when she outs the information later on? I like Penelope, and I ship Polin. In fact, I ship Polin exclusively, in the sense that I don't actually ship Colin or Penelope with anyone else, but this entire season is proof of Penelope's fuck ups with Marina and with Colin, both, and her justification for her actions, a thing Portia also does. She goes deeper and deeper into her disregard for Marina. Marina wants Penelope as a friend but Penelope doesn't care about Marina to that extent, even from the beginning. As Portia and Marina become more entwined in their joined ruse, Penelope sets her hopes on Violet noticing that Marina is pregnant, but Violet does her best to welcome Marina to the family, wanting to do right by Colin.
So, there goes plan G. Dire straits, then. Penelope finally has a moment alone with Colin. I've talked about the scene in which she tries to 'tell him' in a different meta, and this is already so impossibly long, but long story is that Penelope still doesn't say what she really means here. There's a narrative that Colin doesn't listen to her, but all season he listens to her. And all season, she never says what she actually wants to. When she tells him that Marina loves someone else, Colin assures he would be a hypocrite if it mattered to him that she had a romance before him. (good for you, bb boi) She doesn't tell him Marina's pregnant, which she writes in LW later on, but skirts around the subject until those precious few moments are gone.
And she lies. She says Marina loves George, still, but Marina has accepted that George wants nothing to do with her. Whether she loves him or not is outside of Penelope's knowledge. She just wants to throw whatever she can at the wall and see if it sticks, see if it breaks the engagement, and still have Colin look at her with fond eyes after the fact.
When Marina discovers them in the hallway, it's hard not to sympathize with her. She's soft when she tells Penelope Portia is looking for her, and she looks so tired. Colin apologizes for Anthony being so rude at dinner, and Marina confides in him. That her own father doesn't want her. That the Featheringtons cannot wait to be rid of her. That she thought she'd find acceptance with his family, but that was a foolish thought.
And she's right. Marina is, for all intents and purposes, fully alone. She has no one in her corner save herself. And save for Colin.
"Even your mother is just being polite." "I shall be your family, now. We shall make our own family, you and me."
And Marina wants that. So deeply, she wants that. With Colin, there's acceptance. She isn't trying to manipulate him, here, she's just hurt. Penelope has her own reasons, she loves Colin, he's a dear friend, and she doesn't want to see him hurt, and she wants him to be with her, but Marina's reasons are also poignant. Colin is the only person who made her welcome in the ton and continues to do so. Once Penelope turns her back on Marina, she just has him. And in his desire to do right by her, offers to elope.
When she says "I love you" to Colin, she's not lying. She's not trying to trick him, as is so often discussed. Is it an everlasting love? No. Is it a nonproblematic love? No. But she certainly loves what he's done for her, how he makes her feel, and she has admiration for who he is as a person. That's love, too.
This is the face of a relieved woman. Not a woman who just lied and schemed reveling in her success. This is a woman looking up to heaven, thanking God for this second chance. Just LOOK at her
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We come back to Penelope, then, the day after, who feigns being sick and then runs to ransack Marina's room, looking for George's letters. (so to all the people mad at Eloise for rummaging through Penelope's room, well. . .I hope that same 'it's an invasion of privacy!' applies here, as well) Instead, she finds her duffel packed and knows they're going to elope. She searches more for George's letters and finds them, realizing one is forged.
So, Penelope waits for Marina, in her room, with the falsified letters (Plan I?), to inform her that the letter that broke Marina's heart was a forgery. She has proof that her mama faked the signature. Marina informs that it doesn't matter. George never replied to her letters.
"He has abandoned me. While Colin has embraced me." "I thought you loved him. George." "I was a fool. This changes nothing."
To which Penelope is aghast, watching Marina burn the letters, and when she asks what she'll do when Colin discovers, Marina is truthful. That she will live safe in the knowledge that Colin is a good and kind man, as he has proven to be, and that he'll take care of her and her baby. Which brings us to:
"What of him? What of Colin?"
And do I think some part of this truly is Penelope caring about Colin and his ultimate happiness? Yes. She does want what's best for him, and she does care deeply for him, but the truth of the matter is that in this, she's not doing it for him. Penelope is doing it for her. And that makes it more interesting. At every turn, every single one, Colin shows that he's infatuated w/ Marina. That he loves her, even. Nothing about his actions signify any different. And maybe it's not true love, and maybe it's a bid for him to feel useful, to feel listened to, to be taken seriously, but it's still how he feels.
The only person suffering, here, is Penelope. And Marina recognizes it for what it is. When she tells Penelope that her love is an unrequited fantasy, she has no reason to think otherwise. Penelope never opened up to her, all her criticisms are now revealed as her wanting Colin from jump, and Penelope all but said aloud she and Marina aren't friends. Marina told her to get out of her relationship, and none of us can pretend that we wouldn't do the same. Penelope is acting as though Marina is a scourge on Colin, but all Colin has done is make Marina feel cared for and wanted. We don't give him enough credit, I swear, because the reality is that how Colin is with Marina is a glimpse into how he loves. If he can forgive Marina lying to him for a good reason, he can forgive Penelope lying to him for a good reason. Marina was never Colin's endgame. Not once. It was always going to be Penelope.
And it's to show that Colin is a good man who fights for his partner, who listens, who has empathy, who wants to bring cheer, who jokes, who is wide-hearted and romantic, who puts his feelings in his hands and reaches out palms first. Give him his flowers. He was a real one with Marina. Through and through and he's gonna be a real one with Penelope. A real one to the max. This is Colin's baseline and it'll only dial up with Pen when we reunite in Season 3 but for now-
Marina says she'll be the executioner of Penelope's childish fantasy of loving Colin, but it's Penelope who's the executioner. Because even though she comes running to Eloise, even though she sobs and cries and did so much to ensure what she didn't want to happen wouldn't happen, in the end, ultimately, Penelope chooses herself. She doesn't choose Colin, she doesn't choose Marina.
Penelope chooses Penelope.
And she exposes Marina's secret. And she breaks up the engagement. By force. "Perhaps she thought she had no other option. Or perhaps she knows no shame." which is what Penelope wrote of Marina, also applies to herself in this case. When she sobs with Eloise, she's hurt by what Marina says to her, yes, but she's not weeping to mourn Colin and her one day maybe love story with him. Because she doesn't believe Marina, she doesn't think it's an unrequited fantasy. Why else expose Marina?
No, she's mourning herself. Mourning the person she one thought herself to be, and how that isn't the person that she is, that she would and can use Whistledown to get what she wants, that she has power, and how she would throw her own family and even herself under the bus for just the HOPE of her love story, and that all her intentions of fairness fly out the window because Penelope is human, and she was jealous, and she was mad.
And she continues to be. Further salt in the wound in Episode 7
"Miss Marina Thompson's recent fall from grace continues to echo through every drawing room in town days after it was revealed her engagement to Colin Bridgerton was nothing more than a sham. Of course, a Lady's disgrace does not merely tarnish her own name, like the tars on the Thames, it also leaves a smear on everyone nearby. While there is no parasol in the world strong enough to shelter a ruined woman, the fallen Miss Thompson can only hope she shall find a refuge somewhere."
Y'all
This is mean. This is twisting the knife. Portia knows it's game over. Marina is even refused from a charity room without a considerable donation. She's out of options. And it narrows and narrows around her.
And for Colin, denial isn't just a river in Egypt. He claims Lady Whistledown to publish lies and says Marina must be in agony, that he doesn't understand why he can't just visit her. Anthony informs that BECAUSE of Lady Whistledown, Colin is absolved from being the father, but if he comes near her, they will presume and he'll ruin the rest of the family for it. Even still, Colin goes to refuse, but Daphne interrupts. No one listens to him in this scene, and he's left to listen to how his family will fix what they perceive as his fuck up. He says he's sooo happy it's been settled, and storms off.
Once again, no one takes Colin seriously. He's right to point it out. Not even Penelope, as she took his decision from him just as everyone else did. In a way, Colin is also alone. I think that's what really tugged his heartstrings when Marina lamented no one wanting her around.
Colin's a hopeless romantic. In a way, he fabricated his own love story around what he wanted to hear and know. He says Leander swam each night in total darkness to see his love, and Daphne, now jaded, tells him Leander also drowned. She'll arrange a rendezvous, but she doesn't believe it'll be a love story, not really, not anymore. And Colin even though Colin seemed to be hopeful that it was a lie, when Daphne says that Marina's a stranger and that Whistledown knew Marina better than Colin did, Colin clarifies that Whistledown knew Marina's secrets.
Maybe he already knows it's true, believes it to be, but he doesn't want to see it.
"You must tell me that this Whistledown woman is mistaken, what she wrote, it cannot be true." "But it is." "You are. . .with child? I do not understand. We were to be wed. You- you said you loved me." "Colin, I hold you in the greatest esteem." "Esteem? You are a cruel woman indeed to stand here and talk of friendly affection as if you have not just committed a grave sin against me." "Speak not of sin, Mr. Bridgerton. I did not come here to be shamed by you, nor anyone else. I did not know better. You may think me a villain but I did what I thought I must. No one ever truly helped me or guided me in a different direction. I had no choice. I needed to wed. And you- you were the only man who offered me even a glimpse of happiness." "So I should feel flattered, then? Consider myself lucky that you chose me, lied to me, tried to trick me into a fraud of a marriage? I shall take my leave of you for the last time, Miss Thompson. . .You wish to know the cruelest part of your deception? If you had simply come to me and told me of your situation, I would have married you without a second thought. That is how in love I believed myself to be. But I see now that was all a lie."
This is such a fascinating conversation. It reveals more of Colin than a lot of other scenes he has does. For Colin, it's not Marina being pregnant or having come to the Ton already with child that bothers him, it's that she lied to him. He calls it a fraud of a marriage, says that she told him she loved him, and that he doesn't believe it now. One lie toppled the entire house of cards for him.
Which makes it all the more paramount that Penelope tells Colin that she's Whistledown. He shouldn't have to find out on his own, and in fact, finding out on his own would cause an IMMENSE rift between them. It would shatter his trust in her worse than learning about Marina lying to him. If Penelope instead, however, comes clean, comes to him with honesty, Colin would see that in of itself as an act of love and trust. For Colin, love is being honest. Love is being earnest. Love is being upfront. And even though Marina had every reason not to do so, to hide, to reveal to him after the fact, having lied to him is what really breaks his heart.
This is an opportunity for Bton to get some payoff in a reflection of a scene like this with Colin and Penelope. Because what so many of us Polin fans don't want to face is the fact that Penelope is ALSO keeping a life ruining secret from him. And what Marina says? Can we not also hear that in Penelope's voice? If the question is how they overcome it, the first part of that answer is by Penelope taking accountability. Coming clean.
And even though Marina has more that happens to her, this is the end of her and Colin's love story. From here, they don't really intersect. Marina does say to Daphne that Colin is a sweet boy, and for what it is worth, she is sorry, but they have very little beyond this. Until Season 2 when he visits her [we'll unpack that can of worms at a different time] Eloise comes to Penelope and asks how she's faring, Penelope says their mum swears they're ruined. But Penelope then asks about Colin, if he's in pieces, and Eloise assures that Colin will be fine as most men are, but that Whistledown has gone too far with the slander the sheet did to her family. The Featheringtons are asked to leave the luncheon, and Penelope walks off with them, realizing the true impact of Whistledown and what she's done for the first time.
One of which is Marina's brush with death. Disgraced, abandoned, and rejected, Marina drinks what she hopes is an abortive tea, and Penelope finds her on the floor after she comes to talk to her, perhaps to come clean, perhaps to make amends. Now that Colin is no longer a point of contention between them, Penelope can open her heart once more, and likely feels immensely guilty. In our final episode, Penelope is clearly feeling the weight of her actions, even when Marina apologizes to her after drinking the tea and recovering, is glad she can finally go home, and says Penelope was right. That Colin is a good man with a good heart. That Penelope was good to him, and one day, Colin will see it. It's the end of the season, now. Marina is more than ready to move on.
Enter Phillip Crane. The entire Phillip situation is tragic, how he has to tell Marina that George is dead, and how Marina has his letter as proof that George loved her, and that she thought him a villain. (Marina has a moment that I think will be reflected by Penelope in Season 3: 'I was wrong.' )
The next scene Penelope and Colin share is when he's singing for his family, his voice catching when he looks at her. Likely in gratitude or appreciation, but also this is another moment in which he looks at Penelope differently, their relationship subtly shifting. He realizes she was trying to tell him. He admires how good she is. He's touched by how she cares about him, how she tried to keep him from heartache. And she did. She really, really did.
She just also tried to keep herself from it, too.
But she couldn't. Because at the end of all of this, all these twists, these turns, and all the choices she makes 'for Colin'- he has to choose himself, too. And he chooses to leave, to escape, to heal, and to embrace his passions in travel. and this hurts Penelope, too, because it wasn't that she was trying to keep him from heartache, but rather to keep him for herself. Because she was trying to tell him she loved him.
Immediately following the end of his engagement that she orchestrated, she wanted to confess. In a way, Penelope underestimated Colin, didn't see him all season, the depth of his feelings or his gentle heart. Though she tried to keep him from heartache, heartache found him regardless. She denies his request for a dance, swallows her confession, and leaves. It hurts her that he doesn't want her, but she doesn't think of his perspective in it. To Penelope, Colin is not yet a person, but an idea. This is the first fragment in that image. Which is good. It has to shatter eventually, and it does so at the end of Season 2.
Daphne, the same woman Penelope tried to pit against Marina in the diamond wars at the start of the season becomes the only real ally Marina has. Her only true friend. And the reason Phillip comes and offers Marina marriage, thus keeping her from destitution. Penelope wasn't going to, even though she was sorry at the end. She cries after Marina walks past her without so much as a glance when she walks her way, stone faced, into a carriage with a complete stranger, her dead love's brother, to live the rest of her days in a completely new place.
And Penelope? Penelope engrosses herself into Lady Whistledown, and she continues correspondence with Colin from afar, as she is more comfortable doing, and she dreams of a someday, and she feels invincible, because at the end of the day, even though what she did was objectively not good, she got away with it. She leaves us with a smirk at the end of Season 1.
Which makes her even more bold in Season 2. Which will lead us up to her having to face actual consequences for her actions in S3, because in this entire season, not once does Penelope apologize, and in fact, the two people whom she causes the most harm to, both end up apologizing to her, completely unaware that the entire time, she'd been plotting to break them up from the very beginning
I don't think Penelope is evil, but Marina certainly isn't, either. To assume that Penelope felt betrayed by Marina, to pin the blame onto her, is to twist the narrative, and it has festered so long and so deeply into Polin, that we've seemingly completely forgotten.
Like it or not, the story with Marina serves important roles: it reveals the extent and sacrifices Penelope will go to and make for Colin, for herself, for her own happy ending, and for romance, it shows what a hopeless romantic Colin is, and how dearly he cares for others, how deeply he feels, and how desperately he wants to be heard. And, more than anything, it's the story of a woman who was thrust into circumstances that were bigger than her, that left her scrambling for answers, that revealed everyone else's cruelty in their interactions with her.
And that revealed ours, as well.
sometimes fanon festers for so long that it becomes what we swear is real, even if it isn't. it becomes a rot, in fact, manifesting in so many bad takes, particularly about Marina, in the Polin tag. we've all seen them. Penelope exposed Marina because she did it for Colin. Marina didn't care for Colin and only wanted to trap him. Colin was blind to what was in front of him all along. some of them are more cruel, people stating that Colin was an absolute idiot or that Marina was a heartless bitch.
It's enough of Marina being the Big Bad in Polin's love story. She isn't. Marina got dealt a horrible hand, and she navigated it with so much more grace than I ever could have. She endured physical abuse, verbal degradation, gaslighting, manipulation, derision, fake friends, and the death of her own love story to come out the other end a pragmatic woman with a kind heart, moving forward. Her experiences in Season 1 made her believe she had no Love Story to live. She loved, she lost, she tried again and it blew up in her face.
And she deserves our fucking sympathy
Her story is over in Bridgerton, but as Polin's love story continues, it's important to get a clean look at Penelope's intentions and how morally gray she truly is, which makes her all the more interesting and complex. It makes Polin's love story and their dynamics rich and nuanced and layered. Both Colin Bridgerton and Penelope Featherington said "I'll do anything for love"
we get to see just far that stretches
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ravioligobbler9000 · 5 months
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Finished Rebecca by Daphne du Maurier last night and oh my god how do I even begin to describe this book... It is SO good.
The way our perception of Rebecca is completely changed by what Maxim says and what he says is basically the only insight we have on what actually happened, and the way he is really unreliable so we will never know who is actually the bad guy in this story.
How the main character has no name cause this story isn't really about her, it's about Manderley, it's about Rebecca.
I love that Manderley itself feels like a character and how it seems to have control over everybody... When Manderley ends, the story ends.
And the fire is a curse as much as a liberation, Rebecca's last victory, her last curse, liberation from all of her schemes, liberation from the pressures to maintain a historical family estate, freedom from memories, from the past and from the ghost of Rebecca.
I must confess that at first I, like many, thought this was a romance book, our main couple being haunted by the memories of Maxim's ex wife and her beauty, but upon thinking further, this book takes a situation so bizarre, our main character stuck in this really weird marriage, Maxim acting cold and distant and never telling the narrator what she did wrong, while also not giving her insight into his past for her to understand why what she did was wrong, treating the narrator like a child, which she basically is, the insane 20 year age gap, and I absolutely love that at first glance and not thinking much about it, the author makes us think this is normal, even after the revelation towards the end of the book, Maxim is the good guy, and Daphne du Maurier makes such a great job of making the reader irrationally root for him, cause after all we want what the narrator wants. But then you think about it and, is Rebecca really the bad guy? Is Maxim really the good guy? Did Rebecca really deserve what she got for what she did? At what point does Maxim turn from a tired man who just wants real love and someone faithful, into a murderous manipulator who just hated the way Rebecca stood up to his lack of emotion by doing what she wanted, so he made up all this story about how she was a sociopath to justify what he did to her??
Also Mrs. Danvers.... Oh my god Mrs. Danvers who was insanely loyal to Rebecca, who knew of Rebecca's insanity and disgust towards men and embraced it and loved it, who had a sort of weird one sided psychosexual relationship with Rebecca and who makes the narrator's life a living hell because of her loyalty to Rebecca, the chokehold Rebeca has on the world even after she is dead, and the fact that her whole life was devotion to Rebecca, and it shows by that ending, if her Rebecca can't own Manderley, no one can. All the scene's with the narrator and Mrs. Danvers in Rebecca's room, especially the window one, that were just perfectly written, perfectly suspenseful, show us just how Rebecca was the mastermind, she was pulling the strings even after her death, she bended everything to her will, even the weather, how can someone else ever possibly be the Mrs. de Winter of Manderley?
Just as a final thought, I love the gender fuckery of it all, the main character is a sort of Haruhi from OHSHC, she couldn't care less if she looks like a boy or a girl, cause frankly it isn't even important for the story, she asks Maxim not to love her, but to treat her like a companion, a friend, "a sort of boy". And I think that's really cool, after all, gender doesn't matter in this story, only Rebecca, and we also know Rebecca wasn't big on gender roles either haha ("should've been a boy" as said by Mrs. Danvers)
I cannot squeeze anymore thoughts out because I also haven't had breakfast yet BUT I absolutely loved this book and I will so absolutely read it again, I'll shut up now, I've rambled enough :)
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deluweil · 3 months
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I know it's been a while, but with the new 911 season coming up ( I will not be watching,probably check in every now and again) I wanted to share my own self check of how I view relationships on tv.
After S6 finale, I was like lost and furious, I mean, I wanted and still do want the last 6 years of my life back from 911. (Well three because they didn't always suck).
But I went back to watching normal TV, you know, the kind that portray relationships and are being clear of the direction.
I watched Good Omens, so rooting for that pair, they are the best! And with that cast of unbelievably talented actors, I enjoyed every minute of it. Point is I didn't allow myself to see that friendship as a ship because of how damaged my perception of on screen relationships became after 911 displaying all the right signals, then taking a hard left into a tree at the end of the seasons.
I am not even going to to touch the First Prince of RW&RB, which is essentially a buddie storyline that was followed through to its logical conclusion.
I also thought, maybe I just can't enjoy straight on screen relationships anymore and I'm looking for more.
My sister sat me to watch Bridgerton for the very first time (just S1 for now) I can say with absolute certainty that it dis-abused me of that theory as well, because I rooted and got excited for Daphne and Simon at first sight.
Such a wonderful love story told right!
These are the two prominent tv shows that cemented my belief that it is in fact not on me.
Going back in my head I remember rooting for Catherine and Steve, and almost every one of Danny's gfs (except Rachel, it was clear she'd break his heart again.) In H50.
I wanted Gibson to end up with Andy in Station 19. Never wanted her to end up with Maya or him with Miller.
And even though it didn't need to be said, but was said in a humorous fashion, the writers also made clear that Gibson prefer women.
So it is in fact the flawed 911 writing that got me to give up on all forms of logic of reading tv relationships right.
That I gave up on tv for a while.
But, that being said, I can say I was always attracted to Ryan, but Eddie always got my gaydar to go off. And Oliver is not my type, but Buck is a hot bi firefighter - and that is a thing I already thought in S1, way before Eddie arrived.
So either the writers has no clue what they're doing, or they did and chickened out last minute.
And I finally reached the point where, I throw in the towel, wish you all well and move on.
It is not just about buddie, it is just a buddie post.
If anyone is interested, I can make a whole post involving the "development" of the rest of the og characters, where I say enough is enough.
Either make them interesting again, or bring in new blood that hasn't been first a piece of ass to further Buck's questionable development.
Let me know if you are interested.
The blinders are off and I am not keeping quiet for the sake of followers anymore.
9-1-1 was a great show, 3 seasons ago. They had sparks every now and again in between, but those were few and always demolished in some way by horrible writing choices.
Thank you for a great time, this fandom has been a place to come to whenever I needed to escape reality, I love you all. ❤️
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luckyqueenreign · 7 months
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Maybe they trying more branching this season and so they need more time to implement it shrug.
I reallllyyyyyy dont want to get my hopes up, but I think so too. Especially since none of the guys' chat/actions have overlapped. I LOVED that if you chose to listen in on the guys Joyo was annoyed at MC about it. It actually fits his character for him to act that way. But also in the same note it was cute that Alex took it in stride and thought it was endearing again that actually fits his character. with the OG girls this week, especially with Geri I could see potential for branching with her as a friend or an enemy, if you're on Alex's route it feels like she will be more accepting of you bc she thinks that Alex and Estelle aren't suited for one another. but if youre on Raf's route, it seems like she's really rooting for them. I really hope they explore that and give us those different experiences.
Also the way Geri phrased it, it seems as if you're on Raf's route all 4 girls are going to twist. But If you're on any other route then Daphne won't. I'm currently on Alex's route so does that mean I won't meet the 4th casa boy?! I'm actually excited for this possibility, bc I would 100% replay the season just to explore all of the different routes.
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