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#I CANT NOT ANSWER THIS
excessive-moisture · 3 months
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7 foot rat, rats along his rats
I will end you.....
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necromosss · 7 months
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would.
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corffee · 23 days
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Dropping this fun piece of info here:
https://x.com/dillanmurillo/status/1775727017163657579?s=46&t=UdNtgFl-8YuvLicwWoYN0Q
Adding to my list….
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OHOHOHOHOHH I CANT BE TRUSTED TO KNOW THIS KIND OF KNOWLEDGE CAUSE IM ALREADY HAVING NORMAL THOUGHTS. And this artist is also a known sonadow enjoyer since he made a small fan animation of shadow once again being a protective bf lol.
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p4nishers · 9 months
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i need a whole episode, a book and a podcast on EXACTLY what crowley was thinking during this moment
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999999999inadream · 8 months
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toby fox needs to add like a bit of narration in deltarune abt kris like "they themmed they/themily down the stheirs" cus i cant go on seeing them constantly get he/himmed in yt comment sections
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I’m not trying to attack you, but do you know that proshipper means someone who supports and romanticizes pedophilia, incest, and abuse? Your reblog on that post seems to read that you think antis just hate on people for having ships they don’t like. But it’s completely different than that. Just looking on the proshipper side of Tumblr and the internet and you can see people happily shipping children and adults and making nsfw content of such things.
i appreciate that you're not being outright hostile, but i have to say, that on its own put you above basically every anti i've interacted with.
i understand where antis are coming from, i really do. there are a lot of things on the internet that make me deeply uncomfortable, including the minor/adult ships that you mention. i don't want to anything to do with those kinds of ships and i would be happiest if i never saw them again. which is why i'm proship.
nine times out of ten, if i see that kind of ship brought up on my dash, it's because i was following an anti without realizing it, and they brought it up unprompted and untagged, to talk about how bad it is that they exist. they are the ones putting that kind of content in front of my face and making it harder to avoid.
the thing about people who ship those ships is that they're generally very aware that not everyone wants to see that kind of content, and so they tag it. they make sideblogs to talk about it. they don't go out of their way to shove it in people's faces. that means i, and everyone else who doesn't like it, can avoid it.
what antis want is for it to not exist at all. they want the tags to be purged and blocked, and for anyone who uses those tags to have their accounts deleted. and sure, that might get rid of some of it, but do you know what would happen to the rest? it would stop being tagged. people who don't want to see it wouldn't have the tools to avoid it. this isn't just a hypothetical, that's what's happened any time a fan space has tried to do that.
that's not even getting into the rabbit hole of what should be banned and what shouldn't. obviously any content that depicts real children or real life abuse shouldn't exist and shouldn't be allowed to be posted, but basically any platform that people use already enforces those policies, and there's not much of a slippery slope to go down there. if it involves real living breathing people being abused, it's bad. end of discussion.
but the same can't be said for fiction. ask ten antis for a specific list of all the content that should be banned, and you'll get ten different answers. what about kink? what about roleplay? what about horror and murder and anything that involves fictional characters being graphically tortured? what about people using art to process terrible things that have happened to them? what about art that uses dark themes as a horror element? if you just want to ban anything questionable to anyone, that's the line of thinking that gets any mention of lgbt existence banned. and again, this isn't just a hypothetical, this has happened before, and that's generally where it leads.
i know, from personal experience, that antis do, in fact, send harassment to people just for shipping things they don't like. i've gotten accused of absolutely vile shit for shipping two fictional characters who were both consenting adults. i've seen ship wars turn into moral battlegrounds, over ships that an average person wouldn't bat an eye at.
the thing about "romanticization" is a whole other can of worms. the anti logic goes like this: if someone sees something (even if it's very obviously fictional) in a positive light enough times, they will start thinking it's okay in real life, and go on to hurt real people. the problem with that is that it's just. blatantly untrue.
if it were true every horror movie fan would be a serial killer, every person that studies dark media would be an unhinged psychopath, and everyone who is into ddlg would be a pedophile. but they're not. they just aren't. people have directed movies just as fucked up as the darkest shit on ao3, and are still capable of being normal human beings who know right from wrong in real life.
even if someone is that impressionable, scrubbing away the existence of every piece of questionable content isn't going to solve their problem, because they're still going to be vulnerable to con men, scams, and cultists. the only thing that would actually materially help someone like that is developing their own morals and critical thinking.
children are also more impressionable, and there's a lot of content that's not suitable for them, but that doesn't mean that content shouldn't exist. it just means that they should stick to spaces designed for them (which most social media sites, tumblr included, are not) or, if they're old enough to be responsible for their experience online, they, or a trusted adult in their lives, should block and filter out things that they aren't comfortable with.
which is what everyone on the internet should be doing. it's what i do, and it's made the internet a much more pleasant place to be. and it's why i sometimes worry for antis mental health, especially teenagers, because they're being told it's right and moral to seek out content that makes them uncomfortable and to engage with the people making it. and that's just. really bad. it's not good for the creators that they're harassing obviously, but it's also really bad for them! it's not healthy to seek out things that make you feel bad, and it's a terrible internet safety lesson to teach minors that it's okay for them to seek out and engage with people making adult content.
individual harassment and crusading is never going to succeed at removing dark content from the internet. it just isn't. at best you might get a small percentage of people who create that content to stop sharing it, at worst you're just going to make people stop tagging it, and either way, you're exposing yourself to things that make you feel bad, when you don't have to.
if you want to materially change the type of content you see, you can. the block button is your friend, use it liberally. same with content filtering and tag blocking.
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crimeronan · 10 months
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i've seen a couple people in the notes of this very good post about fictional polyamory by @thebibliosphere say things along the lines of "oh, i've been doing it wrong :(" or "how do i know if i did this right??" or "i should probably give up and start over, i wrote this badly :(" and. no!!!!
(i AM seeing far MORE people say "oh, this clarified and helped me so much, i think i know how to fix issues i've been having with my own story" which. YES!!!!)
listen. if you're a monogamous person who's writing a polyamorous relationship, and you've been focusing mainly on The Triad and All Three Together All The Time as the endgame, that's literally fine. that's a perfectly acceptable and strong starting point for your plotting, imo. you do not need to give up on a story that you've started like this.
but the things discussed in the post Can and Should improve your execution!
you can keep the same plot beats and overall relationship arc 100%. polyamorous relationships are infinite in their formations, every one is unique. "basically a monogamous romance but with three people" Does exist, as a relationship type. you're not hashtag Misrepresenting (TM) poly people with it
BUT i do think it will help to read up on some poly people talking about how their relationships Differ from monogamous ones.
so i have outlined some basic important concepts about polyamory.
MORE IMPORTANTLY though, i've broken down some questions that you can answer throughout the writing process to strengthen your individual dyad relationships, your individual characterization, & your characters' individual feelings/experiences. this is a writing resource have fun
future kitkat butting in to say i spent over two hours writing this and it definitely needs a readmore. it is also NOT comprehensive. but everything should be pretty simple to follow! feel free to reblog if you find it helpful yourself or just want to reward me for how gotdan long this took KSLDKFJKDL.
i've grabbed quick links for a couple of the important concepts, some have SEO pitches in them but the info largely seems to be good. (if i missed anything Egregiously Gross on these sites i should be able to update the links with better ones later, since they're under the readmore.)
sidenote: this is NOT meant to be overwhelming, despite the length. if you can't read all of this, that's Okay. you do not need to give up on your writing.
here we go:
compersion!
compersion is a BIG thing in a lot of polyamorous relationships. it's joy derived from seeing two (or more) of your partners happy together, or joy derived from seeing your partner happy with someone else.
compersion is really important as a concept because it highlights that every individual relationship within a polycule is different -- and that that's a GOOD thing. it's sort of the inverse of jealousy.
by the "inverse of jealousy," i mean that instead of feeling left out and upset and possessive, you feel happy/joyous/content.
i can use personal experience as an example: it's a Relief for me when my partners receive joy/support/sex/romance/etc that i can't (or prefer not to) give them. and i love seeing my partners make each other laugh and be silly together.
it's 100% okay for a poly triad not to be together 100% of the time, it doesn't mean that the third member is being left out or not treated equally when two people do things alone together.
(i have individual dates with my partners all the time! PLUS larger 3-and-4-person date nights.)
if the third member DOES feel jealous or left out, then the polycule can have a conversation to figure out what needs/wants aren't being met, and solve that. this happens semi-regularly in my polycule, as it will happen in any relationship (including monogamous ones)! it's just part of being an adult, sometimes you have to talk about feelings.
metamours!
a metamour is someone who is dating your partner, but ISN'T dating you. this may not be relevant for people writing closed three-person romantic sexual triads, but it's a super helpful term to know.
the linked article also lists different types of metamour relationships with some fun phrasing i hadn't heard before. the tl;dr is: sometimes you'll be domestic cohabitation friends, sometimes you'll be buddies with your own friendship, sometimes you might not interact much outside of parties, every relationship is different.
there's no one-size-fits-all requirement for metamour relationships. sometimes polyamorous people will end up dating their metamour after a while (has happened to me), sometimes polyamorous people will break up with one partner for normal life reasons, but remain friendly metamours.
the goal of polyamory is NOT for EVERYONE to fall in love. it is 100% okay if this happens in your story, it happens in real life too! but it is also 100% okay for characters to be metamours without ever becoming "more than friends."
(sidenote: try to kill any internalized "more than" that you have when it comes to friendship. friends are just as important and special and vital as partners.)
of course there are a million ways for messiness to occur with metamours within a complex polycule, exactly like with close-knit platonic friend groups. however this post is not about that! there's enough "here's how polyamory can go wrong" stuff out there already, so i'm focusing on the positives here :)
open versus closed polyamorous relationships!
i'm struggling to find an online article that reflects my experience without directly contradicting at least SOME stuff. so i'll give a quick rundown
google has a bunch of conflicting definitions of open relationships and whether open relationships are different from polyamory. the general consensus seems to be that an open relationship prioritizes one partnership (often a marriage), but that each partner can have extraneous flings or long-term commitments (most often sexual in nature).
this is not typically how i use the term wrt polyamory. the poly concept is pretty simple. a closed polyamorous relationship is one with boundaries like a monogamous one. there are multiple partners in the polycule, but they are not interested in having anybody new join said polycule.
an open polyamorous relationship tends to be more flexible -- it just means that IF someone in the polycule develops mutual feelings for a new person, it's fine for them to become part of said polycule if they want to! the relationship/person is open to newcomers.
some groups will need to negotiate this all together, others will just go "haha, you kids have fun." just depends on the individuals!
with open AND closed polyamorous relationships, the most important thing is making sure that there's respectful communication and that everyone is on the same page. but there's no one-size-fits-all way to do that.
i wish i could give you guys a prescriptive "You Must Do It This Way" guide, but that's.... basically the opposite of what polyamory is about, HAHA.
feelings for multiple people!
i was gonna tack this on to the previous section but decided it warranted its own lil bit.
a defining feature (....i'm told?) of monogamous relationships is that a monogamous person only has feelings for One individual at a time. they only want a relationship with one individual at a time. or, if they DO have feelings for multiple people simultaneously, they're still only comfortable dating one person at a time & being exclusive with that one person.
this is perfectly fine!
the poly experience is generally different from this. but once again..... polyamorous people all have different individual perspectives on this.
for me, i have never been able to draw hard boxes around romantic vs sexual vs platonic relationships, & i love many people at once. my personal polycule lacks many strict definitions beyond "these are my chosen people, i want to forge a life with them indefinitely, whatever shape that life takes"
some poly people feel explicit romantic or sexual attraction to multiple people at once, some poly people feel almost no romantic or sexual attraction at all. i'd say that MOST poly people feel different things for different partners, which is not a bad thing!
some poly people are even monogamous-leaning -- they have just chosen one romantic partner who is themselves part of a larger polycule. (so this monogamous-leaning person has at least one metamour!)
or alternatively, they might have one romantic partner AND a qpr, or other ways of defining relationships. (this is a factor in my own polycule!)
i made this its own point because if you're writing a straightforward triad, this is unlikely to come up in the story itself -- but it's worth thinking about how your characters develop/handle feelings outside of their partnerships.
like, is this sort of a soulmateship, 'these are the only ones for me' type deal? in which they won't fall in love with anyone else, and can be fairly certain of that?
that's pretty close to typical monogamous standards but you Can make it work. just be thoughtful with it
alternatively, can you see any of these characters falling in love Again after the happily-ever-after? and how would the triad approach it, if so? what would they all need to talk about beforehand, and what feelings would everybody have about the situation?
it's worth considering these questions even if the hypothetical will never feature in your actual canon, because knowing the answers to these questions will help you understand all of the individuals & their relationship(s) MUCH better.
i've been typing this for nearly two hours and there's a lot more i COULD say because... there's just a lot to say. i'll close out with some quick questions that you can ask yourself when developing the dyad dynamics within your triad
first, take a page and create a separate section for each individual dyad. then answer these questions for every pair:
how does each pair act when alone?
how do they act differently alone compared to when they're with their third partner?
are there any elements of this dyad (romantic, sexual, financial, domestic, etc) that these two people DON'T have with the third partner?
if so, what are they?
are there any boundaries or hard limits within this dyad that aren't shared with the third partner?
if so, what are they?
partner 3 goes out of town alone for a few weeks. what are the remaining two doing in their absence?
(doesn't have to be anything special, it's just to get a sense of how the two interact on a day-by-day basis without the third there)
what is something that each partner in the dyad admires about the other -- that they DON'T necessarily see in the third partner?
what problem do These Two Specifically need to solve in the story before their relationship will work?
how is that problem DIFFERENT from the problems being solved within the other two dyads?
doing this for ALL THREE dyads is VITAL imo. that way, you develop complex and nuanced and different relationships that all have unique dynamics.
those questions should be enough to get you started, i hope
then After you've charted the differences in relationships, you can start to jot down similarities in the overarching triad. what does one person admire in Both of their partners? what are activities that all three like to do together? what are boundaries or discussions that all three share?
but the main goal is to figure out how to Differentiate each relationship!
a polycule is only as strong as the individual relationships within it. if two people are struggling with their own relationship, adding a third person won't fix that.
(UNLESS the third person is the catalyst for those two to, like, Actually Communicate And Work Their Shit Out. i just mean that the old adage of "maybe if we just add a third-" works about as well to fix a miserable non-communicative marriage as, uh, "maybe if we have a baby-")
AND FINALLY.
if you're not sure whether your poly romance reads organically to poly people, you can hire a sensitivity reader with poly experience. if you can't afford that, you can read up on polyamorous resources like a glossary of terms & articles actually written by poly people. (and stories written by poly people!)
you can also just.... ask poly people questions, if they're open to it. i like talking about polyamory and my own relationships so you're welcome to send asks if u want, i just can't guarantee i'll answer bc my energy levels fluctuate a lot and i don't always have time.
polyamorous people are in an uphill battle for positive representation right now & so the LAST thing i want to see is authors giving up on their stories bc they're worried about getting things Wrong. well-meaning and positive stories that treat this kind of love as normal, healthy, & aspirational are So So So Needed. even if you guys end up with some funky-feeling details.
seriously, if you're monogamous then you probably don't have a full idea of Just How Nasty a lot of people can get about polyamory. i wish it DIDN'T mean so much for you guys to want to write nice stories about us, but it does mean a lot. and it means a lot that you want to do it WELL.
in conclusion. this is not a prescriptive guide, it's just a way to raise questions. and also, you all are doing FINE.
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delehosies · 1 year
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i think we need to launch an investigation into slutty men and their slutty white shirts
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d4ydream-girl · 26 days
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comments from smosh cast + crew on shourtney's wedding post!!
ft. mythical, thomas sanders, and www.chess.com?? lol
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nouverx · 2 months
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Funfact, that little squeak Alastor does when he's first introducing Rosie and she dusted off his sleeve is an actual noise a baby fawn. Z
YEEEESSSSS I've seen people talking about it on twitter this is the cutest little detail about him I'm gonna cry like actually
Find yourself a bestie you're so comfortable with you start making little fawn noises. They are so perfect AAAAHHHH
Also, kind of unrelated but since we're talking about Alastor noises, in the french dub he makes a little "AH" sound when Vaggie interrupts his breakfast it's very subtle but it's so cute as well so I wanted to share it
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lucabyte · 2 days
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Not all who wander are lost. Some who wander, however, are extremely, extremely lost.
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formosusiniquis · 1 year
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When Mike Wheeler, red faced and still faintly tear stained, asks him how he knew he liked both Steve doesn’t know how to tell him it was his sister.
Before Nancy Wheeler it had only been boys. Before Nancy Wheeler Steve had been sure he was gay and knew well enough to keep it to himself; dating around enough to earn himself a protective reputation. Before Nancy Wheeler there’d been Marcus Summers, from the baseball team, during freshman year. Steve had gone to every game, and had been forced to make up excuses about schoolwork and his other commitments when asked why he hadn’t tried out for himself. Before Nancy Wheeler there’d been Tommy Hagan. The summer between seventh and eighth grade had been very kind to Tommy, he was sunkissed and boy next door sweet, Steve had wanted to hold his hand and count the freckles across the bridge of his nose. 
Before Nancy Wheeler there’d been his first love, a boy who only visited one summer, the year Steve turned ten. His name had changed every time they hung out but he’d favored E’s. Eli, Emmett, Elliott, Eric, Excalibur, Excelsior, and once for about an hour Wayne. His hair brushed his chin in pretty brown curls and his big brown eyes were always bright with excitement. He always got storm off mad when any of the other boys they’d played with that summer said he was acting like a girl, E would run off to the woods and Steve would always follow. E always came up with the best games anyway, he didn’t like playing soccer or HORSE or anything else with rules that couldn’t be bent; he preferred imagination games where they were knights or wizards. He didn’t laugh when Steve said he always liked playing house, but never wanted to be the dad because why would he want to be someone who never wanted to spend any time with his kids. E who, while insisting on being called Samwise all day, was his first kiss.
Cause he knows what Mike wants to hear. He’s seen the way Mike and Will have danced around each other since the last portal closed. He’s heard the things Mike has said to and about Will. He’s heard all about the week that Will was in the Upside Down. He’s heard all about the summer of ‘85. He’s heard all about the final off again that seems to officially mark the end of Mike and El romantically. He knows that Mike wants him to say that he’d never even thought about boys before he met Eddie. That there’s just something special about Eddie that makes him want to give up his lady killing ways. That Eddie was different. That it was okay that he was having these scary new thoughts, maybe Will was just an exception.
And Steve doesn’t know how to have that conversation. When he realized he liked both it was a relief, that maybe he could have something normal and wouldn't have to spend his life lying or hiding. 
But Eddie was different. Eddie was special. Eddie was probably it for Steve which is scary in a different way that he’s not ready to touch yet -- not when it’s only been three months.
There’s never been another girl since Nancy Wheeler, not really
There will never be another boy after Eddie Munson.
So he tries to help, as best he can. It’s easier with Eddie there, not quite dozing against his shoulder -- the kid’s emergencies always seem to come so late at night these days. “When I was ten, there was a boy whose name kept changing who decided prince charming should get to kiss his faithful knight. And when I was sixteen, your sister-”
Mike’s goodwill diminishes quickly as his sister gets introduced to the conversation.
“Stevie,” Eddie says. It’s not an admonishment for bringing up Nancy. It’s awestruck and watery. “You remember that?”
“Of course I remember the first boy I ever loved," that word catches up with him a second later. Remember. 
Cause there's Eddie with his riot of brown curls and his Bambi eyes. Eddie, who has explained why soft feminine words chafe against his skin leaving him itchy and anxious. Eddie, who has an Uncle in Hawkins. Eddie who moved to town the summer before he entered high school with a buzzed head and his mother's last name. Eddie who finally settled into an E he liked best.
"Wheeler, here's a tip from me to you," Eddie says, his advice is always better received than Steve's anyway, "if you have to ask you probably already know."
"Straight people don't really spend much time wondering if they aren't really straight," Steve agrees.
They don't rush Mike out the door, a crisis is a crisis and even in the wake of new discoveries Mike deserves to be heard out. Deserves a chance to cry and rage and feel those emotions someplace safe from his Reaganite father -- just as much as Will deserves to have someone who knows what they want come to him, deserves better than experimentation.
They cross the bridge from late into early by the time Mike sets off. The sun is creeping up over the horizon and Mike looks solid, certain; the dawn hints at the man he is growing up to be. Though every instinct of Steve's begs him to drive the kid home, Eddie's soft hand lingering at his hip holds him fast. They wave instead, encouraging Mike to go home and to bed before he does anything; knowing his front bike tire is already pointed toward the Byers-Hopper place.
"The first boy you ever loved, huh, Stevie?" Eddie teases before the door has even managed to click shut.
"And the last, I'm hoping, if I play my cards right."
"You were always pretty good at that. You were the only person that summer who called me by my name, except Wayne."
"It was your name." He knows that's too simple. Knows how hard Eddie has had it, continues to have it. But that summer it had been that simple, Eddie trying on names like shirts each one fitting until they didn't. "For what it's worth, I like Eddie a lot more than Excalibur."
"Oh fuck off, I was going through a fantasy knight phase. Which I know you remember."
"Right a phase, and how much longer is this fantasy 'phase' going to last?"
They're the kind of tired that makes you feel drunk, when Eddie tackles Steve and sends them both to the floor and to giggles. Eddie might not have been his bi awakening, but Steve is pretty fine with him being his everything else.
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skrs-cats · 9 months
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rut was really good im such a sucker for anything that just wants to be uplifting and genuine. so, here is them :3
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useful-boy · 1 year
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So a friend told me about Maushold today and I knew immediately what I had to do
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haetrack · 2 months
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haechan is always so cute when he wears those thick-rimmed glasses that it kinda just makes me wanna ruin him. imagine him looking up at you with pleading eyes and those cute glasses tilted on his face while you ride him. it’d be even better if he’s all messy, tears falling freely and his brain all muddled because all he can think about is you and how badly he wants to cum.
i NEED to hear ur thoughts on this.. it’s been a wip in my drafts for like a week i’m going insane
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THIS BUT WITH NERD!HAECHAN. i need to sit down and take a breath... everyone stand back. part 2 part 3
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“my pretty boy, what’s wrong?”
you know what’s wrong, you’re teasing him. you’re on his lap, slowly riding him as he tries to hold back cries and whimpers. his head is tilted back, his neck practically begging to be kissed. you lean forward, pressing soft, wet kisses all over. he gives up on holding back his sounds, whining out to you as he grips tightly on your hips.
“please,” he lets out a choked whimper, “just wanna cum, wan’ you to let me cum.”
he tilts forward, trying to kiss you. you move out of the way, laughing at how he tries to chase your lips. your hand grips his face, cooing at how he looks up at you with his pretty eyes. he looks dazed, already so fucked-out with just you on top of him. you haven’t even given him what he really wants, just grinding down your hips as he twitches inside of you.
“mm, it feels nice like this, though. you feel so good inside of me.”
he nods, eyes fluttering shut as you clench around him. he can’t beg, taking what you give him without complaining. he never thought this would happen, never thought you’d fuck him like this. all the nights he’s spent fisting his cock to the thought of you can’t compare to this, even if you’re practically ignoring him. he lets out a shaky breath, his blunt nails digging into the skin of your hips.
“won’t you tell me how bad you want this, my pretty baby?”
he fights off a moan, biting the inside of his cheek before he speaks, “want this so bad, thought of you so much and i just- just wanna cum.”
“aw,” you pout, “all you wanna do is cum? thought you wanted to hang out with me, too.”
he quickly shakes his head, sitting up a bit more straight, “n-no! i do! i like you so much, i want to be with you, want you to fuck me!”
a wry smile appears on your face, “that’s all i needed to hear, baby.”
you almost pull off of him before slamming your hips down. he lets out a loud cry, his hips chasing yours as he tries desperately not to cum so fast. he can’t let this end, can’t let the sight of you on top of him go. you look down at him with hooded eyes, your gaze and how good you feel against him making his face go hot.
his glasses become foggy, the sight of your teasing smile getting lost behind the fog. he whines out in embarrassment, the back of his hand reaching up to messily wipe away at the fog. he shoves his glasses a little too hard, too focused on how your warm walls suck him in deeply.
you laugh out at his crooked glasses, cooing as you fix them, “you’re so excited, so excited that you're drooling and being all clumsy.”
he nods, not trusting his shaky voice. it fails though, feeling your thumb press against his mouth, swiping at the drool that’s slipped out. he wasn’t even aware he was drooling, your body pressed against him being almost too much for him to handle. he can feel your nipples against his chest, his back arching to meet press harder against your chest.
your thumb traces his bottom lip, “suck.”
he listens, two of your fingers sliding into his mouth as he swirls his tongue around them. you’re all over him, he wants to stay like this forever. he might just be a little too obsessed with you like this, taking all that you want from him as he sits there, allowing you to do whatever.
your fingers slide out of his mouth, opting to trail under his shirt, moving to his chest. he lets out a loud whimper as he feels your wet fingers toy with his nipples. he can’t help how his hips stutter against you, the stimulation becoming too much. he can feel how tears begin to build in his eyes, pleasure consuming him.
“doesn’t this feel so nice?” you realize he’s not listening to you, watching him moan freely as his hands grip your thighs. you slow down your pace, grinding down on his cock as you try to ignore how his tip hits your sweet spot. you pinch his nipple, his chest arching into yours as he almost cums on the spot.
“pay attention to me,” you whine, “or else i’ll make myself cum on your cock and leave you here all by yourself.”
he lets out a shaky breath, “s-sorry. it just feels too good, you fuck me so good.” his eyes look up at you, losing focus as he sees the grin on your face. he has to tell himself to pay attention, tries to refocus as your hips begin to bounce against him again. the sound of skin against skin, the harsh sting of your nails digging into his skin making his cock twitch. he loves it all.
he realizes he’s crying when you press kisses against his cheeks, tongue swiping out to lick them up. you can feel his warm breath fan across your face, whispers of your name filling the little space between the both of you. when you lean back, his eyes bore into yours, “can i please cum? wanna fill you up…”
you smile, hand reaching up to wipe a stray tear off his cheek. you clean his glasses for him, wiping them against his shirt before placing them back on his nose. he thanks you, hips pushing inside of you, trying to remind you what he really wants. you move his hands back to your hips, feeling how he grips at the flesh, taking you all in.
“i’ll give my baby whatever he wants.”
you hear him whisper out a small thank you as you move faster, feeling how restless he’s become. he doesn’t care about how loud he’s being, doesn’t care about how much he might seem like a desperate loser right now. none of it matters when you’re here right now, your eyes watching his face, drinking up all his sounds.
when he realizes he’s close to cumming, he moves his hands up to your waist and pulls you close to him. his eyes look into yours before deeply kissing you. it’s messy, tongues moving against each other as drool slides down your chin. you can feel how hot his face is, imagining how his glasses are probably fogged up again.
you don’t care, feeling his hands reach for whatever he can grab as his hips rut into yours as he cums inside of you. spurts of cum shoot into you, his cock twitching with every movement you make. he’s moaning into your mouth, trying to fight off the overstimulation as you cum around his cock, fueled by his pretty moans and face.
he tries to push at your hips, but they move on their own as you ride him. his spent cock twitches inside of you, the pain bleeds into pleasure as you fuck yourself onto him. he can feel you slow down, pulling out of him. he realizes that it’s all over, suddenly wanting you close again. he moans out, “don’t want this to end, want you here, wan’ you to use me whenever. please, please don’t go.”
“why can’t we go for a round two?” you grin.
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ignitesthestxrs · 5 months
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there's something about the way people talk about john gaius (incl the way the author writes him) that is like. so absent of any connection to te ao māori that it's really discomforting. like even in posts that acknowledge him as not being white, they still talk about him like a white, american leftist guy in a way that makes it clear people just AREN'T perceiving him as a māori man from aotearoa.
and it's just really serves to hammer home how powerful and pervasive whiteness and american hegemony is. because TLT is probably the single most Kiwi series in years to explode on the global stage, and all the things i find fraught about it as a pākehā woman reading a series by a pākehā author are illegible to a greater fandom of americans discoursing about whether or not memes are a valid way of portraying queer love.
idk the part of my brain that lights up every time i see a capital Z printed somewhere because of the New Zealand Mentioned??? instinct will always be proud of these books and muir. but i find myself caught in this midpoint of excitement and validation over my culture finding a place on the global stage, frustration at how kiwi humour and means of conveying emotion is misinterpreted or declared facile by an international audience, frustrated also by how that international audience runs the characters in this book through a filter of american whiteness before it bothers to interpret them, and ESPECIALLY frustrated by how muir has done a pretty middling job of portraying te ao māori and the māoriness of her characters, but tht conversation doesn't circulate in the same way* because a big part of the audience doesn't even realise the conversation is there to be had.
which is not to say that muir has done a huge glaring racism that non-kiwis haven't noticed or anything, but rather that there are very definitely things that she has done well, things that she has done poorly, things that she didn't think about in the first book that she has tacked on or expanded upon in the later books, that are all worthy of discussion and critique that can't happen when the popular posts that float past my dash are about how this indigenous man is 'guy who won't shut up about having gone to oxford'
*to be clear here, i'm not saying these conversations have never happened, just that in terms of like, ambient posts that float round my very dykey dash, the discussions and meta that circulate on this the lesbian social media, are overwhelmingly stripped of any connection to aotearoa in general, let alone te ao māori in specific. and because of the nature of american internet hegemony this just,,,isn't noticed, because how does a fish know it's in the ocean u know? i have seen discussions along these lines come up, and it's there if i specifically go looking for it, but it's not present in the bulk of tlt content that has its own circulatory life and i jut find that grim and a part of why the fandom is difficult to engage with.
#tlt#the locked tomb#i don't really have an answer lmao this is more#an expression of frustration and discomfort#over the way posts about john gaius seem to have very little connection to the background muir actually gave him#like you cant describe him as an educated leftist bisexual man#without INCLUDING that he is māori#that has an impact! that has weight and importance!#that is a background to every decision he makes#from the meat wall to the nuke to his relationship with the earth#and it also has weight and importance in the decisions that muir makes in writing him#it is not a neutral decision that he's known as john gaius lmao#it's not a neutral decision that the empire is explicitly of roman/latin extraction#it's not even neutral that this is a book about necromancy#it's certainly not a neutral fucking decision that john was at one point a māori man living in the bush#when the nz govt decided to send cops in#like that is a thing that happens here! that is a reference to nz cultural and political events that informs john's character and actions#and with the nature of who john is in the story#informs the narrative as a whole#and i think the tiresome part of this experience is that#in general#americans are not well positioned to understand that something might be being written from outside their experience as a default#like obviously many many americans in online leftist & queer spaces are willing to learn and take on new information#but so much of the conversation starts from a place of having to explain that forests exist to fish
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