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juniperberries-canisroot · 9 months

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Tagged by @debaited thanks!

I don't really know many others who have multiple OCs for Skyrim, so if you see this post and wanna do it go for it! Tpy can tag me of you want. I wouldn't have seen this game had I not been tagged.

Tagging @ghostfacedbat & @rossthren-nsfw-read-bio cause I know they have multiple OCs, only if you want!

Favourite OC: Gotta be my main girl Chantilly Leice. She's the most developed story-wise and she's multi-faceted. Glitters-like-Stars is another fav too. Corveau the Reaper might be a third fav due to her interesting story & the situation she's in.

Newest OC: Cassata, a Dunmer I made on my newest save, named after an Italian cake. Besides the name and colour scheme, I don't have anythin story-wise planned for her yet. I know what factions and stuff I want to do, but backstory and all the character traits are blank right now. I think I want her to be a Boethia fangirl and worshipper of Sithis.

Oldest OC: Dyce. A Skyrim DB I can't play with cause all her save data got erased in some freak incident. I don't even remember making it to Bleak Falls Barrow on her save, I remember thinking the game must want me to go there since I only had the Golden Claw quest and getting horribly lost. Chantilly Leice was made years after Dyce as her 'redo'.

Meanest: Soleil just being herself. I don't really have any mean OCs, like ones that will insult you unprovoked. I have some evil characters but 'mean' wouldn't be one of the first words others use to describe them. Soleil just isn't friendly and she's a bit crass. Besides Sorcha, her cousin, not many can get over her RBF and blunt and dry comments. Even Isran admits she's a bit hard to work with due to her anti-social personality. She only wants to socialize with the bare minimum to get the job done, everything else is unnecessary and a waste of time and breath. Sorcha is the only other person Soleil allows to be in her company, thou even Sorcha themself doesn't entirely know why.

Softest: Ginseng Thorn-Summons is most outwardly soft in her actions; she gives second chances when people probably don't deserve them (not criminals just people of bad character). She gives everyone the benefit of the doubt, thinks the best of them before the worse even when being told the worse by others and she wants to think everyone is capable of good. There's nothing *wrong with the way she thinks, everyone should have a healthy bit of optimism, but for Ginseng, she doesn't have a healthy bit of pessimism until she gets burned or her trust betrayed. Her mostly disregard for people's not so good traits opens her up for others to take advantage of her kindness and generosity.

Glitters-like-Stars and Chantilly Leice are the most 'secretive' softest thou. They'll pay debts for older people who can't pay it themselves, or maybe just someone on hard times, without asking for compensation or acknowledgment. They'll assist others without payment for the betterment of the situation (unless that person is being a dick about it).

Most aloof/standoffish: Soleil. Besides her cousin, she doesn't make an effort to talk others unless she has to, or the 'conversation' is just buying somethin from a shopkeep and leaving. Chantilly Leice used to be standoffish when she was younger, (20s and below) but she was also very un-trusting so that played a part in it. Even still, she would talk to others like Guild and faction members without being rudely short in conversation like how Soleil is.

Dumbest (affectionate): Vanta Iris. She has the capacity to make intelligent decisions, she's not dumb as in 2+2=3 but she doesn't think things throu. She'd much rather rush in then stop to make a plan. She thinks hard not smart.

Jethro is intelligent, thinks smart not hard, but he likes the chaos of being a lil dumb sometimes.

OC I'd probably be friends with: I always find this question weird cause I don't see myself being friends with almost any of my OCs. I have several vampire OCs, but that doesn't mean I would be friends with a vampire normally or approve of their lifestyle in a real world setting with real world consequences.

So assuming I was plopped in the world of Skyrim and followed the same idiosyncrasies, rules, thoughts and world set up as NPCs or even my own NPC, Electra. Socialable, knows when to draw the line, not hard to talk to, plays nice with others until you piss her off. She's not typically a petty person and she'll tell you straight away what's on her mind rather than beating around the bush or saying one thing to your face but cursing you out behind your back.

#Chantilly Leice #Glitters-like-Stars #Soleil #Sorcha #Electra #Ginseng Thorn-Summons #tag game #Skyrim #Elder Scrolls #Elder Scrolls V #tes #tesv #Corveau the Reaper #Cassata #Jethro #Vanta Iris

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cadrenebula · 28 days

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Copy paste failed me but I was intent on asking the hand holding one from your last asks post for any oc of your choice!

Does your OC enjoy holding hands? Or are they too awkward to do this in public? Or possible too clammy?

Surprisingly he's not awkward about hand holding unless he's being teased. Not too many people actually tease him outside of Corveau though really. He has plenty of other issues but hand holding in public isn't one of them most of the time.

Asher isn't a hand holder unless it's a small child. For him it's awkward because he has no interest in being that close to most people. But for a child he would if it comforted them. So basically don't expect him to get chummy enough to hold hands.

Thanks for the ask @corsair-kovacs

#Asks #thanks for the ask!#About Stefan #About Asher

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crownedcroweprince · 10 months

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Tagged by @antlers-and-omens with the Picrew here

Made one for Corveau, Jack, and Grimm.

I'm too lazy to tag. So. You're all it. Show me your blorbos as legit snacks.

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voidiots · 8 months

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HUMILITY– Are they open to seeing their own faults when others point them out? Are they realistic about themselves, or do they inflate negative or positive values? What is something they are genuinely proud of?

Corveau is actually very aware of his faults and those that people see. He just doesn't care to work on them or fix them really. So instead he acts grandiose about them most of the time. Makes fun of them and makes dramatics over it. Because he's kind of a dick.

But, he is prone to inflating negative values about himself. This man has so much depression, it's hard not to. He knows he's seen as a monster for what he is. That people and hunters will revile him no matter how hard he tries to just live as normal a life as he can. And that can hurt at times. Especially when he knows the people he adores and torments now won't always be around. They'll all go to a place he can not follow. He ends up wearing these negative qualities of himself like a sort of armor. To prevent himself from getting more hurt. As for things he's proud of. He's proud he hasn't lost a life in a year! It's good progress for him. That's probably his biggest thing right now. Thank you for the ask @yloiseconeillants

#ask #answered #ooc

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lairofdragonagelore · 1 year

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Analysis and speculation of Statues: Razikale Ceremony and Dumat’s Warrior tablets

Making a small room for speculation, I want to try to analyse what or who are depicted in them, why they share similarities with an elvhen stone? why these appear in Tevinter related buildings but also in Elvhenan ones?

[This post belongs to the series “Analysis and speculation of Statues”]

Where do they appear?

Razikale tablet called by me as Razikale Ceremony appears in all these places:

First time we see it is during the Old Chantry Trail Signs, where we can read a note telling us it's a ceremony made by Razikale's worshippers. Sadly the note has no author so we can’t truly appraise the reliability of this information.

In Coracavus, inside the Records Room, we find an object of decoration made with these lids in the middle of the chamber. There are also some coffins with this lid in the corners of the same room.

In the Still Ruins, Viridis Walk and Inner Sanctum, where we can see both tablets as decorations along the garden.

In a northern rampart of the Exalted Plains, the closest one to the Citadelle du Corveau, we can find both lids at the sides of the entrance of a small Tevinter tower, in the same part where a dead pit is located that allowed the rising of an Arcane horror.

In the deepest part of Din'an Hanin, Elandrin’s Tomb we find two coffins with this lid, placed symmetrically along the chamber of Elandrin's Tomb. Each coffin is in front of three Dragon Mythal statues.

Inside Suledin keep, as decorations of a section of the fortress: we find these lids fused into the stone wall. It's like a welcome-chamber before heading into the deepest part of the fortress Suledin. Here, both figures, Razikale’s priest and Dumat’s warrior, appear one beside the other or facing each other.

In the Hissing Wastes at the Venatori main camp. As lids for coffins, they are found inside of what looked like an ancient temple long ago forgotten. Lids are spread on the ground around Tevinter Artefacts too.

At the Swamp Kulsdotten, also in the shape of coffin lids, decorating parts of the path, or in corners of the Swamp where we can see piles of old and new bodies. It's implied that human sacrifices have been performed in this place.

Inside Razikale’s Reach, where we find coffins of both designs beside the generators of energy that will allow us to weak the ice that blocks the Frozen Gate.

Inside the Frozen Gate in the Frostback Basin. They are presented as lids of several coffins. There are some skeletons inside these coffins.

Dumat’s warrior tablet, called by me as Horned warrior holding a sword appears in most of the places where the previous one appears, but there are some exclusive places where only this one exists

In Coracavus; Front Corridor and South Entrance, close to where the Colossus is, we find an arranged set of lids that looks like an altar to worship the two images. The armoured man is central, while the other two lids flanks it. At the South entrance, we can also see the image of this warrior in the main altar, with benches in front of it as if it was placed in a high place of worship.

In Coracavus, at the corners of the Records Room, we find some coffins with this lid.

Inside the cells of Coracavus; Guard’s Hall and Holding Cells, where we find some coffins in front of a sacrificial altar.

Inside the Still Ruins, Hall of Silence, we find this figure in the middle of it, being central of the chamber called "Hall of Silence" [reason why I've been suspecting this is a personification or a representation of Dumat or a warrior in his name.]

In the Still Ruins, Viridis Walk and Inner Sanctum, where we can see both tablets as decorations along the garden.

In the Hissing Wastes at the Venatori main camp. As a form of lids for coffins, they are found inside of what looked like an ancient temple long ago forgotten. They also appears at the sides of the entrance of this place.

In Flemeth’s Fade, we find the lid in front of a device contaminated with Red Lyrium. The lid is fused with a stone. At its back, there is a smaller lid with the same figure.

Inside Razikale’s Reach, where we find coffins of both designs beside the generators of energy that will allow us to enter the Frozen Gate.

Design

Razikale Ceremony

This is the tablet with more details. According to the note we are given, it represents a ceremony to Razikale. The reliability of this information is a bit questioned by me, specially because we are not informed about the author of this bit of information and because parts of these designs may end up being linked with elvhen.

In general, the idea we get of the whole composition is that we have a hierarchy system: warriors are below a group of high priest of this god, who are also below a main priest. This pries is a woman with some link to a symbol of a sun, and gives a strange skull as an offering.

If we go bit by bit:

The skull, if we take into consideration the mosaics of DAI, quickly brings to our mind the idea of qunari sacrifice [the part of the face in the skull looks like it belonged to a humanoid and not to a dragon]. However, we see that there are some additions on the upper part: a pair of antlers. They look like a pair of bug antlers or a pair of small vines. It gives a soft vibes of The Horror of Hormak. The object floating in between them is not clear: it may look like a heart, a rhomboid, a diamond-gem, or a head of a spear.

Behind this female priest we see a Sun, or at least a semi-circular figure with pointy extensions that may look like sun rays, but at the same time, it would look like as spear heads. this design reminds me a lot the DAO Chantry version, where its sun was designed as if it were thorns or a device of torture:

However, it’s not the same and, as it belonged to DAO, I don’t think we can trust it. DAO design doesn’t hold well in general with DAI’s. What I can say with some degree of certainty is that I didn’t see such design of a spiky sun in any other part of DAI.

Since the name of the main priest of Razikale is called Augur of Mystery, there is a chance that this woman, so central and on top of everyone, may represent her. I personally don’t like much these titles because their source is the Canticle of Light, in particular, Silence, which was written by Archon Hessairan almost 200 years after the event it describes. I am not too confident to assume that these titles may be all accurate. It’s also true that they hold for Corypheus and Architect, so that’s why I keep it in here and I don’t remove it completely. It seems quite curious that Tevinter, so brutal against the Alamarri, Avvar and Chasind, would use a word so iconic of the Avvar culture: augur are the main mage of a hold. This also brings me so much mistrust.

The priest, this potential Augur, is wearing a mixture of robe and armour but I can’t identify it similar to anything in game so far. Clearly it doesn’t look like similar to the usual leather armours that the Augurs wear.

Below her, we see 12 figures that look like mages.

They have a dragon-head staff in their hands, that seems to be scepters of Razikale, which description seems to confirm this image

The ancient priesthood of Razikale, Old God of Mystery, once carried staves like this one as badges of office.

This detail adds some confirmation to the idea that this tablet represents priests of Razikale. They are wearing hats that look like a shorter version of the Divine's hat. They also wear capes.

If we see the coffin version, we realise that these figures are not 12 in total but 16, since 4 of them appear at the sides of the border of the lid.

The last figures in this hierarchy are three soldiers with shields and swords. I could not relate the shield with any symbol we saw in the game. These soldiers are going to be key in linking other figures but they are impossible to be guessed.

Armoured Warrior [of Dumat?]

The other figure on the lid is more prominent than the Razikale ceremony. It uses two thirds of the lid. The same space that the skull, the priest ,and the worshippers used in the other lid, here is totally dominated by the single warrior. He seems to be higher than the general warriors as well if we consider this configuration as a way to understand hierarchy.

His helmet has a plume sprouting upwards, and two small twisted horns. The face of the helm shows a long shape, a bit dragony if we will. The armour and sword have no details that could be worth checking.

His body rests on a platform similar to the one where we saw the 12 priests in the Razikale Ceremony's case. Bellow this written platform, we can see the three typical soldiers.

There is a variation of this lid, presented in the middle of decorations such as Coracavus; Front Corridor and South Entrance or in the Hall of Silence in the Still Ruin, or in the Fade in front of a Tevinter device infected with red lyrium. This variation only shows the figure from top to half his thighs. The rest of the statue is usually stone written in a language hard to see in detail.

Both tablets/lids usually appear in places of worship or in places where sacrifices must be performed. They appear exclusively in Tevinter-related buildings with the exception of Sulevin. It’s not clear if in this case it was an addition incorporated by Tevinter after the fall of the elvhen empire or was part of the original construction. At first I was more inclined for the co-opt explanation, but at the end of this post it will be clear why I end up suspecting these tablet were always part of the elvhen architecture.

Another odd place where one of these tablets appear is in the Elandrin's tomb, but I think it's understandable to suppose that, since it's a ruin of Ancient Dalish, who gathered a lot of statues that not necessarily were elvhen, these ancient Dalish may have added these elements later.

As a note, I tried to make a comparison of this warrior tablet with the elvhen painting of the Armoured figure [Nation Art: Elvhen], but I did not find relevant similarities that were not forced or too obvious due to the nature of comparing two dudes with armour.

So far to this point, considering the repetition of these tablets, with a really small amount of exceptions, it seems safe to assume that these figures were mostly original to Tevinter and exclusively related to gods [we assume Old Gods because it’s Tevinter]. However, I found out with surprise that, in fact, they may be originally related to Elvhen, being co-opted later by Tevinter, as usual.

Why do I say this? Because the inscription of Solasan.

Where do we find this tablet?

Only in three places:

Beside the entrance of Solasan Temple in the Forbidden Oasis, and inside of it.

In several burials around Hissing Wastes, related to Fairel tomb

And in Trespasser, every time we have to solve a puzzle related to a Sitting Fen'Harel statue: the puzzle of the Veilfire in the Forgotten Sanctuary, the puzzle of the Veilfire in the Scholar’s retreat, and in the Unknown Ruin, in the Deep Roads, where we find the mural of the Titan. In all cases, this tablet appears giving us instructions to solve the puzzle.

The link of this stone to Elvhenan seems reliable since it appeared in the Crossroad [a place of Elvhen creation, not the Fade, so it should not “reflect” the reality of the Waking World]. However, the only place where it seems to have been used as an asset is in the Fairel's burials in the Hissing Wastes. But even if that were the case, it seems to be a lot of misuse since these stones appears in each column where we read the story of Fairiel, and in another opportunity, the stone itself is described as a tablet where we can see Fairel and his two sons, which is clearly not the case [Hissing Wastes: Fairel tomb].

Putting aside that strange misuse of this object as an asset, I think we can immediately relate this tablet with the Razikale Ceremony and Horned warrior holding a sword thanks to the soldiers: they are the same exact soldiers depicted in the previous tablets. Instead of being three below the priesthood of Razikale or below the armoured warrior, here, we find six of them in the upper part of the tablet. This is a tablet where these soldiers are the main hierarchy.

Other details worth mentioning:

It has a series of overlapped triangles at the left side of the tablet.

There is a swirl that looks like those we saw in Dragon Mythal statue or in Howling Fen'Harel statue.

I think the letters are similar [but not the same] to the ones we found on those circular stones inside the courtyard of Mythal's Temple, but different to the letters found in the tablets of Razikale Ceremony and Dumat’s Warrior. But I can’t say it with much trust since the images get pixeled when I zoom in. If this were the case, it would mean a co-opt: Tevinter taking elvhen objects and re-adapting them to Tevinter taste.

There is a fragment of a “rudimentary glyph”, depicting two circles, and some triangles. These glyphs seem to have some distant similarity with the diagrams we see in the murals with the black hallas stained with red.

In the upper right side of the tablet, there is a symbol that seems to be a "crappy" sun with eight spikes, design we find in elvhen [Elvhen doors, asterisk Symbol in floor mosaics, crappy sun pattern] and Tevinter design [mostly in their architecture with eight spikes. In objects seems to be six]. It could also mean a seed with thorns too. It’s a very curious symbol for me since each group in Thedas seems to have a lot of religious symbology with the Sun itself.

In conclusion

Who are they? The Razikale Ceremony tablet seems to depict Razikale priesthood, showing a woman as a High Priest. She seems to offer a Qunari sacrifice. The only information that has given us this lead is a note without author in a hidden cave in Western Approach, a bit confirmed by the description of the Scepter of Razikale. The reliability of this information is unknown.

The armoured man’s tablet is hard to guess. The only lead we have is The Hall of Silence in The Still Ruin, name that may suggest a relationship with Dumat who is the Old God of Silence. In Still Ruins, in the small altar we find in the corridor as well in the garden, this warrior shows a central position in these settings, implying importance. If he is not a humanoid representation of a God, he may be an important figure of ancient Tevinter. The reliability of this information is very weak since it's only based on settings and configurations inside Tevinter buildings.

The set of soldiers are completely unknown to me. They link the three tablets, but I can't say anything else about them. the symbols they wear can’t be found in any other object, so we don't have leads for them.

#Razikale Ceremony #Horned warrior holding a sword #Stone in Razikale-Ceremony-style #Analysis and speculation of Statues #the sun symbol #asterisk symbol #High speculation

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unsanctitude · 4 years

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THIS YEAR IS MY first time artfighting and i made some refs of oc’s i wanted to put there (:

im TEAM SPICE find me at unsanctum :D !!!!

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chrisnaustin · 6 years

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If only I were she!

#naomi corveau

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vondemon · 3 years

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SEIMOS MASKOVAT

Seimos Maskovat ocupa la posición de personaje principal en lo que sería este ambicioso proyecto. Es perteneciente de la casa Renanin, tal procedencia es expuesta en sus ojos ámbar y vestimentas neogóticas llenas de plumaje, haciendo alusión al vínculo que tiene como seguidor de Rena Corveau, mejor conocida como La Bruja Cuervo. Son completamente desconocidas sus experiencias pasadas y el por qué de su personalidad tan seria y frívola, pero tales atributos se verán apaciguados por un nuevo deber encomendado por Rena; está obligado a acompañar a la descendiente Bégimo en la búsqueda del árbol sefirótico, el cual ofrece una madera mágica y resistente denominada Sefirwood, con la cual se realizan manufacturas tales como camafeos y bastones, capaces de conjurar hechizos y encantamientos. Su desarrollo y progreso de vínculos se verán pronto en la ejecución del cómic.

Seimos Maskovat occupies the position of main character in what would be this ambitious project. He belongs to the Renanin house, such provenance is exposed in its amber eyes and neo-gothic clothes full of plumage, alluding to the bond that je has as a follower of Rena Corveau, better known as The Raven Witch. His past experiences and why his personality is so serious and frivolous are completely unknown, but such attributes will be appeased by a new duty entrusted by Rena; He is obliged to accompany the descendant Begimo in the search for the Sefirotic tree, which offers a magical and resistant wood called Sefirwood, which crafts such as cameos and canes are made, capable of conjuring spells and enchantments. His development and bonding progress will be seen soon in the run of the comic.

#ocs #oc artwork #my ocs stuff #original character #oc artist #medibang #original story #originalcharacter #art #original art #fantasy #semirealism #gospel #raven #gothic #gothic art #male character #oc male

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rios-jakenov · 5 years

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Gloria Daemoniis Prohibitum Lapidum Ignis

Las voces terriblemente angelicales hacían eco en Plaza Central, la orquesta de demonios resonaban con fina interpretación; Demonios de fuego y piedra, venidos del más impío averno; donde su mundo era una bola de fuego y tierra, y la vida casi ni existía. Aunque zánganos devotos de deidades cósmicas tan antiguas como el tiempo.

La música, era interpretada con diabólica precisión; eran entidades malvadas, nacidas ya pasadas eras y eras del universo; después de los arquitectos primigenios; errores o consecuencias naturales. Estos seres habían nacido de materia oscura, polvo de estrellas, gas y algo que no se sabía a ciencia cierta qué era, y así como estos seres habían nacido, en el lado contrario del cosmos, (en la entrada del agujero negro central), donde flotaba un isla de alabastro en bruto y demás rocas , -una especie de batiburrillo de diferentes estratos claroscuros-, había nacido otras formas de vida más benevolentes qué, o bien fueron corrompidas o habían muerto por el proceso natural de la vida... Casi no se podía percibir la transición entre uno y otro estrato; pues dicen que los estratos fueron el elemento que diferenció a cada uno de los arquitectos. El elemento origen. Este lugar era llamado desde siempre Plaza Central. Ese algo que no se sabía a ciencia cierta lo que era; -la luz y la oscuridad y el mal; -la dicotomía del equilibrio cósmico perpetuo de las primeras eras- , era lo que dio esencia a la naturaleza de los arquitectos primigenios y a sus vástagos.

Mientras la orquesta daba su sinfonía,( una sinfonía maldita que nunca debió de ser tocada), Plaza Central temblaba con los horrísonos tonos de un bajo, y evocaba de su interior una energía nunca descrita.

La sinfonía fue compuesta eras anteriores por un demonio que usó su sangre y la del antiguo corveaus. Un antiguo demonio con forma de cuervo de cuatro alas, un esqueleto semivisible, exhibiendo las vertebras de su caja torácica y unos ojos de azul ultramar de singular inexpresividad. Donde por su sangre corría el vigor magmático de las entrañas de una estrella y una forma tan peculiar de estructurar la anatomía de su cuerpo. –Si es que podemos llamarle cuerpo-, constantemente se veía la movilidad de los huesos y carne del demonio con gran evidencia; y que las criaturas de mundos efímeros, nunca podrían si quiera desarrollar.

Los arquitectos primigenios, se encargaban de darle forma al universo como hoy lo conocemos, pero no olvidemos que siguen perteneciendo a la oscuridad, -al menos cuatro de ellos-, esto es lo que causa que la vida sea tan difícil de encontrar. Estos eran ocho, cuatro arquitectos de luz y cuatro arquitectos de oscuridad. De los arquitectos de la luz habían nacido la vida y las estrellas más rutilantes, las oníricas formas de las galaxias lejanas e incluso los ángeles, (aunque ellos no tenían que ver nada con estos demonios de gran estirpe) Los ángeles fueron los que inventaron la música con sus arpas y sus instrumentos celestiales, sin embargo, cuando lucifer bajo de los cielos milenios después con su legión de ángeles traidores, la música también bajó a los avernos, herencia de estos demonios de fuego y piedra.

Demonios vetustos verdaderamente listos empezaron a componer música infernal, cosa que con el tiempo se fue acomplejando, hasta llegar a una mágnum ópera, la sinfonía que nunca debía ser tocada…, una sinfonía sin nombre. Los pentagramas de papel negro quedaron guardados como un secreto durante eones.

De los arquitectos oscuros había nacido las singularidades, la maldad: que era una bruma ponzoñosa que quedaba atrapada en los lugares donde ellos estaban, y que después irradiaron ese veneno hacia las formas de vida que pudieran sobrevivir a las mismas condiciones, muriendo después de la perversión de sus cuerpos y sociedades. La maldad se terminó propagando como un virus.

A pesar de la naturaleza de cada uno, los arquitectos eran fuerzas que se equilibraban, grandes seres omnipotentes que se quedaron dormidos y qué, como si fuera un manto, se cobijaron bajo la bóveda celeste, seres que construyeron uno a uno los planetas; grandes artistas cósmicos, que acomodaron las estrellas en el cielo, como alquimistas o herreros que sabían fabricar planetas y cometas, y después, como si fueran esferas las colgaban en el firmamento celeste, los arquitectos y artistas más pertinentes y creativos, autores del sublime universo.

No obstante los ocho arquitectos, nunca estaban dentro del mismo campo espacial, cada uno tenía sus obligaciones y después de millones de años la obra maestra estuvo terminada y los arquitectos primigenios entraron en un letargo que hizo que su existencia fuera olvidada casi por completo. Después de ellos, una singularidad que presentaba muchas irregularidades hizo nacer estrellas, estrellas supermasivas que contenían la esencia de los arquitectos, y cuando estás murieron en una supernova de magnitudes innombrables, los demonios de ojos clarividentes nacieron.

Coveaus fue el primero, el más vetusto. De la radiación de la supernova y otros factores nacieron los otros dos demonios.

Se les dice “demonios” porque realmente tienen una forma macabra y tremebunda que solo un corazón fuerte podría soportar ver o simplemente caer en la locura ante su presencia, aquellos pocos que podían soportar la presencia de los “demonios”, (realmente se les podría llamar dioses o algo así), guardaron el conocimiento telepático en los grimorios encontrados eras después y por los cuales era la razón de que la orquesta de demonios de piedra y fuego estuvieran tocando.

Después estaba el demonio phç`ylto, un demonio con forma de pulpo, con piel transparente donde se podía ver el rojo escarlata que corría dentro de sus órganos y el firmamento de estrellas pasaba dentro de él, como si fuera un espejo que reflejara o absorbiera una galaxia. De largos tentáculos majestuosos e iridiscentes que se extendían hasta donde la vista no alcanzaba y un pico dentado de obsidiana de telaraña, pues no olvidemos que ellos se alimentan de los núcleos de soles color azul, y unos malditos ojos azules de monocromáticas transiciones. Al último está el demonio aránea, un demonio con forma de una serpiente de inconmensurable tamaño, los cuernos y la columna de un ciervo y unos monstruosos ojos del color de un ágata de fuego y una dentadura de miles de estalactitas.

Cuando ella era invocada, un apocalíptico cascabel de vidrio siseaba con un esmero ensordecedor. Su piel tornasola era visualmente seductora, unas escamas jaspeadas. A pesar de que estas entidades eran llamadas demonios, la verdad es que cada uno, teniendo origen de las supernovas, no eran maldad pura, tenían la esencia si de los rezagos de los arquitectos, pero cada uno tenía un libre albedrío.

Los demonios de fuego y piedra acompañaban con cantos de lenguas muertas la ominosa sinfonía, tocada con violines de hueso y cerámica, tambores de piel, flautas hechas de húmeros y radios de antiguos sacrificios y demás instrumentos de huesos y tendones, la sinfonía era demoníaca. Incluso las sinfonías escritas por Alexander Scriabin, como: Prométhée ou le Poème du feu, o la sonata del diablo de paganini, eran un juego de niños, esta maldita sinfonía fue escrita con todo el horror, la vida de un demonio y la esencia maligna de los arquitectos.

Al centro estaba un demonio brujo vástago de krampus, de ojos de ojos color ámbar y una pincelada negra como pupila, llevaba una túnica ceniza de retazos que cubría todo su cuerpo salvo sus largos cuernos de carnero y su frente de hueso. Tenía en su mano báculo de madera con inscripciones celtas y unos guantes de hierro cubrían su piel de piedra y fuego, delante de él, un atril, con un libro de pastas rojas, uno de los grimorios de las eras pasadas.

Ordenó sacrificar a un pobre diablo, el sacrificio se hizo y la tierra de plaza central distribuyó con patrones geométricos la sangre de la pobre rata de laboratorio, donde una depresión en la tierra surgió. La música se calló, y tras unos segundos volvió con más intensidad, pues del libro de pastas rojas, un tentáculo surgió. El grimorio escarlata se lanzó con violenta fuerza hacia el centro de plaza central, donde una depresión transmutaba la sangre y la transfería al libro, unas columnas de líquido vino giraban alrededor del libro y la energía nunca descrita daba vigor al rito.

El firmamento empezó a contorsionarse, plaza central temblaba, el suelo empezaba a cuartearse e iluminarse, y sin embargo la sinfonía nunca calló, la orquesta recitaba un arpegio y las notas más agudas reinaban en aquel momento, las pastas del libro se cuartearon y se encendieron como la punta de un tizón, el libro lanzaba bocanadas de fuego.Separándose en tres volúmenes, un gutural sonido resonó en el firmamento.Un pulpo vislumbraba aquellas hormigas en plaza central. La bóveda celeste pareció dividirse en tres secciones bien definidas, como si fuera la cúspide de una pirámide, el espacio se deformaba.

Los tres volúmenes daban vueltas sobre el eje de plaza central, el volumen que llamó a phç`ylto, se encendió en una llama malva y sus cenizas se mezclaron en las columnas de sangre, parecía que una tormenta de rayos blancos electrizaba el cielo raso.

Ahora más que nunca la orquesta interpretaba la parte más macabra de su obra, la piedra de su piel empezaba a cuartearse y a caerse en la hecatombe que sus impías notas de fuego provocaban, sus huesos y músculos tocaban las cuerdas que laceraban cada vez más las zarpas de los demonios, el demonio brujo regocijado de éxtasis, cantaba horrorosos versos en una lengua maldita con sus ojos encendidos en un rojo bermellón, brillantes.

De uno de los volúmenes salía una flama negra con forma de cuervo, el volumen de éste se carbonizo en un fuego indistinguible, e igualmente las cenizas se unieron a las columnas de sangre que ahora eran de un rojo vino apagado, el firmamento se estrelló ante la presencia de dos de las entidades tan viejas como el tiempo, el pulpo y el cuervo veían con gozo la invocación que faltaba. Un estrépito cascabeleo de vidrio sonó, los ojos y las manos de los músicos se consumían en un fuego color negro acompañado de un grito desgarrador; una llama amarilla con motas rojas resurgía del último volumen, este simplemente ardió en un flash, y el firmamento se rompió como una pared de cristal, la música cesó, pues la orquesta estaba muerta.

Aránea con su cuerpo de serpiente aventó los cadáveres hacia la singularidad del agujero negro, las entidades tomaron una forma más pequeña, más parecida a la del brujo y se pararon los tres justo delante de él.

-oye viejo brujo, nos han traído frente a ti, deberías de estar tan orgulloso, eres espectador de las entrañas del universo más antiguas, corveaus le toco la frente e hizo un signo, que hizo nacer un estigma color carbón. El viejo brujo sucumbió. Los tres demonios se largaron y plaza central quedó en el olvido. Viajaron eones y eones, eran espectadores de las nuevas eras, vislumbraban los movimientos de las galaxias, la creación de soles, todo en un sistema perfecto, donde no osaron intervenir, hasta, la creación un mundo. Un mundo particular, donde en el parpadeo del universo, una bola de piedra ígnea se creó, los asteroides chocaron, las partículas de fino polvo cósmico creo discos de hielo y roca, las órbitas se trazaron, y un sol quedó al centro, y su alrededor sus hijos: unos planetas, pero el que más llamó la atención a los viejas entidades, fue: la tierra. Vieron el nacer de vida unicelular, vieron cada época, donde miles de especies osaron nacer para después extinguirse, pero sobre todo vieron el nacer de un mal más grande que ellos. Pasaron miles de años para que el mal tuviera conciencia y empezara a matar a las criaturas de su alrededor, los demonios vieron el potencial de este parásito y decidieron hacerse uno y en una semilla fusionaron toda su esencia, la semilla floreció en el centro acogedor de la tierra y dio brotes, pasó por el magma caliente y rompió la piedra que la apresaba, donde de la tierra emergió una flor negra de aura ponzoñosa. La flor floreció entre los humanos, y la esencia maldita arraigo entre ellos. Los holocaustos nacieron, y el parásito mato a su propia especie, le robó, la violó, la envidió o la desapareció, el mal siguió viviente escondido en cada latido humano. 1.-

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