#ARTICLES OF FAITH

[savage-kult-of-gorthaur]

PICK YOUR TOP THREE -- ANY THREE.

PIC INFO: Spotlight on assorted '80s hardcore punk seven inch vinyl releases, all original pressings, from all American hardcore punk bands. Featuring, from left to right, and almost in alphabetical order:

ADOLESCENTS -- "Welcome to Reality" (1981) EP

ARTICLES OF FAITH -- "What We Want is Free" (1982) EP

ARTIFICIAL PEACE/EXILED -- 1983 split 7 inch release

BEAVER -- "Beaver" (1981) 7 inch EP

BAD BRAINS -- "Pay to Cum" (1980) 7 inch vinyl single

BEASTIE BOYS -- "Polly Wog Stew" (1982) EP

CRUCIFIX -- "Nineteen Eighty-Four" 1982 EP

C.I.A. -- "God. Guts. Guns." (1983) EP

CODE OF HONOR -- "What are We Gonna Do?" (1982) 7 inch single

Source: www.picuki.com/media/3295353544860048385.

#Hardcore punk #80s hardcore punk #80s #80s hardcore #American hardcore punk #American hardcore #1980s #BAD BRAINS #ARTIFICIAL PEACE #CRUCIFIX #80s punk #CODE OF HONOR #BEASTIE BOYS #Vinyl #ADOLESCENTS #C.I.A. Gods Guts and Guns #DC hardcore punk #Orange County punk #ARTICLES OF FAITH #Welcome to Reality #1980 #1981 #1982 #1983 #SF hardcore #SF punk #Anti-war #Punk Vinyl #7 inch

[astraxasky]

Chapter two of my baby is live y'all!

#hermione granger #draco malfoy #dramione #articles of faith #fanfic #dramione fanfic

[bestfuckinmusic]

Articles of Faith - What We Want Is Free 7" - 1982

Articles of Faith’s first 7″, awesome, classy early 80s hardcore! Hard to believe it’s forty years old! Chicago ‘til death. Vic Bondi forever!

#articles of faith #vic bondi #80s hardcore #hardcore punk #chicago

[scavengedluxury]

Articles of Faith - Ghost in the House

#articles of faith #Chicago HC #1980s #vic bondi

[goplayintraffic]

perfect comp

#punk #hardcore punk #void #hüsker dü #5051 #rebel truth #personality crisis #sin 34 #violent apathy #dogs of war #misguided #articles of faith #die kreuzen #double-o #district tradition #toxic reasons #uxb #music #Youtube

[accio-victuuri]

from this article by the morning news about War of Faith { The youth growth drama "War of Faith" has concluded with high reputation, and the main creator reveals the behind-the-scenes } :

Use the warm human undertones to break the sad and cold era, and use the growth of the youth of the times to inspire the progress of contemporary youth.

The contemporary youth growth drama "War of Faith" starring @UNIQ-王一博, @李清and 王阳 officially ended on April 8. Audiences and netizens are discussing the plot and famous scenes with great enthusiasm. What kind of story is behind the creation is revealed by chief director Yao Xiaofeng and chief producer Zhang Shuwei.

A new exploration of revolutionary historical themes

"How to tell Chinese stories well is the core issue in today's film and television drama market. How can works with revolutionary historical themes continue to inspire new culture influence? how can modern revolutionary historical themes be kept fresh? This is the first problem I encountered in the creation of "War of Faith". I want to dig into this period of history that everyone is familiar with. the creation, differentiation and uniqueness have become one of the most important starting points for selecting the theme of the work." Chief Director Yao Xiaofeng said.

He added, "We have noticed that this is an extremely rare perspective of the revolution that is almost never highlighted, that is, the economic front. The revolutionary cause requires the support of economic power. On the economic front, how did the soldiers who came one after another implement their ideals and belief? this opens up a new corner for everyone to have a deeper understanding of that era." From this, with a new perspective, we re-enter and deconstruct a familiar period of modern revolutionary history, grafting new characters, and integrating new elements , a new exploration of film and television works with revolutionary historical themes, a comprehensive and three-dimensional presentation of the construction logic and inner spirit of Chinese stories, awakening contemporary youth to establish historical confidence, firm goals, and the power to reshape beliefs, inherit the red gene, and promote the values ​​and reality of the times. The reference significance has become the original intention of creating the work "War of Faith".

"In this specific historical period, in the invisible smoke, what kind of thrilling things happened? What kind of courage and will were displayed in the red financial career and the turbulent life and death battle? We have selected a The representative perspective of a little person, with reference to real financial examples of the Republic of China, uses his growth and changes to witness the step-by-step process of the birth of faith, as well as the huge energy generated by the nuclear fusion of faith and the times, so as to observe and radiate the present, and inspire The establishment and practice of faith among contemporary young people." Yao Xiaofeng said.

From 2018 to 2024, "War of Faith" took a full 6 years from preparation to release. Chief producer Zhang Shuwei said, "War of Faith" is an original script that has been incubated since 2018. From the early stages of creation, we hope that it will not be made into a purely financial drama of the Republic of China, but that the life and growth process of the little character Wei Ruolai will be used as the main line to tell this legendary story of the Republic of China with espionage and financial elements. During the creation process of the script, we caught up with the epidemic and the progress has been has been delayed, but our work has never stopped, and we continue to make new adjustments to the script and innovate the story every year."

In the eyes of chief director Yao Xiaofeng and chief producer Zhang Shuwei, Wang Yibo is a hard-working and capable person . A talented actor, Wang Yibo's professionalism, understanding of the script, and seriousness in this collaboration are beyond expectations. Wei Ruolai is a clean, young and passionate young man with a lot of "tenacity", and Wang Yibo's innate temperament allowed Yao Xiaofeng to see the perfect fit between him and Wei Ruolai, and it also gave Yao Xiaofeng the idea of ​​​​creating the role of Wei Ruolai again.

During the filming, Wang Yibo's role was very important. Not only did he have a lot of professional lines, but he also had to shoot from the first scene to the last scene every day. But Yao Xiaofeng discovered that Wang Yibo had never read a script on set and could reproduce his true feelings in different situations with sufficient preparation.

On the shooting scene, Yao Xiaofeng always makes the characters and actors one by stimulating their true feelings. "For example, when he (Wang Yibo) saw himself wearing a pair of torn socks, how can children today have such an experience? But I let the props cut the socks to pieces. After he put them on himself, he immediately caught the most realistic reaction. "Yao Xiaofeng's rigid requirement for all young actors is that the feelings and reactions given by each scene must be different, and the audience has also seen that Wang Yibo's interpretation of Wei Ruolai is so layered, full of details, and full of sparks.

Yao Xiaofeng saw in Wang Yibo his most sincere pursuit of performance, "It's like he became a king on the stage from a child, so I also believe that he can become a very good actor in performance. If there is a suitable subject in the future, I will I hope to cooperate with Wang Yibo, Wang Yang, and Li Qin again."

Zhang Shuwei revealed, "After the first performance of each scene, Director Yao will make a lot of requests, and there are many points in each request. In this process, it is actually difficult to achieve every point mentioned by the director at once, but Yibo can do it. Even in one action line, the director has seven or eight requirements, and Yibo is shooting the first When I was in Nijo, I was able to capture everything, which is very rare, and it is also very top-notch among actors."

The details are revealed

In the shooting and production the focus of the expression of the work is the grasp of scene art, costumes and lighting. The impact of the environment on people. The excitement and hustle and bustle of Shanghai Beach, the simplicity and vitality of the Jiangxi Revolutionary Base, the cold solemnity of the Central Bank, the chaos, noise, ups and downs of the stock exchange, and the human fireworks of Qibao Street warm people's hearts. The changes of the great era affect everyone, and different living environments and growth spaces, as well as different people around them in different environments, react with different personalities, which also creates different choices and fates for the characters. "War of Faith" is based on the contrast and fusion of "new and old", "virtual and real" and "small and big", and creates a balance based on the breadth of historical vision, the depth of the power of faith and the refinement of artistic expression.

As the audience and netizens commented, there is no wasted pen in every shot of "War of Faith", and the entire team is detail-oriented. For example, in the interview scene on Qibao Street, there are only a few lines in the script that read: Wei Ruolai hurriedly put on clothes to take the exam in the morning. Zhang Shuwei said, "This is the first scene we started shooting. In fact, the main character of Ruolai's home is... The scene had already been set up in another place. When the scene was finally confirmed, the director still thought that place was too big. He felt that we still had to truly recreate the situation of an almost penniless little man who had just arrived in Shanghai. He had to It’s a small room in a crowded alley, so a few days before we started shooting, we completely changed the main scene to Wei Ruolai’s house that everyone sees in the drama now.” This less than two minutes of filming lasted three full days. Yao Xiaofeng was stunned and took more than 20 shots. Tearing up the calendar, brushing teeth, and the conversation with Aunt Zhou were all added temporarily. According to the original announcement, the shooting time for the opening of Qibao Street was one week, but it actually took two weeks.

The drama is also very sophisticated in terms of costumes and styling. Zhang Shuwei revealed that when Wang Yibo set his makeup for the first time, both the director and Yibo agreed not to wear makeup because Wei Ruolai is a young man. Later, when he slowly became a role in the Central Bank Station after Shen Tunan gave him his first suit, his clothes would be more refined. When he resolutely chose to go to the Communist Party, during this period he put aside all the prosperity of Shanghai and All the clothes are back to their simplest appearance.

Almost all the props in the drama are old objects to reflect the quality of the era, including the art director and prop director, who also took out many treasures from home and used them in the play. "Like the camera that the central bank employees took pictures with, the director requested that the camera must have the function of an old camera with a click, but there was none on site, so he made a fake one. The director was very dissatisfied, and the prop teacher finally kept it at home. The camera was carried over and taken to the scene to take pictures."

-END.

#wang yibo #wei ruolai #war of faith #nothing really knew but i like the article #accio victuuri translation

[standingatthefence]

 | "Faith Ringgold Flying her own Flag" in Ms. Magazine, July 1976 by Lucy R. Lippard

#Faith Ringgold #black artists #black women artists #black art #article #interview #art #1970s #Ms. magazine #Lucy R. Lippard

[fashionlouist]

Exclusive: previously unseen pictures show the quiet, cool style of Louis Tomlinson.

Take a look into Louis’ style staples, from Dries Van Noten to Sacai, through previously unseen pictures courtesy of Edward Cooke, Charlie Lightening and Joshua Halling for Rolling Stone UK by by Joseph Kocharian.

Louis’ stylist, Helen Seamons has tapped into lad culture, blending it with fashion, with oversized Burberry checks, and bespoke Carlsberg motif knits from Adam Jones, that give a fresh take on nostalgia.

There is a playfulness to the bolder pieces that the singer wears […] with touches of streetwear from Adidas, smiley motifs from Raf Simons and and the trusty Brit-pop staple, the polo shirt.

Louis has cultivated a tactile, super-lux wardrobe with knitted pieces from Denzil Patrick, Dries Van Noten mesh, Balmain prints and heritage collegiate Bode that give a louder aesthetic on stage.

This subtle, detailed-orientation flows through into the formalwear, with intricate Bottega Veneta shirts, suits from one of his trusty favourites, Neil Barrett and metal clasped Givenchy suits.

Louis style isn’t over the top, but it’s carefully detailed and considered and very cool.

See the full gallery reminiscing Louis’ mentioned looks in our twitter.

#louis tomlinson #louis tomlinson fashion #louis fashion #fashionlouist #article: rolling stones uk #era: faith in the future #ltf22 #ltf23 #press

[lulu2992]

I’ve already talked about this here but there exist storyboards for the Far Cry 5 live-action TV spot, shared by artist Anthony Winn on ArtStation. When I found them, two drawings in particular caught my attention, for different reasons:

In the first one, we see early designs of John and Faith (who has a longer dress and a gun, for once), and in the second one, we see Joseph.

In my opinion, the Father looks more intimidating here than he does in the game, partly because he’s holding a rifle, but what I find curious are the hooded people in the background. I assume they’re his flock, but they don’t look like the cultists we see in Far Cry 5 at all. This is what a lot of people tend to imagine when they hear the word “cult”, and maybe it’s even what some of the devs had in mind at the very beginning of the game’s development. But to create the Project at Eden’s Gate, they met with cult experts and learned that “a bunch of people running around in these weird robes” was, in fact, “a very cliché version of a cult”, as Dan Hay explains in this video.

Even though not everyone is happy with Eden’s Gate because it’s still a bit caricatural (for gameplay reasons, mostly), I’m glad the team tried to make them as realistic as they could and to humanize them because, in the end, I think it’s what makes Joseph, his Heralds, and their followers interesting. They’re not stereotypes, they’re people.

#yeah so they’re harsh on the game in the article but I think the interviews are still worth reading #far cry 5 #joseph seed #faith seed #john seed #dan hay

[bestfuckinmusic]

Articles Of Faith - In This Life - 1986

Late Articles of Faith album, the seeds of hardcore mutating, growing older on this album. Vic Bondi for president!

#articles of faith #vic bondi #80s hardcore #hardcore punk

[utilitycaster]

Always important to ask yourself whether the post is in bad faith or if you just don't like what it says.

#queue #if you do not believe someone in good faith can dislike your blorbo or ship...they can #now to be clear: i have characters/ships where i am UNINTERESTED in any opinions from people who dislike them #but in many cases it's simply personal preference not bad faith #the above is about fandom but also this is true for more serious things as well #(obviously not bigoted posts or whatever but like. do you reject articles bc they fuck with your worldview bc that's not bad faith) #i am. bad at the wikipedia assume good faith rule outside of wiki usage but i am working on it bc i think you have to

[godslittlesadge]

a very funny but also very sad scene is the one during raskolnikov and porfiry's first meeting where raskolnikov talks about his "there's ordinary and superior men and the latter deserve to kill whenever they want to" incel theory and razumichin is like 🥺🥺 babe 🥺🥺 surely you don't mean that 🥺🥺🥺🥺 it must be the fever making you confused🥺🥺🥺 . and im sitting here like

RAZUMICHIN. RAZUMICHIN HE KILLED TWO PEOPLE. RAZUMICHINNNNN

#like its funny. but its mostly sad 😔 #like especially since he's like🥺🥺 ill read the article later🥺🥺 because i have so much faith in you🥺🥺🥺 #like he was so shocked and sad he believes in raskolnikov so much he doesn't deserve the heartbreak 😭😭😭 #crime and punishment

[mermaidsirennikita]

Vanity Fair: Daisy Jones is about music and art and so and so on and so on--

Me: but it's always about cheating. like we get this right. a huge part of it is a story about cheating. and what constitutes cheating and how you could fuck someone random and it could hurt your partner less than your bond with someone you barely even kiss and the gray areas of emotional cheating and how hard it is to be faithful to someone not just in terms of romance but in terms of prioritizing them over art and addictions over the course of a decades-long relationship and the way that being addicted to a person even if you never sleep with them can be similar to being addicted to a drug. and how you can have truly good intentions but that doesn't mean you can control your emotions but you CAN control how act on them???

Vanity Fair: no

#daisy jones and the six #lmao this is not serious that was a teeny little promo article and like #there are .... greater concerns i have w the show #but!!! #a huge part of me is worried about how daisy jones and the six is adapted in a world that is like #SOOOOO black and white about infidelity #and how people who aren't faithful are basically as evil as murderers UNIFORMLY #and sorry but infidelity in its many forms is an ingrained part of that book

[brown-little-robin]

^ the apostle Paul would LOVE that reaction image I think

#faith tag #random thought of the day I guess #this brought to you by me reading the MOST EPIC ARTICLE #on Philippians #ough ough OUGH

[evermoredeluxe]

vent anon speak your truth because what you’re saying is actually true! i don’t like talking about other artists on my blog because who am i to comment on them fully if im not even part of their fandom, but it is very interesting to contrast taylor to them and i consistently notice it.

#i still remember one time i did point it out and people came at me because i was ‘making stuff up in my head’ like. okay. #whatever makes you feel okay #also taylor really does respect the whole process of reviewing and critique and doesn’t plant articles about others #(even though these critics write half their stuff in bad faith 🙃) #arshia talks

[holystormfire]

Luke 24:13-35

Easter Wednesday - The Supper at Emmaus

Friend of the Humble (Supper at Emmaus),

Painted by Léon-Augustin L'Hermitte (1824-1925),

Painted in 1892,

Oil on canvas

© Museum of Fine Arts, Boston

Gospel Reading

Two of the disciples of Jesus were on their way to a village called Emmaus, seven miles from Jerusalem, and they were talking together about all that had happened. Now as they talked this over, Jesus himself came up and walked by their side; but something prevented them from recognising him. He said to them, ‘What matters are you discussing as you walk along?’ They stopped short, their faces downcast.

Then one of them, called Cleopas, answered him, ‘You must be the only person staying in Jerusalem who does not know the things that have been happening there these last few days.’ ‘What things?’ he asked. ‘All about Jesus of Nazareth’ they answered ‘who proved he was a great prophet by the things he said and did in the sight of God and of the whole people; and how our chief priests and our leaders handed him over to be sentenced to death, and had him crucified. Our own hope had been that he would be the one to set Israel free. And this is not all: two whole days have gone by since it all happened; and some women from our group have astounded us: they went to the tomb in the early morning, and when they did not find the body, they came back to tell us they had seen a vision of angels who declared he was alive. Some of our friends went to the tomb and found everything exactly as the women had reported, but of him they saw nothing.’

Then he said to them, ‘You foolish men! So slow to believe the full message of the prophets! Was it not ordained that the Christ should suffer and so enter into his glory?’ Then, starting with Moses and going through all the prophets, he explained to them the passages throughout the scriptures that were about himself.

When they drew near to the village to which they were going, he made as if to go on; but they pressed him to stay with them. ‘It is nearly evening’ they said ‘and the day is almost over.’ So he went in to stay with them. Now while he was with them at table, he took the bread and said the blessing; then he broke it and handed it to them. And their eyes were opened and they recognised him; but he had vanished from their sight. Then they said to each other, ‘Did not our hearts burn within us as he talked to us on the road and explained the scriptures to us?’

They set out that instant and returned to Jerusalem. There they found the Eleven assembled together with their companions, who said to them, ‘Yes, it is true. The Lord has risen and has appeared to Simon.’ Then they told their story of what had happened on the road and how they had recognised him at the breaking of bread.

Reflection on the painting

Our painting combines today's Gospel story, where Jesus is breaking bread and the onlookers suddenly recognise him, with portraying Jesus as Friend of the Humble, the title of our painting. I do think this is a beautiful, gentle, gripping painting. Three generations of a family are depicted, sharing a meal. Before Léon-Augustin L'Hermitte painted this canvas it would be fair to say that artists always tried to represent Jesus as majestic, full of glory and maybe somewhat distant from normal day-to-day life. Our artist masterfully places Jesus in a contemporary setting of 1892, when this was painted. The painting emphasises that Jesus became human and that he did walk among us.

Vincent van Gogh was one of L'Hermitte's greatest admirers. In one of his letters he wrote: "If every month Le Monde Illustré published one of his compositions... it would be a great pleasure for me to be able to follow it. It is certain that for years I have not seen anything as beautiful as this scene by L'Hermitte... I am too preoccupied by L'Hermitte this evening to be able to talk of other things." Quite the accolade to have Van Gogh write about one's artistry this way.

As the risen Lord approached the two disciples, his first act was to draw them into conversation, asking them to share the nature of their discussion. He sought to hear their tale; a tale filled with sorrow and loss. He wanted to fully engage with them in their moment of grief. He accepted them as they were, demonstrating a profound respect for their current state on their spiritual journey. This is precisely how the Lord presents himself to us: he encounters us in our present circumstances, encouraging us to open our hearts to him, to express our deepest thoughts and feelings. It was only after attentively hearing the disciples' lament that the unrecognized visitor responded. His words cast their despairing narrative in an entirely new light. He made sense of their grief, by placing it in the greater narrative of God's plan - a narrative not concluded by death, but crowned with light and triumph.

by Father Patrick van der Vorst

#biblical art #bible reflection #religious art #reflection #christian blog #jesus #bible reading #christian doctrine #bible scripture #biblical #glorytogod #bible #faith in jesus #bible study #artwork #art history #article #share the gospel #spiritual healing #kingdom of heaven #follow jesus #spread the word #inspiration #faith in god #illustration #God #Jesus Christ