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#1941 gifs
raggedy-spaceman · 10 months
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S02E04 The Hitchhicker
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biceratops7 · 9 months
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Y’ALL I JUST FOUND SOMETHING WILD:
I figured this out by pure accident because musically, I’m not a big fan of Tori Amos’s singing style (I’m sorry 🙁, besides the point though!), so I pulled up the original instead to put on my playlist.
And GUYS. I don’t think “A Nightingale Sang in Berkeley Square” is about them at the Ritz together in the 21st century, or at least not at first…
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It’s about this.
“A Nightingale Sang in Berkeley Square” originally came out in 1940 by Vera Lynn, one year before Crowley pulled the most romantic ass stunt Aziraphale had ever seen and, let’s be honest, the vibes uh… changed. I mean there was a reason the rumor of them being an item spread in hell around this time.
And that’s not all, the song was actually meant to be part of a musical, on the West End. The place where they made a fond memory together for the first time in nearly a hundred years, took care of each other, trusted each other. Hell, where Crowley and Aziraphale, both friends of the theatre in different ways, probably heard this song about causing the impossible and falling in love just a year prior for the first time.
Yah so I’ve FULLY drank my own koolaide and completely believe that they already associated this song with each other. Not only saw it as a fond reminder of that night in 1941, but the quiet, gentle reality they might have together someday. But they wouldn’t DARE say that out loud, wouldn’t be ridiculous enough to let themselves hope for it.
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I think this was Aziraphale breaking the unspoken rules and acknowledging this thing they share. Him saying “I know, I see you. I hope so too.”
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itsscottiesstark · 16 days
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No, cause mentally, I'm still here.
DO YOU SEE HIS LITTLE SMIRK? ALMOST AS IF HE'S FIGHTING IT. BUT IT'S THERE.
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Ffffuck. Me.
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Completely not over the fact that baby girl had a whole ass "Oh. Oh." moment in front of us. He even sighs as the oh comes in.
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Should I be paying rent to someone? Cause I absolutely live there and I have no intentions of moving. Who do I talk to about this?
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kropotkindersurprise · 10 months
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1941 - Disney animators went on strike after Walt Disney refused to let his workers unionize. The workers were angry about unfair policies on pay and benefits. On the picket line the animators lynched and guillotined an effigy of Walt Disney himself.
After four months Walt Disney caved to the demands and let the workers unionize, striking a deal which included the reinstatement of employees fired before the strike, equalization of pay, a clearer salary structure and a grievance procedure. [source] (this is a remake of a post that was deleted by @staff)
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aduckwithears · 6 months
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The candlelight, the intimacy, the hands on the table almost touching...
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cornchrunchie · 8 months
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I'm sure someone already pointed it out, but– I just can't get over the symbolism of the church scene in 1941. How the bomb shatters the church and kills the nazis and leaves Aziraphale and Crowley behind.
The bomb literally destroys the Good™ (the church obviously represents Heaven) and the Bad™ (we know that the nazis represent Hell because that's where we meet them again. Also, they're nazis) but it doesn't do any harm to Aziraphale and Crowley, therefore placing them with neither Good nor Bad but rather something in between.
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Look at them. The sacred ground is scattered around them, not even sacred anymore, since Crowley no longer is bothered by it. What once was to resemble the Evil is now buried beneath.
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But there is Aziraphale, who used a miracle to save not only himself but also Crowley. And there is Crowley, who used a miracle to save Aziraphale's books. Because they care for each other. Because they look out for each other. Because neither of them is solely good or bad, they are shades of grey.
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We even see Crowley pulling the bag out of the dead person's hand, which could be interpreted as an act of ultimate liberation from the past. After thousands of years of choosing between Heaven and Hell, Crowley chooses to save the books for Aziraphale.
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Even though this scene takes place years before they get cut loose from Heaven and Hell respectively, it already depicts Aziraphale and Crowley as independent from both, as their own team. It's the visual proof that they already are an us.
In the end, it all comes down to them. When Heaven and Hell lose their power, when there's little more than broken pieces left –
Aziraphale and Crowley still survive. Together.
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Anyways, I'm going mad over here
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classichorrorblog · 9 months
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The Wolf Man (1941)
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clarulitas · 2 months
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Fred Astaire and Rita Hayworth in You'll Never Get Rich (1941) dir. Sidney Lanfield
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shoemakerobstetrician · 4 months
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Why does Crowley have the Maltese Falcon?
My head cannon is that the 1941 Church/Magic Show/Zombie evening (date??) ended badly and Crowley did a geographic to Hollywood where he worked on the film (it would have been in production in 1941) and kept a souvenir.
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normasshearer · 11 months
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BARBARA STANWYCK in THE LADY EVE (1941) dir. Preston Sturges
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clairedelune-13 · 5 months
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The Toymaker’s shop reminds me of the one Crowley and Azira went to in 1941.
It’s also in Soho… just different time frames.
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raggedy-spaceman · 10 months
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S02E04 The Hitchhiker
This is insane, they are insane for this. I want to scream.
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atomic-chronoscaph · 7 months
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Humphrey Bogart and Peter Lorre - The Maltese Falcon (1941)
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thebarroomortheboy · 2 months
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HENRY FONDA (Charles Pike) and BARBARA STANWYCK (Jean Harrington) in THE LADY EVE (1941) | dir. Preston Sturges
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friendlessghoul · 7 months
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Buster Keaton, Marie Wilson and Judy Garland at Milton Berle’s “Old Time Bathing Suit Costume Party” at the Beverly Hills Hotel (1941)
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aduckwithears · 7 months
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Their reactions to the surprise snake-in-a-box 🙀😸🐍
Little things to love about Good Omens S2 (30/?) - Masterpost
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