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#10+5=15
salemoleander · 4 months
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I think they should just keep adding silhouettes onto the Hermitcraft banner when we aren't looking
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nyerusnova · 1 month
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i just firmly believe that tim was shorter than literally all of his past girlfriends, including and especially steph
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ravewing · 8 days
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what order did you guys read the wof books in? i've literally never met ANYONE who read them in order
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goldenpinof · 6 months
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go piss girl (spooky week 2023 edition)
bonus:
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lvckyyz · 2 months
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headcanons abt how each cabin behaves at dinner time in the dining pavilion (bc I think each one has its own table) would be an amazing concept! love ur blog
dinner time
an average dinner at camp half-blood
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⚡️⋆.ೃ࿔* zeus cabin
are usually the last cabin to get to the dining pavilion so they can make a dramatic entrance
would eventually get mad at cabin 5 for making fun of them for being too extravagant and start an argument with half of the cabins who tried to calm them down.
🦚⋆.ೃ࿔* hera cabin
cabin 2’s table was originally placed next to cabin 1’s one but mr. d moved it to the opposite side of the pavilion to avoid conflicts between these two cabins during dinner.
they’d spend most of the time chatting with cabin 10 and the rest of their dinner would be basically them complaining about the food.
🌊⋆.ೃ࿔* poseidon cabin
they don’t catch so much attention when arriving at the dining pavilion. most of the time they’re too tired to even talk between themselves during dinner because of their training sessions.
just give them 30 seconds to be full of energy again and teaming up with cabin 11 to throw water at mr. d.
💐⋆.ೃ࿔* demeter cabin
they are always the first ones to get there. demeter’s kids like to take flowers to decor the tables and sometimes a few of them bake/cook something to share with their friends.
they are really polite and calm, just trying to eat their dinner in peace and go back to what they were doing.
⚔️⋆.ೃ࿔* ares cabin
they’re usually really loud, especially if they had just won capture the flag, and would make sure to bump into cabin 6’s table and tease them for losing.
i think they’d have childish eating habits, like not liking vegetables and salad. they are the most likely to start a food war at some point too.
🦉⋆.ೃ࿔* athena cabin
the quiet ones who just wants to eat and go back to what they were doing before. is really common for them to take books and notebooks to the dinning pavilion because they “can’t lose time”
chiron don’t let them study in the dinning pavilion anymore because they’d stop eating when their food gets cold because of them getting distracted by their books
🌞⋆.ೃ࿔* apollo cabin
they usually arrive together with another cabin, mostly cabin 11 and 18, laughing and singing.
don’t really care about the rule of not seating in another’s cabin table, and they’d go around all the tables so they can eat with all their friends.
🌙⋆.ೃ࿔* hunters of artemis
when the hunters are in camp half-blood, they are the first ones to arrive and the first ones to leave, rare exceptions.
don’t usually interact with other cabins, and just talk between themselves.
🛠️⋆.ೃ࿔* hephaestus cabin
cabin 9 only go to the dining pavilion to get food to spend the night working and occasionally talk to some of their friends too.
they eat a lot though, and sometimes don’t manage to sneak out of the pavilion without getting caught when they are trying to take some food to their cabin
💘⋆.ೃ࿔* aphrodite cabin
some of them are usually late because they spend too much time getting ready for dinner, but others like talking to cabin 4 while they decor the tables.
they pretend to eat only healthy food but are addicted to desserts and won’t leave without eating something sweet.
📨⋆.ೃ࿔* hermes cabin
the other demigods always try to get to the dining pavilion before cabin 11 because they know that hermes’s children like playing pranks on who is late to dinner.
they also eat a lot because they need a lot of energy to keep up with their training schedule
🍷⋆.ೃ࿔* dionysus cabin
mr d. go to their cabin to check if they getting ready to dinner and then waits until all of his kids arrive to the dining pavilion to start eating.
always try to order wine from that magic cups but they never manage to do it. they get scolded by chiron really often because of that but at some point mr d. transformed him into a frog so he’d stop bothering his kids
☠️⋆.ೃ࿔* hades cabin
i feel like they don’t often have dinner with the others, but sometimes will eat in the dinning pavilion just so everyone knows they’re still there.
when they are not feeling like going to the dinning pavilion, their friends would bring some food for them in cabin 13 and they’d probably have a sleepover after that.
🌈⋆.ೃ࿔* iris cabin
they’re pretty quiet, just go there to say hello to everybody, eat and get some snacks to spend the night or to share with some friends later.
they like playing with the colors of the foods, like changing the food’s color or making it shine.
💤⋆.ೃ࿔* hypnos cabin
they might be a bit lazy but are never going to deny food. when arriving at the dinning pavilion they’d go straight to their friends table to talk a little before the food is served.
they’d never eat their whole meal because they would get tired of chewing at some point.
⚖️⋆.ೃ࿔* nemesis cabin
they have an habit of being the last ones to start eating because they think it’s unfair to have a meal while others are hungry.
would get so mad at people wasting food, or starting silly arguments (cabin 1 x cabin 5)
🏆⋆.ೃ࿔* nike cabin
they’d be either too tired while eating because of the training or would create dumb competitions
they have weird eating habits. i don’t really know how to explain but they eat weird food.
🧸⋆.ೃ࿔* hebe cabin
they are often scolded by cabin 16 for playing with their food or for speaking too loudly.
they’re just want the dessert, nothing else. (chiron won’t let them eat only sweet though)
🍀⋆.ೃ࿔* tyche cabin
never had to face situations like ordering something they don’t like or their food getting cold, because of their luck.
cabin 11 still tries to throw a pie on their faces but it just never works.
🔮⋆.ೃ࿔* hecate cabin
they put potions on the other cabins food sometimes, just to see the effect it’d have in people.
they take some food to the satyrs who live in the woods in exchange for magic ingredients for their studies.
⤷ author’s note:
that’s probably the longest hc i’ve ever written, but i hope you guys enjoy it🫶
(ps: before someone says anything about cabin 2 being here, i just want to say that i decided to include them here because i already made other hc about hera’s children so i thought it was fair to have them here)
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Beef: If you are gonna do something, you do it right.
Beef: I don't half butt anything.
Ren: That's true, I've never seen your half butt anything
Beef: I full butt all the things
Cleo: Your butt is very full that is true.
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denkies · 10 months
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Sooo... how did everyone like episode 3
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marshmallowgoop · 3 months
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And I'm just a little messed up I'm a little out of my head
[Song link] [YouTube link]
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ever8ea · 4 months
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ʚ The Divine Cabin Assigner! ɞ
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Hello! Welcome to my cabin assigner! I’m Bea, your friendly neighbor Cabin 10 counselor.
Are you unsure of your godly parent? Do those online tests just not feel right?
Or maybe you already know your parent, but want to see if I can guess it? Well, this is the place for you!
જ⁀➴ What to comment
- You find yourself stranded in a dense forest with nothing but your wits. What are you doing first?
- After hiking through the forest for seemingly hours, you see something out of the corner of your eye. What is it?
- Finally reaching a clearing in the forest, you spot a few drachma (currency of the gods) under a bush. What are you doing with it?
And of course; describe yourself a bit! Your defining traits, your fashion sense, favorite activities, romantic preference, pronouns, name, etc! If you know your MBTI type, comment that as well. Anything about you will help me better guess your cabin. ♡︎
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See you in the comments!
~ bea ୨ৎ
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venti-death-watch · 27 days
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so glad the hearth timeline is like… slightly more understandable than before. previously i had freminet down as being given to the hearth at about 5, arle killing the previous knave when he was about 8, and the twins being taken in a few months later at about 12 when he was still 8. for my au, that makes them about four years apart, which feels slightly large of an age gap but ultimately it works better than making them a year or two apart.
apparently, canonically arle was 16 when clervie died at 16, 17 when she killed the previous knave, and then spent an unknown amount of time in prison before becoming a harbinger and taking over as the director of the house of hearth.
freminet was taken in during the year between clervie’s death and crucabena’s death. the twins were taken in a few months after that.
if freminet was taken in at 5-6, the twins taken in around 9-10, that keeps the age gap between the trio as well as explains the ~10 year gap between this and canon. that would make freminet 15-16 and the twins 19-20, which fits them really well. i wish arlecchino was older, though; she definitely feels older than ~27.
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mctreeleth · 7 months
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If someone asks me how work has been lately I just reply, "oh, you know, just working on my spreadsheet" and they laugh like I have just made a funny joke about how so much of work these days is pointlessly futile bureaucracy that slowly hollows out your soul but actually I made up a little game where we try to guess the CMYK values of a colour swatch and we're a couple of months in now and I am, on the clock, slowly building out this very very complicated spreadsheet that will work out for us who, at the end of the year, wins a $20 gift card for the bakery next door.
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bow-n-scales · 2 months
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oddly specific things that remind me of the children of the gods <3
children of ares: the click of a lighter, getting clothing caught on doorknobs and furniture edges, layered necklaces, beat up combat boots, brutal honesty, raucous laughter, chipped mugs, calloused hands, adrenaline rushes, tough exterior soft interior, meticulously polished armour and weapons
children of athena: grandfather clocks’ chimes, olive martinis, secret rooms behind bookshelves, “reading is sexy” tshirts, deserted museums, paper cuts, tea stains, intricately carved sword hilts, golden war helms, calculative gazes
children of apollo: whiskey-coloured eyes, chrysanthemum tea, badges/pins EVERYWHERE, dandelion fields, sandcastles, colourful bracelets, knowledge of music theory, perfect pitch, fireflies, band-aids with smiley faces, tie-dye shirts
children of artemis: metallic clothing, ripped jeans, dagger strapped to inside of thigh, gazing at the constellations, lumberjack plaid shirts, running barefoot underneath the moon, long braided hair (eg. katniss everdeen), sharp eyeliner and even sharper gazes, white platinum/silver jewellery, temporary tattoos, cd collection
children of hephaestus: worn-out headphones, crooked grins, cassette tapes, fireworks, drawers overflowing with tools, LEGO sets, neon signs, mismatched gears, bandaged thumbs (accidents happen sometimes & that’s okay), volcanic-like fury, being up-to-date with all technology-related news
children of iris: stained glass windows, skittles, bracelet beads, marshmallows, kaleidoscopes, cotton candy at carnivals, misty weather, coins at the bottom of fountains, bright eyeshadow, rainbow garlands, fogged-up windows with tiny drawings
children of aphrodite: polished sea glass, vintage avon perfume bottles, decorated handwritten letters, overflowing closets, femme fatale energy, sofia coppola archive, wild rose bushes, lipstick stains, eclectic decorations, chainmail armour, ever-changing fashion styles
children of hypnos: lavender spray bottles, fluffy slippers, liminal dreams, ticking clocks, stretching after a good nap, valais blacknose sheep, the smell of fresh linen, pillows that are cold on both sides, sleeping through thunderstorms, oil lanterns, customised sleep masks
children of nike: golden laurels, confident smirks, unending courage and determination, gold medallions, glorious ballrooms, the stinging feeling of disappointment after losing something, wars over uno, polished trophies and medals, an obsession with Nike sportswear, track and field competitions, feathered capes
children of hebe: tea sets, skincare routines, pansies, overflowing chalices, healed inner child, satin gowns, doe eyes, ribbons braided into hair, champagne towers, bubble guns, butterfly emblems
⋆˚₊· ͟͟͞➳❥ requests are open!!
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lonestarflight · 11 months
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Apollo Program: Lunar Module (LM) production and names
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The Grumman Aerospace Corporation was awarded the contract on November 7, 1962. Originally designated Lunar Excursion Module (LEM), NASA ordered 25 lunar modules (10 test articles and 15 production models) for testing and landing on the moon. This was to go with the 15 Saturn Vs and Apollo CSMs. They were assembled in Grumman's factory in Bethpage, New York.
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"There were initially four major subcontractors: Bell Aerosystems (ascent engine), Hamilton Standard (environmental control systems), Marquardt (reaction control system) and Rocketdyne (descent engine).
The Primary Guidance, Navigation and Control System (PGNCS) was developed by the MIT Instrumentation Laboratory; the Apollo Guidance Computer was manufactured by Raytheon (a similar guidance system was used in the command module). A backup navigation tool, the Abort Guidance System (AGS), was developed by TRW."
-Information from Wikipedia: link
After the Gemini 3 spacecraft was dubbed Molly Brown by Gus Grissom, NASA forbade naming spacecraft. For Apollo 9, this changed due to mission controllers in Houston needing a way to differentiate between the two spacecraft.
Between 1969 and 1972, Grumman produced a series of insignias for their Lunar Modules which were distributed in limited quantities to their employees in the form of decals and prints.
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Apollo 5 (LM-1): none
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Apollo 3 (and later 2) (LM-2): Never used, intended for a mission similar to Apollo 5. The success of LM-1 led to the cancellation.
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Apollo 9 (LM-3): Spider
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Apollo 10 (LM-4): Snoopy. The LM ascent stage in heliocentric orbit and is the only known one to have survived intact
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Apollo 11 (LM-5): Eagle (originally named haystack)
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Apollo 12 (LM-6): Intrepid
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Apollo 13 (LM-7): Aquarius
Humorously, Grumman sent North American (the manufacturer of the Apollo Command and Service Module) a tow bill sometime after the crew returned. North American retorted back saying they've never sent them a tow bill for the previous missions.
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Apollo 14 (LM-8): Antares.
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Apollo 15 (originally) (LM-9): never used, on display the Kennedy Space Center.
Intended for Apollo 15 and was the last H-type mission. When Apollo 18 was cancelled, it was decided to make Apollo 15 the first J-type mission.
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Apollo 15 (LM-10): Falcon, originally intended for Apollo 16. First of the extended stay series.
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Apollo 16 (LM-11): Orion, originally intended for Apollo 17
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Apollo 17 (LM-12): Challenger, originally intended for Apollo 18.
Note: this name was reused for the second operational Space Shuttle Orbiter. After the Challenger Disaster, NASA officially retired the name.
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Apollo 18 (LM-13): never used, originally intended for 19. It was partially completed when Apollo 18 and 19 were cancelled. Later restored by Grumman workers and is on display at the Cradle of Aviation History and Education Center.
Apollo 19 (LM-14): never used, originally intended for Apollo 20. It was partially completed when Apollo 18 and 19 were cancelled. What was completed, was later scrapped.
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Apollo 20 (LM-15): never used, partially completed, scrapped. When Apollo 20 was cancelled, it was intended for modification into the Apollo Telescope Mount. Later the Telescope Mount was integrated into Skylab and this dedicated mission was cancelled.
source, source, source, source, source
NASA ID: MSFC-69-MS-G-1300-27, S67-50927, AS09-21-3183, AS10-34-5087, AS11-40-5946, AS12-46-6726, AS13-59-8566, AS14-66-9306, AS15-88-11866, AS16-113-18339, AS17-140-21370
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marsconer · 4 months
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PJO CABINS AS HOZIER SONGS
cabin 1: nina cried power
cabin 2: swan upon leda
cabin 3: anything but
cabin 4: would that i
cabin 5: eat your young
cabin 6: run
cabin 7: sunlight
cabin 8: de selby part 1
cabin 9: dinner & diatribes
cabin 10: talk
cabin 11: no plan
cabin 12:sedated
cabin 13: in a week
cabin 14: like real people do
cabin 15: to someone from a warm climate
cabin 16: nfwmb
cabin 17: de selby part 2
cabin 18: jackie & wilson
cabin 19: angel of small death and the codeine scene
cabin 20: in the woods somewhere
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tequiilasunriise · 10 months
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Annabel Lee & Fears: A Short Essay Based On Ep70
Here it is, folks, the truest crux of Annabel’s character, her deepest fears is not going mad or even people discovering she’s not as put together as she tries to appear, but rather:
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Was that gambit of constant scheming and using others worth it, Annabel? Was always trying to think ten steps ahead and always keep yourself in a position of power and control truly worth it, because how can you ever be trusted when all you do is play 5D chess with everyone?
There is is, folks!!! Just like her greatest strength- her cunning willpower- is centered around a certain bright moon, Annabel’s greatest fear is rooted in Lenore. The deepest, darkest trenches of her soul, the one thing that would shatter her heart and send her lungs choking fer breath? The killing blow that would end her and make all these charades worthless? It’s Lenore seeing her constant conniving and asking Annabel, “Why would I be any different? You already have no problem using everyone else as a pawn, how could I ever possibly trust you, Annabel Lee?”
The way Annabel is SUCH a great morally grey character, y’all tell me you love hot villains yet many a time I’ve seen people calling Annabel too heartless. She’s the opposite! She cares!! SO MUCH!!! She would burn the world down if it meant kissing Lenore one last time, to the point where her deepest fear is losing Lenore in the process of trying to protect her. All Annabel knows is using manipulation to gain the upper hand because simply being born a woman in the Victorian era she was so throughly disadvantaged by such a horribly misogynistic society that girlypop had to scrape together any form of control she could. Annabel wants so badly to protect Lenore but all she knows are her own methods of protecting herself, which involves plausibility deniability and facades and sometimes sheer cruelty, and that’s where the conflict arises. From the start Annabel assumed Lenore and her had the same understanding of this ‘fake enemies’ ploy going on but surprise surprise babygirl, not everyone is overthinking four parallel universes ahead like you do. This boils over into her lover having doubts on what’s real and what’s not, which then culminates into Lenore asking if Annabel is using her affections as empty currency to get what she wants, and Annabel’s first move to tell Lenore to fucken kill her????
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“To you alone, I have left myself completely defenseless.”
The drama of it all!! The shattered facade leading to exploding vulnerability of it all!! The dim sun sparking out into a heat death just to prove her sincerity of it all!!! The exposed innermost organs ripping out my heart with my bare hands and begging you, “Do you see it now? Do you see the way it beats for you and only you? Tell me you see it, tell me you see me…” of it all!!
Oh baby the way Annabel still retains this deep fear of Lenore not truly believing in the “only thing that’s real” to her, the way her lover’s ghost still lingers and haunts her and is then ripped up from her innermost psyche like a desecrated grave and given form by Ada’s power. The way, after all this time- and I mean all this time from Lenore’s constructed resurrection, to their relationship blossoming into a wedding, all the fucking way up to that bell tower scene, the fucken way Annabel still never truly let go of her fear that Lenore doesn’t see her, doesn’t see how she alone bashed through all of Annabel’s walls and made a home where her heart laid. I’m sure during their living relationship all the way until the wedding Annabel’s fears were greatly settled, but it’s the fucken way these panels implied that this wretched heartache never completely left Annabel’s guilt-wracked soul.
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I just know, okay I just KNOW, that even up until she was putting her wedding dress on Annabel still questioned if she even deserved this happy ending because she still feel phantoms of guilt fer this betrayal. This comic only furthers this implication of unabsolved guilt when it’s made clear as day that Annabel’s biggest fear is Lenore not believing in her love. And before anyone argues how Annabel can currently feel guilt fer betraying Lenore when she hasn’t recovered the memory yet, I’ll argue back that from the very beginning of the comic these two were inexplicably drawn to each other even when they had NO memories. Therefore, even if she doesn’t have the explicit memory, I highly doubt Annabel’s subconscious would ever let go of something as huge as deeply hurting the one person she truly cared about in such a wretched way.
Fuck, dude, I mean Annabel’s greatest fear wasn’t even Lenore dying- which was already a huge thing if y’all remember her tearstreaked, panicked, “What is left? If she’s not here, what’s the point?”- no her greatest is Lenore!!! Not!!! Believing!! Her!!! Like yeah losing Lenore physically definitely would’ve cut so deep even her bones would bear the scars, but losing Lenore in the form of the other woman walking the same ground as her but choosing to stay away?? Call her fucking selfish because some people would rather have their other half still be alive even if they’re not by their side, but Annabel ain’t one of them that’s fer sure. Babygirl has spent a lifetime perfecting the craft of deceiving others fer her own gain, but the ONE TIME she’s genuine her heart is to be called nothing more but empty??? Oh babbyyy that’s gotta fucken hurt.
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The thing is, I don’t think Annabel really loves herself all that much. I really don’t. A huge focus on self-preservation doesn’t necessarily mean one really loves themselves, and when we add the aforementioned guilt she carries? Plus, the fact that Annabel being forced to swallow down her anxiety attacks from a young age could easily lead to her having a rather sour view of her 'not normal' self? Yeah no yeah, I truly don’t think Annabel loves herself that much, if at all. So really, this line is adding immense insult to already grievous injury. Not only does Annabel deeply fear Lenore not believing her affections to be true, she also fears the New Yorker misconstruing her as nothing more but a shallow as hell, prissy, little pampered damsel, a role pretty much everyone else regulates her into whether she wants it or not (right from the beginning, before she even set her schemes in full effect, Annabel was already explaining, “Ada wanted a queen, so I gave her one”). Lenore, the only one Annabel had believed to ever really see her fer her, is now discrediting Annabel’s vulnerable affections AND seeing her as that unloving ice queen like everyone else?? Horrible terrible horrible!!! She may have a ribbon threatening to strangle her right now, but it’s clear that ghost!Lenore’s words are what truly cut her down to size. Y’all seeing that fucken pain in Annabel’s eyes? Her worst fear is just so… personal.
Which actually leads me to my next point, which is how just before Annabel’s worst fear is revealed in stark, horrifying detail, we see Prospero’s. Lemme just preface this by saying what Prospero went through is n o t any less terrible and is a super fucken mega valid fear/trauma, but let me cook y’all just hear me out. Prospero’s fear seems to be about medical malpractice and/or being conscious during a painful operation that likely went south (aka ‘oh shiiitttt he fucken DEAD-‘), and that’s fucking tragic as all hell. Yet, okay let me cook here, it’s more… I don’t want to say general, because that does NOT mean his fear is any less significant but it’s like. Way back when, death via medical bullshit was more or less fairly common, especially during wartimes (which is the era I headcanon Prospero to be from); meanwhile, Annabel’s fear is so uniquely hers, it’s borne of a culmination of specific experiences tied together by her relationship with Lenore.
By contrast of a more common fear vs something so deeply personal and specific to this one person- because it’s not just unrequited love, it’s being so vehemently denied and misunderstood by the ONE (1!) person who you wholeheartedly trusted in your entire life who also oops mega died on you- this distinction gives way to an almost more raw, more visceral feeling to Annabel’s fear sequence. Again!!! I am not undermining Prospero’s own trauma, I promise!!! But you have to admit that there’s something, from a narrative standpoint, that hits so much harder with how deeply personal Annabel’s fear is. The contrast is even more great when you look at how Prospero’s involved a buncha bloodied hands not really tied to any faces or even any indication of personhood like accessories, scars, etc etc. It could’ve been a group of anyone holding him down hurting him; on the flipside, Annabel is being restrained by one very specific person we see in full view. The faceless crowd who could’ve been anyone at anytime vs the lone perpetrator whose history you know like a second name. It’s just!!! So personal!!!
In conclusion, on the surface level, one would think a character so deeply ingrained in using deceptions and manipulation would have her greatest fear tie into having her true nature revealed to everyone she’d fooled, but then it turns out it’s the complete fucking opposite. What homegirl fears the most is her truest, innermost self not being believed and accepted by just one (1!) person. The way it’s framed is just so heartstabbingly personal, especially when you parallel it to a previous fear sequence just a few panels preceding it. This is it, your honor, this is Annabel’s deepest driving force broken down to its bare essentials. To hell with whatever reputation she’s carefully crafted! Who cares what anyone else thinks of her if she doesn’t believe her, if she doesn’t SEE her. Really, truly see her. Lenore is the defining point that Annabel has revolves around so wholeheartedly, and there’s no point to anything anymore if Annabel loses her. This crux of her character, OHHH BBAAABBYY it’s just so well done because we, as the audience, have been given clear evidence to build up this narrative of Annabel’s characterization fer so long now and to finally see it come together in a fiery explosion of lesbian angst with this latest chapter??? Gods, the writing of Nevermore will never not drive me absolutely insane in the membrane.
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ducktracy · 22 days
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i am delighted to report that Shin-chan Movie 15, in which a bomb gets attached to the family dog’s ass and can only be detonated by singing, is maybe the most emotional Shin-chan movie out of the 14 or so i’ve seen. from small children dancing in Broadway style kick lines to Shin’s parents thinking he died in a brutal, fiery explosion and the moment played with utter heart wrenching sincerity, i officially decree this a Good Movie
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