“Fun fact about Pinball: The Man Who Saved the Game, Roger Sharpe actually played the Pinball scenes in Mike's stead—except, the winning shot of the film. Mike Faist pulled the plunger and got it on the first take (and then never again afterwards). That take was the one they used for the film.”
Sigmund Freud was giving me therapy because he wanted to study my transgenderism. I was so distraught I began to have a panic attack at the thought of being his guinea pig. As I devolved into hysteria, he turned me and asked, 'How is your relationship with your mother?' and it shocked me into consciousness.
Don't think I ever shared the cover art I did for Forrest Byrnes: Up In Smoke on the Playdate last year, styled to look like a USFS-sanctioned NES game—had so much fun beating the heck out of this thing to make it look like something you found in the back room of an EB Games.
→ "Henry Butash On The Making Of The Atlantic City Story With Broadway Stars Mike Faist And Jessica Hecht"
“I think where Mike’s so great is just, even when he’s not delivering dialogue, he’s just giving such a strong performance with his looks. You can always feel him thinking when you look at him—you can see him thinking. Which is sort of the mark of really good film acting, at least.”
I accidentally misgendered a friend in a post and the panic scramble to get my phone to fix it woke me up. I actually went to check for the post before I realized it had been a dream.
JOKE-OGRAPHY:
In this Bible verse, Jesus tells His disciples that they must be spiritually vigilant, lest the end surprise them when it comes. "Look out!" He says. "Stay alert!" for the servants of the house do not know when their master will return. In this cartoon, His "Look out!" is much more animated, causing the disciples to panic as if an imminent threat is upon them. When Jesus continues the story and they realize the "Look out!" was just the beginning of a theology lesson, they all breathe a sigh of relief... except for Thomas, who makes it known that he doubts the wisdom of scaring your audience half to death before teaching them.