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jinkiezzsstuff · 3 months

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Alastor watching the princess and the frog by Disney ? It’s in lousiana in the 1920s so it would be perfect for him

absolutelyyyyyyy the princess and the frog is one of my fav disney movies from characters to soundtrack, so this one’s a bit longer. also kind of a part two but also not exactly

history ramble below

also i did some light research on new orleans history because if im gonna write alastor i should know. doggy i love me some history and this history is rich, depressing at times but also rich and meanful to know so i thought id share a little. from talking about the free the peoples movement, to the way women got their rights to their hair back that they didn’t have when enslaved only to have a law banning natural hair and hair wraps and so they decorated the wraps and used coloured fabrics effectively rendering the law useless, to the wealthiest black man of the 1870s for being a prospering business owner, the origins of how voodoo and other spiritual practices mingled perfectly with the pre established voodoo and how voodoo was predominantly black women who were highly respected, the first black man to be govoner in the united states in only 1871, a black woman named Rose Nicaud who opened the first coffee stand in 1800 and made enough to escape being ensalved. then there’s lighter topics like some of the jazz history and how it made various black stars like louie armstrong, and also how the language mingled to make the cajun french that’s sadly dying out, to the architecture that flourished through the varying clashes in culture between african, european, native and haitian peoples. if it’s not too upsetting to read i definitely suggest this page to have an insight on some of the quick history on new orleans, i enjoyed learning about the strength that many had during this time.

United teachers of new orleans < page i was reading

Warnings: jealous Al teehee, reader crushes on naveen and dr facilier (don’t mind me just projecting), cuddling, swearing, alastor doesn’t really know emotions good, fluffy banter, just some ushy gushy mushy tushy

Word count: 2k

The movie Bambi didn't even finish playing before the patrons started to filter out of the room heading to bed. First to go was Vaggie carrying a sleeping Charlie, Sir pentious promptly following along telling his fussy egg boys it was long past their bed time. Then it was Niftys turn to disappear, however she never said a goodnight only sped off leaving behind her vacant swishing rocking chair.

Then once Angel and Husk left, you had decided to just call it quits on Bambi, Alastor hadn't moved much or objected to you turning off the movie, only watching the projector as you scrolled through the app.

You stopped on the princess and the frog, grinning toward Alastor he sighed, getting a glimpse of your mischief from the corner of his eye. "Now what's this about darling?" Turning your body towards his fully facing him, you waited for his gaze to finally meet yours, and reluctantly it did. "Allow me to introduce you to one of, if not, thee best disney movies of all time; the princess and the frog," Alastor's finger rose as he took a breath to speak, but before he could say a word you interrupted him.

"Yes I know princess yuck, whatever Al. It takes place in New Orleans, its main focus is actually in the poorer area with the shotgun houses, and throughout the movie Tiana, the princess, travels through the bayou, oh! With Naveen one of the hottest princes, also it takes place in the twenties, oh!-" Before you could continue Alastor gently gripped your cheeks, your lips puckering involuntarily as he did so."What did you just?"

"Takes place in the nineteen twenties?" You asked, voice muffled from Alastors grip on your cheeks. "Before that dear." Your eyebrows raised looking at Alastor not trying to hide your confusion. "Naveen? One of the hottest princes?" Alastor hummed, booping your nose. "Yes dear, that."

"Yeah. duh dude he's one of the few princes that deserve the princess, he changes for Tiana, he's charismatic, funny, but nevermind that back to what i was saying. There's varying New Orleans culture littered through that might make you feel closer to home, all the music is jazz obviously." Opening your mouth readying to rant on about the Voodoo man that you adored, Alastor hushed you with his finger up to your lips.

"My sweet dear, I will watch this silly picture show so long as you stop rambling about it." Alastor wasn't truly done with hearing your rambling, he was enjoying hearing that you were such a fan of something that centred so close to home when it came to him however if he was going to watch it he rather not have it spoiled.

Giddily you clasped your hands together and hit play, your love for the film and excitement to see Alastors reaction may have made you slightly over enthusiastic just a bit. As the movie began you curled your feet up onto the couch, inching yourself closer to Alastor looking up to his face and back to the movie.

When Naveen got introduced on screen you accidentally gripped Alastors arm tightly shaking him. "My mannn~" You squealed happily, letting go of Alastor once you heard the unmistakable rattle come from him, a growl sounding out of his chest. You didn't pay much attention to him though, instead turning back to the projector and backing off Al. However Alastor wasn't too frustrated with the fact you touched him, but because you were being so ushy gushy over some fake man.

He was easily the same if not better than Naveen. Alastor was charismatic, charming, he could sing, play instruments, he didn't quite understand why you were so particularly interested in this Naveen. Hell, even Alastor had a similar outfit back when he was alive, he could've been Naveen when he was alive.

You didn’t notice Alastor having a mini tantrum in his own world, you were too engrossed in the movie. Suddenly you’ve gripped him again, pointing at the screen. "The shadow man, Al this is your kin!" You egged laughing maniacally at your own words.

Alastor’s face however brightened at the display of the voodoo man. "One of my fav songs." You whispered as Dr. Facilier began singing on screen. Cocking his head to the side Alastor looked down to you bouncing along to the song. "This fellow sounds similar to Husk." Alastor mentioned, watching intently at the shadows that crawled around Dr. Faciliers room, much like Alastors own shadows. "Yeah it really does sound like Husk. Strange, anyways, Dr. Voodoos hot too." Alastors static buzzed around the room and you had to hold back a giggle at the frustrated look on his face, despite the smile it was obvious he wasn't too happy.

"What's up Al, not liking the movie?" Static crackled around the two of you as you questioned him a little slyly as you could tell he wasn’t hating the movie. “No dear, it’s pleasant in comparison to some things i’ve grit myself through, however,” He paused watching you ogle at both the Dr and Naveen. “I can’t understand what’s so great about this Naveen you like. He’s a fool,” You scoffed at Alastors distaste for Naveen, you didn’t mean to make him feel frustrated at your adoration for the characters but it was endearing to see.

“What’s not to like about the man?” You state confidently but Alastor simply shrugged while humming indifferently. A beat of silence passed, the ending of the song playing out of the projector. “It’s just that,” Alastor started up again after a moment of silence, turning his body to face you hands folded in his lap politely. “You clearly have the odd reaction towards these gentlemen and I can't see why,” To give him credit he did look genuinely confused, and just as you were going to speak up he interrupted.

“And please do not say it’s because he is funny, charismatic, musically talented or sweet because I happen to hold all those same qualities!” He finished, hands thrown in the air like he said something especially spectacular. You had a soft smile present on your face watching him work through the sentence theatrically. “Well, Al you are, maybe i think the same about you?” Record scratch.

You cackled at his frozen state, patting his arm gently, cooing that you were only kidding, you turned back to the TV and the two of you decided to leave it at that.

Later on in the movie, when Tiana and Naveen are with the alligator going down the bayou singing about being human, you stared over at Alastor, your heart thumping at the sight of him. His arms were resting along the back of the couch, legs splayed out comfortably, posture sunken in, and his eyes lidded with a closed calm smile. His ear twitched and soon his eyes moved from the movie to you, quirking a questionable eyebrow at you.

Feeling slightly embarrassed for eyeing him up you tried to play it off by asking him a question. “Is there bayous in New Orleans, is that real?” You ask kinda dumbly, of course they were, you scolded yourself. Alastor didn’t seem to mind though he smiled widely, a chuckle reverberating out of him. “Why yes dear! Of course, I personally never lived close to the bayou, but it surrounds New Orleans, and I have been. It’s quite beautiful during a sunset but there’s tons of alligators.”

You leaned forward interested, but it seemed he’d stopped to refocus on the screen which you wouldn’t complain about. You not so discreetly leaned into his torso, arm still on the back of the sofa behind you, and thankfully he didn’t move when you leaned your body into him, instantly decompressing into his side.

They got to the scene where the gang is on the boat going through the bayou, the crocodile fitting in and playing jazz, when you turned to look up at Alastor seeing him already looking down at you. “What’s up?” You asked, watching as he scanned your face. “Well dear you’re just reminding me of home tonight, it would’ve been interesting to be able to show you where I lived, where I worked. Y’know when i did radio, most people didn’t know what I looked like so it came as quite a shock to some that I wasn’t what they imagined. Some were cruel, but my mother always taught me to be respectable if not respectful, so I managed to keep my grace.”

You giggle at his explanation watching him move his hand in all different directions, the radio host coming into play just at the mention of his job. “I’m flattered you would’ve wanted to show me your home n stuff, i wish it were possible.”

On the projector in front of you two, was the scene between Naveen and Tiana’s first date, where Naveen was going to propose. “They always get married so fast in these movies, you spend three days as a frog and suddenly it’s eternity!” You exclaimed humorously, Alastor scoffed an array of instrumental sounds electronically sounding out from him. “My dear it was common back in the day to get married quick, none of this lollygagging.”

You rolled your eyes blowing out air. “Would you get married to someone you knew for three days?” Alastor hummed, tapping his finger against his chin in exaggerated thought. “If it were you, perhaps, otherwise i’d attempt to lengthen it just a bit.” He reviled in the sight of you bashfully turning your head away, shy at his broad flirt. “You’d marry me, after only three days?” You questioned in disbelief, he hummed wrapping the arm he once had behind you, around you pulling you into him.

“Well I found you to be quite a treat the first day i met you, and decided i wanted to be around you for many days on. Is that not marriage worthy?” This confession shocked you slightly. You never expected him to say that he preemptively planned your blooming friendship nevermind that he equated that to being worth marriage. The movie played on in the background as you both watched each other’s faces.

“To me, dear,” Alastor started a smug smile stretching across his cheeks replacing the calm smile that stayed for so long. “It seems like you may unconsciously feel something towards me too.” Jaw dropping you stared at him confused. “What?” You scoff but Alastor only looked smugger.

“Come now, New Orleans centred movie? Jazz, cooking, even that dumbo man Naveen speaks french loves jazz music and dancing, oh and of course the ever so obvious voodoo, it’s almost like this movie is me, haha.” He laughed manically, eyes crossing as his body shook. It was quite the egotistical assumption on his part, but he wasn’t wrong.

You put it on for him but it seems for you too, you paid more attention to him half the movie, and you’ve been more interested in knowing real life facts about his home during his time then what story the movie was trying to tell. Maybe he was right, but even so what did him pointing it out accomplish? “Well that’s why i wanted to show you it, it’s got many aspects you’re involved with in it.”

You mentally gave yourself a pat on the back for such a good save, however Alastor was keen and knew you long enough to catch your lies. “Sure dear, sure.” Al gave you a condescending pat on the head and you speedily swatted at him. The movie played on you once more captivated by Alastor’s reactions more than the movie itself, you’ve already watched it enough to know.

Tucked under Alastor��s arm, warm and comfy, you barely caught the sound of Alastor huffing out chuckles, gazing up towards the projection you playfully hit him. “Don’t laugh at his death!” That only made Alastor properly laugh, dropping his head back, neck cracking grossly. “My dear it was a lightning bug in love with a star! He got stepped on that was hilarious!”

Sounds of prerecorded laughter sounded out with his natural laugh, you didn’t actually care that he found it funny, only pretended too as you gave him a disapproving glare. As the movie closed in you felt a weird gloom wash over you, it was nice being alone with him by his side while you two relaxed. You didn’t want it ending, but alas Tiana and Naveen kissed turning them human, with the reveal that with marrying Naveen, she became a princess effectively breaking the curse, and the movie started with the end song.

“Well dear I did enjoy that, the voodoo was pretty boringly unrealistic, but it’s for children. I did enjoy the mentioning of foods, very common dishes even I enjoy, like gumbo. But alas it was still a pathetic little movie about mortal love.” Standing to his feet when he finished speaking, Alastor dusted himself off and snapped his fingers making all around you revert to what it was before movie night.

“Do you not want to be in love?” You ask softly partly hoping he didn’t hear you as by the time you stood from your spot, you regret saying it. “Well I certainly haven’t looked. Why disappointed?” Alastor bent himself backwards to look at you since you stood behind him readying to exit. Looking down into his eyes you felt hazy, maybe a little drunk on desire as you gently caressed his cheek. “Maybe I am,”

“Darling.” Alastor said sternly as he cracked himself upward, he bent down facing you this time and before he could talk you once again interrupted. “Can’t blame me can you?” Alastor seemed momentarily taken aback, gazing around lazily trying to collect his thoughts. “My dear, I'm uncertain with emotions like this as well as expressing them, love is foolish, however… if you were to tell me ‘i love you’ i would say it back.”

It confused you, what Alastor said, you couldn’t tell if he was mocking you and telling you he was going to lie about his emotions to spare you, or if he was egging you on attempting to get you to tell him your true feelings. Regardless you swallowed down any worries for the future instead focusing only on the now, and looked deeply into the soft red glow of his eyes.

“I love you Al,” With a cheeky smile you watched him stutter, the visible shock was clear, and you wondered if he actually expected you to say that. Just as you began to worry you fucked up, he bent down to your height. “I love you too my dear,” And with that he gave you the chastised kiss on the lips, before standing to his full height materialising his microphone. “Got to go dear! Duty calls!” And with that he seemingly disappeared into the shadows, leaving you to waddle tiredly to your room. Little did you know that Alastor whisked himself away to have a minor panic attack in the safety of his radio tower, not believing himself and his broad actions, nor could he believe the pounding in his chest and flutter in his heart.

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todorokies · 2 months

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cherry blossoms, tarot cards & chamomile - suguru geto

contents: sfw, fluff, meet-cute at book store, fem!reader, strangers to potential lovers, mentions of curses & whatnot, tarot cards reading,, 1.5k words.

a/n: this one goes out to the hopeless romantics who wanna fall in love in a bookstore aka me (we hear & see you)

spring has sprung as one would say. the pale snow that covered the ground has melted away, which in turn allows the freshly cut grass to flourish.

cherry blossoms had recently littered the streets alongside the sidewalks, with each petal engaging in a unique twirl that fluttered like a dragonfly before angelically collapsing on the concrete.

with spring came along new missions suguru would have to endure either by himself or with his trusted friend —and nuisance— satoru. as curse energy that once accumulated during the toughest season gets released during the warmer seasons.

today was different however, the pair had been sent into town to retrieve a relic from the past of jujutsu history; a two thousand year old book that slipped out of the archives and has been rumoured to be contained in a bookstore hidden in the nooks of jimbocho.

“the warm breeze outside might fix the low oxygen levels in your heads.” yaga sarcastically reasons when satoru made his complaints about the origins of the mission known.

the raven haired sorcerer reprimanded his tone but expressed his concerns in a more diligent manner. anyone with half a brain would know it would take many decades to successfully pawn through each and every bookshop in the jimbocho district for a specific book, that neither of them even have the slightest clue as of what it looks like.

nonetheless, they were shooed off campus with a pat on the back and a simple: “you’ll know it when you see it—or rather feel it.”

suguru now navigated through the busy streets alone, —his white haired companion taking off a few hours ago on his own journey— with both hands in his pockets taking in the simplicities of life that surrounded him while keeping his eyes sharp for any unusual curse energy.

each corner he’d turn the storefronts would be filled with colourful book spines neatly lined adjacent to one another. the harsh sound of crimped sandpaper occasionally made its presence known when a costomer would flip through the pages.

a bitter earthly aroma tangoed with the wind. one would simply scrunch their nose up and turn the other way but for suguru, the olden smell of books filled him with comfort.

elderly couples hand in hand, a few children accompanied by their parents, and the complementary store cats that would linger in the isles or be found curled up on a random stack of books.

after roaming about and checking a few stores for their recent inventory stock, suguru oddly felt inclined towards a particular store that was larger than the others.

he enters, a ring of a bell from above signals his arrival. immediately, the smell of different assortments of tea wafts in and lingers in his nose.

a café combined with a bookstore…that’s definitely convenient. he eyes the ‘ring for assistance’ bell that rest apon the main counter, he lightly scoffs before ringing it.

“how many times do i have to tell your ass, no, you can’t conduct a séance he—” you round the tight, abelit, breathable corner to face the person it seems you weren’t expecting. you slightly jump back in a frightened manner then regain your composure, or more so, your customer service demeanour.

“my apologies! business is slow today and i thought a rather persistent costomer had came back. do you need help with a book or would you like to order something?” you enunciate your words with care, trying to not let any vocal cracks slip as you fiddle with your colourful apron which is a rather stark contrast from your all black work uniform.

suguru would pride himself as goal oriented man. the kind demands of asking to take a look at your recent stocks to see if the cursed book has fallen onto your shelves nearly wavers past his lips but the faint smell of his favourite tea clouds his better judgement.

“yes, i’d take chamomile tea with honey please.”

“coming right up!” you popped the ‘p’, scurrying off into the back to prepare his choice of beverage. alone with his thoughts again, suguru observed his surroundings with more caution.

the store has a whimsical charm to it. different array of ambiance lighting scattered throughout the establishment, vintage burgundy rugs made an appearance here and there, a few wooden chairs cushioned by velvet and a long couch that looks as if it has been passed down through many generations.

a sturdy coffee table in the middle and of course, the probably hundreds of thousands books neatly tucked in the shelves.

he wonders if you run this big place by yourself, must be a hassle if you do. he also wonders why a séance was mentioned by you in an irritated tone. maybe it could connect to his current mission? he plans on subtly bringing the topic up.

“one chamomile with honey!” you cheerfully announce handing over his mug. you don’t miss the way your heart skips a few beats when your fingers accidentally brush against his.

suguru nods his head to express his thanks. while digging for his wallet he brings up what’s been on his mind, “what was that séance you were talking about before?” he lightheartedly inquires.

you cautiously look over your shoulders and nibble on your bottom lip, as if you were scared someone might hear, “nothing too serious i suppose. these past few days business has plummeted cause there’s been talk about how this place is haunted.”

a small beat passes.

“which it isn’t by the way! just some silly stuff kids say when they wanna get under uncle daichi’s skin,” you grimace.

you then go on a bit of a tangent about how the alleged “hauntings” started a few weeks ago, just about the same time you gotten a new inventory restock. books would fly off shelves, unnerving whispers can be heard, lights would flicker and the atmosphere would turn unsettling.

suguru is unfazed yet intrigued by this, he calmly listens as his sharp eyes never leaves your face. he notices how animated your expressions are when retelling the events; you talk heartily with your hands as well as your voice that creates a certain bass to match your feelings.

he hums as he takes a slip from his mug, “can you show me the known hotspot for these hauntings?” you nod eagerly and swiftly move from your spot at the front desk to the back of the store.

yaga wasn’t kidding when he said he’d be able to feel the cursed book, as the cursed energy in the air multiples a tenfold when they step into the secluded part of the store the lighting couldn’t reach. he wonders how a cursed object this powerful was able to conceal itself from being spotted for so long.

suguru plucks the hefty grimoire off the shelf, small dust particles flying in its wake, “i’d like to purchase this one.” you look at him as if he grew an extra pair of eyes, but quickly shrug off any confusion and lead him back to the front of the store to cash him out.

as you progress his payment you feel conflicted about letting this particular stranger go so soon. holding him up for a few minutes couldn’t hurt, right?

“uhh.. wait, with each purchase a tarot card reading is offered free of charge. would you like to know what the future potentially has in store for you?”

suguru presses his lips in a thin line and sighs. he doesn’t have time for this and doesn’t believe in cards beholding a hidden future, however he is a sorcerer and just bought a book that would be a danger to society if not soon contained. raining on other peoples parade simply isn’t his forte.

he softly smiles with his eyes turning into crescent moons, “hit me.”

you try to conceal your excitement as you bring out a deck bound together by a rubber band. you start shuffling until four different cards slip out of the deck.

death, judegment, eight of cups, and the lovers.

“intresting…don’t be too alarmed by the death card, it could indicate the decay of a friendship that doesn’t hinder towards your beliefs or an troublesome habit finally coming to an end.”

you continue, “judement and eight of cups go hand in hand as your new calls for action may put certain things into perspective for you, as this chosen path may lead to dissatisfaction.”

“and finally, the lovers card is the nice light at the end of the tunnel. someone you can confine in and pour your heart out to; tarot cards can be interpreted in millions of ways so, take what i say with a grain of salt.” you smile as you put the cards away to bid the stranger farewell.

suguru stares astonished absorbing this information, you’re good. he’ll give you that. “well..thanks for the reading and the tea, have a great day.”

and just like that, he turns his back to leave until he stops just in front of the door. “oh, and i can assure you the ‘hauntings’ should come to an end now.” he smirks and waves you goodbye.

you smile until he fully leaves which is when the realization hits that you didn’t even get the chance to get his name, you frown and groan into your palms.

maybe he’ll swing by again…hopefully.

reblogs & feedback is extremely appreciated !! <3

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landogalore · 1 month

Text

DEJA VU

carlos sainz x singer! reader

MASTERLIST

WARNINGS: 18+ ONLY, SMUT: unprotected sex (PLS WRAP IT BEFORE YOU TAP IT GUYS), oral sex (female), creampie.

word count: 2.7k

————————————————————————

The routine began the same as every night had previously started, following the identical steps to prepare herself before stepping onto the stage.

The brunette hair swirled down, reaching just below her shoulders in perfectly shaped curls. she allowed her eyes to glance at herself in the mirror, the bright spotlights shooting towards her face, enhancing her facial features so beautifully it would put any person into a trance. the silver eyeshadow has been carefully placed in the corner of her eyelids, the glistening effect causing her sapphire eyes to become bolder, brighter. As she admired herself one last time, she was able to reminisce the events that led up to this, how her talent was able to become known, and the people who cherished her along the journey.

She originally attempted to boost her career by busking, sitting on a stool in the Spanish humidity, singing the songs that she hoped would attract the most attention from the public, eventually persuading them to drop a mere euro into the bucket below. To most people, this would appear to be a normal method to try and get funding which could help increase her popularity, but to the determined singer and her family, she looked like a pathetic charity case.

‘You can’t continue with this, hija.’ her mother would constantly remind her, her dream was just a fantasy she created, unable to ever truly become the reality she longed for.

‘It can go on no longer. we’ll help you get a stable job.’ her father agreed, once again the truth that she was failing hitting like a bullet, leaving a wound that would slowly shatter her confidence.

‘Just one last day, please papá.’ she begged, she needed one last try, a song to say goodbye to the dream that she imagined when she was a child, the commitment she gave needed to be for something, it had to be.

————————————————————————

Similarly to every other session, she placed the empty bucket beside her while she set up the equipment. The streets in Madrid were always busy, bustling with a mixture of both locals and tourists. And like all the other days, she began to sing, a tiny beacon of hope still fighting in her heart, that she will be noticed.

Two hours went by, and the usual process happened, euros gifted to her by a range of people, even a young toddler waddled over to drop a few pennies into the bucket below. This was finally the end, she thought to herself. She sighed, admitting she needed a break before continuing once again, placing the equipment back into her backpack before slouching onto a nearby park bench.

‘You’re the singer, no?’ A voice asked from beside her, turning to face the stranger who somehow recognised her. His dark hair slightly blowing across his face from the gentle breeze, covering small areas of his features. Although, they struggled to hide the large chocolate coloured eyes smiling towards her, leaving the girl almost mesmerised.

‘Yeah! Well, I busk nearby.’ She confirmed, her grin growing at the realisation she had eventually been recognised for her abilities, the man’s lips beaming wider at the answer.

‘Are you available friday?’ he queried, the girl’s eyes widening in shock at the question. was he about to ask her to sing at a venue?

‘Uh..’ she panicked, her whole body buzzing with excitement, ‘definitely! i’m not busy at all on friday!’

‘Great! I’ve got a few friends coming to this event later this week and our singer decided to get food poisoning and cancel. I’ll give you my number and send you the rest of the details.’ He further explained, reaching out of his pocket to grab a notebook, ripping a small tear out of a page. ‘You got a pen?’

‘Yeah!’ she rummaged through her backpack and handed him the pen, her voice unable to contain the positive emotions overwhelming her, seeming a bit too enthusiastic to give him some basic stationery.

‘Here.’ he passed her the tiny sheet which she also placed inside her bag. ‘I’m Carlos.’ he introduced himself, reaching out his hand, the new view of his arms highlighting the prominent veins, despite mainly being covered in body hair.

‘Maddison.’ She grabbed his hand back, shaking it as she stared directly at the man, a mixture of both delight that she can now sing somewhere that isn’t 20+ degrees in the outdoor heat, but also that she had met Carlos…

————————————————————————

Is this Carlos?

Yes! Please be at this address at 7pm. I’ll see you soon 😊

————————————————————————

When she arrived, the immediate elegance of the building shocked her. It seemed like she had been transported to the victorian era, contrasting the usual settings she had been accustomed to previously.

She inhaled a large gasp of the oxygen outside, trying to control her breathing rate and calm down the nervous butterflies that fluttered around her stomach.

She hesitantly stepped inside of the venue, but became immediately mesmerised by the luxurious decorations that covered the room. It was truly something she had never seen before.

“You’re here.” The familiar accent greeted her once again, her eyes shifting to see Carlos, dressed in a dark suit that appeared more expensive than what the girl had in her whole bank account, feeling almost humiliated by the dress she had slipped on in an attempt to blend in with the crowd. “You look-” He began.

“I know… I’m sorry it’s one of the only dresses-” she apologised, already believing she had ruined a part of the night.

“You look stunning, Maddison.” He interrupted, finally finishing his sentence, admiring the girl standing before him, the unexpected compliment causing her cheeks to flush into a vibrant red shade. “I’ll take you to the stage.” Carlos added, indicating for the singer to follow him, which she easily complied.

“Is there anything specific you want me to sing?” She questioned, unsure on what the routine was for the night.

‘Just sing the songs you like, not always just the popular ones, but the songs you’re confident with.’

‘Got it.’ She smiled; she was now able to play the music that matched her tone perfectly rather than adapting. The contagious expression she wore reflected onto Carlos’ face, before he stepped closer to the girl, leaning in towards her ear.

‘I’m sure that anything you sing will be amazing, cariño.’ He murmured softly, backing away and leaving to allow her to set up the equipment desired for the upcoming performance.

The celebrations continued throughout the night, all the guests pleasantly entertained, she didn’t know much about the reasoning behind the event, but narrowed it down to being a birthday party.

After further confirming that the microphone was functioning correctly, she adjusted the stand to her height, placing the device into the slot as she started to introduce her act to the audience.

‘Hi everyone!’ She spoke, all eyes in the room now focused on the girl standing on the stage. “I’m Maddison and I’ve been asked to perform some songs for you all. This one I will sing is currently one of my favourites!’ She finished, shifting from talking to singing as the speaker began to play a melody.

The music differed to the usual tunes she sung while busking, the more tranquil genre suiting her voice almost perfectly, allowing her to stay comfortable while the whole crowd stared. However the only person she truly focused on was Carlos, his chocolate eyes glistening towards her like he was enthralled not just by the singer’s talent, but also by her immense beauty. The man couldn’t comprehend the reasons why he felt such ways for someone he had approached on the street just earlier this week, all he could do is watch in mesmerisation, cherishing the moment.

————————————————————————

At the end of the night, only a few were still gathered at the party, mostly waving their goodbyes; however, the singer and Carlos being a part of that small group.

When she finished her act, the man waited patiently nearby the stage as she packed away her equipment, desperate to just see her once more, even if it was the couple glasses of alcohol he sipped previously influencing these thoughts, the girl remaining unaware of his presence.

‘Your singing was so beautiful.’ He perked up, catching the attention of the girl as she swiftly turned her head around to face him.

‘Carlos, you’re still here?’ her eyes widened, shocked that he had remained at the event for such a long period of time. ‘I thought you would’ve left already.’

‘Never.’ He stepped closer, standing tall above her, just a few inches away from her face, his brain practically entranced by her beauty, he didn’t care anymore, at this moment all he craved was her, everything about her. ‘I needed to see you again Maddison.’ His voice softening as he approached further towards the singer, his hands moving upwards to gently caress her cheek. Despite the strength the man’s hands appeared, his touch seemed so gentle and loving.

‘Carlos.’ Her breath hitched at the sudden action, hundreds of questions overwhelming her mind. Why did he want her? Is he drunk? Does he know what he is doing? Why did she want him to kiss her so badly?

‘Say it, please cariño.’ The beseech escaped as almost a murmur, praying that she had heard the sentence, his vision purely focusing on the singer’s plumped lips.

‘Kiss me, Carlos.’ She pleased, immediately being met with the man’s lips smashed onto hers, bringing her into a passionate kiss. Her wish was his command. His tongue entered her mouth as the touch became slightly rougher, grasping onto her cheek tighter but still somehow keeping that caring feeling.

‘Not here.’ She pulled away from the connection, placing the hand that was originally situated on her cheek down towards her own palm, signalling for him to hold it. ‘You don’t want an audience now do you?’ The singer lifted onto the tips of her feet to whisper into his ear, lust clearly visible in her throat.

‘You’re right querida.’ He agreed, a smirk slowly forming on his mouth, ‘I’m the only one who deserves to see you naked, desperate for my cock.’ The words leaving his lips making the girl’s thighs warmer, closing them together to release the pressure that was craving something, craving Carlos.

Eagerly, she followed Carlos away from the grand atmosphere, the room shrinking into a narrow hallway before the man reached their desired destination, twisting the doorknob to reveal the bathroom that still remained as elegant as the rest of the building.

Instantly entering, their lips joined together once again, the girl’s body slammed against the counter nearby the sink while Carlos sped up the pace of their kisses, becoming desperate and sloppy, but she definitely wasn’t complaining.

His tongue continued its attack, although separating from her lips, travelling downwards to her clear neck, the man excited to paint his canvas with marks that will leave large bruises.

As he sucked onto the clear skin, the girl couldn’t help but let high- pitched moans crawl out of her throat, not caring about the red, stinging stains appearing, just praying for this sensation to continue forever.

‘This dress is so pretty on you, ángel.’ Carlos smirked, his fingertips brushing against the slim straps on the one-piece, ‘But you’ll look much better with this all off.’ He looked up at the girl for confirmation to continue, which she eagerly nodded in consent as he slid the fabric down her shoulders, slowly removing the clothing in an attempt to tease her. He refused to break eye contact as the silk dropped down to her thighs, revealing the lacy bra underneath, which he also unclipped to uncover her breasts.

‘I need you, Carlos.’ She pleaded, impatience prominent in her voice as the light strokes made her whole body shiver with lust. ‘I need you in me.’

‘Steady cariño.’ He giggle consumed with mischief, ‘Gonna have some fun with you first.’ He planted sloppy kisses trailing from her collarbone downwards towards the lower area of her chest, the crumpled fabric preventing the man moving any further. ‘Can I?’

‘Yes, please.’ She answered, the material rubbing down her legs as she was left almost naked, just a small piece of dampened lace covering her vagina.

‘Mierda.’ He murmured the curse at the sight of her dripping pussy. ‘You’re already that wet for me, bet you’re gonna taste so good.’ His warm breathed pressed near her entrance, leaving a tickling feeling that only made the girl ache for the man even more.

His mouth began to press against her lips, swirling his tongue around areas of her clit, causing inaudible sounds to slip out of the girl’s mouth.

‘Carlos.-’ Was the only word she could muster, unable to focus while the man licked against her walls, her legs beginning to tremble due to the immense pleasure.

‘Dios, you sound so beautiful saying my name.’ He complimented, still working at her pussy, the visible muscles in the neck twitching, only allowing her to become even more aroused of the thought of his defined body. ‘Are you gonna cum for me, princesa?’

The question finally pushed her to the edge, her eyes rolling to the back of her head, allowing the release, gripping tightly on the marble countertops she lay on for support as the liquid leaked out. However, it was quickly being cleaned up Carlos.

‘I knew it, you taste perfect.’ He chuckled, enjoying the meal before him, ‘Can’t wait to get me inside you now, is that okay?’ He looked upwards at the girl, her eyes now fuzzier and makeup smudged.

‘Please Carlos, I need to see you.’ she begged, placing her hand against his shirt, her fingertips pathing their way towards the top button, undoing each button carefully, similarly to the teasing the man had used previously.

‘Like what you see?’ He snickered as she stared in awe at the exposed abs and thick body hair. Continuing, he swiftly unbuckled his belt, slipping his trousers off and tossing them nearby her already removed dress. The man stood now only in his boxers, his bulge noticeable.

He proceeded undressing, the duo both now fully naked, however the room still stayed warm from their lust that circled the atmosphere.

‘You ready?’ Carlos asked, waiting for the confirmation from the girl as he approached, moving his dick nearby her hole.

‘Yes, fuck me Carlos.’ She pleaded, immediately greeted with his cock filling her up, a loud moan escaping from her lips. ‘Oh my god.’ She gasped, shocked by how truly large he was.

‘Mierda, Mads.’ He groaned at the tight sensation, nobody had ever made him feel like this before, almost as if she was the perfect piece to finish the jigsaw, ‘You make me feel so good, hermosa.’ As he increased the pace, the pleasurable screams grew louder. Fortunately, there was most likely not a soul left in the building, allowing more freedom.

‘I’m gonna cum again, I can’t hold on any longer.’ She whined, the thrusting from Carlos turning all the muscles in her body numb, desperate to release the pressure.

‘We’ll do it together, cariño.’ He suggested, preparing for a countdown so they can both relieve themselves together. ‘1, 2, 3.’ Instantly after, they both moaned in sync, their bodies vibrating as they spilled their warmth into each other, connecting together in more than one way.

‘Are you okay, princesa?’ Carlos pulled out of her, his hand carefully caressing her cheek that glowed with vibrance. Her now tangled hair flowed down her face, slightly hiding some features, but he could still spot her beauty.

‘Perfect, especially now I’m with you.’ The girl giggled.

————————————————————————

Despite that moment being so long ago, the memories are still imprinted in her brain, remembering every detail, including every detail of him.

‘Are you okay? princesa?’ Her fiancé wrapped his arms around the singer’s waist, nuzzling his head softly into the crevice of her neck. ‘No before- stages nerves?’

‘Don’t worry Carlos.’ She reassured, the stage didn’t frighten her so much anymore, confidently able to stand before a large audience. ‘I’m perfect, especially now I’m with you.’ She spoke, and a flash of deja vu sent her back once again, to that Friday night, to the man eager to find a replacement singer, to Carlos.

HOPE YOU ENJOYED <3

#f1 smut #f1 x reader #carlos sainz #carlos sainz x reader #carlos sainz smut #formula 1 fanfic #formula 1 imagine #f1 imagine #f1 #formula 1 #ferrari #carlos sainz x female reader #carlos sainz blurb #cs55

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randombush3 · 2 months

Text

revocate animos (with or without me)

alexia putellas x reader

part one, part two, part three, part four

the second half of this part (it didn't fit in one post lol)

words: it's over 14k. i had lots to say.

summary: the final part, which originally had a different ending but i was told it was evil so i changed it.

warnings: it's mainly just sad, there's a bit of smut though

notes: i could give you so many excuses as to why this is being posted now but no one wants to read that so i'll just say sorry x

anyway, i got very lost along the way at points and had some serious plot crises that had me tearing my hair out. i researched children's behaviour to the point of needing an honourory qualification, and i spent the last three hours ignoring my girlfriend while i finished this off.

for as much as i put these two through (and myself tbh), i'm sad to finish it off. BUT ALSO NOW IM FREE.

have fun reading! and sorry about the length of it

London smells of dirty rain and exhaust fumes, of a homelessness crisis and inflation attempting to impersonate that of the Weimar Republic; greyish streets, cracks in the pavement, thousands of spices from all over the world. Grubby patterns, hidden by the smudging of millions of bottoms, coloured poles that used to match the train line but no longer do. You breathe it all in, eyes closed as the motion of the underground jerks you sideways, the train leaving London Bridge just as you left Barcelona. Without looking back.

You had laughed when they told you they’d send a driver to get you from the airport. The luxury of some shiny black car held no appeal when compared to the familiar Northern line, its blackened route well-travelled and your own brick-road home.

Part of this choice to ‘slum it’ is borne of your desire to return to the past; a time before the fame and the fortune, when camera flashes came from your parents’ Sony Cyber-shot and not paparazzos with a hunger to splash you across the front page of a slimy gossip magazine. There was no Alexia, then. The extent of Spanish in your life was Anya studying for her A-levels, and you’d spend time writing songs without it feeling like pulling teeth. Without having to relive some of the worst moments of your life.

Those hadn’t happened yet.

God, you were so naive then back then.

Your London shows are in Wembley. Two nights, two journeys through your album, through your heartbreak. Both are sold out.

“See it, say it, sorted,” you mouth along to the voice, pushing the handle of your suitcase upwards, rising from your seat. The doors of the tube swoosh open, the yellow line of the platform attacking your tired eyes as Highgate station is revealed to you. You hear a whisper of ‘is that Y/n L/n?’ but you don’t turn around.

The wheels of your suitcase gurgle against the bumpy pavement leading up to your house, but they grow quieter as you approach. They must sense the tension, glad to have the smoother surface of your driveway to move across as you force yourself to continue walking forwards.

A woman is standing on your porch. Her body swivels around as she hears you stop just behind her.

Leah takes in the sight of you, deciding that you definitely did not enjoy Barcelona. “I was just about to ring the doorbell, but I guess you wouldn’t have answered the door anyway,” she says with an awkward chuckle, not sure if you want to talk about how rough you look. You cried the entire flight, and refused to contact anyone once you had landed, hoping they assumed your plane had crashed and you had drowned somewhere in the English Channel.

“I got here in the morning.” Your voice is unused. It croaks, shattered.

“Let me get your bag?” asks Leah, rather firmly, leaving you no room to decline her request before she has stepped off the porch and into your personal space. She looks up at you, wondering how you manage to look so beautiful even now, hand blindly reaching out for the hard shell of your suitcase as she stares. “How’re Nico and–”

Your lips silence her before she is finished. Leah freezes, surprised this is the moment you have chosen to kiss her.

But she misses you as soon as you pull away.

“I’m so sorry,” you whisper, and she cringes at the self-loathing that drips from your words. A tear rolls down your cheek, but you are unsure whether it falls because you have kissed her or because you want to kiss her again. “I shouldn’t have done that.”

You must have argued with Alexia. Leah’s realisation weighs heavy on her heart. Something has to have happened for you to have made your move, because Leah had been starting to accept the idea that you were still in love with your ex and she was nothing more than a friend. She had been looking forward to your concert tonight, in all honesty, and was excited to see you again, glad to have you in her life in any way, shape, or form.

“Because,” she starts hesitantly, “because you didn’t like it? Or…”

“Leah.”

“If you wanted to kiss me again, I wouldn’t mind.”

“Leah,” you repeat, the vowels almost failing to drop from the tip of your tongue. This is a dangerous game, but the look in Leah’s blue eyes tells you that she is happy to play it. “Leah, I… I shouldn’t have kissed you?”

“Is that a question?”

You blink. “I’m not sure.”

“If it’s a question, I’d say that the answer is the opposite. And that we should go inside.” She slides her hand over the metal handle of your suitcase, warm skin covering your fingers where your grip is still curled around it. “But only if you want to.”

Do you want to?

You value your friendship, you really do; Leah has been there for you many times since you met her, never asking too many questions. She means something more than what you crave from her, and doesn’t deserve to be the woman you use to detach yourself from reality.

But Leah is looking at you with desire that has been missed, relentlessness promised by her toned muscles. Leah is looking at you as though you are the only star in the galaxy or the sun on a rainy day. Leah is looking at you like she wants to devour you, and you, with no soul left to give, resign to letting her have your body.

“This won’t change anything, right?”

It’s a mean question. You know that.

“Course not,” Leah lies.

You let it convince the both of you.

Pink glitter covers the dining table at one end, and shiny green stars are scattered on top of the brown grain of the wood on the other.

“She might be at soundchek,” Alexia explains to Nico, who is finished with his Mother’s Day creation and is now intent on FaceTiming you to show you the card he has made. “And cards are supposed to be a surprise. That’s why we made envelopes!”

“But you said my card should be put in a museum,” he replies with a frown, his nose crinkling in confusion just as yours does. “So we show her now.”

“Mi amor, that’s not how it works,” laughs Alexia, reaching out to ruffle his hair. With Elena settled comfortably on her healthy knee, gleefully pushing piles of glitter around so that it mixes with the glue smeared on her card, it is safe to say that this year’s cards are going to be successes. “Mama has promised to call when she gets home, and you can tell her that you have a surprise for her. That will build up the excitement, and make it even better when she gets to open it.”

Your son has become a cynic. “And when will that be?”

“Mother’s Day is on the 19th, so we have three days to wait.” You have purposely chosen a chartered route to Tokyo that flies via Barcelona so that you get to spend the day with your children before your fortnight in Asia to end the first half of the tour. “Do you want to write the words out for Lela once the glue has dried?”

“I don’t know what Lela wants me to say,” he explains with great concern, turning to his sister with a very serious expression. He speaks to her in English, because he knows that this card is for you. He understands that there are two Mother’s Days, though he thinks it’s because he has two mothers, and that Alexia’s day is in May. When Alexia opens her mouth to speak, Nico is quick to shut her down. “Calla, Mami, no sabes nada de inglés.”

Your legs slam together but find no available route with Leah’s body in between them.

It feels… good.

Liberating.

You haven’t brought her into your bed, which she notices but doesn’t comment on. It’s excusable to be on the sofa, to have stayed downstairs for the hours she has spent trying to make you feel better, because the clock has only just ticked its way to lunchtime. You laugh to yourself at the thought of that, amused by the notion that you have already eaten.

Leah is curious when it comes to you. That much you had expected, having been aware of her lingering gazes long before the sores on your heart had calloused into tougher muscle. She has been waiting for this resiliently, and you present yourself to her as though you are a new toy she finally gets to play with. She kisses you slowly at times, to memorise the warmth of your tongue or the jut of your chin, but she often grows impatient, wanting nothing more than to end her torture and find out what it is like.

What is it like to have a woman like you? To wake up next to you, kiss you, touch you?

How does your mind work? What do you smell like just after getting out of the shower? Does your accent ever slip, or is it really that posh?

The air in the living room is hazy now, and your eyes close in bliss as you let your sweat seep into the grainy fabric of your white sofa. Leah doesn’t crawl into your open arms as you assume she will.

She wipes her mouth.

Although Leah has enjoyed this very much, she knows that this instance has not been you allowing her to start to love you. It has been for her to help you forget how much pain you are in. Somewhere deep down, she cares, but she doesn’t try to search for the emotion.

“So,” she says with a giggle, as if you are two teenage girls, best friends who have decided to kiss so that they can practise for the real thing, “do I need to send an apology present to your makeup artist?” Sitting back on her knees, she swipes one hand down to pluck her t-shirt from the floor, pulling it on top of her naked body before sending you an exaggerated smirk and prodding the developing bruise on your neck.

“Fuck,” you groan, batting her hand away. “I completely forgot I had that thing tonight.” You also need to call your children before Alexia bans your name from her household (if that hasn’t happened already).

“That ‘thing’ being your concert at Wembley?”

“I’d have thought selling out Wembley is the norm for you now, Captain,” you tease, clearing your throat. “England have done it, Champions of Europe for the very first time.”

“You’re freakishly good at a commentator’s voice.”

“Gotten used to being my own commentator. Only Spanish streams in my house – even United matches!” You smile at your own frustration but it quickly sours as awkwardness drops on top of you. You bring your arms up to cover your bare chest, but Leah clears her throat with softened eyes and you no longer feel so exposed.

You feel safe.

“What happened in Barcelona?” You shake your head at her question. “That bad, huh?” she presses.

“I don’t really want to talk about it,” you tell her, grey clouds hanging over you as your voice darkens and lowers. “Like, at all.”

“I think you should. It’s better it comes out now than later when you’ve had lots to drink and no idea who you’re ranting about it to, isn’t it? And it’s just me; I’m not going to judge you.”

“But you know her. You know her friends.” Your hands move to cover your face. Leah can have your body, but you don’t want her to have your tears. “Thank you for caring, babe, but I think I’m going to handle this one on my own.”

“Well, you know that–”

“You’re always a phone call away.” You smile, tears sucked back inside you, bottled away in glassware you store in crates labelled ‘VERY FRAGILE’. Desperate to change the subject, you adjust your position on the sofa, sitting up. Leah tries very hard not to stare at the curves of your chest. “You know, Lee, I never thought you’d be that good in bed.”

…

Alexia is in desperate need of advice.

Her muscles contract and relax, the tissues pulling on her bone, which, in turn, pulls her. She is strung along, driven perhaps by her leap in recovery and impending comeback. She almost breaks out into a jog, but the church she has dragged herself to comes into view before she can gain speed.

She had not expected this from herself.

It’s nothing special to her, though she will admit that the architecture of the building does hold some sense of divinity, but the heavy wooden door is propped open and she is drawn inside.

The Sacrament of Reconciliation, Fridays, 17.00-17.30.

Alexia checks her watch, the golden links gleaming on her wrist, catching the sunlight that filters in through the glass windows.

She catches a glimpse of white behind the doors of the Confession booth, becoming acutely aware of how empty the church is. The curtain has been pulled back, bunched to the left-hand side carefully, as though the previous handler had moved with peace.

It can’t be that bad, can it?

It’s just like therapy.

Her feet carry her forwards once more, leading her into the wooden booth. It smells old. The cushion she kneels on is blue, she thinks, but she cannot tell because it goes dark once she pulls the curtain shut.

Alexia is not a religious person. Sure, she signs the cross before stepping onto the pitch, and, like most people she knows, she is baptised, but her faith is limited to that. When she tore her ACL, she spent evenings trying to pray, trying to force her to believe in Him. It would have been comforting to know that someone had a plan for her, was watching over her carefully with the knowledge of how it was going to play out. It was to no avail.

But somehow she knows what to say, and so she does.

“In the name of the Father, and of the Son, and of the Holy Spirit. Amen. Bless me, Father, for I have sinned.” She recites the words like lines from a play, head bowed in shame as she writes her next sentences in her mind. “This is my first and, probably, my last confession.”

Silence.

She rests her hands in her lap, shuffling around to ensure she is not pressing down on her knee in any way that is harmful. It would kill her to have to push back her return to the pitch because of some stupid thing she has spontaneously chucked herself into.

“I messed up.” She laughs. “No, that is actually an understatement. I know this is a church and I really shouldn’t swear, but I fucked up. Father, I had Heaven in my hands and I threw it away as though it were meaningless. Was it greed? Was it greed that led me to do it?”

“Do what, my daughter?”

The priest sounds younger than she’d thought he would be.

“I had an affair with a woman whom I am certain I do love a little bit, but, by doing that, I destroyed a life that was perfect. Was it greed?”

“I think you know the answer to that.”

“Was it temptation?” Alexia tries again, desperately. Part of her yearns for the priest to tell her it was the Devil so that she can shed the responsibility. “I love my wife. More than anything, I love her. I do not think my own life is worth living if it is not in service to her, to our children, to the smile she reserves for her favourite people. I… I didn’t attempt it, but I thought about killing myself.” She swallows the lump in her throat. “Only once, but I thought it all the same. My sister called me selfish.

“It’s just – forgive me – fucked, isn’t it? I got carried away. I got lonely, I was alone. I craved something to make me forget, to pinch the gaping hole in my life shut. I relied on it to make me feel better, and it did for a time. But now it has made me feel much, much worse.

“And I am sorry! I am so, so sorry. I have grown sick of the word; I’ve used it so much that it holds no meaning anymore. It doesn’t do my regret justice, nor my quest for forgiveness, and I’m really on that quest, Father, I want to stress that to you. I lost my temper and said things I should not have said – things I don’t even believe – but I did not mean them then, and I do not mean them now.”

“You are not religious,” accuses the priest, very gently. His voice washes over Alexia’s ears like a wave of warm saltwater from the Mediterranean, and she feels comfortable enough to swim into the expanse in front of her. “Our God is forgiving, but it is not His forgiveness that you seek. I cannot give you a prayer that will make her absolve your sins, because our holy words are not spells.”

“Father,” croaks Alexia. As her lips part, she tastes the saltwater of the sea, dripping down her cheeks as though the tide has come in and there is no other option than for her to be flooded. “Please help me. I don’t know what to do.”

The priest speaks, but she assigns the voice to someone else.

The first thing you forget about a person is what their voice sounds like. It lingers like a feeling you can’t quite name; distant, distorted, enhanced by fantasy.

Alexia does not remember her father’s voice.

The realisation is crushing.

She knows his words – they are her prayers – but, like Catholics do not know the voice of their God, she can no longer hear the voice of hers.

What would her father say if he saw her like this? On her knees in a Confession booth, backed against the wall with nowhere to hide?

This is not the girl he was proud of. Alexia, of course, is not that eighteen-year-old anymore; she hasn’t been for a decade. But, recently, the legacy of that unknown Levante player has disappeared.

Alexia is so very lost.

She does not know where she is in her own city. In her home.

She does not know her place in her life, much less her place in yours – if you will still grant her one.

She has not felt the thrill of football for months, has driven herself to Hell and back, and considered giving up enough to be on the brink of actually doing it.

She has seen countless meals hit the water of her toilet, never digested, never deserving of the very thing that keeps her alive.

She has counted your sacrifices, memorising the digits of an ongoing figure so that she can punish herself with the knowledge.

She has tried to forget English, tried to improve her English, and taken vows of silence.

She has cried and cried and cried until the only thing left for her to excrete is her hot, red blood.

She has searched for a way out of the maze. She has failed every time.

Alexia is lost without you, and she knows it. Everyone knows it, perhaps even you yourself. Do you revel in that fact? Do you enjoy it?

You have a right to watch her suffer. You do, you do, you do.

Alexia runs a hand through her damp hair, sweating as she sobs in the booth next to some stranger who she will never meet again. Her mouth is dry but her cries are wet and raw, and they scrape her throat as she chokes them out, losing her breath and falling silent only to catch it and begin again. The cushion burns her knees as though she is trapped in an inferno, the darkness blazing against her skin.

The priest talks to her for a long time, not letting her leave until she has calmed down. She sniffles, wiping her nose with the back of her palm before softly pressing her thumbs to her blotchy cheeks to clear the final tears from them.

When he is finished, he instructs her to take a few deep breaths, which she does. “You are not entitled to her forgiveness,” he reminds her. He begins the Prayer of Absolution – he insists for the sake of closure – and Alexia walks away from the church no more than five minutes later.

She is still stuck in the maze, but she has restored that voice in her head that she knows will help her find her way out.

…

“So you went to church?” Olga asks with an amused smile, taking the first sip of her latte, relishing in the gentle burn of the liquid. She needs this coffee; she stayed up late last night because she knew Alexia has been struggling. There is nothing worse than being asleep when Alexia calls her for help.

“I have no idea how I ended up there,” Alexia explains, somewhat defensive about yesterday’s catharsis. “Confession is way better than therapy. There is too much accountability in therapy.”

“You have a lot to account for.”

She huffs out a breath, taking a sip of her own drink. “I know, Olga, but I cannot change the past, so what would you like me to do?” Olga doesn’t reply. The brunette parts her lips, but promptly closes her mouth when she sees Alexia’s slight discomfort. “Mama wants you to come to dinner tonight. I… I do too.”

Olga’s smile is big and genuine. “I’d love that,” she answers. “Eli is the best cook out of our friends’ parents. Everyone knows that.”

You’re in London, childless, and are watching the grand old Arsenal play (reluctantly, forced to by Leah if anything). Alexia has seen the pictures of you at the match on Instagram; she has already felt the frustration that you are most-likely never going to watch Barcelona play again unless it is to support the other team. Like clockwork, Alexia seeks to fill the gaping hole you have left in her life. Somewhere, somehow, the lines of friendship between her and Olga have blurred.

…

It takes just over a month for Leah to crack.

You appear in London every two weeks, attending meetings and events, but she has decided, once and for all, to see through your excuses. You come to London for her. She knows that, and so do you. Leah’s ego has not reached a size where she believes she is enough for you, but the facts (and Lia Wälti) tell her she is wrong.

Except, what Leah tends to leave out is that no matter how many times you let her sleep with you, she still is unable to access a certain part of your mind.

She has never been upstairs in your house because you always prefer to go to her place in St. Albans. She has never slept in your bed, nor woken up next to you.

You talk to her like she is still the same old Leah, the captain you befriended during the tournament of her lifetime, your entrance in her life intertwined with the ecstasy of winning the Euros. She closes her eyes and thinks of how you looked that summer; white England shirt, sunglasses pulled down over your eyes. Smiling, cheering. For her, she greedily claims to herself.

Sometimes, in her mind, you lift your sunglasses – you always seem to be crying when she pictures this – but Leah is only vaguely familiar with the timeline of your divorce. This is the issue.

There is a door that you have locked and refuse to let Leah find the key. It leads to heartbreak, to Nico and Elena, to a family you once had.

“I wish you would let me in,” Leah says one day. (The day she cracks.) She tears her ACL two days prior, something that makes you feel guiltily nauseous, and you have come to visit her. She knows that you had flown over the minute you had swapped custody with Alexia.

Your legs curl into your chest as you try to reduce the amount of space you are taking up on Leah’s sofa, cautious of her injured knee. Leah misses the warmth of your thighs, and wants to revoke her conversation starter instantly, pained that she has to even ignite the fire of this forbidden topic. “What do you mean?” comes your quiet reply, unwilling to disturb the peace of her living room. The peace of existing side-by-side.

“Exactly what I said.” Leah nods to emphasise her agreement with herself. “I wish you would let me in, because how do you expect me to love you if I don’t know you?”

She sees the bullet fly through the air; she sees the moment it hits you, the way you go rigid. Dead. Dying?

“It’s crazy because it usually takes years for me to feel about someone the way I feel about you, and I just… I just wanted to tell you that it’s okay to let me in. I want to hear everything, to know everything.”

“Oh.” What had you expected when you kissed her? “Oh, Leah.”

“You don’t have to apologise.” She assigns your guilt, the tears in your eyes, to your distance. Perhaps you hadn’t realised, perhaps it is a coincidence Leah has never slept in the bed you used to share with Alexia. Maybe you are unaware that Leah has never heard you speak Spanish, and doesn’t know a single thing about your life in Barcelona.

You’re a busy person, after all.

“No, no,” you dismiss quickly, shaking your head. Leah can’t help but wonder if the paranoid voice in her head is right; has she been reading too much into this? “Fuck, I am such a twat.”

But you don’t elaborate further, asking how she’s feeling, distracting her from your realisation about her realisation. Before Leah knows it, you are making her laugh harder than she has in a month, and soon, like most good things, your visit comes to an end.

Returning to Barcelona is a little weird.

You feel as though you have done nothing but check over your shoulder the entire journey, staring the past straight in the eye and wishing you could change it.

You hadn’t meant to make her fall in love with you. (But she has. Oh, she has.)

This week’s swap is no different; the same park as usual, the same pleasant weather to undergo an unpleasant task.

On the bench usually occupied by Olga, a different, blonder head comes into view.

“Irene?” you ask in surprise, wondering if she has been sent in Olga’s stead or just so happens to have brought Mateo, her son, to the very same park. You sit down beside her, somewhat pleased to not see Alexia’s henchwoman today. “Where’s the free childcare?”

The defender’s eyes narrow, as though she is debating whether or not she should tell you.

Irene has known Alexia for a long time, and, by extension, has known you for a long time too. She is calm, level-headed, and mature, much like Alexia. Except Irene hasn’t ever thought to cheat on her wife.

You are clearly in a lot of pain, and you have a right to be; Irene does not rise to your comment. “Olga has gone on holiday,” she states with practised neutrality.

“Ah, they’ve broken up.”

Eyebrows raised, she turns to you, breaking her line of sight that encompasses Nico, Mateo, and Elena. The playground is small enough, and very safe. “They were never together.” You wait patiently for her analysis of whatever the fuck was going on between them. “Olga said she wasn’t what Alexia needed. She’s on holiday with Carla, and I guess she is quite upset.”

“And Alexia?” You know Irene does not like to gossip, nor stir the pot. So you can be nosy about how she is doing.

“I think her ego was bruised, but she sees Olga’s point. She has been… better recently. She’s focused on getting back onto the pitch, and Jona is only saying good things about it.” Irene’s eyes brighten at the thought of her captain’s recovery, and her tone soars through the air. The entire team has worried for Alexia, spending their own nights tossing and turning, wondering if the old version of her will ever return. “I know you two don’t speak, but if you did, you’d get a glimpse of what it was like before.”

You can’t help your smile, and Irene does not make you feel pathetic for wearing it. “Good.”

“I heard you were in London?”

“Visiting a… friend.” Irene is not a gossip, you remind yourself. “I think I might have to stay in this country for a bit and let things cool down over there.”

She chuckles. “Whose heart have you broken?” She won’t tell Alexia, when Alexia inevitably asks about you, that you are seeing someone. Not that you have confirmed that to her.

“I’m yet to break it,” you tell her, sighing, “but I know I will, and that is much, much worse.”

“Hey, at least you have two weeks of being endlessly busy to keep your mind off it.”

Children change a lot in two weeks, so Irene then launches into an update on school, clubs, and everything else. She gets the information from Alexia, of course, who writes out a list every time you switch over. No one has ever handed you the piece of paper before, worried that her handwriting will be an unnecessary reminder of the pain she has caused you, but, for some reason, Irene does today.

You are not put off by the swirling Spanish in front of you, instead choosing to study it. You have spent hours in Alexia’s lap as she scrawls out football notes upon football notes, scribbling prompted by footage or, freakishly, her own memory. From the lightness of the indentations of the pen, you figure that Alexia is exhausted. From the half-finished sentences, you decide that she was rushing when she wrote this.

But, as much as you delight in your brief analysis of the evidence in your palms like Sherlock Holmes solving a mystery, you can’t ignore just how greatly you have missed the letters that swim between the lines (and the hand from which they were written).

Irene spares you your dignity by standing from the bench and checking on the children just as your tears begin to fall.

…

You take one last look in the mirror embedded in the sun visor, ensuring your hair is perfectly in place and your earrings match your cream, sleeveless turtleneck to poise you just between casual and smartly-dressed. A quiet grumble from the backseat draws your attention away from your reflection, though your last glimpse at your concealed eyebags and red-rimmed irises leaves you feeling a little dejected and mourning the days you’d actually get some sleep. (Or wouldn’t, smoking cigarettes on the balcony while talking Alexia’s ear off.)

“Mama, we go,” decides Elena with a huff, tugging on the buckle of her car seat.

It’s Nico’s first-ever recital tonight.

He started playing the piano in September, when his teacher at school had mentioned how he boasted to the children in his class that he was a musician: ‘if I am Catalan because my mami is Catalan, then I am musician because my mami is musician’. You felt guilty. His teacher says he is naturally talented, voice lacking surprise but praiseful nonetheless, and is proud to name Nico his youngest student at tonight’s show.

The bouquet of daisies you ask Elena to hold makes her look like a miniature carnival float, and she toddles into the venue by your side while you do mental gymnastics between the knowledge that Alexia will be here tonight and the nerves for your son’s performance. It’s nothing complicated, but you worry he will hate it. This is the only thing he does that is a nod towards you; his one deviation from his worship of Alexia.

“Mami!” squeals the walking flowers as soon as you make it to the half-full hall. You direct your gaze to the three rows your daughter refers to, every seat lined with either professional footballers or family. With a sudden rush of blood to your head, you feel out of your depth.

You’re not sure whether the hazel eyes that find yours help or worsen that.

“Keep it moving,” you mutter firmly, holding her hand so she does not make a break for it and tumble right over to the cohort of FC Barcelona and Seguras. Not wanting to get too close to them, you take your seat in the penultimate row, knowing Nico will not be able to see you over the grand piano set up on the stage wherever you sit. “You can talk to her later, sweetheart.”

She is in an obedient mood, most-likely intimidated by the tension in the air. You tell yourself it’s the stress radiating from the line of performers sitting on the front row. Nico stands on his chair, waving first to Alexia and then to you (it’s your turn with them so you are a lot less exciting right now), before he is lightly scolded by his teacher and the first child walks up the steps and onto the stage.

Five uninspiring children later, Nico is finally led up onto the stage. His teacher sits down on the piano stool and nudges him forwards. He smiles brightly at the room. You reciprocate, encouraging Elena to do the same to keep her engaged with an admittedly boring event.

“Bona nit a tothom! Jo sóc en Nicolau i tinc quatre anys i ara aniré a tocar ‘Brillia Brillia Estel Petit’.” The audience melts before him. “Mama, that means ‘Twinkle Twinkle Little Star’,” he whispers loudly.

You send him a thumbs up. He sends you a grin back, before giggling as he climbs onto the piano stool beside his teacher.

Situated comfortably, feet dangling adorably far away from the pedals, his chubby, little fingers hit the ivory keys once, then twice.

You pray this goes well.

It does.

He plays with two hands, something you hadn’t expected, and Elena holds in her noisy yawn until after he is finished so she must have been invested in the performance. Your own hands sting after you clap with such prideful force that you are the loudest in the room, and the hoots and hollers from Alexia’s territory only make Nico even happier as he bounces down the steps and back to his seat to wait for the others to do their pieces.

After the recital has finished, you walk down the aisle separating the seats in half to get to Nico, daughter-less courtesy of a squadron of football-playing kidnappers.

“How was that?” you ask him smugly, his arms wrapping around you in a tight hug. “I knew you would be brilliant, even when you were scared you weren’t going to be. Do you know how proud I am of you?”

“This much?” He holds his hand about thirty centimetres apart. “Mami says this much.”

When he widens his hands, you gesture something even bigger.

“‘Immensely’ is the word I would use.”

“Im-men-lee?”

“Es que nuestro orgullo llena una casa sin techo. Hasta el cielo.”

“Up to the sun,” you amend, ignoring the way the voice has made you stiffen. You don’t read too much into her misuse of the collective pronoun. There is no ‘our’ in ‘affair’.

Alexia’s hand hovers by your waist for a moment, muscle memory getting the better of her before she draws it back into her body. Nico gives her a matching hug, telling her how much he has missed her.

You try not to blame yourself for his derailed childhood.

“You were amazing, petit,” Alexia says, picking him up with one strong arm and settling him on her hip. You grip the wrapper of the bouquet you are holding. “Did Mama get you a gift?”

He peers at the daisies in your hand with curiosity. Shaking his head, his confusion deepens as he studies the bouquet you are extending towards him. “They are for Mami? Flowers are for love.”

“I love you,” you tell him, not trying to make a point but instinctively prickling in the presence of Alexia.

The silence is awkward.

A few metres away, whilst entertaining the sleepy toddler on her lap, Mapi is excitedly talking to Alba. “Y/n hasn’t killed her yet,” says the defender with glee, one of your admirers. The team respected you before, never questioning their captain’s judgement nor family, but when word got out about the affair amongst the older girls, most of them began to see you as more than Alexia’s wife. A new layer to your character was revealed; you are a strong, independent, and successful woman. Football nerds sometimes forget success comes in more forms than blaugrana kits. “They made such a beautiful couple.”

“They did.” Alba watches as you talk to your son, your eyes actively avoiding the woman in front of you. “Our mother has sent Alexia over there to invite her to dinner. It killed me to see her sit alone.”

You are too used to the feeling of eyes on you that you no longer notice the weight of people’s stares, but, if this were not the case, you would know that most of the heads attached to the bodies sitting in Alexia’s rows had been swivelled towards you for majority of the recital. Pity is never a desired emotion to have offered to you, but the Barça girls can’t help but feel that way whenever they see your forehead crinkle in an attempt to understand Catalan, presuming you only speak Spanish as you have more than enough on your plate. (And, as most of the players will admit, your children speak better English than them, so one can only assume that it is your main method of communication.)

“She’s a very good mother,” Mapi comments with a small nod, sucking a sharp breath in as she begins to sympathise with you even more. Not a day goes by where she witnesses the suffering Alexia’s idiocracy has caused – as Ingrid, her girlfriend, knows very well – and does not fail to scream in frustration about her best friend’s stupid mistakes.

“She’s a very good person.”

They fall silent as they see your head tilt up, jaw clenching as Alexia begins to speak to you.

“Can you hear what she’s saying?” whispers Eli to her daughter, equally invested in the conversation. “I knew I should have sent you; Alex is too socially awkward.”

“Mami, she is talking to her wife,” replies Alba, though she remembers what happened the last time Alexia and you had spoken and the outcome of that. Maybe that commences her increasing agreement with her mother… “I guess you– Are they coming over here?!”

Even you seem surprised by how your legs carry you towards the Barcelona clan, a step behind Alexia and Nico. Hesitant would be an understatement, but most of them are too preoccupied with congratulating the four-year-old they have come to watch to notice your tight-lipped smile and trembling hands.

“Hola,” you say shyly.

Eli pulls you into her strong embrace without missing a beat. “Te he echado de menos, hija.”

You try very hard not to burst into tears.

They take you to dinner; a plan you had known about but not envisioned yourself included in. Although it’s your fortnight, Alexia (through the conduit of Alba) had previously arranged to drop Nico and Elena over to yours before midnight.

You blow off your FaceTime call with Leah.

The restaurant is on the lower level of fine-dining. It’s chic, but it does not make your children feel unwelcome. The table is set for five places, though Alba informs you that the reason for this is because the reservation was made before she broke up with her girlfriend.

“Mama, what are you going to eat?” asks Nico, slipping back into his old life seamlessly, mixing his English with the Spanish he knows everyone can understand, his legs swinging underneath the table with an enthusiastic energy. He is still too young to pick up on how far apart his parents are sitting, or how you refuse to let your eyes linger on Alexia’s tanned skin, far too much of it shown off by the tank top she sports in the humidity of the busy restaurant.

You glance around the room, searching for those who have recognised you. Under the weight of at least four curious stares, you motivate yourself to enjoy your meal.

“Not sure yet, babe,” you answer. “Alba, do you fancy sharing something?”

“Yeah, of course.” The younger Putellas smiles. Alexia knows who has lost the war.

Dinner passes with light conversation centred on very neutral topics. No man’s land is clearly the children, and you had never expected to be so desperate to continue a conversation about school lunches until the other options are how Alexia had an affair with her teammate or that your song with her favourite singer is topping the charts and explicitly about being cheated on.

Although you and Alexia both watch how many times your wine glasses are refilled, Alba lets loose, as does Eli (probably to ease the stress on her heart that her girls force upon her). Their cheeks redden and Nico begins to yawn, Elena already curled into your side halfway between dreams and reality.

“Should we head out?” you ask it to the table, but the only functioning person is Alexia, really, and so you close your eyes to avoid having to make eye contact.

“I should probably get Mama and Alba into a taxi.”

“If you call one for them, I will call one for us?” Your suggestion is instinctive; an old habit reminiscent of many similar nights, back when there was love and happiness and a relationship that didn’t feel like walking on a floor made of broken glass. “Or did you drive here?”

“No, but you drove,” comes Alexia’s reminder. Internally, you face-palm. Parking the car before dinner seems like years ago; something feels different now. “But if you don’t feel up to it, I could drive you home. I haven’t had much to drink and I have nothing else planned for tonight. Elena is practically in a coma anyway.”

You laugh – a softened version of it so as to not rouse the dead weight of your daughter.

“Are you sure?”

It’s late.

“Yes, I’m sure.”

I don’t care.

“Mama,” Alba slurs, pulling her mother in close. “The saint has given her sinner a second chance.”

It may not be as quiet as she thinks it is. Alexia, occupied, is deaf to the comment. You are not.

This is not a second chance.

This is a lift home.

The last time all four of you sat in a car together was the day you found out about Alexia’s affair.

You had suffered then – are still suffering now – but your anger was hot and sharp and new. Fresh wounds.

Now, though more scabbed-over than healed, those wounds no longer seem to gush blood; you entertain Alexia’s stiff small-talk.

She asks about the tour, never veering too far off the road of practicality and shared custody. When does it resume? Which has been your favourite show?

“Wembley is like playing El Clásico in Camp Nou,” she determines, not needing to ask about that because she knows you too well.

Your memories of the London shows involve a naked Leah Williamson. (If only she knew that!)

“Yeah, London was great.”

Awkwardness is part of Alexia’s personality; something you are fairly certain you still love. She is shy, though it perhaps comes off as stoicity, and she has never been good at making conversation. You know she hates it, and you know that her eyes, Alexia’s eyes, are gazing at you every time she thinks you are not looking.

She is weary about the desire darkening her pupils, but she does not do well to hide her hunger nonetheless.

“Go into the carpark,” you instruct as you approach your building.

Wordlessly, she presses the correct pin into the pin-pad, never having forgotten it.

She parks the car beside a new-looking Mercedes. It’s not a car for children, and she imagines it reeks of cigarettes – there is no way you have stopped smoking.

It belongs in the carpark; in your little world of celebrities and male footballers; of money and fame and fortune. (One could argue you lack the latter, what with your current situation.) Alexia’s life has never moulded with yours.

Perhaps it never will.

Perhaps she slept with Jenni because they are equals, you think. Because Jenni understands Alexia in a way you cannot.

“Mami,” cries a quiet voice from the backseat. You stop staring at the grey, concrete walls, snapping back to reality as Alexia shifts to turn her attention to the source of the whimpering. “No quiero que te vayas.”

“Lela, me tengo que ir.”

“Pero–”

“You could always come up to say goodnight to them?”

It starts off innocently.

Of course it does. Of course you are nowhere near forgiveness, more likely to forget about the crushing affair before you excuse any of her actions. Sometimes, you wish for amnesia. Sometimes, you refer to the tab open in Safari – ‘is there a drug that makes you forget?’.

Alexia is granted a tuck-in and a story for each child, glad that their rooms are separate so that her time in her home is prolonged. The walls are familiar, the floor is the same. There are new pictures in new frames, but the old ones have not been removed. If you had ever wished to take photographs of your relationship down, you have never acted on it.

She realises you must not spend a lot of time here alone. Maybe you cannot bear it. Maybe your life in London is more important to you than she had thought.

Anyway, for as much as she subtly noses around and draws out the night, she has no intention of overstaying her welcome, sure that she probably did that the minute she stepped inside.

In fact, she is on her way out, under the assumption that you will not want to speak to her.

“So you’re back to playing?”

“Sí.”

A doorway conversation.

You’re English. You’re very polite. Alexia knows this, tries to not get her hopes up.

“Does that mean you don’t want a taste of this ‘97?” You hold the bottle up to her, the cork lying on the granite worktop with the incriminating suggestion that you have already had a glass.

“We play the day after tomorrow.”

“Oh, Ale, this is a good one.”

How many times have you said that to her before? The same tone, the same look in your eye; red tinting your lips, one hand on a lighter because you smoke when you’re drunk, even if you refuse to touch the cancer-sticks when you are sober.

“Was this a gift?” she asks, drawn into your magnetic field like a flimsy paper clip; thin, worn metal trying to piece the pages of her life back together. “Or have you been making ridiculous purchases again?”

“I can assure you that it is not ‘ridiculous’.” You moan in delight as you take a sip from a glass you subsequently hand over to her. “Gosh, that is divine, and you are simply going to dissolve when you taste it.”

Dissolve she does, but one can attribute that to the company.

The contents of the bottle dwindles quickly, paired with a vulnerable retelling of her ACL recovery (sans suicidal thoughts and huge, huge regret about the affair – she doesn’t want to bring that up, seeing as you are clearly trying to forget about it), and the warm breeze of the Barcelona nighttime. The salty air from the mediterranean mingles with cigarette smoke, though Alexia softly says that you really should stop.

You hesitate on your next puff, but you inhale it all the same. “I like my wine smokey.”

She opens the next bottle for you.

The wine glasses are soon discarded, pouring becoming shaky and difficult.

“They sleep all the way through the night here,” observes Alexia, surprised that no little hands have knocked on the glass door leading to the balcony. The last time you had reached for the wine, you’d moved closer to her. You have not yet returned to your original seat on the other side of the rattan sofa.

You raise your eyebrows, under the impression that they were both sleep trained. “They don’t at yours?”

“Elena keeps trying to sleep in bed with me.”

“Maybe she likes you more,” you suggest with a light, alcohol-infused laugh. “She must have been upset to find her place filled by your friend.”

“No,” murmurs Alexia, “it has never been filled. Though I don’t think you can say the same.”

You swallow the stickiness of the wine running down your throat.

“Not in our bed. My bed.” You fight yourself. “Our bed.”

“In Highgate?”

“Anywhere,” you breathe.

“It’s been months,” croaks Alexia, your hand pressed against her stomach as you slowly lean into the feeling only she can give you. “Months.”

You kiss her. Time folds in on itself, and you are transported back to when every touch was electric; when nothing was tainted. The pain of the past months, the heartbreak, momentarily fades into insignificance as you lose yourself in Alexia’s warmth.

Her fingers tangle in your hair, pulling you closer, afraid that this moment might slip away too soon. The taste of wine lingers on your lips, and she craves the softness of them – she has been craving them since July.

“Well, now it has only been seconds,” you whisper as you pull away.

With a sense of urgency, she chases your mouth once more, strong arms pulling you on top of her, manipulating your body against her with no hint of uncertainty.

Alexia knows you well.

Her touch lacks curiosity and exploration. Her hands are experienced and confident in their movements, and she has hoisted you up and brought you to your bedroom without needing to have been told that this is what you want.

“Is this what you want?” she asks anyway.

“Please.”

And she really doesn’t make you beg.

Your hands roam her body with a primal hunger, instinctive touches to the most sensitive parts of her, leaving a trail of fire in their wake. Her back is tense, muscles flexing as she pushes your clothes off your skin, her own following their path soon after.

Parted legs and soft moans.

She slots herself between your thighs.

Her tongue is determined, fierce. Sloppier because she is drunk, but, then again, so are you.

Your fingers repay the favour.

“More,” you request just as she pulls away.

“Is it in the same place?”

You nod, panting.

There is a playful glint in Alexia’s eyes as she finds the strap just where she left it. As she secures it in place, you wipe the sweat from your brow, forcing your mind into the dirtiest of thoughts to ward off the building regret.

The room is dimly lit, and the air heavy with desire. Your heartbeat pulses in the silence, the thrum of the organ drums that guide Alexia’s slow, deliberate steps back towards the bed, kneeling atop the scrunched sheets.

She positions herself between your legs once more, and you can feel the heat of her body radiating against your skin. She leans in closer, her breath hot against your neck, sending shivers of anticipation shuddering down your spine.

With trembling hands, you reach out, nails digging into tanned, taut skin. You pull her closer to you, urging her to take whatever she wants.

You want her to have you. You want her to make it hurt less.

As Alexia presses inside, a jolt of pleasure courses through your body. You cry out, the sound igniting a blazing inferno within her that grows hotter the moment you ask her to move. Feverishly, her hands move over your chest, finding purchase on your breasts with a dormant possessiveness as her hips begin to drive the strap in deeper.

Your breath hitches in your throat as you surrender to the overwhelming sensation, encompassed by someone so divine that you begin to separate yourself from all things wrong with this situation. The headboard thuds against the bedroom wall as she pounds her thrusts into a rhythm, and you shut your eyes as you quietly ask her to kiss you.

Tears cascade down your cheeks, but you do not know to whom they belong. Her tongue smothers your moans, and her hips begin to snap into yours more urgently, with more desperation. The pressure builds inside of you, and you feel as though you might explode.

You feel as though this is the end, and you are glad that here is where your misery terminates.

You’re glad, you’re really glad.

Your back arches, your chests pressing together, large hands holding you close to her.

And then it all comes crashing down.

Everything.

You wipe your eyes once the orgasmic bliss subsides, seizing your wine haze as the tide goes out and destroying the blindfold that had deprived you of seeing things straight. Right now, with the pleasant ache between your legs, you can’t quite bring yourself to regret it, but you know you will. You haven’t forgiven her; you’re not sure that it is possible.

“You can shower, but you can’t stay here.”

…

Nico knows that he is special. He is lucky, and he is loved, and he gets to go to a very nice school that Mateo (his ‘cousin’) claims is fancy.

He likes his teacher. She reminds him of someone he once knew – you have suggested the nursery helpers back when he lived in London. He is not sure if you are right, but he doesn’t remember what London was like so he tries not to think too hard about it.

Nico’s friends, like Pau who is sitting beside him, all think it is really cool that he can speak English. Pau says she hears his mother on the radio sometimes, but Nico hasn’t yet grasped the concept of fame past the annoying camera flashes and big, sold-out stadiums. He dislikes fame as he knows it, anyway, because the cameras hurt his eyes and the stadiums are so loud that he has to wear ear-defenders that squeeze his skull a bit too much.

“My mum is from Bilbao. My dad is from Barcelona,” states Paula as she swipes a crayon over the sheet of paper her drawing is on. Green wax slowly stains the white to form ‘grass’. Everyone is drawing their family today, although Nico hasn’t yet started, waiting for his teacher to circle their table so that he can ask for another piece of paper. “And this,” Paula carries on, squiggling brown hair onto a smaller version of the stick-figure father, “is Ander, my big brother.”

“Who is that?” Nico asks, pointing at the fifth figure on the page, guessing that the fourth and Pau-sized person is, in fact, Pau.

“My sister! She’s called Nerea, and she plays basketball.” Pau promptly makes an orange circle the size of Nerea’s head, which floats in the air between her and her sister. “My mum says Nere is going to be a lesbian, but I don’t know what that means.”

“My mums are lesbian!” he blurts out, excited enough to garner the attention of his teacher. When she appears, he grins at her sweetly; the kind of smile that has melted many hearts, though Nico is unaware of how many people know he exists. “More paper, please.”

“Nico, you haven’t even tried with your first one.”

She isn’t harsh at all, but he has slowly learnt to stop asking follow-up questions. Six months of exasperated ‘I don’t know, Nicolau’s has taught him that.

He shrugs. “Okay.”

He learnt what a shrug was the other day, when Mapi told him off for doing it to her. (“Don’t shrug your shoulders at me, Nicolau Putellas!” she had chided playfully. “All I asked was which of your mamas’ houses we need to go to.”)

“Nico, what’s ‘lesbian’?”

“Mama says football is lesbian. Basketball might be lesbian! That’s why your sister is lesbian.”

“My mum says that lesbians kiss girls.”

“Mama kisses girls! And Mami. And they used to kiss each other but now they don’t speak and me and my sister swap houses.” Nico begins drawing it out for Paula when she peers at him, befuddled. “Here is Mama’s.” A big square, a glamorous-looking woman inside of the blue shape; a stick with a circle on the end of it; the notes he sees in his piano music floating in the air. “And…” he says, tongue sticking out as he concentrates on the opposite half of the page, “here is Mami’s.”

He draws a football. He picks up the red crayon too, and uses both the blau and the grana simultaneously. “Mami plays football for Barça.” He draws two lines on Alexia’s t-shirt. 11. “Mami made me get 11 at football.” Nico had originally worn the 10, but then the affair had come to light and Alexia was suddenly deep in conversation with his coach and apologising to the boy Nico then had to swap shirts with.

Then, he drops the crayons in his hand and searches for the stack near Paula. He selects the purple one, gripping it tightly, his friend still listening to him with intrigue.

“This is me and Lela.” Two stick figures are drawn in the middle of the page; the middle ground between each of the squares.

Nico sometimes feels stuck between it all.

When Mami got very sad, he and Elena went to stay with Mapi and Ingrid for a few nights. He held his little sister’s hand as much as he could. He always tries to remind her that he is right there with her.

Mami once told him that it was his turn to protect Elena. Nico hasn’t forgotten that.

“I keep Lela safe.” He has encouraged her, slightly selfishly, to call him ‘skipper’, which he has picked up from the Lionesses. Luckily, Alexia has not told him off for it because she doesn’t know what it means. “Lela is my little sister. She is a baby. She doesn’t remember what it was like when Mama and Mami loved each other, but I do.”

The purple crayon scrapes on the page as he presses it into the white, colour rubbing out in the shape of a heart. “Lela and I are together tot el temps. Mami tries to take me from her sometimes, but I don’t let her.”

His story – and ability to make Paula pay attention for longer than ten seconds – has already attracted the quiet attention of his teacher, but she moves closer as Nico continues. The four-year-old leaves out how Alexia is usually inviting him to training with her. Since Elena has yet to show any interest in football, it remains her and Nico’s special thing, and, of course, his mother misses him when it is not her turn.

You benevolently give your permission if you have no prior plans. It is upsetting that the only hindrance to extra time spent together is the little boy who once worshipped Alexia Putellas like a god.

“Nico, why did you want two pages?” asks Paula curiously, assuming he is finished now that his whole family is displayed on the piece of paper.

He frowns. “Because now I have to do this.” And with that, he tears the sheet in half.

Paula’s mouth drops open in surprise, as does his teacher’s.

“What’s wrong?” comes a mature voice, a hand placed on his shoulder just like it is when the other children in his class cry. Nico doesn’t cry. He is strong and brave, like a little soldier. “Did you not like your drawing?”

“No,” he replies neutrally, “half can live with Mama, and half can live with Mami.”

“But now you are ripped down the middle.”

He traces the jagged edges of the halves of his life. One of his legs is on your side, the other on Alexia’s.

“I know, but it’s okay. I don’t cry.”

Alexia does, though, when his teacher talks to her that afternoon.

…

“I slept with Alexia,” you confess quietly, comforted by the sound-proofing of Anya’s home-studio. She asked for help with her album; your success might be contagious, she insists. “Last week, when Nico had that recital.” You clutch your mug protectively, as if she will strip you of the right to drink your tea to punish you for your crime.

Anya is unsure what you would like her to say. You search her face for anger, but do not find it.

“If Gio were here, she’d probably slap you.”

You snort, almost spilling hot liquid all over yourself. “You two are like my mothers, and you’re the nicer one by far.”

“God, you are such an idiot.”

“And a slag.” She waits for your next admission with excitement. “I also slept with Leah Williamson.”

“Do you think you and Alexia are just destined for polyamory?” Her amusement is quite pleasant, but one thing wasn’t dulled by the wine that night and you have been dying to tell someone about it.

Your knee bounces up and down as you gear up for it, having thought it through

“I think we are destined for each other.”

Song-writing be damned, Anya fully removes her headphones, placing the equipment beside her keyboard before letting out a small, exasperated laugh. “You are in love with Alexia again,” comes her accusation, with no real malice behind it.

“I never stopped being in love with Alexia. She just made it a lot harder to love her.”

Is that an understatement?

“Hey,” you say with sudden energy, sitting upright and grasping at your phone, tea wobbling over the lip of the mug and running down your wrist. “Should we go to Bali in August?”

…

You avoid both of your footballers right until the World Cup camps roll around.

Leah doesn’t get to go, subjected to the ACL curse. Alexia’s call-up is not necessarily unexpected, but you do find yourself wondering how many more betrayals her friendship with Mapi León can handle. (Mapi is on her last straw, but she knows her friend really needed the win after her hellish year. The Champion’s League was never going to sate Alexia’s hunger to be the best at football – possibly an overcompensation for her terrible relationship skills.)

Your children, this time, are delivered to the park by their very own mother. Alexia beats Leah in this sense, because she has a valid excuse to see you without confessing feelings you do not want to hear.

“I have something for you,” she says just after she has finished her goodbyes, pressing a small box into your hands. Her voice is filled with nerves and you are intrigued, hating yourself for being so. “Don’t open it until you get back home.” Her eyes meet yours for a moment. I’m sorry, they seem to say. “Alright, have fun in Bali, and don’t forget that I legally have custody but I am not going to go to court to battle you for it as long as you put them in Spain kits for Spain matches.”

She could, if she wanted to be difficult, have you send Nico and Elena to New Zealand during her weeks. It would be very unreasonable, but the contract your lawyers drew up still stands.

“They were delivered yesterday. I think it’s going to be a struggle to convince them to put on the worst kit ever.” You still don’t forgive Alexia for cheating on you, but there has come a point where acceptance replaces the animosity. Nico’s teacher has been the catalyst in this step forward. The developmental pamphlets she had thrust in your faces were enough for the two of you to come to a mutual agreement of increased civility (that maybe, maybe was only made possible by the fact that you have very recent memories of each other’s orgasms). “But, yes, I agree to your terms. Don’t forget that his favourite player is Alessia Russo, however.”

“He is in a phase where I am ‘uncool’! It’ll pass.”

“If you say so, Alexia.”

“Anyway,” she carries on, rolling her eyes. “Open it when you get home.” She… presses a kiss to your cheek? “I’m so sorry, mi amor.”

You blink back your surprise, but she is gone before you can reply.

The small, neatly-wrapped box sits in the palm of your hand, the corners edging off your skin and sticking out as you stare at it. Nico and Elena continue their (unsupervised) playing, but you manage to call out a warning for ‘five more minutes and then we’ve got to pack’ while you examine Alexia’s gift.

Is this how Pandora felt?

If you open it, what will be unleashed?

Alexia, before now, hasn’t actively pursued your forgiveness. She has given you the time and the space you had broken-heartedly requested, nodding as you communicated your wishes to her through someone else, never before able to confront the face that tore up your life before your eyes.

There was a time when all you ever wanted to do was talk to her, but she tried to forget about that when she realised the extent at which you went to avoid an interaction. When she had understood your desperation to be left alone fully, she began to breathe. The step backwards gave her room to examine just how royally she had fucked it all.

She now feels a bit more capable of tackling the clean-up, working with a much clearer mind. Everyone is relieved that she hasn’t killed herself, or, at least, that she is keeping those thoughts at bay.

You realise that she has bought you a ring, and regardless of whether you wear it or not, she wants to tell you that she is sorry.

...

IT'S NOT OVER YET! THIS WILL TAKE YOU TO THE SECOND HALF

#woso x reader #alexia putellas x reader #woso #woso fanfics #randombush3 #leah williamson x reader #woso imagines #barca femeni #alexia putellas #alexia putellas imagine

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mlim8 · 1 year

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Hand-to-Hand Combat

Jaydick Week Day 1 and 4: Reverse Robins + Talons/Court of Owls @jaydick-week

[PART 1] [PART 2] [PART 3]

*sobs* I FINISHED IT. ... Kind of an idea I had for a while... it was only suppose to be Page 3, but then it got longer... and longer... and longer... ;w; I actually also have a Bonus ending couple of pages I’ll add later when I finish fjioejlksefkle Much love to @nerd-by-definition and @allthatsentimentalcandyfloss for love and support ;w;

Here is Bluejay (lol my agendaaaa) Jason, put on recon ONLY because the rest of the Batfam doesn’t want Jason near danger and action after they lost Dick [mumbles and suitable amount of time] ago. He runs into a Talon, who’s just a kid, so Jason thinks he’s got a chance. Plus he’s antsy from just sitting all night!

Notes and Easter Eggs:

1) I’ve been calling this version of Talon!Dick a Cockroach for a while now lol starting with this post

2) Talon!Dick’s eyes have become yellow, so I changed his speech bubble colour to reflect that as well

3) Talon!Dick is left handed for no good reason

4) I used so many references for this, especially because action scenes are not my forte lol Gusari’s works were inspiration and references for a lot of them

5) Blackbird refers to Damian in this AU

6) Jason probably would be the best at hand-to-hand combat. Maybe not in his young age right now, but Dami would be able to notice his unpolished skill uwu

7) Originally, I had Jason’s line about being the best at H2H combat talking about how Talon!Dick was good, but he never trained with Batman himself... xD and then realized I couldn’t do that because teeeeechnically, Dick has lol

It’s nearly 2am as I queue this lol I’m sorry if none of this makes any sense :3

#jaydick #reverse robins #court of owls #jason todd #dick grayson #bluejay jason todd #talon dick grayson #jaydick comic #jaydick week #cockroach mask baby

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bottle-of-harpoons · 19 days

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Verde was really like 'I know that mental breakdown anywhere!'

Dudes, I swear I'm still working on this.

Work and irl stuff have been kicking my ass. But I will finish this one day.

Also I didn't mean to make that one colour page look like the spiderverse, it just kinda happened.

That small flashback was to the battle between Juliana and Kieran over who got to be Ogerpons new trainer. Verde recognised Kieran first because he spent more time with him. Ogerpon knew him for less then a day.

If I'm honest, I'm not too happy with this. The reason why it's so disjointed is because I couldn't figure out how I wanted this part of the story to go. I definitely wanted Kieran's Identity to get out pretty quickly because he's like 14, there's no way a mentally unstable child would be able to keep this a secret for long.

Also small fun fact, Verde has scars on his back because I somehow forgot meowscarada have that weird leaf cape thing, so I had to make up a reason why he doesn't have them. He got that injury as a floragato causing his cape to never properly form after he evolved.

Also he is best big bro.

Other fun fact, the original draft was going to have Ogerpon think Kieran was either Pecharunt in disguise or one of it's minions. It would have lead to Verde and Ogerpon getting into an argument and her having a mental breakdown. I changed it because the conversation started to draw away from Kieran as he awkwardly watched it all go down. Also Verde was too much of an immature asshole and wasn't fun to write.

This is all that exists of that draft.

#pechapon au #pokemon #comic #pokemon kieran #ogerpon #meowscarada #pokemon fan comic #pokemon scarlet and pokemon purple #pokemon indigo disk #pokemon juliana #sorry for the delay #i am still doing this shit #i completely forgot to draw kierans bandages in this whole segment fml

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hotwaterandmilk · 16 days

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My extremely brief review of Sailor Moon Raisonné Art Works 1991~2023 book is as follows: fantastic as something akin to an exhibition catalogue, disappointing as an art book.

Longer version:

Takeuchi is a great artist, Sailor Moon has some extremely memorable illustrations, there hasn't been a new art book in decades... this should have been a slam dunk in terms of meeting fan expectations. Unfortunately I think the portrayal of this as a preserved "art collection" is a bit disingenous given the format of the book, the number of art revisions, and its overall quality are pretty standard for exhibition catalogues rather than actual art books.

In saying this I absolutely love art work catalogues, particularly when they provide context on how the illustrations were originally used. "Raisonné" shines in this regard, it gives revision notes and context to the original uses of all images from Nakayoshi colour pages through to furoku. Loooooove this:

It even features a comprehensive account of furoku and zen'in for the manga, which is another thing I appreciate in these types of publications.

The main problem, as countless people have pointed out, is that the actual art work in this book is extremely tiny. Many of the rarer images fans were excited to see in decent resoluton (like the colour art from Codename wa Sailor V) are a few cms across here, piled up crammed from a couple to a dozen a page.

The character designs presented exquisitely in full in the "Materials Collection" art book are condensed to a handful of pages rendering Takeuchi's chracter notes unreadable and the gorgeous sketches lacklustre at best. Why are they included at all when some designs are barely visible here? The paper quality too is fine for a catalogue but there's just no comparison to the paper and print quality found in the original Sailor Moon art books.

I think it also has some very standard art collection flaws on top of this, including baffling choices when it comes to putting artworks partially across two pages (will never not hate this in any art book, it's particularly egregious here where the cover illustrations from THE BOOK ITSELF are about the third of a page in size and placed across a page spread).

There's already been plenty of dissatisfaction expressed about this book and I'm not here to give it an additional kick around because I do feel it has value as an art work catalogue. I just think there was a definite divide in what Kodansha produced vs. fan expectations and if you purchase the book knowing this then at least you'll be aware of what you're getting.

#personal #photo #my photo #popped the longer version under a cut #so you only have to read my ramblings if you want to #the book got scanned almost immediately after release #because of course it did #but i won't be sharing any scans on here myself #i just wanted to give my thoughts as a consumer

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lady-harrowhark · 1 year

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hello, can you explain to me in more clarity your “waxen” theory regarding Ianthe? I’m not picking up on what this implies but it’s making my brain itch.

Sort of! Totally fair question, I just don't have a lot of clarity myself in that I don't have a fully formed theory lol. There's definitely some links and parallels in verbiage that are pinging on my radar, so I do think something's funky, but I wouldn't say I'm fully on board with this yet. I'm just playing in the sandbox Tamsyn has provided us, tossing out ideas and thinking out loud. But I can go into some more detail, and add some more thoughts that have occurred to me since I posted that last night.

(Here's a link to the post in question, for context)

Anyway! So let's first lay out all the times we get someone described as some type of wax. At various points in HtN, we get the descriptions "a shoddy wax cast of some more beautiful sculpture," a "wax figure in a pink dolly dress," a "wax figure in pale purple chiffon," and "waxen face" for Ianthe. We also see that descriptor used a few other times for other people throughout the series. In GtN, Harrow's parents' bodies are called "waxy" and the first introduction of Protesilaus (as the beguiling corpse) says he was "waxen looking in the sunlight." In NtN, Kiriona's skin is said to have a "weird, waxy quality," then Naberius's skin is called "waxen" when they first meet up with Ianthe, and again a few pages later it again references the "waxen, handsome face". What I'm getting at here is that every time this sort of description is deployed, it's in reference to a dead body that's been preserved, manipulated, and is essentially masquerading as a living person... except for Ianthe.

We also know there are a multitude of times that she's described as looking like a poor copy of Coronabeth. There's that "shoddy wax cast of some more beautiful sculpture" line, her first introduction calls her a "starved shadow" of her sister ("or the first an illuminated reflection [of Ianthe]," and actually, off the top of my head I don't know that we ever see their descriptions framed that way again... I'd have to investigate this more later, but this might be the only time that Corona is described as a "better" version of Ianthe, rather than Ianthe being a "worse" version of Corona, which is interesting), there's a point where it says "The second twin was as though the first had been taken to pieces and put back together without any genius. She wore a robe of the same cloth and colour, but on her it was a beautiful shroud on a mummy," etc etc etc. I know there's more, but I'm too lazy to go pull the rest of the quotes and you get the picture by this point I'm sure. So nearly all of these situate her, at least visually, as a copy or approximation of Coronabeth, and one that doesn't quite live up to original at that.

So now let's pick apart this snippet of conversation we overhear between Silas and Ianthe at Magnus and Abigail's dinner party a bit. Ianthe says she was born via "surgical means," which I'm assuming is referring to a C-section delivery (or whatever the necromantic equivalent is) and notes that Corona is a few minutes older. Silas seems surprised (or perhaps concerned?) that they "risked intervention" and Ianthe says Corona had "removed [her] source of oxygen". At this point Silas says, "A wasted opportunity, I'd think." I had always taken this for him just being a dick and implying he wished she'd died in the womb, but coming back to it with this new angle... well. She says "Corona's birth put my survivability somewhere around definite nil." And I'm wondering if that doesn't tie to Harrow's comment about infant deaths generating "enough thanergy to take out the entire planet." Basically, could Silas have been implying that the Tridentarii's parents wasted an opportunity to use the thanergy from baby Ianthe's death to power up Corona?

Harrow says that twins are an ill omen, but the text hasn't come back to that as of yet. Given the difficulty necromancers experience with pregnancy, I'd imagine twins would could be especially dangerous and that in and of itself could be considered an ill omen. Ianthe's comments certainly suggest that their mother carried the pregnancy, although I don't think we know for certain whether she was a necromancer. I am so intensely curious about the Tridentarii's childhood and their parents; we get so many gestures towards some really twisted family dynamics, but very little in the way of concrete explanations. Particularly relevant here, I'd love to know more about their father wanting a "matched set" and how that came about. Did they intentionally plan for twins from the start? Was it only once they knew they were having twins that that became a factor? What's the significance there?

Outside of those "waxy" descriptors, Ianthe tends to be described as much more sickly looking than even other necromancers. We know that necromancers on the whole tend towards a phenotype of physical weakness, but even still, there's an emphasis on this with Ianthe beyond that. This might be due in part to narrator bias (coughGideoncough) or the direct juxtaposition between her and Coronabeth's vivaciousness, but what really jumps out at me as contributing to this effect is how frequently she's described as being colorless, pale, washed out, bloodless, pallid, anemic, etc etc etc. It very much makes me think of the way the color drains away from Colum (and even the rest of the room and the others in it) when Silas is siphoning. Silas himself is also often described as colorless ("mayonnaise uncle," "milk man") but not so much in a way that implies frailty as much as I read it as implying a stark coldness, in line with the very black-and-white moral authority he presumes to wield, a purported "purity", much different than Ianthe's colorlessness. With Ianthe, you get a sense that her palette ought to have been or perhaps was closer to Corona's, but the color's been drained away; where Corona's hair is described as golden, Ianthe's is "canned butter", for example. Almost like the life's been siphoned out, one might say.

So to kind of circle back around, do I actually think Ianthe is dead or a corpse like the other "wax" figures we've seen? Nah. Between Harrow and Palamedes, and especially Palamedes's medical necromancy, I think we would have heard about it by now if that were the case. But I do think it's entirely plausible that she's had a bit of a brush with death and that perhaps she's never quite fully come back from, and I do think she's being intentionally positioned as somewhat adjacent to death. If their parents were wanting twins from the outset, perhaps they used necromantic means to encourage the conception. Or if the pregnancy was as high-risk as I suspect it was, perhaps she'd died or nearly died at birth and been resuscitated. Their parents may have gone to extremes to keep her alive, to maintain their matched set. Given the themes of this series, I do feel it's necessary to draw a distinction between "resuscitation" and "resurrection" although they are curiously adjacent to one another. For all the text has grappled with dying and staying dead, dying and coming back, dying and choosing whether or not to return... we haven't touched on what something like a "near death experience" would look like. I'd imagine having that sort of experience, even at an incredibly young age, might lead one to be fascinated with, to use Ianthe's own words, "the place between death and life... the place between release and disappearance."

#it was making my brain itch also!#thank you for indulging my meandering rambles lol #I’ve got another ask sitting in my inbox that I’m working on too… I promise I’m not ignoring it!#tlt #tlt meta #ianthe tridentarius #nona the ninth spoilers #ask #mcdreary #two halves dead

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the-smut-analyst · 7 months

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Making Characters That Make Sense

Walk-through character template & "how to" guide for writing complex, original protagonists.

If you google "character templates for writing", you'll get a lot of very basic examples that read like a grocery list: eye colour, hair colour, skin colour, positive traits, negative traits, etc.

And sure, filling out this kind of template isn't completely useless - but it's also not particularly useful, either. Choosing whether your protagonist has blue eyes or green eyes isn't going to determine whether readers connect with them or not.

Instead, I prefer to use the below template:

There's some fairly left-of-centre categories here, so in this blog post I'll be creating a character from scratch to demonstrate what each section means and how to use the template effectively.

Primary Goal & Raison D'Être

Fantasy Romance is having a bit of a tournament-to-the-death moment right now, with Hunger Games-inspired stories like Fourth Wing, Throne of Glass, The Savior's Champion, and The Serpent and the Wings of Night in high demand - so that's what we're going to work with in today's blog post.

The story premise and primary goal of the protagonist are almost always interconnected. In this case, the story premise is a tournament to the death - and the character's main goal is to win that tournament, obviously.

But where there's room for some originality is in the raison d'être. This loosely translates to "reason for being" or "purpose". It's the why of it.

For example: what motivated this character to risk their life by entering such a tournament in the first place?

It is sometimes helpful to look at similar stories when thinking about this category. Not so you can copy their protagonist's motivations - but so you can do something different.

The whole selfless-self-sacrifice thing, for example - that's done. At least in relation to this particular sub-genre. We can do better for our hypothetical Maera Mystfang character.

Actually, let's really turn the trope on its head and make her raison d'être incredibly self-centred.

Already, this is character is shaping up to be something a little bit different within the niche of tournaments to the death. Which goes to show how putting a little bit of thought can go a long way, even with something as simple as identifying your character's initial purpose.

Primary Obstacle

Every protagonist needs a goal - and every goal needs an obstacle. This is what gives the story some tension and keeps readers turning the page.

An obvious choice of obstacle for this hypothetical character, since we're dealing with a fantasy romance, would be that Maera starts to develop feelings for one of her fellow competitors.

This concept has definitely been done, but that's okay. Not every section of this list has to break the mould. Tropes exist for a reason and it is totally okay to lean into them sometimes.

However, just for funsies, I'm going to try and put a slightly different spin on this one too.

Instead of the obvious "I love one of the people I'm meant to kill", let's make Maera's (previously dormant) conscience be the problem. Her reasons for entering the tournament may have been self-motivated, but as she gets to know her fellow competitors - admires some of them, even - she starts to second guess those reasons.

Core Traits

A lot of character templates will divide personality traits into positives and negatives - but I don't think this is particularly helpful. It is far too one dimensional - not to mention unrealistic. The key components of someone's personality aren't usually so black and white.

In fact, most core traits are both good and bad at the same time - it just depends on the context.

Instead of being wholly positive or negative, try to think of three core character traits that can serve as two sides of the same coin, with both positive and negative implications to each.

For Maera, I've given her these core traits:

Self-reliant;

Rebellious; and

Good-humoured.

Her self-reliance means that she is incredibly capable - but it's also the cause of her selfishness. She's always had to look after herself, so she expects others to do the same.

Her rebellious attitude means she isn't willing to accept the status quo. But at times she is also a rebel without a cause, causing trouble just for the fun of it.

Her good sense of humour means she is fun to be around, but she also tends to not take things as seriously as she should.

Thinking of core traits in this multi-faceted way not only adds realistic complexity, but it also sets you up well for showcasing character development and growth throughout the story.

Fatal Flaw & Character Arc / Growth

You've probably read negative reviews that throw around terms like "Mary Sue" or "Gary Stu". People tend to be over-zealous with these terms, especially for Mary Sue, but the gist of it is that the character in question is "too perfect".

They're the chosen one, they're good at everything, all the boys like them, etc.

Some characters can get away with this just fine. Look at Aragorn. He's the ultimate Gary Stu but I still swoon every time he opens those damn doors. You know the scene I'm talking about.

Ooft.

But for the most part, you want to incorporate a fatal flaw into your protagonists - because this is what gives them room to grow.

And, no. "I was born to be King but I don't wanna" does not count as a fatal flaw.

Instead, think bigger. Think worse. Think about where your character starts versus where you want them to end up. Think about how you want the events of the narrative to change their world view - or even their initial goal.

For Maera, her fatal flaw is pretty obvious, given her initial motivations for entering the tournament. Similarly, her growth/arc is linked to her primary obstacle, which is developing a conscious.

Her journey throughout this hypothetical story might be learning to appreciate how her past shaped her, while also acknowledging that there are things she can do to ensure others don't have to go through what she did. By being shown acts of kindness, she learns to appreciate their value.

First Impression

Now that we've covered all the "big picture" stuff, let's get into some of the smaller details that give your character some texture.

The first impression category is a hypothetical exercise where you image how your character might appear to a room full of strangers. In dual, multi, or omniscient POVs, you might even get the opportunity to include this impression somewhere in the story.

But even for first-person narratives, it is still worth thinking about, because it will help to inform how other characters interact and respond to your protagonist (at least at first).

For Maera, I've written this first impression as: a fun person to have a few drinks with - so long as you keep a close eye on your wallet.

From this description, we can guess that Maera probably likes to have a good time, but also comes across as untrustworthy. Whether that impression is deserved or not is up to you, as the author, to decide.

There's also a lot of deeper directions you can take this first impression category, too. Like if most people react to Maera this way, but one particular character doesn't, then your readers are going to sit up and pay extra attention during that interaction. Especially when that person reacting atypically is the future love interest.

Spirit Animal

Ah, this one is a fun one!

I always encourage my authors to assign a "spirit animal" to their characters - especially when they're doing multi-POV.

There are two main reasons for this:

It will allow you to assign some very distinct adjectives and verbs with that particular character; and

It is an opportunity to flesh out some additional character traits beyond the core traits.

For Maera, I've chosen "spider" because she is solitary by nature, opportunistic, and patient.

But, more than that, I also like the idea of Maera being the kind of person who knows how to watch and wait. While her first impression might be "here for the good times", her joking façade is actually a mask she wears while carefully observing others.

For example:

Her words were laced with venom. She crawled her way across the rooftop. At some point, weaving lies had become more of a past time that a necessity. Her thoughts were a tangled mess. She didn't bother to conceal her predatory gaze. Inch by cautious inch, she crept forward. Her sanity was already hanging by a thread. If there was one thing she knew how to do, it was spin a good story - truth be damned.

I've never outright compared Maera to a spider in these examples, nor have I made it blatantly obvious that that's what I'm doing. But by peppering these kinds or words throughout the story, I'll be able to subtly create a very distinct kind of impression for her character.

For comparison's sake, let's assign "cat" to the love interest. Examples of possible words to consider in this instance might be:

He clawed his way through the bushes. "What are you doing?" he hissed. The comment had some bite to it, that was for sure. He slunk away into the darkness. His still, unwavering focus was unnerving. He prowled towards her. In a few quick, agile steps, he'd made it across the parapet. He yawned and stretched out beside her.

Of course, not every single word you use in association with a character needs to be related to their spirit animal. But keeping a certain type of animal in mind - and finding opportunities to throw in some subtle messaging through language choice - can be beneficial on so many levels.

It helps to distinguish your characters from one another through the kind of language you use to describe them - but it's also just really, really fun way to add some bonus texture to your characters. Giving your readers some little easter eggs like this is never a bad thing.

Love Language

If you're unfamiliar with the concept of the five basic love languages, then here's a quick visual overview:

Love languages aren't a consideration that's specific to romance. They're important for friendships and familial relationships too.

Because thinking about what your protagonist values most in love is going to tell you a lot about who they are. Especially when you take the question deeper and think about why this is something they value.

For Maera, I've chosen "Acts of Service" because this ties in quite well to her character arc.

In terms of Maera's why, I could easily go with "because this was how she was shown love as a child" - and this is a good enough option most of the time. However, since her love language is very much tied into growing out of her fatal flaw, then I actually want to do the opposite.

Maera winds up valuing acts of service because this is something she craved - and wasn't given - as a child. She had to do things the hard way instead. Hence why she ends up appreciating the kindness of others so much. Such generosity is new to her - and precious.

Conflict Response

This is potentially one of the most overlooked character components. Conflict and tension is central to story telling, yet there is so little attention given to creating authentic, original responses to conflict.

The way I see it, there are three main considerations in regards to conflict response:

How your character reacts in the moment;

The unhealthy methods they use to deal with the aftermath; and

The healthy methods they use (or discover) to self-sooth.

When faced with conflict, Maera's immediate reaction is to antagonise. She doesn't like to back down and enjoys creating trouble.

However, in the aftermath, the conflict affects her more than she lets on. She stews on it - and her solution to that is to get drunk until she can forget about it completely.

But even though she sometimes forgets it, Maera has a more healthy coping mechanism at her disposal. When she is surrounded by nature - in the forest, by the sea, whatever - it calms her.

In addition to identifying your protagonist's various responses to conflict, it is also helpful to think about why. Again, this is a great opportunity to insert something unique into their character backstory.

With Maera, for example, let's think about why she finds nature so soothing. Perhaps, amidst a very bleak childhood, one of her fondest memories is of picking grapes in a vineyard.

Perhaps the elderly woman who owned the vineyard was very rude and abrupt - but also quite kind to Maera in her own way. Maybe she would sometimes stitch up Maera's clothes or feed Maera a hearty, meaty dinner - even though she didn't have to.

If you're struggling to think of a real, tangible, unique memory such as this - then it's always helpful to go back to the old classic of write what you know. Think of a real life moment or memory - something that's stuck with you, no matter how simple - then adapt it to your character.

To create this vineyard example, I simply drew on my experience of picking strawberries with my Nonna after school.

Mentor / Idol

I could write an entire thesis on mentors. Or, more specifically, the "death of the mentor" trope - both in its literal and metaphorical interpretations.

But, for the sake of brevity, let's save that sh*t for another time and focus on what's important for a basic (yet complex) character template. And that is:

The Formative Mentor (past); and

Transformative Mentor (present).

The formative mentor (or idol) is someone who influenced your character prior to the events of the novel. Sometimes they're a character the reader will meet, or other times, they're long gone before the novel even begins.

The transformative mentor is a much looser term. It doesn't necessarily have to be a traditional mentor character, but rather it is a character who heavily influences or changes your protagonist throughout the events of the novel.

For Maera, I want her earliest idol to be a random female sell-sword who she crossed paths with. Prior to meeting this sell-sword, Maera was living without hope for a future, surviving on scraps and petty crime.

But after seeing an independent and moderately wealthy sell-sword in her local tavern, Maera got a glimpse into the kind of life that might be possible if she learned to fight. With the right kind of skills, she might be able to earn some decent money for a change - and travel the world.

This is an example of how "mentors" don't always have to be a wise wizard who oversees your protagonist's training and education. Young minds are impressionable - and even distant figures can have a lasting impact.

Just look at all the women who cite Legally Blonde as the reason why they were drawn to law. Elle Woods wasn't even real - but for plenty of young girls, she made an impact.

Similarly, your protagonist's "present" mentor or idol doesn't necessarily have to be a wise wizard either. It can simply be someone who motivates them to change their world view or strive to be better.

In romance, it is more than acceptable to have the present mentor coincide with the love interest - especially in standalone enemies-to-lovers. I know this seems counter-intuitive, since the word "mentor" implies a power imbalance, but it makes more sense if you readjust your definition of mentor to be "inspires change".

However, for Maera, I kind of like the idea of pairing her up with a love interest who shares some of her flaws. I vibe with the idea of making him a bit self-interested too, although for different reasons.

So in her example, I've listed the present mentor as a selfless secondary character. The way I would envision this going is Maera and the love interest team up early on - but somewhere along the way a secondary character saves them both. They're both heavily influenced by this character before this character sacrifices themselves. The aftermath of this incident rattles both Maera and her love interest, and serves as the spark for growth.

I hope you found this template - and very long explanation - useful!

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