randombush3 - Tumblr blog

randombush3 · 12 days

Text

thank you!

you're not sorry to go

ona batlle x reader

summary: ona and you are best friends, but it's a bit more complicated than that

words: 4.5k

notes: this one is based on true events x

also let's ignore the result of my poll because i want the next part to have smut and it wasn't fitting with the vibe of this part

oh and the title is a quote from 'this side of paradise' by f. scott fitzgerald

January, nine years ago.

Nothing about today has been out of the ordinary.

The weekend is starting, winter drags on, and Ona is all set to train later on in the evening, provided you confirm whether or not you are willing to accompany her to the local pitch.

Barcelona B usually allows for Fridays off, but Ona isn’t stupid. No one becomes the greatest footballer of all time by not playing more. School is beginning to bore Ona to death, and she knows that she wants what she always has: to go professional.

“I have a plan,” she tells you confidently, glad you don’t mind sitting on the uneven, grassy sideline as she sets up her cones with determination. You hold the ball between your hands, though Ona is amused by how foreign it looks to you, and you seem to be holding her prized possession hostage so that she spills. “It sounds simple and obvious out loud, but it’s that I am going to play for Barça while you go to the university. You can introduce me to your smart friends so I can meet my wife, and you’ll have all the boys after you anyway so–”

“Ona.” Her monologue has led her eyes to the ground, but your voice makes her head jerk upwards, not needing much authority to get her to look at you. “I’ve actually had a… realisation, of sorts,” you say with a bashful grin, chin jutting out the way it does when you are gearing up to tell her something that no one else will get to know. “Your cousin is really pretty.”

“I’ll tell her you said that.” It’s a nice thing to say, and you are partly aware that Ona’s cousin knows who you are because she doesn’t shut up about you ever, but you can’t help the frustration that begins to bubble up inside of you.

“No, Ona,” you try again, “she’s really pretty. Like, I would kiss her.”

Ona frowns, then. “Don’t be one of those.” She means the girls who experiment, who toe the line of liking girls but don’t, not really. She has been warned about them by her older teammates, the ones who go out for drinks and kiss girls in clubs. The budding footballer really admires them, because their advice is always good and she gets to explore her sexuality without feeling like a creep. No one in Vilassar de Mar cares much that Ona does like girls, but it doesn’t stop her from feeling judged all the same.

You are one of her best friends, but Ona isn’t sure she can forgive you if you become someone like that.

“I’m not! I wouldn’t do that.” Your offence is suspicious, and you have been so caught up in destroying her worries that the ball has been dropped and is now rolling towards Ona’s feet, where it is instinctively flicked upwards and caught. “I wouldn’t, Oni, because I know it’s unfair to you guys.”

“But you want to kiss my cousin? That makes you interested in girls in general too, you know.”

You bite your lip.

“Ona, I think I’m gay.”

The ball is dropped, along with her jaw, and you shift uncomfortably in your seated position, not enjoying how big of a deal she is making this out to be.

People realise that they’re gay all the time! Why should it be any different for you?

“Oh,” is all Ona can manage to breathe out, wondering what to do next. Although your friendship cracks the padlocks of most secrets, there is one that hasn’t ever been shared. One that now means substantially more than it did five minutes ago.

“Say something, please,” you groan in mock annoyance, moving aside your textbooks so that you can grab Ona’s hand and pull her down on top of you. She is much stronger – she trains every day – but something about your skin touching hers injects a surge of patheticness into her well-earned muscles, and she falls, of course she does, because she always falls for you.

…

A year passes.

You kiss Ona’s cousin, as intended, and Ona knows the breakup is going to be rough but nothing prepares her for when it comes.

She’s conflicted, and she’s older now. No longer left behind by her teammates, Ona gets to go out with them when they don’t have football; she gets to talk to the girls about their sex lives, she gets to be involved in it all. She has met Alexia Putellas and been treated like an equal, and she made out with her fourth ever girl last week, this time progressing past tongues and confidently letting her hands roam.

Ona would say that she has learnt a lot since you dropped your nuclear missile, and she has managed to forget the initial hope she had felt. The secret had been near-faded.

Until you are calling her, sending her a text when she doesn’t reach her phone quick enough.

‘Ona, I really need you.’

She hears nothing from her cousin – they were closer when they were younger – and that, she reasons, is why she is by your side in an instant, meeting you at the windy beach you go to when you are sad, hair damp from running and eyes a little wide as she tries to wake herself up.

“She said she can’t do it anymore,” you whisper, voice cracking under the strain your sobs had put on it. “She said that she really likes me but that it’s not enough, and she doesn’t want to break my heart but she knows she has to.”

Ona doesn’t get a chance to respond, because you have flung yourself into her chest before she can think of the right words to say.

Your shoulders shake as you cry, devastating howling joining the whistles of the wind and the thrash of the waves. The sand is unsteady beneath your feet and you stumble, but Ona holds you firmly, as though she has only ever trained to hold you up. Though you feel her biceps, hard and significantly larger than the last time she had held you this way, you are too caught up in your first heartbreak to acknowledge the tiny, tiny spark between you.

As you cry and cry and cry, Ona can’t help but feel a little bitter towards her cousin. Clearly, your affection wasn’t false and, though it was working towards the severance of your friendship, you actually cared quite a lot for her.

Ona chooses to abstain from her jealousy because she is embarrassed that it is possible.

She is there for you the next day, ensuring you have eaten and allowing you to sleep, but the sun soon sets and Ona vows one thing to herself: she will not take advantage of it.

“I’m going home,” you mumble when you wake from your restless nap, rolling over into the empty space in your best friend’s bed. The sheets there are cold and unused. Ona must not have moved a muscle since you fell asleep. “My parents must be a little confused, and we have people coming over for dinner. Thank you for looking after me.”

“No problem.” Ona nods and you awkwardly stand up. “I think I’m going out with the team tonight, but don’t hesitate to call me if… Well, if you feel sad again.”

“It’s going to feel shit with or without you.”

You are trying to distance her, to tell her that she can have fun. It might be an issue that your friendship only seems to work when the two of you discuss your recent conquests or latest flings, but it is not one that either of you wants to address for now.

“I’m just making sure you know I’m here,” she defends indignantly, rolling her eyes at the glimpse of your happier self making its return.

“Are you going to be drunk?” Your question is pointed and you should really cross your arms and tap your foot impatiently to match your tone. “Don’t you have training tomorrow?”

“Maybe, and not tomorrow, no. I’ve been asked to join the first team the day after so they’ve given me an alternative rest day.”

“Ona, if you get drunk, you won’t be there for me at all. You’ll have your tongue down some poor, poor girl’s throat and your phone will be dead.” You laugh from experience, having grown accustomed to how she behaves under the influence. “I appreciate the sentiment, but I swear that alcohol is what fuels your hormones. I’m not going to burden you with my fucking pathetic crying, and, well, you know me, I’ll just find a boy to talk to. I am going to be fine.”

No one in the room is convinced.

You swat the air between you two, telling her to get on with getting ready. “Now, enjoy your night, and tell me all about it tomorrow morning!”

Ona wonders if you are over-compensating by insisting to hear about whoever she has gotten off with, but you are practically flying out the door the minute you have said goodbye to her family and she is stumbling around her room trying to find a clean bra. Life goes on.

If time did not tick on its own, one of you would task yourselves with turning the hands of the clock manually.

You try to recover from how much it fucking kills to have a girl break your heart by reminding yourself of your worth in the best way possible: male attention. They hound you, but you enjoy it. You crave it, most of the time, even if the feelings are never quite believably reciprocated.

It annoys Ona to no end, the way you play with the boys chasing after you. She hates the push and pull, fed-up with the constant complaining from your end. Often, because Ona speaks her mind when she can, she tells you that it’s not fair on the ones who hand their hearts to you only to watch you pierce through them with sharp, I-was-never-a-lesbian nails.

You don’t talk about her cousin. At least, not to Ona because you have been informed by some other friend that blood is thicker than water.

Or maybe it’s because Ona begins to avoid you, begins to spend more time with her teammates, who don’t hide their sexuality and who like the things she likes. (Once, in a hateful frenzy, Ona thinks to herself that the only thing the two of you have in common nowadays is that she likes you and you like you too.)

“What happened to your best friend?” Laia Aleixandri asks thoughtfully once after training. Ona is helping her collect the water bottles the other girls had left lying around on the pitch. There have been more injuries than what’s comfortable within the first team, and maybe some of the reserves have forgotten that they are not yet professionals. “You’ve stopped talking about her.”

“We’ve fallen out,” Ona answers, settling on that because she doesn’t know how else to describe the shift in your relationship.

“Over what?” comes Laia’s obvious sequential question, more a due dalliance than genuine interest. Laia is one of those girls who plays to play and can sometimes be too busy to spend time with the team outside of training. Because of this, she is largely unaware of Ona’s growing reputation within the squad. As Ona has grown up, her confidence has increased. Girls like that, and they are in plentiful supply to her. She no longer needs to be drunk, but something almost certainly occurs if she is.

“She dated my cousin and, I don’t know, the way she acted in the fall-out was horrible. She likes girls, I know she likes girls, but I think she has been scarred and her ego has been bruised. No boy has ever made her cry like that, and I think she’s traumatised. And it’s valid! I understand, completely and totally, but she is acting as though she never had a thing with my cousin and it’s annoying. It’s as if being gay is a joke to her.”

Laia senses that Ona’s not done, and she is correct to think so.

The next wave is this: “Laia, I really don’t agree with it, and it is hurting me. It hurts to see my cousin be messed around by a straight girl, it hurts to see my best friend hate part of herself, and it hurts me because, well, it just– it just does! I can’t explain it.” She can; she doesn’t want to. Her secret is still heavily guarded and it is going to take more than Laia asking about you to get her to confess. “I just want peace for everyone involved,” she says after taking a deep, diplomatic breath.

“Peace,” Laia repeats with a giggle. “Ona, the things I have heard about you are the opposite of ‘peace’. Aita’s been keeping me in the loop, and she says that–”

“Okay, Laia, I don’t need a lecture.”

What probably would have been very helpful for Ona to know is lost to the devastating final blow of her eye-roll as she jogs to the water cooler to return the bottles and head home.

…

The reconciliation of a decade-old friendship is fast and natural. Things do not quite go back to normal, and the two of you are not as close as before, but your group of friends at school breathe out a collective sigh of relief when the ice thaws and Ona starts to turn up to their gatherings instead of the ones held by her beloved blaugranas.

It’s a camping trip.

Their first year of bach has ended, and someone – Ona doesn’t know who – has suggested a camping trip because her grandfather’s brother owns a farm and the farm has a field and the field is far-removed enough for the smell of cigarettes and red-label whiskey to dissolve before reaching the house.

“Are we really going?” Ona asks, making you all laugh as you haul your bags and tents along the tractor path.

“I do think we should’ve gotten in the tractor,” you agree. Ona nods at you, thanking you for your support.

Everyone else says it’s good fitness, and then hurls insults at Ona for the remainder of the trek because she should be the last to complain if she is going to become a professional athlete.

It’s not as far as it seems, and the tents are set up quickly, along with some chairs, a foldable table, and a hefty stash of various bottles of alcohol.

You start smoking the minute someone flashes their lighter, and Ona uses that as a reason to stay on the other side of the small campsite for a good hour or so.

She stays away from you no matter how much you stare, but you watch her all the same.

The boys you talk to are not satisfying. Some may have innocent intentions but the majority don’t, and you know that you are pretty but you are not shallow like that. You don’t even meet the boys half the time unless they corner you at school and demand a slot of your in-person attention.

The boys you talk to explain football and the gym and why they have to play FIFA until the sun rises because it will definitely help Barcelona win on the weekend. They take you for an idiot, and they hardly acknowledge that your best friend (sort of) plays for their darling club so of course you know the rules and the positions. You know that Ona is a defender, and that she is good at it. You don’t want to be patronised and you don’t care about this kind of thing unless it involves Ona.

Therein lies the issue, actually.

You don’t care about much unless it involves Ona. Ona, who sways to the music bursting out from the speakers just as stiffly as she always has, not exactly blessed with dancing talent but not for lack of trying. Ona, who declines alcohol tonight because she is following a summer strength and conditioning programme with the hopes of playing in the first team’s preseason matches. Ona, who looks beautiful. Always.

Smoke billows from your cigarette, right towards the point of your focus, and, suddenly, doe-like eyes are staring back at you with a small, small smirk. She waves, as if to say that she has caught you, and you lean back on the camping chair you are slouched in, pretending to laugh at whatever your friend has just said beside you.

Later, when everyone else is knocked out from the bad quality of the whiskey, snoring comfortably in the other tents, Ona and you kiss. And once you start kissing, you don’t stop.

Ona is good at this, you assume, because she knows exactly what to do. Contrary to popular belief, you are far more active in theory than in practice, and she surprises you a little bit. Or maybe she doesn’t, because it’s Ona and Ona is good at everything.

You strive to match her, and you do by the time you finish school.

Sporadic, non-committal, and in complete disregard for your friendship, the arrangement of hooking up when you feel like it sees you out of Catalonia, with Ona naturally in tow.

Madrid CFF is happy to have her, and you quite enjoy the challenge of the Spanish capital. It’s not Barcelona, it’s not ideal, but change is good and you need space to explore who you are without watchful eyes and nosy gossipers.

Homophobia isn’t quite a thing in your family. Your parents are not radically against gay people. In fact, you’d say they are relatively supportive. However, that doesn’t stop you from feeling some discomfort. You lived through Ona’s struggle to come out, and her parents are ever more care-free than yours.

Madrid is a brand-new place, and word about how you are doing is easily controlled. Updates come from either you or Ona, and that means there is a filter easily applied to all anecdotes.

Your friends know about the sex, more or less. They know, they don’t approve, but they let you guys sort it out yourselves because everyone agrees that that is just how you and Ona are. They won’t understand it and they have given up on trying to.

Both of you make half-hearted efforts to separate the arrangement from your friendship. You don’t talk much afterwards until the other has left the realm of I-am-in-love-with-you. It’s nice to be in Madrid together, but you find different social circles soon enough and then you are reaching out more for sex than friendly activities and… You stop sleeping with each other upon the footballer’s request. She wants to focus on her career, on her success. She tells you over the phone because she cannot bring herself to end whatever occurred over the last two years in person, knowing that she’d take back her decision in a heartbeat. Ona really, really likes football, and she knows that she has to become obsessed with it to get to the top; more obsessed than she is now. How can she do that if you are distracting her?

You’re disappointed, but you respect her wishes.

Girls in Madrid stop seeming as shiny. The world is a bit duller, because although there had been no exclusivity between you and your best friend, there had always been that guarantee that the other would be ready and waiting. Your growing misery makes studying boring, and you find answers for your emotions in a science textbook, desperately running away from the obvious truth. Less sex means that you are unhappier. It’s biology.

It’s not a crush.

Not on Ona.

No.

And it’s certainly not this not-realisation that flies you to Milan the minute a modelling agency inquires about whether you have ever thought of, well, modelling. They scout you someplace random, and your mother claims that she could have helped you start your career earlier if only you’d have been interested.

When you explain to your best friend what you are moving for, she is oddly unsurprised and uncaring. Her reaction is sickening, because you’d have rathered her get an ego boost from having slept with a model than be so fucking apathetic.

“I’m going to Milan, Ona,” you repeat, just in case she has not heard you. “I’m moving. We did the trial shoots last week, and they loved me. They want me to update my social media and work on building up a following, and they said that I should start learning English because I might end up in New York.”

“That’s good. I’m happy for you.” She doesn’t sound like she means it, and you grow annoyed about how she is not even trying to sound enthusiastic.

“Can’t you be happy for me? Or is it only acceptable for you to have dreams?”

“I am happy for you, I just said that.”

“The words left your mouth, but they definitely did not come from your heart.”

“You’re being dramatic.” Ona rolls her eyes and the pent-up sexual tension builds and builds until the bottle it has been shoved into can no longer withstand the pressure. You haven’t argued since you moved to Madrid, which makes no sense considering you literally broke up – even if it absolutely wasn’t dating. Neither of you has processed your broken heart, and you’re pretty sure you are still too traumatised from the first girl you fell in love with to be capable of revisiting those kinds of emotions.

Ona hasn’t had sex in weeks, and it is affecting her performance. She can’t sleep if she has the energy she does, and she can’t get through her workouts because not sleeping makes her lose her appetite and then she does not have the energy to complete them. Her coaches are worried, but they know that she is young and though almost idiotic, they mostly assume that she is repulsed by the idea of playing for a club in Madrid. They get that a lot with the Catalans that come over from La Masia, whose dreams have been delayed because the first team had thought it necessary that they gained more experience elsewhere.

Ona has wanted to shout and scream every minute of every day, and so have you. Therefore, everything explodes.

…

You inhale deeply, exhaling when it feels as though some of the stress has dissipated. This casting is one of the more important ones of the week. It’s odd to be judged on your appearance, to be paid for it, but it has been almost a year since you moved to Milan and you are enjoying yourself.

You don’t miss university, and you don’t miss your parents. Your friends visit you lots, loving the idea of your career, loving the excuse to escape their dreary weekends in where they have always been.

Milan is great. You make friends with a few other models, though they come and go depending on work, and the more experience you get, the more your following count goes up. Brands send you things, nice things, and events start extending invites to lure you into the glamour of the industry.

Milan is great, you tell yourself on repeat.

Milan is great, but it would be better if Ona were here.

Milan is great, but you regret the way you left things and want to take it all back.

Milan is great but–

“Your fitting is tomorrow,” says the assistant, reading off her iPad. You suppress your wandering thoughts, nodding. You need this job, you need the money to pay for a flight. The agency has given you some advancements – an impressive thing, apparently – but not enough to cover the cost of the ticket to New York for the start of Fashion Week. This show will fluff out your experience, and increase your chances of walking at one of the bigger shows.

You’ve been told that you are quite a good model; attractive, funny, with just the right amount of personality to be both a mannequin and an interesting figure.

The lifestyle is different but good, and you realise that you’d never wanted the mundanity of studying and then working and selling your soul to some kind of tall office building. Not everyone gets the concept of living away from home, especially not those from your tight-knit community who think the city is stretching the distance slightly (the train works, you can live with your parents and have a good job – you’ve been told that a few times), but you don’t mind. You can explain it as much as you want and they would still be confused.

You stay in touch, but you don’t stay present.

As your career snowballs over the next two years, you pull away from your home, always on a flight, always busy. You go to LA and Paris and London, and you rent your flat in Milan out as an Airbnb whenever you’re not there. You love the city, you start to think of it as yours, and slowly but surely, everything else fades into the background.

Apart from Ona, of course. Your friends still visit, or you meet up with them if you ever find yourself in Barcelona, and they continue to affirm just how proud they are of you. They talk about her a lot, too; about where she’s playing now, about injuries and fame and representing Spain. They know you are too stubborn to search it up for yourself, but these are the people who have grown up with you: they know you would like to be informed.

When you hear that Ona has moved to Manchester, you don’t quite think your actions through.

You have had enough. You miss her terribly.

Her number has changed, but someone passes it onto you.

You: I saw that you’re playing Arsenal next week. I’ll be in London then. Do you want to get a coffee?

Ona takes her time replying, but that is only because she wants to delay the inevitable.

Her eyes shine and her hair is damp, but the kick-off had been early and you don’t have anything to do today. You meet her in the carpark, picking her up in a black BMW that’s sleek and shiny and 100% not yours. Her laugh is light and free as she knocks on the driver’s window and juts her thumb out, instructing you to swap.

“I’m not getting in a car that you’re driving,” she declares seriously, though you know she has forgiven you because she would not have agreed to meet if she hadn’t. “Come on, I checked on Maps and there’s a place not too far from here that looks nice. And it’s empty, so don’t worry about the paparazzi.”

“The paparazzi are not after me,” you shut down quickly, not wanting her to think you are a bigger deal than what you are. Successful, yes. Famous? Not so much. “One day it’ll be you worrying about them, when you’re all grown up.”

“I’m twenty-one!”

It comes out so whiny and childish that you burst into a fit of giggles. Ona is proud to have made you laugh.

You don’t kiss her, but you’d like to. Then again, maybe it’s better to just be friends.

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randombush3 · 12 days

Text

a sense of coming home

ona batlle x reader

summary: part two of this! ona and you are (frustratingly) still just friends

words: 6.5k (i have NO idea why i waffle so much but lets pls allow it)

warnings: there's like five secs of smut at the end

notes: this has been the most self-indulgent fic i've written because this is how i met my gf and so i am glad to show you a nice happy ending

again, the quote is from 'this side of paradise' (said gf's fav book - i don't recommend however because the protagonist is a twat)

also i didn't proofread bc i am exhausted and i am hungover and i am very ready to go to sleep (#globetrotting is not for the weak) x

There is something difficult about forcing oneself back to their toxic roots. Ona discovers as such as she presses her body into a temple of meaningless sex, but she does so because she is a driven person. Ona is determined to get over you, once and for all, except she’d quite like to stay friends (hence why she agreed when asked). She also thinks it would expose her to fall out because her feelings shouldn’t have existed anyway, so she technically shouldn’t be heartbroken?

Anyway, Ona rampages through Manchester! They appreciate her accent – some even ask her to speak to them in Spanish when she is three fingers deep inside of them, to which she obliges with little fanfare – and it isn’t like the city lacks queer women. It is a super solid way to keep her busy, to tear her attention from hungrily checking your Instagram whenever possible.

It’s also what lands her with coronavirus. She’s embarrassed to admit just how many people she has come into contact with when the club doctors ask her questions over the phone.

You send her a lovely message after hearing she is yet another fallen soldier.

Ona is at home, isolating, and you are apparently trapped in Spain, unable to get into Italy. You haven’t quite made it to your parents’ house since your flight was supposed to depart from Madrid. “How come you’re not on the phone to one of your ‘connections’?” Ona asks suspiciously, wondering why this call has lasted longer than ten minutes. “Surely someone knows someone else and they can get you back home.”

“I’m hardly out of my depth in my own country,” you remind her with a twinging sigh, pained that she has suppressed all memories of your childhood. “It’s not like I don’t speak Spanish.”

“Didn’t you get rid of it in your head to make space for Italian and English? Oh, and French too, right? That’s where the fashion weeks are.”

You laugh at her pride for knowing something about your job, but it is not to ridicule her. “I am speaking to you, aren’t I?”

“In Catalan,” she points out. “Forget Spanish, but don’t forget Catalan.”

“I can’t. It’s the language everyone uses to tell me about how fucked you’ve been lately.” You take in a deep breath, uncomfortable with Ona’s silence but knowing your piece needs to be said. “Are you aware of what happened a few months ago? Why I missed the wedding?” One of your friends met her dream man and he whisked her off to Menorca for a small ceremony. Only the people she loved the most were invited, which included your childhood friend group. “We were in New York, a whole bunch of us. It was late but the show had been a big deal so we went out to celebrate, and… these ‘friends’, these people, they aren’t the same as you and me. Most of them are English, you know, and they come from very fancy schools where addiction is normal. Two of them ended up in the hospital that night – the bag hadn’t even made it round to me by the time they’d dropped. I know it seems far-fetched, but all I’m trying to say is that addiction has consequences. Bad consequences.”

“So you’re not on my side?” Ona isn’t taking this too seriously. A few people have joked about her questionable new hobby, but no one has made it seem so dire that they have needed to get you involved. You who, of course, Ona will listen to.

“I am always on your side.”

That is her main take-away from the conversation, Ona chooses, when it ends an hour later. She swoons, meaning the last twenty women have been a waste of time, but she also tortures herself into ignoring the potential problem. Being a sex addict would be embarrassing, so she won’t be.

Though your subtle shaming for her abundance of quick-fix flings is hypocritical, Ona would also hate for you to see her that way. You can avoid commitment all you like, but she is determined to be different to prove to you that she is a viable candidate, should you wish to stop stringing her along. It’s probably toxic; it probably means that you are both clinging onto a friendship that should either end or be labelled something else. It probably is the push and pull that has kept you interested, Ona thinks, because she knows that you like the chase.

However, as much as she’d like to be freed of whatever game she is caught up in, she can’t seem to let you go like that.

…

The next time Ona and you have a proper conversation about something other than how your love lives have been stunted or how people back home are not as successful as the two of you is when most of the restrictions have been lifted.

You waited out the pandemic in Vilassar de Mar, much to your annoyance, but now that you can travel again, the first person on your mind to visit is your childhood best friend. You’re not as close as you used to be, having drifted further during even more years apart, but it does not dull your love for her, nor hers for you.

Ona has changed her mind about Manchester and is forcing herself to like it. It works enough for a visit from you to be the last thing on her mind, and so she slows her response time down until the next arranged date to see each other in person is all set for the summer before the Euros in England.

You’re not quite home but you are in the country, and, with the pre-Euros camp in two days, Ona is spending the final few hours of calm left before the storm in the comforting presence of her mum and dad.

And… you, apparently.

“You weren’t supposed to be here yet,” is Ona’s greeting when she opens the front door.

Your smile is wide and genuine, and you are holding a gift bag in one hand. There is a nice bottle of wine in the other. “Not even an ‘hola’?” When no reply comes, you swallow the emotions that have arisen; the ones that are maybe, just a little bit to do with how soft Ona looks with her hair down. And the slope of her jaw. And the ghosts of defined biceps that bulge even when she isn’t flexing her arms. “I’m dropping by to see your parents. I thought you were in Barcelona with your footballer friends.”

“You visit my parents?” asks Ona curiously.

“Of course.”

With that, you side-step her and call out to her mother, announcing both your arrival and your desire to hand them their gifts. Dinner is just about to be served, and Ona is soon tasked with setting another place at the table for you as though the last ten years had never happened and your friendship hadn’t lost its innocence.

Maybe it would be better for Ona to not know what it feels like to kiss you, to touch you, to – dare she think it – love you. It would certainly make things less painful, and would have saved her from catching at least one illness and spending a good amount of money on Ubers to escape from random apartments. It would make it easier to listen to you talk about your life in Milan, where you seem to exist in a bubble of incredibly attractive people who are desperate to hold hands and form a raft.

“Modelling can be brutal,” you agree, nodding at Ona’s father as you follow on from his concerns about your career. He voices them regularly; whenever you see him. Ona realises you have spent a lot of time with her parents without her. “It gets quite competitive between the girls so I’ve been somewhat avoiding them. They’ve brought in someone new, scouted from Germany, I think, and I’m a little worried that I’ll have to switch agencies if they start prioritising her.” You glance at Ona, wanting to know if she is listening, hoping she is. You wish that she were as good at suppressing her feelings as you are. You wish she didn’t look at you like you hung the moon, because you know that you have to tell her you have hung it for someone else. “I’d move tomorrow, to be honest, but I’ve started seeing this guy and he’s convincing me to stay in Milan.”

“The minute he is your boyfriend, you bring him here,” commands Ona’s mother in a tone she hasn’t yet used on her actual daughter (said daughter has never mentioned anyone before). “Show us a picture of him! Is he a model like you?”

He is, and if Ona holds her fork tighter after she sees the photo you pull up, that is her business. You secretly take in her clenched jaw and furrowed eyebrows, and this might be the worst thing you have ever had to do. To see her so defeated, so hopeless, is upsetting, especially since you are harbouring the same feelings. However, you are able to admit when it is time to throw the towel in, and you can no longer live like this.

Ona is too perfect for you. She is driven, hard-working, and funny. She likes to nutmeg little children on the street, and she likes to buy them an ice-cream if they slip a goal past her, slotting the flat footballs into imaginary nets and celebrating as though they have just won the Champions League. She knows a lot, more than she thinks she does. She cares about people, but sometimes it manifests in anger, in frustration.

Any aspect of her is an aspect that you could love, and that is reason enough not to. Because how can you allow yourself to taint such perfection?

But, in this unspoken rejection, the compliment is obscured from the recipient’s view. All Ona sees when you gush about how he buys you flowers and takes you out to dinner, is a burning, bright question. It flashes red and yellow, both as a warning and cry for attention. How can she compete if you don’t even recognise her as a competitor?

…

“--And then they proceeded to finish a film they were halfway through as if it were the most normal thing ever,” Ona rants the minute she hits the concrete of Las Rozas, walking into the facility with Aitana and the other girls who travelled with her from Barcelona. Only the midfielder has been gracious enough to listen to the entire monologue, but the others joke that that is because Ona’s emotional state has led her to spiral in her native language. It is forbidden for them to openly speak Catalan in the Spanish camp, according to Jorge Vilda, who loves to hurl a ‘we can send you back to where you came from in an instant’ their way if he so much as hears a ‘bon dia’. Naturally, Aitana doesn’t give a fuck about the rule, although Ona chooses to believe that she is listening because she cares.

“Are you done?” Aitana asks thoughtfully, sucking on her bottom lip as she tries to absorb her friend’s crisis and formulate a valid, sensible response. The two have known each other for a while now, and Aitana remembers a time when Ona was relentlessly teased by their older teammates for being in love with her best friend. It is clear to her that those feelings never ceased, though she has heard through the grapevine (Leila Ouahabi) that you are now a model and you live somewhere in Italy. You’re part Italian, is what Leila also claims, having professed your ethnicity to a small huddle of fellow gossipers one day in the gym at the Barça training facility.

“No! Nothing is ever done with her. It’s viscous and it continues in a horrid cycle that has me flapping around in circles like some idiot. I am one of her boys.” Ona groans dramatically, the sound perhaps a little too loud. A few of the girls in front of them turn around to see why a cat seems to have been strangled, but they quickly lose interest when they see it is just Ona and her disastrous situation. “Do you know how fucking humiliating it is to be one of her guys? I am a professional footballer! I play for Manchester United, one of the most historic clubs in the world, and I am about to represent my country in a major tournament. I am successful, Aita, and yet I am still not enough for her.”

“Maybe she only likes men.”

“A man has never made her scream like I have,” she bites back. Aitana blushes, but Ona is too far gone in her rage to hear her crudeness nor preserve her friend’s sanity. “She’s been like this since she decided she was gay! Isn’t that hilarious? ‘Ona, I think I’m gay’, she said. I know lesbian breakups can be hard, but there is no way my cousin fucked her up to this extent.”

“I can’t help you with this, Oni,” Aitana laments, sorry to have to confess this to her friend. “I think you need to talk to her about it. A proper conversation to fix long-term issues, not like the ones you obviously had when agreeing to stop having sex and things like that. Only she knows what she’s thinking.” It is definitely not the advice Ona wants to hear, but she cannot deny the midfielder’s wisdom. “But for now, we focus on winning.”

…

You are more than a little confused.

To start from the beginning, Ona’s cousin fucked you up. She broke your heart, and that first impression of dating girls was incredibly traumatising. With girls, you don’t just kiss and sleep with them, you get close – really close – and then when you break up, it is like you have lost both a girlfriend and a best friend.

Men are a lot simpler. Men like you and they aren’t shy about it. They can sometimes be just as cruel, but you have never felt invested enough to care too much.

Some nights, you don’t fall asleep, tossing and turning between your sexual identity, aware that you don’t need to label it but desperate to… discover yourself. If you don’t understand that part of you, how will someone else? How can you be loved? How do you even know who you want to love you?

For as much as Milan is great, it definitely doesn’t help you with your crisis. Girls in Milan like to do what they want. It is not uncommon for the models to kiss each other in clubs, in front of appreciative male gazes or not, and then reveal their engagement to their future husband the very next day. It’s easy to be drawn into such a bubble, but the minute you step out of it, you are hit with the real world.

It’s what makes the pandemic so distressing for you personally, because you are forced to live like normal people for some time. Your eyes are held open and the question is shoved down your throat, and it really doesn’t help that Ona’s cousin never moved out of Vilassar de Mar.

She sees you one day, saying hello from a suitable distance as you pick up milk as per your mother’s request. “I heard you’re modelling?” she asks with no agenda, no seductive glint in her eye. You notice the ring on her finger, and she feels the heaviness of your staring. “Oh, I got married a year ago. Did Ona not tell you?”

You realise that you and Ona try to avoid talking about anything other than the love interests you have. “No, she didn’t. Congratulations, though. She’s a lucky woman.”

“You don’t have to pretend you’re happy for me,” laughs the woman opposite you, amused and somewhat apologetic. “Look, I’m really sorry for how I acted when we were younger. I was definitely not the most mature person out there, and I know I hurt you.”

“I cried for months.”

“I’m sorry,” she repeats. You suck in a deep breath, trying to hold the memories of your pain at bay. “The first breakup is usually the worst but at least it gets better, as you probably know.”

She looks at you expectantly, awaiting your confirmation. It never comes.

“I haven’t dated another girl since,” you tell her, sounding rather detached from yourself.

Her eyebrows furrow and she is clearly frowning behind her facemask. “What about Ona? I thought you were together when you lived in Madrid. It takes more than a friendship to do what you did.”

You were originally going to go to university in England. It was your dream, and Ona wasn’t entirely aware of the situation because you hadn’t wanted to tell her you were leaving. Then she was sent out on a professional contract to Madrid, and it wasn’t like you were the only one leaving.

Ona’s cousin, years ago, had suggested that you go to Madrid if you wanted to get away from Vilassar de Mar. “You’ll be close enough to come home when you’d like, but not so close that you’ll feel as though nothing has changed,” she had said.

No one had known about your offers in England aside from your parents. And Ona’s cousin, who’d only found out because you had called her, drunk on celebratory champagne, because you had to tell someone.

“You gave up a dream for her because you didn’t want her to be alone.”

“I moved to Milan. In the end, she was alone.”

“You sound like you regret it,” she replies, nodding once at you to bid you farewell and then heading over to a woman who is standing with a puppy in her arms. You watch as she pulls down her mask and kisses her wife, her eyes shining with love and happiness, and your blood runs green with jealousy.

You hate Ona’s cousin for devastating you once more.

Do you regret it?

It’s unclear.

You try to make sense of it when you don’t hesitate to fly back to Italy the minute you can, going home to lick your wounds at Ona’s non-committal response to meeting you when you are in London the next month. It hurts that she is no longer at your beck-and-call, but you are somewhat happy for her. You know that lines have been crossed and that she has suffered for it. You know that you are probably the one at fault here.

This time in Milan, you don’t fight it as much. You kiss other girls and let them go home to their boyfriends; you submit to the thing you had convinced yourself you would never become.

As you drive yourself deeper and deeper into your stereotype, the thought of Ona gets pushed away and newer, more culturally-acceptable fantasies come to mind.

It takes a photoshoot for him to ask you out on a date.

It takes returning home and gaining the approval of Ona’s parents (who are far more open than your own) for you to agree to be official.

You don’t ask Ona what she thinks. She’s busy, you reason, because she is representing Spain at the Euros. She won’t care who you are dating and she certainly doesn’t need it rubbed in her face.

There are many reasons why you go out with him.

One is that you do like him; he’s nice, he’s funny, he treats you well. (He’s not Ona.) Another is that rent is going up and him sharing the load is helpful. (He’s not Ona.) There is also that he is very popular within the agency, and your chemistry on camera is enough to keep your jobs rolling in and casting directors satisfied.

He’s not Ona. You know that.

That's the whole point.

If he were Ona, you’d be deeply in love with him. If he were Ona, you would never leave the house, never leave his embrace, never leave the little bubble created when it is just the two of you and no one else. If he were Ona, you would be excited about the conversations he gently guides you into; marriage, children, where you are going to live one day. You’d miss him more when he isn’t here. You’d care.

But you just… don’t.

Another year passes, more Ona-less than the last, and then she is suddenly coming back home to Barcelona, a medal around her neck and word of a relationship floating above her head.

You could ask her about it if you wanted to because she is still one of your closest friends, but the truth is, you really, desperately don’t want to hear it. While Ona has been falling in love with someone else, you have been proving your stupid feelings to yourself.

The act (your current relationship) lowers enough for you to go home for Christmas. You leave Milan as though fleeing from a hurricane, and you refuse to control the damage until you have entered the new year. Your parents aren’t entirely sure they want you moping about the house, confused how someone so successful can revert to a moody teenager the minute they are back in safe territory, and they heavily encourage you to accept an invite that was extended out to you a few months ago.

Your friends are going skiing in Andorra, and they’d like for you to come with them.

“Ona won’t be there,” one of them regretfully informs you. “She said she doesn’t want to make things weird. She has a girlfriend – or, I don’t know, a talking stage. She wants you to have fun.”

“But Ona and I are friends,” you try to explain, feeling exposed by the look of pity she gives you; the same look someone receives when they find out their ex has gotten married or something similar. As a defensive mechanism, you hastily pull out your phone and dial her number. Everyone watches you, now uninterested in their food as you dine and plan your holiday.

Ona picks up on the third ring, escaping her dinner with Lucy and rushing into the cool, nighttime air of Barcelona.

“Hi?” she says – asks – with raised eyebrows, wondering if you’re in danger.

“You’re coming skiing with us, aren’t you?”

Your friends hide their laughs behind their hands, surprised by how firm your tone is. You do not need it for Ona, because she does anything you say regardless, but they enjoy seeing this side of you. This is someone who has had to fend for herself in a foreign country.

Removing the phone from her ear for a moment, Ona sighs, disappointed in herself.

“Yeah, of course. I’ve missed you, you know.”

…

Skiing is not something Ona is really allowed to do. As a footballer, her legs are what pay her wage. Career-destroying planks of metal are not the best way to spend the dying embers of the year. She knows that. She does, she swears, but she is so eager to go that Jonatan cannot crush her dreams. He tells her, “if you get injured your contract will be reviewed, Ona Batlle,” and she promises him that it won’t happen. Nothing bad is going to happen.

It will be the first time she has spent more than a day with her childhood friends, and she is unbelievably excited.

Lucy finds it adorable and makes it known, helping her pack for her trip, versed in what to bring because her sister skis or something like that (Ona can’t really focus on her almost-girlfriend's monologue). Lucy likes Ona a lot, and it makes her stomach flutter when she thinks about Ona and her friends talking about them. She’s sure her feelings are reciprocated, and she cannot wait for Ona to return to her in the new year, all smiles and lingering hangovers, and ask her to be her girlfriend. Officially.

Your friends convene in the centre of Vilassar de Mar with two cars between you. There are ten people coming.

Someone, most-likely trying to keep the peace, instructs Ona into one vehicle and you into the other. The drive isn’t too long, but you suppose that the tension is uncomfortable for those who aren’t accustomed to maintaining a friendship despite the weight of it.

It’s five days, and you are determined to have fun.

Ona is naturally good at this, although she claims it is her first time. You, living in Milan, are just as advanced.

By the third day, the both of you agree that going off together to do some of the harder runs will be harmless. Spending the day together won’t feel like a date or a romantic holiday. Watching Ona glide over the compacted snow won’t be attractive, watching her cocky smirk as she scales the bumps along the side of the piste won’t do anything.

It won’t. (It does.)

And it just has to be the third day that someone pulls out two bottles of tequila and a drinking game that is going to ensure every single one of you is off your face by midnight.

In rooms opposite one another, you and Ona call your respective partners and tell them about how great a time you are having, actively avoiding telling them about who you spent the day with as though it counts as cheating. It doesn’t, technically. Nothing has happened. But, still, it feels intimate and secret; forbidden.

Then, there is a shout that rings through the house. Everyone comes to the table; the party has begun.

Ona finds out that she is absolutely terrible at drinking games, and loses in every way possible.

You find out that she is still just as touchy when she is drunk.

Your friends try not to comment on it, all having agreed upon yet another passive role in such an irritating situation. Their non-interference almost ceases by the time Ona climbs onto your lap, head turning as she whispers something into your drunk ears, making you laugh privately. In fact, someone has to hold someone else back before they shout at the two of you to make out or break up.

But it’s not really necessary, their prompting, because it hits a certain hour and… nothing else matters anymore.

Ona has been touching you the whole night and you have finally reached your limit.

Boyfriend be damned, you lead her to your bedroom.

She asks you many times if you still want this, and you cannot think of anything to say other than ‘yes’.

You’re not as drunk as she is, and you both know that, but everything feels so perfect and right.

When you wake up the next morning, your anger is more at yourself than the sleeping woman beside you, but she is an outward target for such a boiling emotion and it just makes things easier.

“Ona.” You shake her awake, not caring for her hangover. “Ona, I can’t believe we’ve done this.” She rubs her eyes, dazed and confused for a moment but coming to her senses soon enough. “I have a boyfriend, Ona, and… I don’t like you like that.”

It’s not true.

It’s really, really, really not true, but the fact that you have said it is enough for Ona to leave your room with the intention of never seeing you again.

She gets the train back to Barcelona, turning up at Lucy’s flat in floods of tears, and barrels straight into those strong arms with the intention of never mentioning what she has done.

…

You break up with your boyfriend a month later. Or rather, he breaks up with you, tired of being messed around, tired of your hesitation to fully commit.

The break-up is not the most upsetting thing you’ve been through, but your ego is a little bruised.

You try to make it look like you are having a great time in Milan, even though the agency has once again discarded your file and overlooked you for shoots you used to book in an instant. You try to seem like things aren’t falling apart, but it’s of no use when your father calls you and tells you that your mother is ill.

It isn’t cancer but it’s similar, and you know that you need to come home.

You pack your bags and leave without a second thought, because maybe Madrid was far enough. Maybe there is a reason Ona signed for her home club again and most of your friends still live relatively close to their parents.

Maybe you are not meant to be separated from those you love, because running away is futile if you are always going to end up together again.

In Barcelona, a modelling agency eagerly draws up a contract with you. Although you are from there, your career being based in Milan previously creates an international allure about you (or so they say), and you are assured that work is going to rush towards you as though someone has just knocked down a dam.

Your job is secured, your mother begins treatment, but there is something you cannot shake off.

It hurts to think of Ona, to think of how you left things, but it helps, too. Seeing her face in your mind is comforting. You hear her voice as you drift off to sleep, and you let it soothe you in your dreams.

“Ona has a girlfriend,” her mother tells you when you next visit them. Her frown is unexpected because all she has ever wanted is for her children to be happy and loved. “It’s not right, it doesn’t feel right.” You begin to shrug your shoulders and crawl into your shell, but she interrupts your thought process; “I think you should go see her.”

“Why?”

The woman rolls her eyes. “Just do what I say.”

You nod because she is so scarily sure about it, and you… It’s hard to believe, but you call Ona.

She picks up.

“I was sorry to hear about your mum.”

“Don’t worry. She’s fine.”

“Are you back at home?”

“Yeah, I am.” You pause. “Well, not quite. I’m living in Barcelona.”

Something fizzes in the air; pops, crackles.

“Need me to show you around the city?”

And it’s Ona, so how could you say no?

…

Your visit goes very well.

She takes you out to dinner and shows you around her neighbourhood. She introduces you when she runs into people she knows, and she is insistent about dragging you to her football match on the weekend.

Everything is seemingly forgiven and Ona is intent on integrating you back into her life.

She wants you to feel at home, though she knows you should already, and she wants to lessen the stress of hospital appointments and death and, if not death, then a difficult recovery.

You are sitting in her apartment – now devoid of all signs of Lucy – on her comfortable sofa, watching something together after a day of walking around and sealing up the cracks that formed in Andorra.

Sitting leads into cuddling and then into wandering hands that eagerly roam underneath layers of fabric.

Ona’s breath hitches as you brush the hard lines of her abs, your hands particularly drawn to them and just how strong she has become. “You must have only felt them on men,” she offers as an explanation. “How many have you slept with in comparison to–?”

And your hands stop.

“Sorry,” Ona mumbles, seemingly upset at her outburst. “I’m just curious. I can’t work you out.” She can’t quite look you in the eye, mainly due to the logistics of your position, but she isn’t sure she wants to see the truth attached to her statement.

You question if that’s a good thing, the fact she needs to ask; the fact that she has no choice but to communicate. It was going to happen sooner or later. “A few,” is what you settle on. Ona leaves it at that, carefully pulling the hair tie from your plait, unravelling it with one hand as the other rests against your stomach in an embrace. You smile. “You’re not going to ask who?”

Her fingers stop for a moment. “No.” She speaks so quietly, her voice almost a whisper in your ear. “I don’t care about them.” You relax into her more, feeling her against your back, feeling the softness of the blanket against your feet as it hangs at the edge of the sofa.

“Who do you care about, then?”

“You.”

Carefully, both her hands hold your hips and she sits you up, smiling as she does. You tell her she’s showing off, she replies that you are always showing off. To that, you brush those hands from your sides and lean down to kiss her, more decidedly for once; more in control. It’s a surprising feeling for both of you, the forcefulness. Urgency. Not unfamiliar, but unexpected for this time on this day.

The last time you kissed Ona, you had a boyfriend.

Your mouth goes to her neck as soon as she decides that she wants her hands back on your hips, pushing you down into her lap. It’s now a competition, you think. She’s quickly coming completely undone by your kissing and biting, but you are not ignoring the feeling as she makes you grind down, makes you need that friction. “Fuck,” you moan in her ear. She grips you tighter.

You start to pull off her shirt having had enough of the grey between you, asking if it’s okay, if she’s sure she isn’t too tired. Her reply is, “take it off, god,” and then the removal of your clothes that get thrown just shy of the wine glasses set out on her coffee table. Leggings aren’t the most practical for impromptu sex, but she’s quick and smooth and someone who has definitely done that before.

With your bare chest on display and almost nothing between Ona and you, she lifts you up for a moment with the intention of flipping the two of you, getting you on your back. You pause for a moment, trying to decide if she’s doing it because she wants to or because she thinks that’s the only way to do it, but her hands are moving now, up your sides, round the front of your chest and you relax. She laughs quietly, amused, because the tension dissipates, dissolving like sweet, sweet sugar in hot coffee as soon as your legs wrap around her back.

Ona asks before she does it, picking you up and laying you back down without needing to part her lips from your own. You watch her as she sits up, body in between your thighs. “You’re going to just stay there?” She shakes her head. “I can top,” you tease, a stark contrast from how it was the last time you did this. Ona doesn’t like being told she can’t do something. However indirectly.

“Yeah?” You nod, biting the smirk out of your lips. “I don’t care.”

You are in the process of rolling your eyes when her cocky mouth is put to good use. Your underwear was taken off at some point earlier — you hadn’t realised. Ona’s head moves between your legs, up and down, your hand that isn’t holding onto the sofa in her hair, the soft waves lacing between your fingers.

She’s good at it; thorough, practised. Her tongue circles your clit for a moment before dipping into your entrance. Something about the cockiness of her movements, her tongue, her hand rubbing between her own legs, makes everything more surreal, more blissful. She moans softly, lips kissing their way up your body, hands no longer focused on herself. Instead, they take the place of her mouth, two fingers inside you as quickly as it takes for her to ask if you are okay to carry on. Your reply (“yes”) is cut off quickly by her mouth on yours, tongue swiping at your bottom lip in another question of permission. You can taste yourself on her.

At her command, you sit up, letting her pull you back onto her lap as she sucks at your neck. “Don’t leave any marks,” you warn as her teeth pull a whimper from your supposed stoicness. “I don’t want the makeup artists asking questions.” It comes out too late, because you feel her teeth graze your collarbone quickly, not painful, no, but something that feels so, so good. “Ona.” She sighs in disappointment and adjusts where you are in her lap, so your legs are either side of her thigh.

You find yourself rocking slowly, letting her savour your breasts between her hands and her mouth. She whispers that she wants to see you come, that you don’t need to hold back – not with her, not ever – so you start grinding down, harder, faster. Her hands drop back to your hips, guiding your movements, forcing you to slow down when she feels everything building up. Each time, you let out a “fuck” and attempt to go against her grip to get that friction. “Not just yet,” she mutters, no longer touching you anywhere other than where her hands meet your hips and her thigh presses between your legs.

“Fuck off, Ona,” you breathe, frustrated. “When, then?”

She slows the pace even more. “Can you last a little longer?” You look at her face, brushing away the strands of hair that have fallen over her eyes, ghosting your fingers along her cheek, running your thumb along her lips. She smiles again, eyes creasing slightly.

As her hands drop to cup your face, you say, “you’re beautiful.”

Ona blushes.

You look down at her exposed cleavage, nipples pebbled against the sports bra that is unusually low-cut. It might border on intense staring as you begin to grind against her with the intention of actually getting off now. She laughs, saying her eyes are higher up than that, but going back to her trail of kisses along your jaw nevertheless.

For what seems like longer than a few seconds, the build up finally stops, the tower toppling over in a rush of pleasure. Ona’s hands move your hips as your head drops to rest on her shoulder. She talks you through it, telling you that you look so pretty, telling you that she’s so turned on.

And that’s when she whispers it.

It has taken years to get to this moment, many of them filled with unnecessary suffering.

It has taken years but it does not matter.

Ona tells you that she loves you and that is when you have finally come home.

#woso x reader #woso #randombush3 #barca femeni #woso imagines #ona batlle x reader #ona batlle #ona batlle smut

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