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#(like it’s all portrayed as comic but there is Some Stuff in there.)
66sharkteeth · 2 days
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I've been reading City of Blank for a while now and honestly, blanks are one of my favourite concepts out there. The moral dilemmas, like how families of their faces deal with them, and the blanks becoming aware they killed someone to exist, all that is just excellent food for thought by itself already. I love comics that make me think about them even after I close the tab, and that make me think about what I would do in the situation. And then you get the characters with their own struggles thrown into the whole mix. Even the characters that are jerks like Jericho, you just love to hate them haha. Also, first time I've seen a character with ASPD who's portrayed like an actual person rather than an irredeemable cartoon villain. Keep up the great work!
thank you! honestly that's always one of my biggest goals- making concepts that leave people with ideas to chew on. i know people have definitely said i don't do quite enough with the concept of blanks, but i'm honestly doing everything i can manage in the story, and i think it's kind of okay to leave some stuff for readers to think about (especially from a more technical aspect? Which I see people go on tangents about a lot, and frankly I kinda care less about this component of blanks and more about the social aspects of them)
Though, I have to admit, I'm actually not sure which character you're referring to with ASPD. I assume Claude or Jericho, but I've definitely never said they canonly have that. I did imply that Claude has some personality disorder, but I've been pretty open about saying I'm not comfortable claiming any of my characters canonly have specific mental disorders that I don't have first hand experience with or at least haven't heavily researched. But that said, people are more than welcome to project or headcanon whatever they want, especially if they have more experience with relating to him than me.
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sonknuxadow · 9 months
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it feels like almost every post i see about dr starline is either woobifying him and pretending he did nothing wrong or saying hes a bad character and their only reasoning for that is that he did bad things. even though hes a villain and hes supposed to do bad things thats the whole point? i dont get it . where am i
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doriangrayanswers · 1 year
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hi dorian!!
i was wondering if you could give me a suggestion for a good queer historical read?
(i suppose anything you reccomend would be historical)
if you're ever looking for something, i'd suggest Maurice by E.M. Forster, and although it was written in 1914, and published in 1970, i'm sure lord henry would have no problem getting his hands on it. (the man has CONNECTIONS.)
anyway love you, stay pretty, bye.
hello, anon!
I’m afraid I tend to prefer more modern literature…. I suppose that The Satyricon is a rather queer read? Historical, too— it’s my understanding that it’s used as a point of reference for how the Roman lower classes lived.
And I don’t know how Harry would manage finding those books you mentioned, but you’re right that he somehow seems like he’d be able to.
Thank you, goodbye! (And I certainly will <3)
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greatcheshire · 5 months
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So What are your Issues with Scott Pilgrim? Parts that have not aged well? Stuff you think are missing opportunities? or the Fact that Scott is a bad person, did you know that
I don’t have too many serious issues! When it comes to the comics, it’s primarily that it’s an indie comic from the mid 2000s about an average gamer dude and has some hang ups that come with that specific period of indie comics and gamer dude culture. The movie is where the issues get more complicated, since I like the movie a lot but I feel like it lost a lot of the character depth to (understandably) fit it all into a two hour movie, which in turn makes Scott and Ramona into way more flat characters, in a weird way turning them into the exact trope that the comic was trying to go against. This isn’t helped by the fact that the movie was being made before books 5 and 6 came out, so a lot of the weight of the ending just couldn’t be properly reflected or played with in the film. And because of this, at times it makes Scott Pilgrim feel like a precursor to Ready Player One, a story about how cool it would be if video games were real and you got a hot girl, versus what Scott Pilgrim actually is, a story about a bunch of young 20 somethings who frame their existence in the context of video games as a way to craft their own important narrative about their own life and portray a form of arrested development.
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cryptotheism · 5 months
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wtf even is hermeticism? I heard of a comic book that showcases hermeticism, and it turns out it was mostly cabala and some stuff about higher dimensions, and the fuzzy line between stories and reality.
The thing about the fuzzy line between stories and reality cropped up in a youtuber's analysis of a different comic book series that revolved around hermeticism, like empowering yourself by telling a story.
Is it like, tricking reality into being a different way by acting on the basis of the Nous?? Is that how Hermes Trismegistus became a god, by ascending to and becoming one with the Nous/Monad/whatever?
If he never existed, the stories about him created him, on the basis of the Nous?
Hermetica is a body of ancient texts attributed to Legendary Sage Hermes Trismegistus. They're extremely difficult to date, and you see guesses anywhere from the 4th century BCE to the 4th century CE.
Hermeticism is quite eclectic. It exists as a blend of Greek, Egyptian, and Jewish, and other north-African mythologies and philosophies all rolled into one. The important thing to remember, is that Trismegistus is portrayed as being the source of all wisdom ever forever. All knowledge came from him. Everything cool or interesting about Egyptian, Greek, or Jewish theology is supposed to be his doing.
Hermeticism is a blend of several different religious currents that would be difficult to summarize in a tumblr post, but Hermetic doctrine is honestly less important than HOW Hermeticism syncretizes these disparate currents into a single theology. Its VERY good at sniffing out similarities between theologies, and gluing them together. Additionally, it really likes math. Hermeticism is really good at using math and science to reinforce its mythology.
So when people say "Hermetic" they generally mean one of three things:
1 - Classical Hermetica, as in the ancient body of work attributed to Hermes Trismegistus.
2 - Renaissance Hermetica. The theology was lost for a hot minute, and reintroduced to Europe in the 15th century via a weird Italian named Ludovico Lazzarelli. This was the first guy to identify as a "Hermetic Christian." (There were also some Islamic mystics around the 8th-10th century who really liked Hermetica, but they're oddballs even by the standards of Islamic mystics. #isma-ilimoment)
3 - "Neo-Hermeticism" This is the version of Hermetica that came back in the 17th-18th century. This is where you got folks like the Hermetic Order of the Golden Dawn, who rediscovered just how good Hermetic theology was as a conceptual mortar. They just went hog-wild with it. That's where you get "Hermetic Quabbala." Europe at the time had just seen an explosion of interest in ancient Egypt, and thats why a lot of Quabbalistic texts have a bunch of Egyptian stuff.
So the stuff about higher dimensions and the lines between reality and fiction? That sounds like 1970s Chaos Magic, which itself was highly influenced by Hermetica, specifically Neo-Hermeticism.
As for the nature of Trismegistus himself, even classical Hermetica has like nine different backstories for him. Depending on the text, hes Hermes, Thoth, a combination of Hermes and Thoth, a normal sage who was very wise, a man who achieved godhood, the tutor of Moses, etc, etc. There's no set mythology for Trismegistus beyond "Legendary Sage of Sages."
I'm gonna plug my patreon here because I'm writing about Trismegistus in an alchemical context on Patreon right now.
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valeriehalla · 20 days
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Hello! I was reminded of your webcomic Goodbye To Halos recently and wanted to let you know it had a pretty big impact on me. I read it during my teenage years and I think it really helped me to contextualize and make sense of some feelings I was going through about - well, teenage stuff. Change, I guess, mostly. Changing bodies, changing genders, changing role in society, changing relationships with others - your comic helped me process a lot of my fears about those things.
Your comic was probably my first exposure to nudity that was neither sexual nor comedic. It really stuck with me how your comic has characters in states of undress fairly casually. Not like "walking down the street" casual, they're always in a safe place like a bedroom or a bathroom or something, but still. As someone who was raised Catholic it was really powerful to see nudity portrayed as so... not-shameful. Nudity is just a state the characters pass in and out of; they're nude after taking off their clothes like they would be wet after taking a shower. There's no shame in it. And that's really the way it ought to be, right? We were all born nude, it shouldn't be such a Thing as society makes it out to be.
That's just my little input on what impact your art has had on me. It was a good thing that I read it when I did. I wish you luck on all your future endeavors.
that's extremely kind of you, and very well-said, and thank you, and also that's absolutely wild for me to read.
i actually had to remind myself just now that there was in fact a sequence of (counting) eight pages where enae had her tits out. i didn't think a ton about it at the time. i do remember debating mentally whether to slap a "warning this page has boobs in it" label on the social media posts: i chafed at the idea, and i think i didn't do it? or only did it for some of them? i didn't want to because to even put such a warning immediately prompts the reader to think "oh something Sexualle is going on here," putting them on high alert and making it into a whole Thing. and it was not a Thing.
i always thought that some day, if ever i found the right moment, i wanted to have a page where fenic was fully nude. my idea of the "right moment" for that was that it would have to be at a juncture in the story where it made sense for her to be nude, and also where it would feel to the reader like there was absolutely no "point" to her nudity. the one page in the comic where fenic is topless was sort of a prelude to that idea: that might have been the moment, if there had been any reason at all to include her lower body in those panels, which there wasn't, so i didn't.
it's a fine line to walk. i think it's fairly obvious that there were many panels in that comic where the reader absolutely was meant to think "wow this character's attractive" (if they could get past my art back then lmao). i peppered those in liberally, sometimes because it was personally fun for me to draw, but always because it just seemed, i don't know, honest? for this story about young queer adults who are sort of omnidirectionally horny for one another to have a gaze reflecting that--for the reader to feel like they're "in on it" too, not in a leering sort of way, but as if they're just, like, sharing in it with the characters themselves. but then to have that, and then to also have full-on nudity, and for that nudity to feel at home with that sensation, but also purely incidental, and not in and of itself sexual, is a lot of objects to juggle, especially if one indeed (like me) wants it to not feel like there is a "Point" being made. so, it's cool to hear that it worked for at least one person. sorry for writing 999 words about this
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fancyfade · 1 month
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2009 era Damian reading
As I've been doing my 2009 era Damian reading, I'm trying to condense the good stuff and bad stuff, and things I believe are relevant for his character. These are in addition to what I assume is obvious (Batman and Robin 2009, the comic where he has a starring role).
Battle for the Cowl: this has how Damian becomes Robin. It's not necessarily good. Daniels really does not understand Damian, especially this early in his writing, but it does have some important context for things going down b/c Damian helps Squire save Tim's life, and we can see Dick viewing training Damian as something he is responsible for.
Secret Origins (2014) #4: This is a much more in character Damian becoming Robin, though fit for a condensed new 52 timeline that leaves some stuff out (like Damian's rocky intro with Bruce).
Batman #688 (Long Shadows part 1): Winick seems one of the early writers who does a Damian as he lines up with later characterization (views himself more as a professional assassin), so I think this one's good.
Batman: streets of Gotham #1-6: damian makes some minor appearances here.
Batgirl #5-7: Always take Damian's guest-starring stuff with a grain of salt, as often times writers just go with "how would an obnoxious 10 year old boy act here" without understanding he's a specific kind of obnoxious 10 year old boy... that said I do like some of his interactions with Steph, and I think it's incredibly important that we see Damian defends his competence based on his training, not on his blood.
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Like he'll sometimes justify why he belongs based on his blood (which like... no one acts like they want him around), but he isn't going around saying "I'm better than you b/c I'm batman's son". he was trained intensely since birth (and that's why he should say he's better than you :P)
Batman #692-697: not a ton of Damian in this, and it is Daniel's writing, but he's a little better than he was in Battle for the Cowl. We see Dick training Damian some.
Batman: Streets of Gotham #7, #10-#11: love this plotline for him. Good show of competence and characterization.
Blackest night: batman: More focused on Tim and Dick, and Tomasi sucks at writing Babs, but at there is some Damian content that I remember enjoying.
Red Robin #11-15: as long as you read this one with your brain turned on, it's good for explaining some Tim and Damian stuff. Sadly some fans are like "woooo arrogant 10 year old gets beat up". Nicieza makes some missteps (frames Tim's thinking around Damian as coldly logical, when it is anything but and he is reacting from a place of emotion), but one can ignore those.
Batman #703: shows Damian's character pretty well in a default Batman and Robin adventure, and his relationship (or lackthereof) with Bruce and his dynamic with Dick and Alfred
Teen Titans #88-92 (including Red Robin #20 in a crossover plot): surprised by how well I liked this one. I think it portrays Damian pretty fairly, and we can see that he is trying hard, but hasn't been given a lot of support up until now (or even now, Dick kind of just drops him off with a bunch of older kids who all also have issues and are predisposed to disliking him XD). His dynamic with rose is fun and I think it is notable how quickly he does acquiesce to following Cassie's orders when she's like (at first) the only Teen Titan who is OK with him being there and assures him its not personal when she makes a comment he doesn't like.
Bruce Wayne: The Road Home: Batman and Robin: Has some nice Dick and Damian banter, showcases how they've worked together well
Batgirl #17: more damian and steph interactions.
I will probably add more (either editing this post or in a reblog) as I keep reading.
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nordidia · 7 months
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May I request some pain, Raph flavored
Pretty pleaseeeee
i hope i dont sound angry writing this, but please dont send/ask me stuff like this! i've gotten a lot of similar asks like this and this is scary for me but i need to set a boundary!
.
i dont like making "angst" or sad things, i dont make non-happy content for the sake of inflicting pain, and i dont like people assuming/thinking i do! i make it for meaningful emotional impact, i dont want people to tell me how much they like that i "put raph through pain" or assume im appealing to people who like doing that .. it makes me very sad!
i dont make "angst" to purely hurt characters, im making fanart of a character with emotional depth, and to explore the character's reaction to serious matters, and to let people know that theyre not alone, and that struggling can look like many things
some of the most motivating things ive been told by people who like my comics is that it's helped them (and their therapist sometimes!) figure out what was up with them, because i write a lot of things such as ptsd and anxiety and general mental pain to look different than the media portrays. because there really is alot of forms mental issues can take, and not all of them get portrayed, which leaves real people wondering "whats wrong with me" when its right there, just different form!
i think the closest i'll get to making it "just because" is vent art, but that too has meaning. and i will specify when its vent art for that very reason. to say "this isnt necessarily me exploring anything, or canonical, its to make myself feel less alone, and hopefully, the people seeing this as well"
and thats why i make the content i do, its not because i enjoy putting characters i like through bad things,,, in fact, i often hesitate/regret posting because i feel bad about the things i create for the sake of this. but i try to look past it because it can genuinely help a lot of people, and it does help myself too.
i think that assuming i make emotional stuff just for the sake of pain takes away from that.. i try very hard to not over-do sad stuff and i often cut down on it because i dont want to overwhelm people with it, and to prove that i only do the necessities for the sake of healing from the things i put emphasis on
any of the pain i "put them through" is my take on what they've canonically been through, and exploring their reaction and way to deal with the aftermath of that. nothing more,,, nothing less.
ugly things are still worth talking about, especially for the sake of healing growth
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this got alot i hope i made sense uhh yeah!! yeah.,, apolocheese!!
TL;DR: i personally make pain for the necessity of healing, not because i think its fun
and now back to our regularly scheduled program
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winns-stuff · 5 months
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LO RANT:
TRIGGER WARNING: SA
Okay I’m back again and it’s only to say this.. The comments on the new fastpass are genuinely disgusting. I don’t care how you put it or feel about both characters it’s absolutely deranged to ship or want a redemption arc for a rapist, maybe I’m being too harsh but I can’t find soft words to use for this. The fact that there’s so many people girlbossing this entire situation as a “I got the entire lineage on my shoulders!!! I slept with the brothers and the father!!!!” thing is weird to me because these fans are all missing the point of Hera’s entire story and it makes no sense that as I’m ALWAYS saying these fans are quite literally shipping rapists with their victims when the entire point of Lore Olympus was to shed light and bring awareness to Sexual Assault that is not violent or gruesome in physical action.
And we all know why this is happening, Rachel doesn’t know how to properly handle this situation and it’s clear that that’s how this is coming across to her fans. They don’t see this as a rape survivor story they see this as another dark romance since she doesn’t bother on actually addressing the assault in a respectful and dignified way, every single time she adds another sexual assault in her story she’s always glamorizing it or diminishing it whenever she gets tired of writing about it and it’s infuriating. Your fans should know better than to ship victims with their abusers and you wanna know why? Because you pride your comic on healthy relationships and mental health talks, you use the sexual assault as some kind of badge to show everyone that you know what you’re talking about when it’s clear that you will abandon all real representation of a situation that affects millions of people around the world just for crappy fan service.
Lore Olympus fans are groomed to dismiss these arcs since they’re not even treated like they’re serious and it doesn’t seem like Rachel takes it serious as well, she’s never taken any advice from survivors who aren’t pleased with how she portrays SA and she completely ignores the feelings of those truly affected by the traumatic events that she shoves into her webcomic just so it’ll stay “interesting”. I’m tired of Rachel getting away with drawing absolute trauma porn and I’m sick of her sexualizing every single woman we come across, how many times do we have to continue this long and excruciating pattern of giving the women of your comic terrible consequences and make them suffer just for drama and nothing else. How many other situations are you willing to completely spit on just to look self aware?
This is honestly the last straw because there’s been so many people genuinely shipping Hera and Kronos and also saying borderline disgusting things just to defend stuff like that. Rachel needs to say something, you cannot just sit back and be quiet while your fans openly admit to wanting to see a rapist and his victim together for the sake of your own comic and “beloved” main character hell even for a lot of your fans you need to speak up about this and address it letting a mindset like that fester in a fandom probably filled with survivors of assault is a disservice to them and it’s a slap in the face to the comfort that your webtoon gave them.
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cebwrites · 5 months
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I saw a Zosan comic once where Usopp asked Zoro how he dealt with Sanji being so like that (swirly was flirting up the ladies per usual in the background) Before Sanji twirled his way around to fill up Zoro's mug, whisper something sweet into the kiss his pressed into his cheek, then twirled away as Zoro flashed a smug little grin Usopp's way
And I just think there should be more zosan art/fics like that
Yes yes the boys still bicker and have their little dick measuring contests and fight as always to tests their strength
But it's always done with a knowing smile even as they test the upper limit of each other's patience and outside of that? Sanji's just as loving as he would be with any other partner (Something that kind of bothers me in fic spaces is that Sanji's always portrayed as fawning over any and every fem person but when it comes to Zoro himself and they're intended to be shipped there isn't nearly as much of that same energy :/)
Zoro deserves to be adored and cared for just as much, flaunted to the world as Sanji's man and appreciated by him just as much as any woman if they're going to be in love dammit Sanji's weird and repressed pre-ts because seeing Zoro be out and unashamed of who he is while he's still struggling to come to terms that he even likes men and puts women on a pedastal as a result of intense trauma, I don't expect him to do all that for Zoro back then with that much unaddressed baggage
So I like to think that especially post-ts after Sanji's sorted his shit on Gender Island that he's more than willing to shower his marimo in damn near embarrassing open affection, and Zoro's receptive to it - not prancing around like Sanji is too, I don't think it's in his nature, but at least smiling in acknowledgement and the occasional heart fingers/hands across the deck that sends Sanji spinning with love hearts back into the kitchen to whip up Zoro's afternoon snack
Usopp, Nami, and Robin tease him about how he's become quite the perfect little housewife for his big strong man after maybe seriously trying to kill Zoro more than a handful of times before they were separated at Sabaody The truly genuine response of how he acted in the past makes him cringe, and how he hope to make it up to Zoro now by making sure that stupid moss knows that he loves him every day throws his peers off a little and earns a gentle smile from Robin in response
The teasing slows but doesn't stop from there
(Don't get me wrong I still like emotionally constipated ZS @/wellfine's comic about them saying I love you is still one of my faves to date I just want... more stuff of them being loving in conventional ways </3)
+ some quick gender thoughts as well since this ramble post is getting long and I might as well
I'm a ride or die trans!Zoro truther but I think it'd be sweet if Sanji came back from Gender Island cis, just- like an actually functioning person about it now He's gnc and plays with heels and makeup and dresses but he's still a man, only a man who's fully confident in who he is and confident in the fact that his supportive trans boyfriend still loves him not despite all of that, but because of it since that's who he is Zoro being a huge muscly trans man who still retains the ability to be tender and soft and in touch with his emotions instead of a meat-brained gym rat is so important to me personally actually asdfgsdfsd
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seireitonin · 6 days
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Quick rant on some stupid discourse
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“This fandom doesn’t take horror seriously!1!!1!1 it’s just a bunch of ocs!1!1!1!1😡” Bro, Creepypasta has always been goofy af. Even the word“Creepypasta” sounds goofy. Literally every Creepypasta Character is someone’s oc, made my a traumatized angsty teen or young adult in 2011-2016. You expect us to read some silly shit like Jeff the Killer and be shaking in our boots? (Still like Jeff btw) Get real. I like the “realistic and scary” portrayals of the Creepypasta characters too! But I also love fanon. This fandom was literally based off fun. I hate when ppl come with this “im better than you” mindset bc they don’t like fanon/ want them to be scary only. I really can’t stand it. This fandom has always been based on fun and comfort. Everyone made the popular Creepypasta characters for fun and sometimes to vent/ be a self insert. Ppl are acting like we didn’t have comics and fics where they lived in a mansion together and chilled like a family with a y/n insert because ppl were comforted by these characters , myself included. Ppl act like we didn’t always have goofy/ silly fan art. Ppl act like these aren’t vent characters that brought comfort to lots of ppl. Ppl act like the creators themselves didn’t make silly, goofy fun content with their own characters. (Laughing jack, ticci Toby, bloody painter, etc for example all their creators drew them/ portrayed in fun ways in content I still rewatch) Let’s not forget our roots. Creepypasta (the character based side of it) is still so loved and popular because of the fun stuff like that that people can look back on fondly. Why does it make you so mad that ppl want to use the characters differently than you/ make fanon content? So these “ocs” are only decent/ okay when you use them your way and have your seal of approval??? Please be serious. This is coming from someone who likes Fanon and canon. One isn’t better than the other. You’re not better than everyone else because you want to make them “realistic and scary” let that mindset go. Let people have fun. Let people find comfort where they want. Seeing people having fun and being comforted shouldn’t make you mad. The block button exists and is free. Just block them and only interact with the side of the fandom you want to see. There’s multiple sides of it. I block content I don’t want to see all the time. Doesn’t mean I hate these people or their content, I just don’t want to see it personally. But I don’t go around unironically shaming people for content I don’t like. Because that’s dumb. (Unless it’s something awful like using offenderman, demonizing mental illness etc I have called people out for this, semi - respectfully before) Shaming people for not portraying Creepypasta characters made my angsty teens and adults in the way you specifically want to see them/ be portrayed is just so silly. This fandom doesn’t revolve around you and what you want. Or anyone for that matter. Respect other people. No one’s “better” than anyone. Because everyone sees and uses and portrays the characters differently and that’s always been the best part of this fandom. The freedom, creativity, fun and comfort. That’s how it’s always been. Nothings changed.
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flyingtornado · 1 year
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One of my least favourite things about the heroes of Olympus series, is just how DIRTY Rick did Percy.
Like in the og series, Percy was an actual good character who was actually portrayed as someone strong with character development.
In the heroes of Olympus, he just made Percy downright dumb. Like, Percy was my favourite character for a while but then I read heroes of Olympus and he annoyed me SO much.
Like… where’s the Percy who tricked Briaes, the hundred handed one, into a game of rock, paper, scissors, and WON?? Where’s my guy who fought Ares at TWELVE??? Where’s my dude who gained ARTEMIS’ TRUST??? PULLED 5 PEOPLE IN A SINGLE BOOK??? WHERE ARE YOU???
Rick honestly made Percy so… annoying? Boring? Weak?
Like EVERYONE ELSE, including Annabeth, had SUCH good Chapters (yes, including Jason bc I love him), but PERCY WAS LITERALLY JUST SO DUMB.
I’m not kidding when I say I downright LOATHED him.
Rick even changed his FATAL FLAW???
What happened to personal loyalty??? When did it become not being able to step away?? When Kym told him that he would finally have to face his fatal flaw, there was only like a sentence where Frank stopped him to not join Jason, Piper and Leo???
LIKE THE REASON I AGREED WITH NICO SO MUCH IS BECAUSE HOW DISAPPOINTING PERCY WAS?? When he saw Percy as a regular guy and not some cool hero, I FULLY AGREED.
WHAT WAS THAT RICK???
He downgraded Percy so much just to make the newer characters have bigger parts, which I get, but absolutely hated.
I was so excited to see Percy in a new series and only got disappointed. His chapters? Mainly used for comic relief. His fights? After Mark of Athena his only good one was with Akhlys, which he never actually got to win (still mad at Rick for making Annabeth stop him 🙄) and all the others he either got pretty injured and the others did some AWESOME stuff while he literally just sat there??
Like no wonder Piper wasn’t impressed. I WOULDN’T BE EITHER???
EVERYONE treated him like he was a dumbass, which I would normally argue with if you told me he was dumb in his series, but in HOO?? I’d be wrong if I did.
He has honestly just no point in being there?? Like Annabeth spent MONTHS searching for him, and I feel like she just doesn’t really care about him that much anymore and has probably become more used to being alone than being with him. She had more dynamic with Piper and Reyna than she had with Percy.
They had like… the judo flip?? That’s it. They also had like a kiss in Athens underground?? Piper made it sound awkward for her so it made me feel awkward.
Annabeth got along super well with Leo, Jason and Piper, so why didn’t Percy talk that much with Hazel and Frank?? They literally all went on a quest together and they spent more time with Leo.
Everyone on the Argo was all friendly and connected. Ex: Piper with LITERALLY EVERYONE EXCEPT PERCY. Annabeth with LITERALLY EVERYONE with the OCCASIONAL PERCY.
He was basically only connected with Annabeth, who kinda grew used to not needing him, while Percy still absolutely loved her. Heck, Annabeth was scared AND angry at Percy after Tartarus.
Once again, Annabeth had honestly a whole bunch of character development while Percy was SOLELY used for comedy.
That fight with Kymopoleia? WHY WAS HE SO DUMB?? Like in the Percy Jackson series, HE WOULD NOT HAVE JUMPED IN HEAD FIRST. It also made me mad that JASON was the one who ending up bringing them to victory when they were UNDERWATER? LIKE WHERE WAS COOL, DARK PERCY?? I know Percy said he was afraid of controlling the poison since Tartarus but still??
His chapters? Bleh. His fight scenes? Even more bleh. His character connections? I’ve had more dynamic with my morning toast.
I have SO much more to say, but I’ve literally written an essay so I’ll end this here.
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Something that is completely unserious but I just need to get off my chest is how people mistake complicated family dynamics as something inherently bad and therefore gravitate towards something completely stripped of any real complexity.
While I know this applies to lots of fandoms, I'm thinking specifically in regards to Batman comics.
With the rise in popularity of comics over the past little while since their decline in popularity in the 2000s there has naturally become an increase in their fandom as well, especially for Batman and the batfam. Don't get me wrong, this is great news. The comic industry NEEDS all the readers it can get and the renaissance of sorts it's been going through really shows hope for the future of comics. And with a growing fandom comes more people introduced to these characters through the fandom itself rather than the source material, which again, is a good thing.
What grinds my gears is how throughout this fandom theres been this whole idea spread that in the comics Bruce Wayne is always a shitty parent, the batfam is hardly a family, that the fanon version of him is what we deserve and is the "superior" version of him.
This fanon version of bruce (and the batfam as a whole) is perfect. He's not perfect in the sense that he's perfectly characterized. He's not perfect in the sense that he never makes mistakes. No, he's perfect in the sense that when he makes a mistake, he can flawlessly atone for it. There's conflict sure, but whenever there is some amazing therapist-approved communication is put right into play, the batfam talks about their feelings, and boom everyone is happy.
The thing is in reality that's just not how things work. Relationships are messy, especially family. Resolving conflict is messy. This is all especially true when you apply it to a family of messed-up vigilantes that go through incredibly stressful, emotional, and just plain crazy things on the daily.
The lack of always perfectly solved conflict is what makes stuff interesting. It allows for nuance in characters and situations that there isn't normally room for if everything is designed to be wrapped up in a sweet little bow.
I feel like a lot of people see the comics solely as batman being shitty and the rest of the batfam not really being a family and just overall poor story choices. While I can't deny that sometimes there are really poor or ooc choices made (such is the nature when so many different creators get to work on the same group of characters) for the most part batman in the comics is portrayed as he should be: well meaning, but far from perfect. The rest of the batfam is similarly flawed. Their relationships with each other are far from perfect but such is the nature of family. It's messy, it's imperfect but going through all of that makes it more compelling.
While I still definitely enjoy the simplified version of the batfam from time to time and am glad so many others do too, I think it's a disservice to say its the better version of them. as much fun as wfa or the like can be, they're not able to portray the same complexity as the stories that have the batfam with their flaws and all. It's still possible to tell heartwarming and fun stories in comics where everyone is heavily flawed and nuanced.
That being said really i'm glad people are able to enjoy these characters no matter how they're presented. Goodness knows that everyone should absolutely be indulging in little things in life even if that is ooc batfam. Just consider if you're still new to batman and only familiar with the fandom getting out there and reading some comics because they're pretty great.
(sorry this whole thing was written in a sleep deprived rant state, don't take it too seriously)
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detachedminxsfics · 1 year
Text
Improv
Characters: Jeffrey Dean Morgan x Actress F!Reader
Summary: You just wrapped for the day on the set of The Walking Dead, and you can't stop thinking about your impending first scene with Negan, more importantly, playing Negan's lover.
Word count: 2.6K+
Warnings: NSFW - Vaginal sex, slight rough fuck, creampie, fucking JDM in his Negan fit bc its hot
A/N: Tried something a little different to celebrate 100 followers! I'm so thankful, and eternally grateful for all the continued love on my Negan stuff. Tysm! <3
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You idly tapped your feet against the floor as you held the script in your clammy hands, the spot you'd sunk into on the sofa warm with how long you'd been sitting. You'd gone over it a thousand times, and yet still feared that you wouldn't be able to act it as well as you would like. Jeffrey was most likely still out filming one of his many scenes in the Sanctuary, but you were wrapped for the day. Your characters hadn't gotten the opportunity to interact with one another on-screen yet, but tomorrow that was all going to change. The dynamic between you and Negan was intended to leave one hell of a lasting first impression on the fans, and you needed to maintain the hot-blooded chemistry you were so thrilled to portray. You skimmed over your first scene with Jeffrey for the thousandth time when the door to his trailer swung open, and a weathered black cowboy boot stepped in. He was still wearing his Negan outfit, minus the leather gloves and usual wielding of the infamous Lucille. He looked good, and tired, judging by the huff he entered with as he closed the door behind him.
"Hey." Your small mutter to make your presence known faintly startled him, and he spun to face you with a hand hovering over his racing heart.
"Shit darling, you scared me. Everything alright?"
Your lips formed a small smile, and you waved the script around in your hands to accentuate your point.
"Just going over our scene, y'know since we gotta shoot it tomorrow? And I think, I'm just not sure about it."
You and Jeff didn't know each other awfully well, but you'd spoken in passing between takes on the Sanctuary set, and under general introductory circumstances.
"Oh yeah? Talk to me." He set down the script he had been holding before making his way over to you and lowering himself down onto the space beside you, your fingertips still fiddling with the edges of the pages as you gathered the courage to confess your doubts.
"It's just, who Negan loves is so important to his character. And Lucille is so important to him in the comics, and such an iconic centerpiece to his storyline, and I'm just worried I won't be able to portray the love between our characters authentically enough. Like I can't measure up to that."
He listened to every single one of your words attentively, even nodding in places as you spoke. It was reassuring.
"Look, I've seen you act, and I've seen how much of a badass you are. You're gonna be great, I've got no doubt about that. But if you'd like I got a short break between takes, and we could run our lines together. Just to get a feel for the scene."
Your eyes widened slightly, and you glanced down at the script page in your hand. Your character's first scene with Negan is intended to set the tone for their not-so-public and flawed bond, and what the two of them mean to one another behind closed doors, essentially, in a clothes scattered on the bedroom floor kind of way. Nevertheless running through this scene with none other than the man himself would surely calm some of your nerves, and the offer was just too good to resist.
"Sure. Do you wanna stop just after my last line?" The reason you asked was that the moments that followed after your last line of dialogue was a rather steamy sequence of kissing and shoving, the scene set to cut just as you and Jeff hit the mattress, partially nude.
Jeffrey stood to his feet and made his way over to where he'd left his script, making brief eye contact with you as he flipped to the relevant pages.
"I say see what happens, and we'll do whatever feels natural. Sound good?"
"All good to me."
His eyes lowered back to skim the page, and you stood to your feet too, setting your script down on the coffee table considering you already knew your lines off by heart, thanks to your paranoia. After spending a few moments with the script Jeffrey set it down and glanced over at you, an obscure smile on his face.
"I'll walk up, and you just pretend I'm coming in. You ready?"
"Ready."
Your nerves begged to differ as to your level of supposed readiness, but you averted your focus on executing this scene. Jeffrey took a few steps back until he was on the other side of the trailer, and the elaborate shift as he immersed himself into the character was incredible. His jaw was slightly clenched with a signature scowl to match, and the way he sauntered with that leather jacket just demanded attention, it certainly captivated yours. You were sure you had gotten into character now too, feeling as you shifted the weight from one leg to the other, flexing your hip as you stood. She was bold with a firecracker attitude to match, so it was no surprise Negan was drawn to her.
"Honey, I'm home." Jeff bellowed with that noticeable drawl to his voice, and a wide unnerving smile to match.
"What do you want, Negan? You've had me standing in here longer than I ought to be, like one of your damn wives."
He feigned offense from your displeased tone, every step bringing him closer and closer.
"Well hell, aren't you just happy to see little ol' me? You're a busy woman these days."
You rolled your eyes a little at Negan's blatant self-flattery.
"I'm busy because I've got a duty to do, a job you tasked me with. If you don't like not seeing me that much, get somebody else to run my damn post." You narrowed your eyes to pair with the slight venom laced in your tone, and he closed most of the distance that was left between you.
He was invading what was left of your space now, his smile still lingering on his lips as he exhaled a mock, surprised breath at your rather brash words.
"Oh, what a big mouth on you sweetheart. If you keep forgetting exactly where you stand I might just take your suggestion on board, it would seem you've forgotten your manners."
Jeff swept a stray strand of hair behind your ear as he chastised you for your curt attitude, and you had to redirect your focus back to continue with the scene. That wasn't scripted, and you felt as though it was just a taste of the kind of improv an actor as experienced as Jeffrey would be accustomed to, and it exhilarated you.
"Not forgotten, I'm just sparing with them. Besides, we both know that if you're gonna take shit from anybody, it's me."
The slight clenching of his jaw showed that you were pushing him, urging him into toeing the line of his limits with you. He softly cups the line of your jaw, his thumb resting against your chin. Another non-scripted gesture that made the attraction between the two that much more believable.
"Alright, let's cut the bullshit, shall we? Rick the prick and his band of dickless assholes are proving to be more of a handful than we thought. I've mellowed him out a little, but I need someone I can trust back here, someone to hold the line while I deal with it. And as much as I love Simon, well, he's just not the man for this kinda gig. This is a job for my girl."
You subtly softened your stare, leaning into his touch. Though she could be a hardened, callous woman, she had a soft spot for him. It was important that the viewers could see that, could see that she had weak spots. More importantly, just to see them be vulnerable with one another.
"Your girl, hm? There's a room down the hall with six other girls that are yours too, what's supposed to make me believe I'm so different?" She was teasing him, testing the waters and gauging the level of his commitment to their secret love affair.
You kept your panic internal when you realised you uttered your last words, your features still as relaxed as they had been throughout. Jeff was thoughtful too, the whirl of thought taking place in his eyes. And though you barely knew each other enough for this kind of level of expression fuelled telepathy, you read him anyway. His eyes were wondering whether you were comfortable going ahead, and your slow lean toward his face was your answer. He responded rather fluently, crashing his lips against yours. The kiss was meant to be tame and yet hungry, starved, and full. Your eyes fluttered closed, and the feeling of a hand gripping your hip to further pull you in made you all the more eager. Jeff was a good kisser, a real slow and rhythmic kind of guy. Your arms wrapped around his neck just as the script had prompted, and the movements of your mouths lasted a lot longer than you ought to. He placed his other hand on your hip to draw you towards the wall of the trailer and slam you back against it, pressing his chest against yours, positively trapping you. It was when his fingers played with the hem of your lace trim tank top that you realised you weren't acting anymore, and truthfully, you weren't sure you minded. His mouth was on your neck, his teeth making diligent heated nips at your skin, mindful of the fact that you couldn't have any marks showing for the filming of the show. You breathed a shaky, hesitant moan, and Jeff pulled back to yank your top over your head. When he leaned back in to press his lips against yours you gently placed a hand on his shoulder to halt him, and he glanced at you with a mixture of confusion and longing.
"You forgot your line." You hummed teasingly, tilting your head as you playfully chastised him for his mistake.
Jeffrey grinned at you, the lust having corrupted his gaze conveying his true lack of care for continuing with the scene, and that he surely was no longer pretending.
"Whoops, fuck it." He muttered with a sense of impulsivity, and the next thing you knew, your feet were no longer touching the ground.
He lifted you, and your legs instinctively wrapped around his waist whilst the grip on the underside of your thighs supported your body. The trip to the sofa was brief and rushed, and you fell into the inviting cushions a lot sooner than you thought. Jeffrey was on you in seconds, so fast that you feared you'd forget to breathe. His fingers clambered for the zipper of his black leather jacket, but your words interrupted him.
"Wait. Keep it on, I like it."
Your confession had him raising his brows, a staggered look in his eye as he fiddled with his belt.
"Sure can do, we just can't make a mess of it." He said matter of factly, pulling his now undid belt through the belt loops, and slinging it onto the ground.
You too undid your pants, pulling and shimmying your jeans off until they'd gathered at your calves. You kicked them off, and your panties were discarded shortly thereafter. You were bare besides your bra, totally exposed. When you glanced up at Jeff he'd pulled his boxers down just enough to free himself, his pants still on just in case he was suddenly called to set. You spread your legs to make adequate space for him, and he was more than happy to oblige. He settled into the space you made, placing a hand on your waist as he leaned down to hover over you, the smell of leather and expensive cologne wafting past your nose. Then you felt him, easing in at first, pacing you. Your mouth fell open as your breath hitched, and an embarrassingly breathy moan followed suit. The hand on your hip slightly clenched, gripping you, whilst the other got lost in your hair, sifting through the strands as he eased you through the onslaught of pleasure.
"God, you're so good."
His praise only made you that much more wanton, and his low groans filled your ears afterward. You were in heaven. He was the perfect scene partner, your undeniable chemistry was off the charts, and he was insanely skilled with your body too, something to which you were currently discovering. Jeffrey's thrusts grew harder, faster, a more brutally unforgiving pace as he bottomed you out entirely. His touch was merciless, and your wild and primitive whimpers were positively matched with the way his hips hungrily connected with yours. Your lips smashed together, thankfully muffling some of your noisy and earnest moans. Everything was just bliss. He tasted so good, and he felt incredible. It was as though he knew every inch of your body, and treated it as such. You were intoxicated with him, and the heat pooling in your abdomen only intensified with every thrust. When you could no longer restrain yourself you let go, his lips parting from yours enough to break the kiss but remain brushing, eyes wholeheartedly focused on you as you quivered beneath him. Your rather vocal and intense release was enough to tip him over the edge himself, and he filled you. His throaty groans filled the trailer again, filthy sounds that he hardly made any effort to stifle. You were utterly dazed, still coming down from your high when he lifted you from your place on the sofa in order to turn you towards him, and to lay the back of your head down across his lap. He'd adjusted his pants back to their presentable state, leaving you still nude, panting and splayed across him, but you didn't mind. One hand still stroked through your strands, the other idly planted just below your chest.
"Well, it would seem you've got nothing to worry about when it comes to authenticity. You are beautiful."
Your eyes lit up, and a small smile played on your lips. You parted your lips to respond when a knock on the door of the trailer startled you both, and the sudden sound of a voice from the other side of it.
"Jeffrey, you're needed on set."
A woman politely informed, and he attempted to suppress the disappointment threatening to trace his response.
"Got it, just give me a minute." He called back, a short silence ensuing as the sound of progressively distant footsteps eventually resumed your privacy.
He glanced down at you with a hint of irritation, not at you, but at the situation. He wanted to stay here with you a little longer, at least long enough to make sure you were okay, and to not make it seem so sleazy. But he couldn't. Feeling that he was about to stand up you leaned up, straightening your back as you sat up, and gave him the space necessary to stand. He stood to his feet and smoothed a hand over his somewhat messy hair, the slick that he'd been styled in having gotten ruffled during your spontaneous improv.
"Listen, I'm gonna be shooting through the night, but I've got a room at a hotel not too far from here, same hotel all the others are staying at. It's room 100. Let yourself in, get comfortable, and I'll see you there."
He finished his more demand than a request by rummaging through his pocket until eventually retrieving a set of keys, and he tossed them at you. You caught it with a smile, and you gazed back at him, top teeth dragging flirtatiously against your bottom lip.
"I'll be there." You responded with the hope that you didn't sound too desperate in your enthusiasm, and he took off.
Running your lines with him wasn't such a bad idea after all.
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jajanvm-imbi · 3 months
Text
Hazbin Hotel 4 episode premiere review Part 1
CW: Mentions of SA, rape, abuse
Part 2 | Part 3
Okay first of all right off the bat cause its the freshest thing in my mind: I need everyone who accused Vivienne Medrano and her creative team of romanticizing and sexualizing SA and abuse to APOLOGIZE.
I actually saw someone say Viv has a rape fetish in response to a 10 second out of context leaked clip of Angel Dust in his Poison scene a few days ago on here (who I instantly blocked no question but thats not the point)
In response, Viv told everyone giving her shit on Twitter and Threads to at least watch the entire episode first before jumping to conclusions, and how there are many people on her team who are survivors of abuse.
Episode 4 "Masquerade" is intense. It does not hold back depicting Angel's situation with Valentino. At no point was it ever a secret that Angel was being abused by Valentino. It was depicted in the prequel comic, it was depicted in the Addict AMV, it was depicted here. And you know what? At literally no point is it romanticized. The entire episode is dedicated to explaining why Angel is the way he is. Angel's "Idgaf" personality, him constantly sexualizing himself and others and making sex jokes is all a coping mechanism. All of that was clearly displayed in episode 4.
Angel is not just some silly jaja caricature of gay men and he is not a romanticized abuse victim. Valentino was gripping Angel by the throat and Angel was pleading for Val to leave Charlie alone. He cares about Charlie, he deeply values her love for him. He was taking a beating and he was defending the one person who doesn't treat him like an object. He was terrified for himself, but he was even more frightened for Charlie. He's a good friend deep down.
Episode 4 is uncomfortable and graphic and clearly not everyone can watch it, it is very very triggering. But everyone who has been following Hazbin knew this was coming because like I said before at no point was Angel's abuse a secret, and there is plenty of time before the really graphic stuff happens for people to realize what's coming and skip it. Even before episode 4, Angel's abuse was foreshadowed when he was going through Valentino's voicemails.
I understand that not everyone's experiences with abuse and SA are the same, and its completely valid to dislike episode 4, but to accuse Viv and her team for sexualizing and romanticizing SA and abuse solely based on an out of context 10 second clip is outrageous. Angel Dust may not be someone you can relate to, but others do.
Angel Dust is portrayed as sympathetic the entire episode, Valentino is portrayed as a disgusting scumbag piece of shit who deserves to be exterminated. How the fuck is that romanticizing abuse?
Anyway I just wanted to get that out of the way before I get to actually reviewing Hazbin.
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pinetreevillain · 8 months
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God you're so fucking awesome!!! Aaaaaaggggghhhhhhh like aaaaaaaaaaaaaagggggghhhhh
Leo accepting Timothy's peach gummies and it being the only colour on leo that isn't blue is such a satisfying thing uggggghhhh
Like after everything that happened in the last chapter moving on to this chapter made everything seem so tense!!!
Like I had to hold my breath through everything. And how you portray expressions!!! Like OMGGGGGG
My brain isn't braining and isn't allowing me to properly express how much I loved this chapter so I'm just going to list some of the things I really like
Leo minimising the space between him and Timothy when he moved to the front seat
The Panelling is so goooooddddddddd
And so are the expressionsss
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THANK YOU FOR SAYING THINGS AND LOOKING AG MY COMIC LIKE THIS !!! BECAUSE IT IS ALL TINY STUFF THAT I PUT TIME AND EFFORT AND THOUGHT INTO AND WANT PEOPLE TO NOTICE THEM WHILE ALSO BEING LIKE “HAHAH NOOOO NOOO IT’S NOTHIG THAT’S SO SILLY HEHE”
And all of you other crazy kids in my comments saying stuff about the COLORS you are going to LOVE this next part of stray u guys are going to go CRAZY
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