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#< these are the important lore questions
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they continue to be Thee besties ever. number one duo spot in my mind!
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Gregory asks Michael an important FNAF lore question..
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bloodysparklez · 8 months
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ep8 missing scene: .....where'd the gift for luffy come from
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gffa · 7 months
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Had the absolutely humiliating realization that I could never be on an internet game show Star Wars trivia contest because I would not be able to control myself from shouting out the basic af answers as soon as the question was asked, regardless of whether it was my turn or not. "What's Thrawn's full name?" I am not wasting any time making aggressive hang ten signs and shouting "MITTH'RAW'NURUODO". I need to find a hole in the ground to hide in until I have regained my dignity at the mere thought of what I would be like. This is brought to you by that I actually did this at my screen while watching a trivia contest because the "Star Wars expert" didn't know it and I did and then I had to be deeply grateful no one was around to witness this abject horror of a situation.
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thefirstknife · 6 months
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What are the Tones?
Whomst've asked me this. You're fuelling my unending obsession, thank you.
I posted about the tones before! Most of it is listed in this post! But I'd like to add some stuff now that it's been some time since then.
The tones are noises made by the spires on Mercury (Lighthouses). Whenever someone dies, the spires emit a tone. They basically react to death in various ways, depending on how the death happens; there's different tones to dying to Light as well as different tones to a perma-death. This is peculiar because nobody could hear them except Brother Vance.
He made Trials of Osiris to study them (because it's an endless source of Guardians dying over and over). Mara knew about his research (Trials was accessed in the Reef in D1) and warned him to stop because it's dangerous. It's unclear why. Osiris did the same years later. As a matter of fact, Osiris was super dramatic about it:
"What I have discovered…" "…is dangerous enough to destroy every man, woman, and child in existence. You're meddling with forces outside your grasp," Osiris reprimanded.
The tones are interesting because they're still largely unexplained. Mara implied that they symbolise Guardians being attuned to Darkness and being able to wield it, which is true, but Osiris' reaction implies something more. And it has to be more, because Osiris detected the same tones as coming from the anomalies of the missing planets and from the Pyramids. Long post under:
In my previous post I also connected that to the fact that egregore seems to be emitting some sort of sound/frequency attuned to the same thing: anomalies, Pyramids and, obviously, to the source of it all (the Witness). So there's some sort of frequency in Darkness that is audible and comes from all places connected to the Darkness network (and that network manifests physically as egregore). And in this case, anomalies and Pyramids (and ships infested with egregore like Glykon and Leviathan) are fine; it makes sense that they link to the Witness!
But spires on Mercury? Why them? My bestie made a post recently after we went unhinged (again) because the same lore book that deals with the tones also makes a really strong implication that the Vex were deliberately led to Mercury by the Pyramid Fleet in the Collapse. There, the Vex drained Mercury of Light, hollowed out the planet and used its materials to make the spires (and the Infinite Forest, a simulation engine) and then they waited for the Pyramids to return. Which they did, in Arrivals.
To make things more complex, after Titan came back, it was confirmed that the Witness did not take the planets randomly. There was a purpose to each one being stolen. Mars was taken to search through our Golden Age and Collapse database in order to find where the Veil may have been hidden. This could've been just a random coincidence, but then Titan came back and we learned that the Witness wanted Ahsa dead because Ahsa not only knows the origins of the Witness, but also how to get through the portal (and who knows if she has any other potential powers to helps us get in there or help us otherwise).
Io is unclear, but there are many options; it may have been taken for the Pyramidion and Vex stuff which Asher got ahead of. It may have been taken to study the Tree of Silver Wings (the Witness had another seed it gave Calus in Lightfall), or it may have been taken to study the Traveler's past or the Light in general or maybe something else. The point is, there are options that we can understand.
But Mercury? Zero clue. The only thing that may have been of interest is the Infinite Forest, but Vance sealed it so if the Witness took Mercury for that and couldn't get into the Forest, then Mercury would've been useless and probably released sooner unless the Witness is just keeping it out of spite or thought that maybe it would be able to find a way inside. And of course... there's the spires and the tones. Mercury is somehow linked to Darkness and the Witness, it has to be, and we have no clue what the Witness wants with it.
Not only that, but there's another curious thing about Mercury, or rather, the anomaly of it. It was mentioned in Duality dungeon, by Calus. When Calus tried talking to the Witness on the Glykon, the Witness eventually responded and it told Calus to come to the anomaly of Mercury:
Through the Crown of Sorrow, the Voice in the Darkness called out to me, beckoning me to the absence of Mercury. At first, I feared the Leviathan would not survive the journey, as the Glykon had been rent asunder by a similar journey. By my Leviathan, it is strong. Its heart beats anew, and as it pierced the veil of creation... the Voice greeted me. There were such sights to behold.
So when Calus disappeared off the Glykon, he went back to the Leviathan and bolted straight for the Mercury anomaly in which he was able to communicate with the Witness. Why Mercury? Glykon went into the Mars anomaly. Why couldn't the Witness speak to Calus in there? Or in any of the other anomalies? Why specifically Mercury? This is driving me insane.
But if Mercury is somehow connected to the Darkness network through the spires, is it possible that it serves as some sort of a communications hub? Maybe that's why the Witness is still keeping it? And it still is! We can see it in Root of Nightmares, in the Witness' room. Titan is still obviously there as well because it came out before Titan returned, but Mercury and Io are still trapped. This is also confirmed by the tiny excerpt we can see from the TFS Collector's Edition which I talked about in here.
Or the reason for Mercury is something completely different. We have no clue why Mercury was taken and what's going on there and why the Witness called Calus there and why the tones happened and why are they the same tones that can also be heard from anomalies and Pyramids.
To fuel me even more, they decided to drop two lore pieces in Season of the Deep that relate to Mercury and the tones tangentially. I know literally everyone and their grandma thinks that Targeted Redaction is just there to be funny (and so did I at first), but I genuinely can't accept that as being just a joke. The gist of it is that Osiris has no clue who Vance is and that is, to put it simply, impossible.
Obviously Osiris did not like the Cult and they were annoying to him, but he knew Vance. He spoke to him only once, but Vance is the one who told him to "plant the seed," a message that Mara gave him years before. This literally sets up the entire Season of Arrivals. Not only that, but Vance told Osiris about the tones and Osiris was deeply troubled about them. He's the one who continued the research and went around the solar system after planets disappeared, investigating anomalies and discovering that they emit the same tones. He mentions Vance, by name, twice in Immolant:
"Do you hear that?" Osiris asks, turning to Sagira. He turns the ship's scanning array toward the anomaly. "Like the tones Vance described. From the spires, and then the Pyramids. It was coming from the anomaly that replaced Io as well."
"We could use the Crucible right now. Your trials. This will be very helpful. You mean to stay, yes?" "I will. Long enough to show you how to implement the simulation; but tonight, I must disembark," Osiris says. "So soon?" Osiris tenses his jaw in forced silence. He twiddles with code. "I'm worried about what Vance found."
At the same time, Osiris also sends us the seasonal artifact from Hunt, Fang of Xivu Arath. In it, he mentions:
The zealots that followed me to Mercury have proved themselves useful… twice now, actually. They possessed an artifact in their stores: a Hive fang.
The zealots being useful "twice" refers to Vance telling him about the seed and having this artifact kept safely in the Lighthouse (technically, it's three times: in Curse of Osiris, Vance told us where to find the machine to bring Sagira back and it was being kept by the Cult, but it's unclear if we told Osiris the details). Osiris, again, specifically mentions Vance when he recounts where he got it from, in Immolant:
Sagira had chided him for storming the Lighthouse and ransacking Vance's possessions. "They're my relics," he said to silence her protests.
I know Osiris has been through a lot, but his memories are completely and perfectly intact... Except for Vance. That's bizarre to me, given that there's several important points that tie them together, like planting the seed on Io (something he wouldn't have known to do without Vance relaying Mara's message) and research of the tones, something that Osiris spent a lot of time doing and was explicitly worried about; so worried, in fact, that he was willing to part ways with Saint just to continue that research.
In my old post I also mentioned how Osiris even went to Ana to tell her to ask Rasputin if he heard any tones in the Collapse, but Rasputin wasn't up yet. And when Rasputin was finally up, we had much bigger problems to deal with so I assumed that Osiris never asked because the priority was to find what's on Neptune. But now I think that Osiris didn't ask because he doesn't remember. Because the memory of Vance and tones and whatever they mean was deliberately removed from him while Savathun had him imprisoned. Or, perhaps, the Nezarec tea messed with it. After all, Darkness is memory.
This would obviously imply that the tones are something so important and dangerous that Savathun (or someone else) wanted Osiris' knowledge of it removed so that maybe she could have leverage or to know something we don't or perhaps for some other purpose by some other actor. This was such a big point that the entirety of Immolant part 1 is almost exclusively dedicated to Osiris inquiring into the tones.
Another possibility is also that Osiris' memory of Vance was messed with because of Io and the seed and Tree (and then as a consequence, obviously, he would also forget about the tones).
There's also a possibility that Savathun is literally right now messing with me and she did it for no reason at all just to generate imbaru or mess with Osiris or maybe she even wanted to do one nice thing for him and remove the memory of the weird Cult and the tones aren't important at all.
But I don't know. The fact that they're the same thing that the whole Darkness network uses and that ultimately leads to the Witness seems like something that should be important. However, I don't think Mercury will return before TFS, especially since TFS CE has Eido writing about how Mercury is still in the Witness' grasp. But, consider also that we don't know the timeline of when Eido's writing is set. It has to be set after Ahsa's reveal about the Witness' origins, but before TFS. We don't have enough information to tell more. There's also Vex shenanigans to consider, something that will certainly be a plot point post-TFS and Mercury is a prime location for that.
Either way, there's something going on here, added also with the second lore tab release in Season of the Deep that tangentially ties to Mercury, which is Unexpected Resurgence. In it, Shayura is approached by Sister Faora, an incredibly niche character who was leading the Cult of Osiris before Vance. She's shown still wearing the insignia of the Cult. We never learned why she stopped leading them and why Vance took over; she just kinda disappears from the lore book (Trials and Tribulations, the one about the tones). But apparently she's in the City and she's still wearing the Cult robes and she's back in the story... for some reason??
It honestly feels like some sort of a setup for something in the future, something that might deal with Mercury's return. I need to stress just how small she is as a character: she only actually appears in three lore tabs before Unexpected Resurgence, all in the same lore book. The rest of her stuff is just flavour text on the Kairos Function armour pieces from Curse of Osiris. That's it. Why return her in Season of the Deep? Mind boggling.
This whole thing about the tones and Mercury consumes me every day and night. The fact that Deep mentioned Vance in a way easily dismissed as a joke (but also, note the name of the weapon: targeted redaction) as well as Faora coming back is just too wild to me to be a random throwback or a just a joke. Not when it's beyond clear that Osiris should remember Vance, the Cult, the tones and the rest of it. It's even unclear at this point if he remembers that he planted the seed on Io.
So what are the tones? What are they indeed. They're music from the spires of Mercury that reacts to death and uses the same frequency as the entire Darkness network with the Witness at the top. What is their purpose and what is the purpose of Mercury and why did the Witness take it and what is this plotline and when will it be resolved? Summary:
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skitskatdacat63 · 3 months
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"Victory belongs to the most persevering" - Nandopoleon Alonsoparte
+ First Consul Nandopoleon
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Wow look I finally drew him properly! This was like the 2nd or so AU I've ever made, but honestly I feel so strongly about it that it's really intimidating to try and make a satisfying explanation post for it. I want it to be perfect ah. But I will one day! Maybe a web weave or smth in the meantime. But I digress. Napoleon Bonaparte = Fernando Alonso, please contact @/skitskatdacat63 for details.
In this painting I drew the uniform Napoleon wore during the Italian campaign in the 1790s, bcs I think it's so pretty, and not just the typical Napoleon outfit everyone knows(tho dw I'm in love with that one too.)
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Though I will say, it was a bit weird drawing Fernando in navy blue(is this a sign for 2025?), so I had to draw him in the bright red First Consul uniform, to return some order to the world y'know
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I ended up picking "victory belongs to the most persevering" as the Napoleon quote to use, but that was really hard to pick tbh. I literally have a whole folder of Napoleon quotes that remind me of Fernando LOL. Some others, to give you an idea:
"Glory is fleeting, but obscurity is forever."
"From triumph to downfall, there is but one step."
"Morality has nothing to do with such a man as I am."
"It requires more courage to suffer than to die."
Etc etc., again: I have a folder ;;;
I don't think this drawing was nearly as complicated as the Seb one, but for some reason it made me suffer more. I think you just get into this really intense mindset after drawing smth super detailed, and it's very frustrating. But I like it! His face was very confusing to me(the angle of the eyes), and then it randomly hit me how to draw it so that was cool. Look at him face :) handsome boy
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Also here's the process! I think I'm gonna try and draw something each weekend as a gift to myself after the school week(if I have actual ideas for it lol)
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arx-aru · 8 months
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War-Dead Catacombs
This is honestly an incredible dungeon, in terms of all the subtext.
For reference! It's the one hidden in the corner of Radahn's arena where spectral Cleanrot Knights make battle with equally bodiless Radahn soldiers--
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There's a number of fascinating details in here:
Like all catacombs, the halls are littered with human remains. However, these are presumably older than those of the Battle of Aeonia (because the corpses in Radahn's arena, exposed to the elements (and his cannibalistic frenzy) still have tattered surcoats, waistcloths, et cetera. These bodies, however, are mere skeletons, bereft of any clothing). So far as I can find, there's not actually any of the Radahn and Malenian battle debris assets that litter Caelid inside here. Given how ubiquitous they are, this must have been intentional. None of the bodies entombed here belong to these soldiers.
Naturally, Radahn himself is simply too large to get inside, so this place isn't actually so much a tomb as the singular point of refuge in the Wailing Dunes.
So. They've lost their flesh by the time they entered, evidently--meaning their bodies are still outside, being gorged upon by Radahn.
These are spirits of, presumably, the same variety as the Headless Knights or Latenna; that is, they are the essence of their dying will--their continued animation(as opposed to the crestfallen one-sentence spirits elsewhere) is reflective of a degree of resolve and intention at their time of death.
The final moments of the Radahn and Malenian armies, then, was to make it to this location. There are no spirits roaming outside, after all. They tried to escape Radahn and preserve, if nothing else, their dignity in death... but failed, one and all. Tricky to outrun a man who would hold up the very stars, after all.
And, of course, this is one of the very few instances of AI factions actively fighting each other... and they were near-certainly concerned, primarily, with escaping Radahn when they died. Yet they fight on. So deep is the loathing between the Radahn and Malenian hosts that they'd forgive each-other not even in death, not even having their bodily dignity violated by both their lords. Whether this is borne of unshakeable faith or hatred is difficult to say, of course, but the item descriptions of their respective armor sets might shed light(the Cleanrot Knights knew full well what would happen to them but accepted it, whereas the Radahn knights struck their lord's crest from their hearts when everything fell apart, even though Radahn's frenzy wasn't necessarily his fault. Importantly, the reliability of lordsworn armor descriptions in general seems shaky at best, so I don't put huge coin to that exact conclusion).
The movesets all these guys use is, as far as I can tell, the same as their surviving counterparts. That is to say, the cited sources of their battle arts, skills, and abilities in item descriptions hold true to their spiritual essence. In other words: so intrinsic is the rot and disability to the Cleanrot Knights that they yet retain their limp, their wings, and the rotten acid they cough and heave upon their foes. So fundamental was the martial prowess of Radahn's men that they keep Artorias spinning and spamming combo attacks--they are not in the least phased by their own death. So unshakeable is the faith of Malenia's vassals in their two gods that they still cast Miquellan magics and proc the Malenian sword insignia effects.
They actually respawn, when they finally manage to "kill" one another. Indeed, none of these people were equipped to kill the bodiless. So they'll keep fighting, again and again and forevermore, until true death do them part--if ever, even, it finds its way to their forgotten Tartarus.
Basically! After the player finally defeats Radahn and offers a small measure of closure to the Shattering, they're allowed to see what war does to the everyman's very soul.
These gods were family, once.
These soldiers, beholden to the private affairs of strangers, were comrades. Many were probably friends.
It all begs the question--was Ranni's scheme to begin the Age of Stars worth it? Is the era she'll usher in, should she even succeed, of greater meaning than how the people of the Lands Between were molested, body and soul?
Well, maybe. It's hard to say. Impossible, really.
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But we might imagine what the dead would answer, if they'd not been robbed their chance to speak.
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cutebutalsostabby · 2 months
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Which Link is most likely to go for a trans surgery?
Hmmm. Well: all of them are SOME flavour of trans and/or genderqueer (I don't make the rules, except when I do, and yep: thems the rules), but I don't think many of them would actually have surgery, per se. For several reasons, which all basically boil down to this: Hyrule is a better place than the real world, and they can do cool stuff we can't do here. Behold as I infodump all over your question.
First off, my opinion is that there's less social and legal pressure within most of the game settings to conform to particular gender presentations. Which is obviously far from the sole reason why surgery would happen in the real world, but it does mean that you can decide 100% for your OWN sake, not for anyone else's. Note: Western transphobia developed under specific conditions which we don't have to transpose into fictional worlds. We can just do what we want. It's great.
Second, and this one is pretty clearly demonstrated in game lore, mechanics and dialogue: kids in Hyrule, Skyloft and the Great Ocean are treated really well compared to the real world, in that they have 1) the ability to make personal decisions WITHOUT parent consent, and 2) direct access to libraries, doctors, clothes shops, potion shops and etc. Sure, money is a factor here, but the Links at least tend to have spare cash and/or the ability to earn it. Plus, potions at least are not that expensive, nor is that one medical bill from the Oracles games from memory? Idk. If you have 50 rupees every now and then, you're probably set. So if there's a particular surgery a trans person might have in the real world as a direct result of not being able to make their own choices during puberty... that doesn't have to apply in a fictional world. Unless they either didn't know or didn't have access at the time.
Related to the above: most of the games have some form of magic and often also some form of science. I think surgery would be a last resort, used either where magic isn't available or where the magic that IS available doesn't do enough. So probably only for major changes and/or in low magic settings.
As for who, then, based on the above:
TP!Link does come from a low magic world where one of two doctors is a raging racist, and that could limit his access to HRT equivalents. The fact that he comes from a small village could also impact his access to information about being trans, though his house IS full of books and his adopted dad and childhood friend's dad ARE connected with a bunch of people across Hyrule, including the one non-racist doctor. If I didn't HC him as being intersex and totally fine with his body, he'd be my pick.
Since I do: Hyrule (ZeldaI&II!Link).
I HC him as transmasc, but I think he was probably late to put actual words to that, given he's been travelling alone since a young age. Potionsellers do exist within his world, but they're a) rare, an b) expensive. My boy is POOR. But luckily, the town healers and magicians both offer their services for free! YAY! He can get all the surgery and magical HRT he wants :) just so long as he's both cool with having a little blood spilled and able to stick around in a town long enough to recover. Which he uhh... CAN do... right?
Congrats on your top surgery, Roolie!! 🎉🎉🎉
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ask-thearchivists · 7 months
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The Cartographer: Hey Curator! You won't believe how many habitable satellites I found in this next solar system.
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The Cartographer: Hey. Why are these mortals out of stasis?
The Curator: The Coordinator is running an experiment on their social behaviors in atypical environments. Personally, I can't wait for Charmer to get back so he can get all fake polite to someone else for a change.
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The Cartographer: Isn't she normally so busy directing everything? Why would she purposely take on more work?
The Curator: Well. I have one theory.
The Cartographer: Oh?
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The Curator: It's been so long since our little sibling was…taken from us. I realized a little while after she insisted on doing this project that, if he was here today, he would have become an adult by now.
The Cartographer: Oh.
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(Silence)
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The Cartographer: Do you think, where they are, they can age? Sometimes I think about him returning to us and being unrecognizable.
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The Curator: I don't think so. You saw the disk. The Titan Collected a Collector. Charmer thinks their stasis might be interactive, but he would need to be awakened.
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The Cartographer: I hope they're not awakened until right before he's released. How terrible it would be to be trapped in a disk. I can't imagine the interactivity of it is very satisfying. Especially for a child.
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The Curator: Yeah. By the way, Cartographer, the mortals like to ask us questions.
(The Cartographer is open to questions)
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is mana transfer in dungeon meshi only done via hands or is it just skin on skin contact? if skin on skin, can falin and marcille transfer mana to each other by frotting?
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ride-a-dromedary · 6 months
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I would have liked to see the reunion between Halsin and Thaniel when he woke up.
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corrodedcoughin · 1 year
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90s au where stobin and Gareth and Eddie meet at a bar. How do they meet? Arguing over the bar’s sonic the hedgehog game. For months the two pairs have been playing it separate nights. Eddie and Gareth on Fridays (usually they have gigs on Saturdays) Steve and Robin on Saturdays (the Official start of their Saturdays nights). Both pairs unknowingly having vendettas against each other for the leader board (never the top spot, they accept they aren’t that good and it’s always headed by some guy called jargyle<3)
Anyway one weekend corroded coffin have a gig on a Friday so gareth and Eddie decide to keep their tradition alive but move it along to Saturday. They arrive at their usual time and set up shop at the game, quickly devolving into their routine of each others nicknames, Eddie being Sonic and Gareth being Tails. They are getting In The Zone when Steve and Robin arrive, absolutely OUTRAGED that somebody is at THEIR game and not only that! They’ve stolen THEIR names, Steve is Sonic, Robin is Tails. They plant themselves in a booth and order drinks, ready to pounce on the machine as soon as those two imposters move.
Only they end up maybe drinking more than expected, possibly riling each other up to the point of storming over to the two guys because how dare they steal Steve and Robins Saturday night ritual?! Their names! Maybe even their high score!
Gareth and Eddie are heading towards drunk themselves, losing more money to the machine than they can justify and over the top celebrating when they clear a level. Which is when Robin taps Eddie on the shoulder, spinning him round to explain Just How Rude he’s being with Gareth standing just behind Eddie’s shoulder, sipping his beer and squinting at Steve who is giving Scary Dog behind Robin. Gareth is maybe further gone than he realises because in the middle of Robin’s speech (which is very eloquent and impressive he must admit) he’s whisper shouting in Eddie’s ear ‘hey dude major hottie behind the cool lesbian. Want me to wing man you?’
And Eddie? Eddie slides his eyes over to ‘major hottie’ who happens to have the fluffiest hair and sharpest jawline he’s ever seen and whisper shouts back to Gareth because he too, is more drunk than he possibly wants to admit, ‘oh my god he’s so hot man, I think he might be a meringue. Menagerie? Mirage!’ And goes to extend a hand towards Steve.
Robin, now slightly endeared from being noted as a cool lesbian, turns to look at Steve who has his Loverboy Game Face on and figures she can swing this display of bad flirting into an opportunity to get her Saturday Night Ritual back on track. Nothing is getting in the way of her playing Sonic with Steve, it might just be a little detoured along the way.
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hersweetrevenge · 3 months
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corey commentary: the official making of h40 🎃🔪
honestly i feel like this book really helped me refocus my thoughts on corey and brought me back to basics for the first time in a while.
i've split this post into a few specific topics based on my own thoughts and the book details that i found most interesting. a lot of this i've talked about before but i'm bringing it back with evidence babyyy.
WARNING for suicide and suicidal ideation, murder, manipulation, mental health issues and crises, and passing mentions of child abuse.
costume
corey's costume was developed in reverse (pg. 176), starting with his final look, the leather jacketed bad boy, and working backwards to the opening scene look, the good boy on his way to the sock hop.
i love that this was the process, i think that's so interesting from both a design and character perspective. taking him from what he became to what he was? it feels sort of like they were centring nostalgia in a way, starting with who corey became and then looking back to who he was (and who he will never be again). it kind of makes his downfall even more heart-breaking to me.
rohan mention's wearing coreys clothes in his real life and how no one even looked at him (pg. 184). in the commentary he also mentioned wearing corey's glasses a lot to get into the character mindset.
very interesting that we have tried and tested proof that corey can literally fade into the background and go unnoticed. it must be a combination of trying to be visually more plain but also a very quiet demeanour. but then you have the angle of corey being forced to reduce himself to as small and quiet and invisible impossible. i like the way corey both wants to be invisible (to avoid confrontation) but also desperately wants to be seen and heard and believed and understood by someone.
frame of mind/suicidal ideation
rohan mentions that there's an element of corey having not been able to kill himself before, because it was too hard to do, but looking into michael's eyes he realises he can just "call it quits" and let michael do it. then, after he is spared by michael, it gives him "permission" (pg. 198)
i think it makes a lot of sense though that michael letting him go is what tips corey over the edge, maybe reinforcing his own buried guilt (if michael let him go, he must be evil, right?) and making it feel a lot easier to make horrific choices (murder) while also making his emergency exit plan (suicide) feel easier too, if he wanted to.
corey being "tainted" by the shape because he's so close to being that anyway (pg. 172).
i don't personally believe in evil as an actual supernatural force in these movies, but corey is definitlel portrayed as more susceptible to michael's influence, even if michael does actuall demand anything of him.
i think @/slutforstabbings was the one who mentioned this to me. but when corey meets michael he is mentally and physically more susceptible to reacting irrationally in a very real-world sense. he has a history of abuse, experienced a major trauma (the accident), been under intense stress (the party), and had a recent head injury (the fall from the bridge and smacking his head in the sewer). these factors all contribute to a mental health crisis and drastic change in personality.
i feel like this confirms that corey was likely headed for (possibly another) breakdown in the future, but the events of the party/meeting michael just triggers it sooner.
emotional control
rohan mentions corey purposely doesn't feel anything since the accident (pg. 188).
this might have been my favourite detail that gets mentioned. i've always thought that corey's way of surviving post-accident was to just shutdown completely and switch off all his emotions. it's interesting to know that rohan was playing him that way.
and also a lot of the time when corey does feel strong emotions, they are turned in on himself to try and keep them private, like his anger at terry results in him hurting himself (accidently) with the milk bottle, or him regularly climbing over the bannister at the allen house but not being able to let go while during the day he thinks about some outward expression of rage through the blowtorch at the garage.
the mirror scene symbolises the first time corey feels in control (pg. 198).
i've written about this a lot before, but i very much agree that the mirror scene is a moment of processing both "what the fuck just happened?" but also "this is what control feels like". corey's whole breakdown, starting from killing nelson, is about regaining control over his own life, even if it means un-restraining himself and doing horrific things.
killings
ryan turek (exec.) and paul logan (writer) specifically state how ends is essentially a revenge movie, with corey's kills start as revenge killings, but if he survived the kills would get more random (pg. 167).
i feel like this highlights the way that corey's connection with the shape is cut short, unlike michael who had it for decades. the shape (or the idea of it) lets corey get his revenge, but after that he could keep going, he'd pick up momentum and he wouldn't be slowing down.
this seems like this is pointing towards killing being corey's method of control rather than some more direct desire to kill.
he becomes "addicted" to violence and he knows it (pg. 191).
"addicted" is a super interesting word choice and i feel like it fits perfectly. corey starts with revenge, he has his reasons, but as time goes on he could find a reason for anyone if he wanted to.
if corey survived ends and got away, he'd be living his own life for the first time ever. i think there are a lot of things he'd over indulge in, and killing being an addiction plays heavily into that -- there would be nothing to tell him to stop.
high priest!corey
rohan specifically describes corey leading doug to the sewer as him bring michael a "sacrifice" (pg. 206).
vindication !! @/slutforstabbings once said to me, while we were talking about the ritualistic nature of corey and michael's relationship and killings, that corey replaces nelson as michael's high priest, as the person who brings the sacrifices and channels michael to the outside world.
manipulation
rohan says that corey "plays" at being the shaking little boy again when he jump scares laurie while waiting outside for allyson (pg. 204).
i love this, because i fully believe corey thrives on manipulation. i think corey is fundamentally a good person anyway, but in dealing with joan he knows how to make himself inoffensive and agreeable, and i think he knows that that "character" is a safe bet to keep people happy.
and the novelisation confirms that this almost works !! laurie thinks he's just awkward and still upset from the night before. the thing that makes laurie doubt how genuine he is, is that she can see how he changes -- she can see the way he switches from one demeanour to another. proof right that he can play at being who he needs to be in the moment.
but then, by the time laurie shoots him, corey really is just a scared little boy who is in way over his head and unequipped for the situation he finds himself in (pg. 226).
corey is unprepared and unpractised -- he doesn't have the experience that michael has in bouncing back. he isn't michael. he's fucked up big time, his plan has fallen through, and he's backed himself into a corner. all the terrible things he's done, everything he's been through, the taste of control -- it's all for nothing is laurie can get the upper hand on him like this.
he's scared and out of his depth but he's dangerous, but corey ends the film the same way he starts it, in a situation he has no control over and with only himself to blame. only this time he's having the last word, he's going to do what he could before and he's going to take laurie down with him.
relationships
rohan said ronald is "the loveliest thing" in corey's life, and that the gesture of giving the motorbike is "beautiful [but] manly and detached" (pg. 182), which is a way more sympathetic view than i have.
this is a wayyy more sympathetic view of their relationship than i have. i do like this angle though, the idea that corey and ronald did have some sort of relationship but that neither of them can express it very well, that they're taking the stereotypically masculine route of small gestures and not a lot of words. which seems at odds with what corey really needed from the only male role model in his life, but it's kinda sweet that corey must like ronald enough for him to be a good part of his life, rather than just neutral.
maybe the takes about ronald being a good stepdad aren't wrong 👀
corey falls for allyson most deeply when he sees how she is on the edge just as much as he is (pg. 215).
this made me wonder if allyson and corey could have ever been together without the events of the movies? if they still met by chance, would they get along? would the attraction still be there?
their relationship is based on parasocial affection and shared similar traumas, there's a certain emotional intensity there that translates to them making rash decisions and commitments that i don't think they would otherwise.
joan's last words (in an even more extended death scene) are begging "michael" not to hurt corey (pg. 222).
joanne baron has talked about joan's motivations and perspective in some interviews, so this scenes lines up very well with what she's said previously. joan has never treated corey like a person, he's an object for her to control, but her two moments of concern for him (when he comes home the morning after the party and her death scene) come from a seemingly natural and genuine place.
also, the biggest factor that made me loose my mind over this: she doesn't know it's corey killing her. she begs this masked murderer not to kill her son, not know that it is her son beneath the mask 💀
she's begging someone not to hurt corey after years of being the one who has hurt corey. it's too late to turn back, it was always going to end like this, but can you imagine what went through corey's mind in that moment? that his momma wanted him to be safe but never made him feel safe when she had the chance.
me whenever there is a direct quote from rohan in this book:
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simgerale · 7 days
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finished writing chapter three!! there are currently 10 posts planned, along with the "growing up" post so 11 total in the works! excited for you all to see what i've been cooking (^:<
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mumblesplash · 10 months
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hello miners and crafters i have questions about the deep dark
see i can admit i don’t know everything
(if anyone has theories or more questions send em i have ancient city brainrot again and this is all i can think about)
1. why does the sculk inflict darkness
the doylist answer here is definitely ‘game design’, but in terms of the sculk’s biology in-universe—it doesn’t have eyes. it would have no reason to understand the concept of vision, so how does it block ours?
2. why don’t catalysts make more catalysts
when catalysts spread sculk they make sensors and shriekers, albeit rarely, but they never spawn new catalysts. the only way to create a new catalyst is to kill a warden, which means past a certain point the sculk depends on players to spread itself. again, might just be a gameplay decision, but if this is an intentional part of sculk lore it then raises the question of how the hell all the naturally generated catalysts got where they are
3. why would the pillagers bother to build with wool
now ok for context afaik no official source has confirmed for sure that the pillagers were ever there, but they obviously were, and for a while. because some parts of the cities will contain structures like these:
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which are designed in the distinct style of pillager outposts and don’t match the rest of the city at all. there’s also the piles of cyan, blue, and light blue wool referred to as ‘camps’ that match the wool piles found in woodland mansions, and the implication here is that the pillagers used this wool to reconstruct parts of the wool walkways.
the problem is, the pillagers’ apparent reconstruction efforts consistently prioritize practicality over the original builders’ stylistic choices, and they would have no practical reason to use wool if only vibrations made by players can activate shriekers. so why bother? why not use wood planks or cobblestone like they do everywhere else?
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scionshtola · 1 day
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17. Taking a step away from “canon”, do you have any wholly unique side quests and adventures your Warrior of Light has gotten caught up in? Did they chase down ghosts of their own past, get married, open a bakery, or fix an ancient blood curse on their family line? Have they reunited with loved ones or buried old hatchets? If there’s some unique story behind your character, how does it show up and how did it play out? (x)
After returning to the Source from the First, Corisande journeyed to the Bozjan Southern Front to aid the resistance in their effort at reclaiming their home. They had no idea they would find their mother there, already aiding the resistance as a scout. When Corisande left her village nearly 6 years ago, it was with the understanding she and Annika would likely not see each other again. But word of Corisande's feats as the Warrior of Light had made their way to their former village deep in the Golmore Jungle, and Annika, hearing of what her only child was doing, was not content to stay hidden in the forest when she could help (wonder where Corisande gets that from!). Neither of them could believe their eyes when they first saw each other, and are still overjoyed to be reunited.
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