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#yuri posting
euniexenoblade · 16 days
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I'm like half asleep so idk if my thing is gonna make sense but I'm thinking about my autistic girlfriend and seeing posts about autism and seeing how autism is treated as this bad thing that needs to be corrected weirds me out cuz like those moments where my girlfriend is just herself and I get to see her be her autistic self, her ticks her movements her words her lack of them, I find them so utterly beautiful and precious and I would not change her for the world her autism is apart of her and I love her so much her autism isnt a detriment it's simply her and I love her
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creepymutelilbugger · 7 months
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the army's top general: (leaning over the war room map, hands on the table, takes cigar from between teeth) huh.. this is a tough situation. i just don't see which position i should take here.
the army's bottom general: (crossing legs gayly giving a panty shot on purpose, wearing a medal she earned for battlefield kama sutra) ma'am, i suggest the lotus, ma'am
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cheesebad · 3 months
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trashgrl666 · 9 months
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gimme the girls kissing pics and no one gets hurt
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pawiresa · 9 days
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oh to be a lesbian vampire living in an old gothic castle with my gorgeous vampire wife.
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biherbalwitch · 9 months
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the only valid reaction to the type of shit these two keep pulling
I am pichit and he is me
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lalalapine · 1 month
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ok yuri on ice ‼️
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zozoubbb · 4 months
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hm hey guys have you thought about how much of utena's and anthy's relationship didnt work out for a great part of the anime because both characters had their inner complexities and problems, and lot of times they sort of overlaped with eachother? i think about that a lot, this may be obvious for most utena's fans, but i still think it is something so nice to point out, positively. didnt work out is a harsh word, dont know how else to put it tho, Utena had this princehood complex and she wanted to be the one to sabe Anthy from her suffering, she saw Anthy as an object of pity and she wanted to save her, because for her, Anthy's actions were purely controled by the system they both took active part of. On the other hand, Anthy clearly didnt like this, since she was her on person, with her full decisions and choices, she was a victim of abuse but she was also much more than that, she was dealing with her own battles to free herself. She didnt want to be freed by Utena who was trying to do so while further harming Anthy and even herself by part-taking in the duel system, Anthy wanted for Utena to understand that, and by that understanding to free herself from those chains and help Anthy on her on journey to be free, and to heal. dont know if they were meant to each other, dont know if such thing exists, but they are definetely one of my favorite ships, they are really well constructed and each of them are incredible chatacters. their relationship is inspiring, and i particularlly like how they portrayed their relationship, it shows how much of relationships are built on mutual understanding and respect, how a relationship is not something merely individual but still understanding personal issues helps on developing real, happy relationships.
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yeetmewithachainsaw · 3 months
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this was so fucking funny
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the-yuri-librarian · 4 months
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Bloom into You Analysis: Chapter One
Bloom into You tells the story of high school freshman Yuu, as she discovers herself and tries to gain an understanding of "love," which all of her friends seem enamored with. She has never had someone who felt special to her in that way, though she desperately wants to. This all changes when she meets sophomore Nanami, who has also never fallen in love. As they get to know each other, Nanami begins to fall in love with Yuu, though Yuu does not understand why. At the same time, Yuu thinks her chest may be starting to flutter, a feeling that she has longed for but still does not understand...
In this analysis series, I am going to explore Bloom into You chapter by chapter, breaking down what the writing is doing, how what the writing is doing works, and why the series is so popular. But, first, here's my favorite panel from chapter one.
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Analysis below the cut
This may be common sense on some level, but the first chapters of most works of fiction typically have the same goals: establish the main character(s) (including their personality and flaws), the setting, the story, and the antagonist(s), as well as any thematic through-lines that will be present in the story. These goals, however, are especially important for a series that is released weekly; when you're reading a novel or a collection of chapters in a manga volume, the writer has a lot more room -- and as a result, leeway -- to take their time laying the groundwork for their story. But, when something is released chapter by chapter on a week-to-week basis, like Bloom into You, it is imperative that the writer does their best to give you, the reader, a reason to come back next week, and the week after that, and so on. The constraints of the weekly release schedule are something to keep in mind as we proceed with this analysis, not just for this chapter, but for all chapters. The constant stress to keep audience engagement high likely had an impact on the writing decisions Nakatani Nio made as she developed this story, for better and worse. With that being said, let's dive in on page one:
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Full disclosure: I really love this page. It utilizes a combination of visual storytelling, internal monologue, and the manga itself as a framing device to perfectly establish the protagonist, Yuu, in a single page. Visually, Yuu is laying on her bed listening to music, (presumably) a light novel spread across her lap. The "camera," which serves as the audience's POV, is above her, so she is staring at us as she stares at the ceiling. Laying next to her are a couple of romance mangas, another book, her music player (an mp3 player of some kind), and an open CD case. Even without the inner monologue, you can immediately tell that Yuu is interested in romance. Nakatani then uses Yuu's inner monologue to take the audience's initial impression of Yuu and twist it. She is not interested in love in the same way the average teenage girl is; she is not particularly boy crazy, nor is she very experienced in the ways of love. Instead, she is interested in love precisely because she has never experienced it. She even thinks it herself: "I don't need a dictionary to understand the meaning... But I've never felt them for myself" (v. 1, Ch. 1, page 4; emphasis original). This not only works to make Yuu more complex as a character, but it is also a way to draw the audience in. It leads them to wonder, "Why hasn't she experienced love? Has she been hurt in the past? Or, is something else going on?" And then, finally, in what I genuinely think is brilliant, Nakatani turns the manga itself into a framing device by allowing the title of the chapter to interact with Yuu's inner monologue. The first box of Yuu's inner monologue reads, "The words in shoujo manga and love songs... They're always sparkling brightly" (ch. 1, page 4; emphasis original). She then laments that she knows what the words mean, but she's never felt them for herself. In comparison, the title of the chapter is "I cannot reach the stars." Thanks to the use of bold text for emphasis, Nakatani is drawing a straight line from the monologue to the chapter title. In other words, the stars that Yuu cannot reach are the feelings in the manga and love songs she is lamenting about. This gives the audience incredible insight into Yuu's character, because it tells us right away that not only does she yearn to feel the love that comics and songs talk about, but she also blames herself for her inability to feel romantic feelings, a thought that is going to become a driving force of the plot right away.
The next four pages work to set up the story. In summary, Yuu is not sure what club she wants to join, and one of her teachers recommends the student council, offering for her to sit in on one of their meetings. Yuu agrees because it sounds interesting, but on her way to the student council building, she gets lost. Instead, she stumbles upon a boy asking a girl out, which leads to:
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This is our introduction to Nanami, the somewhat deuteragonist, and, more importantly, Yuu's main love interest. As the above image implies, Nanami turns this guy down. Then, she spots Yuu, who admits she is lost, and together they go to the student council building, where Nanami reveals she is a member of the student council. As the chapter progresses, Yuu, and by extension the audience, learns a lot about Nanami, mainly through dialogue. She is a sophomore, ten people (including by some girls) have confessed their love to her since she started high school, and she has turned everyone down largely because she was not interested, but also because "none of their confessions made [Nanami's] heart pound" (ch. 1, page 22; emphasis original). This information is given briskly, and as it happens we watch as Yuu becomes more and more interested in Nanami. At first, it is explicitly because she saw Nanami turn down a confession; her inner monologue in the next scene reveals that Yuu was confessed to at her middle school graduation and has not answered yet. Then, she hangs out with Nanami and Sayaka (Nanami's best friend and fellow student council member and sophomore) the next day, and begins to realize that Nanami is a cool and interesting person. Then, when Nanami reveals she has never felt love, Yuu's interest in her increases exponentially. The pacing and speed at which we are given information really works here, as Nakatani employs Yuu's increasing interest in Nanami to keep the reader engaged while also only highlighting the key aspects of Nanami's personality. She provides the audience enough information to keep us interested, but not so much information we have the full picture. This series of scenes culminates in the final scene of the chapter, when Yuu asks Nanami for advice in the student council room the next day.
On the third day after Yuu meets Nanami, she finds herself exactly as she hoped: alone with Nanami in the student council room. She explains that she has been confessed to and that the boy in question is expecting a response. As she relays this information, Nanami mistakes her intentions and says that she is not the right person to give out advice on this subject. Yuu responds that she's already decided to turn him down. During this conversation, the audience is shown a flashback of the confession, and when the flashback is over, Yuu does just that: she turns the boy down. When she is done and has had a moment to relax, Nanami takes her hand and asks Yuu in clear terms if there has ever been anyone special to her, if she has ever had romantic feelings for anyone. Yuu says no, and this leads to the page that my favorite panel is from:
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There is excellent storytelling happening here. At first, Yuu and Nanami are holding hands and standing acorss from each other, then, with a turn of the page, Nanami is pulling Yuu closer. In the next panel, the camera cuts wide, showing us how empty the room is and just how close our lead girls are standing. The perspective shifts here are meant to put the audience on edge and add pressure to the tension that has building all chapter. Then, on the last panel, right as the tension is at its highest, the plot twists, letting the tension release like a stretched rubber band. It's a twist for Yuu too; the confusion on her face is painfully clear, as she begins to realize she has misread Nanami. Then, Nanami voices the realization Yuu is having out loud, informing her that they are not the same, they are different...
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...because Nanami is falling in love with Yuu. Just like that, with the flip of a page, the rest of the story is set up. Yuu, the girl who cannot fall in love, has made likely the most popular girl in school fall for her, seemingly because of the explicit fact that she has never fallen in love before. This twist takes the hook that was already in the audience's mouth and sets it into the flesh of their cheek; they're hooked now, and there is no telling where the story will go from here. Not all is perfect, though. In this scene, Nanami actually comes on a little too strongly for my taste, particularly dropping the L word so early. This is likely an effect of the weekly release schedule that I mentioned earlier; Nakatani likely wanted to end the chapter on the strongest note possible, leading to such a powerful confession. Additionally, it is hard to tell how valid this complaint is, as I am dealing with an admitted constraint: I do not read or write Japanese. This inherently limits my understanding of the scene, because I am perpetually an additional step away from understanding Nakatani's true meaning; not only am I reading the line through my own cultural values and life experiences, but the line itself has been translated from the Japanese, and since translation is itself an art, the translator's own cultural values and life experiences likely affects how they translate it. With that being said, assuming this is not a translator error and the original Japanese does say "love," then there is a moment later in the story that is the ideal place for Nanami to say "love" for the first time (in my opinion at least) that I will point out when we get there.
And, with Nanami's confession, the chapter ends. In the pages of this chapter, we can already see the emergence of the story's main theme: what is love? But, as the characters progress, this story is also going to grapple with questions of bodily autonomy, friendship, and what it means to find your way in the world. This story is, in my view, ultimately a coming-of-age story for Yuu. Not just romantically, but developmentally. She has to find her way in the world when everyone around her seemingly already knows their way. And, it is that journey that makes this story so special.
I hope you enjoyed this analysis! Sorry it was so long. Honestly, there was a lot more I wanted to say, but I ended up summarizing a lot to keep it as brief as I could. Chapter two is fewer pages so it'll be shorter (I hope). Speaking of, chapter 2 will go up on Wednesday, January 10th. Hope to see you then! ^-^
p.s. if you can fluently read Japanese and are interested in helping me on this project, please DM me!
p.p.s here's a cute bonus image from the end of the chapter!
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urbanbirdbud · 4 months
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slay the princess is yuri. to me.
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euniexenoblade · 1 month
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get a girl on her knees and look down into her eyes and say "I want to do illegal things to you" for the rest of the girls in the room to go crazy
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creepymutelilbugger · 8 months
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this is a type of girl
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elainiisms · 7 months
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i would be nowhere in life without yuri
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unv3ra · 2 months
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picked up the comic few weeks ago
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pawiresa · 8 days
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calling her my sweet girl is my new obsession
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