Tumgik
#you think i know what media analysis is i just want a picture of a hot dog
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thoughts on the bcs 6B premiere!! spoilers under the cut. like major spoilers its not hiding anything
so holy shit .
this post is rlly just for me! idc if someone else reads it this is so i can discuss somewhere public without spoiling someone
so first off the music was genuinely perfect for every. single. scene. kim driving to gus' house was so good, every scene with lalo had music that suited him so well which is something the show has always been good at, the song when they bury howards body was... such a perfect piece to encapsulate the feelings his death evokes. its beautiful but it also has that touch of somberness to really show just how tragic it is we lost him. plus they buried him with his fuckign MURDERER.. THE WAY they were laying together was so interesting..idk if it was intentional but i loved how they looked
lalo was so intimidating and showed his smarts in this episode like always but fuck. he made possibly his first ever mistake in his ENTIRE run on the show which is incredible! lalo has been so calculated up until his final scene and thats so fitting for him. one smalllllll mistake lead to his demise
speaking of his demise. i loved his death scene. also super fitting
i feel kinda fucked up considering hes responsible for like all my fav characters deaths (even nachos to an extent) but im so sad to see lalo go. im one of those ppl who always hoped he would survive in the end lol. i really really loved his death. i saw someone call it boring but tbh i think there wasnt a better way to send him off. in silence, in the dark, choking on his own blood and with a shit eating grin on his face. he was smug even as he was bested by someone for the smallest mistake on his part. i think some part of him was proud of gus. he recognizes hes won this. THE WINNER TAKES IT ALLLLL
oh and the spotlight on his shoes. for all the girlies who love his dumb fucking shoes YOU GOT FAN SERVICE
love how the episode took place all in one night! also everyone on this GOD DAMN CAST AND CREW better get their well deserved emmys.
i feel like i have more to say but idk.
lalos vlog channel is fucking amazing
i liked how when jimmy knocks the chair over him and howard are in a yin and yang position. theres both good and evil in the both of them, its just that each leans more towards another.
love how lyle was singing a los pollos hermanos version of la cucaracha after lalos death scene! amazing way to both call back to LALO calling jimmy a cockroach and to remind us that jimmy survives every single thing that comes his way, somehow. love mike using his "thats all i know" lie for the first time. love that kim and jimmys twisted fucking lie abt howard currently using cocaine is now going to haunt them for life. they have to paint his final moments as an unhinged addict who killed himself shortly after harrassing them for Totally Doing Nothing Officer!!!! /s they are fucked up and they can never and SHOULD never forgive themselves.
not fully sure who will take that villain role now! first it was the kettlemans, then nacho in a WAY (but we always had sympathy imo) then hector, then lalo and now... who next? maybe its that new character theyve talked abt but its gonna be hard to fill lalos turquoise shoes.
starting to think the south wall was a red herring! maybe it isnt but thats my thoughts because lalo put so much emphasis on it and now hes gone. dead without the one question he couldnt answer lingering in his mind. he saw the lab and still didnt know what the south wall was for. maybe it really is for nothing.
itll be so fucked to watch brba now and know theyre walking over the rotted corpses of lalo and howard, people who will be lost to time and soon forgotten by the masses. i think the final plotline will be watching hhm collapse without its h and m
okay i think thats all my thoughts. have a wonderful night friends!
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pikatrainer99 · 22 days
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Kieran is autistic and you can't change my mind!
Okay, I KNOW that I'm not the only one who holds this headcanon...but I wanted to do an analysis on Kieran anyway, especially since my best friend @sinnohanvulpix said she'd love to see me do one. Credit to her for all the screenshots used btw. The GIFs on the other hand were either found on Google Images or created by me using gifrun.com and these YouTube videos:
youtube
I did not use my own footage for this at all...as proof here's what MY character in the game looks like...he has my real name but I tried to make him look like Orange which is why he has the orange eyes 😅
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(Sorry for the bad quality btw...taking pictures of my Switch screen is hard 😅)
Okay, now without further ado, let's get started with the analysis!
First, Kieran has a CLEAR special interest in Ogerpon, he admires and looks up to her, he was obsessed with the story of the ogre, he was always trying to go to her den and meet her, he has a meltdown when Ogerpon chooses the player over him, etc. Carmine even says that Kieran "really really REALLY likes the ogre" and that made me think, "Ah! Special interest!"
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And then at the end of the Teal Mask he gains a new special interest in getting stronger to beat the player...and he hyperfocuses HARD on that...to the point of it being detrimental to both his physical and mental health, as he was doing nothing but training during that time...he barely ate, barely slept, just trained...and that is not healthy. It's a rare example of media showcasing a special interest being unhealthy and absolutely CONSUMING one's life, and the consequences do actually show for it.
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Kieran is very introverted and doesn't know how to make friends very well. I actually think the player is his first friend considering his surprised reaction when the player says they consider him a friend, and following this, he quickly becomes a bit...too attached to the player, as he doesn't quite understand how friendships work.
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(This is also such a neurodivergent way to say "I'm so happy I finally have a friend")
He also struggles socially, as is a requirement for autistic people to qualify for a diagnosis. Kieran specifically has a hard time reading social cues, he struggles with making eye contact, he has clear anxiety when talking to people as proven by his little stutter he has at times.
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(This is an adorable screenshot 🥺)
He also struggles with social and emotional processing (and might have alexithymia as well due to his sudden huge outbursts of emotion), and he also struggles with initiating conversation as well, as seen when he tries to talk to Penny at the League Club. They both have no idea how to even start a conversation with each other and it's honestly pretty adorable seeing the two quiet adorkable kids trying their best to hold conversation. I get it, you two, initiating conversation is really difficult for me too.
Also the way they try to start the conversation by talking about the weather...that's really funny and ironic to me because that's what NTs do all the time. NTs always use the weather as a small-talk conversation starter but NDs like me (and Kieran and Penny too apparently) just don't get that stuff.
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(These two are so neurodivergent it's great and I love them both 🥺)
Kieran also has four in-game animations that I personally see as stimming. The first one is him tapping his fist against his hip when he's thinking or nervous.
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(Focus your attention to his hand here and you'll see it.)
The second one is him playing with a strand of loose hair, usually when he's nervous.
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(The little nervous side glance at the player is relatable and adorable 🥺)
The third one is a more agitated stim that he only does ONCE in the entire game...and that is tapping the front of his foot on the ground. I do that myself when I'm agitated or impatient, somehow it's comforting, especially since for some reason I really like the way my shoes sound when I tap them on the ground... especially since I got my brand new Infernape-themed shoes, they sound extra satisfying because they're brand new.
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(This is not the way most people tap their foot...I've never seen an NT do it like this...only other NDs such as myself and one of my brothers)
The fourth and final one is, unfortunately, a stress stim...Kieran runs his hands very fast through his hair and it also looks like, to me anyway as someone who has self-injurious stims myself, that he is digging his nails into his scalp as well while doing that. I do something similar myself, though on top of running my hands through my hair and digging my nails into my scalp, I also pull at my hair...yeah... self-injurious stims are no joke...and I'm kinda glad Kieran's autism coding brings attention to that aspect of autism...at least in my eyes as someone who does those things myself.
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(He's in so much stress here, poor kid 😔)
Another aspect of autism that I'm surprised and kinda glad that Kieran exhibits as an autistic-coded character is meltdowns and shutdowns. Kieran has actual meltdowns in the game! This is something we have never seen in such an in-your-face way in any Pokémon game, and as someone who regularly has meltdowns myself, it hit me in the feels whenever I saw him having them. His first meltdown is in the Teal Mask when he steals the Teal Mask and runs off to Loyalty Plaza where he battles the player. He yells at Carmine and the player for treating him like an outcast...which is unfortunately something that happens to a lot of autistic people, myself included. Kieran screams at the player and Carmine for for lying to him while doing his stress stim, before running up to the Lousy Three's shrine and punching it, without any regard for his safety, which is also something autistic people may do during meltdowns...I know I have no regard for my safety during mine. After that's all over he gives the mask back to the player and goes home, leaving the player to talk to Carmine alone, who says that she's worried and thinks it's just "teen angst". When I saw that I was like, "...Uh, Carmine...I don't think it's just that, I think your brother is neurodivergent and really needs a lot of help and support because he's struggling a lot right now..."
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His second meltdown is also in the Teal Mask, when he wants Ogerpon to go with him but Ogerpon wants to go with the player...Kieran can't process that and doesn't understand how to take Ogerpon's feelings into account, instead demanding the player to battle him for the right to be Ogerpon's partner. He collapses on all fours after being defeated again, and it gets worse...he looks like he's crying while the player battles Ogerpon in order to catch her. After the player catches her, Kieran wonders why he can't be like the player, and runs off crying, locking himself in his room for the rest of the story. The end of the Teal Mask has him doing his stress stim while being consumed by a new special interest in a very detrimental way...that interest being becoming so strong that no one can defeat him...including the player.
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Kieran's third meltdown is in the Indigo Disk, after the player defeats him in the championship match. That meltdown is a full-on cutscene, where it is CLEAR to see his spiraling mental state through the visuals, and he holds his hands on his head like he has a headache while trying to process the fact that he lost to the player AGAIN (which is also relatable as someone who struggles with processing difficulties myself...it really does give headaches and it is one of the worst feelings when I just can't process what's going on around me or the emotions I feel or anything really)...he collapses to his knees and looks like he's breathing very hard as he is so upset and distressed at this loss. It is definitely one of the most heartbreaking scenes for me because this is a CLEAR CUT MELTDOWN in my eyes and it hits me in the feels like a TRUCK to watch that cutscene.
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Also, in the Terapagos fight, Kieran has a bit of a shutdown for a bit, standing there frozen, thinking he's useless and can't do anything right (which is relatable as I have regular shutdowns as well, and I also constantly feel like I'm a failure of a human being who can't do anything right)...but let me tell you, when the player finally gets him to snap out of it and convinces him to help and he opens his eyes revealing that the light is back in his eyes as well as visible tears...I cheered (and teared up myself). My boy was back, and I was so happy.
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(When I first saw the tears I was like, "NOOOO don't cry Kieran! 😢)
Also in the Indigo Disk, Kieran seems completely different and "no longer like his usual self". His autistic traits are (mostly) nowhere to be seen as he becomes much more serious, angry, assertive,and aggressive. I personally see this as a persona he puts on by masking, which is common for autistic people to do. I myself can't mask, but Kieran definitely seems to be masking here by putting on this persona in order to get stronger and seem stronger as a person as well. This is NOT his real self, this is a FACADE!
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We see him start to drop the mask again in Area Zero when he says it seems like they're in a spy movie or something and how cool that is, but once the crack in his mask is pointed out he immediately puts it back on.
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After everything in the under depths ends, and you go back to Blueberry Academy, he drops the mask again completely, and goes back to his real, adorkable, relatable self...and stays that way from then on, which made me so relieved and happy.
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(This is my favorite cutscene in the entire DLC because of how adorable it is and also how neurodivergent Kieran is being here while apologizing for all he did 🥺)
In conclusion, I think Kieran is a great example of an autistic-coded character who has many relatable traits, and also does a good job showcasing some of the more "unpleasant and challenging behaviors and traits" (NTs use that terminology a lot, not me... that's how NTs unfortunately view NDs a lot of the time) of autism. I used to be afraid of him during the post-Teal Mask pre-Indigo Disk era but that was my trauma and PTSD talking (I talked about the emotional rollercoaster Kieran's story arc took me on in another post from last year after I finally worked up the courage to play the Indigo Disk...feel free to check that out too if you'd like). Now though I can wholeheartedly say that I love and appreciate Kieran a lot as a character, and his relatability is definitely a big part of why he is a big comfort character for me now (please Pokémon put him in Pokémon Masters EX, PLEASE I will literally cry from joy if he gets added to the game)!
Hope you all enjoyed this autistic person's analysis of yet ANOTHER autistic-coded character in Pokémon! I know I had A LOT to say but that just proves how relatable Kieran is, and I love him for that. Let me know what you think and if I missed anything in the comments below!
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thurio-edau · 10 days
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SBG GANG MENTAL ANALYSIS
yup, him for part two. funny thing despite Aiden being my favourite character I'm most excited for the other three posts I'll make, especially the last one. there's a lot to unpack here so
also im writing this with a migraine pls read it-
Part 2: Aiden Clark
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ah, yes. the obviously-mentally-ill from the start fan favourite Aiden Clark. let's go.
first, I want to start with something I find really important about his character, what makes him heavily mischaracterized in the fandom. the 'psychopath' cliche.
the terms 'psychopath', 'insane' and 'unstable' are often confused with each other due to media stereotypes, such as Aiden here. one, he is not a psychopath. psychopath literally means a self-centered person who lacks sympathy, affection and care; making them far from most other characters in their franchise. their lack of sympathy/empathy often makes them criminalized, here
disturbing content warning, for an example of a psychopath.
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let's take Gressil from Homesick for example since a lot of SBG readers also read Homesick. so, here, Gressil is a perfect example of an actual psychopath. his lack of empathy makes him torment others, he's very self-centered. and when asked why he's doing this? he says he was bored. let's look at Aiden here. what does Aiden do when bored? probably dumb ideas or annoy Tyler. not torturing people for fun. Aiden is just a boy who likes thrills, but he has a sense of empathy, care and justice.
you wanna see a psychopathic Aiden?? the canvas is it
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(our local Logan hater is publishing the canvas eps go checc beachy out)
but that's him, not our Aiden. canvas does not equal originals y'all
alright, now since we got that cleared out!! firstly, ADHD.
I think everyone in the fandom is already aware that Aiden is ADHD but I'm still going to talk about it just like Ashlyn's autism. Red has also said that she wrote Aiden with ADHD in mind but hadn't canonically confirmed anyone as neurodivergent. let's start with the main symptoms of ADHD, also known as Attention Decifit and Hyperactivity Disorder.
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I know about 5 different ADHD people myself and did some research, it probably won't be extremely accurate since I'm not ADHD myself, but I'll try to do whatever I can. first with the AD part, Attention Decifit.
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now as seen, he doesn't exactly have any problems with theorizing itself. but the problem is that his attention just goes away easily.
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i mean cmon bro was making memes on the job
he tries to do work, but can't. he has a low attention span which makes him not able to concentrate. he can't keep it up for long, he'll get distracted or bored too easily about things that doesn't interest in specially.
it's just distracting. what his attention is on constantly changes, there's more to that after the ADHD part but we're here for now.
the hyperactivity... it's a lot more apparent. but I should explain the insane-unstable thing before that.
insane means that someone's mental health is not in an okay situation, where it prevents the person from thinking normally, acting rationally, very often found together with delusions. the person is seriously mentally ill where it might count as a disability.
unstable, however, where someone is prone to psychiatric problems, has moodswings etc. they're not exactly the most sane person, but they aren't insane either. Aiden here, obviously falls on the unstable side. maybe just a little bit insane if you squint. this will be brought up later too, but it mixed well with his hyperactivity too.
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and as we all know, our boy isn't exactly the most stable person. (sorry for the collages, but since there is a tumblr picture limit i have to keep on collaging. yes i learnt from the last time) his hyperactivity mixes with his unstable mindset which makes him incresingly vulnerable to danger- which he likes. from when the first shift happened, he's been really careless about stuff but it's been all about his love for thrill.
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and it irritates Tyler, too.
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the main subplot about his character is that he's a person of excitement. guess what? ADHD people like the excitement, they like new things, they like the adrenaline and thrill. now, Aiden's main characteristic of being unstable mixed with ADHD makes him an even more reckless person. another thing mixing with the hyperactivity, is boundaries.
this part will mostly be about Ashlyn since the boundary issue only happens with her.
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I talked about this on Ashlyn's side on my Ashlyn analysis, now it's time for Aiden's side.
he's really annoying to her at first. Ashlyn is someone with lots of boundaries, like high walls. and who tries to climb them with his dumbass? Aiden of course.
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she kept rejecting his efforts to befriend her for some time, until the night they stole the jeep. then she managed to actually bring the walls down, and accept them all into her life. but damn was she blunt.
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felt that honestly
and Aiden understands her that night, too.
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Ashlyn was hesistant to hug him, yes, he was aware. but she still did which made him realize she was also trying. i have to tell you, people with ADHD and people with autism either have trouble getting along, or go perfectly well. my ADHD sibling for example, I have to push them away for a lot and tell them to lower their voice. but once they remember my boundaries it actually becomes a normal, even pleasant hangout. which, Aiden realizes and tries to get along with. he tries.
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seeing his efforts on her boundaries makes something click in her mind. and she starts to be a lot nicer when they hang out in the arcade.
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Aiden eventually learns and remembers what she's like and what she loves to do. he already tried to watch her ballet sessions once -got slammed-, he's been to her room where he remembered the mat from and her fighting makes it obvious. I'm sure he knew he'd get cooked by betting that. but he still did,
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because he knew it'd interest her. which he succeeded, he saw her smile again. the arcade day went great until Barron and his gang pulled up, but if we ignore that part it all went well. Aiden started to understand and respect her boundaries.
anyways then Tyler fucking dies
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he knows that Ashlyn feels guilty. Aiden wants to comfort her through it, but also do it correctly. without going over any boundaries. which makes him really,
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really,
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really surprised when she responds.
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also including this pannel cause its hilarious
here we see that he's still trying. hell, I'm sure he spent minutes thinking if he should come close physically to help her. that's probably why he just nudged her softly before anything else. he's not used to it, he has to conciously make an effort to not cross said boundaries. keeping his voice lower, try to not be so reckless, not doing anything physically close unless she reciprocates. wow how i wish another someone i knew irl tried that hard instead of blaming it on me cOUGH COUGH COUGH
also other small things to include
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he's yapping a lot
he has a comically large amount of puzzles in his backpack for one single trip
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and sticks his head into lamps for some reason
but that's just Aiden and his little neurodivergent brain for ya.
now the part I wanted to get to the most.
Borderline Personality Disorder.
first, what is Borderline Personality Disorder?
shortened as BPD, borderline is when someone's mood is inconsistent and swinging. think of it's name; the person's mental state is in the border, in the border line, switching up fastly. the most easily understood and common type is when the person goes from a depression to a happy state. but no matter which state they are in and/or go to, one thing stays the same: it is unstable.
one thing about borderline is that it is frequently mixed with bipolar. however bipolar is a neurodivengercy which means it is what someone is born with and cannot be changed. but borderline is obtained later in life. it usually happens with depression. bipolar is much more random and the episodes last longer in comparison. it may last up to hours, and the person's memory might have trouble remembering their episodes. borderline, on the other hand, is a short-lived mood swing.
now here. here's the catch; people with BPD during mood swings can have reckless behaviour, suicidal thoughts -in his case as far as we know, lowered sense of protecting himself- or a loss of understanding danger. sounds familiar?
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borderline's recklessness and dangerousness, sometimes self-destructive acts combines with ADHD's love for thrill and excitement, combined with Aiden's own personality all make up for a great condition of instability.
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Aiden's behaviour constantly goes crazy, I think his most frequent mood swing might be his normal self (at least, as normal as he could be) to this more maniac way of acting. I noticed it from his eyes, when he's in a more calm-ish normal state his pupils are a bit more dilated. in the pictures above, you can clearly see that he's still in the episode; filled with the adrenaline, the unstable way of thinking.
but, what causes that? surely a mental illness such as borderline doesn't happen on it's own.
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right?
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cause it didn't.
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it never works that way.
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but it can get better.
eventually.
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but what happened to him?
personally, as much as a large amounnt of people seems to believe it's something like family abuse I don't think so. maybe neglect, maybe withdrawal, maybe maybe. but we've seen his parents. I don't think they would hurt him like that. I can't put any more pictures, but this is the last part anyway. his parents seem to be kind and gentle, despite that picture in his house. I'm thinking the picture was only for the dramatic effect. his parents said that he used to be really calm and quiet during Lily's birthday, and both Aiden and Ben seem comfortable around them. they were happy taking Ben in too, any kind of abusive parent wouldn't do that at least that's what I believe. also there is that Aiden got serious and concerned when he learnt that their parents were also in the facility, most likely worried for his own as you would have thought.
there was a post that I've been trying to find for like half an hour, I commented on it but I can't find the post now. the person talked about their own theory. if I remember correctly it was that when Aiden was depressive as a child, his parents took him to a thrilling activity like the ones he's been talking about (bungee-jumping, skydiving etc.) and the thrill made him actually get excited. which is why his parents allowed him to go even more reckless, because they are aware of how prone their son could be to the depression.
what happened? let's ignore the parents factor. someone can have a loving family and still be traumatized, someone can be taken care of and still feel abandoned, someone can never have confronted a situation they are terrified of.
one of my theories is that, the loneliness. it must get to a child heavily considering children need to not be left alone, but Aiden was. he didn't have any actual friends since they always moved from one place to another from his parents' business, and they might have not had enough time to make for him (which I believe is bullshitting, every child deserves to be taken some time out for. some people quit their jobs entirely for their child.) and be unaware, and that doesn't change that he was still depressed and alone. his depressive state was seemingly before Ben was taken in. now here one thing with borderline, at least from my experience, is faking actions. smiles, laughs, friendships, conversations... almost as if there's two different lives; one fake, and one real. you keep on switching, you keep on swinging between the sides where you're yourself and where you're just mimicking 'normal human behaviour'.
it starts from faking a happy state during their depression, and by time you're faking it it becomes an automatic adition to your personality. to your mind. once it furthers, it becomes the disorder. Aiden we see is always smiling. it becomes a habit that only breaks sometimes. now, I'm not saying his smile is fake- I think his face is literally just stuck like that. it breaks ever so slightly sometimes. fake it till ya make it yanno? that kind of thing. and when he swings from his calm mood to his borderline-d mood, his pupils get small and his smile gets worse. noticably worse. I'll be rereading the series (AGAIN) and this time look at all the small details since Red loves putting them and I love theorizing so
which, wraps up the Aiden thing! im actually really proud of how i could put my thoughts into text which i never could. i'd love any additions because i love other opinions as well.
and you know what? im glad Ash and Ai are out of the place because the rest are what I'm actually looking forward to >:)
...and i should sleep. really.
(wow sorry yall i finished this hours ago and said 'alright reread to make sure its good before sleep' and fell asleep through it lol sorry for 4 hour delay ig)
(leaving for school rn see yall 8 hours later 🫡)
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boys-with-gunss · 2 months
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𝐙𝐄𝐑𝐎 𝐃𝐀𝐘 (𝟐𝟎𝟎𝟑) 𝐀𝐍𝐀𝐋𝐘𝐒𝐈𝐒
I never stop yapping about Zero Day, he here's literally all my thoughts on it right now so I can stfu for a couple days.
Table of Contents:
Film Summary
Andre Kriegman
- Character Overview
- Character Analysis
- Strengths & Weaknesses
- Conclusion/TLDR
Calvin Gabriel
- Character Overview
- Character Analysis
- Strengths & Weaknesses
- Conclusion/TLDR
Cal and Andre
- Similarities and Differences
-Who really is the "Leader"?
Film "Critique"
Overall Conclusion
Sorces
Zero Day full movie, making of, and screen test (free)
Also quick disclaimer, obviously I take direct information from the movie itself, but some of my information is paraphrasing of character wiki's (which are made by fans) so if any of it is inaccurate, just lmk and I'll correct it. Sources will be linked at the end
FILM OVERVIEW (spoilers)
Basically, Zero Day is a 2003 film centered around characters Cal Gabriel and Andre Kriegman, two teenagers who document their plans to commit a shooting at their high school via video tapes with the intent that after they're done, authorities/media will get a hold of them and send out their message. The entire film is supposed to be like "found footage" type stuff, the entire film is just these tapes they recorded, then at the very end, security camera footage of their school after the carry out their plan. That's essentially the gist of the film and basically all you need to know.
ANDRE KRIEGMAN
𝗖𝗵𝗮𝗿𝗮𝗰𝘁𝗲𝗿 𝗢𝘃𝗲𝗿𝘃𝗶𝗲𝘄: Andre Kriegman is Cal's best friend, born in Köln, Germany, his parents immigrated to the United States whilst he was still very long. He was on the track team, worked on the school paper occasionally, and was an active member of the science club at his school. He as brown hair and eyes, and average build, and has some mild acne. He's has a pessimistic sense of humor and overall world view. He's hard headed, selfish, methodical, and orderly with a short temper. He tends to take charge and likes things done the way he plans. He's intelligent for his age and uses that to his advantage
𝗖𝗵𝗮𝗿𝗮𝗰𝘁𝗲𝗿 𝗔𝗻𝗮𝗹𝘆𝘀𝗶𝘀: Andre is a natural "leader", he's very assertive and gets upset when things don't go his way, go off track, or when there's a risk it won't work out. We see this numerous times throughout the film, usually when Cal does something off plan (for example, the poem Cal presented about the shooting, Andre for very upset with him as it could risk them getting found out. Then the time when Cal wanted to write a letter to Chris after they stole from him, Andre objected multiple times because he didn't want ti being traced back to them before the shooting took place. Also we tend to see most of the plan being put together by Andre, like how he came up with the safety deposit idea, the idea of making a 'Will & Testament' type tape and leaving it in the car, breaking into Chris's, stealing his father's guns, etc, etc. You get the point. Rachel, Cal's " love interest" said hersslf that Andre seemed to be the leader of the Cal and Andre army of two and how she was more scared of him.)
Sources say Andre has an INTJ personality type (Introverted, INtuitive, Thinking, and Judging), his XwX is unknown. INTJs are usually focus on the big picture, are very logical, are very organized, and tend to be lead by reason rather than emotion. They're analytical, innovative, and strategic. We see examples of almost all of these things when viewing Andres character in the film, I'll just go through them one by one and provide a rating based on how well it fits him.
Focusing on the big picture - 7/10, obviously the main goal was to shoot up the school and kill as many as possible, and Andre was set on that and it was what the both were building up to the whole time, Andre mainly focused on that and that alone. Though he also focuses on a lot of the little details in the steps, which obviously lead up to the "big picture", but he spent a lot of time thinking over the specific. For the most part all of the things in the film that weren't directly related to the shooting or the "off-topic" stuff was caused mostly by Cal. (Ex: Scenes with Rachel, the prom, his monologues, getting Andre to go with him to read his poetry and getting him to drive with his eyes closed, etc.)
Logical/Analytical- 7/10, like I said before, he's very intelligent and had a well thought out plan, but the reason I rate this a 7/10 was mostly because his original plan was to shoot up the school and then just leave in a car with almost nothing and go from state to state with Calvin, which would be near impossible for two teenagers and in the long an short run, very, very unethical and illogical.
Lead by reason - 5/10, from the tapes we saw, the whole point of the shooting was to send a message, to show the consequences of the mistreatment Andre had faced. While those seem like I guess "good" reasons, they're really not. His actions are a result of his anger and his want for revenge. We saw it in the very beginning of the film where he and Cal threw eggs at Brian Hoff's (wrestling team captain who was a dick to them) just because they were mad at him and they could. I'd rate him lower but I have him a 5 because while his reasons for doing what they did weren't very reasonable, he executed the steps leading up to it and the act itself well.
Innovative - 10/10, Andre was good at creating solutions to almost every problem that interfered with their plan. For example, making his fathers gun shorter, thus more concealable. Not only was he good at creating things physically, but he found ways to benefit him and Cal through simple things, such as convincing Chris to take them shooting so he and Cal could learn how the guns work. Andre was also shown to be the more manipulative, finding small ways to move along he and Cal's plan by just interacting with people.
Strategic - 9/10, he executed his part of the plan very well and aroused zero suspicion and planned everything he did almost perfectly, the only reason I gave him a 9 was because of his idea to literally break into Chris's house while there were tons of people right across the street. I understand it was basically the only option, but it's not very ethical.
𝗦𝘁𝗿𝗲𝗻𝗴𝘁𝗵𝘀 𝗮𝗻𝗱 𝗪𝗲𝗮𝗸𝗻𝗲𝘀𝘀𝗲𝘀:
Strengths - intelligence, quick thinking, agility/speed, manipulation
Weaknesses - Primarily anger driven, unrealistic goals, inability to "stand up for himself" without literally murdering tons of innocent people
𝗖𝗼𝗻𝗰𝗹𝘂𝘀𝗶𝗼𝗻/𝗧𝗟𝗗𝗥: Andre Kriegman is the perfect example of a leadership role, his intelligence plans a big factor in everything he does and he's great at subtle manipulation to help get to his end goal. He has sort of a "mastermind" type personality because all his traits together are really what made him able to do his part of the plan (even if in reality he isn't the mastermind, neither is Cal though, and they both realize this). Though he's aware his intelligence and he's selfish, which has him set unrealistic goals, while he's not necessarily overconfident in himself and he knows that some things are just plain stupid to go through with, he doesn't think, but hopes, he can get away with it anyways.
CALVIN GABRIEL
𝗖𝗵𝗮𝗿𝗮𝗰𝘁𝗲𝗿 𝗢𝘃𝗲𝗿𝘃𝗶𝗲𝘄: Cal Gabriel is Andre's best friend, I assume who lived Connecticut his whole life. He played the guitar and sitar in his schools six-piece band and is survived by his parents and younger brother and sister. Cal has a seemingly great family and he's seen as a relatively nice and likeable and charming boy. He doesn't have trouble gettin along with people and Rachel really did like him a lot and overlooked his negative traits as Andre influencing him. He's obviously not been made fun of or bullied to the extent Andre has, but there's been instances. Calvin, on the outside is just such a "normal" kid some people see him as boring (ex: Rachel's friends at prom). Overall, on the outside he just seems like any other kid, he's not exactly outcasted like Andre either as people actually seem to like him. Though on the inside he's much more manic and impulsive and unstable.
𝗖𝗵𝗮𝗿𝗮𝗰𝘁𝗲𝗿 𝗔𝗻𝗮𝗹𝘆𝘀𝗶𝘀: While with Andre, no one suspected him because he was manipulative, no one suspected Cal because he was deceptive and persuasive. He was good at putting on a front when interacting and was such a normal, friendly kid no one thought he could've been capable of something like what he did, and perhaps it wasn't his intention to out on a front at all, it was just second nature (Examples include: Him making Andre believe he was going to go alone with the original plan, the getaway car plan, until the very last second, him convincing Andre to do things just for the fun of it, like burning stuff and driving with eyes closed, and literally every single one of his interactions with characters other than Andre). Though sometimes in front of others he gets burnt out and starts showing how he really is. For example, the party he and Andre were at, he walks outside and sits on the porch, obviously overwhelmed and just becomes disconnected and quiet, practically the only thing he said in that scene was "I'm just not good at parties.", which shows while he is a very likeable person, perhaps the reason he's so close with Andre is because Andre doesn't have any other friends he has to hand out with like Rachel does, he doesn't get so burnt out and overwhelmed because he only has to focus on Andre, who he sees as very similar to him (even if they aren't that similar at all, which we'll get into later). He's very impulsive and manic as shown through the whole film. He just does stuff because he can and he knew the whole time be wasn't going to live to see the consequences or rewards (ex: the poem, going to prom with Rachel, joking around all the time, messing with the student during the shooting scene). Cal is seen as being more hesitant/remorseful about the shooting because of incidents such as him writing a note to Chris after stealing his guns, and him lagging behind Andre when they ran into the school. I personally don't see this as the case though as I think the only thing he felt remorseful about was the stealing from Chris, he said it himself in one of his solo tapes, that's why he wrote the note. Also I think the reason he lagged behind was because he was carrying more than Andre and Andre was on the track team, so obviously Andre would be faster. It's very clear though that through the entire movie and shooting he wasn't remorseful at all. Maybe he was hesitant in the beginning as in the tape he recorded outside he said something now "I'm ready for Zero Day NOW" and he said how he wanted to keep the feeling of being ready so he wouldnt back other, which can mean he was hesitant at first but he eventually stopped, we see him become more and more eager throughout the tapes as well.
Sources say Cal has an ISFP 4w5 personality type (The Artist/Adventurer personality type, Introverted ObServant, Feeling, Prospecting). ISFP are usually quiet, sensitive, flexible, relaxed, warm, artistic, adventureous people who are aware of their needs and desires, have a strong set of practical skills, want to live in the moment, and are emotion driven, though they are also seen as sometimes scary and hard to know. I think this is the most accurate for Cal than anything else ever could be, I'll explain why by doing the same thing I did for Andre and rating how well Cal fits these traits. Because we know his XwX, there's a lot more to go off of, so I might group up similar traits.
Quiet/Warm - 5/10, while on the outside and interacting with other people he was very friendly and humorous yet soft spoken, like we see when he was talking with Rachel's friend in the limo, during the shooting scene he was very much the opposite. HE was the one screaming and shouting, HE was the one kicking and knocking over things and losing his temper, HE was the one taunting and teasing the students, which came as a surprise to many because it was a complete switch from the character he was throughout the entire movie. I gave him a 5 because its a middle ground, as he both equally fits and doesn't fit these traits depending on the situation, which brings me to the next trait...
Flexible - 10/10, during the main part of the film, the tapes, he really just went along with whatever Andre said, while sometimes he just did whatever he wanted, he adapted quick to everything and didn't have a set order he wanted to go in like Andre.
Sensitive - 5/10, I wouldn't say Cal is sensitive to others, sure there's moments when he can come off as sensitive or defensive, like when Rachel said she knew Cal was going to show Andre the tape and he immediately defended himself on it and seemed to take it personal. But I think he's not as sensitive to others emotions as he is to his own, though I can't really rate this as we don't see him interact much in a situation where he could be sensitive aside from with Andre, who's his best friend, so he'll obviously be more comfortable and take any reprimands or insults from him not seriously.
Relaxed/adventurous/desire to live in the moment - 10/10, throughout the entire film, very rarely was he tense and he didn't seem concerned at all for the consequences of anything he did because he knew the whole time he was going to end up killing himself, as to Cal the shooting was like a suicide mission, but to Andre it was for revenge and to prove a point and send a message. Because he knew it would end in suicide for him anyways, he lived in the moment, like I said before in examples of his impulsiveness, he went off track from the plan just because he could and it was his chance before he died. He burnt his stuff because he could, he made fun of the poets just because he could, he went to prom with Rachel because he could, he didn't care at all.
Aware of needs, desires, and wants/emotion driven - 10/10, the entire time Cal knew he wanted to kill himself, and he did whatever he wanted before the shooting because he knew he wanted to, and he went through with the shooting because that's what he wanted to do.
Artistic - 10/10, Maybe he didn't like draw or paint and stuff, but he was still very artistic in many ways. In the tapes of him where he's by himself, the way he words things is somewhat poetic, also it's the fact that he literally wrote a poem. Also Calv is seen wearing a Pearl Jam shirt at one point, which could be a reference to their 1992 single Jeremy, which is primarily based on the story of a 15-year-old boy who brought a gun to school and proceeded to kill himself with it in front of his English class, which in itself is something very poetic as well and the story is very similar to Cal's intention behind the shooting. This shows how he expresses himself through more literary art forms and not necessarily how normal people would express themselves, which by the way, the urge to be different or to express emotions differently to be unique is a common ISFP trait.
Strong set of practical skills - ??/10, we know of his ability to deceive and persuade, but those aren't really practical skills, we don't honestly see many examples of practical skills in Cal, so I can't really rate him on this.
Hard to know - 10/10, practically every interaction he had never completely showed his true personality, which in itself proves he's hard to know. Also the kids in the Limo just didn't like Cal for some reason despite him just being nice and normal the whole prom and ride there and back, which can mean Cal is just a hard person to understand and like when you actually interact with him, despite seeming so nice and likeable to people who've either never interacted with him in any way, or to people that are close to him.
Scary - 10/10, he murdered multiple innocent people, and the fact he even thought of doing it in the first place is horrifying.
𝗦𝘁𝗿𝗲𝗻𝗴𝘁𝗵𝘀 𝗮𝗻𝗱 𝗪𝗲𝗮𝗸𝗻𝗲𝘀𝘀𝗲𝘀:
Strengths - Deception, persuasion, likability, normalcy, knowing what he wants and how to get it
Weaknesses - impulse, emotional drive, instability,
𝗖𝗼𝗻𝗰𝗹𝘂𝘀𝗶𝗼𝗻/𝗧𝗟𝗗𝗥: Cal's character is the perfect likeable character, and that's what makes the movie so interesting, because the main characters, especially Cal, who is shown to actually be the most violent and unstable, are so likeable, the way they interact with others seems so normal and friendly. Cal is a character who knows what he wants, and has a strong impulse, which just makes him go for it. He's artistically expressive and partially because of that he's a hard to understand and know, though he doesn't have trouble keeping friends. He's good at putting on fronts and that's part of the reason no one suspected him, because he was so normal.
SIMILARITIES AND DIFFERENCES
Through the movie, Calvin stresses how similar he and Andre are, but maybe they aren't that similar at all.
Similarities:
Both are social outcasts without many friends
Both wanted to do something like Zero Day before they even met, Calvin states this he also states they never had to talk about doing it, they just knew they both wanted to and started planning
Both condone things like Zero Day in general
Very obviously both mentally unstable
Both deal with a power struggle
They make joking threats
God complex
Relatively uninvolved with anything unrelated to each other or Zero Day
Emotion driven
Differences:
Cal has a less hard time getting people to like him and isn't bullied as much as Andre
Cal is suicidal, manic, and impulsive while Andre had a will to live, for a while at least and tends to stick to a plan and is very oderly
Calvin is very artistic while Andre honestly doesn't really seem to have any special qualities about him
Cal saw Zero Day as a suicide mission, Andre saw it as a way to send a message
Cal is more laid back and carefree and "fun" then Andre. During the shooting too we see Cal laughing and shouting and taunting and teasing just for fun, while Andre wasn't doing much of any of that.
Andre was manipulative, Cal was deceptive
Andre is very pessimistic whole Cal always seems to be optimistic
Andre has a more leader like an assertive personality and Cal just tends to follow along because he doesn't really care what they do as long as it ends in him killing others and himself.
Cal liked to wait to kill the students because he thought it was funny, but had no hesitation killing himself, meaning he overall had zero value for life in general, whether it be others or his own. Andre liked toying with some of the students but generally didn't waste time and just killed them immediately (unless he saw that Cal wanted to fuck with them first) but after the shooting was over, he was hesitant to kill himself, which shows how he values himself over others and doesn't want to die but would rather die by his own bullet then a police officers because he felt he was too good for it, which highlights his inflated sense of self worth and god complex.
SO WHO REALLY IS THE "LEADER"?
Short answer, neither. Cal and Andre like to see them both as "leaders" because they want to be seen as powerful, but neither of them are leaders at all, you can't have two leaders of the same plan, especially when the two people have completely different end goals. Andre is meant to seem like the leaders simply because he's more assertive and comes up with a lot of the ideas, though we see Cal can be equally assertive and while he takes a more careless approach he still executes Zero Day the way he plans, which is a leade trait. Also we see both Andre and Cal order each other around. This may seem like both are leaders, but this just isn't true. Cal said that the whole time, even before they met, they always wanted to do something like Zero Day and the built up their own plans and were only motivated to executed it when they met. He says neither of them had to say anything about wanting to do Zero Day, they just knew, and they worked together to make a plan. There was never a leader, Cal and Andre were both equally involved, neither one was more powerful than the other, they were equals who's different strengths and weaknesses put together actually benefitted the both of them.
FILM "CRITIQUE"
I honestly have nothing bad to say about the film, even the low budget worked in the movies favor as it made it seem more realistic and unplanned, like how found footage films should be. The actors were amazing and did a good job of portraying the role of both "normal" high schoolers and mentally ill murders at the same time. I don't think I'd change a single thing about the film except for the fact that we lack some information on the main characters. Cal recording tapes by himself helps a lot in the area of knowing his character, but I wish they did something like that for Andre too.
OVERALL CONCLUSION
Overall this is one of my favorite movies ever and it's so underrated. If you haven't watched it, you should (despite me basically spoiling the entire thing). I literally stayed up all night from 11 am yesterday to right now today, so I think this is pretty good. Anyways if I missed some shit or I got something wrong, tell me, please. Anyways, here's the sources
SOURCES
ZERO DAY FULL MOVIE + MAKING OF + SCREEN TEST (FREE)
(Note: this movie is free on YouTube and widely available, but I know others aren't and with streaming services raising their prices, piracy is a completely valid alternative that I support. So if you can't afford or just don't want to pay for streaming services, hmu, I have links to good sites and torrents and resources and information on how to stay protected and keep your data encrypted when on them. I know, I know, I'm a real one.)
youtube
youtube
youtube
Anyways, that's my film analysis, go watch Zero Day, I put an entire day of my life into this so yeah, cool if you read all this.
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- Ronnie🔥🔥💯
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ddarker-dreams · 8 months
Note
Hellooooo I have been DYING to know this from you 👉👈. You know how there's a lot of tips for writing stuff? Well do you happen to have any tips for reading stuff? I want to read the books you recommend but I fear I'm just too dumb 😭 and won't understand what is going on let alone the themes and philosophies discussed. I feel like I would be insulting Dostoevsky by reading his work looool. We were never taught this stuff in schools ;O
I'm talking about critical thinking and analysis skills, media literacy, being able to picture and visualise sceneries; characters' voices/appearances etc., and just overall being able to comprehend one sentence that doesn't use the most basic active voice structure 😭 thank you if you choose to answer!!!!
SWEET ANON !!!! YOU ARE NOT DUMB !!!!
this is coming from a survivor of the american education system, so it might not be universal, but my experiences in middle/high school made me dislike reading books. no joke. i didn't see the point and thought reading the classics was a waste of time. i'm sure that's partially teenager arrogance, but from the conversations i've had with others, reading was rarely framed in a way that stoked intrigue. we're not given the tools to engage with the text so i'm rarely surprised when i see the worst takes imaginable on a piece of media i enjoy from a 14 year old.
i'm still learning myself when it comes to media literacy, it's an ongoing journey. when i read notes from underground for the first time last year i was literally so confused. i can normally read anywhere from 80k-100k words in one day if i'm motivated enough, but NFU, a novella at around 43k words, took me over a week.
i say all this to reassure you that you're not alone!
some advice that comes to mind when reading a dense work:
do some background research on the author. i know teachers hiss at wikipedia for some reason but reading a few paragraphs about the person's life, beliefs, politics, etc really helps put their writing into perspective.
look into the time period it was written. what were the pressing social issues at the time? who was in charge? what conflicts were ongoing/just ended? what was the predominant religion? books don't exist in a vacuum, a lot of the classics are filled with jabs at ideologies the author doesn't like (i'm looking at you, dante).
if the author's from a different country than you, getting a basic grasp on the culture helps a lot. with reading dostoevsky specifically, historical events like the emancipation of the serfs was an entirely new concept to my american brain.
not everything is going to make sense. sometimes the cultural/historical layers go so deep you'd need to have been alive at the time to immediately get it. fortunately, there are nerds with degrees in book who do extensive research and can give insight. i'll think i maybe understand a book okay, go to read a journal article on it, and go ??????? wat???? page 632 paragraph 3 references euclid's optics?? how was i supposed to know that.
finally, you're not going to like every book you read, even if it's well written. there's a difference between persevering and actively torturing yourself with words. if you dread picking it up again, there are other books to check out instead. there are some classics that i don't care for much (some of edgar allen poe's short stories, the fall by albert camus, no longer human by dazai osamu, to name a few).
ask yourself questions while reading. why did this character do that? is there a reoccurring motif throughout the work, and if so, why might the author be trying to highlight that? what perspective is the work from? is the protagonist lucid, are they an unreliable narrator? what themes are being explored here?
i hope some of this helps dsfhgkdjshgks there's a lot to be said on the subject but i didn't want this post to be miles long.
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douglysium · 6 days
Text
Episode 12 TMP Quick Thoughts
Housekeeping and Prologue
Hello, this is Douglysium and you might not know me as that guy who wrote over 100 pages of analysis on the Eye (which can be read on Tumblr here (https://douglysium.tumblr.com/post/735599414228484097/the-relationships-between-the-dread-powers-the) or Google Docs here (The Relationships Between the Dread Powers: The Eye- Knowledge is Fear and Ignorance is Bliss)) or as that guy who wrote an article on the Extinction (which can be read on Tumblr here(https://douglysium.tumblr.com/post/717929126195003392/what-would-avatars-of-the-extinction-be-like-a) and Google Docs here(​What would Avatars of the Extinction be like?: A TMA Speculation)). Suffice to say I might be a bit of a TMA fan. Also, spoilers for TMP up until episode 10. You can read my ramblings on the last episode here (Episode 11 TMP Quick Thoughts).
However, Protocol offers a very unique opportunity and experience for me because I didn’t actually get into TMA until after it was over and I binged all of it. So this is my first time experiencing something even remotely similar to what the original TMA fans probably experienced when waiting for each episode week by week and slowly having to put everything together with the limited information they had. So I decided to throw my hat into the ring since this might be my only chance to do something similar. However, I’m working on some longer form TMA content so I can’t spend as much time on these articles giving a bunch of super detailed thoughts. I will try to keep these short and that inevitably might mean some could have questions about why I think or predict certain things and in those cases I would probably recommend you read at least some of the two articles I mentioned above to get a better idea of where I’m coming from. This also means I won’t be giving you a play-by-play of every single thing that happens in the episode so I encourage you to listen to or read them yourselves and feel free to comment if you feel something is important.
These reviews are probably going to end up focusing mostly on the Entities and their manifestations as they are what I have thought about the most and spent the most time interpreting and there’s been a lot of… interesting theories floating around about how the Entities are manifesting that I want to go over.
Finally, I’m just going to say it right now, spoiler warning for all of The Magnus Archives. I know that Jon and co said one could start with Protocol and be fine, and while that’s probably true, media like this tends to be made in conversation with or take into consideration what came before it in the irl chronology in order to connect them. While I’m sure you could skip The Magnus Archives, I don't really see the point of skipping over it when we are already getting characters from TMA showing up in TMP in Protocol. So to me it’s pretty clear that if we want to understand the full picture of TMP and all the things it is trying to say then we can’t just try to pretend TMA doesn’t exist or scrub it away. Just because you could understand what’s happening without the context in broad strokes doesn’t mean you're getting all the nuances.
These articles are meant to be quick and short so sorry if there’s typos and if I don’t address every possible question or possibility. I don’t want to repeat myself too much in this series outside of the prologue so be sure to skim some of my other articles.
Episode 12 “Getting Off”
I think this episode is definitely one of the more straightforward Protocol episodes we have gotten so far, so hopefully this Quick Thoughts won’t br too long (but knowing me I probably just jinxed it).
We take in the scene through a CCTV in the breakroom of the OIAR at night. The transcripts clarify that Celia is very tired and searching through the cupboards for something and it is quickly made apparent that she is looking for tea and, since the break room has run out, Sam gives Celia a teabag from a secret stash that he apparently has. Sam then asks Celia out on a date and while she is busy at the moment she does show that she is willing to go out with Sam on “Saturday, 6? under the clock at Leicester Square. That work? We’ll go for dinner- well, breakfast- you know what I mean.” Once again, we see that the OIAR jobs appear to be very exhausting and have odd work hours. I also wonder what Celia’s end goal is. Does she genuinely like Sam or does she see him as means to an end. Is Celia here to help Sam and co or is she here to harm them?
As Celia leaves, Alice walks in and proceeds to make fun of Sam for clearly being extremely nervous as he asked out Celia. Alice says “(normal again) You know it’s rude to have absolutely no game? Christ, all these years and you still ask people out like a baby foal learning to tapdance.” A reference to the fact that she and Sam dated at some point, and how Sam probably acted very similarly when trying to ask her out. Sam does point out “Look it worked didn’t it?” which seems like it could be a sort of double meaning. Sam’s nervous approach got Celia to agree to a date but also Alice presumably agreed to go out with him in the past too.
Sam apologizes to Alice for dragging her to the ruins of the Institute only to fund nothing… well nothing Sam and Alice know about since something escaped the Institute. Sam says he’s done with Magnus stuff and Alice responds with “So you’re telling me that if I had a case full of emails with the title “Magnus Institute re: Samama Khalid – Massive Conspiracy” you wouldn’t be tempted?” to which Sam says no before asking “You don’t, though. Do you? That was just, like, a joke. Right?” Alice then says “Come on, for now let’s just focus on getting you as jaded and apathetic as possible.” Considering that Alice does appear to be pretty jaded about listening to the cases and piecing them together this could be related to her point about ignoring the talkers and not getting caught up in thinking too much about what’s happening. 
NORRIS starts expositing the next case
“Claim Review: EL-56920 
Policy Holder: Soho Jack’s Ltd. 
Policy Number: 548651-656 
Policy Type: Employers’ Liability 
Site Address: Soho Jack’s, 9 Carlisle St, London W1D 3BK 
Affected Employee: Ms. Jordan Bennett 
Date of Incident: 9 March 2024 
Incident Location: On site. 
Documentation: Crime Report – Submitted 
Medical Practitioner Report – Submitted 
Incident Book Entry – Submitted First Aider’s Report – Submitted 
Supervisor’s incident Report - Submitted 
HSE communications - Submitted 
Health-And-Safety policies - Submitted 
Employment Contract - Submitted 
Claim Valuation: £1,560,000 Assessment 
Conclusion: Claim Denied Reason: Fraudulent claim (see incident description and police report)”
This, along with some information Jordan mentions later, means Jordan is suing Soho Jack’s Ltd. They go on to say that their lawyer has advised them to cooperate with Soho Jack’s insurance claim as a show of good faith, even if they’re planning on “suing your asses to kingdom-come.” They start recounting an event that occurred on the company’s property and apologize for their terrible handwriting (which we later learn is probably because Mr. Bonzo bit off one of their hands).
They go over how they started working at Jack’s in the spring of 2021 after they had finished Flair Academy. After struggling to find a job they managed to get an interview and then job at the aforementioned Jack’s. The club seems to have a good reputation as Jordan refers to it as “the Soho Gentleman’s club.” The company’s building “...has dances on the bottom two floors with VIP suites for hire above with a dedicated bouncer keeping them separate. Really, it’s just a quieter box with a private bar, some comfy chairs and the option of private dancers.” Despite this being “THE” Soho Gentleman’s club Jordan says “It’s always booked up with swank dickheads trying to show off, but Stags are the worst: they’re cheap, they’re loud, they drink too much, tip too little and only ever hire one dance for the groom. Plus there’s always some “nice guy” that won’t shut up about exploitation without even bothering to stop staring.” 
Jordan begins to explain how the party the specific party that led to them wanting to sue Jack’s. They state that this specific party’s lot was not the worst and were “Just a bunch of heavyset, middle-aged lads with names like Ozzer, or Rozzer or whatever. ” and notes that “The groom was fine, acted embarrassed even though he was obviously keen and they were easily pleased. ”
“They started giving the groom gifts. Same old tat as always, cufflinks, poo gags, all the standard stuff. Then the groom spotted the last one on the table, this cheap yellow and purple kids lunch box. It looked old and shoddy and no one admitted to bringing it but the groom just squealed with glee and carefully opened it before pulling out a bunch old souvenir merch. Pencils, postcards, keyrings, all sorts of crap, all the same yellow and purple and last of all a cracked CD case. When they saw it the whole bunch gave this big laughing cheer.” I have talked about how I think Mr. Bonzo is probably tied to The Stranger if we view him through the lens of Smirke’s 14. I will retread some of those reasons later but right now I want to point out that no one admitted to bringing the Bonzo CD. It could simply be that it’s a prank and someone happened to grab an artifact or something tied to Bonzo, and maybe someone from the OIAR even planted it there, but it could also be connected to the idea of The Stranger and the fear of the unknown because it could be that no one actually knows who got that CD.
We also know that The Stranger is no… stranger to dropping off or delivering strange artifacts in order to feed on the fear of people interacting with unknown /mysterious objects. Breekon and Hope’s delivery service are a good example of this (strangers that show up and drop off never before seen or uncanny objects and artifacts).
“I could see which way the wind was turning and sure enough the bestman came over and asked if he could play it. The cover had this awful comic sans title: “Mr. Bonzo’s On His Way” and I wasn't exactly thrilled by this.” Jordan explains that “Mr. Bonzo was way before my time and from what I had seen online he had always looked pretty messed up. But hey, it was their night, if they wanted to spend it on some cringy nostalgia trip, who was I to say no?” Which could mean that Jordan doesn’t know a lot about Mr. Bonzo, and lack of familiarity with something is one of the things that we know entities like The Stranger love to prey on.
“This kind of thing happened often enough that we kept a battered old CD Player in the back that we could patch into the room's speakers, just in case. So, I ducked back there, put it on, turned the volume down as low as I could get away with, and prayed it wasn’t too obnoxious. Immediately the cheering children’s voices blared out the speakers accompanied by bouncy tubas loud enough to drown out the rest of the club’s music. It was awful but I could hear the lads stamping the floor in rhythm and as the kids started singing the men were singing along: “Mr. Bonzo’s on his way, he wants to stay, he wants to play! Mr. Bonzo’s on his way, he wants to stay, he wants to play!” If you want to listen to the song Jordan is referring to it is actually available on Youtube: Mr Bonzo (from 'The Magnus Protocol'). Maybe you can put yourself in the shoes of an annoyed Jordan or ecstatic old man at the club.
Jordan clearly finds the song annoying and after waiting a minute, in order to avoid being a “total killjoy,” they decide to turn off the song before “ Derek came down from the office to “have a word.” I assume Jordan meant Derek would complain about the music. However, when Jordan turns the CD player off it “...just grew louder, rattling the glassware in the bar: “Mr. Bonzo’s on his way, he wants to stay, he wants to play!” I even yanked the cables from the speakers, but it just kept getting louder.” Obviously, something supernatural is going on but Jordan reasonably assumes that the player just broke and begins to reach for their walkie talkie in order to call for some tech support. However, as they do so they are interrupted by a massive crash coming from another part of the room followed by a cheer. Jordan gets ready to reprimand the party goers for whatever mess they might have made but instead sees Mr. Bonzo. “It was hunched in the doorway, a bulbous figure with a purple hat that cast crazed shadows in all directions thanks to the club’s lighting effects. Then it doffed its hat and pushed itself into the room, foam catching on the doorframe with a squeak that set my teeth on edge. Its massive bulbous google-eyes seemed to roam all over the room before settling on the groom and it was almost as if the huge toothy grin grew wider when it saw him.” We know that Gwen delivered a name and address to Bonzo and in the previous episode Lena even tells Gwen “I’m sure you’ve already worked that out. But just in case you haven’t, keep an eye on the case loads over the next few days. It should become abundantly clear.” Implying that this could be the case Lena was alluding to or that the groom (or someone else in the room) is Bonzo’s target (but it’s almost definitely the groom).
Everyone in the room assumes the appearance of Bonzo is some sort of gift or prank and “The rugby boys were tripping over themselves to get in and hug it, laughing and pushing the groom to the front and so I figured at that point it was a prank. Again, none of them took credit for it and there was a moment of genuine hesitation, until one of them yelled out “It's ya lapdance, Baz!” and they all fell about laughing.” Jordan is furious that a coworker named Joey presumably let Bonzo in and the idea that Joey might have bailed on Jordan again by “ducking out for a smoke.” But as Jordan moves forward they notice something- “I began to stride over, readying for the inevitable complaints then hesitated as I saw something far more unnerving than the ugly costume that was capering with the groom in the middle of the group. There was a pair of heavy boots on their side, poking just inside the still open doorway. Joey’s boots, and they weren't moving. Just then the google eyes looked turned to me, and a puffy finger raised cheekily to its mouth.” So Joey was killed by Bonzo and all the while “the men had all started chanting “Bonzo! Bonzo! Bonzo”, stamping their feet and banging the tables in a circle around the pair in the center…” and the music kept getting louder. So loud that it began to sound distorted from the strain the song was putting on the speakers.
Out of all the Entities the Slaughter seems to have a pretty strong connection to music but The Stranger also has a strong precedent for music. For example, The Calliope in TMA is an artifact tied to The Stranger. In MAG 024 (Strange Music) it is mentioned that the instrument has "Be still, for there is strange music" carved into the cover of the keyboard. While The Slaughter’s connection to music is probably due to an association between rhythm and war (think the marching of an army or the phrase “drums of war”) as well as the fear of “violent” music, The Stranger’s connection to music seems to come from the idea of either strange unknown sounds or a song / sound that sounds really uncanny. It is noted by Jordan that Mr. Bonzo’s song grows louder and more distorted overtime which would mean that the song is becoming more and more incomprehensible as it would slowly change into a song with lyrics you couldn’t understand or identify as easily. It could also be that the song sounds uncanny in the sense that it is familiar in some ways but something is off about it.
Jordan tries to call for help on his walkie talkie but can only hear Mr. Bonzo’s theme blaring out of its tiny speaker. Jordan tries to warn everyone and get out but no one can hear him over the music. Bonzo takes the groom and begins to “dance” with him by spinning around faster and faster until Bonzo decides to rip his arms off and even as this act of gorey brutality took place the other party goers present continued to laugh and laugh until Jordan’s scream caused them to realize this wasn’t some sort of prank. Almost everyone begins to yell in terror but some yelled in rage and proceeded to attack Bonzo: “A few of the bigger guys picked up chairs or bottles and began to beat and slash at the thing. It didn’t seem to notice, its bulbous, bloodshot, eyes staying fixed on the groom’s body as it raised it overhead.” Bonzo then proceeds to continue pulverizing the body by smashing it against the ground over and over.
“For a split second, all was still but the music just pounded on, barely recognizable now over the distortion from the smoking speakers as those voices, no longer childlike, still chanted the words “He’s here to stay… He wants to play…”” “Then Mr. Bonzo turned towards us with its head bowed almost reverentially and everybody went silent. Slowly, awfully slowly, it raised its head, titling it coquettishly to one side. Then the seams across its face split revealing its gaping maw filled with even larger, sharper teeth.” Jordan admits that they don’t remember much about what happened after that but “I dream about it most nights. In the dream it digs through all those men to get to me, grabbing fistfuls of them and throwing them to smash against the wall. The strobe fires as its hands plunge into the pile of us and each flash shows a little less flesh between me and it, between me and all those teeth… finally everyone else is gone. I raise my arm to protect myself and it gently but inexorably lifts it into its mouth, smiles and bites… None of us was left whole but I was the luckiest. All I lost was a hand, it wasn’t even my dominant one.” The biting was set up previously in episode 10 when the transcripts mention “Gwen holds out the envelope and Mr Bonzo snatches it into his mouth, audibly chewing it. His teeth are not soft.”
Jordan says that they “told the investigators everything I know, doctors too. I don't know why nobody outside the room heard or saw anything, why the cameras weren't working, why it let me live. But I do know why there weren't any bodies. All I actually want is my hand back so I can tend bar but that isn’t going to happen is it? So I’ll have to settle for the next best thing and sue you for everything I can get, because I don’t know what happened that night but it was in your venue and no one came to help. Not Derek, not another doorman, no one. So yeah, you’d better have one hell of a settlement waiting for me, or I'll see you in court.”
While you could make an argument for themes of Entities like The Desolation, Flesh, Hunt, etc. I’m still going to primarily argue for Bonzo being tied to The Stranger or a similar Entity due to what we see in his previous appearances. For the sake of clarity, if there is any debate about what The Stranger embodies in MAG 200 it is stated “And as they learned to know their friends and kin, so too did they learn to fear the unknown figure, the coming of the stranger” and in MAG 092 (Nothing Beside Remains) Jonah tells Jon “We thrive on ceaseless watching, on knowing too much. What we face is the hidden, the uncanny, and the unknown.” while in MAG 111 (Family Business) Jon says “The Stranger is the unknown. The uncanny.” and Gerard doesn’t correct him.
However, a lot of Mr. Bonzo’s behaviours in previous episodes resembles The Stranger (and The Stranger has violently attacked or killed people in the past). Mr. Bonzo is also described as being a clown. Something we know The Stranger has a precedent for manifesting as, probably due to both the idea of the uncanny valley being achieved with a costume or makeup and the idea of a traveling circus full of strangers you don’t know from out of town in addition to a clown costume acting as a disguise that can obscure whoever is wearing it. Not to mention that Mr. Bonzo is described as a suit, which could very easily connect to an Entity like The Stranger. Firstly, The Stranger tends to have a big emphasis on wearing things like skins and suits. Additionally, Gwen mentions in episode 11 “That… abomination wasn’t a costume. That was skin. It was sagging, it was sweaty!” and we know The Stranger has a tendency for wearing skin, skinning things (such as with taxidermy), etc. as a form of disguise, in order to hide itself, or to metaphorically rob something of their identity.
This also applies to costumes in general since usually wearing costumes or disguises can actually obscure who is wearing them and thus their true identity is unknown. There’s also the fact that costumes themselves can easily fall into the uncanny valley. Ever since Five Nights at Freddy’s became popular there’s been an uptick in horror media focusing on how creepy and uncanny things like animatronic suits can be. Not that Mr. Bonzo is an animatronic but it is a suit. Also, Bonzo apparently has hard teeth and having solid teeth on a suit could look uncanny.
The surprise gift and sudden appearance of Bonzo that others assume is some sort of surprise or prank could also tie into The Stranger and the idea of something mysteriously appearing or not being expected. Bonzo was originally made to prank celebrities. As Nigel explains in episode 10 that his produce ““inviting a famous person on, someone really serious, and we tell them we’re going to have them do a segment with a popular children’s entertainer. Now, obviously these folks won’t have any idea about what kids are actually watching, so we could come up with the most horrendous thing, claim kids loved it and see how long it took for the guest to realize that they were the joke. That they’d been “berried”” and “The problem with a surprise prank is that doing it on Saturday night primetime means pretty soon everyone knows about it, and the guests knew it was coming. A couple even requested it. So the prank part of it sort of died, and he just became an SOS mascot. One of my many tormentors in the dungeon. By the end we’d even retired Mr. Six, and it was all Bonzo.” Once again, a focus on surprise and I think it’s interesting that Bonzo loses his punch the more people know about and understand him. Bonzo is a character that thrived specifically on the guests not knowing who he was and did. So a potential relationship with the unknown again.”
In episode 10 Nigel says to Gwen ““Try not to stare. He doesn’t like it when people stare.” Which could relate to The Stranger. While all the Entities are connected, overlap, and need each other for a ritual bringing them into the world to work, with even seemingly opposing Entities bleeding into each other or having overlapping fears, The Stranger can often have an antagonistic relationship with The Eye and forms of being known. The Stranger tends to thrive off the fear of being unknown so staring at something aligned with The Stranger might make it react negatively. In MAG 092 (Nothing Beside Remains) Jonah tells Jon “We thrive on ceaseless watching, on knowing too much. What we face is the hidden, the uncanny, and the unknown.” In MAG 165 (Revolutions) Not-Sasha says this in regards to The Eye’s Post-Change world “Do you know how it feels? To be – anonymous? And yet known! To have all the sweetest dread I can create tainted by the relentless gaze of that damned Eye. I’ve suffered enough.” So if my theory that Bonzo is tied to something like The Stranger is correct, that could explain a potentially negative reaction to being looked at for too long since aspects of The Stranger often don’t like it when people try to figure out what they are. This could ring extra true if it does turn out that the OIAR is somehow connected to The Eye.
Bonzo’s eating and biting could potentially be linked to The Stranger’s tendency for odd uncanny behavior, like that time Breekon / Hope ate a butterfly. The fact that this monster looks like Bonzo could also be related to the idea of the uncanny, since he would resemble Bonzo but behave and look a bit off. Also, it seems hard to tell if Bonzo is a costume or a monster resembling a costume which makes it harder to know what he is for sure, and The Stranger loves playing up mystery (think how we never know which character is Breekon and which character is Hope from Breekon and Hope in TMA, and Jon describes one of them as “one half of Breekon and Hope”). Also, Bonzo can only say his name which means you never really know what he’s saying or talking about.
Bonzo killing everyone in the room but leaving someone alive is not a completely unheard of idea. The Entities in general often seem to leave witnesses if in doing so more fear is generated and we see creatures like the Not-Them kill and replace people while ensuring that at least one person remembers what the original persona actually looked like even if no one else does. The reason for this is because if the Not-Them’s disguise was perfect and changed every bit of memory and evidence then there wouldn’t be anyone to be afraid of the idea that someone they know has been replaced by a stranger.
Jordan mentions “I don't know why nobody outside the room heard or saw anything, why the cameras weren't working, why it let me live. But I do know why there weren't any bodies.” which emphasizes his confusion about what’s happening. While confusion is often tied to The Spiral, in this case it stems from a bunch of unknown factors and variables, like why there were no other witnesses and why the cameras weren’t working.” As far as there being no witnesses and the cameras failing to work, the Entities are known for usually being on the downlow and not common knowledge but Entities like The Stranger tend to thrive off the fear of mystery and have a precedent for things like mysterious disappearances or hiding people / things. The Calliope I mentioned earlier mysteriously disappeared from the Institute’s archives at some point in TMA and in MAG 092 (Nothing Beside Remains) Jonah tells Jon “We thrive on ceaseless watching, on knowing too much. What we face is the hidden, the uncanny, and the unknown.” Jonah specifically mentions that The Stranger has a connection to “the hidden” among other things. In MAG 102 (Nesting Instinct) Jonah even says that The Stranger essentially hid Jon from him when saying “I was doing everything in my power to locate you. Everyone was working on finding the ritual site.” and “[Irritated] I am sorry, John, that my powers have not yet reached the level of omniscience.” Jordan does say that they know why there weren’t any bodies which implies that Mr. Bonzo probably ate them.
Jordan having trouble remembering exactly what happened actually does have a precedent with The Stranger since the Entity does have connections to memory loss or a loss of identity. In MAG 165 (Revolutions) we see Not-Sasha watch over a Domain that takes the form of a merry-go-round with people fighting over faces. People with no faces must fight over the faces of others to rip them off and regain some sense of identity. When they lose their face it is said “And soon enough they will forget they ever even had one, rest assured; it’s best to step the dance and keep your face secured as much as you are able. Just. Keep. Running.” Jon and co also face memory loss when they interrupt The Stranger’ ritual in TMA and forget who they are and what they are doing for a period of time.
Some other Entities this statement parallels are that of The Slaughter (with sudden brutal and gory violence), The Flesh (via bodily disfigurement by way of losing a hand, Bonzo being described as releasing “some vile mixture of putrid water, rotten foam and rancid meat.” when cut at some point, and Bonzo biting into people), The End (a lot of people brutally die), The Corruption (from the aforementioned vile mixture pouring out of Bonzo), and even The Eye (with the strange and horrifying dreams Jordan is forced to relive over and over resembling how people who give Jon live statements are forced to relive said moments in the form of nightmares over and over). Like always, I have to at least touch on the fact that The Eye doesn’t seem to just be the fear of being watched but also being a witness to something you don’t want to see. Jon can force people to recount and relive terrible moments, Jonah can force information into the heads of people like Melanie and Martin, and in MAG 200 The Eye is stated to have been born from the fear of one’s own eyes showing them too much.
All this being said, I still think the OIAR is somehow connected to The Eye. There’s the cases being like statements but also the fact that they supply sensitive information (such as names and locations) to things like Mr. Bonzo. People like Jonah could almost always know one’s location thanks to their Eye powers and The Eye is connected to the fear of someone / something knowing too much about you (such as knowing where and who you are). I wonder why Bonzo was sent to kill this particular groom when he was just partying? Did the groom know something or overstep some line or was the groom just some sort of offering to appease Mr. Bonzo? How was this person’s name and address obtained? Was it just mundane tracking or something closer to Jonah’s clairvoyance? Nigel acted like he was doing the OIAR a favor so right now it seems like this was a target decided by the OIAR and not necessarily Nigel. Unless you want to argue that the “favor” is aiding in keeping Bonzo pacified, under wraps, or something potentially more mutually beneficial. I wonder if Jordan’s dreams are somehow connected to being directly involved in a case or facing an External of the OIAR? It could also simply be that Jordan is traumatized.
We cut to Gwen and the transcripts say she “is sat at her desk, stunned by what she has just heard.” and she only says “Jesus Christ…” I wonder if this is because the case is unusually brutal or gorey when compared to most others or if she realized there’s a connection between the letter she delivered and what happens in this case. Considering what Lena said it's very possible that some of the cases the OIAR gets are connected to the activity of their own Externals (such as Mr. Bonzo).
ALICE CONT. 
“Gwen? Hello?”
GWEN 
“(dazed) What?”
Getting sucked into a statement like this and statements having a negative impact on one’s mental state are both things we have seen in TMA. Jon had a hard time stopping once he started a statement and at one point Jon expresses worry that Martin was listening to a bunch of statements for Peter Lukas and his plan in regards to The Extinction. Although, it could be that Gwen is merely shocked.
Gwen explains that she met one of the Externals but Alice seems to think Gwen is just referring to some annoying assholes as opposed to any supernatural monsters that takes the form of beloved childhood characters.
Gwen seems to finally wonder the question that I’ve been wondering for a while now:
GWEN 
“What do you think we’re actually doing, here at the O.I.A.R.?” 
ALICE 
“Apart from mortgaging our mental health for a wage packet?” 
GWEN 
“We’ve both been here long enough to know this place. We’re not doing good. We’re not just sifting random data. There’s something wrong here.”
ALICE 
“What are you getting at?”
GWEN 
“You never wonder what the point is? Who benefits from all this awfulness?”
ALICE 
“I don’t wonder. I know.”
GWEN 
(sitting up) “What? Really?”
ALICE 
“(portentous) Oh yeah. I’ve known for a while. What we’re doing here, it’s all part of a grand plan to satisfy one of the most unspeakable evils known to mankind... “
Gwen’s on the edge of her seat. 
ALICE 
“(almost a whisper) …the UK government.”
In TMA the point of the Institute sifting through statements and stuff was twofold. Firstly, to feed The Eye but also to set up the lynchpin for The Eye’s ritual with the position of the Archivist. I wonder if something similar is going on here but I can’t say since while you could argue that being an Externals Liaison is like the Archivist and shares the role as being a “living chronicle of fear” (especially since Lena remarked that Gwen should show fear via screaming because Externals tend to like that) Gwen had to blackmail her way into that position. I have no idea who was the Externals Liaison before her or if there are other Liaisons, if there even was one(s) before / with Gwen at all. Also, unlike the Institute, the OIAR is explicitly connected to the government and is meant to respond to things (not just watch). So it’s very likely that the OIAR has a role that is different from just “The Mass Ritual / Institute 2.0.” They could still be gathering fear related to the statements and being observed like the Institute in TMA though. However, even the Institute still wanted the Archival staff to do a good job following up statements and stuff. Jon tries to reorganize the Archives after Gertrude purposefully left them disorganized and Tim corrects Jon about some errors he made when reading some statements. The OIAR doesn’t really seem to care how well or poorly their workers categorize the cases and I don’t know if anyone checks.
Alice’s joke about the greatest evil known to mankind being the UK government feels like foreshadowing considering that the OIAR, and by extension all the Externals like Bonzo, are connected to the government.
Alice’s comment “Apart from mortgaging our mental health for a wage packet?” references how stressful this job seems to be.
Conclusion
Yeah, idk. This was a very simple episode overall and it mostly just seemed like it was following up Lena’s point about paying attention to the caseload.
Okay, hold on, before I end this I figured I should actually try to look at the voices in the computer system a bit more closely, since quite frankly, like with the alchemy symbols, I’ve admittedly been neglecting them and not focusing on them as much as I should have. This is because I actually couldn’t tell if there was any kind of correlation between the voices and the kinds of cases they read but a video by Maddie’s Maxis called “This Channel's First Video - The Magnus Protocol Analysis and Theories” (which you can view here This Channel's First Video - The Magnus Protocol Analysis and Theories) hypothesizes that there is actually a correlation. As we all know two of the computer voices sound like Martin and Jon and Maddie argues that the kinds of statements the voices read correspond to something that had to do with the character. For example, in theory NORRIS (Martin’s voice) tends to have statements relating to self-loathing and loneliness. I don’t know what they are feeding Maddie but Maddie is potentially cooking here. So I decided to glance over at some of the statements and see if there are any patterns.
I’m going to start with the theme that seems the most concrete in my opinion. The cases that NORRIS (Martin’s voice) reads seem to often be tied to themes of isolation, losing loved ones, or feeling abandoned. I should make it clear that while I know Martin in TMA is connected to The Lonely I am not saying all the cases NORRIS reads are connected to The Lonely. The mere presence of feeling alone or isolated doesn’t automatically make a statement Lonely related in the same way someone dying, getting attacked, or something taking place at night or in darkness automatically means End, Slaughter, or Dark respectively. Also, it’s important to remember that every Entity, even seemingly opposing ones, have overlap, shared fears, commonalities, etc..
But let’s look at the cases to see if this pattern is really there. The case NORRIS covers in episode 1 involves the Anglerfish, or something resembling it, killing and replacing their romantic partner. Harriet even says “And that voice I have loved for twenty years answered: “Some of him.”” So loss of a loved one.
In episode 3 NORRIS covers a case in which Dr. Samuel seems to feel immense guilt and sorrow about the death of Maddie. Once again, the loss of a close loved one.
In episode 8 NORRIS goes over a report Terrance submits about the effects of brutal liminalism. While no one dies or is replaced in the actual events of the case, Terrance does mention “originally took my role as a night janitor at Forton following a protracted divorce which cost me the majority of my friendships.” So while their partner isn’t dead they did lose a loved one, and if you read my thoughts on that episode you know that I actually think the case has a lot of similarities with The Lonely. The fog, the vaguely familiar but impossible to understand gibberish, people with repeating features, being isolated in a dark void, etc.. Even if you disagree that it’s The Lonely there is still a connection to themes of losing someone close and being alone.
If there was an episode to disprove this theory it would probably be episode 12 since it’s just Bonzo murdering a room full of people. Jordan does say “I don't know why nobody outside the room heard or saw anything” and earlier in the case they mention that they believed their coworker by the name of Joey the doorman might have ditched him again but this definitely feels a bit more like a stretch. Jordan does seem to blame the establishment for what happened and this is because from the perspective of Jordan no one came to help despite how obvious and loud the commotion was. Which could maybe tie into the idea of being abandoned or left alone but this is definitely pushin it and it’s clear that our understanding of what kinds of cases each voice reads might expand as the series goes on.
Maddie argues that CHESTER (Jonathon’s voice) seems to usually cover cases related directly to the Magnus Institute. Which is generally true, CHESTER covers the cases of RedCanary spelunking in the Institute’s ruins in episode 1, and the gambling dice being submitted to the Institute in episode 9 for example. But CHESTER also covers the case about Tom wanting to watch Voyeur in episode 5, the case regarding Hilltop Center in episode 7, Gordon’s encounter with the tattoos and Ink5 during construction in episode 11. It’s very possible that these are just related to the Institute in ways we don’t understand yet, for example some of the characters that appear could be members of the Institute or something, but in my opinion this definitely throws a wrench into some things.
CHESTER seems to have a stronger case for a theme of curiosity and a desire to know in general as opposed to just the Magnus Institute. RedCanary investigates the archives out of curiosity, Tom really wants to see the Voyeur movie for their blog, the narrator explains that they experimented with the gambling dice to figure out how they worked, and Gordon keeps talking about how they “just need to see it. I need to know what’s in the water.” As I’ve mentioned previously, The Eye also has a major emphasis on a desire to know and understand something even if it comes at the cost of yourself and / or other people. Hilltop Center still seems like a bit of an outlier here but while Dianne isn’t spelunking through ruins or anything she does mention that she was looking for people to help her work at the center. Which, while a bit of a stretch, could fit with a theme of curiosity or desire to know in the case of Chester. Or at least the idea of something being searched for as a theme at least. 
If you wanted to argue that CHESTER actually related to things being looked for you could say that the case about the gambling dice revolves around the narrator giving the Institute artifacts, and they even say “So yeah, I tell you all about them, how I got them, all that crap and you just… You take them away, right? You accept them? Good. I think. I’m pretty sure that’s how it works. It’s how it worked for me, at least. Put them in whatever vault you like, bury them, drop them in the ocean, for all I care. All that matters is that they’re yours now.” So you could say that the Institute was looking for artifacts. You could also argue that the narrator was looking for people to roll the dice, looking for good luck, or started making their way towards Gary when they found him.
AUGUSTUS has a voice I am not familiar with (and we will get to the popular theory in a moment). I can only recall AUGUSTUS voicing one case, I might be forgetting one or something, so I don’t have a lot to go on. AUGUSTUS could be covering really old statements, as Sam notes the one in episode 4 is from the 18th century, or statements revolving around others climbing their way to their top and doing whatever it takes to do so. It’s kind of unclear until I can see some more AUGUSTUS statements.
There’s also some obvious character associations with this theory. Martin, someone connected to The Lonely, has statements reflecting some kind of isolation or abandonment, Jon, the Archivist with a strong tie to The Eye and someone who was strung along while trying to solve Jonah’s plan and learn the truth about the Entities, has statements involving extreme curiosity or people looking for things, and Jonah, someone who is really old and ruthless (so ruthless that they made the world a fear hellscape in an attempt to avoid death), has had a statement taking place in the 18th century involving someone giving a blood sacrifice to play violin super well.
There’s a popular theory going around that the three voices in the computers are actually Jonathon, Martin, and Jonah, and this definitely seems like one of the more credible theories floating around the community to a degree. AUGUSTUS’ unfamiliar voice could be the voice of Jonah’s original body. Jon, Martin, and Jonah were all in the panopticon when the Change ended which could be the event that got them tied to the computers. It could also have to do with being the pupil of the Eye somehow. Jonah and Jon were both the Eye’s pupil at some point and Jon got his position by killing Jonah to take his spot. It’s possible something weird happened like Martin was about to become the Eye’s pupil after removing Jon from the position, giving them this common link, but I can’t say for sure.
Maddie also points out another big thing to remember in the video. I have mentioned that Annabelle seems generally right about what happens to the Entities’ various Monsters and Avatars after the Entities get pulled into the next universe. Monsters, like potentially the Anglerfish, presumably get sucked into the new universe since they are part of the Entities. Other people may or may not get sucked into the universe depending on how attached they were to the Entity. It’s also possible that they will always just be left behind. However, Annabelle also mentions that it’s possible the Entities will take the aspects of a person that are connected to or are a part of the Entity. So, it’s possible that the parts of Jon, Martin, and Jonah in the computer are not them in their entirety but merely specific aspects of their personality or being. It could literally just be their voices taken by one or more Entities for all we know.
We also know that some Entities, like The End, seem capable of making copies or “memories” of people after / when they die. In MAG 154 (Bloody Mary) Eric states “I know that I’m not really Eric; I’m just a memory someone wrote down. It hurts, most of the time. I don’t like it.” So one could argue that the voices in the computers are not the fully sentient original versions of Jon, Martin, and Jonah but “memories” or copies created by one or more Entities. This could also explain why the third voice might be Jonah even though Jonah potentially died before the Entities jumped universes. This voice could simply be The Eye’s metaphorical recollection of Jonah or Jonah wasn’t completely dead when the Entities switched universes. This also means that the voices in the computers could be more malicious than we first assume if there’s a chance they are in actuality not Jon, Martin, and Jonah or are in truth aspects of The Eye or bits of their personalities trying to achieve a specific goal.
As I’ve mentioned previously, the cases the voices read out don’t seem to be completely random. The second Sam is about to give up his search for the Magnus Institute CHESTER spits out a case that is perfect for reigniting his curiosity with the addition of a new clue, and when Celia takes the job the first case she gets is about Hilltop Center (which could relate to Celia’s questions about multiversal and time travel). I still can’t say if the CHESTER or any other of the computers are trying to help Sam or use him for more nefarious purposes.
I’m not super confident about this being the patterns the computers follow at the moment because frankly there isn’t a lot of cases to go off of, and I need to see more AUGUSTUS. It’s also possible that the cases are more variable or context dependant. What the voices read could depend on the person at the computer, for example: it’s possible CHESTER reads a bunch of cases connected to the Institute because that’s what Sam was most interested in. There are also some cases we don’t have enough context behind yet, for example the mysterious figure in the Hilltop Road case could be connected to something like the Institute in some way, or that some of the voices focus on certain Externals Liaisons, people, etc..
If you want another TMAGP theory video to watch here’s one by Pinkelotje: https://www.youtube.com/watch?v=MX51EHLy7BQ&ab_channel=pinkelotje.
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larissa-the-scribe · 2 months
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Hey guys! I'm trying to set up "author platform" stuff, and had a question for the general public. As readers/consumers of media, if you were to sign up for an author newsletter, what content would you most like to receive?
I am in the process of figuring this out, and while I have a few ideas I do want to know what the people think lol
Further information below the cut:
Content: short stories, art, sneak-peeks of upcoming projects, deleted scenes. Stuff in that vein. More fiction than information, etc., though probably also extra information behind the content (and there would be obvious limitations on stuff I could share--for example, I could share parts of a short story that I would plan to submit for publication, but probably not the full thing since that would make it harder to get it published).
Analysis: examining different forms of media through different lenses, to see what we can learn about how to be better writers/readers, or just for funsies (the most probable "lenses" in my case would be worldbuilding and character writing).
Behind the Scenes: this would be more of a look "behind the curtain"--how or why I made some decisions, looks at notes and concept art, "in progress" looks at writing and art, showing some of my processes, but also generally getting a look at the more personal side of things. Like pictures of my workspace, or looks into what life is like as a writer, that kind of thing. The goal would be to strike a balance between entertaining/interesting, but also hopefully informative (like if you want to write stories, maybe it gives you some ideas about how you could do notes, etc).
Reviews: Pretty straight-forward. My thoughts and opinions on what I have been reading/playing/watching/listening to, mixed with analysis. What did a think about a particular book and what did it do well and what did it do badly, and was it a good read.
Links/resources/recommendations: Articles I've read that have been helpful, books that taught me more about writing craft, different programs I use for different things, but also probably recommendations in the sense of "check out this book," or "check out this author," etc.
I was originally going to include "advice" as an option, but at this point in time I feel very underqualified for that, so if that would be something people are interested in they may have to wait a few years lol.
It is also pretty likely that there will be elements of all of them at different times, but I guess... what would you prefer to be the bulk of a newsletter you received regularly? What would best strike the balance between entertaining and informative? Or would you rather it just be one or the other? Feel free to also include your reasoning in comments or reblogs! I'd be interested to hear what all people have to say!
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gale-gentlepenguin · 9 months
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Gale's Analysis: 5 things the movie did better and Vice Versa: Miraculous version.
So for this little post I will be writing things I would list that the Miraculous Movie did better for me than the show did and vice versa.
I think both medias have flaws but both also give us something great and I think both should be appreciated.
Rules:
I wont be mentioning ANYTHING asthetic (Thats a budget thing and I wont penalize the show for not having the budget the movie does) These are purely writing choices and scene inclusions.
2. These choices doesnt always mean that the show or Movie handled something badly, it just means I prefer how they were handled. by the Respective media.
3. I will only be including things that are covered in both the film and movie.
4. I would love to hear what you guys preferred and your opinions
I will start off with the Movie and alternate.
(Spoilers if you havent seen the movie or the season 5 finale of the show)
5. Movie: Using Criminals as Akumatized villains
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Its such a simple idea, as the Akuma often use the negative emotions of the individuals, and thats what I loved about the movie. Of course if the logic is the more negative the emotions the more powerful, why not recruit the people who let their lives get ruined by their negative impulses.
It ups the danger factor and allows for more cartoonish violence. They get defeated and then get sent to jail. Maybe it makes Akuma seem simpler, but I like it and it results in a villain song that slaps.
5. Show: The way the Heroes were chosen
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While on one hand I enjoyed the Kwami picking their chosen in the movie. I actually like how Fu tested the ones in Origins. Both Marinette and Adrien demonstrated their kind hearted and caring natures before getting the miraculous. In the movie we do see Marinette save Fu though unrelated to being chosen, which was great but we dont see Adrien ever do that before becoming Chat noir. And I feel that loses something in the process.
4. Movie: Powers: Stronger together (Not just the song)
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The cat and Ladybug miraculous get more powerful when used together. That is something I have wanted since the beginning of the series. It lets both miraculous stand out from the other miraculous and shows why having these two together is such a big deal. This movie does drill it into the viewers head, but its such a cool concept and it is something I wish was in the show.
4. Show: Powers: Lucky Charm
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I miss when Ladybug summons an object to help defeat the villain. i know in the movie they go a bit different with how the powers work, but I miss the random items that would then be utilized in order to help them best the bad guys. Marinette is still her clever self when she wants to be in the movie... but it isnt as clear and would have elevated the movie.
3. Movie: Tikki
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I think Tikki f***ing kills it in this movie. Her energy, curiosity, her flair. HER RAP! Tikki is exactly what I picture when I see a Kwami of Creation. She was perfect for getting Marinette's butt in gear and being the instigator. She is Marinette's Motivator not her conscience. Tikki has been doing this for Eons and she knows what to do.
3. Show: Plagg
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By a MASSIVE Margin, Plagg is much better portrayed in the show. His bond with Adrien is much more pronounced, his personality isnt reduced to being lazy and making Fart jokes. Plagg in the movie does give advice, but Show Plagg has a much more innate care for Adrien even early on. Plagg's bond with Adrien in the show is one of the best things about it.
2. Movie: Ladynoir
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Oh I can hear a TON of anger forming from seeing this on my list. But let me explain. I like the fact that they didnt get along right away and grew to like eachother. In the show it makes sense to have them more in sync off the jump, but in the movie it shows how their powers are LINKED to them being closer. So the development is great. And while the show has the appeal of the lovesquare and identities being a secret. The Movie doesnt have that limitation, they are doing the secret identities for their own benefit. Chat noir gets to be more open with Ladybug. And Stronger together as a duet f***ing slaps. Now in the show there are some ladynoir moments that are amazing "Us against the world." Fantastic. And i would argue the show has highs the movies never reached, BUT The problem is though, in the show, that basically gets tossed to the side so often its hard to appreciate it and the lows are more present. In the movie, it is able to keep that basis steady. Plus this movie was made for Ladynoir, lets face it.
2. Show: Marinette and Adrien (As Characters)
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I think it is obvious to say that the show has a lot more time to flesh out Marinette and Adrien. Now I do enjoy their movie incarnations, but seeing How Marinette developed her confidence overtime and her reasons for being how she is, as well as Adrien wanting more love and acceptance. The movie never really gets to show how kind and caring both of them are. Something the show gets to demonstrate. Though the flaws are there, it is a deeper ocean to explore. Movie Marinette and Movie Adrien are wonderful, but when it comes to the core, the originals shine brighter.
1. Show: Adrinette (As well as Ladrien and Marichat)
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Yes I am swapping back to the show before the movie. I dont care its my list. Adrien and Marinette are f***ing adorable. The umbrella scene is still one of my favorite moments in the series, and seeing how the two fall in love is wonderful. Its a slow burn and its usually pretty damn good. Granted the love rival bump was stupid, but hey not everything is perfect. Also the Ladrien (while not much as much as the other sides) exists in the show and gets a lot of mileage. And Marichat, do I even have to explain? Most of you marichat stans are still watching Elation. The show handles the core aspect that the viewers WANT to see. The slow burn romance. That is where its at. And while the movie does show Adrien and Marinette having some cute encounters, some stuff was cut and it just cant hold a candle to the adrinette in the show.
Its the beauty and love that has me still holding onto the show... no matter the writing choices it has taken. And trust me when I say MY LOVE for the lovesquare has been tested more than Heracles.
1. Movie: Gabriel Agreste
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If someone told me I would ever have sympathy for Gabriel Agreste. I would looked them in the eyes and LAUGHED at them. But somehow this movie did what the show failed to do. They turned this neglectful asshole into my favorite part of the movie. The movie makes me understand WHY he is so absent with Adrien, yet still show how much he loves his son. He is a widower lost in grief filled with Survivor's guilt. He is so lost and desperate to bring her back that he was willing to sacrifice his own heart to get her back... but then, he sees his son, damaged by his own hands. He sees the monster he became and it broke him. He fell down and realized he had done something inexcusable in his mind. He let his loss hurt his little boy.
The movie doesnt get as much time as the show to flesh out Gabriel, but sweet kwami does the movie show more than enough. We see his intial reluctance, we see his grief win over and then his obsession and hatred growing. We see him get disheveled and at the brink yet still checking on his son. We see him realize how far gone he is and just let the darkness take control, and finally we see the revelation! Him waking up to the truth, what he did to his son. He breaks down, he confesses. THIS is a Gabriel that you understand how he fell. This Gabriel was shown to the Audience. But you know what the best part is? He isnt shown as a hero, Paris knows he became a villain. He does get to hug his son and apologize, but he acknowledges his wrongs.
The show did have a chance to do that (I would say season 2 was their best bet) But sadly they tossed that out and the ending of the Agreste arc (as far as we know because everyone says its not the end. But its the end.) Was not what I call good.
So when it comes down to it, Gabriel Agreste became the Villain once dreamed he would be in this movie.
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vyl3tpwny · 2 years
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ANTONYMPH (and the things that made it)
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art by @voreburger
It has been one year since I released Antonymph. This song seriously changed my life and, it would seem, the lives of many others. I am grateful for the apparent impact it has had on people and I'm hopeful that the reach of its message will continue to spread.
I wanted to talk about how we got here.
Between the months of November 2020 and July of 2021, I experienced a gauntlet of emotional trauma, hardship, and declining physical & mental health. These things came after being newly out as trans, kicked out of my home by my family, transitioning from being a college student to a totally independent adult within the span of a month or two, moving away from my home of 21 years to somewhere I've never been before, and then trying to balance all this with the onset of COVID around the world. In January of 2021, all of these things adding up and weighing on me led me into this rabbit hole of thoughts about my life in the past, present, and future. Namely, though, I thought about my home in San Francisco, where I was far away now. I thought about the memories and things that made me who I was up until that point, especially the bad stuff. The whole project of CUTIEMARKS was an analysis of my life's mental struggles throughout my childhood and budding adulthood, examined through the characters of MLP:FiM.
And you know, it wasn't all everyone and everything else. Growing up, I had felt inclined to be a lot of negative forces myself. To be honest, I'm not precisely sure where it came from, and though I'm glad I grew from it, I still used to be that way. When considering a lot of the things of my past I encountered two things that would eventually become the hallmark reasons for creating Antonymph:
I was a dick to people. In so many ways, I was just an asshole for a lot of my life. I still kind of am sometimes, but I think everyone is. I really mean I was a cunt. This overinflated ego, this desire to shut people down for what they liked, this idea that I was always right and I know best about everything. I acted on this a lot and hurt a lot of people, even my closest friends (many of whom are still around me today, and I'm endlessly thankful they stuck with me through my worst).
I was also made to feel the same way, both directly and indirectly. I talked a lot about how it felt like there was pressure from the people closest to me to only like certain things and other things are not good enough to be enjoyed. This comes especially in the case of music, where it felt like there was a lot of disdain around me for pop and non-traditional music. This extended to all types of media though. I wouldn't have been caught dead being perceived as enjoying something like My Little Pony for a while.
So conceptually speaking, my desire to write something like Antonymph came as a rebellion against these things; against the ways I treated people and the ways I was treated.
At this point of my life, I had also recognized this sort of perpetual depression and negativity that pervaded me at all times. Any type of positive emotion would either be subdued or otherwise disappear within moments. It felt like I couldn't love things and I was always just clenching my shoulders preparing for things to hurt all the time.
So, back to January 2021. Sophie Xeon, a musician who I looked up to and felt comfort in, has just died. Very few celebrity deaths have ever affected me, but this one was very personal and intense. I remember going to bed shaking and feeling sick. It was an uneasiness I'll always be able to picture vividly in my head. In the spirit of her unabashed creativity and love for everything, I started conceptualizing a project that would be as bold as I felt she was.
The first, and only, title for this project was "CUTIEMARKS (and the things that bind us)".
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A deep dive into SOPHIE's work and her peers' work led me to examine the inspirations for PC Music. From there I rediscovered my love for the dancepop of the late 2000's and early 2010's. Carly Rae Jepson, Kesha, Katy Perry, etc. Around the time I started really using the internet, I secretly loved this music even though it felt like I was going against everything I was supposed to stand for at the time. I grew up in a cishet, Christian, potentially elitist music space. Things that evoked anything other than that induced guilt to enjoy. But I very, very, secretly, quietly, loved that stuff.
So I decided to make some synth patches that evoked those feelings
That's what led to this:
Once this demo was made, the path became rather clear for what I wanted to do. Around the time of the songs that inspired it, I was getting really into Tumblr and all the glittery, kitschy parts of the internet. I had been talking a lot with @voreburger (Pico) at the time of this and had a feeling he would be super into the idea. It started out as just wanting to have Fluttershy coming out of her shell with the help of internet culture. It was after pitching this idea to Pico that he sent me back a rough draft:
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The idea was really coming together it seemed. What really drove it was his use of the Gir hoodie, really solidifying the internet time period(s) we were after. The Nintendo DS, the browser extension toolbars, and all that; he was onto something incredible.
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By the second draft, I still only had "Antonymph (demo1)" made on my end. Taking inspiration from the art he was doing, I started writing lyrics and programming some drums:
After I had these additions to ground the idea, I started getting more ideas for the art direction of the song.
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By this point I want people to understand how much Pico was instrumental to the conceptualizing and execution of this whole project. We bounced so many ideas off of each other and worked to string everything together. It wasn't a case of me commissioning him for a few things and calling it a day, it really wouldn't exist the way it does without him.
In order to test chroma key stuff, he sent this icon that he made.
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It was here that I realized that Antonymph could be something bigger. There was now a few pieces of "Fluttershy in a gir onesie" that could be used for a semi-animated music video. I said to Pico the words "we'll create an entire culture around one song". That was essentially the manifesto, how deep I wanted this whole thing to go.
So I got to work. (This also appears to be the first mention of "Fluttgirshy" in our DM's)
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youtube
I ran the lyrics by Pico in a group chat and we talked about the lyrical direction of the song. After coming up with some stuff together we ended up with demo3:
Between March, 2021 - May, 2021, I took time off from the Antonymph studio sessions for a few reasons:
The visual aspect of the project was now in full effect. I was messaging many of my favourite mutual artists and pitching Antonymph to them and explaining what I needed.
Focusing otherwise on lyrics.
I was working on the other CUTIEMARKS songs, now that the album was no longer a small EP project (which it was originally intended to be, as it always ends up with my music).
It was intimidating to work on Antonymph. It was very clear by this point that it was going to be a big project and a big song, likely to be heard by a lot of people. We all expected this from the start, though it ended up being even more than we imagined. Still, knowing this made it harder to work on the song because the pressure was really on.
Now at this point, many other concepts have been injected into the idea of Antonymph too:
Queerness needed to be a big part of this. Making a song about self acceptance and expression had to entail queerness (like many other aspects of CUTIEMARKS, anyway).
I wanted to help heal my homesickness a little bit, so the music video would start to include video clips that I took in California (most notably, the intro of the music video shows my BART route from San Francisco to Daly City).
I wanted my friends to be a part of it in some way. I couldn't include everyone, but I did a lot to make sure that the people I cared most about would be included in this project, knowing it would be seen by lots of people. I wanted to bring them along for this whole thing. Lots of clips in the music video include videos of my friends, and I took lots of suggestions about the song from friends in servers and group chats.
As a spiritual sequel to "Lesbian Ponies With Weapons", I wanted the song to speak to a lot of the issues our generation is facing around the world especially in the wake of civil rights and economic inequity.
Between May 17, 2021 - May 27, 2021 there were two more Antonymph demos:
After demo4, I asked friends and patreon subscribers if they wanted to be included in the song by way of putting a group of everyone saying "hell yeah" in the second verse. demo5 is where this first is implemented, but all the voices wouldn't be included until the very final version of the song.
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art by @sterfler / @uzon
Slowly but surely, everything came together. I worked endlessly on coordinating all the art stuff and doing the video editing and graphic design, until eventually:
It was done. February 24, 2021 - May 28, 2021.
I don't usually talk about finances, but I know for certain that the Antonymph project itself had costed well over $1.5k to make. This is disregarding everything else I had invested into the creation of the CUTIEMARKS album entirely, and is limited purely to Antonymph by itself. And as this project has helped to grow myself as a musician, I should be able to make more projects of this scope in the future.
A few days later, I premiered the trailer for it on June 4, 2021:
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And then of course, what followed was the music video itself.
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And just like that, it felt like I had taken my first breath of fresh air in a long time. I braced for the response to this, and what followed was extraordinary. Across social media, the #antonymph and #fluttgirshy tags were filling with people making fanart of the interpretation of Fluttershy that Pico and I, along with the many other incredible artists, spent many months getting just right. It all went to even inspire the parody project on SiIvaGunner's channel:
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Antonymph was born from the ashes of my trauma and memories, and was forged between me and a dedicated team of incredible visionaries to become this thing that a lot of people connect with now. If I was going to put out a project of this scope and reach, I wanted to make sure it was positive and inspiring, and had the potential to live past its release as something that would continue to influence people for the foreseeable future.
So, Antonymph feels like a HUGE explosion of colours and emotions. And that's because it is. Everything had mounted up to that point. Endless amounts of hardship and mistakes, culminating into something that would be unabashedly beautiful.
I am forever grateful.
Thank you so much. + Thank you so much to Pico for making this project one of the best ever.
Oh, and as an extra special thank you, the stems to ANTONYMPH are now freely available to everyone: https://we.tl/t-j7WJ9dQ6tT
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art by @astroeden, made specially for the one year anniversary of Antonymph <3
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I was looking into my local zoo and they say they're zaa accredited, that's not the same thing as aza, right? I was curious if zaa was reputable and whether an accreditation from them really means anything
I think a better question, unfortunately, is "does any accreditation mean anything?" Followed closely by "how can a member of the public tell what it means?"
AKA you've poked to one of my giant projects of indeterminate length that I might, hopefully, maybe, get enough of a conclusion on to start submitting for peer review and publication this year.
Now if you've been following the blog for a while, you're probably thinking wait! Accreditations require standards! So to know what an accreditation means, we could just go read what standards they hold facilities to, right?
...and the answer is yes, but, that won't give you the whole picture for a lot of reasons. Many standards are performance standards: they say what has to be achieved, but don't specify how it's done. That means whether the standard is met is up to a significant amount of interpretation. Maybe the standards are in flux/being updated, and you can't guarantee that what you can find publicly is what's currently being used. Most accrediting bodies allow facilities to petition for variances, and there's no information available about what facilities have ones, for what, and why. On top of that, there's always questions about enforcement, oversight, consistency, anonymous reporting options, and of course, the risk of nepotism and/or politics impacting how accrediting decisions are made.
Here's the thing that never gets talked about, but is really important to know: accreditation is branding. Accreditation groups are trade organizations - they are responsible for advocating for the success of the businesses that are members. Being part of specific "accreditations" is like being in a fancy club. Members get certain perks, non-members don't get those perks, there's in-groups and out-groups, except it's all playing out with regards to federal and state level regulation, legislation, government funding, etc. That's why it's so political - it isn't only about guaranteeing a facility's quality. It's about guaranteeing that they're good enough to be part of the club, and will function and act the way the people who run the club want.
So honestly, at this point? All I can confidently say at this point in time is that accreditation by any entity in the zoological or sanctuary world means that X facility aligns with the ethos/zeitgeist of the accrediting body such that they're willing to stake their brand to it. You can read up on accrediting body to get a sense of what that means - if you do, make sure you look at things like the website and comments they make to the media, because there's a lot of information about organization culture and ethos in that than in just the published standards.
Give me like, six months (I hope) and I'd be able to answer your question with a lot more specifics, but I'm still in the nitty-gritty of spreadsheets and I don't want to speak before my analysis is finished.
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justice-flonne · 2 months
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Twitter and the death of Media Literacy
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As the original post now has reblogs turned off before this post came out of the queue, looks like I have to make my own
Lemme tackle picture number 2 first. Number one, what the HELL do you mean "normal mentally ill [woman]"?? There's no such thing. There's not even such a thing as normal non-mentally ill. Everyone is different and has different reactions and symptoms. and number two: where the fuck do you get off calling the author a sex pest for the "crime" of exploring her options in brothels (well, i guess maybe it is a crime, i forget how japan's laws are, but still. i better not hear you demanding more rights for sex workers while indirectly demeaning their jobs, ya nitwit)? Being gay (or even just non-conforming, and that's not even just about gender) in Japan, while not as bad as say, the Middle East, is not exactly a walk in the park. She probably at the time of writing didn't have many options, and everybody explores their sexuality in different ways. It's really messed up that you're calling the author a sex pest for describing her life, especially since she did nothing wrong (as in, her encounters were all consensual. again, don't fully know the laws regarding brothels there. i think it's a "we'll pretend we didn't see that" scenario)
This also kinda ties into the downright dangerous idea that an lgbt+ person, lesbians especially, can only be an innocent pure being. that kind of thinking can and HAS gotten people into horrible abuse scenarios
As for the "incest"... whoo boy, this is gonna be long:
Now, I have actually read this manga, and I can cite the pages with the supposed "incest" mentioned in the first pic. I'd elaborate, but I'm admittedly quite bad at that, so I'll let the comic speak for itself:
(forgive me if there's any errors in the alt text. it's late 😭)
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As you can see, the author does not LITERALLY want to fuck her mother. She has childhood issues from not enough affection (elaborated elsewhere in the book, but I'm tired. read it yourself. i got these pages from a definitely legal website, so can you), and wants to be held and coddled. She even straight up says what she feels is abnormal and yearns for a woman NOT RELATED TO HER to do things with. She KNOWS what she feels is strange and wants to (and eventually DOES) grow from this. I could post more images, but i'm probably pushing my luck as is
Point is, you "adults" really, REALLY need to learn that depiction is not the same as endorsement. Not everything is as cut and dry as the Marquis de Sade. This is, as the damn title says, the author's experience with loneliness as a result of growing up with an emotionally distant mother in a society that is markedly different than America
please, PLEASE, learn to think critically, and i mean "critical" in a "english class analysis" kind of way (for lack of a better term), not a "this thing you like is bad and it offends me" "critical." It's alright to be uncomfortable with things and even to not like things, hell I myself am a HUGE hater, but please, don't throw a tantrum because a real person wasn't a smol bean like you hoped
holy shit i need to go to bed
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Hi! I really love and appreciate your analyses work because I find it so rare to come across these days. Most content about TWST I found is either about in-game stuff or fics of various genres and AUs. It's refreshing in a way, and I just want to tell you that I absolutely adore your work.
I just read your analysis of Cater in canon and how romance comes into play, and I couldn't stop thinking about something when you mentioned how he lights up after taking pictures. Since Cater moves around a lot due to his father's work, I think the pictures immortalize whatever connections he had regardless of how long he got to stay in the area before he eventually moves away with his family.
Aside from Magicam and pictures being his coping mechanisms, it's what little Cater has to connections and relationships even if he distances himself due to his fear of rejection and of being forgotten. I only know bits and pieces of Cater in-game because I don't have many cards of him, but the little I do know of him made me think that he would take pictures to keep memories that would be forgotten once distance and time come to pass. He yearns for deep relationships similar to Riddle and Trey's friendship, but he's so afraid of what comes with such a sentiment that he would resort to pictures and a memorable, public image to keep everyone out of arms' reach.
Even if the people he was friends with (prior to moving away) forget him and move on with life, Cater would have his Magicam account and the pictures. He'd find solace in the memoirs he had taken himself, whether it was just a day inside the Heartslabyul dorm or something as grand as Beansfest. He also takes pictures of the latest trends such as the newest cafe or dessert in town, maybe even a once-in-a-lifetime traveling circus if that's a thing in TWST. Those trends are probably his gateways to finding people with similar interests (I'm using similar doubtfully because Cater does craft his personas so well that he might as well be a pseudo-INFJ) aside from meeting a Magicam influencer quota.
I believe Cater cherishes pictures this way aside from maintaining an image and switching personas in order to be liked and remembered—because those are the closest things that could resemble deep and close relationships to him without compromising his fear.
I may be wrong though, so feel free to correct me! I did say I don't have many cards of Cater so I'm not entirely sure if my speculation is justifiable or otherwise. I'm so sorry this ask became so long 😭 Cater is such an interesting character to analyze, and he's not even in my top 5 personal favorites. I hope you have a nice day!!
[Referencing this masterlist!]
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Hello, I’m glad that you enjoy my works! ^^ I kind of do some of everything, but analyses are a big passion of mine. I’m happy that they’re being appreciated since they often take me a lot of time and effort to put together.
Ah, that must be in one of my older analyses, so it’s probably suuuuper outdated by now 😅 Mmmm, I do think it’s generally accepted that Cater desires deep and genuine connections like what Riddle and Trey have (but is too scared to open up to others). However, I don’t know if he actually places a ton of value in the pictures he takes. In my initial post, I meant to imply that Cater likes taking pictures because of the inherent clout that he can rake in from it, not that he necessarily attaches precious memories to those pictures.
Cater may use social media as a coping mechanism, but he also uses it to project what is knowingly a manufactured image of himself and his life out into the world. He takes so many pictures and posts so frequently (and not all of them are associated with doing things with friends; a lot of them appear to be selfies); it’s debatable whether it’s all just for show to feed the social media algorithm/his need for online validation or if he actually cherishes each and every photo (and thus the memories associated with them).
Social media is a means for him to find stability because the internet provides him with a way to keep in touch with everyone no matter where he physically is. However, social media also promotes an environment in which you’re encouraged to put your “best face” out there, to get the most attention and social approval (likes, shares, etc.). In heavily relying on social media for his socialization, it has probably fostered some of Cater’s currently observed insecurities (ie the fear of rejection or being seen as vulnerable if people learn about the not-so-perfect parts of him that he keeps off of Magicam—because what is social media if not a carefully curated photo album of all your “best” moments?).
How Cater engages with others online actually isn’t detailed often; whenever he mentions his socials, it’s almost always in the context of posting something or tagging someone. It sounds very “one way” and passive; Cater seems to be posting more than actually interacting with others or having extended dialogues. We see in his Robes vignettes that he likes comments, but the way he speaks about them makes it sound like he has to like back as an obligation to thank a particular user for the engagement. He confirms in his latest JP birthday interview that he’s always thinking of new places and things to post, but he doesn’t say his motivation is to make friends, he says it’s to get likes. Even when he’s by himself and doesn’t have to put on a show for anyone else (ie post-party in his Ceremonial Robes vignettes), Cater is concerned about getting likes. He presents his intentions as very shallow ones (whether you think he’s a reliable narrator or not is another question though 😂).
Cater also mentions using horoscopes as ice-breakers, which gives him a chance to show his social intelligence and skill at making people feel comfortable talking to him. I don’t think he’s really intending to find people with similar interests or actively going out of his way to try and make new friends; when Cater approaches someone, he usually wants something from them and he knows how to use his cheery and laidback demeanor to do it (ie he asks Malleus for a photo of him in Malleus’s PE Uniform vignettes, he gets cozy with Adeuce to get them to do his chores for him in the main story episode 1, he talks about using the freshmen for “good material” for his Magicam in his Robes vignettes, he consistently asks Vil to collab or take pics with him so he can get some of Vil’s clout, etc.). Cater uses his amicability to get others to lower their guards and play along with him. Then you have Trey, whom we know Cater likes and has said before that he wishes he had “someone like Trey” in his youth. It’s clear that Cater wants to be Trey’s friend, but this isn’t reflected in Cater’s behavior. He doesn’t go out of his way to try talking to Trey or inviting him to hang out; he seems to spend more time with his club friends Lilia and Kalim, but even then, they mostly get up to shallow activities like sitting around, eating snacks, and talking. Cater doesn’t push beyond that boundary, and the limitations of his own comfort. Likewise, we don’t really know of instances when he made efforts to befriend people online or via his socials.
Cater has a conversation specifically on the topic of memories, experiences, and departures in Silver’s Halloween vignettes. In it, Silver talks about how once he graduates, he won’t be able to visit his school friends like Kalim anymore and how that will make him feel lonely. Cater says that while he could worry that “I might not see you guys again someday”, he could also just as easily decide to have a good time with his friends while he still can. “That way, I’ll always have the memories”. Notice his use of “I” rather than “you”, referring to Silver. Cater may be speaking vaguely about his own experiences moving around and leaving friends behind. If we accept this interaction at face value, it does seem to imply that Cater puts value in making real connections and spending time with his loved ones, without necessarily having to immortalize the moment in a picture. It is the memories he cherishes—so while it can be said that he may place more value in pictures associated with certain happy moments, it’s also true that he's capable of just enjoying himself and appreciating what he has without commemorating the event with a photo.
dbksbskwwb Anyway, it’s hard to say for sure just how much Cater cares about those individual pictures just because 1) he’s an unreliable narrator, 2) you really wonder if he has more selfish reasons for acting as he does sometimes because he has demonstrated the capacity to manipulate others, and 3) his best memories don't always come with pictures. This doesn’t mean Cater is heartless or a bad person! I definitely think it’s possible he has some kind of attachment toward his pictures, since those are the closest approximation Cater has for the intimacy that he seeks without leaving him vulnerable to others. It’s just that I’m not sure if he places as much value in the pictures he takes as we may think he does. He has other motivations mixed in there, and it's possible to isolate Cater's feelings attached to happy memories from the pictures.
P.S. Just so you know, you don’t necessarily need Cater’s (or any character’s) cards to learn more about him; sometimes Cater lore is dropped in other peoples’ vignettes and event stories. Additionally, you can almost always find a source for his vignettes online by either Googling it or just accessing the unofficial Twisted Wonderland wiki.
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z-and-the-space-child · 6 months
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my head is all currently midnight burger podcast so here's everything i like about this wonderful piece of media:
it's pretty fun and very funny!! i smile like an idiot on public transport and on my way to class at least once a day listening to this.
the characters are so. idk how to describe them but theyre so full of life and you can tell that they are loved greatly by the creator(s)
the WRITING. i could seriously pluck a quote from damn near every episode to carry me through the day. i don't need affirmations i need gloria to talk me through my problems.
i was doing a lil analysis of the themes in this show and i came up with "the best thing you can ever do is the best thing you can do right now" and it is FUEL, babey.
The el triste monologue. also just gloria being a POC and being proud of herself and her culture. there's a lot of cultural mish-mash in podcasts, so this is very refreshing.
It's very, very sweet and heartfelt. kind of like wolf 359 if they communicated more instead of dodging their issues until they came to a peak (love them for it.)
the PHYSICS of it all. i'm a physics/astrophysics major because i think space and looking at the stars is my lifeblood so i won't shut up about it. i don't want ava and leif (certainly ava) to shut up about it ever. HOW much reasearch did they have to do to get this kinda grasp on it. im in awe, i'm LEARNING actual things from them. i could go on. the gravity waves, the stellar nuclear fusion, the time dilation of it all. and all without using over-flowery language!!! i can actually follow a good chunk of the time. are we sure ava didn't take one of those science communication seminars. maybe 5 phds does it. when she and leif talk i vibrate like an electron in a lazer. wonderful.
star sequencing??? stellar nucleosequencing??? right up my alley. thats my kinda stuff. the romanticization of space, i've seen. the romanticization of physics, however, is not something i haven't seen in such a beautiful modern fashion. (Ie, not oppenheimer or even richard feyman)
and it's not too science-y to the point that they think they can't have fun. yes they discuss the implications of gravity waves and wax poetic about space and pulsars. (it beats for you, berts) but they have FUN! they meet their parents because they can. they get a plant drunk. there's an atmosphere(?????) around the diner that allows them to fly around and mind-numbing speeds and look at the curvature of spacetime and also sit on the roof. (I imagine the entire place is the temperature of a summer night.) they have a whole wild west planet. leif builds things inexplicably. how? where does he get the materials??? shhhhh don't question it just let him have the gravity wave detector. nobody actually knows what engineers do, not even engineers. let him be. also time crystals??????
ALSO ava being a woman in stem and being so blunt yet covert about it. she's been dealing with it for so long. why are all (recognized) physicists a)white b) men c) both. it's such a sucky thing to work into because of the outward appearance. ava is a proud mad scientist which i aspire to so much. i am keeping her in my little arsenal of people to think about when i don't want to study. (picture the do it for her meme but it's pics of ava) I don't think i aptly put how much i love her. i'm not all the way finished yet but i've heard she was forced to marry someone? i think it would be a thing for sure if she cheated on him. so many physicists cheated on their spouses (wives ): ) and i think ava should also do it. as a treat. if that's what she'd like.
when people have done bad, bad things but show/are capable of redemption upon reflecting on their past/current shortcomings is just something that gets me so much directly in the heart. the hiddenness of people. the tragedy. we contain MULTITUDES and this show demonstrates that so well. how they support each other! they are everchanging and that's good for them. Leif the engineer the ex criminal the diner cook.
leif exploding a man in cold blood. if i could draw i'd draw that. maybe i will anyways.
food as a form of affection/way to bond. grief. doing your best. making amends. using the time you have. death is inevitable but that's okay.
And if time and tide roil you too harshly, or diurnal courses leave you with no safe havens, just remember we’re out there, somewhere, lookin’ for ya’
they open at six
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tyrannuspitch · 6 months
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i understand that not everyone knows this, but i would really like the loki fandom to be a little more aware that psychiatry is institutionally biased against people with npd, and this bias is particularly magnified in social media and pop psych for sensationalist, commercial reasons. even the npd diagnostic criteria are Not Great (especially the short version - there is an expanded version!), and even if they were perfect, the understanding of the disorder you get just by reading a checklist is not a whole, rounded picture.
npd is (at least very, very often) a trauma disorder. people with npd having very low self-worth and self-destructive tendencies is incredibly common. npd is not "abuser disorder" or "evil disorder", it's just another mental illness, and honestly, any disorder can be framed in a demonising way if you try. (depressed people are scary because they're obsessed with death! adhd people are scary because they have no control of their emotions or impulses! etc.) i have yet to see a "debunking" of loki being "a narcissist" that gets past this popular, biased surface level.
here and here are two posts explaining how stigma can distort common descriptions of npd symptoms, and here is an unofficial suggested revision of the npd diagnostic criteria written by someone with the disorder to focus on the patient's experiences, and not on how others view them.
loki cannot "too good" to have npd, because having npd does not make you a bad person. reading loki as having npd is not inherently demonising or victim-blaming. and if a specific person's npd loki reading really is doing that, then the fundamental problem is not that they're biased against loki, a fictional character - it's that they're biased against a very vulnerable, stigmatised and real group of mentally ill people.
now that we've dealt with all that - DOES loki have npd?
personally, i go back and forth on whether i think he fully qualifies for the disorder, but as i interpret him, he absolutely does show many traits of npd, such as the following:
perfectionism and fluctuating, fragile self-esteem. he has to be best, because if he isn't the best that would mean he's the absolute worst, worthless, monstrous, unlovable, etc. even when he is succeeding in his goals then maybe he's somehow the best and the worst at once, and almost anything could bring him crashing down again.
constant comparison of himself to others, leading to insecurity, jealousy, bitterness, paranoia...
basing his feelings of safety/security on his connections to people he sees as powerful and/or admirable, and basing his self-esteem on their approval, to the point where he becomes dependent or defines himself by them.
desperately, sometimes destructively, acting out for attention - whether showing off (begging for approval) or picking fights (demanding it.)
experiencing loneliness, shame and guilt easily and extremely intensely, making him hypersensitive to criticism and the possibility of rejection or abandonment - which can provoke a fight/flight/freeze/fawn response.
defensive/paranoid distortion in his analysis of others' feelings - focusing intently on what they think of him (do you love me, hate me, want to hurt me?) while less aware of their own feelings (eg, he can be fairly insensitive to thor's own capacity to be hurt). (in loki, as in many real people, this seems to have originated as a defence mechanism against being manipulated, and from having to walk on eggshells in a toxic family where *everyone* has more social power than him.)
a deep-rooted fear of being manipulated or controlled, which leads to a very strong need to feel in control of himself.
a deep-rooted fear of emotional vulnerability which makes him very reluctant to express his emotions, and when he does, it's often either a calculated tactical decision (so he can tell himself he's still in control), or the result of an emotional breakdown because he just can't keep up the mask any longer.
a paranoid view of the world in which everyone always wants to control him, and controlling power imbalances are an inherent feature of all relationships ("freedom is life's great lie"...), leading him to try to "defensively" manipulate and control others. (this is the ugliest symptom on this list, but it's also arguably the least textbook npd - something this literal and pronounced might be better characterised as ptsd's "distorted understanding of own trauma"/"change of fundamental beliefs" symptoms.)
obviously everyone has a right to their own reading and headcanon, and of course you can reject any reading at all based on simply Not Vibing with it. this isn't the Mandatory NPD Loki post, just me trying to encourage you to consider the possibility. there's a lot here! it's a very plausible reading!
(and honestly, why stop there? you might also note that thor, who grew up in the same toxic household, display a fair number of these symptoms too...)
[this post is meant to be informative and to give people a little insight into an alternative perspective on npd to the dominant pop psych one. i'm happy to answer questions, but if you want to "debate" me or approach this as "discourse", please don't.]
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yuriiofthevalley · 4 months
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thank you ari (@bithehand) <33. i just posted a whisper about this so getting tagged made me giggle a bit
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i mainly just want to do what feels right to me // whatever i feel the most motivated to do during my 'productivity' hours (i don't really like to use this word. there's so much attached to it lmao).
but to get into the specifics,, i really want to improve my critical thinking & analysis skills. i want to find & consume more media that directly appeals to my tastes. i want to expand my vocabulary so i can giggle more about how good i speak. i want to improve my verbal communication skills bc tripping on my words and stuttering isn't very fun. i want to get more money to buy pretty things for myself & support family // friends where i can. i want to get closer to my only irl friend,, both relationship wise & physically. i want to get better at coding so i can make fun little programs for myself. i want to learn more about lesbian history,, astrology & astronomy,, philosophy & psychology,, and whatever else seems fun to me. i want to make moodboards and whispers and expand my pinterest and have more fun girlblogging. i want to improve my alcohol tolerance (🤭). i want to be more insane about my fav characters,, games,, etc. i want to get close to maybe three or so new girls (falling in love again would be nice too). i want to take more pictures of myself & post myself more often. i want to take better care of my hair,, health & skin. i want to learn to bake. i want to eat more sweets and nice things. i want to spend more time with the moon.
there will probably be more i want to do with time and i'm actually looking forward to that,, i love having wants and i know i'm beyond capable of getting everything i want.
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tagging; @cursemyexistences @444nanya @hhymns @prettygal-posting @lovliestars @bull3tpr00fs0ul @fluttershy-222 @ohsoteary @f-l-o-r-e-c-e-e-r @just-a-girlblogger @i-know-you-wanna-kiss-me & any of my other mutuals who want to join in 🫶🏼
(original post here)
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douglysium · 15 days
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Episode 11 TMP Quick Thoughts
Housekeeping and Prologue
Hello, this is Douglysium and you might not know me as that guy who wrote over 100 pages of analysis on the Eye (which can be read on Tumblr here (https://douglysium.tumblr.com/post/735599414228484097/the-relationships-between-the-dread-powers-the) or Google Docs here (The Relationships Between the Dread Powers: The Eye- Knowledge is Fear and Ignorance is Bliss)) or as that guy who wrote an article on the Extinction (which can be read on Tumblr here(https://douglysium.tumblr.com/post/717929126195003392/what-would-avatars-of-the-extinction-be-like-a) and Google Docs here(​What would Avatars of the Extinction be like?: A TMA Speculation)). Suffice to say I might be a bit of a TMA fan. Also, spoilers for TMP up until episode 10. You can read my ramblings on the last episode here (Episode 10 TMP Quick Thoughts).
However, Protocol offers a very unique opportunity and experience for me because I didn’t actually get into TMA until after it was over and I binged all of it. So this is my first time experiencing something even remotely similar to what the original TMA fans probably experienced when waiting for each episode week by week and slowly having to put everything together with the limited information they had. So I decided to throw my hat into the ring since this might be my only chance to do something similar. However, I’m working on some longer form TMA content so I can’t spend as much time on these articles giving a bunch of super detailed thoughts. I will try to keep these short and that inevitably might mean some could have questions about why I think or predict certain things and in those cases I would probably recommend you read at least some of the two articles I mentioned above to get a better idea of where I’m coming from. This also means I won’t be giving you a play-by-play of every single thing that happens in the episode so I encourage you to listen to or read them yourselves and feel free to comment if you feel something is important.
These reviews are probably going to end up focusing mostly on the Entities and their manifestations as they are what I have thought about the most and spent the most time interpreting and there’s been a lot of… interesting theories floating around about how the Entities are manifesting that I want to go over.
Finally, I’m just going to say it right now, spoiler warning for all of The Magnus Archives. I know that Jon and co said one could start with Protocol and be fine, and while that’s probably true, media like this tends to be made in conversation with or take into consideration what came before it in the irl chronology in order to connect them. While I’m sure you could skip The Magnus Archives, I don't really see the point of skipping over it when we are already getting characters from TMA showing up in TMP in Protocol. So to me it’s pretty clear that if we want to understand the full picture of TMP and all the things it is trying to say then we can’t just try to pretend TMA doesn’t exist or scrub it away. Just because you could understand what’s happening without the context in broad strokes doesn’t mean you're getting all the nuances.
These articles are meant to be quick and short so sorry if there’s typos and if I don’t address every possible question or possibility. I don’t want to repeat myself too much in this series outside of the prologue so be sure to skim some of my other articles.
Episode 11 “Marked”
And we are back, baby. I’ve actually started writing this literally the second after I finished listening to the episode. I was originally planning to wait until the weekend to write this but I’ve become so excited I can’t help myself, and Rusty Quill has been on top of posting the transcripts when the episodes comes out.
As always, the episode is being told to us through some sort of device. In this case we cut to Celia via her phone. The transcripts make it clear what’s happening “A busy motorway nearby. CELIA is asleep on grass. She starts to make slightly distressed noises as she stirs. A lorry roars past nearby and she awakes with a start.” She obviously seems frustrated upon realizing something has happened again but she realizes something as she begins to pat herself down looking for her phone or some other (most likely communication) device.
CELIA 
“(to herself) Yes! Ok, phone in the pocket works. She starts tapping the screen.”
CELIA 
“(to herself) If it had signal. She sighs in helpless frustration.”
CELIA 
“Shit.” She stretches and starts trudging off towards the motorway. 
CELIA 
“Hold on, Jack, I’m on my way.” 
Celia probably comes from or has some relation to the TMA universe but what this entire situation has to do with it, if anything, is beyond me. I don’t know who Jack is and Celia implies that this entire situation has happened before. It is once again confirmed however that whatever is listening through all the electronic devices in TMP doesn’t need said devices to have wi-fi or internet connection to be able to do so. Which was further emphasized by the fact that it was capable of listening through a tape recorder last episode.
Now that I think about it, did Celia need the phone for communication or some other thing. It’s possible that she was trying to access something like a GPS or online map to figure out where she was or where to go but it’s unclear. I can’t say if Celia implying this has happened before means she has woken up at this exact spot or random areas in general. Considering her questions to Sam about multiversal and time travel I wonder if she attempted some sort of experiment which led to her appearing in this location. Is Celia trying to get somewhere in particular? Maybe she’s trying to get back to the TMA universe or maybe she’s trying to get somewhere new?
We cut to the OIAR offices via one of the computers. I consider the interaction we witness in this scene to be another enlightening one about some of the possible dynamics at play in the OIAR workplace. Alice clearly cares strongly about Sam and they like to tease each other a lot. Sam seems a bit down about finding no clues about the Magnus Institute and Alice tries to cheer Sam up. The two talk about where Celia and Gwen are but neither knows where they are. It makes sense that they would wonder since Gwen seems like a stickler for rules and it seems weird that about half the people working in this office have disappeared with no notice. Gwen brought Sam and Celia coffee while also mentioning “I’ve got a mocha for Celia and I was really looking forward to pretending I “accidentally” forgot to order Gwen anything.” Once again, highlighting how antagonistic their relationship is and how Alice can go beyond just simple teasing and towards just being outright hostile or mean toward Gwen.
Alice seems extremely nervous and mentions “ just… I dunno. When I left the coffee shop, it felt like someone was following me.” Sam jokes “Sounds like maybe you were more bothered by that “soggy ruin” than you admit.” but Alice asks him not to joke about it, which shows that she’s extremely rattled. This level of fear from being watched sort of parallels the Institute in TMA with how Jon was scared from a feeling of being watched in the Institute. In MAG 39 (Infestation) Jon says “Because I’m scared, Martin!. Because when I record these statements it feels… it feels like I’m being watched.” However, it’s clear that what Alice is probably feeling is related to whatever escaped from the Institute in the last episode. I wonder if that being is somehow connected to The Eye. It is an Entity connected to both the fear of being watched and even followed or stalked. Not to mention the creature came from the Institute, a faction that was at least aligned with The Eye in TMA.
However, there’s an argument that this could just as easily be something related to The Spiral, Stranger, Hunt, or some other Entity entirely. The Institute had dealings with all kinds of Entities, not just The Eye. The most obvious example of this is their Artifact Storage, which collected objects connected to various Entities. So it’s possible this is some other Entity’s Monster or Avatar that was being sealed and / or researched. Considering all the alchemical undertones I even have to wonder if it’s some sort of artificial creation like some kind of homunculus.
Sam offers to walk with Alice home, to which she appreciates, and they get to work categorizing their statements. We follow the statement that Sam is listening to as exposited by CHESTER.
This statement comes from emails being sent from Gordon J to Alison Leshi regarding “Padstow civil cemetery exhumations.” In case you don’t know, an exhumation is “the action of digging up something buried, especially a corpse.” Gordon starts off by explaining to Alison that everything is going as planned, despite the sudden cold snap, due to proper planning. He also says “We also did some load testing of the ground near the cliff edge, and it looks like there’s only a few graves where the erosion means we won’t be able to use the Bobcat, and that’s few enough that my boys can do that by hand.” The first few days of this project have gone smoothly and David, their medical examiner, seems happy with their precautions.
Gordon mentions “with all the precautions we’re taking, and while we’ve certainly had our fair share of lookie-loos, there’s not been any sign of the protestors you were so concerned about stirring up. I guess it helps that no-one’s been buried here for over a hundred years, so it’s not like we’re pulling up granddad. The sailors sleeping here haven’t seen mourners since Queen Vic.” I think Gordon raising the possibility that there could be protestors is interesting. I wonder if it’s simply the fact that people might be upset at the destruction of these graves or if there’s some other reason? For example, someone might see it as an important historical site or maybe they view this project as harming the environment in some way? If you want a more supernatural reason, it could be that someone is afraid that disturbing the site could anger someone / something?
Gordon gets more personal and talks about how this job means a lot to them. They say “I know we can’t have been the cheapest company to put in a bid, but as local lads we’ve been coming to this graveyard all our lives (even if just to sneak some booze as stupid teenagers), and now that the cliff’s finally giving up the ghost (if you’ll pardon the pun), it feels right for us to be the ones taking it apart.” I looked up the phrase “giving up the ghost” and it seems like it can refer to “to stop trying to do something because you know that you will not succeed.”
Gordon says they’ll get back to Alison when the job is done but they send an email earlier than expected due to some unforeseen circumstances, and apparently David told Gordon to update Alison on the circumstances despite the fact that Gordon thinks it shouldn’t throw off their current schedule. They encountered some human remains that seem like they are in quite good condition. “...for context, the containers they’re buried in are of really varied quality. I’d say just under half were buried in decent coffins that are still in good enough shape to remove and transport unopened. For others though, the wood has rotted to the point where it’s pretty much impossible to keep the boxes together and some were just wrapped in oil cloth. This means we’re seeing, touching and moving a lot of human remains directly. Don’t worry, this isn’t about a health and safety thing – we have all the right gear and David’s making sure we follow procedure. It’s just that one of the graves had a body in that was too well-preserved for the age it should have been. Or at least, most of the skin was in extremely good condition. The back was completely covered in this complicated tattoo of a ship sailing across an open sea towards an open horizon. It was really impressive.” Take note of the tattoo since this isn’t the first time we’ve encountered a complex and very visually impressive tattoo in TMP and it’s going to come up again in this very episode.
David says that they need a second opinion and some tests since if the bodies have been buried more recently than 1908 it would mean that the cemetery is technically a crime scene for legal reasons. Gordon also mentions that the graves have been getting to him with “I’ll be honest though, I’m glad of the break. Taking up all these graves is starting to get to me a bit. I almost feel sorry for doing it. The waves are so close and getting closer. If I were a sailor buried here, I’d take some comfort in that. As you can see I’m getting morbid. Short break will do us all some good I think. Will update you when I hear word.” These feelings seem like they could relate to either The Vast, The Buried, or The End with the themes of coffins and being buried in a grave potentially tying into The Buried or End but the vast ocean possibly connecting to The Vast. But let’s keep going.
David starts acting weird and Gordon asks Alison to give David a nudge for the sake of the project. “He’s still working on that body we found and he’s stopped responding to my emails. I got him on the phone, but to be honest he doesn’t sound like he’s in any real rush to complete the job and while he’s worrying about salt water and tattoos, we’re out here sat on our hands and I’m paying the lads by the day. It’s almost enough to make you dream of sailing away for real. Like that poor fella’s tattoo. Saying that, I had another look at the photos David attached and I’m starting to think I might have been wrong about it. When I first looked, I thought it was hopeful, a crew sailing towards the sunrise. But looking again, the sun is lower than I thought, and there’s a shape in the water behind the ship. I think they’re being chased by something. Creepy eh?” So Gordon’s dream of sailing away could potentially point to The Lonely, especially given that the Entity also has a connection to the ocean and ships with Peter Lukas and the Tundra, but the whole being chased could relate to The Hunt. While Entities do chase things all the time I could see the fear of sharks or some large sea creature attempting to chase you as potentially relating to The Hunt. However, it could also potentially relate to The Vast with the idea of something massive lurking in the water, like a kraken or whale. There’s also an argument for something like The Dark with something emerging in the night as the sun sets. Well, assuming that the sun in the tattoo is setting and not rising.
And here’s where the tattoo thing comes up again. Gordon says “Oh, and speaking of tattoos, you remember you wanted an update on local sentiment about the move? Well, I don’t know if this counts as resistance – hell, I don’t even know if they’re local – but there’s someone started poking around the site asking questions. Big snake tattoo up their arm and a bunch of other ink. Wouldn’t give their name, but claims to be a big deal “online”. Don’t really know what that means, but they’ve been asking questions about the body.” The person with the “big snake tattoo” up their arm has a description that almost perfectly matches Ink5 from episode 2 (Making Adjustments). When Daria describes Ink5oul (Pronounced Inksoul) she notes that they had “an absolutely gorgeous floral serpent design running up their arm and into their neck that was so vivid it looked ready to slither off their skin and onto the chair.” It’s clear that Ink5 probably has an interest in tattoos, like the one Gordon saw on the body. This person also mentions that they are a big deal online, which would be true if this is Ink5 since we know that Ink5 is a famous tattoo artist online and even does streams. This could even explain why the person in question didn’t give their name since if it was Ink5 we are only aware of their online username. Gordon even mentions that Ink5 said “...the tattoo is an “Oscar Jarrett”, and that’s a big deal to some folks in that community – something to with Sutherland Macdonald whoever that is. Dunno if that’s quite what you were worried about but thought you’d want to know.”
`I did some light research and Oscar Jarrett doesn’t seem like a style or type of tattoo. Which points to the idea that Oscar is a person. Considering all the tattoos we are saying Oscar might be comparable to Smirke in some ways. In the sense that in the same way there was special Smirkean architecture there could be special Jarettian tattoos if that makes any sense. Tattoos that are designed to have supernatural effects of some kind. It’s also possible that Oscar simply learned and taught some kind of supernatural technique, kind of like the techniques that The Boneturner’s Tale could grant someone in TMA or how Martin sort of ended up learning how to “disappear” by following Peter Lukas’ attempt to connect him to The Lonely. Oscar Jarrett and Ink5 are definitely people to look out for in the future. Sutherland Macdonald surprisingly did yield actual search results. He is apparently “a prominent English tattoo artist in the late 19th century and early 20th century, and the first tattooist in Britain with an identifiable premises open to the public.” This makes Sutherland notable for the same reason someone like Smirke might have been in TMA. A historical figure who somehow learned and / or spread knowledge about the Entities. Again, it’s possible that there are Macdonald style tattoos in the same way there is Smirke style architecture. It could also be that the Oscar Ink5 is referring to is in fact the body with the tattoo that Gordon found and Gordon just doesn’t know what they are referring to. It could also be that there are multiple tattoo artists or Oscar is some student or follower of Sutherland in the same way people like Jonah, Maxwell Rayner, and Mordechai Lukas all had a connection to Smirke via being students or associates. In some characters even explicitly got the idea of possible rituals from Smirke and his research, despite the fact that most weren’t concerned with Smirke’s ideals of balancing the Powers.
Gordon considers calling the police on Ink5 due to how much the tattoo artist seems to be creeping Gordon and their team out but Gordon decides not to as to avoid potential backlash from the public. Gordon’s next email involves him giving condolences in regards to David, which implies that the reason he was taking so long with the reports was due to an untimely death at some point. I wonder if David’s death was related to something he came across on the bodies? It could be that there was some artifact or one of the bodies was actually alive? It could also be that if something is indeed up with the tattoos then the tattoos themselves may have had some sort of effect on David? Did Ink5 kill David? Was David the person Mr. Bonzo was sent to target in order to create some sort of opening for Ink5?
Gordon apologizes for the perceived unprofessionalism and says “My thoughts and opinions on maritime matters will no longer be included in my emails. In addition, I should be most grateful if you could see fit to provide myself with appropriate authorisations to contact the medical examiner’s offices to follow up with the cadaver that has been causing such consternation.” Based on Gordon’s next email it seems like Alison thought Gordon was making fun of them or acting condescending since Gordie states “Look, I was not “making fun of you” but I’m not sure what you want. I’m emailing an employer about my work and am getting accused of my emails being “unprofessional”. That’s the best I can manage. I haven’t been sleeping much recently. Weird dreams. Shapes in the water and that. And before you say that it’s “unprofessional” to tell you that I’m just giving an explanation, That’s all. I need you to contact the examiner again, he’s dragging his feet. Besides, I want to see the body again. I dug him up, he’s my responsibility. I just need to see it. I need to know what’s in the water.” Considering the possible change in behavior I wonder if Alison encountered something that made them scared and afraid of people not taking them seriously. I wouldn’t be surprised if Alison and / or David get their own statements in the future.
Gordon also mentions a lack of sleep due to “Weird dreams. Shapes in the water and that.” and also mentions “Besides, I want to see the body again. I dug him up, he’s my responsibility. I just need to see it. I need to know what’s in the water.” This desire to know and see something actually parallels an Entity like The Eye. The Eye, as I end up saying in every article, isn’t merely the fear of being watched but also being the watcher or seeing something you don’t want to. In MAG 200 The Eye is mentioned as having been born from the fear of one’s eyes showing them too much, and Gertrude mentions that The Eye is connected to a desire to know and understand even if in trying to do so you get hurt in the process. These themes also explain why Jonah can force information into the heads of people like Melanie and Martin. It’s the idea of knowing too much or being forced to witness things. Due to this The Eye also has a connection to, and tendency for cultivating, curiosity. Jonah mentions doing so to Jon with certain statements and we know he purposefully left files and information out to stoke Rosie’s more “nosy” personality traits. The Institute itself also sort of acts like bait for The Eye by attracting people looking for answers or closure via the information in its Archives or statements. Jon can also force people to give statements and thus make them relive and recount terrible events so that he can listen to them.
I’m bringing this up now because while I don’t think that what Gordon is going through is connected to The Eye the themes I am talking about will come up later anyway. Entities like The Eye also like to try to prey on the curiosity of people. I’m not saying Gordon is unjustified in being curious (even if I do find some of the behavior obviously strange) but that certain Entities have a precedent for preying on certain emotions or behaviors (like the desire to chase for The Hunt or anger for The Slaughter. No matter how justified that behavior may or may not be doesn’t always matter). You could also potentially relate some other parts of the statement to themes of The Eye. Most notably, the fear that protestors or other people might be observing the dig site, and the fear of being judged by the public. You could even point to Gordon sharing “too much” info to Alison with all the weird thoughts he’s having. Well, Alison seems to not like it, I’m not trying to say Gordon is crossing any sort of technical line or is even unjustified.
Gordon’s next email is titled “Examiner’s office break in” and Gordon insists that it was not him who broke into the examiner’s office and that Ink5 did it. “I saw them hanging around the office when I was waiting. Waiting so long just to see it, just to know what’s in the water. And they took it. They think they’re smart, but I saw them I know where they’re staying and if they think they deserve it they’re wrong. It belongs to the deep. I’m going to go get it and I’m going to find it and if they try and stop me I swear the ocean will claim us all. I can taste the salt and spray. It’s waiting in the water.” Once again a desire to know what’s in the water and the fact that Gordon is defensive of the idea that they might have broken into the office shows that Gordon is afraid what they said earlier about wanting to obtain the bodies might paint them as a suspect. The statement ends with
To: Alison Leshi ([email protected]
From: Gordon J ([email protected]
Date: January 20th 2020. 
Subject: Re: Re: Examiner’s office 
break-in 
There was a problem delivering your 
message to “[email protected]
This email address is no longer in 
service.
This statement is a little interesting because it feels like a lot of the stuff is more passive or in the background. For example, while Gordon is perturbed, Ink5 doesn’t attack or tattoo them directly. Gordon’s thoughts and feelings about the water could connect to various Entities. Most notably, all the water stuff could connect to the Vast, Buried, or Lonely. All 3 of these Entities have a notable connection to either water or the ocean. The Vast via the fear of large things with the immensity of the ocean as well as the things the could be in it, The Buried with the feeling of drowning or being trapped / crushed underwater, and The Lonely via boating and how isolated being alone on the open ocean can make you. Gordon’s desire to sail away could relate to The Lonely or The Vast while his comment about wanting to be Buried in the graveyard could be connected to well… The Buried. Not to mention his desire to put the supposed corpse back where it belongs, in the grave, could also relate to The Buried.
If I had to pick the most likely Entities here I would argue The Buried and Vast. If I had to chose between the two I would have to say the Buried. The Vast does have an emphasis on the depp ocean, and Simon Fairchild even attempted to perform a ritual using a submarine and the deep ocean, but Gordon’s desire to bury the bodies seems at least somewhat similar to Hezekiah Wakely in MAG 152 (A Gravedigger’s Entity) and his desire to make sure that people stay in their graves. In the statement Hezekiah mentions “To my mind there are far worse fates. But he has in his head an idea to begin fitting the graves I dig with these new “safety bells” that he has heard of, so that any as might be alive below ground might signal us above for rescue. I dread the idea. If it had been me in that coffin, destined for the peace below ground, I can think of little that I would hate more than the jarring, clanging of a bell pulling me from my rest.” and he also mentions weird dreams with “I had a dream, then. I dreamt a rain had come. A terrible bitter rain that chilled my bones and turned the soil around me dark and sodden. The walls grew damp and slippery, their firm shape lost as they began to slip and crumble. And then all at once they collapsed, the grave filling in a moment with a wave of mud and wet dirt. In a single terrible moment of utter terror, it was atop and around me, covering my face and filling my lungs with its awful choking sod.”
While the emphasis on the deep could easily relate to The Vast, one of The Buried’s nicknames is actually “Forever Deep Below.” So someone referring The Buried as “The Deep” or something similar would not be without precedent, especially given its connection to drowning, being trapped underwater, and deep water in general. Gordon also says “It belongs to the deep. I’m going to go get it and I’m going to find it and if they try and stop me I swear the ocean will claim us all. I can taste the salt and spray.” which could imply that in a way they believe the ocean will bury everything. You could easily relate some of this to The Vast with the idea that the ocean has existed longer and will outlast the erosion of the land.
One part I actually really liked in TMA, despite how little it came up overall, is all the different names people would use to refer to the same Entity(s). So I wonder if, assuming the existing Entities are around in some capacity, Entities like The Buried will be referred to with different names in the Protocol universe. It wouldn’t surprise me if people started referring to an Entity like The Buried as “The Deep” for example due to the idea of being trapped deep underground or in the ocean.
Like always, there are some overlapping themes that seem similar to other Entities. The tattoo possibly depicting sailors getting chased could relate to The Hunt, I already mentioned some possibilities with The Eye, and the emphasis on graves, and dead bodies could parallel The End.
Ink5's appearance in this statement is forcing me to consider some things. I maintain that the statement in episode 2 screams “This is The Flesh”, or at least something similar to that Entity, and I believed Ink5 to be connected to The Flesh. But I remember someone also raising the idea that the effects of Ink5 tattoos could vary, which I considered a very likely possibility since Ink5 doesn’t start tattooing until they are inspired by Daria mentioning that they are an artist. Implying that Ink5 was working off of inspiration and what they make and potentially even the effects of the tattoos could vary from person to person. If this is true that could mean Ink5 is more like Smirke and isn’t directly connected to (or loyal to) a single Entity, or Ink5 could be connected to multiple Entities somehow. Maybe the specific tattoo they gave Daria was connected to The Flesh in the same way Smirke’s architecture was connected to the Entities in a way Smirke himself wasn’t always. It’s still very possible that Ink5 somehow is connected to The Flesh but is also capable of interacting with aspects of other Entities somehow.
We cut back to the OIAR office and Sam also notices the topic of tattoos having come up again and asks Alice if there is a way to cross reference cases.
ALICE 
“And? You already know the page to check the scores.”
SAM 
“Yeah… but I just thought it might be worth noting somewhere that they might be linked. There’s this tattooist, and I think they might be”
ALICE 
“What have I told you about thinking?”
SAM 
“Don’t?” 
ALICE 
“That’s right.” Alice sighs.
ALICE 
“(cont.) I don’t think there’s any way to mark cases as connected. They all come in standalone, that’s just how it works.”
Once again Alice’s whole “don’t think about it” vibe. I would argue the whole idea of “ignorance is bliss” and how knowing too much can hurt or scare you often relates to The Eye. I would argue that the OIAR or the computers are probably connected to The Eye, given all the statements and other stuff I mentioned previously, but I’m not saying Alice or Sam are secret Eye Avatars or something. What I'm trying to say is that The Eye likes to prey on certain behaviors, such as curiosity or a desire for answers, and Alice and Sam might have these traits. We know, for example, that Jon and Tim both ended up at the Institute because they were looking for answers about an encounter they had previously. 
Alice sighing and then proceeding to honestly indulge Sam’s question is interesting and I think is another implication that Alice is probably more curious than she lets on. Realistically, she has probably been burned from having a similar mindset to Sam or seeing someone else asking too many questions but she consistently ends up indulging Sam’s curiosity or giving honest answers anyway, instead of simply shutting it down and moving on. There have also been times where Alice is noted as listening to something in the transcripts “despite herself.” Implying that sometimes she can’t help herself or her curiosity gets the better of her.
All the cases being sent in standalone sort of parallels the Institute in TMA and how disorganized the Archives were when Jon was using them (due to Gertrude). Even in TMA the statements would sometimes have recurring characters but they weren’t organized by topic or people involved in the case. The most we tend to get about the organization system of the statements is that it’s usually just sorted by date (which could be confusing if two statements have the same date) and sometimes follow-ups on cases were performed for more info and context. So obtuse organization systems that make it harder to connect various details or events aren’t unusual for TMA.
I also once again have to wonder if Sam is being shown certain events on purpose in order to stoke his curiosity or to get him to do certain things. I find the idea that literally every statement is random to be dubious but that doesn’t mean literally every statement is handpicked. Which makes me wonder, once again, what Sam and co’s jobs are meant to accomplish. Are they just supposed to be “an archive of fear” and witness terrible events or someone someone / something doing anything with the information or statements they are given or categorize?
Gwen enters the room and she seems to be in pretty bad shape since Alice says “Christ on a peddlebike, what happened to you?” and Gwen says “(setting up at her desk) Tube was delayed. Points failure.” Gwen also mentions that she had trouble sleeping, but Alice doesn’t seem to waste any time making fun of Gwen despite Gwen’s sorry state. Alice doesn’t seem to spare Gwen any of the concern she has shown characters like Sam and Colin. Sam tries to get Alice to ease up on Gwen but Alice doesn’t seem to let off the ribbing. Gwen eventually notices the third coffee Alice had gotten for Celia but mistakenly assumes that the third cup of coffee was for her.
GWEN 
“(cont’d) (surprised) Hang on, did you get me a coffee?” 
ALICE 
“Uhh… 
SAM 
“Yeah. You like mocha?” 
GWEN 
“Yes. She takes the coffee carefully.’ 
GWEN 
“Thank you, Alice.’ 
ALICE 
“I… Sure. Whatever. Don’t get used to it. A slightly awkward silence.’
This interaction makes me wonder about some of the aspects of their relationship. Celia bursts into the room and Gwen grills her for being late (despite the irony of Gwen herself running late).
CELIA
“Sorry, sorry! I know, I know – there was an emergency at home I had to I’m sorry I’m late!”
GWEN
“Do you have any idea what the time is?”
ALICE
“I’m sorry, are you joking right now?”
GWEN
“I have responsibilities now, Alice. I need more of an explanation than just a “home emergency”.”
ALICE
“You arrived literally one minute ago!”
GWEN
“And I gave a full explanation for my lateness. Which, I might add, I didn’t actually need to do for a subordinate.’
CELIA
“It’s fine really’
ALICE
“No, it’s not. You don’t owe her anything! In fact, you should take her coffee as reparation.’
CELIA
“One of my radiators sprung a leak and flooded the lounge.’
GWEN
“I see. Well that’s understandable but don’t let’s make a habit of it shall we?”
CELIA
“Of course.’
GWEN
“See, that wasn’t so painful, was it Alice?’
Alice takes a breath for a devastating putdown.
SAM
“Let it go.”
ALICE 
exhales and sips her coffee instead.
GWEN
“Luckily, I don’t think Lena’s noticed, so you should be ok. She’s not as laid back as I am.”
Alice chokes a little.
CELIA
“Good to know.”
GWEN
“Great, well if that’s everything you all really should get to work otherwise you’ll never get out of here. Don’t let me keep you.”
ALICE
“(muttered) I’d like to see you try…”
GWEN
“(already departing) I’ll be in Lena’s office if you need me. She walks off.”
CELIA
“You ok, Alice? It honestly doesn’t bother me.”
ALICE
“I can’t believe she drank your mocha!”
So it kind of seems like Gwen is immediately letting her new promotion go to her head a bit and has already taken the role of a stern boss. However, based on Gwen’s reaction when talking with Lena later and how shaken she is from Mr. Bonzo, it’s very likely that this is Gwen’s way of coping or trying to deal with stress and fear (not that it’s at all healthy). Gwen’s behavior seems to rub Alice the wrong way, especially since it easily comes off as hypocritical since Gwen was also running late. The only difference being that Gwen is now Celia’s superior. This whole situation makes me wonder if any particular person is specifically at fault for Gwen and Alice’s sour relationship. Sure, Alice does come off as extremely mean to Gwen but I wonder if Gwen did something in particular, tried to strong arm Alice, or something else.
Gwen does appreciate the hypothetical gesture of Alice buying her coffee and it’s weird that despite all their bickering Gwen seems to immediately assume that the fact the coffee is for her and from Alice is a likely possibility. I wonder if Gwen has a different view of their relationship or just doesn’t care? In a previous episode Gwen mentions that Alice left “talkers” on to mess with her but I wonder if Alice simply left the statements running so she wouldn’t have to listen to the voices talking and Gwen merely assumed it had to do with her. This could point to the possibility that Gwen has a bad habit of assuming things are about her sometimes or even being a bit self-centered but I’m not sure. It is still possible Alice did in fact leave talkers to mess with her. I wonder if they had a more amicable relationship in the past? I also if Gwen does genuinely think of herself as being more lenient or forgiving than Lena and, by extension, sees herself as tossing Celia a bone.
Gwen leaves the others to their work and goes to talk with Lena. Gwen is clearly upset by her encounter with Mr. Bonzo. Gwen insists that the thing she saw couldn’t have been Mr. Bonzo because Bonzo is just a character played by a guy in a suit. Not to mention that the Mr. Bonzo at Nigel’s house apparently had skin, and appeared both sagging and sweaty. Lena assures Gwen that this was in fact Mr. Bonzo by saying “...He is one of our Externals” and “I’ll grant you that Mr. Bonzo is one of our more… obviously grotesque Externals but I assure he is a valued asset.” This implies that not all the Externals the OIAR works with are as monstrous as Mr. Bonzo. Which could mean that the organization works with various Avatars and Monsters, or at least some of the Monsters they do work with are more humanoid (similar to how the Distortion took on the appearance and personalities of people like Michael and Helen).
GWEN
I thought he was going to kill me!
LENA
“But he didn’t, which means you’ve passed the first part of your probation. Congratulations. Did you scream?”
GWEN
“What? No!”
LENA
“You should. It really helps one cope with the more affronting aspects of the job. And they usually like it.”
GWEN
“What was in that envelope I gave him?”
LENA
“A name and an address.”
GWEN
“But for who?”
LENA
“I’m sure you’ve already worked that out. But just in case you haven’t, keep an eye on the case loads over the next few days. It should become abundantly clear.”
GWEN
“I don’t understand.”
LENA
“Yes, you do.”
GWEN
“But… why?”
LENA
““Why” comes later. For now, it’s best you try to process the “what”. I’ll let you know when I have another liaison assignment for you.”
GWEN
“(defeated) I… Ok.”
Gwen opens the door.
LENA
“Oh, and Gwen?”
GWEN
“Yes?”
LENA
“Get some sleep. You look dreadful. Gwen closes the door.”
So here, Lena outright admits that Gwen could’ve died. Last episode I wondered if Nigel apologized to Gwen in case Gwen ended up hurt or killed. Lena’s comment about screaming confirms once again that the Entities are probably still feeding off of fear. We know from TMA that while a lack of fear can keep you safe, displaying fear only for it to wane overtime can cause the Entities followers or monsters to get bored or unsatisfied and just attack you directly if they know that doing so will make you scared.
The fact that Lena says that Gwen should know who’s address and name was in the letter given to Bonzo makes me wonder. It’s possible Lena knows that Gwen simply checked the letter out of curiosity or came across some statement with clues. It’s also possible that at least some of the statements the OIAR gets are somehow related to the organization’s Externals. Lena even says “I’m sure you’ve already worked that out. But just in case you haven’t, keep an eye on the case loads over the next few days. It should become abundantly clear.” Which could imply that at least some of the statements Gwen and her coworkers (I mean subordinates) sift through could have to do with the OIAR’s externals. Maybe it’s the OIAR’s way of following up on their agents or checking the results of their assignments? Or maybe it’s how the OIAR decides where and when to send their Externals? It could also just be The Eye feeding off of the fear present in statements again (something we know it’s prone to do). It could be that the Externals do their job and The Eye or some other Entity squeezes some extra fear out of what they do by archiving things related to the job. Is the OIAR working with others to try to start another mass ritual, or is it trying to stop possible rituals? Maybe their goal has something to do with some of the alchemical symbols present in TMP (such as the logo)?
Lena comes off as extremely cold in this interaction and it’s clear that Lena’s earlier assessment of Gwen might be right, Gwen is not at all prepared for this and doesn’t exactly know what she’s getting into. But this also makes me wonder what happened to the previous Externals Liaison. Did they die? Did they get promoted / demoted? Are there other Liaisons Gwen hasn’t met yet? If there aren’t who was communicating with things like Mr. Bonzo before Gwen took the position? Was Lena just delivering the letters herself? As always, there’s a lot of questions.
Conclusion
There’s a lot of stuff up in the air but currently whatever is going on with the Externals has grabbed my curiosity the most. Mostly in regards to what they could be doing and why. Is Ink5 an External? Was Mr. Bonzo sent to take care of David to make an opening for Ink5 or was Mr. Bonzo sent somewhere else that will show up in a later statement? Most of the stuff I say are possibilities I’m raising but my current guesses about what’s going on are 1. Smirke’s 14 is still around in some capacity (The Extinction could be too, but there’s no evidence one way or the other for that Entity being around) and these Entities are probably the same ones from TMA (if not they are extraordinarily similar) 2. Celia is probably from the TMA universe or at least has some connection to it 3. The OIAR is probably connected to an Entity like The Eye 4. For whatever reason the OIAR (and potentially other parts of the government) are working with various factions tied to the Entities. Whether they are using these monsters and people to fight more dangerous threats or for some other reason I cannot say. Maybe they are trying to set up a new ritual where all the Entities hold equal power? Or maybe they are actually trying to stop future rituals / threats? Who knows.
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