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maychorian · 2 months

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Found Family Anime Recs

I recently reblogged a list of found family anime recs and was a bit surprised by how many reblogs and likes it got. I had really reblogged it just so I can find it later to watch the shows I hadn't already seen on the list, but apparently I have a lot of followers who are interested in this topic! Well, I've watched a lot of anime, so here are ten found family anime shows that I absolutely love. These are in no particular order.

Buddy Daddies

This show is similar enough to Spy X Family that you might be tempted to call it a rip-off. It's really quite different though. There's a lot less comedy (though there's still SOME comedy) and a lot more healing from past trauma. The animation is gorgeous, and the relationships really tug at my heart. It's more realistic than Spy X Family, in some ways, though it's still pretty ridiculous. The melodrama in the last couple of episodes did annoy me a bit, but it's still a very satisfying show. It's like a fanfiction I would write, which is really the highest recommendation I can give, haha, because that means it's exactly the kind of story I would like.

2. Samurai Champloo

This show was made by much of the same team that created Cowboy Bebop, but for some reason it never got the same cult status, which is really too bad. I love Cowboy Bebop, but I love Samurai Champloo more. It's about two ronin and a teenage girl traveling through Edo-era Japan to find someone the girl is looking for. Throughout the series, the three form a very strong bond, despite all of their communication difficulties and past traumas. I've rewatched this show probably more than any other anime. It's brutal at times, but so very satisfying.

3. Natsume Yuujin-cho

Natsume lost his parents as a young child and was passed around from relative to relative, most of whom couldn't deal with him because his ability to see yokai (Japanese folk spirits) made him a freak in their eyes. As the series starts, he's finally taken in by an older couple in a rural village who actually want him, and he's finally able to start forming connections with other people and find a support system with his new caretakers, his peers, and the yokai he tries to help. It's a very sweet, sad series, much more sentimental than the first two entries on this list, but a very soothing and lovely watch when you are in need of some relaxation. Warning, though, the flashbacks to Natsume's past families can be truly gutwrenching. He was not treated well for a very long time, and it's hard to stomach.

4. Barakamon

Handa is a calligrapher who gets essentially exiled to a remote island after causing problems on purpose. He has a hard time connecting with people and is struggling with his art. Over the course of the story, he forms relationships with his neighbors, especially an adorable child with possibly the best child voice-acting I've ever heard, and slowly rediscovers his joy in creation again. It's cute and funny and beautiful, and it makes me want to live on a remote Japanese island.

5. My Roommate Is a Cat

Subaru is a young novelist who recently lost his parents, who were pretty much his only connection to humanity. While trying to recover from this massive loss, he adopts a stray cat who quickly becomes the most important creature in his life. Through the cat, he begins to form relationships with other people, as well. The show is unique in that the first half of each episode is from the human's POV and the second half is from the cat's POV. It's a very lovely and soothing show. Pets are family, too!

6. Haikyuu

Haikyuu was the show that opened my eyes to the aspect of found family in sports anime. I know a lot of tumblr enjoys Haikyuu for the shipping, but to me it's more satisfying to view it through the lens of found family. Each team is essentially their own found family, in their own unique way, and the relationships are particularly realistic and well-depicted by this mangaka. I love Tanaka being a big brother to the first years, Kuroo and Kenma's mutual protectiveness and support, all of it.

7. Kuroko no Basuke

This is the silly basketball show, and in my opinion it's not as good as Haikyuu, but I love the relationships here as well. Especially between Kuroko and Kagami, of course. Their mutual protectiveness is just chef's kiss. But the whole Seirin team is really great. I love them so much. The teamy goodness is what makes the silliness watchable for me.

8. One Piece

What is there to say about One Piece? This is, like, the ultimate found family show. All of the pirate crews with any kind of goodness at their core are found families, but especially the Strawhats. Luffy is just going around looking at people and declaring, "Okay, you're in my family (on my crew) now." If you've never watched One Piece before, I'm going to make an unorthodox recommendation and suggest you watch the live action Netflix adaption first. It does a really good job of capturing the feel and aesthetic and just pure loveliness of this story in a much more compact and approachable way than the anime. However, if you like it, I do recommend that you watch the anime from the beginning, because there is a lot of expansion on the themes there, and the characterization is slightly different. Usopp in particular kinda got shorted in the live action, so you'll understand him a lot more if you watch his introduction arc in the anime. But honestly both versions are great. I'm on my third rewatch of the live action version already, and I will watch and rewatch the anime until I die, probably. One of my favorite stories of all time.

9. The Weakest Tamer Began a Journey to Pick Up Trash

I found this one slightly annoying in how it was obviously carefully designed to tug at my heartstrings, but it's working, so I don't have much right to complain. It's about a little kid driven out of her home who gradually gathers a found family of both monsters she tames and adult adventurers and guardsmen who take one look at this lonely child and go, "Well, guess I have a baby now." The isekai element is very lowkey, in that she basically just has a voice in her head giving her advice, and I like that it's about fighting local corruption instead of a demon army or what have you. I want more shows like this and less shows like every other generic isekai, haha.

10. Dungeon Meshi

This show is blowing up tumblr right now, so you've probably already seen it a billion times, but I'm going to make one more appeal for you to watch/read this story. It is so, so so good. And in my opinion, it is much MUCH more about family, both born and found, than it is about shipping. I could write a whole essay about Marcille and Falin's relationship that has nothing to do with romance, as I could for any other two (or three or four) characters in the main party, plus those outside. There is a LOT going on. I've been playing RPGs and LARPs for twenty years, and one reason I love the hobby so much is for the joy of creating found families with my best friends in new and different worlds, over and over again. This is the first piece of fiction I've found that really captures that particular aspect of party-based fantasy stories, the relationships that form and grow, the tight-knit bonds that keep everyone moving forward despite the monsters you must face (and consume).

#anime #anime recommendations #buddy daddies #samurai champloo #barakamon #my roommate is a cat #natsume yuujinchou #one piece #dungeon meshi #haikyuu #kuroko no basuke #found family #the weakest tamer began a journey to pick up trash

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h-worksrambles · 4 months

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Sonic X Shadow Generations fascinates me. Because it feels like something I shouldn’t be excited for. And yet I absolutely am.

Don’t get me wrong. I love Sonic Generations. It’s my third favourite game in the series and my favourite 3D Sonic game (with Sonic Adventure 2 in a close second). I’m very happy to see it getting a re release to expose it to new audiences, and playing it in 4K60fps on my PS5 is a very enticing. Likewise, I really like Shadow as a character and I’m excited to play as him again.

And yet, his new bonus campaign promises to basically be a bunch of nostalgic pandering for Shadow the Hedgehog, a game which I consider to be, simply put, crap. It was boring, dull, colourless and embarrassing trend chasing. And pretty much everything I hated about it is on display in this trailer.

We’ve got gritty, grey cityscapes, we’ve got the rather blah alien villain, Black Doom returning, we’ve got the looming return of the series’…bafflingly executed lore. In a word, Shadow was a pretty much everything I didn’t want Sonic to be shoved into a blender. I’ve given my thoughts on revisiting past excesses and failures for the sake of nostalgia. I wrote a whole thing about Final Fantasy VII Rebirth and my fears that it would go overboard pandering to the 2000s spin offs (which I dislike a for lot of the same reasons as a lot of Sonic stuff from the mid 2000s). A faux attempt at maturity that sacrifices Sonic’s camp and colour, and lacks the writing competency to make its tone shift work is pretty much my worst case scenario for the series. And now we’re invoking that for nostalgia? Again, I should hate this.

So if I dislike Shadow the Hedgehog so much. If it really is so emblematic of Sonic’s worst excesses that I want it to leave behind in the 2000s…then why am I so damn hyped for this? Why am I not feeling the same dread as whenever VII Remake implicitly threatens to bring back Genesis?

I think it’s because of the specific relationship Sonic has had with its past for the last decade. So much of the stuff from that time period is material that Sega has seemed actively scared to touch again. Sometimes with good reason. But I think that’s why some material from that time has gained such a strong nostalgic cult following, and why they’re held up as such bastions of missed potential. There’s never been anything quite like Shadow or 06 since they came out with how safe Sega has subsequently played things. And in many respects, that’s a good thing. But I can see how it build a sense of mystique around them. It was kind of sad to see 2010s Sonic so…scared of itself. Terrified to invoke its own history but not really committed to a new direction either. And this is pretty much the exact opposite of that hesitancy.

Basically, the reason I react to seeing Westopolis or Black Doom with ‘holy shit let’s go!!!’ rather than ‘why, god, why?’ is because I genuinely never thought I would see them again after this long. It’s just exciting to see Sonic Team throw caution to the wind and embrace all the parts of their franchise. Even the parts I personally dislike. Plus, Sonic Generations is kind of the perfect game in which to reimagine that stuff and make it..actually good this time. This was the game that made Crisis City of all things into a banger level. The game that took Silver, one of the most notorious boss fights in the series, and gave him a kickass encounter.

If they can fix that, they can do anything.

Plus, the fact that the trailers already show all these trippy stage effects and anime af boss fights and set pieces tells me we’re not just gonna be running through the same drab washed out burning cities that made Shadow 2005 so boring. Again, there’s evidently an effort being made to rehabilitate and reimagine this stuff, not just repeat all the same mistakes. And that’s exciting.

So yeah, Sonic X Shadow Generations has somehow managed to get me genuinely excited for all the parts of the series I typically balk at. And that’s pretty impressive.

That said, if I see Mephiles again, I’m leaving.

#my unhinged ramblings about a cool remaster #sonic x shadow generations #sonic generations #shadow the hedgehog #sonic the hedgehog #basically a ramble about my love hate relationship with 2000s sonic

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wings-of-fire-confessions · 6 months

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I honestly wish that the fandom talked more about the fact that Moonwatcher was PHYSICALLY NEGLECTED throughout her childhood.

Her mother, Secretkeeper, didn’t and/or wasn’t able to provide Moon with the proper amount of supervision and maybe even food Moon, while her daughter was living a potentially dangerous environment.

Secretkeeper left her daughter in alone in the rainforest for DAYS on end at a time since the night Moon HATCHED, with the only time she was able to be with Moon was for a few HOURS on the days she was able to be with her. That means that Moon, since the day she was literally BORN, was left for literal DAYS on end without the physical supervision of her own mother.

She was left alone for so long, in fact, that she literally had to LEARN how to HUNT for her own food HERSELF as a young dragonet, to the point that she became very good at it. Moonwatcher is 4 when she mentions this to Qibli, so there’s a good possible chance that due to her living situation, she had to hunt her own food when she was around ONE-THREE years old, around the same age that Anemone, or even MINK and DUSKY are right now!!!

And what really bothers me about this is the fact that Moonwatcher had to hunt for food and was left alone for the majority of her within the Rainforest - which is a potentially DANGEROUS environment to live in.

Like…think about it. The rainforest that the Rainwings live in is filled with POISONOUS frogs, that can make dragon unconscious, have hallucinations, and possibly even KILL you. There’s that also lots of hungry predators that could harm or even kill Moon, like Jaguars and Anacondas. And the rainforest also has dangerous parts within its environment, like quicksands, which are portrayed to be VERY dangerous in movie and/or book media, so I wouldn’t be surprised if they’re dangerous in wings of fire too, at least for a young dragonet who isn’t even a teenager yet. The rainforest has so very hazards, in fact, that there’s canonically a literal SCROLL written about the dangers of the rainforest within this series.

So imagine, a young 1-3 year old dragonet, being in risk of DYING from touching a poisonous frog or being eaten be a Anaconda while hunting for an animal or gathering fruit within the trees. Or Moon attempting to hunt her prey on the ground, in risk of her getting SCARRED or even EATEN by a Jaguar.

Moon has been left within the rainforest for so long to point that she had to search for food in a risky or even dangerous environment when she was the age of a literal CHILD.

So the fact that people don’t talk about, mention, or even possibly know about how bad Moon’s childhood probably was within the rainforest it is…quite sad and even a bit upsetting, honestly.

Of course, I do know that Secretkeeper didn’t have much of a choice of doing this to Moon, or at least knew it would be MUCH better if Moon lived in the rainforest alone, than living within the literal volcano instead.

Especially since leaving Moon to live within the rainforest is a much, MUCH better option than her living in a literal VOLCANO, an insufferable place where dragons gained severe asthma from, being forced to only eat only ONCE per week, with the only available food to eat being ROTTING prey that was alone for DAYS on end, and within the environment that is much more negative and controlling that living alone in the rainforest.

There’s also a good percentage of her that Secretkeeper did NOT even know about the dangers of the rainforest, due to the fact the Nightwing volcano is probably the ONLY place she ever lived or even knew about.

I’m also aware that Secretkeeper also didn’t visit Moon as much as she should within the rainforest because if she did so, there’s a good chance that Moon would be found and be FORCED to live within the volcano, and suffer living within the volcano along with the rest of the Nightwings.

HOWEVER, while this is true, it does NOT stop the fact that while Moon’s living situation within the rainforest is much better than what all the Nightwings had, it does NOT make her living situation - being physically NEGLECTED in a DANGEROUS environment - be ANY LESS bad as it is for Moon to go through.

It does NOT stop the fact that living within the rainforest ALONE for her ENTIRE LIFE until book 6 NEGATIVELY AFFECTED Moon, and that she was, indeed, was PHYSICALLY NEGLECTED since the day she was literally BORN, regardless of the context or reason to why this neglect happened and/or occurred. AND that fact that child neglect is a literally known to be a form of CHILD ABUSE, regardless if Moon’s mother wasn’t able to properly be there for Moon, or even possibly not having a choice on whether or not to NOT neglect Moon in this way.

And the saddest thing about this, is that there’s a possible chance that Tui did NOT fully realize that Moon, her very own character, living situation was as bad it was, since she didn’t explore Moon’s childhood trauma of living alone in the rainforest and how it currently affected her as much as other character’s - like Winter, Peril, Qibli, etc.,

Or at least not as much as how Secretkeeper telling and/or even possibly pressuring Moon to hide her powers or else other dragons would hate her for them, and Secretkeeper caring more about what dragons think about Moon without even considering or thinking about what Moon thinks about the other dragons she’s around.

I’m sorry that this confession is very, VERY long. I’m also very sorry if I had overreacted, overanalyzed, or overthought about any information within this confession.

I pretty much made this because I feel like people don’t at least mention that Moon’s childhood within the rainforest isn’t as great as some people might think, and/or not at least mentioned that Moon was unfortunately physically neglected - and maybe even mention that she was neglected within a potentially dangerous environment - regardless on whether or not Secretkeeper had a choice on doing so, or even if it possibly doesn’t count on whether or not Secretkeeper is actually a good mother to Moon or not, so I decided to make a this rant.

Thank you for everyone who went out of their day or night to read this confession and/or rant, and I hope you have a good day today :)

Anon asked me to include some images. They also noted that they have not read A Guide to the Dragon World yet.

Evidence of neglect

Evidence of the rainforest being dangerous

#wings of fire confessions #wof confessions #wings of fire #wof #moonwatcher #moonwatcher wof #secretkeeper #secretkeeper wof #child abuse #child neglect

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trungles · 2 months

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Processing Process, and More Processing

I made this post free and publicly readable on Patreon, but I'm reposting the whole thing right here too because, well, it's a free post, and I don't want to make you click away from your dashboard if you don't need to. But also if you want to support my work, here's the link to the post.

It's a little bit about cartooning, a little bit about drawing, and then it turns into a eulogy for a chicken.

I wrote “process” more than once, and now the word looks funny and is beginning to lose its meaning to me.

This post is about a few things, and it’s a little bit on the sad end of things. Nothing dire! No worries. There’s just a little mention of death, just as a heads up.

Before we get to that, though, I’ve been doing some work and had some thoughts.

I’m often asked about how I draw the noodle hair on my characters, and the answer is typically that I draw each and every line with my hand. But there are considerations of movement and volume that go into it beyond its texturally decorative purposes. I love being able to convey shape and motion with it. It’s less evident, I think, in my illustration work, but I think it’s much more obvious when I do sequential work. In the above image, you can see me working out a sequence of Angelica having a series of thoughts. Her head sort of moves, and her eyes follow. You can see I’d planned out the general shape of the hair and how I’d like it to move.

I wound up moving the drawings a little bit so that the readers eyes will actually follow the character’s eyes as it moves gently rightward on the page. The hair is there to accentuate the movement, like so:

It’s a consideration I employ in all my drawings, but especially when I’m drawing hair and fabric. I don’t use a lot of action lines, so this becomes an important way to give the reader the information that someone is moving through a space. Resistance, gravity, and motion are all things I have to keep in the back of my head when I’m doing these little drawings. I think the planning actually takes more time than the inking, which can happen pretty quickly once I map it all out.

In other news, I’m starting to take my extracurricular artistic development a little more seriously in the silliest way possible.

You wouldn’t know it, but I studied painting college—a medium I switched to after the printmaking professor and head of the Art Department at the time told me I probably shouldn’t be an artist (he gave me a hard candy for my trouble). I recently bought a bunch of little dolls, dressed them up, and am returning to my painting roots. It feels really nice to work in big blobs of color instead of lines. It’s an exercise I came up with in response to a common lament from art students.

One of the more aggravating generational tensions described to me by art school students is when professors describe a student’s portfolio as “too anime” without much explanation. I know what the professor means. They’re trying to get at how referencing your favorite anime or cartoons means that your style becomes a simulacrum, an imperfect copy of a copy, and you never learn to develop your own sense of judgment about where a line or a shape needs to go. And we can tell. It’s a way of working that is perfectly fine for cartooning because cartooning is closer to hand-writing than it is to drawing. I always turn to Charles Schulz’s work for an example. Those figures aren’t literally depicting children—with their little chessboard-pawn proportions and bread-loaf feet—but we read them as endearing children because we’ve come to a consensus between us, the readers, and Charles Schulz, the author, that those shapes mean those things. There are no whiskers or paws in the shape of the word “CAT” but you look at those three letters together, and you know the thing to which it refers. That’s an aspect of cartooning, too. Of course, what elevates it from mere writing is, in part, due to the fact that those little figures do not lose their meaning the more you depict them.

To really draw well, though, you have to do those fundamentals. You have to draw from life. There’s no way around it. It helps you develop a stronger sense of where you like to lay down your lines and shapes, no matter how stylized you like to work. It grows your judgment, and every artist’s best tool is their own well-honed sense of artistic discernment about their own work.

But that doesn’t mean you have to surrender the stuff you like or the things that inspire you to make art! I tell students that if they want to hold fast to their anime style AND hone their fundamentals to develop their eye as an artist, they should buy little figurines and toys of their favorite characters, prop those up against a light source, and draw them as still life objects. Like, yes, do the vases and the figure drawings and all those, I still think those are important. But if this is what you need to keep you interested in drawing from life, having some toys around is a great way to do it! Also, bless those sculptors and toy designers. They’re the best.

I think there’s something to be said about remembering to imagine the physicality of the things we draw, in all its dimensions and in the way it catches the light or casts a shadow. It helps sentimentalize things, too. Makes them feel more real, even emotionally.

Edwina died on Tuesday night, after a few final snuggles, surrounded by her favorite treats. She was about five years old, which is old for a chicken, and she had a very comfortable life. We buried her this morning. She was a good hen, J’s personal favorite.

It really feels like the end of an era. She was the last surviving member of our very first flock. After the other hens died, she really seemed to prefer the company of people over other hens. She is survived by Snooki and Nelly, our two other young birds who get along quite well together, actually.

A baby chick costs between three and five American dollars, typically. An egg-laying hen could be between twenty and fifty bucks, depending on the breed. There are roughly 26 billion chickens living in the world today, about 518 million of them here in the United States. They come pretty cheap. And a part of me was moved to cynicism, entertaining the thought that it might be strange to feel sadly over a little animal that, at most, might be roughly equivalent to the price of a fancy lunch and a coffee.

I watched the 1974 musical version of The Little Prince recently, and I remember it mostly because Bob Fosse was in it and scared the crap out of me as a kid—he played the snake that would take the Little Prince back into the sky when his body gets too heavy to take with him. Gene Wilder plays the Fox whom the Little Prince befriends and tames among a garden of roses. The Fox explains that he is like any other fox in the world, but he is changed—made special and particular to the Little Prince—with time, effort, and patience. So, too, is the Prince’s little flower special to him. Out of all the flowers in the universe, she was the one he watered and protected under a little glass jar. And that’s enough.

I knew my little hen would not live that long. It could be very easy to take a broad view of the life expectancy of a hen and distance myself from it by virtue of its mortality and its commonness. People who raise livestock do it all the time. But I also think it’s wonderful that we should all be capable of loving very small, very brief little things. Edwina is not, to my mind, the rough equivalent of a fancy lunch and a coffee. She was our little hen. For her whole life, she was ours. And I’m so happy she was here.

#cartooning #drawing #patreon #cw death #cw pet death #comics #trungles #artists on tumblr

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shiro-s2e2-erukinzu · 6 months

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Anime only watchers and people who aren't caught up with the Manga, BEWARE... Cuz I'm about to discuss Spy X Family Short Mission 11... You have been warned...! 👌

[SPOILERS AHEAD FROM THIS POINT ON]

Today's chapter may have been a Short Mission + a Special Illustration, but it may have given us some interesting tidbits to think on...! 🤔 So let's talk about it, shall we?

First up, let's discuss the Special Illustration:

🥲 Why, Endo...? WHY ARE YOU HURTING ME LIKE THIS...!?!? 💔😭💔

The Special Illustration is of Anya looking at the front door of the orphanage that she was left at and it really has this very melancholic feel to it... 😞 In fact...

This may be the saddest Special Illustration we've ever had in the series thus far... 😢

It makes me wonder if we're going to be getting more information on Anya's past soon...? 🤔

Now let's talk about the Short Mission...!! 👍

It starts by letting us know that it takes place when Anya was first going into Eden Academy...! 👀 This is somewhat of a first because the Short Missions usually don't state when they take place, but, there are some that can you clearly tell where they are supposed to be placed in the story...! 😁

Then, we learn that this how and when Anya gets her name plate for her bedroom door...!!

It makes sense that Anya would want a door plate because she saw it in a cartoon!! 😄

And when she gets it, this is how she carves her into it:

Which is not only how it was written in the early chapters...: (As seen here in Mission 10:)

But... It's also how Anya's name was originally spelled in the first translation of the manga...! 😲

Some time after, Twilight brings up the misspelling of her name:

AND THIS IS HER REACTION:

Then, we see that the name plate was changed to "Anya"...:

And finally, we end this Short Mission in Anya's room laying on her bed like this...:

WHY DOES THE END OF THIS SHORT MISSION FEEL REALLY SAD TO ME...!?!? 💔😭💔

Is "Anya" not her really name...? What does all of this mean...!? 😫

And that was Short Mission 11... Usually, Short Missions are just fun mini adventures, but this one (and it's Special Illustration) have a very melancholic feel to me... 😓 And like I said earlier, this could potentially have something to do with Anya's past, maybe in the near future...? 👀

Anyway, this was a very interesting Short Mission that I'm curious to see if it'll play a part into the overall story at all...!! 😄 So until the next Mission... Take care, be safe out there, be kind to one another...!! Later!! 🤗

P.S.: I didn't get around to doing a review for episode 33 of the anime because I was extremely tired yesterday... 😩 Hopefully, I'll get around to writing it today...!! 😊

#spy x family #sxf #spyxfamily #spy x family manga #sxf manga #spyxfamily manga #anya forger #yor forger #loid forger #Short Mission 11 #What could all of this mean...? 🤔#Are we gonna get a Anya related Arc soon...? 🤔#manga spoilers

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pix3lplays · 11 months

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hi i love ur pregnancy series sm. may i req gepard, sampo, luocha and blade and luka with a reader whos 9 months pregnant? just like the fluffiness of it. obviously reader is in pain sometimes, has that little waddle, stuff like that but just the boys kind of doting on her belly if that makes sense. thanks!

Hey there! Thanks for loving the pregnancy series, it’s been probably my favorite thing to write to be honest haha! So I’m not writing Luka yet because I don’t know him, like, at all, but I will add him once he gets into the game! Thanks for understanding! And thanks for the awesome, very cute request hehe! I really hope you enjoy!

Cw! Pregnancy

-Honkai star rail men taking care of 9 month pregnant reader-

Gepard Landau: Is so happy and excited that his baby is almost here, but also, so so SO very anxious. And now you’re 9 months pregnant, and he doesn’t exactly know what to do to help you along. He’s very soft and gentle with you, always eager to get off work as early as possible so he can come see you and his baby-to-be. You know that idle animation of his where he attempts to sing? Well. He TRIES to sing to his baby sometimes at night, even if he doesn’t sound that great it’s so cute and sweet that he’s doing his best. His anxiety really kicks in now that you’re 9 months pregnant. You’re laying in bed when you suddenly hear: “do you think the baby will like me?” and you can’t do much but roll your eyes and say, “yes, Gepard, I think the baby will like you.” When he felt his baby kick for the first time, oh the poor man burst into tears. It’s just…suddenly so real. That soon he would be having a child with you… Imagine, slow dancing in the kitchen with Gepard, 9 months pregnant with his baby.

Sampo Koski: still doesn’t really Want to have a baby, but there is a sort of pride in seeing you pregnant with his child. He’s gentler on you, now that you’re 9 months into your pregnancy, and the reality is really setting in that he’s having a child with you. He tries to be gentle, he lets you hold his hand when you’re feeling pregnancy pains and stuff, and he must admit it’s charming to watch you try to do chores around the house while being 9 months pregnant. Don’t worry, he’ll take care of them. He wishes you’d actually Trust him a little more, though he does understand why you wouldn’t. The first time he felt the baby kick was by complete accident. He had rolled over in bed, and wrapped an arm around you and suddenly he felt the little kick of the baby. He unwrapped his arm from around you, (which made you a little bit sad tbh) but the sensation remained. It wasn’t….that bad actually. But it’s weird to accept that you’re growing a Life inside of you now because of him. Imagine, Sampo just…helping you around the house. Doing your chores, making you dinner, helping you sit down and get up from places. A true gentleman, even if he’s hesitant about becoming a father.

Luocha: the man practically puts you on lockdown, haha. He has you on a strict routine of medicines and exercises that are supposed to help you with pregnancy pains. He IS a doctor so you know you can trust him. But sometimes you wish he’d let you out of the routine a bit so you can do other stuff like chores or making dinner. But no, he’s insistent he does it all for you, and that you should only focus on taking care of yourself. He’s very strict about it. But he’s also very kind and loving and understanding towards you. He gets it when you need to skip your exercises a day or something like that. You’re absolutely not allowed to skip your medicine though! He takes you to work with him when he can, as long as you can sit in the shade and watch him work. He likes having you with him so he can keep his eye on you. Call it a doctorly instinct of his to want to supervise you constantly. Imagine Luocha, giving you your daily checkup, his hands trailing down your stomach, feeling your baby kick, and concluding that they’re happy and healthy.

Blade: Blade is not a gentle individual. He’s not used to even touching you, let alone touching you while you’re pregnant with his child. So he just doesn’t. But he’s very very protective of you, especially around the other Stellaron Hunters. Expect him to stay close to you, following behind you like a shadow as you waddle along and go about your day. If he sees you struggling with something, like a chore you used to be able to do, he’ll step in and do it for you. He doesn’t talk much during your pregnancy. Just observes you quietly, keeping an eye on you. The other Hunters aren’t allowed near you. Blade makes sure of that, he even defies Kafka to keep you safe from them. He wishes he wasn’t so…uncomfortable with physical touch, especially when he sees you struggling to get up from couches or out of bed. He wishes he could help you but he just can’t bring himself to touch you. So imagine the day when you wake up, and Blade quietly asks if you’d like help getting out of bed, reaching out his hand, and offering it to you.

Author’s note: please send me asks if you want more pregnancy stuff! I’m not bored of it yet lolol

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ifuckinglovedinosaurssomuchjesus · 7 months

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On the subject of Dinosaur Documentaries...

So Life On Our Planet dropped a few days ago, another installment of this seeming boom of these kind of shows since Prehistoric Planet last year, and it got me thinking about this whole little niche genre.

The very first "Paleodoc" was released in 1922, made by the Carnegie Museum of Natural History to educate museum goers on how the fossils they saw were collected and prepared. This began the format I like to call the "Talking Heads" Paleodoc which is mainly in the form of interviews or narration over actual footage of Paleontologists at work with the occasional "Live" Dinosaur for visual aid. These are by far the most common form of dinosaur documentary you'll find, even today, mainly because they're cheap to produce and fit in the general style of most science documentaries.

For many decades throughout the 20th century, Paleodocs were pretty rare. They would pop up time to time, and with the sudden influx of attention they got after Jurassic Park, we got some really good ones. Yet they were all the same Talking Head types. What really changed the game was the good ol Magnum Opus of the field: Walking With Dinosaurs.

WWD pioneered the second type of Paleodoc I believe to exist, which are the "In Their World" Paleodocs. These are different in the fact they focus almost entirely on the live visual aids, with the human presence being limited to narration or brief pauses for context. They're meant to simulate the modern nature documentary, like Planet Earth, that focus more on showcasing animal behavior with state of the art filming techniques than being a source of in-depth science.

The success of WWD cannot be overstated, and I have to say I do find the In Their World format a lot more engaging and easier to connect with. They portray the wonder of prehistory spectacularly, letting audiences get emotionally connected in the animal characters the story creates, even if this has lead to criticisms of anthropomorphism. These programs also almost always use real footage of modern day earth for their prehistoric creatures to roam on, which I'm sure is very sad for the people who want to see their favorite dead plants on screen.

The Walking With... series would expand into sequels and spin-offs and Nigel Marven, and other companies like Discovery would jump on the bandwagon and release their own takes on the concept, but by the mid 2010s the format had basically died out. We'd get one or In Their World style doc every few years until we just didn't get anything. Outside of the occasional TV special that reused When Dinosaurs Roamed America footage, it was empty.

It took until Disney's Live Action remake of The Lion King of all things for that pendulum to start swinging again. Seeing those expressionless CGI cats got Jon Favreau thinking about how he could use this technology and the talented people behind it to make something really cool, and we got Prehistoric Planet.

And, in a repeat of Walking With Dinosaurs, we're seeing more of these In Their World type shows. The original guys behind WWD are even making a comeback with their own series, Surviving Earth. Plus even more little hints and rumors of massive incoming projects from overexcited paleontologists trying not to break their embargo.

It looks like the 2020s will be another resurgence in these types of spectacle Paleodocs, and while a good ol Talking Head will always be there, I can't help but get excited for these animated spectacles and all the weird and wonderful ways they flash those visual aids across our TV screens.

#dinosaur #prehistoric planet #life on our planet #media #so much musings

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a-small-batch-of-dragons · 26 days

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Gross

Fic Idea (no pressure obviously) Thomas struggling with his self image and ego, and in response Roman ends shapeshifting all the time, fluctuating between the masculine beauty standard (lean, muscular, hairless) and what society considers “ugly” (pudgy, hairy). And based on how he looks, Roman will interact with the others or hide away – anon

hihi!! had this random idea for a sanders sides fic- something along the lines of- a while after Remus and Roman split, Remus comes back (when the dark sides start to get more involved) and confesses that he hoped Roman was doing better after he joined the light sides? that all he wanted was for his brother to be happy, away from the darkness for once? angst sadness ykyk :)) – can-you-hear-me-axhilles

hi, so I just read your wings series and I was wondering if we could have something with Remus and his tentacles? Like maybe him thinking they are ugly or something, I’m not really sure. Maybe Roman has animal characteristics too and they’re “prettier” or “better” so he gets insecure? Mainly focused on these two but I don’t mind if it’s all of them together. No pressure to write this tho! – anon

I’ve been reading your Sanders Sides stuff for the longest time and I was wondering if I could get some Roman angst with a side of creativitwins? – meandmacats

Read on Ao3

Warnings: non-consensual body modification, self-esteem issues, self-hatred

Pairings: gen

Word Count: 5481

Or, five times Remus helped Roman out when Thomas's self-esteem issues change his nature, and one time Roman helps Remus.

”Remus?”

Remus looks up from his knitting to see Patton standing over him. “What’s good, Pat-Pat?”

“I’m, what’re you doing?”

“Oh, I’m knitting this patchwork sweater out of hair.”

“Oh…how cool.” Patton gives himself a shake. “Anyway, I was wondering if you’ve seen Roman? He was supposed to come down for lunch but he never showed.”

“Like, at all, at all?”

“Yeah. Neither hair nor hide! Or—well, I guess he did do the hide since he’s hiding from us, and you’re the hair!”

“Ah, Pat-Pat, never stop with the dad jokes. You’ll make all of us go into pun-withdrawal.” Remus carefully sets aside the needles and bounces to his feet. “I’ll go look for him, see if he needs to be pried out of the dragon’s gullet again.”

“Oh, thanks so much, Remus, I really—wait, ‘again?’”

“Gotta blast!”

Honestly, it’s not like Roro is known for missing deadlines, that’s Remus’s thing. Especially when it comes to things like meals and remembering to eat—well, Ro’s not exactly the pinnacle of healthy practices when he get absorbed in his work, but he’s better at it than some people give him credit for. Which means he’s either deep in the middle of something he’s keeping to himself, he’s asleep because the time zones in the Imagination are all kinds of wackadoo, or he really does need to be rescued.

Which isn’t Remus’s thing, come on, Ro, you’re ruining his reputation.

By the time he gets to the Imagination, he’s already pulling out his acid-proof gloves and sharpening his Morningstar. He stops dead, however, when he sees the doors are still locked from last night. That’s weird. Maybe Ro just used his personal gate instead of the main one? But that just takes him right to his little workshop area, that’s not anywhere near where the dragons are…

He’s about to go for his gateway when he hears a quiet noise coming from Roman’s door. Frowning, he turns. Roman’s door is only a few feet away. He glances up and down the hall to make sure none of the resident sneaks are nearby—Janus and Virgil—and knocks on the door.

“Uh, busy!”

“Ro, it’s me.”

“Oh. Did you, um, did you need something?”

“You weren’t at lunch. Pat-Pat’s getting worried.”

He hears a muffled curse and the door glimmers slightly. That’s Roman’s cue that he can sink in. He stows the acid gloves and the Morningstar and sinks in, expecting Roman at his desk or on the floor puzzling over some bit of a story he can’t quite get right, but instead he sees an empty room.

“Where are you?”

“Bathroom.”

Remus pops his head through the door and blinks. “Whoa.”

”Yeah, yeah,” Roman mumbles, already reaching for the bandages curled up on the counter, “you don’t have to say it.”

”That looks—“

“I said you don’t have to say it.”

Remus slams his mouth shut, but he can’t stop staring at the acne. Throbbing red pimples that look like they’re causing Roman pain every time he so much as breathes, bigger whiteheads that have already started to ooze, blackheads that litter every inch of skin that isn’t already covered, some of which look like they’re almost on top of each other…

Roman turns his back on him and hunches his shoulders. “What do you want, Re?”

“I, uh…well, now I want to help.”

Roman laughs. It’s not funny. “There isn’t any helping this. Not until Thomas feels better.”

“Whoa. Back up. What?”

“This.” He waves a hand at his face. “This is a thing, remember?”

“Oh. Oh, right, fuck.”

“Yeah.”

Remus scrubs a hand over his face. “Can I help make it less painful while it’s going on?”

There’s a pause. Then Roman’s head turns slightly. “Would you?”

“Shit, yeah,. Roro. You’ve helped me with stuff more times than I can count on my fingers and toes, let me help you.” He gets a small huff that might be an actual that-was-kind-of-funny-I’m-feeling-better laugh. “Yeah?”

“…yeah, okay.”

“Wonder-bats! Okay, I think I still have that stuff from when we had those sores from the poison experiments…where did I put that?”

“Did you leave it in your room or my room?”

”We cleaned up here, so it should be…aha!” He takes a big plastic case from under the sink. “Go sit your perky butt on the edge of the tub, I’ll be right there.”

“…thanks, Remus.”

“What’re brothers for?”

The very first time it had happened, it had been well before Thomas had learned what it was to be attractive.

Remus had found Roman crying in his room, curled up under all the blankets he could find with tissues covering the floor.

“Ro-bro? What happened? Do I need to fight someone for you?”

“It won’t come off!”

“What won’t come off?”

Roman had peered out from under the blanket cocoon and Remus’s mouth had dropped open when he saw the words FREAK and LOSER written all across Roman’s face in permanent marker.

“Who did that? Was it Virgil? I’ll fight him!”

“No,” Roman had sniffled, “it wasn’t—wasn’t Virgil. It wasn’t any of them.”

“Did you do it? That’s more my kinda thing, isn’t it?”

“No!” Roman had wailed. “I didn’t do it! Someone—someone hurt Thomas!”

“Someone hurt Thomas? But nothing happened! We didn’t get into any fights!”

“Not like that! They were just mean. They were really mean and they said he looked ugly and they called him a f-freak and a loser and—and—“

Remus had scurried forward and wrapped his brother in a hug as he broke down in tears. “You’re not a freak or a loser, Roro. Neither is Thomas. They were wrong, you know that, right?”

”Then why won’t it come off?”

Sure enough, up close, Remus had seen the red and raw skin where Roman had scrubbed it with whatever he could find to make the words go away. Bits were even coming off on the blanket as Roman rubbed his cheek against it.

”Hey, hey, stop that. You’re hurting yourself.”

“I don’t care.”

“I care! I don’t like seeing my brother hurt!” Remus had given him a shake. “You don’t have to hurt yourself more on top of this, okay? Come on, come into the bathroom, I’ll help you.”

“Y-you will?”

“Yeah, Roro, come on.”

The twins had gone to the bathroom where towels and washcloths were still strewn around from Roman’s previous attempts. Remus had made Roman sit on the stool and reached for the soap, getting one of the washcloth more suds than cloth and trying to wipe off the words.

“That tastes so bad.”

“So keep your mouth shut.”

“But you keep wiping it over my mouth!”

“No, I’m wiping it over your cheek, which is next to your mouth. And you talking isn’t making it any better, so shush.”

Roman had grumbled silently until Remus accidentally went too roughly over one of the sore spots and Roman yelped.

“Ow!”

“Sorry, I’m sorry,. I didn’t mean to.”

“Wash it off! Wash it off!”

“Okay, okay! Come here!”

They had stumbled over to the sink and Remus practically shoved Roman’s head under the tap. He had spluttered and flailed out, splashing Remus.

”Hey! Don’t splash me!”

“I’ll splash you all I want!”

“No, you won’t!”

“Yeah, I will!”

It had…devolved from there.

The bathroom had been sopping wet by the end of it, not a towel nor tile had been spared from the twin’s water war. Their clothes were just as soaked, their hair dripping like they’d just walked through a hurricane. The sink and the bathtub still ran as if nothing were wrong and the detachable shower head in Remus’s hand sprayed as merrily as ever.

”Whoa, hey!”

“What?”

“It’s gone!”

Roman had run to the mirror, touching his face. Sure enough, the words had vanished.

”It is gone!”

”You’re welcome,” and he had taken a big bow with the shower head still spraying everywhere, “I think that means I win.”

“Whoa, wait, no, it doesn’t.”

“Yes, it does.”

”No!”

“Yes!”

It took a while longer for the war to end and even longer for the bathroom to dry.

Someone says Thomas eats too much junk food and Roman can’t stop dripping oil.

Remus finds him sitting on his bathroom floor, the drain in the shower covered with a towel. He’s sitting on towels too, towels soaked and heavy with oil as Roman’s tears fight to get out from his eyes and through the slick covering his skin.

“The others are worried,” he says quietly, lingering in the doorway, “they want to know what’s wrong.”

Roman doesn’t say anything. Remus peers a little closer and sees the telltale sheen over his mouth too. Even just thinking about how it must feel to have that much oil on his lips makes Remus shudder. He summons a washcloth from his own stash and a bottle of soap.

“Just like old times,” he says as he crouches down in front of him, “I’m gonna wash off the oil on your face, okay?”

Roman manages a small nod and Remus gets to work. Normally when he’s washing oil off stuff, he scrubs at it like he’s trying to grind it with sandpaper and the soap foams up around his wrist. But this is Roman, not some metal piece of equipment, so he goes as gently as he can without suffocating him with soap or making no progress at all. He has to stop a few times when Roman lets out a pained noise or winces at the rasp of the cloth, just holding a blotting sheet there to soak up the oil as best he can while he waits for him to settle. He makes a note to work on the heavy duty blotters in case something like this ever happens again.

At last, when Roman looks like he’s about to cry for a very different reason, the space around his lips and nose is clear enough for him to gasp out a few words.

“Sorry, thank you, sorry—“

”Shh-shh, Roro, you don’t need to apologize. Just tell me what you need.”

”’S so gross.”

“I know, I know. I’m sorry. I’m right here.”

Roman lets out a frustrated whine and Remus quickly pulls out his phone.

“If you tell me what Thomas needs to stop thinking about I can get Lolo on it.”

“No, then he’ll—“

“I’m not gonna tell him what’s wrong with you, okay? I’m just gonna prod them into getting Thomathy’s brain on the right track away from whatever-the-fuck-this-is-station.”

More oil starts to build up and he shoves his phone in his pocket, working on washing it away again. His presence seems to have calmed Roman down a bit; the oil comes in smaller waves this time, concentrated more around the naturally oily parts of his face rather than every inch of his skin. When he’s cleaned off the areas around his nose and mouth, he goes and starts moving to the rest of his head.

“Junk food,” Roman mumbles, as if saying it too loud would make the oil return with a vengeance, “saying bad stuff ‘bout Thomas…unhealthy…gross…”

Remus whips out his phone and sends a text to Logan about food not having a moral weight and how eating something was always better than eating nothing. He gets a text back a few seconds later that just says on it.

“Lolo cavalry is assembled, he’s going.” He tucks the phone away and keeps washing Roman off. “And I’m gonna stay right here until we get all this oil off you, okay? We can even do your thirteen-step skin care routine once it’s gone.”

“It’s not thirteen steps.”

“Whatever you wanna tell me, Roro, at least you’re not as bad as Snakey.”

It’s the first time Roman manages to laugh that day, and Remus makes sure it isn’t the last.

When Patton and Logan have near simultaneous nervous breakdowns after someone calls Thomas lazy, Remus makes sure Virgil’s wrapped around the Mindscape’s padre and Janus has Logan in his little snake den before he goes off in search of Roman.

The Imagination door is covered in cobwebs that retreat as he approaches, a few spiders waving hello as they disappear. He runs his hand over the keyhole, checking to see if it’s just an affectation, or if Roman really hasn’t been using it. He knows he has, is the thing; Roman’s had more projects on the go this month than he’s ever had before and if it weren’t for Janus and Logan dragging him out of it to make sure he didn’t completely lose touch with the Mindscape, he bets his left barnacle that Roman would’ve been living there too just so he wouldn’t miss an opportunity to keep working. And sure enough, the keyhole glows red as soon as his fingers brush it and he carefully pushes the door open.

He walks into the most statistically average middle class sitcom home he’s ever seen. Needless to say, he hates it.

”Ro? Are you here?”

There’s a faint noise coming from what he guesses is the direction of the living room and listen, as little time as he has to spend in this painfully mediocre place, the better. Seriously, he can feel the whispers of white picket fences and PTA meetings lingering ominously over his shoulder with every second he walks through these beige walls. Snatches of TV dialogue becomes audible as he makes his way through the house.

He comes to a stop.

He tilts his head.

There’s certainly a person in the living room, but it doesn’t really look like Roman. They look like every Sunday cartoon about a husband and wife where it’s terribly misogynistic and heteronormative, recliner out, bag of chips in lap, staring vacantly at the TV. It’s only the fact that they’re crying at the paid advertising programs and that Remus would recognize his brother anywhere that he knows it’s Roman.

He sits down on the plastic covered couch and tries not to look at the soulless photos of smiling families perched on the dusty mantle. Roman doesn’t look away from the screen but the hand nearest Remus twitches slightly.

“Hey,” he calls, and Roman’s head turns a little, “hey, Roro. I’m here. It’s gonna be okay. You’re gonna be okay.”

The TV blares something about a crockpot that cooks fancier meals than a normal crock pot.

“I know how shitty it is when people accuse you of being lazy. Especially when they’re just complaining that they haven’t seen anything from you.” He shuffles and the couch squeaks. “And we all know how hard you’re working. How hard Thomas is working.”

Roman’s eyes flick to his. Remus smiles and takes his hand, giving it an encouraging squeeze.

“Giving yourself a break isn’t being lazy. Having a hard time doing things isn’t lazy. Not being able to work on something because it’s just covered in the fucking ooze isn’t being lazy. You aren’t being lazy, okay? You wouldn’t even be lazy if you decided you didn’t want to work on any projects for the next year.”

The TV glitches out. Static fills the room and it actually feels like Remus can breathe. He squeezes Roman’s hand again and shifts closer. Roman stares at him with wide eyes.

”I mean it, Roro. You’re not—I know we’ve gone over this and I’ll keep giving you crowbars for as long as you need them—“

The smallest smile appears on Roman’s face.

“—but you’re not—your worth isn’t in what products or content you can make. You know i love you because you’re my brother, because you’re funny and clever and ridiculous and there’s no one I’d rather make stuff with. You could decide that you don’t want anything to do with Thomas’s career anymore—“

Roman makes a devastated noise.

“Calm down, calm down, I know that’s not true, I’m just spouting a wild hypothetical, okay? If you decided to do that and I made sure it was really you and you hadn’t lost some sort of bet, then yeah, I’d still want you to be my brother. We’d still do stuff. I don’t give a shit what everyone else thinks.”

”…promise?”

Remus could sob with relief at actually hearing Roman’s voice come out, and he grins so wide his cheeks start to hurt. “I promise, Roro, I promise. You’re not lazy, you’re resting, and even if you were, I wouldn’t care.”

‘’M not trying to be lazy. It’s—I’m just—“

“Shh, shh, Roro, it’s okay,” The bag of chips falls to the ground and catches fire as Remus tugs his brother into his arms. “I’m right here. You’re doing so good, okay? Thomas is too.”

Remus doesn’t burn the house down because he’s had too many lectures from Janus about that, but he does get a big cartoon wrecking ball to smash the whole thing into smithereens.

He does burn the recliner though. And the plastic-covered couch. They deserved it.

The latex gloves snap on as Roman sits on the edge of the tub with a grunt. He picks up the rest of the kit and sets it on the stool.

”Do you know what it’s about this time?”

“Someone said something about how immature Thomas is being about criticism and how he can’t take care of things, something like that.”

“Why did it manifest as acne, then?”

”I don’t know, maybe something about how teenagers who are hormonal and don’t really know how to take care of their skin get acne?”

Remus snorts. “Do people still not understand that acne happens and can happen to anyone regardless of age?”

‘Apparently not.”

“Well, they can go lick the Kraken’s crack.”

“Ew, Remus.”

“Just trying to keep the mood light.” He picks up one of the cotton swabs and a paper towel and leans down. “I’m gonna try and clean up some of the wet stuff first, okay? Then we can actually get onto some relief.”

“You’re not gonna pop any of them, are you?”

“I don’t think so. At least not right now.”

”Because I really don’t want this to scar.”

Remus hums, carefully running the swab over a particularly inflamed part of his cheek. “Can you give me a pain rating?”

”Like a 6? It’s not that bad but it’s not a pain I’m used to it’s…freaking me out.”

“Understandable, have a nice day. If it ever gets too much, let me know and we’ll switch to a cool pack, okay?”

Roman hums as Remus goes to work. A pile of discarded swabs and other trash accumulates at Remus’s elbow as he works patiently around the various, uh, ‘zones.’ They have to stop a few times when it gets to a point where Roman’s whole face just aches, waiting for it to subside enough that Remus can keep going.

“There are a couple down here that look like they’re ready to go, do you want me to just get ‘em out?”

”Be careful.”

“Sure, yeah. If it starts to hurt lemme know and I’ll back off right away.”

He gets a few of them, a few more putting up too much of a fight so he leaves them be. Out of the corner of his eye, he sees Roman heroically stop two or three whimpers before he lightly jabs him in the stomach and tells him to knock that posturing shit off, he doesn’t need it here.

“…thanks, Re.”

“I told you, it hurts too much, I stop.”

“I know.” He shifts on the tub. “I think it’s just…hard to remember.”

Remus frowns, glancing up at him. Roman fiddles with the hem of his prince costume.

“You know…with the others?”

”No. I don’t know, Ro.”

“They don’t—they’re—they want Princey, Prince Roman. Not…the rest of this.” He waves his hand to indicate the cotton carnage. “So it’s hard to…”

He trails off when he sees the expression on Remus’s face.

“What?”

”You mean they don’t know?”

“Know what?”

“That this—“ he waves at Roman— “happens to you. Any of it.”

“I mean, they know I’m the Ego and it makes sense that I get hurt when Thomas feels bad, but—“

”But not how much.” Roman won’t meet his gaze. “Fuck, Ro.”

“…it’s complicated.”

“Shit, no, I’m not—look at me, Ro. I’m not mad at you. I’m just—this wasn’t what I’d hoped.”

Roman frowns. “What do you mean, what you hoped?”

Remus sighs. This is turning into way more of a conversation than he’d ever anticipated. Glancing around, he picks up the cold pack and hands to to Roman before taking a seat on the counter. His legs swing and kick at the cabinets with a quiet thunk-thunk, thunk-thunk.

“When the Split happened, and we went to the Dark Sides, I…dunno, I guess I thought it would be…better.”

“Because we were separated?”

“What? No, no, because I had the stuff like Deceit and Anxiety with me, so they couldn’t make any of this stuff worse—not that they would,” he says when Roman opens his mouth to protest, and wow, have they come a long way, “but just ‘cause…well, yeah. You had Logic and Morality, who were—doesn’t that make sense? That they would be able to help?”

Roman sighs. He picks at the edge of the ice pack. “It’s not that simple.”

“Then explain it to me.”

“Logan’s thing is object impermanence, you know that.” Remus winces in sympathy. “But having someone tell you something isn’t real when you can feel it and it is real, to you, that’s not…that’s not helpful. It’s better if he just goes right to Thomas than coming to me.”

“And Patton?”

Roman lets out a humorless huff. “Thomas is feeling bad and Patton is Thomas’s feelings. How do you think that normally goes?”

…yeah, probably not great.

“It’s not all bad,” he continues, softer now, “they’re at least good when I tell them I don’t want to be disturbed. They don’t ask questions if I tell them I don’t want to talk about it.”

“That feels suspiciously like the bare minimum.” Roman shrugs. “I know I literally just said the opposite, but do Janus and Virgil…?”

“They’re both better at comforting the others. It’s okay, Re, I have you. I really only want you when it’s…bad like this.”

“Me? Why?”

“You get it.”

Remus chuckles, getting back up and picking up the next tool. “That simple, huh?”

“Sometimes it’s just that simple.”

”Aw, I love you too, Roro. You’re the specialist baby brother any Side could ever ask for.”

“You—what the hell do you mean, ‘baby brother?’”

“You’re the baby brother.”

“I am not.”

“Are too.”

“Am not.”

“Are too. Now hush so I don’t accidentally poke your eye out.”

“I’m gonna get you back for this.”

“Oh, I’m so scared about that. Now hold still, Roro, let’s get this out of the way so you can feel better.”

“…love you.”

“I love you too.”

+1.

The Imagination is upset. Roman feels it the second he steps foot through the door and forgoes his normal prince costume for a rougher tunic and boots, strapping his sword to his hip and an emergency pack to his back. The wind blows frigid and punishing over the grass as he starts down the trail, squinting through the dust clouds whipping up around him. The clouds frown around the edges of the tree line, darkening to a stormy black near the edge of the coast. As he nears the black cliffs, rocks crumble beneath him and tumble into a churning sea.

He edges carefully around the craggy rock face, keeping his movements light and careful. Spray whips him in the face as thunder rolls in the distance. The chill near rips his fingers from their precarious handholds. He grits his teeth and keeps going, even as the wind howl so loudly his ears near split from the pain.

There, a little ways down the cliff, is a small cove. He inches his way around the edge of the bluff and drops onto a larger path leading him along the coast. There isn’t any sand here, only rough and unyielding stone. Froth and foam given them gleaming white teeth as the waves churn furiously around the mouth of the sea. He follows the path down, down towards he massive cracks in the sheer rock face, one eye on the black water below him. Despite being so close to the shore, there’s no sign of a bottom and he doesn’t want to risk how deep it is. There’s no telling what current might rip him into the open ocean if he falls in.

The cove is shaped like a spear’s point, the crack in the cliff at its very point as though some massive weapon had shattered the rocks themselves. As Roman nears it, the shadow at the base of the path slowly grows more and more defined, until he realizes that it’s a path through the cliff. The cove is an inlet leading into a hidden sea cave with a vast black lake in its center. Roman peers up at the glistening wet walls, hand on the wall as the wind whistles angrily by.

The water moves. He looks down. Something massive slips just underneath the surface, sending ripples to the shore. He crouches down and sees a huge shape getting closer and closer to the surface. An eye the size of a dining table glares up at him through the water and long arms with rows and rows of hooks reach up toward him.

“Ollie, it’s me. It’s Roman.”

The Kraken pause. The hooked arms retreat and he pokes his head up, letting out a mournful burble. Roman reaches over and taps the water. One of his other arms comes up and Roman pets soothingly along the skin.

“What’s the matter, buddy? What’s going on?”

Ollie burbles again and Roman suddenly realizes why the hooked arms were the ones to reach for him. Beneath the surface, the Kraken’s arms form a cradle of sorts, holding something close to the Kraken’s massive body. As the water shifts and ripples, the thing comes closer and closer to surface, slowly moving to reveal its precious cargo.

And there, nestled in the Kraken’s grip, covered in his own writhing tentacles, is Remus.

“Oh, Re,” Roman murmurs as his brother twitches and whimpers, “what happened? Who did this?”

Ollie burbles again, holding him out, and Roman balances on the edge of the shoreline and stretches to hold on. The Kraken lifts him up and into the cradle too, letting him touch Remus’s frigid skin and shake him awake.

“Re? Re, wake up, it’s okay, I’m here to help.”

The tentacles writhe as Remus stirs, blinking through a pained haze up at Roman. “…Ro?”

“Hey, Re, it’s me. It’s okay, you’re gonna be okay. What happened?”

“Thoughts got too loud.” A tentacle leaves a thick trail of slime across his arm and he shudders. “Sorry.”

“What could you have to be sorry for?”

“‘S gross.”

“You stop that,” Roman chides gently, running his fingers through Remus’s wet hair, “I don’t care if something’s gross, I care if it’s hurting you.”

Remus whimpers, clutching at one of Ollie’s arms. The Kraken squeaks back, trying in vain to warm him up, but there’s only so much he can do in this freezing cave. Roman glances around and bites his lip.

“Does it feel better in the water? Is that why you came down here?”

“Yeah. Ollie came and f-found me.”

Roman pats the worried Kraken. “What do we need to do? Is it like caring for Ollie’s arms?”

“N-no. Like helping the jelly—jellyfish with the twisted—twisted ones.”

He’ll bet just about anything that this frigid water isn’t helping Remus do that, and it’s not like Ollie has opposable thumbs. He goes to slide into the water himself but Ollie chirps in alarm, hoisting them higher.

“What’re you doing?”

“I’m trying to help.“

Remus shakes his head, more slime trailing across his shivering body. “Too cold for you.”

“Well, then it’s definitely too cold for you. Can we get you somewhere warmer?” Remus curls up a little more. “What about that pool near the glowstone trees?”

“That’s all the way on your side.”

“Ollie can take you. I’ll meet you over there.” Remus stays quiet. Roman leans down and brushes the wet hair from his eyes. “What else is bothering you, Re?”

Two of the tentacles glob onto Roman and start leaving trails of slime across his tunic. Remus whimpers and reaches out a hand to yank them away. It’s no use; the roiling mass just keeps smearing slime onto Roman as they try to pull him closer, no matter how hard Remus shoves them away.

Oh.

“Re, you’re not too gross. You’re not going to ruin anything. I want you to come with me so I can help you. I care about you. Let me help, please?”

It takes a painfully long moment for Remus to peek up at him and nod. Roman can’t stop the way his shoulders sag in relief and he sits up, patting Ollie’s arm as the Kraken burbles happily.

“You…you really wanna help?”

“Of course I wanna help you, Re, you’re my brother.”

“Okay.”

“Have Ollie take you over to the pool, okay? I’ll meet you there.”

“How are you gonna get there?”

“I have my ways.”

Remus grumbles and he sounds just enough like his normal self that Roman has to reach down and ruffle his hair, no matter how much Remus squawks about it. He climbs back off to the shore and watches Ollie sinks below the surface before he makes his way out to the ocean proper. Taking the charm from beneath his tunic, he closes his eyes and concentrates.

A screaming cry and the massive thudding of wings splits the wind.

Roman’s dragon lands just on the other side of the bluffs and he climbs on, taking off and soaring over the stormy sea. The dragon calls out over the waves and far beneath, he can see the shape of Ollie swimming through the depths. The clouds begin to part as they near the opposite coast, sun rays splitting the worst of the storm as the glowing trees appear on the horizon.

Roman’s dragon sets him down just on the edge of the shimmering pool. He pats its snout and it huffs, lying down on the sun-warmed grass and closing its eyes. As he walks toward the pool and begins to take off his boots, he spots Ollie’s shade moving through the inlet into the warmer water. He chuckles at the way the water vibrates with the Kraken’s pleased rumble.

Clad in just his boxers, he slips into the water and through the tangle of arms to draw Remus into the warmth. Remus immediately tuns and clings to him like a limpet, shivering from the temperature change.

“I know, I know,” Roman murmurs as he starts to work his hands patiently through the mass of tentacles, “just hold onto me. I can still kind of stand here, I’ve got you.”

”You gonna take care of me?”

“Yeah, Re, I’m gonna take care of you.”

He’s rewarded with a sleepy hum and Remus snuggles into him. “You’re the best.”

“No, you’re the best. The best baby brother anyone could ever ask for.”

“Am not.”

“Are too.”

Remus might mutter an am not back, but it’s muffled by his tired slump into Roman’s arms. Roman just chuckles. He’s sure it’ll come up again at some point.

General Taglist: @frxgprince@potereregina@gattonero17@iamhereforthegayshit@thefingergunsgirl@awkwardandanxiousfander@creative-lampd-liberties@djpurple3@winterswrandomness@sanders-sides-uncorrect-quotes@iminyourfandom@bullet-tothefeels@full-of-roman-angst-trash @ask-elsalvador @ramdomthingsfrommymind@demoniccheese83@pattonsandershugs @el-does-photography @princeanxious@firefinch-ember@fandomssaremysoul@im-an-anxious-wreck@crazy-multifandomfangirl @punk-academian-witch@enby-ralsei@unicornssunflowersandstuff@wildhorsewolf @thetruthaboutthesun @stubbornness-and-spite @princedarkandstormv @your-local-fookin-deadmeme @angels-and-dreams@averykedavra @a-ghostlight-for-roman @treasurechestininterweb @cricketanne @queerly-fluid-fan @compactdiscdraws@cecil-but-gayer@i-am-overly-complicated@annytheseal@alias290@tranquil-space-ninja @arxticandy @mychemically-imbalanced-romance@whyiask@crows-ace @emilythezeldafan@frida0043 @ieatspinalcords @snowyfires@cyanide-violence@oonagh2@xxpanic-at-the-everywherexx@rabbitsartcorner @percy-07734@triflingassailantofmyemotions @virgil-sanders-the-gay-emo@cerulean-watermelon@puffed-up-bees@meltheromanstan@joyrose-fandomer@insanitori@mavenmush@justablah65@10paradox10@uhhh-hi-there-i-am-nervous@cutebisexualmess@bella-bugatti-frogetti-baguetti@ultrageekygirl

#sanders sides #fic #dragonbabbles #roman sanders #roman angst #roman sanders angst #remus sanders #sympathetic remus

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just-prime · 8 months

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Ahsoka is so slow I could cry. She was trained by Anakin and presumably Obi-wan and several other Jedi, and Rosario can hardly do an actual lightsaber twirl, let alone make me believe she could survive Ventress, Maul, Grievous, or Vader, survive order 66, or run in a way that looks fast. Bo-Katan moves faster, Shin moves faster, Sabine moves faster, Ezra moves faster, even Ewan's lazy twirls while walking around and not actively engaged in battle in the prequels were roughly as fast as Rosario's in an actual duel.

It's also canon that in this era, in a less prequels flashy version of standard Jedi abilities, a Jedi can leap SEVERAL feet. Luke in ROTJ- even GROGU can jump higher, while Rosario's feet are consistently glued to the ground. Her choreography and speed are so inconsistent with this established era and people keep writing it off and praising it as her fighting like a samurai now, even though it makes NO sense for her to, given who trained her. She isn't A New Hope Obi-wan, nor sad cave dwelling Obi-wan who hasn't stretched or lifted a weapon in a decade, and a 44 year old Jedi is still supposed to be in their prime.

I truly wonder if part of it is that they can't keep her lekku on properly if she does a flip, and they are shorter because they were meant to be more practical, but I'm really not seeing a character agile enough to need stunt modified lekku.

If they couldn't bring this to life in live action convincingly, it should have remained animated and each passing week demonstrates this more and more.

I'm sorry to anon into your inbox like this, but your post about the last episode has been so refreshing, and I've felt like I've been watching a completely different show than other people and don't know how they considered any of the actors ready. (Rosario has said she was training during filming). Thank you for your brutally honest take, you're spot on on all counts.

Couple of things.

A) I agree with everything you just said. Always feel free to come and rant into my asks.

B) I HAVE BEEN ANTI TINY LEKKU SINCE MANDO S2. It's laughable that we've seen cosplayers with more Rebels accurate headpieces. And of course everyone defends it with the 'it wouldn't be fair to the stunt person to have them try and do flips in that' and it's like NEWSFLASH Ahsoka isn't doing flips anyway!!! And sure, they probably stuck Rosario in a 5 week sword training class, but she's clearly not had to do any serious combat training given how clunky her fights are. And again, this was also a problem back in Mando s2, only she was in the middle of a foggy woods, so it was easier to hide the fact that she is incompetent when it comes to fight choreography.

C) "If they couldn't bring this to life in live action convincingly, it should have remained animated" Exactly. This is why every passing day I am increasingly pissed that this show killed and ate the animated Rebels sequel series that was in fucking development. Everything about this show, from Ahsoka, to Hera (hell, even TBoBF cameos like Cad Banes) prove that Disney is not willing to shell out for a decent makeup and/or CG designer. No shade to the artists that are currently working on it, they are doing their jobs to the best of their abilities. What I mean is they didn't have anyone on set that was in a high enough positions to say 'Hey, have any of you heard of contouring?' Like, just looking at the alien makeup of the OT...which somehow holds up better than state of the art Disney budget makeup. It's just fucking embarrassing at this point. There is no reason everyone should look as flat as they do, but it's no surprise that they do when mary elizabeth winstead is celebrating that her makeup only took an hour. Sure, it's understandable that you don't want to be sitting in the makeup chair every morning of hours on end, but in the end you are an actor who signed up to play an alien...Suck it up buttercup.

D) I totally understand how hard it is to be not liking this show right now. The amount of people who've told me that "well, clearly it's just not made for you" after I point out a simple fact that a character is out of character is painful. Looking at twitter after each episode as everyone seems to think Filoni is creating the second coming is painful. Because it really does feel like we're watching a different show than them.

Okay, I think I covered everything. Thank you again for your kind words and your wonderful rant!!!

#rambles #dave filoni critical #ahsoka critical #ahsoka series #ahsoka spoilers #star wars #prime responds #anti filoni

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the-power-of-stuff · 3 months

Text

The Live-Action Sukka Manifesto that I Just Couldn't Keep in My Head

So I've been marinating in my live-action Sukka thoughts for the past three days, and when someone sent me an anon asking if I had any thoughts about the changes, at first I went, "DO I EVER?!" and proceeded to dump my entire brain on the page.

But then I worried maybe the anon wouldn't want to see my entire brain and figured I'd make my own post with my Many, Many Thoughts, and reel it in a bit when I answer the ask. And then link here if they're interested in the dissertation.

I'll put all the excessive details and spoilery stuff under a cut, but I'll start by saying, I didn't hate it! And I was afraid that I would.

There were things that I was bummed or had mixed feelings about, but there was also a lot that I genuinely enjoyed. All the Sukka interactions were cute and still had some decent character development, and I had fun with the episode overall (I've watched it thrice mind you, and definitely have not given the rest of the series that kind of attention). And I didn't necessarily dislike the differences from the original; I think I've just taken more of a "that was an interesting interpretation" approach.

But I better start that cut now, because I'm about to go on and on about this. I'd love to know what others think, though!! Even if the opinions aren't the same as mine! Please feel free to comment, reblog, shoot me an ask. If nothing else, I'm excited that the LA has gotten people talking about ATLA again.

So, I want to start with Suki’s characterization, which overall I found to be delightful, even if it was a bit of a watered-down version of her animated self.

In the original show, Suki is confident, sassy, and doesn’t take shit from anybody. She’s proud to the point of almost being arrogant, and even a little mean. What we get in the LA is someone who’s still confident in terms of her status and her skills, and still proud of her heritage and her role in her community, but with significantly less sass. And while LA Suki still seems like someone who wouldn’t take anyone’s shit, we don’t actually see LA Suki deal with that much shit from anyone (because Sokka isn’t really giving her any).

There is one moment in the show where her interaction with Sokka is a little contentious, which is when he tries to relate to her as a fellow guardian of his people. I think Suki’s question to Sokka about how is he protecting his village if he’s not there is meant to be a challenge to his swagger. However, the line is delivered with a softness that makes it seem as though Suki is, at least in part, genuinely curious. (This curiosity makes even more sense when we consider the fact that Suki’s eventually going to leave Kyoshi Island so she and her Warriors can take part in the war effort, and that she will have to contend with the question of “how do you do that without abandoning your people?” when coming to that decision. The LA lays a lot more of this groundwork than the animated show did: Suki outwardly expressing her desire to see the world, her mother’s secretive looks every time Suki gazes longingly at Sokka the possibilities…)

Compare these two moments, for example. These are both scenes where Suki expresses disbelief at Sokka's claims about his warrior-hood. But in the LA, Suki speaks rather quietly and mildly, in contrast to the brash sarcasm of her animated counterpart. LA Suki is also tilting her head down and away, looking at Sokka indirectly. OG Suki is leaning in close, getting in his face, smirking derisively with her hands on her hips.

I think there’s something to be said about the LA in general smoothing away certain personality traits that could be seen as negatives but that are actually strengths that are so narratively well-developed they occasionally show up as flaws (for instance, Katara’s fury, or lack thereof). Animated Suki is prideful and stubborn; she berates Sokka until he gives her sad puppy-dog eyes and has zero hesitation about making an example of him in front of her whole class. It’s a little ruthless, but these traits are also 1) what gets through Sokka’s thick skull (he, too, is prideful and stubborn), and 2) what makes her such a dedicated ambassador of Kyoshi and such a strong leader of the island’s Warriors at such a young age. I feel like the LA writers were afraid of making any of the protagonists seem too abrasive—everyone in the LA has had their edges sanded down, including Zuko, including Aang—and in general this tends to lead to less realistic representations of humanity and conflict, less satisfying character development arcs, and fewer opportunities for reflection and learning.

That being said! I went into watching the LA with negative expectations about what we would see in terms of character development, and thus was pleasantly surprised.

The LA removed the need for Suki to be as ruthlessly stubborn as she is in the animated show because LA Sokka’s skull is not so thick (and I'll get into that a bit more later). So what we get instead is a sheltered Suki with a helicopter mom who is so hilariously awkward that she has no idea how to interact with other humans. And, to be honest, I enjoyed this version of her so much that I even thought to myself, “I wish I’d thought of that!”

Suki is a straight-up weirdo in the LA and I love that for her. The way she puts Sokka in a chokehold and then looks at him after she sets him free like, “That was good flirting, yes? Would you like to be my boyfriend now?” And then her disappointment when Sokka walks away as if she’s thinking, “Why didn’t that go well, I thought boys loved getting put in chokeholds?” She is so precious, I just want to put her in my pocket. And this characterization might even be more broadly relatable than a super-confident Suki brimming with sass. Who among us hasn’t made a complete fool of ourselves in front of a crush by coming on way too strong and having no idea how to flirt? I mean…real.

And because Sokka is also mostly just making a fool of himself trying to impress a pretty and talented peer (instead of covering up his insecurities by wrapping himself in misogyny) this leaves room for the two of them to be attracted to each other right off the bat and for their interactions to be more overtly romantic throughout the entire episode. Which, avid shipper that I am, I have to admit I have been gobbling up for the past three days straight. This episode was an IV drip of romantic tropes hooked straight to every Sukka shipper’s veins.

Shy glances from across the room? Check.

Walking in on the other person half-naked? Check. (Y’all, Suki looks Sokka up and down for a FULL TWENTY SECONDS yes I timed it from the moment she appears in the background, yes you should count it to see how long that really is. Talk about awkward.)

Tripping so they end up falling into each other’s arms? Check.

Wide-eyed shock that turns into surprise thirst after being pinned to the ground? Check.

Shooting each other satisfied smirks as they kick ass side-by-side? Check.

Jumping in front of literal fire for each other? Check and check!

Like, I could live off this for the rest of the year.

But look, there’s a lot that I love about the way Sokka and Suki’s relationship is portrayed in this episode besides those romantically indulgent tension-creating moments, and it has to do with Suki’s admiration and validation of Sokka.

Suki really looked at this boy with his mouth stuffed half-full of steamed bun and went, “Must have.”

With the removal of overt sexism from this episode (for better or worse), the story focused much more heavily on Sokka’s development as a leader. He still has that sort of posturing display of self-confidence that comes from inexperience and trying too hard to prove oneself (“Ferociously…deadly tiger whales…”), and while at first Suki seems put off by this and his attempts to liken himself to her (“I’m not just a warrior, I’m a Kyoshi warrior”) it doesn’t take her long to decide (*cough*after seeing him shirtless*cough*) that she doesn’t actually mind this behavior (and in fact maybe she kind of likes it because maybe it means he likes her and maybe it means she can show him how much she likes him by slicing the tops off all those melons with her fan). She seems genuinely interested in his boomerang and impressed that he hunts, and then later, she immediately takes interest in training him in the Kyoshi Warrior style.

After they spar, she casually refers back to the fact that he’s his village’s protector, and this time, she does it without the disbelief and defensiveness. Because he’s finally stopped posturing. He opened himself up and gave himself over to Suki’s expertise, and in that way he proved that he has the will and desire—the heart—of a warrior. And Suki tells him so while touching him gently and gazing at him longingly in the soft golden glow of the late-afternoon sun. And as a die-hard Sokka stan, I love seeing him loved and appreciated like this. Adamantly. Ardently. The Sokka cheerleader in my head is going wild. “YEESSSS!! Our boy deserves this!!” Because we know that, in the animated show, he goes through a lot more struggle and self-doubt before he receives this kind of external validation. And while we also know that this makes for an incredibly satisfying growth arc, I gotta admit that it’s a fun bit of indulgence to watch Suki talk Sokka up directly to his face and then want to kiss him really bad. Y’know. As a treat.

That said, I'm very attached to and appreciative of the way their relationship is framed in the animated series. I love that their respect and affection for each other grows even after the disaster that is their first few interactions. In the LA, they are drawn to each other immediately, and the only barrier seems to be a bit of awkward stepping-in-it-ness. In the original, they have legitimate conflict, and they both have to give a little—Sokka becomes more humble, Suki becomes more tender—before they get to that point of potential romantic interest. And I think it says a lot about Sokka’s character and his desire to learn and grow that he is willing to humble himself in front of someone who, as far as he’s seen, has very little regard for him (slash has a good deal of animosity towards him). Giving himself over to Suki’s expertise costs him more in the animated show. But once he does, he and Suki learn and grow together. He shows Suki who he really is, shows her how dedicated and determined (and fun and a quick learner) he is, to the point that, by the end of the episode, she can allow herself to be vulnerable with him. And she does validate him in the original Kyoshi Warriors episode, just less directly than the LA. Her kiss on his cheek and “...but I’m a girl, too” is about forgiveness and acceptance and acknowledgement and respect, as much as or even more than it is about affection. There’s a little bit of romance, too, but it’s just little baby seeds of it, and it feels very natural to let those seeds germinate over time until we see Suki again later in the series.

Which brings me to the live-action kiss.

I’ll be honest, I was a little on the fence about the kiss. I want Sokka and Suki to kiss as much as possible in every conceivable universe. So there’s a part of me that was banging on the table and whistling with obscene joy. But the other part of me thought it was too much too soon. However, my hesitance pre-supposes some things about the second season (not least of which that there will be one), namely that it will handle the reunion with Suki and crossing the Serpent’s Pass anything like how it was done in the original. (Of course, one thing we now know for certain can't happen in a hypothetical LA season 2 is Suki pranking Sokka at the ferry station because he doesn't recognize her without her makeup. Do I love the expression on LA Sokka's face the first time he sees Suki's? Yes. Am I sad that this completely ruins their whole "You don't remember me? Maybe you'll remember this!" game? Also yes. But truthfully, I don't know if LA Suki would've been up to the prank, anyway. Not sassy enough. ;))

The Serpent’s Pass is one of my favorite episodes of all time, and that moment on the bluffs when Sokka and Suki are talking around Sokka’s loss, with the moon shining down on them all the while, and they almost kiss with the moon hanging between them in the background, and then Sokka pulls away without any other explanation besides, “I can’t”? That scene is so absurdly powerful and beautiful and an amazing moment of character development for them both, and I feel like it loses a lot of impact if they’ve already made out once. The fact that they kiss for the first time after that moonlit moment, when Sokka realizes that Suki doesn’t need protecting the way he thought she did, and in fact she was there to protect him, and he can finally just let go of this burden that he’s been carrying with him since Suki first mentioned she was joining them (slash since his dad put him in charge of an entire village at 13), and then and only then can he open his heart to what he feels for Suki, and in fact opens it so wide that he just cannot help but jam his mouth onto hers before she’s even finished talking…? I mean. C’mon. That’s poetry. But, again…loses impact if they’ve already had a first kiss.

But who knows what, if anything, they’ll actually do with that storyline. So for now, I’ll just enjoy my live-action Sukka kiss because, honestly, dream come true.

Or almost a dream come true. Because there's a huge camelephant in the room that I haven't addressed yet, isn't there? The lack of Sokka in the Kyoshi Warrior uniform...

And I don’t think we can talk about the omission of Sokka’s Kyoshi Warrior uniform without talking about the omission of Sokka’s sexism. Because if Sokka isn’t sexist, then why do you have to put him in the dress and makeup of traditionally female warriors to make a point about how women are strong and capable, too? So here’s what I’ll say about that (and I know there’s a lot that people have said already, so I’ll try not to belabor the point.) I don’t think leaving out Sokka’s sexism was necessarily a detriment to his character arc. I do think, however, that leaving out Sokka’s sexism was a detriment to the message the show was trying to convey about sexism.

Now, in the Northern Water Tribe episodes, the LA still gives us a message about fighting against the kind of systemic, institutionalized sexism that you might not be surprised to encounter within a very old-fashioned society or from a very old-fashioned gray-haired man. But what about the off-the-cuff, everyday kind of sexism that you might experience from an otherwise good person who is close to you? A person who loves you and would do anything for you but who gets carried away teasing you about “girly” things because of intrinsically-held biases that they’re not even that conscious of having?

I think it’s important and meaningful for male and female audiences alike, and everyone in between, to see these different forms of sexism and misogyny—to see them, to recognize those behaviors in others and in ourselves, to be able to name them, and to have examples of fighting against them. We see the former kind—institutionalized, systemic—in Pakku. And we did see the latter kind—familiar, personal—in Sokka. And now that’s lost.

Not only that, but there’s the form of sexism that says boys aren’t allowed to do feminine things lest they relinquish their maleness. And in the animated show, we got to see Sokka combating this form of sexism, too. Not only does Suki show him that girls can be fierce warriors as well as boys, but he learns that wearing makeup and a dress does not make him any less of a young man.

So, yes, I think the lack of Sokka in Kyoshi Warrior garb was a missed opportunity. And not just because Sokka looked really good in uniform and we all should have had the chance to see that, including and especially Suki.

Alright, this is more than long enough, so I'll leave off with a moment from the LA that gave me great pleasure.

I needed this moment, y'all. And I was so afraid it wouldn't happen. I needed Sokka being protective, I needed him using his newfound Kyoshi Warrior skills to fight, and I needed him jumping in front of fire for the girl who'd taught him. If we couldn't have Sokka in the Kyoshi Warrior uniform, at least we had this.

#natla #natla spoilers #sukka #live action atla #netflix atla #spoilers #sokka x suki #suki x sokka #gifs #my gifs #sukka gifs #meta #sukka meta #analysis

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inkskinned · 2 years

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Genuine question, because I don't know a lot about the topic and you're:

If someone identifies as non-binary and genderfluid, which from what I've gathered means something like "human" instead of male or female, doesn't that imply that women are not humans , like whole complete people with richer inner lives? And why is a dislike for (performative) femininity combined with a preference for things that are stereotypically associated with maleness an indicator that one is genderfluid? Does that mean a woman is only a woman if she loves to do make-up, wants to be a mother, only wears skirts, dresses and high heels, shaves daily, is always kind and never angry, has long hair, hates to get dirty and so on? Because I have never met a woman who's exactly like that in my life, but plenty who liked gaming, sports, being loud, opposed to shaving & make-up, who wore pants every day.

I do not believe this is a genuine question, but I'll answer it as if it was, just in case other people have to deal with this, and would like someone who is patient enough to give them the words. The argument you're making here is something that already stems from a deep logical fallacy in the beginning argument. You assume "If you are neither A nor B, and instead C, you think that A cannot be C."

It is a logical fallacy to say "X implies Y" when it does not do so. By this logic, I also believe men are not human. By this logic, I believe only nb people are human.

Some - but not all - rectangles are squares. Some - but not all - animals are dogs. Some humans are nb.

I have given no information about how I present, nor my interests. I am not going to give you that information, because it's irrelevant. What I need you to understand is that, again, you are making the incorrect logical assumption that "If a person dislikes X and likes Y, they must be Z." For all you know, I dislike performative masculinity and like stereotypically feminine preferences.

You then assume your own statement is correct and move forward with your logic as if I had debated you. This is not a "genuine question" about how nb people work, this is assuming being nb is based on a series of preferences.

As a teacher, I do think it's important to tell you: even if this is coming from a genuinely confused place: you are conducting bad research. You begin with an inherently flawed question, as it biased and assumes a position I must defend against - "why don't you see women as people?" Then you make logical conclusions about my personhood and experiences and ask inflammatory questions as if you were debating me, which I am not interested in doing.

If you were my student, and genuinely curious about how nb people see gender, I'd have no trouble with you asking an out nb content creator. If you're really trying to collect information, ask honestly, without personal bias. Here's some examples of what a genuine question would have looked like: - Do your preferences play into your gender identity? - How has being nb informed how you see femininity and masculinity? - What tools do you use to express your gender?

You are mistaking gender expression and gender roles as being part of my identity.

You are most crucially mistaking being nonbinary as being part of the binary and having to exist "in opposition" to other genders in order for it to "make sense". One of the most freeing things about realizing I was nb is that I don't exist in opposition to anything - and also that all gender works similarly.

Gender is a describing word, and this can be confusing for some people. In general, we tend to learn describing words in binary - short/tall, old/young, kind/mean. Therefore, there are (many) people who think - feminine/masculine must be oppositional. Gender is also a feeling word - and again, these are words that can be taught in opposition to each other. Hungry/sated, happy/sad, feminine/masculine.

But because gender is such a rare type of word - feeling and describing - it exists outside of binary. It exists more like art exists.

Green can exist in opposition to red, but it also just exists as its own color. Blue is a part of green, but it is also a part of yellow - blue is still its own color, and yellow is still its own color, and green is still its own color. One painting titled "still-life with fruit" may be a series of vague colors and boxes. Another may be a hyper-realistic singular plum. They are both how the artist expresses their personal vision of the fruit. They might even be by the same artist! And although we may compare them, they are not opposites.

One song by Hozier is not in opposition to one song by Britney Spears. They are different styles, not oppositional styles. You may choose to see them as oppositional - but that is your personal opinion, and not fact. And some people may feel and experience those songs as being actually incredibly in-line with each other.

This is why we say: gender is a spectrum. That all gender roles are made up. Personality, interests, and experiences may shape how someone sees and feels their gender, but it does not define how they see and feel their gender.

When we question gender roles and gender expression like this, it tends to make people upset. People like me tend to make people upset. So much bigotry is based on the lie that "feminine" and "masculine" are oppositional. Opposition is rigid and important - it keeps white hegemonic structures in power. I don't have time or space in this post to talk about how rigid gender roles/enforced gender expression rules are not just sexist but also racist, classist, ableist, homophobic, and bigoted; but I really recommend you do the research on how disruption of the gender binary might put the patriarchy at risk.

The thing you feel trapped by - that "being a woman" is a complicated series of rules - is exactly the kind of thing a nonbinary person would agree with you about. We have to fight hard to be recognized for what is a basic truth about our identity - of course we don't believe that gender expression is equivalent to gender identity.

And truth be told... I think you kind of knew that. I think you kind of knew all of this. I am going to hope that you are young. I'll tell you this: I was raised by someone who was a far-right extremist catholic asshole. I certainly didn't have the research/knowledge/exposure to interrogate this stuff honestly until I was probably 23.

I am so much happier now. I hope one day you get the same opportunities as I had. I hope you choose to move away from bigotry.

love u anyway. all this in kindness only.

#to be deleted #do i accidentally give my short lesson on gender here? yeah #<3 in this u can tell exactly the age that i taught for 15 years lmao #but also like.#yeah you got me.... i have never met a woman before and i totally think women are only fembots #meanwhile every person who has ever read my writing:#every 3rd week this bitch is on her bullshit about how unfair gender rules for women are #this is actually more to help other nb people whom i KNOW get questions like this #than it is to inform the anon #who like v clearly is not doing this in good faith #this is just like the 10th one i got like this #that first logical jump of - you think ur not male or female but human so therefore #women aren't people #was just SO wild .... like #yeah!!! that's totally a normal thing to assume!#do you think people who are like ''well yeah im from america #but i wouldnt consider myself to be from any particular state''#are actually saying ''i don't think states are american''#hell when i say #im cuban but i obvi grew up in america im just the daughter of an immigrant #nobody is like -- well. raquel. that means u think no americans live in cuba huh #anyway love u bye #okay to reblog #!!#love u

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